Browse content similar to Tomato Throwing in Spain. Check below for episodes and series from the same categories and more!
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'You want to see how I get on at the world's biggest food fight? | 0:00:02 | 0:00:04 | |
'Keep watching!' | 0:00:04 | 0:00:05 | |
I have never seen anything like this in my life. | 0:00:05 | 0:00:07 | |
Well, wipe that foodie mess off your goggles, Ed! | 0:00:07 | 0:00:10 | |
Cos you don't want to miss these tasty treats! | 0:00:10 | 0:00:13 | |
Michelle meets a mammoth French monster! | 0:00:13 | 0:00:16 | |
Incroyable! | 0:00:16 | 0:00:18 | |
Naomi's in hiding. | 0:00:18 | 0:00:20 | |
Iain plays ketchup. | 0:00:20 | 0:00:23 | |
Chris finds life a little... | 0:00:23 | 0:00:25 | |
Strange. | 0:00:25 | 0:00:26 | |
Victoria goes Roman about. | 0:00:26 | 0:00:29 | |
And Sam and Mark get tongue-tied. | 0:00:29 | 0:00:30 | |
THEY SHOUT | 0:00:30 | 0:00:33 | |
BELL RINGS | 0:00:33 | 0:00:35 | |
# All over the place | 0:00:36 | 0:00:38 | |
# All over the place | 0:00:38 | 0:00:41 | |
# North, south, east, west On a bizarre quest | 0:00:41 | 0:00:44 | |
# Me and my mates All over the place! | 0:00:44 | 0:00:46 | |
# It's true what you've heard Everything is absurd | 0:00:46 | 0:00:49 | |
# Whatever we do is strange but true! | 0:00:49 | 0:00:52 | |
# All over the place | 0:00:52 | 0:00:54 | |
# All over the place | 0:00:54 | 0:00:57 | |
# There's stuff to do in Europe that is totally ace | 0:00:57 | 0:00:59 | |
-# And it turns up... -# All over the place! # | 0:00:59 | 0:01:02 | |
In France, it's illegal to name a pig Napoleon! | 0:01:07 | 0:01:11 | |
Here we are at the urban jungle which is the French city of Nantes. | 0:01:14 | 0:01:19 | |
A place so unlikely to have any wildlife, | 0:01:19 | 0:01:21 | |
I'm beginning to doubt it even as I speak. | 0:01:21 | 0:01:24 | |
And you just have to look around this metropolis | 0:01:24 | 0:01:26 | |
to ask the question, | 0:01:26 | 0:01:27 | |
why are we here wearing these silly safari outfits? | 0:01:27 | 0:01:30 | |
And yet, we have been told | 0:01:30 | 0:01:32 | |
the species we are about to witness is simply incredible. | 0:01:32 | 0:01:36 | |
Incroyable! | 0:01:36 | 0:01:37 | |
Sorry, yes, incroyable! | 0:01:37 | 0:01:40 | |
What is it again? | 0:01:40 | 0:01:41 | |
Well, it says here on the script that | 0:01:41 | 0:01:43 | |
it's a giant mechanical elephant that you can ride on | 0:01:43 | 0:01:46 | |
and shoots water out of its trunk. | 0:01:46 | 0:01:48 | |
Quite frankly, that is just ridiculous. | 0:01:48 | 0:01:51 | |
A giant mechanical elephant? | 0:01:51 | 0:01:53 | |
You're having a giraffe. | 0:01:53 | 0:01:54 | |
ELEPHANT TOOTS HORN | 0:01:54 | 0:01:57 | |
Argh! | 0:01:59 | 0:02:01 | |
Incroyable! | 0:02:01 | 0:02:02 | |
Incroyable! | 0:02:02 | 0:02:04 | |
While you two dumbos get dried off, check out this guy! | 0:02:04 | 0:02:08 | |
He is incroyable! | 0:02:08 | 0:02:10 | |
This is the grand elephant, | 0:02:10 | 0:02:11 | |
a mechanical machine that you can ride on | 0:02:11 | 0:02:13 | |
and that sprays water out of his trunk! | 0:02:13 | 0:02:16 | |
This area of Nantes used to be famous for shipbuilding, | 0:02:16 | 0:02:20 | |
but now they build amazing mechanical creatures | 0:02:20 | 0:02:22 | |
in this giant old warehouse. | 0:02:22 | 0:02:24 | |
It's known as Les Machines De L'ile | 0:02:24 | 0:02:26 | |
or The Machines Of The Isle Of Nantes. | 0:02:26 | 0:02:28 | |
The elephant stands over 12 metres high. | 0:02:30 | 0:02:32 | |
That's the same as eight All Over The Place cars | 0:02:32 | 0:02:35 | |
stacked on top of each other! | 0:02:35 | 0:02:37 | |
Ed and Michelle! | 0:02:37 | 0:02:39 | |
You have 35 seconds to find out as much as you can | 0:02:39 | 0:02:42 | |
about Les Machines De L'ile. | 0:02:42 | 0:02:45 | |
Ed, you have Thomas. | 0:02:45 | 0:02:47 | |
He knows all about the elephant. | 0:02:47 | 0:02:49 | |
Michelle, you have Camille, | 0:02:49 | 0:02:51 | |
who knows all about the other machines in the park. | 0:02:51 | 0:02:54 | |
Trois, deux, un, allez! | 0:02:54 | 0:02:57 | |
Er... Parlez-vous...anglais?! | 0:02:59 | 0:03:01 | |
-Oui, yes. -Tres bien. | 0:03:01 | 0:03:03 | |
-Have you got a favourite animal? -Yes, this one. The caterpillar. | 0:03:03 | 0:03:06 | |
-Do you need qualifications to drive it? -Yes. | 0:03:06 | 0:03:08 | |
-Why was it your favourite? -Erm... Because it's like dancing. | 0:03:08 | 0:03:12 | |
Yeah, it's like... | 0:03:12 | 0:03:14 | |
Could you get in trouble for parking it in the wrong place? | 0:03:14 | 0:03:17 | |
Get a big fine? | 0:03:17 | 0:03:18 | |
-You won't get a fine, but your car will be crushed. -Oh. | 0:03:18 | 0:03:20 | |
Who was the inspiration for this place? | 0:03:20 | 0:03:22 | |
It's a very famous writer whose name is Jules Verne. | 0:03:22 | 0:03:27 | |
-Has it ever broken down? -Yes, a lot. | 0:03:27 | 0:03:29 | |
-Has it... Oh! -KLAXON SOUNDS | 0:03:29 | 0:03:32 | |
-Oh, time's up! -OK! -High-five it. -High-five! Whoo! | 0:03:32 | 0:03:35 | |
And the winner is... | 0:03:35 | 0:03:38 | |
Ed! | 0:03:38 | 0:03:39 | |
Yes! | 0:03:39 | 0:03:40 | |
As a special treat, | 0:03:40 | 0:03:42 | |
-I have arranged a unique urban safari on the famous elephant. -Whoa! | 0:03:42 | 0:03:46 | |
-Oh, it'll be no fun on my own. You can come too. -Yeah! | 0:03:46 | 0:03:48 | |
MUSIC: Elephant by Tame Impala | 0:03:48 | 0:03:52 | |
Bonjour! | 0:03:52 | 0:03:53 | |
The grand elephant can carry up to 50 passengers at one time | 0:04:00 | 0:04:03 | |
and it travels at an amazing top speed of... | 0:04:03 | 0:04:05 | |
3km per hour?! That's not very fast. | 0:04:05 | 0:04:08 | |
But what it lacks in speed, it makes up for in size and sound. | 0:04:08 | 0:04:11 | |
Just listen to that horn! | 0:04:11 | 0:04:13 | |
ELEPHANT TOOTS HORN | 0:04:13 | 0:04:15 | |
The horn is operated inside the body of the elephant | 0:04:15 | 0:04:17 | |
using a specially-designed device | 0:04:17 | 0:04:19 | |
that works a bit like holding a balloon | 0:04:19 | 0:04:21 | |
and letting the air out of the end. | 0:04:21 | 0:04:24 | |
I wonder what inspirational French author Jules Verne... | 0:04:24 | 0:04:27 | |
-IMITATING FRENCH ACCENT: -..would 'ave made of these magnifique creatures. | 0:04:27 | 0:04:31 | |
Welcome to La Galerie des Machines, | 0:04:31 | 0:04:34 | |
inspired by the designs of Leonardo da Vinci. | 0:04:34 | 0:04:37 | |
-IMITATING FRENCH ACCENT: -And me! 19th-century novelist, | 0:04:37 | 0:04:40 | |
playwright and poet, Jules Verne, | 0:04:40 | 0:04:42 | |
createur of marvellous, magical worlds. | 0:04:42 | 0:04:45 | |
Indeed, Mr Verne. | 0:04:45 | 0:04:46 | |
Let me introduce you to the giant ant. | 0:04:46 | 0:04:49 | |
It invites four passengers on board and they help to... | 0:04:50 | 0:04:53 | |
Sorry, please, don't touch that. | 0:04:53 | 0:04:55 | |
Don't touch it. | 0:04:55 | 0:04:57 | |
They help to manoeuvre the legs, the head and the mouth. | 0:04:57 | 0:04:59 | |
It reminds me of my adventure story, | 0:04:59 | 0:05:02 | |
Journey To The Centre Of The Earthworm. | 0:05:02 | 0:05:06 | |
Don't you mean A Journey To The Centre Of The Earth? | 0:05:06 | 0:05:09 | |
I think I know my own novels, Madame. | 0:05:09 | 0:05:12 | |
HE SNORTS IN DISGUST | 0:05:12 | 0:05:14 | |
And this is the marvellous heron bird. | 0:05:14 | 0:05:17 | |
It has the ability to fly across the main hall, | 0:05:17 | 0:05:20 | |
above the magnificent heron tree, | 0:05:20 | 0:05:22 | |
where real-life plants and mechanical ones live together side by side. | 0:05:22 | 0:05:27 | |
Monsieur Verne! Get out of there, please! | 0:05:27 | 0:05:29 | |
Non! | 0:05:29 | 0:05:30 | |
I like this flying device. | 0:05:30 | 0:05:31 | |
It reminds me of a tale of intrepid travel | 0:05:31 | 0:05:34 | |
which I wrote in the year 1873 | 0:05:34 | 0:05:37 | |
entitled Around The Car Park In Eight And A Half Minutes. | 0:05:37 | 0:05:41 | |
I think you mean Around The World In 80 Days. | 0:05:41 | 0:05:44 | |
I don't recall a car park, Mr Verne. | 0:05:44 | 0:05:46 | |
How dare you, tour guide lady! | 0:05:46 | 0:05:48 | |
Questioning me, the famous Jules Verne! | 0:05:48 | 0:05:51 | |
Now, this is the truly extraordinary Carrousel Des Mondes Marins. | 0:05:51 | 0:05:56 | |
It is split over three different levels | 0:05:56 | 0:05:59 | |
and stands at a whopping 25 metres high. | 0:05:59 | 0:06:02 | |
Regarde! It is an inspiration to all. | 0:06:02 | 0:06:05 | |
And reminds me of a tale of a terrifying sea bird | 0:06:05 | 0:06:09 | |
that I penned in the year 1870 | 0:06:09 | 0:06:11 | |
entitled 20 Centimetres Under The Sea. | 0:06:11 | 0:06:15 | |
Now, I'm sure you mean 20,000 Leagues Under The Sea. | 0:06:15 | 0:06:19 | |
The voyage of Captain Nemo to the bottom of the ocean. | 0:06:19 | 0:06:22 | |
20 centimetres really isn't that deep or terrifying, Mr Verne. | 0:06:22 | 0:06:26 | |
Um, actually, I think you might be right. | 0:06:26 | 0:06:28 | |
You're not the real Jules Verne, are you? | 0:06:28 | 0:06:31 | |
Non. | 0:06:31 | 0:06:33 | |
My name is...Dave. | 0:06:33 | 0:06:34 | |
I'm from Lewisham. | 0:06:35 | 0:06:36 | |
The longest tie in the world comes from Croatia. | 0:06:41 | 0:06:43 | |
It was over 800 metres long, | 0:06:43 | 0:06:45 | |
and was tied around a famous monument! | 0:06:45 | 0:06:48 | |
MUSIC: Fix Up, Look Sharp by Dizzee Rascal | 0:06:53 | 0:06:56 | |
Hey, Ed! | 0:06:56 | 0:06:57 | |
Oh, loving the cravat. | 0:06:57 | 0:07:00 | |
That is what this is, isn't it? | 0:07:00 | 0:07:01 | |
Yes, it is, because unlike some people, | 0:07:01 | 0:07:03 | |
I respect the customs of the country that I'm visiting, | 0:07:03 | 0:07:06 | |
which is why I'm here for the traditional changing of the cravat. | 0:07:06 | 0:07:09 | |
Changing of the cravat? | 0:07:09 | 0:07:11 | |
Yes, haven't changed this one for a fortnight, | 0:07:11 | 0:07:13 | |
-and trust me, it needs changing... -That's gross. -..for this one. | 0:07:13 | 0:07:17 | |
Ed, I think there's been some big mix-up here. | 0:07:17 | 0:07:20 | |
We're here for the changing of the guard of the Cravat Regiment. | 0:07:20 | 0:07:23 | |
It's a tradition here. Look. | 0:07:23 | 0:07:25 | |
You see? Nothing to do with | 0:07:26 | 0:07:27 | |
your horrible, tasteless choice of cravats. | 0:07:27 | 0:07:30 | |
Um, I'll have you know that these are very stylish. | 0:07:30 | 0:07:33 | |
You like my cravats, don't you? | 0:07:33 | 0:07:34 | |
He likes them. | 0:07:36 | 0:07:37 | |
Likes them? He loves them! | 0:07:39 | 0:07:41 | |
And so do the rest of the Croatian Cravat Regiment! | 0:07:41 | 0:07:44 | |
Someone from Croatia is called a Croat | 0:07:44 | 0:07:46 | |
and years ago, people saw Croatian soldiers wearing natty scarves | 0:07:46 | 0:07:50 | |
and called them after the folk themselves. | 0:07:50 | 0:07:52 | |
But, they mispronounced Croat as Cravat! | 0:07:52 | 0:07:56 | |
But that's not the end of the story, Ed. | 0:07:56 | 0:07:58 | |
Cos, over the years, the cravat has developed into the tie, | 0:07:58 | 0:08:00 | |
which is now worn around the world, | 0:08:00 | 0:08:02 | |
so Croatia is the home of the tie too! | 0:08:02 | 0:08:04 | |
Right, oh, which is why you've brought me to this tie shop. | 0:08:04 | 0:08:06 | |
Exactly! | 0:08:06 | 0:08:07 | |
(She's so organised.) | 0:08:07 | 0:08:09 | |
MUSIC: Sharp Dressed Man by ZZ Top | 0:08:09 | 0:08:13 | |
Does everyone in Croatia wear a tie all the time, everywhere they go? | 0:08:13 | 0:08:16 | |
It's not like we're born with ties | 0:08:16 | 0:08:18 | |
or just, you know, put on a tie and pop out and have a coffee. | 0:08:18 | 0:08:20 | |
But, you know, most people in Croatia, | 0:08:20 | 0:08:22 | |
most of the time do wear ties, you know, | 0:08:22 | 0:08:24 | |
for work and everyday stuff. | 0:08:24 | 0:08:26 | |
So, what's the most expensive tie that you have in this shop? | 0:08:26 | 0:08:30 | |
The most expensive tie, currently, that we have in the shop | 0:08:30 | 0:08:32 | |
is the line right behind you. | 0:08:32 | 0:08:34 | |
See these sparkly things? | 0:08:34 | 0:08:36 | |
This is actually | 0:08:36 | 0:08:38 | |
-24-carat gold threads. -NAOMI GASPS | 0:08:38 | 0:08:41 | |
This tie is £328.30, | 0:08:41 | 0:08:44 | |
but the most expensive tie in the world, covered in diamonds, | 0:08:44 | 0:08:48 | |
cost an eye-watering £136,000! | 0:08:48 | 0:08:51 | |
I kid you not! | 0:08:51 | 0:08:53 | |
How many different knots are there? | 0:08:53 | 0:08:55 | |
There are like 85 knots that are like the most popular | 0:08:55 | 0:08:59 | |
and like the most used. | 0:08:59 | 0:09:01 | |
And there are five, six knots | 0:09:01 | 0:09:03 | |
-that you can actually see like everyday in the street. -Wow. | 0:09:03 | 0:09:06 | |
I better start practising. | 0:09:06 | 0:09:07 | |
MUSIC: Pretty Woman by Roy Orbison | 0:09:07 | 0:09:11 | |
Urgh, the tie's meant to be under the collar. | 0:09:11 | 0:09:14 | |
Where's the knot?! | 0:09:18 | 0:09:19 | |
Oh! You're so KNOT taking this seriously, Ed! | 0:09:21 | 0:09:25 | |
Finally! Oh, that's more like it. That's... | 0:09:27 | 0:09:30 | |
-Hang on. -Yeah, I know, Naomi. | 0:09:31 | 0:09:33 | |
I don't think he's ever going to be a tie-tying champion. | 0:09:33 | 0:09:36 | |
Welcome to Tie Mania! | 0:09:37 | 0:09:41 | |
The ultimate knot-tying event! | 0:09:41 | 0:09:43 | |
No other aggressive, wrestling-themed, | 0:09:43 | 0:09:45 | |
high-flying competition comes close... | 0:09:45 | 0:09:48 | |
Because there aren't any! | 0:09:48 | 0:09:51 | |
Tonight, we have, possibly, the greatest knot-off ever seen. | 0:09:51 | 0:09:55 | |
In the red corner, | 0:09:55 | 0:09:57 | |
the undefeated tie-tying master of disaster himself, | 0:09:57 | 0:10:01 | |
Tie-Phoon! | 0:10:01 | 0:10:04 | |
HE GROWLS | 0:10:08 | 0:10:10 | |
And in the blue corner, the challenger. | 0:10:12 | 0:10:15 | |
The tassel-tying terror, Triple Knot! | 0:10:15 | 0:10:19 | |
SPINE CRUNCHES | 0:10:23 | 0:10:25 | |
-BELL RINGS -And they're off! | 0:10:25 | 0:10:27 | |
Tie-Phoon goes for the throat. | 0:10:27 | 0:10:29 | |
His own throat, mind, with a simple Half Windsor! | 0:10:29 | 0:10:33 | |
It's simple, but effective. | 0:10:34 | 0:10:37 | |
How will Triple Knot counter such a solid start? | 0:10:37 | 0:10:40 | |
-Argh! -It's a Novotny knot! | 0:10:42 | 0:10:45 | |
So elegant, so complex. | 0:10:45 | 0:10:46 | |
Tie-Phoon is blown away! | 0:10:46 | 0:10:49 | |
What will be his answer? | 0:10:49 | 0:10:50 | |
Argh! Ha, ha! | 0:10:53 | 0:10:55 | |
He's made a right monkey's fist of it, literally! | 0:10:55 | 0:10:58 | |
That's the name of the knot! | 0:10:58 | 0:11:00 | |
Is impressive, but it's only for decoration! | 0:11:00 | 0:11:02 | |
It's not the knot he needs! | 0:11:02 | 0:11:04 | |
What will be Triple Knot's response? | 0:11:05 | 0:11:07 | |
Whoa! | 0:11:07 | 0:11:09 | |
Noooo! | 0:11:09 | 0:11:13 | |
Mind your laces. We don't want you tripping up, do we? | 0:11:14 | 0:11:16 | |
Aw, thanks for that, mate. | 0:11:16 | 0:11:17 | |
Ooh! Reef knot. Classic. | 0:11:17 | 0:11:19 | |
Well, folks! It looks like this match... | 0:11:20 | 0:11:23 | |
is a tie! | 0:11:23 | 0:11:24 | |
BOTH: Whoa! | 0:11:27 | 0:11:28 | |
Sicily is closer to Africa than Rome! | 0:11:34 | 0:11:37 | |
# Agrigento | 0:11:44 | 0:11:46 | |
# Agrigento | 0:11:46 | 0:11:48 | |
# Agrigento | 0:11:48 | 0:11:50 | |
# Agrigento | 0:11:50 | 0:11:52 | |
# Agrigento | 0:11:52 | 0:11:54 | |
# Agrigento | 0:11:54 | 0:11:56 | |
# Agrigento | 0:11:56 | 0:11:58 | |
# Agrigento | 0:11:58 | 0:11:59 | |
# Here we are in Agrigento | 0:11:59 | 0:12:03 | |
# In southwest Sicily | 0:12:03 | 0:12:06 | |
# At the site of what was once | 0:12:07 | 0:12:10 | |
# An Ancient Greek colony | 0:12:10 | 0:12:14 | |
# But its walls came tumbling down | 0:12:14 | 0:12:17 | |
# And all that's left As you can see | 0:12:17 | 0:12:21 | |
# Are the ruins of places of worship | 0:12:21 | 0:12:25 | |
# In the Valle dei Templi | 0:12:25 | 0:12:28 | |
-BOTH: # And if you close your eyes -Agrigento | 0:12:30 | 0:12:33 | |
-# It almost feels like -Agrigento | 0:12:33 | 0:12:35 | |
-# We're in Ancient Greece -Agrigento | 0:12:35 | 0:12:37 | |
-# Watching the sunrise -Agrigento | 0:12:37 | 0:12:40 | |
-# In temples that were built -Agrigento | 0:12:40 | 0:12:43 | |
-# They seem due east -Agrigento | 0:12:43 | 0:12:46 | |
# Here in the Valley of the Temples | 0:12:46 | 0:12:49 | |
# Here in the Valley of the Temples | 0:12:49 | 0:12:53 | |
# Temple of Concord | 0:12:53 | 0:12:56 | |
# Temple of Juno | 0:12:56 | 0:12:58 | |
# Temple of Hercules | 0:12:58 | 0:13:01 | |
# Where the Greeks would come to pray | 0:13:01 | 0:13:04 | |
# To Gods in times BC | 0:13:04 | 0:13:07 | |
# And the ruined temple of Zeus | 0:13:08 | 0:13:12 | |
# Was once the greatest of them all | 0:13:12 | 0:13:16 | |
# And these giant stone figures | 0:13:16 | 0:13:19 | |
# Once held up its mighty walls | 0:13:19 | 0:13:22 | |
-BOTH: # And if you close your eyes -Agrigento | 0:13:24 | 0:13:27 | |
-# It almost feels like -Agrigento | 0:13:27 | 0:13:29 | |
-# We're in that ancient town -Agrigento | 0:13:29 | 0:13:32 | |
-# Watch the temples' demise -Agrigento | 0:13:32 | 0:13:34 | |
-# As the Carthaginians -Agrigento | 0:13:34 | 0:13:37 | |
-# Tear our walls down -Agrigento | 0:13:37 | 0:13:41 | |
# Here in the Valley of the Temples | 0:13:41 | 0:13:44 | |
# Here in the Valley of the Temples | 0:13:44 | 0:13:47 | |
# This place was named Akragas | 0:13:48 | 0:13:51 | |
# Once a powerful city | 0:13:51 | 0:13:54 | |
-# Was named after a river and a crab -Crab | 0:13:55 | 0:13:59 | |
# Even had its own currency | 0:13:59 | 0:14:02 | |
-BOTH: # And if you close your eyes -Agrigento | 0:14:03 | 0:14:06 | |
-# It almost feels like -Agrigento | 0:14:06 | 0:14:08 | |
-# We've gone back in time -Agrigento | 0:14:08 | 0:14:11 | |
-# Wish I'd been alive -Agrigento | 0:14:11 | 0:14:14 | |
-# To see this ancient city -Agrigento | 0:14:14 | 0:14:17 | |
-# In its prime -Agrigento | 0:14:17 | 0:14:20 | |
# Here in the Valley of the Temples | 0:14:20 | 0:14:24 | |
# Here in the Valley of the Temples | 0:14:24 | 0:14:27 | |
# Agrigento | 0:14:27 | 0:14:29 | |
# Agrigento | 0:14:29 | 0:14:31 | |
# Agrigento | 0:14:31 | 0:14:33 | |
# Agrigento! # | 0:14:33 | 0:14:35 | |
It's thought the cuckoo clock was invented in Germany | 0:14:46 | 0:14:49 | |
in the 18th century. | 0:14:49 | 0:14:51 | |
Cuckoo, cuckoo! | 0:14:51 | 0:14:53 | |
-DISTORTED: -Weird. | 0:14:55 | 0:14:57 | |
Unreal. | 0:14:57 | 0:14:59 | |
Far out. | 0:14:59 | 0:15:01 | |
Strange. | 0:15:01 | 0:15:03 | |
Ordinary objects... | 0:15:04 | 0:15:06 | |
Made into extraordinary art... | 0:15:06 | 0:15:09 | |
-BOTH: -At Berlin's Museum of the Surreal. | 0:15:09 | 0:15:14 | |
This is The Museum of the Surreal in Berlin - | 0:15:27 | 0:15:31 | |
jam-packed with ordinary objects placed in a certain way | 0:15:31 | 0:15:35 | |
to make them look surreal. | 0:15:35 | 0:15:37 | |
Surreal means unreal or bizarre looking. | 0:15:37 | 0:15:40 | |
Let's hope we're not disturbed by what we are about to see! | 0:15:40 | 0:15:43 | |
As if Ed and Chris aren't disturbing enough already. | 0:15:43 | 0:15:46 | |
Maybe there's no-one else here. | 0:15:46 | 0:15:49 | |
-I'm here. -Ah, you must be Vlad. -Yes, it's me. | 0:15:49 | 0:15:52 | |
It's a bit scary in here. | 0:15:52 | 0:15:54 | |
No, it looks scary, but there is only positive things. | 0:15:54 | 0:15:57 | |
I want to show that real life can be more interesting | 0:15:57 | 0:16:00 | |
than fantasy movies. | 0:16:00 | 0:16:02 | |
-Can we have a look around? -Of course, of course, no problem. | 0:16:02 | 0:16:05 | |
-You are welcome. I'm a very friendly director. -I can see that. | 0:16:05 | 0:16:09 | |
Each of these objects had a previous life as an everyday item, | 0:16:10 | 0:16:14 | |
and you wouldn't have looked twice at them. | 0:16:14 | 0:16:16 | |
But now they've been placed together as exhibits in this unique | 0:16:16 | 0:16:19 | |
museum, some of them look very strange indeed! | 0:16:19 | 0:16:23 | |
At first, I thought this was a prosthetic limb, | 0:16:23 | 0:16:25 | |
but look at the height, perfect for a high-five? | 0:16:25 | 0:16:28 | |
I think that this is in case you want to celebrate, | 0:16:28 | 0:16:30 | |
but you're all on your own. | 0:16:30 | 0:16:32 | |
-You just...get a quick high-five. -Oh, right. | 0:16:32 | 0:16:34 | |
You'll get a lot of use out of it, then. | 0:16:34 | 0:16:36 | |
Oh, don't listen to Ed. | 0:16:36 | 0:16:38 | |
You were right, first time, Chris. | 0:16:38 | 0:16:40 | |
This IS a replacement hand! | 0:16:40 | 0:16:41 | |
Look at this. It's like a personal submarine. | 0:16:41 | 0:16:44 | |
Funnily enough, this is actually made out of submarine parts. | 0:16:44 | 0:16:47 | |
It's an iron lung. | 0:16:47 | 0:16:49 | |
So that people whose lungs were damaged could breathe artificially. | 0:16:49 | 0:16:53 | |
And how long would someone be in one of these things? | 0:16:53 | 0:16:55 | |
Well, there was a woman who went into one of these | 0:16:55 | 0:16:57 | |
when she was 20 years old and she was 80 when she died. | 0:16:57 | 0:17:00 | |
This is Vlad's favourite object. | 0:17:01 | 0:17:03 | |
Oh, I love this. | 0:17:05 | 0:17:07 | |
I kind of want to take it home. | 0:17:07 | 0:17:08 | |
It looks like the sort of thing you could | 0:17:08 | 0:17:10 | |
win as a prize on a surreal-art-based game show. | 0:17:10 | 0:17:13 | |
'Hello, welcome...' | 0:17:13 | 0:17:14 | |
and guten Tag to Real Or Surreal, | 0:17:14 | 0:17:18 | |
everyone's favourite surreal-art-based game show. | 0:17:18 | 0:17:22 | |
Our contestant has to find objects in the museum and tell me what | 0:17:22 | 0:17:26 | |
their function was before they were turned into pieces of surreal art. | 0:17:26 | 0:17:31 | |
So let's meet our first contestant, Christine! | 0:17:31 | 0:17:34 | |
Excuse me, you're being very loud. We can hear you two rooms over. | 0:17:34 | 0:17:37 | |
Do you like the museum? | 0:17:37 | 0:17:39 | |
Yeah, I love it. I think the objects in it are great. | 0:17:39 | 0:17:41 | |
Likes the sound of his own voice, doesn't he? | 0:17:41 | 0:17:44 | |
Can you find me a brown spherical object in a green metal stand? | 0:17:45 | 0:17:50 | |
-I think I can, yeah. -Go on, then. | 0:17:50 | 0:17:53 | |
-I'll give you a clue, it's over there. -Oh, right. | 0:17:53 | 0:17:56 | |
And while he's finding that... | 0:17:56 | 0:17:58 | |
Did you know that surreal actually means super-real or beyond reality? | 0:17:58 | 0:18:03 | |
Found it! | 0:18:03 | 0:18:05 | |
So what do you think it is? | 0:18:05 | 0:18:06 | |
Maybe it's an unpainted metal globe. | 0:18:06 | 0:18:10 | |
It is in fact a 1930s washing machine. | 0:18:10 | 0:18:13 | |
Can you find a metal box with a glass top on it? | 0:18:16 | 0:18:21 | |
Yeah, I think I could probably find that. | 0:18:21 | 0:18:23 | |
Arr! | 0:18:23 | 0:18:24 | |
Did you know that surreal things often represent unconscious | 0:18:24 | 0:18:28 | |
thoughts or dreams? | 0:18:28 | 0:18:29 | |
-Oh, I'm having a nightmare. -I've got it! | 0:18:29 | 0:18:32 | |
So, what do you think it is? | 0:18:33 | 0:18:35 | |
At first, I thought it was maybe a spaceship for a cat, | 0:18:35 | 0:18:38 | |
but then I realised it actually kind of looks like a street lamp, | 0:18:38 | 0:18:41 | |
so I'm going to say it's a German street lamp. | 0:18:41 | 0:18:43 | |
Unfortunately, the answer I was looking for was Berlin street lamp. | 0:18:43 | 0:18:47 | |
-So technically, it's correct. -No, it's on the card, no. | 0:18:47 | 0:18:51 | |
What a shame. | 0:18:51 | 0:18:52 | |
You must find a metal pole with five metal rings wrapped around it. | 0:18:55 | 0:18:59 | |
I'll give you a clue - it looks a bit surreal. | 0:18:59 | 0:19:03 | |
-Not much of a clue. -Off you go. | 0:19:03 | 0:19:05 | |
-Um... -You took your time. | 0:19:05 | 0:19:08 | |
Right, what is this? | 0:19:08 | 0:19:10 | |
Uh...I've not even seen it yet. | 0:19:10 | 0:19:12 | |
It's a utensil for washing clothes. | 0:19:12 | 0:19:15 | |
You put it in the water and you go like this. | 0:19:15 | 0:19:17 | |
Very simple, just like you. | 0:19:17 | 0:19:19 | |
Well, I'm afraid you've lost, so I have to award you the booby prize. | 0:19:19 | 0:19:24 | |
You have to put this on top of your head and stay here forever. | 0:19:24 | 0:19:28 | |
Goodbye! Stay there. | 0:19:28 | 0:19:29 | |
The famous Spanish painter Pablo Picasso | 0:19:35 | 0:19:38 | |
has actually got 23 names - Pablo Diego Jose Francisco de Paula... | 0:19:38 | 0:19:42 | |
Iain, why do you keep carrying around that stupid tomato? | 0:19:49 | 0:19:52 | |
Don't listen to him, Tommy. | 0:19:52 | 0:19:53 | |
He doesn't understand our unique relationship. | 0:19:53 | 0:19:55 | |
You can't talk to fruit, it's weird. | 0:19:55 | 0:19:57 | |
You used to talk to plants! | 0:19:57 | 0:19:59 | |
-Nobody is looking for a cactus boyfriend. -I am! | 0:19:59 | 0:20:03 | |
That's different, very different. | 0:20:03 | 0:20:05 | |
And this breaks all sorts of rules about plant life crossing | 0:20:05 | 0:20:08 | |
international borders. | 0:20:08 | 0:20:10 | |
Look, Ed, me and Tommy have been through a lot. | 0:20:10 | 0:20:12 | |
# A chance to talk A chance to grow... # | 0:20:12 | 0:20:16 | |
And this tomato appreciation event is going to be | 0:20:19 | 0:20:22 | |
the pinnacle of our relationship. | 0:20:22 | 0:20:24 | |
Yes, it is. | 0:20:24 | 0:20:25 | |
Actually, I suppose it is a good idea you brought him along today. | 0:20:25 | 0:20:29 | |
-Tommy, no! -I'm sorry, Iain, those are the rules of the event. | 0:20:30 | 0:20:34 | |
You can't throw a tomato unless it has been squashed first. | 0:20:34 | 0:20:38 | |
You'll pay for this. | 0:20:40 | 0:20:41 | |
You'll pay! | 0:20:41 | 0:20:44 | |
Now you're getting it! | 0:20:44 | 0:20:45 | |
Don't worry about Tommy, he's come to the right place | 0:20:45 | 0:20:48 | |
because 120 tonnes of tomatoes get squished | 0:20:48 | 0:20:51 | |
and then thrown here at La Tomatina - | 0:20:51 | 0:20:54 | |
the world's biggest food fight! | 0:20:54 | 0:20:56 | |
Every year, 20,000 people descend on Bunol's cobbled streets to | 0:20:56 | 0:21:00 | |
get covered from head to toma-toe in tomatoes! | 0:21:00 | 0:21:04 | |
Did you know that tomatoes are in fact a fruit, not a vegetable? | 0:21:04 | 0:21:08 | |
They contain ascorbic acid, which is | 0:21:08 | 0:21:10 | |
very good for the skin. But the locals aren't | 0:21:10 | 0:21:13 | |
bothered about that - they just want to protect their houses | 0:21:13 | 0:21:15 | |
from the onslaught of squashed tomatoes. Ready for La Tomatina! | 0:21:15 | 0:21:20 | |
So why do you have a tomato-throwing festival? | 0:21:20 | 0:21:22 | |
Because it was a little bit crazy. | 0:21:22 | 0:21:24 | |
One day in the middle of a parade, | 0:21:24 | 0:21:26 | |
one of them was angry with another one | 0:21:26 | 0:21:28 | |
and tried to throw the first tomato. | 0:21:28 | 0:21:30 | |
Oh, so basically it was a normal festival, | 0:21:30 | 0:21:32 | |
-but there was a food fight and it got a bit out of control. -Yes. | 0:21:32 | 0:21:35 | |
So what sort of tomatoes are they? | 0:21:35 | 0:21:37 | |
They are special tomatoes. They are grown especially for La Tomatina. | 0:21:37 | 0:21:40 | |
So they're not for eating? | 0:21:40 | 0:21:41 | |
-No. -What's different about them, then? | 0:21:41 | 0:21:44 | |
Their size is different. They're larger. And they are soft. | 0:21:44 | 0:21:47 | |
-So if you threw one at Ed's big nose, it'd be OK. -Yeah. | 0:21:47 | 0:21:52 | |
I think my nose will look like a tomato by the end of the day, | 0:21:52 | 0:21:54 | |
by the sounds of it. | 0:21:54 | 0:21:56 | |
Over 60 different nationalities compete to be crowned... | 0:21:56 | 0:21:59 | |
Well, there is no winner, really, they all just get | 0:21:59 | 0:22:01 | |
covered in squashed tomatoes! | 0:22:01 | 0:22:03 | |
I think you might need some stylish eye protection, boys! | 0:22:03 | 0:22:06 | |
This is a bit more extreme than I realised, I think. | 0:22:06 | 0:22:09 | |
We wear the glasses for the tomato juice. | 0:22:09 | 0:22:12 | |
-Because it is dangerous for the eyes. -Right. | 0:22:12 | 0:22:16 | |
Well, we'll need to get you some ridiculous goggles then, Ed. | 0:22:16 | 0:22:19 | |
So, what's going to happen to us? | 0:22:19 | 0:22:21 | |
-You're going to receive a lot of tomatoes. -Yeah. | 0:22:21 | 0:22:25 | |
-There's going to be tomato... -WOMAN: -Tomato! | 0:22:25 | 0:22:27 | |
Thank you. That woman just clarified your point. | 0:22:27 | 0:22:30 | |
What's it like when the tomatoes hit you? What does it feel like? | 0:22:30 | 0:22:33 | |
-Well, you're going to be on the top of one truck. -Yes. | 0:22:33 | 0:22:36 | |
-So you're going to be a target... -Brilliant. | 0:22:36 | 0:22:39 | |
..for 22,000 people. | 0:22:39 | 0:22:42 | |
That's right, Ed and Iain are going to be put to work | 0:22:42 | 0:22:45 | |
dishing out the tomatoes by hand to these food fighters below. | 0:22:45 | 0:22:49 | |
Five dumper trucks filled with | 0:22:49 | 0:22:50 | |
tomatoes wind their way down the 400-metre street with up | 0:22:50 | 0:22:54 | |
to 40 people in each one giving out the tomatoes to be thrown. | 0:22:54 | 0:22:58 | |
Ed and Iain will have to stay as clean as possible to win | 0:22:58 | 0:23:01 | |
the All Over The Place trophy. | 0:23:01 | 0:23:03 | |
I think it's time for a costume-change montage! | 0:23:03 | 0:23:06 | |
I need a bit of privacy. | 0:23:06 | 0:23:08 | |
Two television presenters. | 0:23:08 | 0:23:10 | |
Two pristine white boiler suits. | 0:23:10 | 0:23:13 | |
20,000 angry people. | 0:23:13 | 0:23:15 | |
And over 120 tonnes of tomatoes. | 0:23:15 | 0:23:18 | |
This. Could. Get. Messy! | 0:23:18 | 0:23:22 | |
Oh, I've got a stain on my sleeve! | 0:23:22 | 0:23:25 | |
Messier than that, Ed. | 0:23:25 | 0:23:27 | |
May the cleanest man win. | 0:23:27 | 0:23:29 | |
Well, I'm sure being dressed like this won't attract | 0:23:29 | 0:23:32 | |
the interest of a tomato-hurling crowd. | 0:23:32 | 0:23:35 | |
Ignore me, Spanish person! | 0:23:35 | 0:23:36 | |
I am merely a television presenter from a TV programme. | 0:23:36 | 0:23:40 | |
Oh, my! Ow! | 0:23:40 | 0:23:42 | |
Ed and Iain will have to stay clean for just one hour, but | 0:23:42 | 0:23:46 | |
they will be sitting right here, on top of around 30,000 tomatoes! | 0:23:46 | 0:23:50 | |
Ooooh! | 0:23:53 | 0:23:54 | |
I've never trodden on this much food before! | 0:23:54 | 0:23:57 | |
They are now harnessed in and ready for the food fiesta to begin. | 0:24:00 | 0:24:04 | |
If I had to describe the atmosphere now, I'd say - contained chaos? | 0:24:04 | 0:24:08 | |
This is probably under the surface. | 0:24:08 | 0:24:10 | |
Our plans to stay clean so far have been unsuccessful. | 0:24:10 | 0:24:14 | |
And everyone is telling us we shouldn't be down in the front | 0:24:14 | 0:24:16 | |
because we are dressed all in white and we are now targets. | 0:24:16 | 0:24:19 | |
The word target has been used far too much today for my liking. | 0:24:19 | 0:24:22 | |
Oh, right, that's my bum imprint! | 0:24:22 | 0:24:24 | |
Wuah, lovely! | 0:24:24 | 0:24:26 | |
The tension is mounting. The crowd awaits. | 0:24:28 | 0:24:30 | |
Ed and Iain are on the move! | 0:24:34 | 0:24:37 | |
There is no turning back now! | 0:24:37 | 0:24:38 | |
Keep me clean, guys! | 0:24:38 | 0:24:40 | |
Tres, dos, uno, tomato! | 0:24:40 | 0:24:44 | |
Aaaah! | 0:24:46 | 0:24:47 | |
It's the end of the world! With fruit! | 0:24:56 | 0:24:59 | |
Look down there! | 0:25:04 | 0:25:05 | |
I have never seen anything like this in my life. | 0:25:08 | 0:25:11 | |
There just seems to be an endless supply of tomatoes. | 0:25:14 | 0:25:17 | |
It's tomato mayhem! | 0:25:30 | 0:25:32 | |
And at the halfway stage, it looks like Iain is a shade less red | 0:25:32 | 0:25:35 | |
than Ed. But there is still 30 minutes left to dodge the tomatoes. | 0:25:35 | 0:25:39 | |
MUSIC SOUNDS | 0:25:39 | 0:25:42 | |
HE SCREAMS | 0:25:42 | 0:25:46 | |
I've never been more tomatoey in my entire life! | 0:25:46 | 0:25:49 | |
I know it looks bonkers, but all that's hurt is | 0:25:52 | 0:25:54 | |
people's pride when they get covered in 120 tonnes of the red stuff! | 0:25:54 | 0:25:58 | |
Remember, this is the world biggest ORGANISED food fight. | 0:25:58 | 0:26:02 | |
Don't try this at home with your own tomatoes - | 0:26:02 | 0:26:04 | |
they just want to be eaten. | 0:26:04 | 0:26:05 | |
Just in case you're wondering how our cameraman is doing... | 0:26:16 | 0:26:19 | |
Keep up the good work! | 0:26:19 | 0:26:21 | |
No cameramen were harmed during the making of this film...just tomatoes. | 0:26:21 | 0:26:25 | |
Craziest thing I think I've ever done. | 0:26:28 | 0:26:30 | |
Ed! | 0:26:33 | 0:26:34 | |
That seems perfectly normal now. | 0:26:34 | 0:26:37 | |
I think Ed and Iain have given up on staying clean. This one will | 0:26:37 | 0:26:40 | |
all come down to the judges' final decision. | 0:26:40 | 0:26:42 | |
-FIREWORKS EXPLODE -Whooooa! | 0:26:42 | 0:26:45 | |
-That's the end. -That's the end. That firework is the end. | 0:26:45 | 0:26:48 | |
The crowd salute our brave warriors - battered | 0:26:49 | 0:26:52 | |
and bruised just like the tomatoes they've thrown. | 0:26:52 | 0:26:56 | |
I think that was the most intense thing I've ever experienced. | 0:26:56 | 0:26:58 | |
Definitely the most intense thing ever involving fruit. | 0:26:58 | 0:27:01 | |
You've got to remember, we were sat on top of this. | 0:27:01 | 0:27:04 | |
It was full of tomatoes. | 0:27:04 | 0:27:05 | |
-Look at it now. -Completely empty. Five trucks' worth! | 0:27:05 | 0:27:09 | |
But the question is, | 0:27:09 | 0:27:11 | |
who will be crowned cleanest Tomatina tomato thrower? | 0:27:11 | 0:27:15 | |
Hey. | 0:27:15 | 0:27:17 | |
Oh, he's a big hugger. | 0:27:18 | 0:27:20 | |
Good job, but only one can be a winner. And today, the winner is... | 0:27:20 | 0:27:23 | |
Iain. | 0:27:23 | 0:27:25 | |
Yes! | 0:27:25 | 0:27:27 | |
GROWLING: That's for you, Tommy! | 0:27:27 | 0:27:29 | |
-That was a draw, surely. -No, I was moderately less messy. | 0:27:29 | 0:27:34 | |
We both didn't do particularly well. | 0:27:34 | 0:27:37 | |
But thanks! | 0:27:37 | 0:27:38 | |
You've been watching All Over The Place: Europe! | 0:27:38 | 0:27:42 |