Browse content similar to Yodelling in Switzerland. Check below for episodes and series from the same categories and more!
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I'm hitting the high notes, the low notes, | 0:00:02 | 0:00:03 | |
and the odd bum note. | 0:00:03 | 0:00:04 | |
But I promise you, it's yodel-ightful! | 0:00:04 | 0:00:07 | |
So keep watching! | 0:00:07 | 0:00:08 | |
I need ear plugs! | 0:00:08 | 0:00:10 | |
Luckily I can drown out your singing with some top European adventures. | 0:00:10 | 0:00:14 | |
Naomi gets in a flap... | 0:00:14 | 0:00:17 | |
Chris travels back in time... | 0:00:17 | 0:00:19 | |
Now, that really is cutting edge! | 0:00:19 | 0:00:21 | |
..Michelle blows her own trumpet... | 0:00:21 | 0:00:25 | |
Sam and Mark aren't as super as they think... | 0:00:25 | 0:00:28 | |
Ooooooh(!) | 0:00:28 | 0:00:29 | |
Iain finds a frightening doll... | 0:00:29 | 0:00:32 | |
And Johny gets a job as an... | 0:00:32 | 0:00:34 | |
Old sea captain or something. | 0:00:34 | 0:00:35 | |
# All over the place | 0:00:38 | 0:00:40 | |
# All over the place | 0:00:40 | 0:00:42 | |
# North, south, east, west On a bizarre quest | 0:00:43 | 0:00:45 | |
# Me and my mates, all over the place! | 0:00:45 | 0:00:48 | |
# It's true what you've heard, everything is absurd | 0:00:48 | 0:00:51 | |
# Whatever we do is strange but true! | 0:00:51 | 0:00:53 | |
# All over the place | 0:00:53 | 0:00:55 | |
# All over the place | 0:00:55 | 0:00:57 | |
# There's stuff to do in Europe that is totally ace | 0:00:59 | 0:01:01 | |
-# And it turns up... -# ..all over the place! # | 0:01:01 | 0:01:05 | |
Did you know the world record | 0:01:09 | 0:01:11 | |
for eating Brussels sprouts in a minute is 31?! | 0:01:11 | 0:01:15 | |
What a gas! | 0:01:15 | 0:01:17 | |
-Oh, come on, Johny, you look good! -Seriously? | 0:01:17 | 0:01:19 | |
Cos I feel like I look like an old sea captain or something. | 0:01:19 | 0:01:22 | |
Not just any old sea captain, Captain Haddock, | 0:01:22 | 0:01:25 | |
the most famous sea captain ever. | 0:01:25 | 0:01:26 | |
If I'm Captain Haddock, why aren't you dressed up? | 0:01:26 | 0:01:28 | |
I am dressed up. | 0:01:28 | 0:01:30 | |
I'm Tintin, the budding reporter. | 0:01:30 | 0:01:31 | |
I've just got a slightly less elaborate costume. | 0:01:31 | 0:01:34 | |
If you say so. | 0:01:34 | 0:01:35 | |
But why are we dressed up as comic book characters anyway? | 0:01:35 | 0:01:38 | |
Because we're at the Belgian Comic Strip Center! | 0:01:38 | 0:01:40 | |
This place is full of over 50,000 comics. | 0:01:42 | 0:01:45 | |
What a doodle-tastic museum! | 0:01:45 | 0:01:49 | |
If you spent 15 minutes reading each one, | 0:01:49 | 0:01:51 | |
it'd take a whopping 521 days to get through them all. | 0:01:51 | 0:01:55 | |
That's almost two years! | 0:01:55 | 0:01:57 | |
Wow, that's a lot of comics. | 0:01:57 | 0:01:59 | |
Who could guide us through this comic book maze? | 0:01:59 | 0:02:02 | |
I'm Willem! | 0:02:02 | 0:02:03 | |
Wow, what a comic hero entrance! | 0:02:03 | 0:02:05 | |
Why do Belgians love comic books so much? | 0:02:05 | 0:02:08 | |
We have three official languages | 0:02:08 | 0:02:09 | |
and this makes it very complicated to communicate. | 0:02:09 | 0:02:12 | |
So we rather prefer images than text and words to communicate. | 0:02:12 | 0:02:16 | |
So when did the first Belgian comic strip start? | 0:02:16 | 0:02:19 | |
The first comic hero in Belgium is still one of the most famous, | 0:02:19 | 0:02:22 | |
it's Tintin. He started in 1929. | 0:02:22 | 0:02:24 | |
-Do you know Tintin? -Oh, yes, I know him! | 0:02:24 | 0:02:25 | |
Is he the most famous Belgian comic character? | 0:02:25 | 0:02:27 | |
I think that the Smurfs are even more popular. | 0:02:27 | 0:02:30 | |
The Americans made an amazing cartoon of them. | 0:02:30 | 0:02:33 | |
By the way, every comic character has its own catchphrase. | 0:02:33 | 0:02:36 | |
So what is our characters' catchphrases, then? | 0:02:36 | 0:02:38 | |
Johny, do you know nothing? | 0:02:38 | 0:02:40 | |
You're Captain Haddock so yours is... | 0:02:40 | 0:02:42 | |
And I'm Tintin so mine is... | 0:02:43 | 0:02:44 | |
OK, Mr Know-It-All. Name some other famous comic book catchphrases. | 0:02:46 | 0:02:49 | |
Not so fast! | 0:02:49 | 0:02:51 | |
It's game time! | 0:02:51 | 0:02:54 | |
Willem will give you the names | 0:02:54 | 0:02:56 | |
of three famous Belgian comic characters | 0:02:56 | 0:02:59 | |
and you need to find them. | 0:02:59 | 0:03:01 | |
When you do, he'll tell you their catchphrases. | 0:03:01 | 0:03:04 | |
Find all three and you'll win a treat. | 0:03:04 | 0:03:07 | |
OK, the first comic character I want you to find is Marsupilami. | 0:03:07 | 0:03:11 | |
OK. Come on, Snowy! | 0:03:11 | 0:03:12 | |
Oh, I forgot, he's in quarantine. | 0:03:12 | 0:03:14 | |
Is this Marsupilami? | 0:03:19 | 0:03:21 | |
Correct. And his catchphrase is "Houbar!" | 0:03:21 | 0:03:24 | |
James shot to comic fame in 1952 | 0:03:25 | 0:03:28 | |
and he has his own TV show and computer game. | 0:03:28 | 0:03:31 | |
The next one is Gaston Lagaffe. | 0:03:31 | 0:03:33 | |
Is this Gaston Lagaffe? | 0:03:37 | 0:03:39 | |
Correct! And his catchphrase is "M'enfin." | 0:03:39 | 0:03:41 | |
Gaston Lagaffe's a household name in Belgium and France | 0:03:41 | 0:03:45 | |
but he's never been translated into English. | 0:03:45 | 0:03:48 | |
The final one is the Smurfs. | 0:03:48 | 0:03:50 | |
Nice cactus, mate! | 0:03:50 | 0:03:51 | |
Here's one! A Smurf! | 0:03:54 | 0:03:56 | |
Correct, and the Smurfs' catchphrase is "Have a Smurfy day!" | 0:03:56 | 0:03:59 | |
The Smurfs are older than they look. | 0:03:59 | 0:04:01 | |
They've been around since 1958 | 0:04:01 | 0:04:03 | |
when they first appeared in a Belgian comic. | 0:04:03 | 0:04:05 | |
Since then, they've become so popular | 0:04:05 | 0:04:07 | |
they've made two Hollywood movies. | 0:04:07 | 0:04:10 | |
Well done, chaps. | 0:04:10 | 0:04:11 | |
You've won a comic drawing lesson with resident doodler Dennis. | 0:04:11 | 0:04:17 | |
What's the difference between the American | 0:04:17 | 0:04:19 | |
and European style of drawing comic books? | 0:04:19 | 0:04:22 | |
American. | 0:04:22 | 0:04:24 | |
European. | 0:04:24 | 0:04:25 | |
If we are going to draw, which style would you like to do? | 0:04:25 | 0:04:28 | |
-How about a mix of both? -Good idea! | 0:04:28 | 0:04:31 | |
-Have you thought of a character? -Yes, I've got something in mind. | 0:04:31 | 0:04:35 | |
You? | 0:04:35 | 0:04:36 | |
Yeah, I've got something up my sleeve. | 0:04:36 | 0:04:38 | |
Let's get to work, then. | 0:04:38 | 0:04:39 | |
Hey, let's see what you've done. | 0:04:45 | 0:04:47 | |
Behold Tutu Man, | 0:04:47 | 0:04:49 | |
the man with the magical tutu, | 0:04:49 | 0:04:51 | |
who can...fight crime! | 0:04:51 | 0:04:54 | |
-That is so lame. -What do you mean, lame?! | 0:04:54 | 0:04:56 | |
Let's see yours, then. | 0:04:56 | 0:04:57 | |
I've got Captain Rubber Ring and his sidekick Armband Boy. | 0:04:57 | 0:05:01 | |
They specialise in solving seaside-based crimes. | 0:05:01 | 0:05:04 | |
And you said mine were lame? They look like right idiots. | 0:05:04 | 0:05:07 | |
-Mine's better than yours. -Mine's clearly better than yours. | 0:05:07 | 0:05:10 | |
-Mine's much better than yours. -I drew two, you drew one. | 0:05:10 | 0:05:13 | |
Help, help, I'm a woman trapped on a ledge! | 0:05:13 | 0:05:17 | |
A woman trapped on a ledge! | 0:05:17 | 0:05:19 | |
This looks like a job for... | 0:05:19 | 0:05:21 | |
Pink Tutu Man! | 0:05:24 | 0:05:25 | |
Not so fast, Pink Tutu Man, I am Rubber Ring Man. | 0:05:25 | 0:05:29 | |
And I'm his inflatable sidekick, Armband Boy. | 0:05:29 | 0:05:32 | |
This is a job for superheroes, not ballet dancers. | 0:05:32 | 0:05:35 | |
THEY LAUGH | 0:05:35 | 0:05:38 | |
Stop that! That's annoying. | 0:05:38 | 0:05:40 | |
I will have you know that ballet dancing | 0:05:40 | 0:05:42 | |
is one of the most physically demanding activities there is. | 0:05:42 | 0:05:45 | |
-So I am super. -OK, OK, calm down. | 0:05:45 | 0:05:49 | |
Don't go all Incredible Hulk on us. | 0:05:49 | 0:05:50 | |
Yeah, hey, what do you do, | 0:05:50 | 0:05:52 | |
get angry, turn pink and burst into Swan Lake?! | 0:05:52 | 0:05:55 | |
You might think I am a weakling but during one ballet, | 0:05:55 | 0:05:58 | |
I'll use more energy than I would | 0:05:58 | 0:06:00 | |
if I was playing two entire football matches. | 0:06:00 | 0:06:02 | |
Oooooh(!) | 0:06:02 | 0:06:04 | |
What are your superpowers, then? | 0:06:04 | 0:06:06 | |
Hello, I'm wearing a rubber ring! | 0:06:06 | 0:06:08 | |
-That's because he can't swim. -Don't tell him that! | 0:06:08 | 0:06:11 | |
The point is I can inflate rubber rings faster than anybody else, | 0:06:11 | 0:06:13 | |
-because I breathe 20,000... -Times a day? | 0:06:13 | 0:06:17 | |
Oh, yeah, big whoop(!) | 0:06:17 | 0:06:19 | |
You haven't got super breath. | 0:06:19 | 0:06:20 | |
Everybody breathes 20,000 times a day. | 0:06:20 | 0:06:22 | |
-That's it. -Let's get him! | 0:06:22 | 0:06:25 | |
-Oh, somebody has got hold of my hands! -Me too! | 0:06:25 | 0:06:28 | |
Oh, no, it's Invisible Girl! | 0:06:28 | 0:06:31 | |
Pesky Invisible Girl! | 0:06:39 | 0:06:41 | |
And she saved the woman from the ledge. | 0:06:41 | 0:06:44 | |
Let's face it, we are pretty useless superheroes. | 0:06:44 | 0:06:46 | |
PHONE RINGS | 0:06:46 | 0:06:49 | |
What's that? | 0:06:49 | 0:06:51 | |
A group of ballet dancers have fallen into the swimming pool | 0:06:51 | 0:06:53 | |
and they can't swim?! | 0:06:53 | 0:06:55 | |
This really does sound like a job for Pink Tutu Man. | 0:06:55 | 0:06:58 | |
-Rubber Ring Man. -And Armband Boy! | 0:06:58 | 0:07:00 | |
Wait a minute, did they fall in the deep end? | 0:07:00 | 0:07:02 | |
If they did, we'll just play on the slides. | 0:07:02 | 0:07:05 | |
THEY CHEER | 0:07:05 | 0:07:07 | |
The German Grimm brothers published fairy tales | 0:07:15 | 0:07:18 | |
like Cinderella and Snow White over 200 years ago. | 0:07:18 | 0:07:22 | |
Oh, I can't tell you what a relief it is when you're in Berlin, | 0:07:25 | 0:07:28 | |
you've lost your passport and you find one of these, a photo booth. | 0:07:28 | 0:07:32 | |
What?! | 0:07:38 | 0:07:40 | |
Chris, this is supposed to be serious. This is serious! | 0:07:41 | 0:07:45 | |
So is the art of photobombing. | 0:07:45 | 0:07:47 | |
Besides, you want one of those in colour | 0:07:47 | 0:07:48 | |
if you're getting a new passport photo. | 0:07:48 | 0:07:50 | |
And there's plenty of photo booths in Berlin. | 0:07:50 | 0:07:52 | |
20 more, to be precise. | 0:07:52 | 0:07:54 | |
In the days before insta-snap-foto-face-tweet-grams, | 0:07:54 | 0:07:58 | |
photo booths were one of the only ways to get an instant photo. | 0:07:58 | 0:08:01 | |
For years, they were mainly used for passports and stuff, | 0:08:01 | 0:08:04 | |
but now, in Berlin, they're the height of fashion | 0:08:04 | 0:08:06 | |
with hipsters who love old-school, retro technology! | 0:08:06 | 0:08:10 | |
Ed and Chris, you have 52 seconds to find out | 0:08:12 | 0:08:15 | |
as much as you can about the photo booths in Berlin. | 0:08:15 | 0:08:19 | |
Ed, you have Christian, | 0:08:19 | 0:08:21 | |
who knows all about why tourists come to see the photo booths. | 0:08:21 | 0:08:25 | |
Chris, you have Imogen, who is an expert on photography on film. | 0:08:25 | 0:08:30 | |
Whoever finds out the most facts is the winner. | 0:08:30 | 0:08:34 | |
Drei, zwei, eins...Gehen! | 0:08:34 | 0:08:39 | |
Hi, how are you doing? So, how did the photos get on the paper? | 0:08:40 | 0:08:43 | |
Well, the paper has a light-sensitive emulsion | 0:08:43 | 0:08:45 | |
on the surface of it | 0:08:45 | 0:08:46 | |
and when the light hits you and reflects back on to the paper, | 0:08:46 | 0:08:49 | |
inside the photoautomat, | 0:08:49 | 0:08:51 | |
that is the basis of a photograph. | 0:08:51 | 0:08:53 | |
Why has it come back into fashion? | 0:08:53 | 0:08:54 | |
Because it is a selfie, it is a kind of a selfie. | 0:08:54 | 0:08:58 | |
Why do they come out in a strip? | 0:08:58 | 0:08:59 | |
Well, it's based on a, I don't know, camera. | 0:08:59 | 0:09:02 | |
And so they come out on the same size as a film strip. | 0:09:02 | 0:09:06 | |
What do people do with these photos? | 0:09:06 | 0:09:08 | |
They bring them home and show them to Mummy and Daddy. | 0:09:08 | 0:09:10 | |
The guy inside the photo booth, what does he do between customers? | 0:09:10 | 0:09:13 | |
-Does he get bored? -No, there's no guy inside the machine! | 0:09:13 | 0:09:16 | |
-No man inside the machine! -It is automatic. | 0:09:16 | 0:09:18 | |
Tell me the strangest thing | 0:09:18 | 0:09:19 | |
you've heard about happening in one of these. | 0:09:19 | 0:09:21 | |
-Oh, 40 people inside. -40 people?! | 0:09:21 | 0:09:23 | |
You could never fit 40 people inside one of those! | 0:09:23 | 0:09:25 | |
Which is your favourite of all the photo booths? | 0:09:25 | 0:09:27 | |
-My favourite photo is this one, Chris. -This one here?! | 0:09:27 | 0:09:30 | |
-This one right here. -BUZZER SOUNDS | 0:09:30 | 0:09:33 | |
And the person who found out the most facts is... | 0:09:33 | 0:09:37 | |
Chris! | 0:09:37 | 0:09:38 | |
-Yes!!! -What? How?! | 0:09:38 | 0:09:40 | |
I found out loads of facts! | 0:09:40 | 0:09:42 | |
-Well, mine were clearly more interesting. -Aw-w. | 0:09:42 | 0:09:45 | |
Well, much as I would like to hang around here | 0:09:45 | 0:09:47 | |
soaking up the ambience of this photo booth, | 0:09:47 | 0:09:49 | |
it's a black and white one and that's no good for me. | 0:09:49 | 0:09:51 | |
I need colour photos for my passport photo. Come on! | 0:09:51 | 0:09:54 | |
Oh! Can you see anyone waiting for their photos? | 0:09:55 | 0:09:59 | |
No, it's just us. | 0:09:59 | 0:10:01 | |
That's a bit weird. | 0:10:03 | 0:10:05 | |
-Yeah, there's no such thing as a perfect passport photo. -Exactly! | 0:10:05 | 0:10:08 | |
Oh, come on, guys! | 0:10:08 | 0:10:10 | |
It's your chance to show the world how photogenic you are. | 0:10:10 | 0:10:13 | |
Ed and Chris, get to your photo booths. | 0:10:13 | 0:10:16 | |
'Hello, your passport photo should show you facing forward, | 0:10:21 | 0:10:25 | |
'looking at the camera.' | 0:10:25 | 0:10:26 | |
'Your passport photo should contain no other people or objects.' | 0:10:29 | 0:10:33 | |
'Your lovely face must not be obscured.' | 0:10:36 | 0:10:39 | |
'Your pretty eyes should not be covered by hair or sunglasses.' | 0:10:41 | 0:10:45 | |
Is this thing working? | 0:10:47 | 0:10:48 | |
'And...make sure your seat is functioning properly!' | 0:10:49 | 0:10:53 | |
I don't think they're gonna give you a new passport with that photo, Ed! | 0:10:53 | 0:10:57 | |
Hooray! Well done, Chris. | 0:10:59 | 0:11:01 | |
Anyway, at least it's easier now | 0:11:02 | 0:11:04 | |
than it was for the early photographers. | 0:11:04 | 0:11:06 | |
Yeah, I suppose so. | 0:11:06 | 0:11:08 | |
Say cheese! | 0:11:10 | 0:11:13 | |
Cheese! | 0:11:13 | 0:11:14 | |
A bit longer. | 0:11:14 | 0:11:15 | |
Cheeeese. | 0:11:15 | 0:11:17 | |
Yeah, that's great, | 0:11:17 | 0:11:19 | |
but you need to say it for ten seconds. | 0:11:19 | 0:11:21 | |
Cheeeeeee... | 0:11:21 | 0:11:23 | |
No, no, no, ten seconds? | 0:11:23 | 0:11:25 | |
That's ages. | 0:11:25 | 0:11:26 | |
Not really. The first photograph took eight hours, | 0:11:26 | 0:11:29 | |
so just count yourself lucky | 0:11:29 | 0:11:30 | |
we've got one of these cutting-edge, state-of-the-art bad boy cameras. | 0:11:30 | 0:11:33 | |
This one can take a photo in just ten seconds! | 0:11:33 | 0:11:36 | |
Mwah! | 0:11:36 | 0:11:37 | |
So, say cheese. | 0:11:37 | 0:11:39 | |
Cheeeeeeeeeeeeeeeeeeeeeeeeeeeeese... | 0:11:39 | 0:11:46 | |
Three, two, one. Great! | 0:11:46 | 0:11:49 | |
That's it. | 0:11:49 | 0:11:50 | |
There you go, all done. | 0:11:57 | 0:11:58 | |
Finally, thank you... | 0:11:58 | 0:12:00 | |
-Where is my lovely red hair? -It's black and white, isn't it? | 0:12:00 | 0:12:04 | |
Colour photography is not going to be invented for another 56 years. | 0:12:04 | 0:12:09 | |
And why is it printed on this glass plate? | 0:12:09 | 0:12:12 | |
That's what the picture goes on to, glass. | 0:12:12 | 0:12:14 | |
Next you'll ask me to digitally remove the bags under your eyes, | 0:12:14 | 0:12:18 | |
or the spot on the end of your nose! | 0:12:18 | 0:12:20 | |
How does that work? | 0:12:20 | 0:12:21 | |
Well, I don't know, do I? It's the 1850s. | 0:12:21 | 0:12:24 | |
It'll be 130 years before that's possible. | 0:12:24 | 0:12:27 | |
Look, I'll see you later. | 0:12:27 | 0:12:29 | |
CRASH! | 0:12:29 | 0:12:31 | |
Now, that really is cutting edge. | 0:12:33 | 0:12:35 | |
Croatia would fit inside the UK over four times. | 0:12:41 | 0:12:45 | |
Though I don't think the Croatians would be too happy if we moved it. | 0:12:45 | 0:12:49 | |
# It might seem crazy what you're about to see | 0:12:58 | 0:13:01 | |
# In Cigoc houses don't have chimneys | 0:13:04 | 0:13:08 | |
# This might be hard to get into your head | 0:13:11 | 0:13:14 | |
# But they've got a stork nests up there instead | 0:13:16 | 0:13:20 | |
# And they are flappy | 0:13:21 | 0:13:23 | |
# Flap along if you spot a stork up on a roof | 0:13:23 | 0:13:28 | |
# That's where they make their nests | 0:13:28 | 0:13:31 | |
# I swear that is the truth | 0:13:31 | 0:13:34 | |
# You can bring a telescope if you want a better view | 0:13:34 | 0:13:39 | |
# And see up real close just what storks get up to | 0:13:40 | 0:13:45 | |
# There are stork nests as far as I can see | 0:13:47 | 0:13:49 | |
# Man and nature living in harmony | 0:13:52 | 0:13:56 | |
# 200 have made this their home | 0:13:58 | 0:14:02 | |
# They outnumber the humans 2-1 | 0:14:05 | 0:14:07 | |
# And they are flappy | 0:14:09 | 0:14:11 | |
# Flap along if you spot a stork up on a roof | 0:14:11 | 0:14:15 | |
# That's where they make their nests | 0:14:17 | 0:14:19 | |
# I swear that is the truth | 0:14:19 | 0:14:21 | |
# They spend the summer here, they turn up in the spring | 0:14:22 | 0:14:27 | |
# Then they fly to Africa, it's what's called migrating | 0:14:29 | 0:14:33 | |
# They don't make bird sounds, so to speak | 0:14:34 | 0:14:37 | |
# Communicate by rattling their beaks | 0:14:37 | 0:14:40 | |
# A symbol of luck from the ancient Greeks | 0:14:40 | 0:14:43 | |
# But maybe not if you're a chimney sweep | 0:14:43 | 0:14:46 | |
# Depending on how high they fly | 0:14:46 | 0:14:49 | |
# Locals can tell if it will rain or shine | 0:14:49 | 0:14:53 | |
# They live in pairs and protect their eggs | 0:14:53 | 0:14:55 | |
# Like me, they've got lovely long legs | 0:14:55 | 0:14:59 | |
# Flap along if you spot a stork up on a roof | 0:14:59 | 0:15:03 | |
# That's where they make their nests | 0:15:05 | 0:15:07 | |
# I swear that is the truth | 0:15:07 | 0:15:09 | |
# You've got to say that Cigoc is certainly picturesque | 0:15:10 | 0:15:16 | |
# If I was a stork myself, it's where I'd build my nest. # | 0:15:17 | 0:15:21 | |
Shame I'm not. | 0:15:21 | 0:15:23 | |
HE YELLS | 0:15:26 | 0:15:28 | |
Dormice are a delicacy in some regions of Italy. | 0:15:38 | 0:15:41 | |
Mmm...urgh! | 0:15:41 | 0:15:43 | |
Oh, Janet, my lovely antique doll that I have had since I was a baby, | 0:15:46 | 0:15:50 | |
I have always wanted to show you Rome | 0:15:50 | 0:15:52 | |
and its beautiful winding streets. | 0:15:52 | 0:15:55 | |
Oh, don't look at those scary dolls, you sensitive thing! | 0:15:55 | 0:15:58 | |
Ah! | 0:15:58 | 0:16:00 | |
Got her. | 0:16:10 | 0:16:11 | |
Iain, you saved her! | 0:16:11 | 0:16:13 | |
Oh, come here, Janet, give us a hug! | 0:16:13 | 0:16:14 | |
POING! | 0:16:14 | 0:16:16 | |
That didn't sound too healthy. | 0:16:16 | 0:16:18 | |
Oh, no, I've broken her arm. | 0:16:18 | 0:16:21 | |
Is there a doll doctor in the house? I mean...street! | 0:16:21 | 0:16:23 | |
There's one in there. | 0:16:23 | 0:16:25 | |
-You've saved her again! -Come with me. | 0:16:26 | 0:16:29 | |
If your doll needs fixing, then Federico is the man to see. | 0:16:43 | 0:16:46 | |
This place might look a little scary, | 0:16:46 | 0:16:48 | |
but people all over the world come here for dolly first aid. | 0:16:48 | 0:16:52 | |
And with doll parts from the 1850s through to 1960s, | 0:16:52 | 0:16:57 | |
Ed's broken Janet might just make it. | 0:16:57 | 0:17:00 | |
Can you help Janet? | 0:17:00 | 0:17:02 | |
-TRANSLATION: -Sure, let's do it. Let's do it. | 0:17:02 | 0:17:04 | |
-Oh, that made me feel better. -He definitely can. | 0:17:04 | 0:17:08 | |
So what is this place? A sort of hospital for dolls? | 0:17:08 | 0:17:10 | |
Yes, it's a hospital for dolls | 0:17:10 | 0:17:13 | |
but we do also repair ceramics and chinaware. | 0:17:13 | 0:17:16 | |
Those ones in the window don't look very healthy. | 0:17:16 | 0:17:19 | |
No, they are not healthy. | 0:17:19 | 0:17:21 | |
We can't repair them, but we let them stay with us. | 0:17:21 | 0:17:25 | |
Oh, no, Janet's going to end up like them! | 0:17:25 | 0:17:28 | |
No. We'll repair her. | 0:17:28 | 0:17:30 | |
He knows what he's doing, man. Don't worry! | 0:17:30 | 0:17:32 | |
This is just like an episode of Casualty. | 0:17:32 | 0:17:35 | |
CASUALTY THEME MUSIC PLAYS | 0:17:35 | 0:17:39 | |
Status check, Dr Stirling? | 0:17:39 | 0:17:40 | |
Resting heart rate is absolutely normal. | 0:17:40 | 0:17:42 | |
What about her temperature? | 0:17:42 | 0:17:44 | |
-Not got one. She's a doll. -Good, good. | 0:17:44 | 0:17:46 | |
-Oh, dear, look at this arm. It's come clean off. -Prognosis? | 0:17:46 | 0:17:49 | |
Limbus danglius. | 0:17:49 | 0:17:51 | |
It's the worst case of dangly arm syndrome I've ever seen. | 0:17:51 | 0:17:55 | |
-We're going to have to operate. -What tools do you need? | 0:17:55 | 0:17:57 | |
Scalpel, retractor? | 0:17:57 | 0:17:59 | |
Elastico. | 0:17:59 | 0:18:02 | |
Oh, he's just going to fix it with some elastic. | 0:18:02 | 0:18:05 | |
BEEPING | 0:18:05 | 0:18:07 | |
Absolutely ground-breaking techniques. | 0:18:08 | 0:18:10 | |
The old joining the arms together with elastic trick. | 0:18:10 | 0:18:13 | |
We should have thought of that. | 0:18:13 | 0:18:15 | |
Some of the best doll mending I've seen in my entire career. | 0:18:15 | 0:18:18 | |
-As good as new! -Wow. | 0:18:18 | 0:18:20 | |
Well, that was the longest half hour of my entire life. | 0:18:20 | 0:18:23 | |
LONG BEEP | 0:18:23 | 0:18:25 | |
Wait! Her heart rate's dropping! | 0:18:25 | 0:18:27 | |
Quick, mouth-to-mouth! | 0:18:27 | 0:18:30 | |
-BEEPING STOPS -It's my watch - the battery's low. | 0:18:31 | 0:18:34 | |
Oh. | 0:18:35 | 0:18:37 | |
Well, that was embarrassing. | 0:18:37 | 0:18:38 | |
Speaking of which, welcome to... | 0:18:38 | 0:18:41 | |
Let's meet our contestant, Mr Iain. | 0:18:44 | 0:18:47 | |
Hello. Pleasure to meet you. | 0:18:47 | 0:18:49 | |
I'm going to ask you questions about famous dollies | 0:18:49 | 0:18:53 | |
and you have to answer them. | 0:18:53 | 0:18:55 | |
Let's get embarrassing! | 0:18:55 | 0:18:56 | |
Behold...Barbie. | 0:18:58 | 0:19:01 | |
She's the most successful selling doll ever made. | 0:19:01 | 0:19:05 | |
But what is Barbie's favourite colour? | 0:19:05 | 0:19:09 | |
Pink. It is pink. 100% pink. Pink, pink, pink. | 0:19:09 | 0:19:13 | |
You are 100% wrong, Iain, it is not. | 0:19:13 | 0:19:15 | |
If you said a shade of pink called PMS 219 | 0:19:15 | 0:19:18 | |
then you would have been right. | 0:19:18 | 0:19:19 | |
But you didn't, so you're wrong! | 0:19:19 | 0:19:21 | |
Barbie's been dating Ken for over 40 years. | 0:19:21 | 0:19:25 | |
And dolls have been found dating back to between 2,000 and 3,000 BC. | 0:19:25 | 0:19:31 | |
Bet they look a bit old. | 0:19:31 | 0:19:34 | |
Ah, Mr Potato Head, my old nem-sis. | 0:19:36 | 0:19:39 | |
Nemesis. | 0:19:39 | 0:19:40 | |
Sorry, I don't speak Italian. | 0:19:40 | 0:19:43 | |
The first Mr Potato Head's body really was a spud. | 0:19:43 | 0:19:47 | |
But where would I have found his arms, legs and face? | 0:19:47 | 0:19:52 | |
Erm...France? | 0:19:52 | 0:19:54 | |
Oh, that answer's very bad. | 0:19:56 | 0:19:59 | |
They were in fact first found in cereal packets. | 0:19:59 | 0:20:03 | |
Sorry, Iain, you are a loser on... | 0:20:03 | 0:20:05 | |
And you are an embarrassment. | 0:20:08 | 0:20:11 | |
But don't worry, nobody leaves here empty-handed. | 0:20:11 | 0:20:14 | |
I have got some friends together and here they are! | 0:20:14 | 0:20:17 | |
I mean...it is. | 0:20:17 | 0:20:19 | |
Your very own Frankendolly. | 0:20:19 | 0:20:21 | |
SCREAMING | 0:20:21 | 0:20:24 | |
There are places in Switzerland | 0:20:31 | 0:20:33 | |
called Misery, Egg and Apples! | 0:20:33 | 0:20:36 | |
Where on earth is Ed? | 0:20:43 | 0:20:45 | |
Does he not know we've got a main event to take part in? | 0:20:45 | 0:20:47 | |
I know, I'll give him a call. | 0:20:47 | 0:20:49 | |
Of course, no reception in these beautiful Swiss Alps! | 0:20:49 | 0:20:52 | |
-# Yodelay-hee-hoo! # -Is that... Is that Ed? | 0:20:52 | 0:20:56 | |
-Ed? -# Yodelay-yodelay-hee... # | 0:20:56 | 0:20:57 | |
It'd Ed! What is he wearing? Something must be wrong. | 0:20:57 | 0:21:00 | |
That is not right. He doesn't look well. | 0:21:00 | 0:21:02 | |
Maybe he has got a fever of something. | 0:21:02 | 0:21:03 | |
Must have been something he's eaten. Dodgy cheese fondue. | 0:21:03 | 0:21:06 | |
Yeah, I need to go and check he's all right. Ed, I am coming! | 0:21:06 | 0:21:09 | |
Ed's actually not ill, he's yodelling. | 0:21:09 | 0:21:12 | |
Or at least trying to. | 0:21:12 | 0:21:14 | |
# Yodelay-hee! # | 0:21:14 | 0:21:15 | |
That's because we're at Jodlerfest! | 0:21:15 | 0:21:18 | |
Yodelling began as a way to communicate over long distances | 0:21:18 | 0:21:21 | |
in mountain regions of Switzerland and Austria. | 0:21:21 | 0:21:25 | |
It uses a combination of vowel sounds, long intervals | 0:21:25 | 0:21:29 | |
and high pitched singing to create a kind of lovely gibberish sing-song! | 0:21:29 | 0:21:33 | |
OFF-PITCH: # Yad-lil-ay-lil-oo. # | 0:21:33 | 0:21:35 | |
I think Ed needs a bit of practice. | 0:21:35 | 0:21:37 | |
Today, Ed and Michelle are joined by over 10,000 yodellers | 0:21:37 | 0:21:41 | |
and later will compete in a yodel-off. | 0:21:41 | 0:21:44 | |
What is going on here today? | 0:21:44 | 0:21:45 | |
There's people walking around with big horns and silly hats on, | 0:21:45 | 0:21:48 | |
waving big flags going, "Yadil-ay-hoo-hoo." | 0:21:48 | 0:21:51 | |
Well, it is the 29th Swiss yodelling festival here in Davos | 0:21:51 | 0:21:55 | |
and it is all about flag-waving, alphorn playing | 0:21:55 | 0:21:58 | |
and yodelling, of course. | 0:21:58 | 0:22:00 | |
-Jodlerfest. -That sounds good. | 0:22:00 | 0:22:02 | |
So is there any chance we can have a go and get stuck in, | 0:22:02 | 0:22:04 | |
-practise being Swiss? -Yeah, of course. | 0:22:04 | 0:22:07 | |
Just walk around, talk to people and they will show you how it is done. | 0:22:07 | 0:22:11 | |
Brilliant, let's go then. | 0:22:11 | 0:22:13 | |
Maybe we'll get a go on someone's horn. | 0:22:13 | 0:22:15 | |
Oh, I don't think you could miss them, Ed. | 0:22:16 | 0:22:18 | |
These giant alphorns are around 3.5 metres long. | 0:22:18 | 0:22:23 | |
That's over twice your height. | 0:22:23 | 0:22:25 | |
Originally farmers played these to call the cows from the pastures | 0:22:25 | 0:22:28 | |
and into the barn at milking time. | 0:22:28 | 0:22:30 | |
I bet Ed will be udderly confused! | 0:22:30 | 0:22:33 | |
-This, what is this? -Alphorn. | 0:22:33 | 0:22:36 | |
That's the horn! | 0:22:36 | 0:22:38 | |
Oh, that's amazing! | 0:22:38 | 0:22:40 | |
The alphorn fits together in two main pieces | 0:22:40 | 0:22:43 | |
and is played by pursing the lips and blowing, | 0:22:43 | 0:22:46 | |
a bit like a giant wooden trumpet. | 0:22:46 | 0:22:48 | |
SHE PLAYS THE HORN | 0:22:49 | 0:22:52 | |
Let's see how Ed gets on. | 0:22:52 | 0:22:54 | |
HE TRIES AND FAILS | 0:22:54 | 0:22:56 | |
Oh, no! This is terrible! | 0:22:56 | 0:22:59 | |
Oh, dear, Ed's gone the same colour as his T-shirt! | 0:23:01 | 0:23:04 | |
Can Michelle do any better? | 0:23:04 | 0:23:06 | |
I think your head is going to explode! | 0:23:06 | 0:23:08 | |
This is really difficult! | 0:23:08 | 0:23:10 | |
-SHE SUCCEEDS -Ja! -Oh! | 0:23:10 | 0:23:13 | |
What?! You've done this before! | 0:23:13 | 0:23:18 | |
You haven't done this before, have you? | 0:23:18 | 0:23:20 | |
I've got one of these at home, yeah. | 0:23:20 | 0:23:21 | |
Of course I haven't! | 0:23:21 | 0:23:23 | |
How are you doing that? | 0:23:23 | 0:23:24 | |
Wow - that actually sounds a bit like music! Bravo, Michelle. | 0:23:24 | 0:23:29 | |
I actually think I was pretty good at that. | 0:23:29 | 0:23:31 | |
Don't start blowing your own trumpet too soon, Michelle. | 0:23:31 | 0:23:33 | |
We've still got the yodelling to come, | 0:23:33 | 0:23:35 | |
and I think I am going to be really... | 0:23:35 | 0:23:37 | |
# Yodelay-ya-loo-ya-good Yay-hee-ooo-good. # | 0:23:37 | 0:23:42 | |
OK! | 0:23:42 | 0:23:43 | |
I'll be honest, Ed, | 0:23:43 | 0:23:45 | |
that sounded like someone with a sore stomach. | 0:23:45 | 0:23:47 | |
So before the main event, you need some expert help | 0:23:47 | 0:23:52 | |
and a change into traditional Swiss costume of course. | 0:23:52 | 0:23:56 | |
So, Sissi, what is yodelling, is it singing or speaking? | 0:23:56 | 0:24:00 | |
-TRANSLATION: -It's singing from the bottom of your heart, darling. | 0:24:00 | 0:24:03 | |
It's from your belly, down-to-earth simple singing. | 0:24:03 | 0:24:06 | |
How do we make our voice go up and down like that? | 0:24:06 | 0:24:08 | |
The HOOO-ooo. | 0:24:08 | 0:24:10 | |
That's sliding between pitches using your throat. | 0:24:10 | 0:24:12 | |
That happens here, | 0:24:12 | 0:24:15 | |
where the vocal cords are. | 0:24:15 | 0:24:16 | |
They touch each other very fast when you do this... | 0:24:16 | 0:24:20 | |
# Yo-OO-oh-OO-oh-OO. # | 0:24:20 | 0:24:23 | |
And higher. | 0:24:23 | 0:24:25 | |
# Yo-OO-oh-OO-oh-AH. # | 0:24:25 | 0:24:27 | |
THEY TRY AND COPY HER | 0:24:27 | 0:24:29 | |
-# HEEEEEEEEEEEE -# Oh-OOOOO. # | 0:24:29 | 0:24:32 | |
No, guys! Listen to Sissi. | 0:24:32 | 0:24:35 | |
No, always keep it steady. Not like this. | 0:24:35 | 0:24:39 | |
# Yo-OO-oh-OO-oh-OO. # | 0:24:39 | 0:24:45 | |
I was just about to tell Ed to put a cork in it... | 0:24:45 | 0:24:47 | |
but seemingly this helps with the shape of the mouth for yodelling! | 0:24:47 | 0:24:51 | |
The time has come. | 0:24:51 | 0:24:53 | |
Ed and Michelle will have to sing a yodel solo each | 0:24:53 | 0:24:56 | |
with the crowd deciding the winner. | 0:24:56 | 0:24:58 | |
Luckily they will have some help from Sissi | 0:24:58 | 0:25:00 | |
and the local children's yodel choir. | 0:25:00 | 0:25:02 | |
There's still some time for last minute training from the pros. | 0:25:03 | 0:25:06 | |
# Lo-LO-la | 0:25:06 | 0:25:08 | |
# Yo-lo-LOOOOOOOO. # | 0:25:08 | 0:25:11 | |
But I think it's too little too late for Ed! | 0:25:11 | 0:25:14 | |
The crowds are gathering and the children are ready. | 0:25:14 | 0:25:18 | |
Will it be a yo or a no from the Swiss yodelling fans? | 0:25:18 | 0:25:22 | |
Michelle is first up - time for her big solo. | 0:25:22 | 0:25:25 | |
THEY ALL SING TOGETHER | 0:25:25 | 0:25:27 | |
# Yo-lo-LOOO | 0:25:29 | 0:25:32 | |
# Lo-lo-lo-lo | 0:25:32 | 0:25:34 | |
# Yo-lo-lo-looo-LOO | 0:25:34 | 0:25:38 | |
# YO-LO-LOO | 0:25:38 | 0:25:39 | |
# Loo-loo-LOO... | 0:25:39 | 0:25:42 | |
THE OTHERS JOIN IN | 0:25:42 | 0:25:45 | |
She looks relieved. | 0:25:45 | 0:25:47 | |
Ed's looking nervous... | 0:25:52 | 0:25:55 | |
PAUSE IN SINGING | 0:25:55 | 0:25:58 | |
# Yo... | 0:25:58 | 0:25:59 | |
Oops, too soon! This is the part the children sing, Ed. | 0:25:59 | 0:26:04 | |
CHILDREN ALL SING TOGETHER | 0:26:04 | 0:26:07 | |
Will Sissi be impressed with Ed's yodel? | 0:26:11 | 0:26:14 | |
Ready, Eddie? | 0:26:21 | 0:26:22 | |
# Yo-lo-OOO-AH-OH-oo-OH | 0:26:25 | 0:26:31 | |
# AH-OH-OH-oo-OH-ah-OH | 0:26:31 | 0:26:37 | |
# AH-oh-OH... | 0:26:37 | 0:26:39 | |
THE OTHERS JOIN IN Why are you laughing?! | 0:26:39 | 0:26:43 | |
No wonder they're laughing, Ed! | 0:26:43 | 0:26:46 | |
Now it's all down to the crowd to decide the winner. | 0:26:54 | 0:26:57 | |
Clap for Ed. | 0:26:59 | 0:27:01 | |
SMATTERING OF APPLAUSE | 0:27:01 | 0:27:04 | |
Clap for Michelle. | 0:27:07 | 0:27:09 | |
CHEERING AND APPLAUSE | 0:27:09 | 0:27:12 | |
The winner from All Over the Place | 0:27:12 | 0:27:15 | |
is Michelle! | 0:27:15 | 0:27:16 | |
CHEERING | 0:27:16 | 0:27:19 | |
# YODEL-OODEL-OOO! # | 0:27:24 | 0:27:26 | |
I honestly don't know how that has happened. | 0:27:26 | 0:27:28 | |
Oh, well. Looks like I am the LO-loo-lo-LOO-lo-loser! | 0:27:28 | 0:27:35 | |
You've been watching All Over the Place: Europe! | 0:27:35 | 0:27:38 |