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I'm Ricky. I live in Bristol. | 0:00:02 | 0:00:05 | |
By day, I work as an animator... | 0:00:05 | 0:00:07 | |
which is lucky, cos I love art. | 0:00:07 | 0:00:10 | |
I live for art, I even dream of art. | 0:00:10 | 0:00:13 | |
I draw... | 0:00:13 | 0:00:15 | |
I paint... | 0:00:15 | 0:00:16 | |
..I make things! | 0:00:17 | 0:00:19 | |
I hang out with my mates, Gavin, Michelle and Sarah. | 0:00:21 | 0:00:26 | |
Most importantly, I make ninja moves. | 0:00:26 | 0:00:29 | |
Some people call me the... | 0:00:29 | 0:00:30 | |
Today, I'll show you how to make fantastic fingerless gloves | 0:00:34 | 0:00:38 | |
without knitting... | 0:00:38 | 0:00:40 | |
disguise your eyes with Go To Sleep glasses... | 0:00:40 | 0:00:42 | |
Shades! | 0:00:42 | 0:00:44 | |
..and I get arty to surprise my mate Sarah at her party, | 0:00:44 | 0:00:48 | |
because today it's... | 0:00:48 | 0:00:50 | |
ALARM BEEPS | 0:00:55 | 0:00:56 | |
-HE SIGHS -It's a new day, and it's... | 0:00:56 | 0:00:59 | |
time to get my ninja on! | 0:00:59 | 0:01:01 | |
And my clothes. | 0:01:03 | 0:01:04 | |
Hah! Huh! Heh! | 0:01:26 | 0:01:29 | |
I can't help feeling I've forgotten something. | 0:01:30 | 0:01:33 | |
HE GASPS | 0:01:34 | 0:01:36 | |
PHONE RINGS | 0:01:36 | 0:01:37 | |
-Mum? -'Hello, mate.' -Oh, hi, Gavin. | 0:01:37 | 0:01:40 | |
-'Where have you been all weekend?' -What do you mean? It's Friday. | 0:01:40 | 0:01:43 | |
'No, it's Monday and you MISSED Sarah's birthday!' | 0:01:43 | 0:01:46 | |
No way! | 0:01:46 | 0:01:48 | |
KNOCK ON DOOR | 0:01:48 | 0:01:49 | |
Dude, got to go, there's someone at the door. | 0:01:49 | 0:01:52 | |
Who is it? | 0:01:52 | 0:01:53 | |
Ricky, it's Sarah, are you OK? We're all really worried about you. | 0:01:53 | 0:01:56 | |
Ricky's not here right now. Your call is important to us. | 0:01:56 | 0:02:02 | |
If you'd like to leave a message after the beep, | 0:02:02 | 0:02:04 | |
he'll get back to you. | 0:02:04 | 0:02:05 | |
Ricky, don't be weird, a door can't have an answer phone. | 0:02:05 | 0:02:08 | |
Beep! | 0:02:08 | 0:02:09 | |
OK, if you're going to play that game... I'm gutted you | 0:02:09 | 0:02:12 | |
missed my birthday and just give me a call when you're there. Bye. | 0:02:12 | 0:02:16 | |
I'm a bit gutted. Sarah's lovely. | 0:02:18 | 0:02:21 | |
I know, I'll make her a present - maybe some fingerless gloves. | 0:02:21 | 0:02:26 | |
But as I can't knit, I'll make some without knitting. | 0:02:26 | 0:02:30 | |
The Art Ninja knit-free fingerless gloves. | 0:02:31 | 0:02:35 | |
So I've got myself an old sticky tape loop - it's all finished - | 0:02:35 | 0:02:40 | |
and ten lolly sticks, and I'm going to lay them down | 0:02:40 | 0:02:44 | |
just over a finger's width apart. | 0:02:44 | 0:02:47 | |
Great. Now I'm going to get out some sticky tape. | 0:02:49 | 0:02:52 | |
Take a good length. | 0:02:53 | 0:02:55 | |
I'm going to lay it about a third of the way down the lolly sticks | 0:02:55 | 0:02:59 | |
and just make sure all of them are stuck, | 0:02:59 | 0:03:01 | |
without sticking to the table. | 0:03:01 | 0:03:03 | |
There we go. | 0:03:03 | 0:03:05 | |
Turn it over so the sticky side is facing up | 0:03:05 | 0:03:07 | |
and I'm going to roll my sticky tape loop across them. | 0:03:07 | 0:03:10 | |
OK, it's picked it up. | 0:03:11 | 0:03:13 | |
There we go, perfect. | 0:03:15 | 0:03:17 | |
So all of these now are at equal distance | 0:03:17 | 0:03:20 | |
around the sticky tape loop, and this will become my loom. | 0:03:20 | 0:03:24 | |
Cool. Now I'm going to take my wool... | 0:03:24 | 0:03:28 | |
and just put a little bit of the length through the loop, and then | 0:03:28 | 0:03:32 | |
I'm going to wrap it round each of the lolly sticks, like this. | 0:03:32 | 0:03:37 | |
Wrap and loop, wrap and loop. | 0:03:37 | 0:03:39 | |
Now, I'm wrapping these loops around quite loose... | 0:03:39 | 0:03:42 | |
as I need the tension to be loose for the next step. | 0:03:42 | 0:03:45 | |
OK, now the fun bit. | 0:03:50 | 0:03:52 | |
Got a loop around every single lolly stick | 0:03:52 | 0:03:55 | |
and I'm going to do a loop around the first one I did, | 0:03:55 | 0:03:58 | |
and then... | 0:03:58 | 0:03:59 | |
pull the bottom loop over the top loop and down the other side | 0:03:59 | 0:04:02 | |
of the lolly stick. | 0:04:02 | 0:04:04 | |
This is where all the stitches and the loops start to interlock. | 0:04:04 | 0:04:07 | |
Every time I make a new loop, the bottom loop goes over the top of it, | 0:04:07 | 0:04:12 | |
tying the whole thing together. | 0:04:12 | 0:04:13 | |
And eventually it will start flowing through | 0:04:13 | 0:04:16 | |
the middle of our tube, like that. | 0:04:16 | 0:04:18 | |
Now this can take a little while, | 0:04:20 | 0:04:22 | |
so I'm going to do it at ninja speed. | 0:04:22 | 0:04:24 | |
Using thicker wool gets you quicker results | 0:04:28 | 0:04:30 | |
as it starts to build up faster. | 0:04:30 | 0:04:32 | |
Nearly there now. | 0:04:36 | 0:04:38 | |
Right, that's looking pretty good. | 0:04:41 | 0:04:43 | |
You can see how it's all come together through the loom. | 0:04:43 | 0:04:47 | |
Even though the technique isn't traditional knitting, | 0:04:47 | 0:04:50 | |
the end result looks pretty convincing. | 0:04:50 | 0:04:52 | |
Now I need to get it off my makeshift loom. | 0:04:52 | 0:04:55 | |
I can't just pull it off cos it'll drop all these stitches | 0:04:55 | 0:04:57 | |
and the whole thing would unravel, so I need to cast it off properly. | 0:04:57 | 0:05:01 | |
So I'm going to get a good length of wool... | 0:05:01 | 0:05:04 | |
..and cut it. | 0:05:06 | 0:05:08 | |
And now I'm going to post the thread through each of my loops. | 0:05:10 | 0:05:14 | |
So, pull the loop up... | 0:05:14 | 0:05:15 | |
..post the loose thread through it. | 0:05:17 | 0:05:19 | |
Pull it through like that, | 0:05:21 | 0:05:22 | |
and I can slide that entire loop off of the loom. | 0:05:22 | 0:05:25 | |
There we go, now move on to the next one. | 0:05:25 | 0:05:27 | |
Lift up the loop... | 0:05:27 | 0:05:29 | |
and push it through. | 0:05:29 | 0:05:31 | |
And you can see it gradually coming off the loom as we cast it off. | 0:05:31 | 0:05:36 | |
Last one. | 0:05:38 | 0:05:39 | |
Look at that. | 0:05:44 | 0:05:45 | |
Looks great. | 0:05:47 | 0:05:48 | |
Tie a knot in the loose ends of the wool so that they don't unravel. | 0:05:48 | 0:05:51 | |
There we go, get rid of that bit. | 0:05:53 | 0:05:56 | |
So now I've got one... | 0:05:56 | 0:05:58 | |
but I need to ninja myself another one. | 0:05:58 | 0:06:01 | |
There we go. Right, might as well try 'em on. | 0:06:03 | 0:06:06 | |
When you get to the end, about there, | 0:06:07 | 0:06:09 | |
find a little hole in the stitch, pop your thumb through. | 0:06:09 | 0:06:13 | |
There we are. | 0:06:13 | 0:06:14 | |
I think Sarah's going to be really happy with these. | 0:06:14 | 0:06:18 | |
Now, you don't just have to make green ones, you can | 0:06:18 | 0:06:20 | |
change colours to create a stripy pattern | 0:06:20 | 0:06:23 | |
and you can experiment with different size looms, | 0:06:23 | 0:06:26 | |
like this cake tin I've used to make this rad hat. | 0:06:26 | 0:06:29 | |
Knitting without needles - you need to get involved in this. | 0:06:29 | 0:06:33 | |
I'm sure that picture moves on its own. | 0:06:34 | 0:06:36 | |
It's almost as if it's animated. | 0:06:36 | 0:06:39 | |
Oh, yeah! | 0:06:48 | 0:06:50 | |
I'm going to show you a trick that'll get your animations running | 0:06:50 | 0:06:52 | |
rings around the rest. | 0:06:52 | 0:06:54 | |
I'm going to teach you the secret of the memo note free runner. | 0:06:54 | 0:06:57 | |
Things you'll need are... | 0:06:57 | 0:06:58 | |
a pen, a book of memo notes, a camera and a computer. | 0:06:58 | 0:07:02 | |
Or, if you've got a tablet with one of those animation apps, | 0:07:02 | 0:07:05 | |
that's pretty good too. | 0:07:05 | 0:07:06 | |
Here's how to work it in three ninja moves. | 0:07:06 | 0:07:10 | |
Ninja move number one. | 0:07:10 | 0:07:12 | |
I'm going to put a memo note straight on the wall, | 0:07:12 | 0:07:14 | |
being really careful not to draw on the wall, | 0:07:14 | 0:07:16 | |
and I'm going to sketch the first frame of my character. | 0:07:16 | 0:07:18 | |
So, head, just a nice, big, round body, and then, when you're going to | 0:07:18 | 0:07:21 | |
draw a person running, I always start sort of mid-run. | 0:07:21 | 0:07:24 | |
When you run, you run in alternates like this, | 0:07:24 | 0:07:26 | |
so I'm going to have a leg forward and a leg back, and then, | 0:07:26 | 0:07:30 | |
if the right leg's forward, I'm going to put the left arm forward | 0:07:30 | 0:07:32 | |
and the right arm back. So that's the first frame. | 0:07:32 | 0:07:35 | |
That's kind of a good guide. | 0:07:35 | 0:07:37 | |
Ooh, that's me! | 0:07:38 | 0:07:40 | |
Try watching people run just to get a good guide for how they move. | 0:07:40 | 0:07:44 | |
Good observation usually leads to good animation. | 0:07:44 | 0:07:46 | |
And now I'm going to put another memo note over it. | 0:07:46 | 0:07:49 | |
I can see the frame from before - | 0:07:49 | 0:07:50 | |
that can be my guide for the next drawing, | 0:07:50 | 0:07:52 | |
and it looks like his foot's about to land on the floor, | 0:07:52 | 0:07:55 | |
and it'll probably land about there, | 0:07:55 | 0:07:57 | |
so that is going to be my starting point here. | 0:07:57 | 0:07:59 | |
Then I'm going to draw a nice head, | 0:07:59 | 0:08:03 | |
round belly, and the way it would have landed, | 0:08:03 | 0:08:05 | |
got a slight bend in the knee now | 0:08:05 | 0:08:07 | |
and his other leg probably would have brought forward. | 0:08:07 | 0:08:10 | |
Arm goes down, other arm goes down as well. | 0:08:10 | 0:08:13 | |
Another note on top, and you already see | 0:08:13 | 0:08:15 | |
he's starting to move across the wall. | 0:08:15 | 0:08:17 | |
I've got this foot on the floor, and this means I'm going to keep | 0:08:17 | 0:08:20 | |
this foot where it is. This is a really important point, | 0:08:20 | 0:08:22 | |
because if you make a run cycle and a person puts a foot down but keeps | 0:08:22 | 0:08:26 | |
moving, it just looks ridiculous, like he's sliding across the floor. | 0:08:26 | 0:08:29 | |
And unless he's on ice, which this guy's not, it doesn't work. | 0:08:29 | 0:08:32 | |
I'm taking a photograph after each drawn memo note | 0:08:32 | 0:08:36 | |
to create my animation. | 0:08:36 | 0:08:38 | |
Ninja move number two. | 0:08:40 | 0:08:42 | |
Once you've drawn your character and you've drawn your running frames | 0:08:42 | 0:08:45 | |
and you get back to a frame where it's kind of where he started... | 0:08:45 | 0:08:49 | |
So, the same leg's forward and the same leg's back, | 0:08:49 | 0:08:51 | |
it's at this point you can do a little bit of a sneaky cheat, | 0:08:51 | 0:08:54 | |
and that is reaching to the back and bringing that frame forward, | 0:08:54 | 0:08:58 | |
put over the front, cos now we're into an animation loop. | 0:08:58 | 0:09:01 | |
An animation loop is the loop of frames. | 0:09:01 | 0:09:03 | |
It finishes where it begins, | 0:09:03 | 0:09:05 | |
which means you can continually re-use them. | 0:09:05 | 0:09:07 | |
And this is good because you can make your character run for ever! | 0:09:07 | 0:09:11 | |
Ninja move number three. | 0:09:13 | 0:09:15 | |
Now your character can run, you can | 0:09:15 | 0:09:17 | |
control the distance which they travel - basically, their speed. | 0:09:17 | 0:09:20 | |
So if you look at here, if I want to make him move faster | 0:09:20 | 0:09:22 | |
and bound further away, I can just push the memo note further away | 0:09:22 | 0:09:25 | |
till you can NEARLY see the other frame, but not quite. | 0:09:25 | 0:09:28 | |
That's going to work really well. | 0:09:28 | 0:09:30 | |
So use your three ninja moves, use your imagination | 0:09:33 | 0:09:35 | |
and get your memo note free runner running around your room. | 0:09:35 | 0:09:39 | |
Ready, steady, go! | 0:09:39 | 0:09:41 | |
STARTING GUN FIRES | 0:09:41 | 0:09:42 | |
A really quick, fun animation. Have a go yourself. | 0:09:54 | 0:09:57 | |
I'm going to plan something to make up for me missing Sarah's birthday. | 0:10:04 | 0:10:08 | |
She deserves a treat - she's had a lot on her plate recently. | 0:10:08 | 0:10:11 | |
Not party food, unfortunately! | 0:10:11 | 0:10:13 | |
I know, I'll use one of the clean plates to make a Banksy-style | 0:10:13 | 0:10:17 | |
stencil of a skateboarder. | 0:10:17 | 0:10:19 | |
Did I hear my name?! | 0:10:19 | 0:10:20 | |
It is I, Banksy, master of disguise! Whoa-ho-ho-ho-ho-ho! | 0:10:21 | 0:10:25 | |
Look, I'm a cocktail sausage. | 0:10:25 | 0:10:27 | |
And now I'm a pineapple chunk. | 0:10:27 | 0:10:30 | |
Usually, I'm a graffiti artist from Bristol. Your manor, Ricky. | 0:10:30 | 0:10:34 | |
I do street art, mostly, but I've done album covers, I've done a title | 0:10:34 | 0:10:37 | |
sequence for The Simpsons and I've even painted on a real elephant. | 0:10:37 | 0:10:41 | |
I usually spray my graffiti through stencils. | 0:10:41 | 0:10:45 | |
Here's one of my famous pictures now. | 0:10:45 | 0:10:47 | |
For somebody who loves secrecy, you don't half go on about yourself. | 0:10:47 | 0:10:50 | |
If I'm going to make a stencil, | 0:10:52 | 0:10:54 | |
I'm going to need a good background first. | 0:10:54 | 0:10:56 | |
I've got an old bit of cardboard here. | 0:10:56 | 0:10:58 | |
I'm going to give it a bit of a grey wash. | 0:10:58 | 0:11:01 | |
There we go. We brush the paint around. | 0:11:02 | 0:11:06 | |
I want a kind of messy, anarchic finish to it. | 0:11:06 | 0:11:09 | |
So it looks like a wall! | 0:11:09 | 0:11:11 | |
Yeah, that's looking good. | 0:11:11 | 0:11:13 | |
Maybe some white paint splats on it. | 0:11:13 | 0:11:15 | |
There it goes. | 0:11:15 | 0:11:17 | |
Yeah, look at that! | 0:11:23 | 0:11:24 | |
Ooh, better not get it on the food! | 0:11:24 | 0:11:26 | |
Nice. Think I'll have a couple of black splats as well. | 0:11:28 | 0:11:32 | |
Definitely put paper down with this one. Yeah! | 0:11:35 | 0:11:38 | |
I'm going to put it to the side to dry while I draw my stencil. | 0:11:38 | 0:11:42 | |
Think I'll draw my skateboarder mid-trick. | 0:11:42 | 0:11:45 | |
Of course, you don't have to draw a skateboarder, | 0:11:45 | 0:11:48 | |
you can draw anything you like! | 0:11:48 | 0:11:50 | |
Right, I'm going to cut that out, so I'm going to put some modelling | 0:11:50 | 0:11:53 | |
clay down first, then just pierce that hole for my scissors. | 0:11:53 | 0:11:56 | |
There we go. | 0:11:56 | 0:11:58 | |
Get my scissors in there and cut it out. | 0:11:58 | 0:12:00 | |
Notice how I haven't joined up the front foot to the skateboard? | 0:12:00 | 0:12:04 | |
If I did that, I'd lose this area here. | 0:12:04 | 0:12:06 | |
It needs to be able to touch the outside. | 0:12:06 | 0:12:08 | |
To the arm, and there we go. | 0:12:08 | 0:12:12 | |
And there's my skateboarder stencil, ready to go. | 0:12:12 | 0:12:14 | |
Right, put my stencil, I reckon, about there, | 0:12:14 | 0:12:17 | |
and I'm going to use a nice big brush | 0:12:17 | 0:12:20 | |
to block it in with a bit of black. | 0:12:20 | 0:12:22 | |
Banksy would use spray paint, but try this, it really works! | 0:12:23 | 0:12:28 | |
I'm just holding this little flat bit here in place | 0:12:28 | 0:12:30 | |
cos the brush and the paint might move it and smudge the picture. | 0:12:30 | 0:12:34 | |
Time for the reveal. | 0:12:37 | 0:12:38 | |
Ah, yeah, skateboarder! | 0:12:39 | 0:12:41 | |
I'm going to flip the plate over and do another one down here, | 0:12:41 | 0:12:44 | |
and I'll pop the plate in the other way. | 0:12:44 | 0:12:47 | |
There we are. | 0:12:47 | 0:12:48 | |
Right, here we go. | 0:12:52 | 0:12:53 | |
Yeah, another skateboarder! Rad! | 0:12:55 | 0:12:58 | |
I think that looks awesome! I'm really happy with that. | 0:12:58 | 0:13:01 | |
My very own Banksy. Or should I say, Ricksy. | 0:13:01 | 0:13:04 | |
Did I ever tell you about the time when I played a prank | 0:13:04 | 0:13:07 | |
by sneaking my paintings into the Tate Modern and the Louvre in Paris? | 0:13:07 | 0:13:11 | |
No... But that has given me an idea for Sarah's party. | 0:13:11 | 0:13:16 | |
Why not try a stencil inspired by Banksy? | 0:13:16 | 0:13:18 | |
PHONE RINGS | 0:13:20 | 0:13:22 | |
Oh! I'd best not answer that, it might be Sarah. | 0:13:22 | 0:13:25 | |
ANSWERPHONE BEEPS | 0:13:25 | 0:13:26 | |
'Hi, Ricky, it's your mum! | 0:13:26 | 0:13:28 | |
'Sarah called earlier - I hope you didn't miss her birthday! | 0:13:28 | 0:13:31 | |
'Anyway, Ricky, just wanted to tell you there's loads of other | 0:13:31 | 0:13:35 | |
'stuff not to miss. | 0:13:35 | 0:13:36 | |
'Keep your eyes open for these specs-tacular glasses, | 0:13:36 | 0:13:39 | |
'"shave" the best for later with art using shaving foam, | 0:13:39 | 0:13:43 | |
'and you become art itself at the gallery. | 0:13:43 | 0:13:46 | |
'Bye!' | 0:13:46 | 0:13:47 | |
I'd better get on with Sarah's party or I'll miss her next birthday too! | 0:13:47 | 0:13:51 | |
Hey, you there! | 0:13:51 | 0:13:53 | |
Oh, this guy's such a chancer. | 0:13:53 | 0:13:57 | |
The future's so bright, I have to wear shades. | 0:13:57 | 0:14:00 | |
"Why?" I heard you ask. | 0:14:00 | 0:14:02 | |
I didn't say anything! | 0:14:02 | 0:14:04 | |
Ever been in class but can't keep your eyes open? | 0:14:04 | 0:14:07 | |
Ever made... | 0:14:07 | 0:14:09 | |
a spectacle of yourself? | 0:14:09 | 0:14:11 | |
Now YOU can disguise your eyes with brand-new Go To Sleep Shades. | 0:14:11 | 0:14:18 | |
Here's how you make them. | 0:14:18 | 0:14:20 | |
You need some black card and a white pencil. | 0:14:20 | 0:14:25 | |
Use it to draw around the front of your glasses... | 0:14:25 | 0:14:28 | |
onto the card. | 0:14:28 | 0:14:30 | |
Turn your glasses so you can draw around the arms. | 0:14:30 | 0:14:32 | |
Now draw some lenses inside the frames you've already drawn. | 0:14:35 | 0:14:39 | |
Next, get some scissors - snippy-snippy - | 0:14:41 | 0:14:44 | |
and, with care, cut out the glasses from the card. | 0:14:44 | 0:14:48 | |
Please get rid of your excess card - ahem - responsibly. | 0:14:48 | 0:14:51 | |
You need a small piece of modelling clay and your pencil | 0:14:51 | 0:14:55 | |
to safety poke holes in the lenses. | 0:14:55 | 0:14:58 | |
Use these holes to help you cut out the lenses with your scissors. | 0:14:58 | 0:15:03 | |
It's not over yet. | 0:15:03 | 0:15:05 | |
You'll need to make another pair in much the same way as demonstrated. | 0:15:05 | 0:15:09 | |
"Eye-eye." | 0:15:09 | 0:15:11 | |
Now, using a camera or smartphone, take a couple of selfies - | 0:15:12 | 0:15:16 | |
one with your eyes open and one with your eyes closed. | 0:15:16 | 0:15:19 | |
A very good likeness. | 0:15:22 | 0:15:24 | |
Next, send these pictures to print. | 0:15:26 | 0:15:30 | |
Wait, who's this guy? | 0:15:30 | 0:15:32 | |
I don't remember taking those! | 0:15:32 | 0:15:35 | |
Oh, well, they'll do. | 0:15:35 | 0:15:37 | |
Now, using a pencil, draw around the eyes of your printed selfies | 0:15:37 | 0:15:41 | |
using the outline of your cardboard glasses, like this. | 0:15:41 | 0:15:45 | |
Cut out both sets of eyes. | 0:15:45 | 0:15:47 | |
Those eyes REALLY suit me, don't they? | 0:15:50 | 0:15:54 | |
With a glue stick, | 0:15:55 | 0:15:57 | |
attach the open eyes to one pair of cardboard glasses. | 0:15:57 | 0:16:00 | |
And attach the closed eyes to the other pair. | 0:16:04 | 0:16:07 | |
You must stick both frames together back-to-back, | 0:16:10 | 0:16:14 | |
with both sets of eyes facing outwards. | 0:16:14 | 0:16:17 | |
Classy! | 0:16:17 | 0:16:19 | |
Finally... | 0:16:20 | 0:16:22 | |
make a fold in the arms of your glasses so that YOU can wear them. | 0:16:22 | 0:16:28 | |
Go To Sleep...Shades. | 0:16:28 | 0:16:31 | |
Buy them now, cos I can see these flying off the shelves. | 0:16:31 | 0:16:35 | |
Well, I could, if I had my eyes... | 0:16:35 | 0:16:38 | |
..open! | 0:16:39 | 0:16:41 | |
I'll keep my eye out for those! | 0:16:45 | 0:16:47 | |
Here's a real quick art tip - | 0:16:49 | 0:16:51 | |
how to make things look like they're moving really fast. | 0:16:51 | 0:16:54 | |
I'm going to start my drawing with a car, cos cars are quick. | 0:16:54 | 0:16:57 | |
Windscreen, couple of wheels, and there's the light. | 0:16:57 | 0:17:01 | |
Now I'm going to draw the driver - here he is in there. | 0:17:01 | 0:17:04 | |
Hands on the wheel, ten and two. | 0:17:06 | 0:17:09 | |
I'm going to give him some hair, | 0:17:09 | 0:17:11 | |
and I'm going to do this with zigzag lines going backwards to show | 0:17:11 | 0:17:14 | |
the wind going through his hair. | 0:17:14 | 0:17:16 | |
Now I'm going to add some action lines behind the car, | 0:17:16 | 0:17:19 | |
so whichever way your character's travelling, | 0:17:19 | 0:17:21 | |
make sure your action lines are behind. | 0:17:21 | 0:17:24 | |
And this makes it look like it's travelling really fast. | 0:17:24 | 0:17:27 | |
On the wheels, I'm going to add some too. | 0:17:28 | 0:17:30 | |
But on these, I'm going to put a little curve, | 0:17:32 | 0:17:34 | |
just to show that the wheel's going round. | 0:17:34 | 0:17:37 | |
And finally, for extra speed, | 0:17:37 | 0:17:39 | |
I'm going to add a puff of smoke coming out of the back of the car. | 0:17:39 | 0:17:42 | |
There we go... | 0:17:43 | 0:17:45 | |
a quick art tip. | 0:17:45 | 0:17:47 | |
CAR ENGINE STARTS | 0:17:48 | 0:17:50 | |
Oops! | 0:17:55 | 0:17:56 | |
BOTH: Ricky, Ricky, Ricky! | 0:17:58 | 0:18:00 | |
No rest for the wicked. | 0:18:00 | 0:18:01 | |
What can I do for you guys? | 0:18:01 | 0:18:03 | |
Ricky, what can you do with these pipe cleaners? | 0:18:03 | 0:18:05 | |
Pipe cleaners? Well, maybe next time, if you pipe down a bit... | 0:18:05 | 0:18:09 | |
Ohhh! | 0:18:09 | 0:18:11 | |
BOTH: Ricky, what can you make with this? | 0:18:11 | 0:18:14 | |
That looks interesting! I choose you. | 0:18:14 | 0:18:16 | |
-Yay! -So what are your names? | 0:18:16 | 0:18:19 | |
-My name's Steph. -My name's Ruby. | 0:18:19 | 0:18:21 | |
Hi, Steph and Ruby, nice to meet you. Where are you from? | 0:18:21 | 0:18:23 | |
-BOTH: We're from Liverpool. -So what have you guys got for me today? | 0:18:23 | 0:18:26 | |
We've got some shaving foam. | 0:18:26 | 0:18:28 | |
Shaving foam... Do you know what? | 0:18:28 | 0:18:32 | |
I've been "shaving" this one for a day just like today. | 0:18:32 | 0:18:35 | |
I'll just go and get my stuff. | 0:18:35 | 0:18:36 | |
So, I've got...trusty shaving foam, some nice coloured paints, | 0:18:36 | 0:18:40 | |
a piece of paper and, like, a dinner tray. | 0:18:40 | 0:18:44 | |
So what I'm going to do to begin with is use the shaving foam. | 0:18:44 | 0:18:47 | |
I'm going to use quite a lot of it. | 0:18:47 | 0:18:49 | |
I'm going to fill the whole of this tray with it. | 0:18:49 | 0:18:52 | |
'If it's not yours, make sure you ask first!' | 0:18:52 | 0:18:55 | |
I'm going to make some marble effect wrapping paper. | 0:18:55 | 0:18:58 | |
Basically, I've forgotten about my friend's birthday, | 0:19:00 | 0:19:04 | |
so I'm going to make some wrapping paper to wrap up her present | 0:19:04 | 0:19:08 | |
and hopefully make it up to her. | 0:19:08 | 0:19:09 | |
I haven't really forgotten anyone's birthday. | 0:19:11 | 0:19:14 | |
-Is it quite bad to forget somebody's birthday? -BOTH: Yes. | 0:19:14 | 0:19:17 | |
Ohh! It's going to have to be a pretty good present. | 0:19:17 | 0:19:20 | |
Now that I've sprayed it all out, | 0:19:22 | 0:19:23 | |
I'm going to use this ruler to flatten it out nicely. | 0:19:23 | 0:19:26 | |
I'm planning a party to make it up to my friend as well. | 0:19:26 | 0:19:28 | |
What would be the best party you could think of? | 0:19:28 | 0:19:31 | |
Erm, a roller skating party. | 0:19:31 | 0:19:33 | |
Roller skating party? That is a good idea. | 0:19:33 | 0:19:35 | |
I prefer skateboarding, myself, but it'd still be really fun. | 0:19:35 | 0:19:39 | |
Now, going to use these nice colours over the foam. | 0:19:40 | 0:19:43 | |
Start with some yellow. | 0:19:43 | 0:19:44 | |
Then a bit of red. | 0:19:46 | 0:19:48 | |
Bit of blue. Here you go. | 0:19:51 | 0:19:54 | |
And a little bit of this darker blue, bit more purply. | 0:19:54 | 0:19:57 | |
-I quite like fancy dress parties. -Me too. | 0:19:57 | 0:20:00 | |
So you can hide amongst everyone, it's quite fun. | 0:20:00 | 0:20:03 | |
I've got a piece of cardboard over here | 0:20:04 | 0:20:06 | |
and I'm going to use this to scratch through the foam and the paint | 0:20:06 | 0:20:08 | |
and give it a little bit of structure and pattern. | 0:20:08 | 0:20:11 | |
Look at that, you get all these stripes on the cardboard as well. | 0:20:11 | 0:20:14 | |
'I'm scraping the lines in a horizontal and vertical cross | 0:20:14 | 0:20:18 | |
'pattern, but you can do whatever you like.' | 0:20:18 | 0:20:20 | |
Yeah. Now is the fun bit. | 0:20:22 | 0:20:25 | |
I'm going to lay a piece of paper over the foam and the paint | 0:20:25 | 0:20:28 | |
and just press it down lightly | 0:20:28 | 0:20:30 | |
so that it picks up all the paint from the foam. | 0:20:30 | 0:20:33 | |
Right, think it's time to peel it off. | 0:20:33 | 0:20:36 | |
Ooh, yeah. Lay this down. | 0:20:41 | 0:20:43 | |
Scrape off the excess. | 0:20:43 | 0:20:46 | |
'Every piece of wrapping paper you make is unique.' | 0:20:46 | 0:20:49 | |
-OK, guys, you ready to see it? -BOTH: Yes. | 0:20:49 | 0:20:52 | |
Cool. Here we go... | 0:20:52 | 0:20:54 | |
What do you think? | 0:20:54 | 0:20:55 | |
-Wow! -Whoa! | 0:20:55 | 0:20:56 | |
-Do you like it? -BOTH: Yeah. | 0:20:56 | 0:20:59 | |
So what would you guys give it out of ten? | 0:20:59 | 0:21:01 | |
Hmm...ten. | 0:21:01 | 0:21:02 | |
Ah, ten, phew! That was a close shave. | 0:21:03 | 0:21:06 | |
It's a good score, too. I usually get silly scores. | 0:21:06 | 0:21:09 | |
-Anyway, thanks very much, Steph, cheers, Ruby. -BOTH: Bye. -Bye-bye. | 0:21:09 | 0:21:13 | |
Why don't you make marbled wrapping paper? | 0:21:13 | 0:21:16 | |
I'm going to use it to wrap Sarah's present. | 0:21:16 | 0:21:19 | |
But I'm going to do it at ninja speed. | 0:21:20 | 0:21:23 | |
All I need to do now is to put on a surprise party to make it up to her. | 0:21:36 | 0:21:40 | |
Just send a little e-flyer, an invite to my friends, send. | 0:21:40 | 0:21:44 | |
LAPTOP BLEEPS | 0:21:45 | 0:21:47 | |
-Whoa! Everyone's coming! -BLEEPING CONTINUES | 0:21:47 | 0:21:51 | |
I'm going to throw Sarah a surprise party she'll never forget. | 0:21:51 | 0:21:55 | |
Ninja skill...ooh! | 0:22:04 | 0:22:06 | |
This is the venue for my surprise party for Sarah. | 0:22:06 | 0:22:10 | |
Major art EVERYWHERE. | 0:22:10 | 0:22:12 | |
This is a surprise party for Sarah, so...I'd better hide. | 0:22:15 | 0:22:21 | |
MUSIC: Sing by Ed Sheeran | 0:22:21 | 0:22:24 | |
Yes! | 0:22:33 | 0:22:34 | |
Yes! Nailed it! | 0:22:35 | 0:22:38 | |
None of this is working. | 0:22:38 | 0:22:39 | |
I need something that will really knock Sarah's socks off. | 0:22:39 | 0:22:42 | |
You know what? I shall become art itself. | 0:22:42 | 0:22:47 | |
But first, I'd better get my ninja on. | 0:22:47 | 0:22:50 | |
Heh, ha! Hoo, hoo, hoo, hoo! | 0:22:53 | 0:22:55 | |
Hm! Agh! | 0:22:55 | 0:22:56 | |
Check this out... | 0:22:58 | 0:22:59 | |
.."p-arty" ninja! | 0:23:00 | 0:23:02 | |
'I've cut a hole in this piece of plywood so I can put my face | 0:23:05 | 0:23:09 | |
'in the picture. | 0:23:09 | 0:23:10 | |
'I've been inspired by Banksy to hide in a gallery.' | 0:23:10 | 0:23:14 | |
Did I ever tell you about the time when I played a prank | 0:23:14 | 0:23:17 | |
by sneaking my paintings into the Tate Modern? | 0:23:17 | 0:23:19 | |
So what I'm doing now is just drawing an outline, | 0:23:21 | 0:23:24 | |
so I've got a guide to do my painting, | 0:23:24 | 0:23:26 | |
and I'm actually going to draw a face, much bigger than my own, | 0:23:26 | 0:23:30 | |
so the features overlap. | 0:23:30 | 0:23:32 | |
And when I paint it, I can easily hide within it. | 0:23:32 | 0:23:37 | |
Already disappearing into the background. | 0:23:44 | 0:23:46 | |
Oh, yeah! | 0:23:50 | 0:23:51 | |
Sarah's so going to love this. | 0:23:53 | 0:23:55 | |
I think I'm pretty much done with the black now, | 0:23:56 | 0:23:59 | |
so it's time to start getting involved with some colour. | 0:23:59 | 0:24:02 | |
This blue bit here is going to be the shadow on my face. | 0:24:04 | 0:24:08 | |
It goes right down the middle | 0:24:08 | 0:24:10 | |
so the light's going to be coming from here and casting a shadow. | 0:24:10 | 0:24:13 | |
Although I'm painting myself, this isn't strictly a self-portrait. | 0:24:16 | 0:24:21 | |
It doesn't really look anything like me. | 0:24:21 | 0:24:23 | |
It's more of an abstract portrait, cos all the features | 0:24:23 | 0:24:26 | |
have been exaggerated, the colours aren't necessarily true to life, | 0:24:26 | 0:24:30 | |
and it's all a bit weird. Pretty cool, though. | 0:24:30 | 0:24:33 | |
Last thing to do now, cover up the eyes. | 0:24:36 | 0:24:39 | |
Obviously, I'm using some special face paint. | 0:24:40 | 0:24:43 | |
You shouldn't just use any old paint on your face. | 0:24:43 | 0:24:46 | |
Now you see me... | 0:24:47 | 0:24:49 | |
now you don't. | 0:24:49 | 0:24:51 | |
I've officially become...ninja art. | 0:24:51 | 0:24:53 | |
'Cue the guests.' | 0:24:55 | 0:24:57 | |
-WHISPERS: -Look out, here they come. | 0:24:57 | 0:24:59 | |
Ooh! | 0:24:59 | 0:25:00 | |
'There's Sarah and Gavin.' | 0:25:00 | 0:25:02 | |
Look at that. | 0:25:02 | 0:25:03 | |
'Matt, Andre, Rich... everyone's here!' | 0:25:04 | 0:25:07 | |
-WHISPERS: -There's Sarah, she hasn't noticed me yet. | 0:25:07 | 0:25:10 | |
ALL: Cheers! | 0:25:10 | 0:25:12 | |
Oh, Gav, this is really great, but where's Ricky? | 0:25:14 | 0:25:17 | |
I don't know, Sarah. He's always letting people down at the minute. | 0:25:17 | 0:25:21 | |
SHE SIGHS | 0:25:21 | 0:25:22 | |
I can't believe he's not here. | 0:25:22 | 0:25:24 | |
I mean, who throws a party for their best friend and doesn't turn up? | 0:25:24 | 0:25:27 | |
Hmm. This one looks REALLY familiar. | 0:25:27 | 0:25:30 | |
RICKY BLOWS A RASPBERRY Gavin! | 0:25:31 | 0:25:34 | |
It wasn't me! | 0:25:34 | 0:25:36 | |
Yeah, Gav, it's an art gallery, not a fart gallery. | 0:25:36 | 0:25:39 | |
-Ricky! -Yeah! -Why are you in a painting? | 0:25:39 | 0:25:42 | |
It's meant to be a surprise for Sarah. | 0:25:42 | 0:25:44 | |
-Ahh! -Go get her, so I can make her party arty. | 0:25:44 | 0:25:47 | |
Ha, brilliant! | 0:25:47 | 0:25:49 | |
-Ah, look at that. -That is good. -Oh, that's Rick... | 0:25:49 | 0:25:52 | |
Oh! | 0:25:52 | 0:25:53 | |
Happy birthday, Sarah! | 0:25:55 | 0:25:57 | |
That's amazing! | 0:25:59 | 0:26:00 | |
Come over here, I've got something for you. | 0:26:00 | 0:26:03 | |
Oh, thank you! Thanks very much, Ricky. | 0:26:03 | 0:26:06 | |
-I'm sorry I missed your birthday. -That's OK. | 0:26:06 | 0:26:09 | |
It's some fingerless gloves - I made them for you! | 0:26:09 | 0:26:12 | |
-Oh, thanks! -Lovely wrist warmers. | 0:26:12 | 0:26:15 | |
OK, Sarah, let's party. | 0:26:15 | 0:26:17 | |
-Oh, thanks for my party, Ricky. All is forgiven. -My pleasure. | 0:26:23 | 0:26:27 | |
-Shall we go and get some food, guys? ALL: -Yeah! | 0:26:27 | 0:26:31 | |
Food, awesome! | 0:26:31 | 0:26:33 | |
Hey, I'll just get this off my head. | 0:26:33 | 0:26:35 | |
Ugh, it's stuck! | 0:26:39 | 0:26:41 | |
I know I'm no oil painting, but this is ridiculous. | 0:26:41 | 0:26:45 | |
Guys... Hey, guys! | 0:26:46 | 0:26:49 | |
Hey, guys! Guys, my head's stuck. | 0:26:50 | 0:26:54 | |
Guys... | 0:26:54 | 0:26:57 | |
Hey, guys! | 0:26:57 | 0:26:58 | |
Wow. | 0:27:03 | 0:27:04 | |
I finally got that frame off of my head and I'm back to normal. | 0:27:04 | 0:27:08 | |
Looking good! | 0:27:09 | 0:27:11 | |
Today has taught me a valuable Art Ninja lesson. | 0:27:11 | 0:27:14 | |
If making up with mates is your aim, then just say sorry in a frame. | 0:27:14 | 0:27:19 | |
That paint took a long time to get off my face. | 0:27:19 | 0:27:22 | |
I'm glad it's all gone, though. | 0:27:22 | 0:27:25 | |
Phew! | 0:27:25 | 0:27:26 | |
What was that? | 0:27:33 | 0:27:34 | |
Ughhh! | 0:27:36 | 0:27:38 | |
Argggggggggh! | 0:27:38 | 0:27:42 | |
To get your Art Ninja on, | 0:27:47 | 0:27:49 | |
go to the CBBC website. | 0:27:49 | 0:27:51 | |
Ninja skills! | 0:27:51 | 0:27:52 |