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Today on Cop School, a Cop School criminal has burgled this flat. | 0:00:02 | 0:00:04 | |
Will the cadets be able to track him down with the help of forensics? | 0:00:04 | 0:00:09 | |
This is going to test crime scene examination skills to the limit. | 0:00:09 | 0:00:13 | |
I'm Rav Wilding, this is Cop School. | 0:00:13 | 0:00:16 | |
Six wannabe coppers... | 0:00:19 | 0:00:22 | |
meet the world's oldest police force. | 0:00:22 | 0:00:24 | |
Their mission - to complete a unique training course. | 0:00:24 | 0:00:30 | |
But are these cadets tough enough to cut it in the Met? | 0:00:30 | 0:00:34 | |
Last time at Cop School, the cadets trained as traffic cops... | 0:00:38 | 0:00:42 | |
..and had to investigate a major collision to find who was at fault. | 0:00:45 | 0:00:49 | |
If we need further questions, we will ask for them. | 0:00:49 | 0:00:52 | |
It's 8am sharp, and even though the cadets are tired, | 0:00:53 | 0:00:56 | |
they have to be ready to spring into action at any moment. | 0:00:56 | 0:00:59 | |
In this show, the Cop School cadets will be immersed | 0:00:59 | 0:01:02 | |
in the world of crime scene examination and forensics. | 0:01:02 | 0:01:06 | |
They've been told they're on their way to meet their mentor. | 0:01:06 | 0:01:09 | |
Which is true. | 0:01:09 | 0:01:11 | |
Exactly how they meet their mentor might be a bit of a surprise. | 0:01:11 | 0:01:15 | |
'That's because he's here - slap bang in the middle of a crime scene. | 0:01:15 | 0:01:19 | |
'Far from being a dead body, | 0:01:19 | 0:01:20 | |
'he's alive, alert and ready to put the cadets through their paces.' | 0:01:20 | 0:01:25 | |
CAR ALARM RINGS | 0:01:27 | 0:01:29 | |
Hello. Can you hear me? | 0:01:34 | 0:01:36 | |
You have just broken the first rule of crime scene examination. | 0:01:41 | 0:01:45 | |
You never, ever contaminate a crime scene. | 0:01:45 | 0:01:47 | |
I'm Greig Trout, a Metropolitan Police Service crime scene examiner. | 0:01:47 | 0:01:51 | |
Whilst you're training here, I am your mentor. | 0:01:51 | 0:01:53 | |
Forensics is the science behind crime solving. | 0:01:53 | 0:01:57 | |
Using the latest technology and examination techniques, | 0:01:57 | 0:02:00 | |
the police can work out exactly what took place in a crime scene | 0:02:00 | 0:02:04 | |
by studying the evidence that the criminal left behind. | 0:02:04 | 0:02:08 | |
Greig Trout's been working in forensics in the Met for six years | 0:02:08 | 0:02:12 | |
and has worked with the police to solve hundreds of crimes. | 0:02:12 | 0:02:16 | |
But can the Cop School cadets learn enough about CSE for them | 0:02:17 | 0:02:21 | |
to succeed in the final challenge? | 0:02:21 | 0:02:23 | |
Every single piece of evidence left behind in a crime scene | 0:02:23 | 0:02:27 | |
is crucial to the investigation. | 0:02:27 | 0:02:30 | |
From something the size of a human body to the tiniest hair and fibre. | 0:02:30 | 0:02:35 | |
And even DNA, invisible to the naked eye. | 0:02:35 | 0:02:39 | |
In order to avoid contaminating a crime scene, | 0:02:39 | 0:02:41 | |
the cadets will have to wear personal protective equipment (PPE). | 0:02:41 | 0:02:45 | |
OK, cadets. | 0:02:46 | 0:02:48 | |
The work of a crime scene examiner can be precise and painstaking. | 0:02:48 | 0:02:51 | |
You must avoid disturbing and contaminating the crime scene. | 0:02:51 | 0:02:55 | |
For this test, we want you to get from one end to the other, | 0:02:55 | 0:02:59 | |
-using these special stepping plates. -But, as this is Cop School, | 0:02:59 | 0:03:03 | |
there's going to be added pressure. | 0:03:03 | 0:03:05 | |
You're also going to carry your forensic case with you in one hand. | 0:03:05 | 0:03:09 | |
You're going to work in pairs. The first pair will be Megan and Sam. | 0:03:09 | 0:03:15 | |
Great! | 0:03:15 | 0:03:17 | |
As CSEs have to be efficient and quick at crime scenes, | 0:03:17 | 0:03:21 | |
Greig will be timing the cadets to see who gets across the fastest. | 0:03:21 | 0:03:24 | |
Three, two, one. | 0:03:24 | 0:03:26 | |
HE BLOWS WHISTLE | 0:03:26 | 0:03:28 | |
'Speed isn't the only factor.' | 0:03:28 | 0:03:30 | |
Give me the briefcase. | 0:03:30 | 0:03:31 | |
'If, at any time, the cadets contaminate the crime scene | 0:03:31 | 0:03:34 | |
'with either their suitcases or themselves, they will be penalised. | 0:03:34 | 0:03:39 | |
'They must be quick, efficient and, above all, careful. | 0:03:39 | 0:03:42 | |
'In a real crime scene, CSEs might use these stepping plates | 0:03:42 | 0:03:46 | |
'to minimise the disturbance caused to the crime scene floor.' | 0:03:46 | 0:03:50 | |
Don't let that case touch the floor. | 0:03:50 | 0:03:52 | |
-Did you get it? -'Megan's lost balance and contaminated the crime scene. | 0:03:52 | 0:03:58 | |
'That's unlucky.' Well done, Megan! You're nearly there now. | 0:03:58 | 0:04:02 | |
Remember, all of those plates have to cross the line. | 0:04:02 | 0:04:05 | |
-Last plate. -Good effort. Well done! Well done! | 0:04:05 | 0:04:10 | |
We slowly put it on the ground and we both slowly stepped... | 0:04:10 | 0:04:14 | |
-OK, Nathan, Jade. Three, two, one. -HE BLOWS WHISTLE | 0:04:14 | 0:04:18 | |
Beat the time of the team in front of you. | 0:04:18 | 0:04:22 | |
'Having watched Megan and Sam, | 0:04:22 | 0:04:23 | |
'Jade and Nathan are craftily trying out a different technique. | 0:04:23 | 0:04:27 | |
'Although it may help them cross quickly, | 0:04:27 | 0:04:29 | |
'they are actually disturbing the crime scene twice as much. | 0:04:29 | 0:04:32 | |
'By creating two lines of stepping plates, side by side, | 0:04:32 | 0:04:37 | |
'Nathan and Jade are creating a wider field of disturbance. | 0:04:37 | 0:04:40 | |
'And possible contamination of evidence. | 0:04:40 | 0:04:42 | |
'Many different specialists are involved in examining the scene. | 0:04:42 | 0:04:47 | |
'That's why it's important there's only one route through it.' | 0:04:47 | 0:04:52 | |
Nearly there! You can see the tape. | 0:04:52 | 0:04:54 | |
'And they're across.' Nice finish! Not bad. | 0:04:54 | 0:04:59 | |
'Last up, it's Junior and Rebecca.' | 0:04:59 | 0:05:02 | |
You're not going in that crime scene till you're correctly dressed. | 0:05:02 | 0:05:06 | |
'And they've already contaminated the crime scene. | 0:05:06 | 0:05:10 | |
'It's essential their protective clothing is worn properly.' | 0:05:10 | 0:05:14 | |
Not a good start! 'That mistake could cost them.' | 0:05:14 | 0:05:17 | |
OK, come on. Catch-up that time you just lost putting your hoods up. | 0:05:17 | 0:05:20 | |
'Wearing the PPEs may be uncomfortable for the cadets, | 0:05:20 | 0:05:24 | |
'especially in such a physical challenge.' | 0:05:24 | 0:05:26 | |
-Keep your balance! -Go, Junior! | 0:05:26 | 0:05:28 | |
'But part of being a CSE is to leave no trace of yourself behind. | 0:05:28 | 0:05:34 | |
'Not a hair from your head or a fibre from your clothes.' | 0:05:34 | 0:05:37 | |
You're doing really well. | 0:05:37 | 0:05:39 | |
'Be careful there, Junior! Don't lose your balance. | 0:05:39 | 0:05:43 | |
'And it looks like Junior's shoe cover has come off. | 0:05:43 | 0:05:46 | |
'So close to the end. That's a schoolboy error.' | 0:05:46 | 0:05:49 | |
You're almost there. Last one. | 0:05:49 | 0:05:51 | |
I'm annoyed because my shoe came off. | 0:05:53 | 0:05:56 | |
-The pedals were so small, I couldn't keep both my feet in. -It's OK. | 0:05:56 | 0:06:00 | |
We did OK. We did good. | 0:06:00 | 0:06:02 | |
Really irritated me. | 0:06:02 | 0:06:03 | |
OK, guys, who's ready for some results? | 0:06:05 | 0:06:08 | |
-Yeah. -So, Megan and Sam, 3 minutes 10 seconds. | 0:06:08 | 0:06:13 | |
Rebecca and Junior with 2 minutes 16.29 seconds. | 0:06:15 | 0:06:20 | |
'That 0.29 could be important.' | 0:06:20 | 0:06:24 | |
Nathan and Jade, 2 minutes 16.19 seconds. | 0:06:24 | 0:06:29 | |
-Yes! -Well done! | 0:06:29 | 0:06:31 | |
THEY SING | 0:06:31 | 0:06:34 | |
Very, very, very sad. | 0:06:34 | 0:06:37 | |
Ta-da! | 0:06:38 | 0:06:39 | |
With the physical activities out of the way, | 0:06:42 | 0:06:45 | |
it's time to engage their minds. | 0:06:45 | 0:06:47 | |
Forensics is a test of brain power. | 0:06:47 | 0:06:50 | |
A CSE will have to recreate in their minds | 0:06:50 | 0:06:52 | |
the events that happened during the crime. | 0:06:52 | 0:06:54 | |
Greig has set up this fake crime scene | 0:06:54 | 0:06:58 | |
to introduce the cadets to the basics of CSE. | 0:06:58 | 0:07:01 | |
As a crime scene examiner, we attend crime scenes | 0:07:01 | 0:07:04 | |
from anything from a murder to a burglary. | 0:07:04 | 0:07:07 | |
We'll retrieve any evidence that might be there. | 0:07:07 | 0:07:09 | |
That evidence is labelled and bagged. | 0:07:09 | 0:07:11 | |
That exhibit can then be presented at court. | 0:07:11 | 0:07:13 | |
There are three main steps to take when entering a crime scene - | 0:07:13 | 0:07:18 | |
secure, spot and save. | 0:07:18 | 0:07:20 | |
We only want people that are involved in a crime scene going in and out. | 0:07:20 | 0:07:23 | |
The first thing we've got to do is secure the crime scene. | 0:07:23 | 0:07:26 | |
Remember we learned about contamination? | 0:07:26 | 0:07:27 | |
That's exactly what we're trying to do with this. | 0:07:27 | 0:07:30 | |
Private investigation! | 0:07:30 | 0:07:32 | |
Then we'll conduct a walk through. We'll walk through the scene | 0:07:32 | 0:07:35 | |
and try and figure out what the suspect's movements have been. | 0:07:35 | 0:07:38 | |
It looks like someone's tried to find something valuable. | 0:07:38 | 0:07:41 | |
They've gone over there, come round here, | 0:07:41 | 0:07:43 | |
knocked that down and gone there. | 0:07:43 | 0:07:45 | |
Someone might be looking for files, like. | 0:07:45 | 0:07:49 | |
Anything that a CSE deems to be important to the case | 0:07:49 | 0:07:53 | |
must be numbered with cones. | 0:07:53 | 0:07:56 | |
Photograph the scene. What they've touched, what they've disturbed. | 0:07:56 | 0:07:59 | |
The key is to photograph the item in close-up and at a distance, | 0:07:59 | 0:08:03 | |
to provide as much information for the jury as possible. | 0:08:03 | 0:08:06 | |
Guys, well done. That's brilliant. | 0:08:06 | 0:08:09 | |
Absolutely fantastic. | 0:08:09 | 0:08:10 | |
Forensics teams are made up of many different types of experts, | 0:08:15 | 0:08:18 | |
who all specialise in different areas | 0:08:18 | 0:08:21 | |
of retrieving and gathering evidence. | 0:08:21 | 0:08:24 | |
Having learned the basics in CSE, it's now time | 0:08:24 | 0:08:27 | |
for our cadets to delve deeper into the world of forensics. | 0:08:27 | 0:08:30 | |
They will now learn to retrieve the most crucial types of evidence - | 0:08:30 | 0:08:34 | |
evidence that will lead the suspect | 0:08:34 | 0:08:36 | |
to the scene of a crime and ultimately find them guilty. | 0:08:36 | 0:08:40 | |
Greig has split the cadets into two teams. | 0:08:41 | 0:08:43 | |
Team One will focus on the retrieval of tool and footwear marks. | 0:08:43 | 0:08:48 | |
Team Two will learn how to retrieve fingerprints, hairs and fibres. | 0:08:48 | 0:08:53 | |
Here we're going to make some casts of footwear marks. | 0:08:53 | 0:08:56 | |
It's one of the best sources of evidence we can get. | 0:08:56 | 0:08:59 | |
Like a fingerprint, a footwear mark has different pieces | 0:08:59 | 0:09:02 | |
of wear and damage in the sole of it that makes it unique to that shoe. | 0:09:02 | 0:09:06 | |
So we can match a suspect with a crime scene mark. | 0:09:06 | 0:09:09 | |
Retrieving a footprint is a little like making a cake. | 0:09:09 | 0:09:13 | |
It takes a specific number of ingredients | 0:09:13 | 0:09:16 | |
and a specific order in which to mix them. | 0:09:16 | 0:09:18 | |
First, a soft surface and a suspect's footprint. | 0:09:18 | 0:09:22 | |
Give it a coating of sticky hairspray | 0:09:22 | 0:09:24 | |
to help keep the shape intact. | 0:09:24 | 0:09:26 | |
-Lovely. -Add a metal dan, then combine one bag of pink plaster of Paris | 0:09:26 | 0:09:32 | |
with a small jug of water and mix thoroughly. | 0:09:32 | 0:09:34 | |
It's really mushy. | 0:09:34 | 0:09:37 | |
Don't let it set, Nathan. | 0:09:37 | 0:09:39 | |
I want to make sure it doesn't come out. | 0:09:39 | 0:09:41 | |
Next carefully - carefully... | 0:09:41 | 0:09:44 | |
cut the bag and pour the mixture into the footprint. | 0:09:44 | 0:09:48 | |
You never put it in properly. | 0:09:48 | 0:09:50 | |
I'd worry about your own, Nathan. | 0:09:50 | 0:09:52 | |
You know what happens to crown stone if you don't keep mixing it. | 0:09:52 | 0:09:56 | |
It's not come out! | 0:09:56 | 0:09:58 | |
-Yep. -I need more water. | 0:09:58 | 0:10:00 | |
I think you need a bit more than that, Nathan. | 0:10:00 | 0:10:03 | |
While our scientific chefs wait for their shoe moulds to set, | 0:10:03 | 0:10:06 | |
let's catch up with Team B, | 0:10:06 | 0:10:09 | |
who are currently at another fake crime scene, | 0:10:09 | 0:10:11 | |
dusting for those all-important fingerprints. | 0:10:11 | 0:10:14 | |
That's really clear, Junior. | 0:10:14 | 0:10:15 | |
Your fingerprints are unique to you. | 0:10:15 | 0:10:17 | |
There are no two sets of fingerprints the same, | 0:10:17 | 0:10:20 | |
which means any found at a crime scene could incriminate a suspect. | 0:10:20 | 0:10:24 | |
This is the most important tool in your case. | 0:10:24 | 0:10:27 | |
It can light up anything. It reflects that finger mark right back at you. | 0:10:27 | 0:10:31 | |
Torch aside, you still need a keen eye, Megan. | 0:10:31 | 0:10:34 | |
I can't find any! | 0:10:34 | 0:10:36 | |
Yes, you can. Keep looking! | 0:10:36 | 0:10:39 | |
'Once spotted, a delicate brush with aluminium powder | 0:10:39 | 0:10:42 | |
'will bring that sweaty fingerprint to life.' | 0:10:42 | 0:10:46 | |
You might want a little bit less powder than that. | 0:10:46 | 0:10:49 | |
'Oh, dear, Megan.' | 0:10:49 | 0:10:51 | |
Next, a strip of sticky tape - minus that large air bubble, Junior - | 0:10:51 | 0:10:55 | |
can be used to lift the coated fingerprint from the glass. | 0:10:55 | 0:10:59 | |
Fantastic. | 0:10:59 | 0:11:01 | |
It's then rollered onto a plastic sheet and documented. | 0:11:01 | 0:11:05 | |
Back with Team A, and time for the big reveal. | 0:11:05 | 0:11:09 | |
Very good. Nice. | 0:11:09 | 0:11:12 | |
-Erm... -Shut up, Jade! | 0:11:12 | 0:11:15 | |
Now all it takes is a quick brush down | 0:11:16 | 0:11:19 | |
and the footwear mark is revealed. | 0:11:19 | 0:11:21 | |
Very good, Sam. That's a good mark. | 0:11:21 | 0:11:23 | |
Great cast, Jade. | 0:11:23 | 0:11:24 | |
Good detail, Sam. And, Nathan, maybe you'll do better next time. | 0:11:24 | 0:11:29 | |
OK, this method's called electrostatic lifting. | 0:11:29 | 0:11:32 | |
We use it for dusty marks on hard surfaces. | 0:11:32 | 0:11:36 | |
You can also use it on carpet. It brings up anything with dust on it. | 0:11:36 | 0:11:39 | |
It attaches itself to a sheet of foil | 0:11:39 | 0:11:42 | |
from which we can get a perfect footwear mark. | 0:11:42 | 0:11:45 | |
First, the CSE needs a piece of mylar foil, | 0:11:45 | 0:11:48 | |
cut to the size of a footprint. | 0:11:48 | 0:11:51 | |
Thank you. | 0:11:51 | 0:11:53 | |
Next, add an earthing plate to conduct the electricity, and a | 0:11:53 | 0:11:55 | |
path finder, a special instrument that supplies electrical charge. | 0:11:55 | 0:12:01 | |
Then switch it on. | 0:12:01 | 0:12:02 | |
The electricity then sucks the foil to the surface and attracts the dust | 0:12:02 | 0:12:07 | |
to it, producing the perfect print. | 0:12:07 | 0:12:09 | |
But not all the retrieval methods in CSE involve | 0:12:09 | 0:12:13 | |
strawberry milkshake-coloured gunge and electricity. | 0:12:13 | 0:12:16 | |
For some, it's simply a pair of tweezers and sticky tape. | 0:12:16 | 0:12:19 | |
Hairs and fibres can match a suspect's clothing | 0:12:19 | 0:12:23 | |
with any hairs and fibres found on a surface. | 0:12:23 | 0:12:26 | |
They may not look like much but under the microscope, | 0:12:26 | 0:12:29 | |
hair and fibres offer a | 0:12:29 | 0:12:31 | |
wealth of information, from the type of clothing worn to a person's DNA. | 0:12:31 | 0:12:36 | |
That's it. Keep going. | 0:12:36 | 0:12:38 | |
It's like spaghetti, isn't it? | 0:12:38 | 0:12:40 | |
'Sorry, guys, it may not look exciting, | 0:12:40 | 0:12:43 | |
'but it's a crucial part of being a CSE. | 0:12:43 | 0:12:46 | |
'Any one of those hairs or fibres could match | 0:12:46 | 0:12:48 | |
'with those taken from a suspect. So stay sharp, cadets. | 0:12:48 | 0:12:51 | |
'You're the brains of this outfit. | 0:12:51 | 0:12:55 | |
'For the final lesson of the day, | 0:12:55 | 0:12:57 | |
'Team A are concocting one last forensic dish. | 0:12:57 | 0:13:01 | |
'It's tool mark surprise.' | 0:13:01 | 0:13:02 | |
If you've got a burglar who's broken in through a window | 0:13:02 | 0:13:05 | |
-using a screwdriver or a crowbar... -'Or a spade, Greig.' | 0:13:05 | 0:13:09 | |
..that will leave tiny marks on the surface that we need to get hold of. | 0:13:09 | 0:13:13 | |
'The cadets will need some putty, or silly putty in Nathan's case... | 0:13:13 | 0:13:17 | |
Everyone else gets a ball. I get a sausage! | 0:13:17 | 0:13:21 | |
'..some glue and some hardening gel. | 0:13:21 | 0:13:25 | |
'First mould a piece of Plasticine into a small dome shape | 0:13:25 | 0:13:28 | |
'and stick it beneath the tool mark. | 0:13:28 | 0:13:30 | |
'This will help catch any unwanted spillage.' | 0:13:30 | 0:13:32 | |
There you go, squeeze it on. | 0:13:32 | 0:13:35 | |
'Next, the paste. Put 40ml of glue into a small pot.' | 0:13:35 | 0:13:40 | |
-It looks like ice cream. -I can assure you it's not. | 0:13:40 | 0:13:42 | |
-Eight drops of hardening gel... -Whoa. | 0:13:42 | 0:13:46 | |
..and mix carefully. Be careful, though. | 0:13:46 | 0:13:48 | |
Once the hardening gel is added, it's not long before it sets. | 0:13:48 | 0:13:53 | |
Where have I seen this go wrong before, Nathan? | 0:13:53 | 0:13:56 | |
Once thick, it's time to coat that tool mark. | 0:13:56 | 0:13:59 | |
Take the gloop and cover that indentation. | 0:13:59 | 0:14:02 | |
Apply more until the paste is set. Unless of course... | 0:14:02 | 0:14:05 | |
What's happening, Nathan? | 0:14:07 | 0:14:09 | |
'..it's already set.' | 0:14:09 | 0:14:11 | |
-Oh, no! -'Again.' | 0:14:11 | 0:14:13 | |
-Did you put too much of that stuff in? -Yeah. | 0:14:13 | 0:14:16 | |
If you did get it right, then once the paste is set, | 0:14:16 | 0:14:19 | |
it's simply a matter of carefully peeling off the mould, | 0:14:19 | 0:14:22 | |
checking the indentation, | 0:14:22 | 0:14:23 | |
and popping it in an evidence box ready to be posted to the lab. | 0:14:23 | 0:14:27 | |
'Congratulations, cadets. | 0:14:31 | 0:14:33 | |
'That was a lot to take in. You've successfully completed forensics training.' | 0:14:33 | 0:14:37 | |
Now it's time to select our leader. | 0:14:37 | 0:14:40 | |
So today's leader is going to be Junior. | 0:14:40 | 0:14:44 | |
13-year-old Junior from Birmingham loves playing all sports. | 0:14:46 | 0:14:50 | |
Three, four... | 0:14:50 | 0:14:51 | |
He's a talented drummer and definitely has the confidence. | 0:14:51 | 0:14:54 | |
I don't think I'm going to struggle. | 0:14:54 | 0:14:56 | |
I know what's coming and I'm ready for it. | 0:14:56 | 0:14:58 | |
But is he ready to lead a team of Cop School cadets? | 0:14:58 | 0:15:02 | |
While Junior loves being leader, over in a nearby neighbourhood | 0:15:02 | 0:15:06 | |
a crime has just been reported to the police. | 0:15:06 | 0:15:09 | |
I came back home as normal to find my door was open. | 0:15:09 | 0:15:12 | |
I found a man rifling through my things. | 0:15:12 | 0:15:15 | |
He ran out, dropped his sunglasses. | 0:15:15 | 0:15:16 | |
I looked round to see what was missing. | 0:15:16 | 0:15:19 | |
A necklace, laptop, wallet, watch, phone. | 0:15:19 | 0:15:21 | |
He'd even taken lemonade out of the fridge. | 0:15:21 | 0:15:24 | |
When he ran out, I never saw him again. | 0:15:24 | 0:15:26 | |
"Cadets, there's been a burglary at a nearby flat. | 0:15:26 | 0:15:30 | |
"Get to the scene of the crime as quickly as possible, | 0:15:30 | 0:15:33 | |
"taking everything you need to assess the scene and examine the evidence." | 0:15:33 | 0:15:36 | |
Got it. Thanks. Let's go. | 0:15:36 | 0:15:38 | |
Before they leave, it's crucial Junior makes sure | 0:15:38 | 0:15:41 | |
they have all the equipment they're going to need. | 0:15:41 | 0:15:44 | |
-Have we got the crime stone? -It's all in there. | 0:15:46 | 0:15:49 | |
It's all in there. All right, let's go. | 0:15:49 | 0:15:52 | |
Good leadership, Junior. | 0:15:52 | 0:15:53 | |
With the equipment check now done, it's off to the scene of the crime. | 0:15:53 | 0:15:57 | |
Earlier, a Cop School criminal committed a burglary here in this flat. | 0:16:01 | 0:16:05 | |
As he searched the rooms for things to steal, | 0:16:05 | 0:16:08 | |
he left behind eight pieces of evidence | 0:16:08 | 0:16:10 | |
which the cadets will have to find, photograph and retrieve. | 0:16:10 | 0:16:14 | |
This is where they are. | 0:16:16 | 0:16:17 | |
On the front door, both shoe and tool marks. | 0:16:17 | 0:16:20 | |
In the hallway, a foot mark and some glasses. | 0:16:20 | 0:16:25 | |
In the kitchen, an open bottle. | 0:16:25 | 0:16:28 | |
In the lounge, fingerprints on the coffee table. | 0:16:28 | 0:16:31 | |
And in the bedroom, fingerprints on the window ledge | 0:16:31 | 0:16:35 | |
and fibres on the chair. | 0:16:35 | 0:16:37 | |
But will they remember everything they've been taught by mentor Greg? | 0:16:37 | 0:16:41 | |
Come on, guys. | 0:16:41 | 0:16:42 | |
Team leader Junior has split them into teams of two, | 0:16:42 | 0:16:45 | |
allocating different roles to each pair. | 0:16:45 | 0:16:48 | |
Acting as senior forensic practitioners are Megan and Rebecca. | 0:16:48 | 0:16:52 | |
They're responsible for spotting and marking evidence | 0:16:52 | 0:16:55 | |
and, later, dusting for prints. | 0:16:55 | 0:16:57 | |
Sam and Nathan are the assistant forensic practitioners | 0:16:57 | 0:17:00 | |
and will be retrieving tool marks and shoe marks. | 0:17:00 | 0:17:04 | |
Jade and Junior will be the photographers. | 0:17:04 | 0:17:07 | |
Come on, let's go. Let's go to work, come on. | 0:17:07 | 0:17:09 | |
Both myself and mentor Greg | 0:17:10 | 0:17:13 | |
will be keeping a very close eye on the cadets. | 0:17:13 | 0:17:16 | |
There's a camera in every room of the flat, | 0:17:16 | 0:17:19 | |
so from here, we can see every element of the cadets' search. | 0:17:19 | 0:17:23 | |
First into the crime scene are Megan and Rebecca. | 0:17:23 | 0:17:26 | |
Hopefully they've learned to be careful when they go into the scene. | 0:17:26 | 0:17:30 | |
Secure it. Figure out what evidence they're going to get. | 0:17:30 | 0:17:33 | |
OK, it's safe to stand here. | 0:17:34 | 0:17:37 | |
Watch where you're stepping, though. | 0:17:37 | 0:17:40 | |
Good call, Megan. | 0:17:40 | 0:17:41 | |
There's an important piece of evidence right beside your foot. | 0:17:41 | 0:17:45 | |
Let me know everything... | 0:17:45 | 0:17:46 | |
But they've walked straight past it. | 0:17:46 | 0:17:48 | |
That footprint could be a clue as to how the criminal entered the flat. | 0:17:48 | 0:17:52 | |
There's a broken, shattered glass beside the window. | 0:17:54 | 0:17:58 | |
-How does it look? Is it outside or inside? -Is it the window glass? | 0:17:58 | 0:18:03 | |
Junior is thinking the criminal may have broken into the flat through the window. | 0:18:03 | 0:18:07 | |
Does it look like someone's come through there? | 0:18:07 | 0:18:10 | |
No, the window's shut and the curtains are closed over, | 0:18:10 | 0:18:13 | |
-so he couldn't have got through the window. -OK. | 0:18:13 | 0:18:17 | |
It's a logical guess, but it's not right. | 0:18:17 | 0:18:20 | |
The glass is from an empty vase knocked over by the Cop School criminal. | 0:18:20 | 0:18:24 | |
Moving into the bedroom. | 0:18:24 | 0:18:26 | |
The curtains are all crumpled up and the window is open. | 0:18:26 | 0:18:31 | |
That's a good spot from Megan. | 0:18:31 | 0:18:33 | |
The Cop School criminal was here | 0:18:33 | 0:18:35 | |
and he did leave valuable evidence behind. | 0:18:35 | 0:18:37 | |
This is the lounge. | 0:18:37 | 0:18:39 | |
So... There's fingerprints on the glass table in the lounge. | 0:18:39 | 0:18:45 | |
Fingerprints on the table. | 0:18:45 | 0:18:47 | |
"Put a cone on it." | 0:18:47 | 0:18:49 | |
-"Already done. Over." -Already done! | 0:18:49 | 0:18:52 | |
You're doing a very good job. Carry on. Don't miss anything. | 0:18:52 | 0:18:57 | |
-Thank you. -Morale-boosting the troops, that's what we like to see. | 0:18:57 | 0:19:01 | |
Fantastic work, Junior. | 0:19:01 | 0:19:03 | |
They said that the victim dropped something, | 0:19:03 | 0:19:06 | |
so I'm wondering is there anything dropped? | 0:19:06 | 0:19:09 | |
Good question, Junior. He's referring to the sunglasses | 0:19:09 | 0:19:12 | |
the witness said the criminal dropped. | 0:19:12 | 0:19:15 | |
Found a man rifling through my things. | 0:19:15 | 0:19:17 | |
He ran out, dropped his sunglasses on the way. | 0:19:17 | 0:19:20 | |
It looks like Rebecca has found them. | 0:19:21 | 0:19:24 | |
"We have a pair of sunglasses." | 0:19:24 | 0:19:26 | |
Put a cone on it. | 0:19:26 | 0:19:28 | |
Those sunglasses could provide vital DNA if it can be retrieved later on. | 0:19:28 | 0:19:33 | |
It's not a bad effort from our senior forensic practitioners. | 0:19:33 | 0:19:37 | |
So, they've found three crucial bits of evidence. | 0:19:39 | 0:19:42 | |
Fingerprints in the lounge, | 0:19:42 | 0:19:43 | |
fingerprints in the bedroom, | 0:19:43 | 0:19:45 | |
sunglasses in the hallway. | 0:19:45 | 0:19:47 | |
But they're still missing five other pieces of evidence, | 0:19:47 | 0:19:50 | |
including that footprint right in front of the door. | 0:19:50 | 0:19:53 | |
Will the cadets spot it? | 0:19:53 | 0:19:55 | |
Here come the photographers. | 0:19:57 | 0:19:59 | |
Jade's straight in there, taking photographs of the sunglasses but... | 0:19:59 | 0:20:05 | |
The footwear mark - doesn't look like it's been spotted. | 0:20:05 | 0:20:08 | |
And unfortunately, Junior's just stood right on top of it. | 0:20:08 | 0:20:12 | |
Not the greatest start. | 0:20:12 | 0:20:14 | |
"Taking a picture of the table." | 0:20:14 | 0:20:17 | |
Make sure you take a picture wide and take a picture zoomed. | 0:20:20 | 0:20:23 | |
That's good to hear. Nathan's reminding the photographers | 0:20:23 | 0:20:27 | |
of the importance of the long lens and the close-up pictures. | 0:20:27 | 0:20:32 | |
Here, here. | 0:20:33 | 0:20:35 | |
Looks like Jade's on to something. | 0:20:35 | 0:20:37 | |
We found an open substance in a glass bottle | 0:20:37 | 0:20:40 | |
and we found a few open wine bottles. | 0:20:40 | 0:20:44 | |
Didn't the victim say that he never opened a bottle? | 0:20:44 | 0:20:49 | |
Did he say that he never opened any drinks? | 0:20:49 | 0:20:53 | |
Rebecca's saying take pictures of the bottles. | 0:20:53 | 0:20:56 | |
Outstanding communication from the cadets - | 0:20:56 | 0:20:59 | |
and they're absolutely right. | 0:20:59 | 0:21:00 | |
It WAS the Cop School criminal | 0:21:00 | 0:21:03 | |
and this bottle is a solid piece of evidence. | 0:21:03 | 0:21:05 | |
It looks as though our forensic photographers might be on a roll. | 0:21:07 | 0:21:11 | |
Yep. Look, can you see that glimpse of hair there? | 0:21:11 | 0:21:15 | |
See? | 0:21:17 | 0:21:18 | |
Yep? | 0:21:21 | 0:21:22 | |
We found some hair in the bedroom on the seat. | 0:21:22 | 0:21:26 | |
What room is that in? | 0:21:26 | 0:21:28 | |
-The bedroom. -OK. | 0:21:28 | 0:21:31 | |
The Cop School criminal did sit in this chair. | 0:21:31 | 0:21:34 | |
That's one of the most difficult spots to find. | 0:21:34 | 0:21:38 | |
Sam's going to go in. Is that OK? | 0:21:38 | 0:21:41 | |
Yeah, no problem. | 0:21:41 | 0:21:42 | |
On the way back, look for any footprints that we can see, OK? | 0:21:42 | 0:21:46 | |
We'll take a picture. | 0:21:46 | 0:21:47 | |
In the hallway now. | 0:21:47 | 0:21:49 | |
See if they notice the footwear mark. | 0:21:49 | 0:21:52 | |
Here we go. They're taking a picture. | 0:21:52 | 0:21:54 | |
Excellent. Brilliant. | 0:21:54 | 0:21:56 | |
Finally, that elusive footwear mark. | 0:21:56 | 0:21:58 | |
Better late than never. | 0:21:58 | 0:22:00 | |
They got it and they're taking photos. | 0:22:00 | 0:22:02 | |
We want to see it lifted now. | 0:22:02 | 0:22:04 | |
Well done, photographers. You've done a great job. | 0:22:06 | 0:22:10 | |
So now with six pieces of evidence marked and photographed, | 0:22:10 | 0:22:14 | |
it's the job of the retrieval team - | 0:22:14 | 0:22:16 | |
made up of Sam, Nathan, Megan and Rebecca - | 0:22:16 | 0:22:19 | |
to go into the crime scene and extract that evidence. | 0:22:19 | 0:22:22 | |
However, they still need to be observant. | 0:22:22 | 0:22:25 | |
Let's go to the living room. | 0:22:25 | 0:22:26 | |
There are still two more pieces of evidence they haven't found. | 0:22:26 | 0:22:30 | |
Megan and I are in the living room. | 0:22:32 | 0:22:34 | |
Megan's taking fingerprints on the glass table. | 0:22:34 | 0:22:37 | |
I'm going to check for hairs on the sofa. | 0:22:37 | 0:22:39 | |
This will be a big test for Megan, | 0:22:39 | 0:22:42 | |
as she didn't do all that well at fingerprint retrieval in training. | 0:22:42 | 0:22:46 | |
Over with Sam and Nathan, their test is what they can remember | 0:22:46 | 0:22:49 | |
from foot mark retrieval. | 0:22:49 | 0:22:52 | |
They're going to do the electrostatic lift | 0:22:52 | 0:22:55 | |
of the footwear mark that they've got on the hallway. | 0:22:55 | 0:22:59 | |
They've got the foil down, the earthing plate | 0:22:59 | 0:23:02 | |
and now the path finder. | 0:23:02 | 0:23:04 | |
Nice and slow. | 0:23:04 | 0:23:06 | |
Very impressed with them so far. | 0:23:06 | 0:23:08 | |
It's a very technical procedure. | 0:23:08 | 0:23:11 | |
Make sure you don't touch the metal. | 0:23:11 | 0:23:13 | |
It's now... | 0:23:14 | 0:23:16 | |
a question of whether it's lifted the mark or not. It's looking good. | 0:23:16 | 0:23:21 | |
-Think that's worked? -Yeah, yeah. | 0:23:21 | 0:23:24 | |
Great retrieval, guys. | 0:23:24 | 0:23:26 | |
If the police find the suspect, this could help convict him. | 0:23:26 | 0:23:30 | |
Back in the living room, it looks like Megan is about to do exactly the same. | 0:23:30 | 0:23:34 | |
We've got three fingerprints. | 0:23:34 | 0:23:37 | |
She's got it. That to me is very nice. That's so clear from here. | 0:23:37 | 0:23:42 | |
Megan's retrieved those fingerprints perfectly. | 0:23:42 | 0:23:45 | |
If there's a match on the database, | 0:23:45 | 0:23:47 | |
the police will know exactly who to arrest. | 0:23:47 | 0:23:50 | |
You're doing a very good job. | 0:23:50 | 0:23:52 | |
Junior and his team of forensic practitioners have stepped it up a gear. | 0:23:52 | 0:23:56 | |
What about the dirt? | 0:23:56 | 0:23:57 | |
Sam has found the footwear mark on the door, | 0:23:57 | 0:24:00 | |
which should lead him to the tool marks, too. | 0:24:00 | 0:24:03 | |
What about this? This is a bit... | 0:24:03 | 0:24:06 | |
He's had a go with the tool, hasn't he? | 0:24:06 | 0:24:08 | |
It has. Congratulations, cadets. | 0:24:08 | 0:24:10 | |
That's all eight pieces of evidence discovered. | 0:24:10 | 0:24:14 | |
Yeah! | 0:24:16 | 0:24:17 | |
Now the cadets must retrieve as much of the evidence as they can | 0:24:17 | 0:24:21 | |
with what little time remains. | 0:24:21 | 0:24:23 | |
I think I've got a fingerprint on the metal bit of the window. | 0:24:23 | 0:24:27 | |
-That's brilliant work. -'That's another essential find from Megan.' | 0:24:27 | 0:24:31 | |
Got a fingerprint in the bedroom on the windowsill. | 0:24:31 | 0:24:34 | |
If these fingerprints match the ones in the lounge, | 0:24:34 | 0:24:37 | |
the evidence will be stacked up against the suspect. | 0:24:37 | 0:24:40 | |
Nathan! | 0:24:40 | 0:24:42 | |
I've done it. | 0:24:42 | 0:24:43 | |
Just seeing how Sam... He looks a bit nervous | 0:24:43 | 0:24:46 | |
but he's taking off his tool mark. | 0:24:46 | 0:24:48 | |
-I think it's hard enough. It won't get harder. -The clock is ticking. | 0:24:48 | 0:24:53 | |
Got some of it. | 0:24:53 | 0:24:55 | |
He's got it and in one piece. He's done a good job. | 0:24:55 | 0:24:58 | |
-Looks like it from here. -It looks like it set very nicely. | 0:24:58 | 0:25:02 | |
Guys, quickly. We've only got one minute left. | 0:25:02 | 0:25:06 | |
With time almost up, Megan packages up another great set of fingerprints. | 0:25:06 | 0:25:11 | |
The cadets can be happy with their performance | 0:25:11 | 0:25:14 | |
as they managed to spot all eight pieces of evidence | 0:25:14 | 0:25:17 | |
and retrieve five. | 0:25:17 | 0:25:18 | |
-Great, guys. Well done. -Well done, everyone. | 0:25:18 | 0:25:22 | |
Despite failing to retrieve evidence from the bottle in the kitchen, | 0:25:22 | 0:25:25 | |
the chair in the bedroom and the sunglasses in the hall, | 0:25:25 | 0:25:29 | |
Megan's excellent fingerprint retrieval | 0:25:29 | 0:25:31 | |
led to a positive match in the Cop School database, | 0:25:31 | 0:25:34 | |
so it won't be long before this known criminal is back behind bars. | 0:25:34 | 0:25:38 | |
OK, Greg. They all did well on that challenge, it's fair to say. | 0:25:40 | 0:25:44 | |
But some stood out a little bit more. Let's start with Megan. | 0:25:44 | 0:25:48 | |
She did really well. She found the fingermarks on the table, | 0:25:48 | 0:25:51 | |
the fingermarks on the windowsill. | 0:25:51 | 0:25:53 | |
She was really thorough in how she retrieved and examined them. | 0:25:53 | 0:25:57 | |
-Junior? -He did really well. | 0:25:57 | 0:26:00 | |
He asked questions of everyone. | 0:26:00 | 0:26:02 | |
He delegated responsibility. | 0:26:02 | 0:26:04 | |
He made sure everyone was all right, which was a great way | 0:26:04 | 0:26:08 | |
of keeping his team's morale going and keeping them on track. | 0:26:08 | 0:26:11 | |
Someone else who did a good job was Sam. | 0:26:11 | 0:26:13 | |
He was fantastic. Really good. | 0:26:13 | 0:26:16 | |
He retrieved the footwear mark using the electrostatic lifting technique. | 0:26:16 | 0:26:20 | |
He also did the tool mark on the door perfectly. | 0:26:20 | 0:26:23 | |
Fantastic stuff. | 0:26:23 | 0:26:25 | |
OK, cadets. | 0:26:25 | 0:26:27 | |
This has been a very tough decision, but Greg and I have made it. | 0:26:27 | 0:26:32 | |
We've decided that today there are in fact going to be two top cops. | 0:26:32 | 0:26:37 | |
Now, those top cops are going to have | 0:26:37 | 0:26:42 | |
a smashing time destroying some of the CSE sugar glass. | 0:26:42 | 0:26:49 | |
-However... -A punishment. | 0:26:50 | 0:26:52 | |
There will be a punishment for the rest of you. | 0:26:52 | 0:26:55 | |
That will be cleaning out the CSE van. | 0:26:55 | 0:26:59 | |
-Which is a mess. -No way. | 0:26:59 | 0:27:01 | |
You're kidding. | 0:27:01 | 0:27:03 | |
So the two top cadets for today are... | 0:27:03 | 0:27:07 | |
-Megan. -Ooh! | 0:27:14 | 0:27:17 | |
And Sam. Well done. | 0:27:17 | 0:27:19 | |
Well done. | 0:27:19 | 0:27:21 | |
Well done. | 0:27:21 | 0:27:23 | |
Next time at Cop School, | 0:27:24 | 0:27:26 | |
the cadets deal with virtual crowds in public order. | 0:27:26 | 0:27:29 | |
There's lots to shout about in training. | 0:27:31 | 0:27:33 | |
And they control a Cop School riot that gets out of hand. | 0:27:35 | 0:27:38 | |
Go! | 0:27:38 | 0:27:39 | |
Remember, this is sugar glass so don't try this at home. | 0:27:40 | 0:27:44 | |
Go on, Megan. | 0:27:44 | 0:27:47 | |
Yeah! | 0:27:47 | 0:27:48 | |
Go on, Sam. Go on! | 0:27:48 | 0:27:51 | |
Yeah! | 0:27:51 | 0:27:53 | |
Subtitles by Red Bee Media | 0:27:53 | 0:27:55 | |
Email [email protected] | 0:27:55 | 0:27:58 |