Browse content similar to Old Ghosts. Check below for episodes and series from the same categories and more!
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# Some things have changed | 0:00:05 | 0:00:08 | |
# Some things have stayed the same | 0:00:08 | 0:00:12 | |
# Life and death are not so far apart | 0:00:12 | 0:00:15 | |
# Walking through the walls | 0:00:15 | 0:00:17 | |
# And I wouldn't have it any other way | 0:00:17 | 0:00:21 | |
# Life and death are not so far apart | 0:00:21 | 0:00:27 | |
# From where we are | 0:00:27 | 0:00:32 | |
# Some things have changed | 0:00:35 | 0:00:38 | |
# Some things have stayed the same | 0:00:38 | 0:00:41 | |
# Life and death are not so far apart. # | 0:00:41 | 0:00:46 | |
Good morning, David! | 0:00:46 | 0:00:47 | |
-Hey there. -Two whole syllables. He's improving. | 0:00:47 | 0:00:50 | |
I wonder why Mr Griffith has called us all together? | 0:00:51 | 0:00:54 | |
It must be awful to be so far out of the loop. | 0:00:54 | 0:00:57 | |
-Then, are you inside of the loop? -I AM the loop. | 0:00:57 | 0:01:00 | |
You're "the loop". | 0:01:00 | 0:01:03 | |
-What? It's an expression. -Whatever you say. | 0:01:03 | 0:01:06 | |
Good morning, everyone! | 0:01:06 | 0:01:08 | |
I would like you all to meet | 0:01:08 | 0:01:10 | |
our new Media and Performing Arts centre! | 0:01:10 | 0:01:12 | |
Media Centre? You could not fit even one student in there. | 0:01:14 | 0:01:17 | |
The man has lost his mind. | 0:01:17 | 0:01:19 | |
Work will begin in a few days. | 0:01:19 | 0:01:22 | |
Funded by a very generous donation from Mr... | 0:01:22 | 0:01:25 | |
Daddy! | 0:01:25 | 0:01:27 | |
And I just want to assure you all that, | 0:01:27 | 0:01:29 | |
although it will be called the Richardson Media Centre, | 0:01:29 | 0:01:32 | |
it's for all of you regular people too! | 0:01:32 | 0:01:35 | |
Of course. A round of applause, everyone. | 0:01:35 | 0:01:38 | |
-Mr Griffith. -Sophie? -Where will this centre be built? | 0:01:38 | 0:01:42 | |
Oh, where the old stables and orchard are. | 0:01:42 | 0:01:44 | |
So that will be out of bounds during demolition. | 0:01:44 | 0:01:47 | |
Mr Griffith? What exactly do you mean by demolition? | 0:01:47 | 0:01:50 | |
The old stables will be pulled down. | 0:01:50 | 0:01:51 | |
And then they WILL put it back up again? | 0:01:51 | 0:01:53 | |
No. The stables will be gone, and it will be replaced by... | 0:01:53 | 0:01:57 | |
oh, lovely! The editing suites and coffee bar! Yes! | 0:01:57 | 0:02:02 | |
Sophie? | 0:02:13 | 0:02:15 | |
Sophie, what are you doing? You'll be late for your lessons. | 0:02:18 | 0:02:22 | |
How can I think about lessons | 0:02:22 | 0:02:23 | |
when this beautiful building is about to be destroyed? | 0:02:23 | 0:02:27 | |
It's a little dusty and spider-ish to be called beautiful. | 0:02:27 | 0:02:30 | |
I think I can still smell manure. | 0:02:32 | 0:02:33 | |
Well, I love this place. | 0:02:33 | 0:02:35 | |
I can't believe you would happily see it torn down | 0:02:35 | 0:02:38 | |
to make way for a media centre. | 0:02:38 | 0:02:40 | |
But it is going to have brand-new "it" facilities, | 0:02:40 | 0:02:43 | |
and a fully-equipped filming studio. | 0:02:43 | 0:02:45 | |
Soon there will be nothing left of our home. | 0:02:45 | 0:02:48 | |
I never thought I'd live to see the day you could be so disloyal. | 0:02:48 | 0:02:52 | |
Well, actually we're not... | 0:02:53 | 0:02:54 | |
I know we're not alive, I was being dramatic! | 0:02:54 | 0:02:56 | |
And they're IT facilities, not "it"! | 0:02:56 | 0:02:59 | |
Unless this composition is entitled "Polar Bear In A Snowstorm", | 0:03:17 | 0:03:21 | |
I'd say you still have quite a way to go. | 0:03:21 | 0:03:24 | |
Sorry, Miss Sinclair, my mind was elsewhere. | 0:03:24 | 0:03:26 | |
If you don't finish by the end of class, | 0:03:26 | 0:03:29 | |
your mind will be in detention, along with the rest of you. | 0:03:29 | 0:03:33 | |
What's up? | 0:03:33 | 0:03:36 | |
I don't see why the school needs a new media centre. | 0:03:36 | 0:03:39 | |
What is wrong with the one we have already? | 0:03:39 | 0:03:41 | |
Well, we don't have one already. I think that's the point. | 0:03:41 | 0:03:44 | |
Soph, why is this such a big deal? | 0:03:46 | 0:03:49 | |
It just is. | 0:03:49 | 0:03:51 | |
All together, please. | 0:03:51 | 0:03:53 | |
Anyone would think she was paying for the monstrosity herself. | 0:03:53 | 0:03:57 | |
And now it is my great pleasure | 0:04:01 | 0:04:04 | |
to ask the daughter of our benefactor to dig the ceremonial hole. | 0:04:04 | 0:04:08 | |
Oh, I don't do shovels, sorry. | 0:04:11 | 0:04:14 | |
But it's traditional. | 0:04:14 | 0:04:16 | |
Nails? | 0:04:16 | 0:04:18 | |
Right, well, I suppose... | 0:04:18 | 0:04:21 | |
It is my pleasure to dig the great ceremonial hole. | 0:04:21 | 0:04:26 | |
Did you see that? They're so weird. | 0:04:41 | 0:04:45 | |
What was it? | 0:04:45 | 0:04:46 | |
I think it could have been something supernatural. | 0:04:46 | 0:04:49 | |
Oh, I think you are right. | 0:04:49 | 0:04:51 | |
The dark, smoking flying thing | 0:04:51 | 0:04:53 | |
that only we could see could definitely be supernatural. | 0:04:53 | 0:04:56 | |
SLURPING | 0:04:56 | 0:04:58 | |
Sorry. You're totally sure, right? | 0:04:58 | 0:05:01 | |
It couldn't have been a trick of the light, or your imagination? | 0:05:01 | 0:05:05 | |
Does everything have to be spooky? | 0:05:05 | 0:05:07 | |
Oh, I forgot who I was talking to. Continue. | 0:05:09 | 0:05:12 | |
It could have been attached to the orchard. | 0:05:12 | 0:05:14 | |
Should we tell Agatha? | 0:05:14 | 0:05:15 | |
I don't see any reason to make a fuss. | 0:05:15 | 0:05:18 | |
We see ghosts every time we look in the mirror. | 0:05:18 | 0:05:20 | |
-I certainly do not! -She means us. | 0:05:20 | 0:05:24 | |
Oh. | 0:05:24 | 0:05:27 | |
-Anyway, the creature has already gone. -I agree with Sophie. | 0:05:29 | 0:05:33 | |
We don't need to run to Agatha every time we see something. | 0:05:33 | 0:05:37 | |
All right. We'll leave it at that. | 0:05:37 | 0:05:39 | |
Oh, wait, wait... The Christine Richardson Centre For Media. | 0:05:39 | 0:05:44 | |
And, you know, Daddy's made so many repairs to this dump | 0:05:44 | 0:05:47 | |
they might as well just rename the whole place after me! | 0:05:47 | 0:05:50 | |
She doesn't mean it... | 0:05:50 | 0:05:51 | |
It will never bear your name! | 0:05:51 | 0:05:53 | |
Your family can flaunt their wealth as much as they wish. | 0:05:53 | 0:05:56 | |
This house belongs to the Ainsworths. Now and evermore! | 0:05:56 | 0:05:59 | |
-TEXT MESSAGE ALERT -Just hold on one second. | 0:06:00 | 0:06:02 | |
It's Jane Austen, she wants her dialogue back. | 0:06:03 | 0:06:07 | |
Did you just see that? | 0:06:08 | 0:06:10 | |
What's flown up Sophie's nose? | 0:06:13 | 0:06:15 | |
Someone's had a visit from the Drama Llama. | 0:06:15 | 0:06:18 | |
She's just jealous because everyone likes you | 0:06:18 | 0:06:20 | |
because your parents are loaded. | 0:06:20 | 0:06:22 | |
And you're so great and beautiful. | 0:06:22 | 0:06:25 | |
TOILET FLUSHING | 0:06:27 | 0:06:29 | |
Hey, someone better not be messing. | 0:06:29 | 0:06:32 | |
THEY SCREAM | 0:06:34 | 0:06:36 | |
Stop it! | 0:06:57 | 0:06:59 | |
What do you mean, "Stop it"? | 0:07:02 | 0:07:04 | |
I mean, er... put a stopper in the pipes. | 0:07:04 | 0:07:10 | |
You see, with these buildings, | 0:07:10 | 0:07:13 | |
the pipes get bubbles in them, | 0:07:13 | 0:07:16 | |
and then you have to put a stopper inside... | 0:07:16 | 0:07:19 | |
I'm sorry, I don't speak nerd. | 0:07:19 | 0:07:21 | |
You're welcome! | 0:07:29 | 0:07:30 | |
HELICOPTER: 'Black Hawk down!' | 0:07:30 | 0:07:32 | |
-KNOCK AT DOOR -Just a minute! | 0:07:32 | 0:07:34 | |
KNOCK AT DOOR | 0:07:35 | 0:07:37 | |
Just a minute! | 0:07:37 | 0:07:38 | |
Mr Griffith, | 0:07:41 | 0:07:43 | |
-the new media centre must not be built. -Oh, why's that? | 0:07:43 | 0:07:45 | |
The No-tailed Bandicoot! | 0:07:45 | 0:07:49 | |
It has a protected breeding ground | 0:07:49 | 0:07:51 | |
in the orchard on which you are planning to build. | 0:07:51 | 0:07:53 | |
-The No-tailed Bandicoot? -Exactly. | 0:07:53 | 0:07:56 | |
The same No-tailed Bandicoot that has been extinct | 0:07:56 | 0:07:59 | |
for over a hundred years? | 0:07:59 | 0:08:01 | |
Perhaps? | 0:08:02 | 0:08:03 | |
I think your research might be a little out of date. | 0:08:03 | 0:08:07 | |
But Mrs McDonald's Marsupials For A Victorian Lady | 0:08:07 | 0:08:09 | |
has never let me down before. | 0:08:09 | 0:08:12 | |
Sophie, the media centre will be built. | 0:08:12 | 0:08:14 | |
It'll be so much better than a dusty old stable that no-one ever uses. | 0:08:14 | 0:08:18 | |
But just because no-one uses it now doesn't mean it was never important. | 0:08:18 | 0:08:22 | |
-I'm sure it was. -Why must everything old be swept away and forgotten? | 0:08:22 | 0:08:25 | |
It isn't, Sophie. Look at this beautiful building. | 0:08:25 | 0:08:29 | |
And the stables are becoming unsafe. | 0:08:29 | 0:08:31 | |
-Couldn't you fix them? -I'm sorry. | 0:08:31 | 0:08:33 | |
Sometimes things do have to change. I mean, what if nothing changed? | 0:08:33 | 0:08:37 | |
We wouldn't have anything to look forward to, would we? | 0:08:37 | 0:08:41 | |
Trust me, you'll love it. | 0:08:41 | 0:08:44 | |
It's not fair! | 0:08:45 | 0:08:47 | |
Oh, that is so much better! | 0:09:06 | 0:09:10 | |
Ow! Brain freeze. | 0:09:11 | 0:09:15 | |
It's good to be back! | 0:09:18 | 0:09:20 | |
My goodness, who is their designer? | 0:09:28 | 0:09:32 | |
Neanderthals. | 0:09:39 | 0:09:41 | |
Stop that. | 0:09:45 | 0:09:47 | |
Let go. | 0:09:48 | 0:09:49 | |
Water gives me spots. You'd tell me if you saw one, right? | 0:09:50 | 0:09:55 | |
What manner of hideous wretch is this? | 0:09:57 | 0:09:59 | |
Don't worry, by the time you're old enough to get plastic surgery, | 0:10:00 | 0:10:04 | |
just think what they'll be able to do. | 0:10:04 | 0:10:06 | |
I hear buzzing. | 0:10:06 | 0:10:07 | |
Buzz off, little fly. | 0:10:07 | 0:10:10 | |
Right. "Ainsworth House". | 0:10:12 | 0:10:14 | |
Put "orchard". | 0:10:14 | 0:10:16 | |
And put "large, black, smoke-like frightening creature". | 0:10:16 | 0:10:20 | |
What? The more precise you are, the more accurate the results. | 0:10:20 | 0:10:24 | |
I'll just leave it with those two for now. | 0:10:24 | 0:10:27 | |
There. | 0:10:29 | 0:10:31 | |
"The orchard was the work of Edward Van Melvedere, a landscape genius. | 0:10:31 | 0:10:35 | |
"Van Melvedere was notoriously temperamental and obsessive. | 0:10:35 | 0:10:38 | |
"He saw the orchard as the pinnacle of his career, | 0:10:38 | 0:10:41 | |
"and when he died in 1903, demanded his ashes be buried there | 0:10:41 | 0:10:45 | |
"to fertilise his creations." | 0:10:45 | 0:10:47 | |
-Urgh! -Urgh! | 0:10:47 | 0:10:48 | |
Well, I think we found our ghost. | 0:10:48 | 0:10:50 | |
Edward Van Melvedere. | 0:10:50 | 0:10:53 | |
That is such a made-up name. | 0:10:53 | 0:10:55 | |
-How will that contraption help us find our visitor? -Ha! | 0:10:59 | 0:11:02 | |
The laser thermometer is the big gun of ghost-hunting artillery. | 0:11:02 | 0:11:06 | |
A laser aims at distant objects, | 0:11:06 | 0:11:08 | |
and can detect cold spots up to twenty metres away. | 0:11:08 | 0:11:11 | |
I know neither of you understood any of that, | 0:11:11 | 0:11:13 | |
but thanks for looking interested. | 0:11:13 | 0:11:15 | |
You're very welcome. | 0:11:15 | 0:11:17 | |
Oh, oh, temperature drop. Coming from right behind us. | 0:11:17 | 0:11:22 | |
Ah, it's on the move. | 0:11:22 | 0:11:26 | |
Now it's in front of us. | 0:11:26 | 0:11:28 | |
Ha-ha, it's toying with us. | 0:11:28 | 0:11:30 | |
Now it's behind us again! | 0:11:31 | 0:11:33 | |
It's you. | 0:11:38 | 0:11:40 | |
No-one builds over my garden! | 0:11:47 | 0:11:51 | |
Stop right there! | 0:12:01 | 0:12:03 | |
Where am I? | 0:12:05 | 0:12:06 | |
Inside my mind. | 0:12:06 | 0:12:09 | |
Of course we are. My own mind would look a lot more fabulous. | 0:12:09 | 0:12:15 | |
You are trespassing, sir, | 0:12:15 | 0:12:17 | |
-and I demand that you leave my body immediately. -No. | 0:12:17 | 0:12:19 | |
-I said immediately! -I said no. | 0:12:19 | 0:12:22 | |
Right. Then I've run out of ideas. | 0:12:22 | 0:12:24 | |
Good, can I go now? I'm in the middle of destroying something. | 0:12:24 | 0:12:29 | |
Can I at least know who is occupying my body? | 0:12:29 | 0:12:31 | |
My name is Edward Van Melvedere. | 0:12:31 | 0:12:36 | |
How much of that name is made up? | 0:12:36 | 0:12:39 | |
None of it. | 0:12:39 | 0:12:40 | |
There must be rules about ghosts possessing other ghosts. | 0:12:40 | 0:12:43 | |
I wasn't going to possess a living person, was I? | 0:12:43 | 0:12:45 | |
Do you know how much effort it would take just to lift an arm? | 0:12:45 | 0:12:48 | |
But it's my body! | 0:12:48 | 0:12:49 | |
Yes, but you weren't really using it, were you? | 0:12:49 | 0:12:52 | |
What does that mean? | 0:12:52 | 0:12:54 | |
Moping over the past, all "woe is me" for your precious stables. | 0:12:54 | 0:12:59 | |
You don't really want to be here at all. | 0:12:59 | 0:13:01 | |
That's not true. | 0:13:01 | 0:13:02 | |
Isn't it? | 0:13:02 | 0:13:05 | |
Well, sorry to disappoint, but I'm keeping your body. | 0:13:05 | 0:13:09 | |
Finders keepers and all that. | 0:13:09 | 0:13:11 | |
Now, where was I? | 0:13:11 | 0:13:13 | |
Oh, yes. | 0:13:13 | 0:13:15 | |
-Can you see anything now? -No. | 0:13:15 | 0:13:17 | |
Can you see anything... | 0:13:17 | 0:13:19 | |
We'll tell you when we see it! | 0:13:19 | 0:13:21 | |
GLASS SMASHING | 0:13:21 | 0:13:23 | |
That must be it! | 0:13:23 | 0:13:24 | |
Come on! | 0:13:24 | 0:13:26 | |
-Oh, the model! -Can you see the entity? | 0:13:30 | 0:13:33 | |
If I could, don't you think I would have said "Oh, the entity"? | 0:13:33 | 0:13:37 | |
Hazel, be kind to Jonathan. It is not his fault he is alive. | 0:13:37 | 0:13:41 | |
Thank you. I think. | 0:13:41 | 0:13:43 | |
This is some serious damage. | 0:13:43 | 0:13:45 | |
Do you think the thing is getting stronger? | 0:13:45 | 0:13:48 | |
Like, increasing its spectral energy somehow? | 0:13:48 | 0:13:50 | |
I do not know. | 0:13:50 | 0:13:52 | |
You two know you're ghosts, right? | 0:13:52 | 0:13:54 | |
Yes, we just do not know how it works. | 0:13:54 | 0:13:56 | |
Where is Sophie? She should be helping us. | 0:13:56 | 0:13:59 | |
I think she is avoiding us. | 0:13:59 | 0:14:01 | |
You weren't exactly understanding about her feelings at the stables. | 0:14:01 | 0:14:05 | |
We should find her and apologise. | 0:14:05 | 0:14:07 | |
Sophie. | 0:14:08 | 0:14:10 | |
Leave a message, I'll make sure she gets it. | 0:14:10 | 0:14:13 | |
What did I tell you this morning? | 0:14:13 | 0:14:15 | |
How can I possibly make this outfit even more ugly? | 0:14:15 | 0:14:20 | |
The thingy can't be too far away. | 0:14:20 | 0:14:21 | |
We just missed it back there, so keep your eyes open. | 0:14:21 | 0:14:25 | |
There she is! There! | 0:14:25 | 0:14:27 | |
Why are you talking like that? | 0:14:27 | 0:14:30 | |
And you can drop the attitude. | 0:14:30 | 0:14:32 | |
You've already got a detention. In. | 0:14:32 | 0:14:34 | |
Now isn't a good time. | 0:14:34 | 0:14:36 | |
In. | 0:14:36 | 0:14:37 | |
Fine. | 0:14:38 | 0:14:40 | |
Oh, marvellous. | 0:14:43 | 0:14:46 | |
You will complete your painting tonight, or you will come back | 0:14:46 | 0:14:50 | |
tomorrow night, | 0:14:50 | 0:14:51 | |
and the night after that, and the night after that, and... | 0:14:51 | 0:14:54 | |
Finished! | 0:14:54 | 0:14:57 | |
I don't think so. | 0:14:57 | 0:14:58 | |
It's... | 0:15:05 | 0:15:06 | |
Me, yes. | 0:15:06 | 0:15:08 | |
Teenage girls are nauseatingly self-obsessed. | 0:15:08 | 0:15:12 | |
-It's... -I'll assume I'm free to go? | 0:15:16 | 0:15:19 | |
Ah! Crooked painting. | 0:15:25 | 0:15:29 | |
Christine Richardson. | 0:15:33 | 0:15:35 | |
You think you can take my orchard and get away with it? | 0:15:35 | 0:15:39 | |
An unfortunate accident with your name on it | 0:15:39 | 0:15:42 | |
won't stop the centre being built, but it will be terribly funny. | 0:15:42 | 0:15:48 | |
No, not now! | 0:15:54 | 0:15:58 | |
I will not let you hurt Christine! | 0:15:58 | 0:16:00 | |
"No, you won't. Yes, I will. No, you won't. Yes, I will." | 0:16:00 | 0:16:03 | |
There, we've done it. | 0:16:03 | 0:16:04 | |
Let me get back and push her down the stairs! | 0:16:04 | 0:16:06 | |
I will not let you do this! | 0:16:06 | 0:16:08 | |
What bothers you the most? Christine getting hurt? | 0:16:08 | 0:16:11 | |
-Or the fact that people will think that you did it? -What? | 0:16:11 | 0:16:15 | |
A good girl like you could never be seen to do anything wrong. | 0:16:15 | 0:16:20 | |
I bet you didn't tell anyone when you carved | 0:16:20 | 0:16:22 | |
your little flower into the stable wall. | 0:16:22 | 0:16:24 | |
Not that it's any of your business, but I drew the clover for luck. | 0:16:24 | 0:16:28 | |
For luck, how lovely. | 0:16:28 | 0:16:30 | |
And, tell me, how long after that did you and your sisters | 0:16:30 | 0:16:34 | |
die in that horrible accident? | 0:16:34 | 0:16:36 | |
Growing up, whenever anything was wrong, | 0:16:36 | 0:16:39 | |
when I was angry or sad, I'd go to the stables. | 0:16:39 | 0:16:43 | |
It was my special place. | 0:16:43 | 0:16:46 | |
That clover was my way of remembering | 0:16:47 | 0:16:49 | |
everything would be all right. | 0:16:49 | 0:16:51 | |
And now they're going to take that special place away, | 0:16:51 | 0:16:55 | |
and nothing's going to be all right any more? | 0:16:55 | 0:16:58 | |
You just want to fade away into the shadows again? | 0:16:58 | 0:17:03 | |
Tragic. Pip-pip! | 0:17:03 | 0:17:05 | |
Soph! Where've you been? I've been looking for you. | 0:17:11 | 0:17:14 | |
Well, now that you've finally found me, you can go away. | 0:17:17 | 0:17:21 | |
What? | 0:17:21 | 0:17:23 | |
So, I'll see you tomorrow when you've slept off the weird. | 0:17:23 | 0:17:26 | |
Hold on! | 0:17:26 | 0:17:27 | |
Where does this establishment keep its dynamite? | 0:17:27 | 0:17:30 | |
Yeah... I don't think it has any. | 0:17:30 | 0:17:33 | |
Fine, I'll improvise. | 0:17:33 | 0:17:37 | |
Edward must be trying to scare people away, | 0:17:39 | 0:17:42 | |
so they don't dig up his orchard. | 0:17:42 | 0:17:44 | |
Hey, what's up with Sophie? | 0:17:44 | 0:17:46 | |
What do you mean? | 0:17:46 | 0:17:47 | |
She's acting weird. | 0:17:47 | 0:17:49 | |
More weird than usual? | 0:17:49 | 0:17:50 | |
Oh, she's invented a whole new way to be weird. | 0:17:50 | 0:17:53 | |
It was like she didn't even recognise me. | 0:17:53 | 0:17:55 | |
OK, so I think we should go do that thing now. | 0:17:55 | 0:17:58 | |
Oh, the thing! Ahem! | 0:17:58 | 0:18:01 | |
Oh! No-one told me there was a thing. | 0:18:01 | 0:18:03 | |
Come on! | 0:18:03 | 0:18:04 | |
Either you're up to something, or I need a shower! | 0:18:04 | 0:18:08 | |
Where do you think she went? | 0:18:09 | 0:18:11 | |
BOTH: The stables! | 0:18:15 | 0:18:18 | |
Death to the mechanical monsters | 0:18:19 | 0:18:22 | |
who will tear up my... Aaah! | 0:18:22 | 0:18:25 | |
Oh, you get the gist. | 0:18:25 | 0:18:26 | |
Sophie! | 0:18:30 | 0:18:32 | |
I'll tell her you called. | 0:18:32 | 0:18:34 | |
-Sophie, what are you doing? -I don't think that's Sophie. | 0:18:34 | 0:18:37 | |
-I think that's Edward. -Sophie has been possessed? By a gardener? | 0:18:37 | 0:18:41 | |
Landscape genius! | 0:18:43 | 0:18:46 | |
Stop her! | 0:18:47 | 0:18:48 | |
With what?! | 0:18:48 | 0:18:49 | |
-Well, zap her or something! -How? | 0:18:49 | 0:18:52 | |
The supernatural sounds less and less super | 0:18:52 | 0:18:54 | |
-the longer I hang around with you. -Sophie Ainsworth! | 0:18:54 | 0:18:57 | |
How dare you allow yourself to be possessed by a gentleman gardener! | 0:18:57 | 0:19:01 | |
This will be the end for all of us. | 0:19:01 | 0:19:03 | |
Sophie, you'll be expelled! | 0:19:03 | 0:19:05 | |
Is that a good thing? | 0:19:06 | 0:19:08 | |
Do not interrupt me in the middle of a dastardly plan! | 0:19:09 | 0:19:12 | |
I will not let you do this. | 0:19:12 | 0:19:14 | |
If I am expelled, my sisters and I will become ghosts once more. | 0:19:14 | 0:19:18 | |
But isn't that a good thing, Sophie? it's too hard for you here. | 0:19:18 | 0:19:22 | |
Surrounded by reminders, imagining your parents round every corner, | 0:19:22 | 0:19:25 | |
watching your home get chipped away by these intruders. | 0:19:25 | 0:19:28 | |
It's too hard for you here. | 0:19:28 | 0:19:30 | |
You can't do it any more, can you? | 0:19:30 | 0:19:33 | |
You're just trying to weaken my resolve | 0:19:33 | 0:19:35 | |
so you can keep control of my body. | 0:19:35 | 0:19:36 | |
Well, obviously, but if it wasn't true | 0:19:36 | 0:19:39 | |
it wouldn't be working, would it? | 0:19:39 | 0:19:41 | |
Think about it, Sophie. | 0:19:42 | 0:19:43 | |
I'll break the machine, you'll be expelled. | 0:19:43 | 0:19:47 | |
This tortured existence will be over, | 0:19:47 | 0:19:50 | |
and your sisters won't be able to blame you. | 0:19:50 | 0:19:52 | |
No, this is my second chance. | 0:19:53 | 0:19:56 | |
But what is there to stay for? | 0:19:56 | 0:19:58 | |
I have friends, | 0:19:58 | 0:19:59 | |
I'm learning about things I never could have dreamed of. | 0:19:59 | 0:20:02 | |
You don't belong here. And after tomorrow, your stable will be gone. | 0:20:02 | 0:20:06 | |
No more special place. | 0:20:07 | 0:20:10 | |
No more lucky clover. | 0:20:10 | 0:20:12 | |
Actually, can I just say, what's with the lucky three-leaf clover? | 0:20:12 | 0:20:16 | |
Everyone knows it's a lucky four-leaf clover. | 0:20:16 | 0:20:18 | |
I wanted three leaves - one for me, | 0:20:18 | 0:20:20 | |
one for Hazel, and one for Rebecca. | 0:20:20 | 0:20:22 | |
The clover was the three of us together. | 0:20:24 | 0:20:27 | |
I just knew, no matter what happened, | 0:20:27 | 0:20:29 | |
if the three of us were together, everything would be all right. | 0:20:29 | 0:20:32 | |
You're confused. It's understandable, | 0:20:32 | 0:20:34 | |
you are possessed after all. | 0:20:34 | 0:20:36 | |
It doesn't matter where we are, it doesn't matter when we are. | 0:20:36 | 0:20:40 | |
All that matters is that we're together. | 0:20:40 | 0:20:42 | |
Yes, but... | 0:20:42 | 0:20:44 | |
..the stable. Your special place. | 0:20:45 | 0:20:49 | |
Edward, all this time I thought I had to hold on | 0:20:49 | 0:20:52 | |
to everything as tightly as I could. | 0:20:52 | 0:20:55 | |
But I didn't realise I already had everything I needed. | 0:20:55 | 0:21:00 | |
I think I just foiled your dastardly plan! | 0:21:03 | 0:21:05 | |
Urrrgh! | 0:21:05 | 0:21:07 | |
Whoah, what's going on there? | 0:21:07 | 0:21:09 | |
Pull, Sophie, expel that beastly gardener man! | 0:21:09 | 0:21:12 | |
Is he coming out now? | 0:21:12 | 0:21:15 | |
You have no more rights to this body than I! | 0:21:15 | 0:21:17 | |
I can use it if I wish! | 0:21:17 | 0:21:18 | |
We are both dead, after all. | 0:21:18 | 0:21:21 | |
Yes - however, I am less dead than you! | 0:21:21 | 0:21:24 | |
Oh, Sophie, are you all right? | 0:21:26 | 0:21:27 | |
Did he hurt you? | 0:21:27 | 0:21:29 | |
You, sir, will leave our sister alone, | 0:21:30 | 0:21:32 | |
or you will find yourself on the end of a very serious tongue-lashing! | 0:21:32 | 0:21:36 | |
You... You are a scoundrel of the lowest order! | 0:21:36 | 0:21:41 | |
Yeah! What they said, but less Victorian. | 0:21:41 | 0:21:44 | |
-This isn't over. -Edward... -My name is... | 0:21:44 | 0:21:47 | |
"Edwaard"... I understand. | 0:21:47 | 0:21:49 | |
I hated this too. | 0:21:52 | 0:21:54 | |
I couldn't stand it that the places that used to be so important | 0:21:54 | 0:21:58 | |
were not really mine any more. | 0:21:58 | 0:22:01 | |
Oh, we're friends now? | 0:22:01 | 0:22:03 | |
Let's braid each other's hair. | 0:22:03 | 0:22:05 | |
The world changes. That's just what it does. | 0:22:06 | 0:22:10 | |
And that's a good thing, | 0:22:10 | 0:22:12 | |
because it means there is so much more still to come. | 0:22:12 | 0:22:15 | |
But the only way to get to them is to leave other things behind. | 0:22:15 | 0:22:20 | |
You need to leave your orchard behind. | 0:22:20 | 0:22:23 | |
There are other things waiting for you. | 0:22:23 | 0:22:25 | |
All right, all right, I'm going, | 0:22:25 | 0:22:27 | |
if only to get away from this endless monologue. | 0:22:27 | 0:22:31 | |
It was beautiful, wasn't it? | 0:22:35 | 0:22:38 | |
-It always will be. -Look out, after-death. | 0:22:38 | 0:22:43 | |
I hope you're ready for me! | 0:22:43 | 0:22:45 | |
Show-off! | 0:22:50 | 0:22:51 | |
Has he gone? | 0:22:53 | 0:22:55 | |
He's gone. | 0:22:55 | 0:22:57 | |
A full day of schooling, dinner and homework. | 0:22:57 | 0:23:01 | |
And we still had time to defeat the bad guy. | 0:23:01 | 0:23:04 | |
We officially rock. | 0:23:04 | 0:23:06 | |
We do indeed rock. | 0:23:06 | 0:23:08 | |
I do not know what it means, I assume it is a good thing. | 0:23:09 | 0:23:12 | |
It's a good thing. | 0:23:12 | 0:23:14 | |
I'm sure no-one will mind if you take something as a memento. | 0:23:18 | 0:23:21 | |
No. I don't need it. | 0:23:24 | 0:23:25 | |
Subtitles by Red Bee Media Ltd | 0:23:28 | 0:23:30 | |
E-mail [email protected] | 0:23:30 | 0:23:32 | |
# Some things have changed | 0:23:36 | 0:23:39 | |
# Some things have stayed the same | 0:23:39 | 0:23:42 | |
# Life and death are not so far apart. # | 0:23:42 | 0:23:45 |