Browse content similar to Love's First Kiss. Check below for episodes and series from the same categories and more!
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# Some things have changed | 0:00:06 | 0:00:08 | |
# Some things have stayed the same | 0:00:08 | 0:00:12 | |
# Life and death are not so far apart | 0:00:12 | 0:00:15 | |
# Walking through the walls | 0:00:15 | 0:00:18 | |
# And I wouldn't have it any other way | 0:00:18 | 0:00:21 | |
# Life and death are not so far apart | 0:00:21 | 0:00:27 | |
# From where we are | 0:00:27 | 0:00:32 | |
# Some things have changed | 0:00:36 | 0:00:38 | |
# Some things have stayed the same | 0:00:38 | 0:00:42 | |
# Life and death are not so far apart. # | 0:00:42 | 0:00:45 | |
I can't believe they're making the dance compulsory. It's cruel. | 0:00:45 | 0:00:48 | |
-You'll enjoy it once you're there. -No, I won't, because I'm not going. | 0:00:48 | 0:00:52 | |
The universe will provide me with the perfect excuse. | 0:00:52 | 0:00:55 | |
So are any of the other boys waiting for the universe | 0:00:55 | 0:00:58 | |
-to get them out of attending? -Well, if you mean David, I don't know. | 0:00:58 | 0:01:01 | |
-But I do know he doesn't have a date yet. -Quiet, please! | 0:01:01 | 0:01:04 | |
Pay attention, class. | 0:01:04 | 0:01:07 | |
I am about to unveil | 0:01:07 | 0:01:08 | |
the latest addition to the school's impressive collection. | 0:01:08 | 0:01:12 | |
-SHE GASPS Voila! -What's the matter? | 0:01:14 | 0:01:16 | |
-Looks like you've seen a ghost! -Heathcliff. | 0:01:16 | 0:01:19 | |
You know this guy? The guy in the armour? | 0:01:19 | 0:01:21 | |
-We were going to be married! -You were engaged? | 0:01:21 | 0:01:25 | |
Quiet, you two. | 0:01:25 | 0:01:26 | |
This treasure was recently gifted to the school | 0:01:26 | 0:01:30 | |
by the previous owner of Ainsbury. | 0:01:30 | 0:01:32 | |
Its history was a matter of some contention. | 0:01:34 | 0:01:37 | |
But being an expert in art history, | 0:01:37 | 0:01:39 | |
I have ascertained it was painted somewhere between 1848 and 1853. | 0:01:39 | 0:01:44 | |
Actually, it was painted in 1860. | 0:01:44 | 0:01:46 | |
-Is that right? -Yes, on March 1st, as a matter of fact. | 0:01:46 | 0:01:49 | |
And how could you possibly know that? | 0:01:49 | 0:01:52 | |
As it happens, I knew the gentleman who painted it. | 0:01:52 | 0:01:55 | |
KIDS CHUCKLE | 0:01:55 | 0:01:56 | |
-I mean, I knew the painter's great, great... -Great, great... | 0:01:56 | 0:02:01 | |
..great great great grandson. He told me all about this piece. | 0:02:01 | 0:02:06 | |
I see. Well, then. Since you're familiar with the painting's history, | 0:02:07 | 0:02:12 | |
perhaps you'd like to take the class. | 0:02:12 | 0:02:15 | |
If it pleases you, Miss Sinclair. | 0:02:15 | 0:02:17 | |
The artist is Christopher Broadwin. | 0:02:21 | 0:02:25 | |
He always signed his portraits with a CB - right here. | 0:02:25 | 0:02:28 | |
It was painted on the day of the Ainsbury ball and given to my fa... | 0:02:28 | 0:02:32 | |
Sir Charles Ainsworth as a gift, a way of commemorating the ball. | 0:02:32 | 0:02:36 | |
That's why they're all dressed up like Henry V and Falstaff. | 0:02:36 | 0:02:40 | |
This painting also tells the tragic tale of doomed love. | 0:02:42 | 0:02:47 | |
The knight on bended knee is Heathcliff Churchill. | 0:02:47 | 0:02:52 | |
He was handsome, wealthy and titled. | 0:02:52 | 0:02:56 | |
-Sure he was! -No, it's true. That's his Uncle Richard, | 0:02:56 | 0:02:58 | |
who commissioned the painting. | 0:02:58 | 0:03:00 | |
And that's our school, Ainsbury Hall, as it was. | 0:03:00 | 0:03:04 | |
Heathcliff was wildly in love with the first daughter of the house. | 0:03:04 | 0:03:08 | |
Of course, he wasn't the only one. | 0:03:08 | 0:03:10 | |
She was a renowned local beauty. | 0:03:10 | 0:03:12 | |
Also famous for her modesty? | 0:03:12 | 0:03:15 | |
Still... | 0:03:15 | 0:03:16 | |
had fate not intervened, they would surely have been betrothed. | 0:03:16 | 0:03:21 | |
So what happened? | 0:03:21 | 0:03:23 | |
Well, she... | 0:03:24 | 0:03:25 | |
She died. | 0:03:27 | 0:03:28 | |
My goodness! | 0:03:31 | 0:03:33 | |
Heathcliff, Henry V, Falstaff and a touch of Romeo and Juliet. | 0:03:33 | 0:03:40 | |
That's quite an imagination, Rebecca. | 0:03:40 | 0:03:43 | |
Everything I have recounted is true. | 0:03:43 | 0:03:46 | |
It was a heartbreaking tragedy. | 0:03:46 | 0:03:49 | |
Hey! Don't touch! | 0:03:49 | 0:03:52 | |
Why do I ever trust students with art? | 0:03:52 | 0:03:55 | |
It seems to have survived this time. | 0:03:57 | 0:03:59 | |
Let's get back to the classroom before you do any more damage. | 0:03:59 | 0:04:02 | |
Uncle Richard! Uncle Richard! | 0:04:07 | 0:04:09 | |
It's a miracle! | 0:04:09 | 0:04:12 | |
For 150 years I've waited for a sign, and finally I've received one! | 0:04:12 | 0:04:18 | |
M-M-Miss Rebecca touched me! | 0:04:18 | 0:04:21 | |
That means she truly loves me, as I love her. | 0:04:21 | 0:04:26 | |
Don't be too hasty, lad. | 0:04:26 | 0:04:28 | |
Love knows no bounds, Uncle. | 0:04:28 | 0:04:31 | |
I shall win Miss Rebecca's heart | 0:04:31 | 0:04:33 | |
and our fate shall be sealed with true love's kiss! | 0:04:33 | 0:04:38 | |
-Ow! -Ha ha ha! | 0:04:38 | 0:04:41 | |
Love has tainted your judgement, my boy! | 0:04:41 | 0:04:44 | |
You know our limitations. | 0:04:44 | 0:04:48 | |
You're right. I must find a suitable replacement. | 0:04:48 | 0:04:53 | |
So about the dance... | 0:04:56 | 0:04:59 | |
do you think David might ask me? | 0:04:59 | 0:05:01 | |
Why don't you just put yourself out of your misery and ask him? | 0:05:01 | 0:05:04 | |
Because I am a lady! Things were so much easier in the old days. | 0:05:04 | 0:05:10 | |
Yeah, you'd have been married off | 0:05:10 | 0:05:11 | |
to some toffee-nosed inbred you hardly knew. | 0:05:11 | 0:05:14 | |
Heathcliff was not inbred! | 0:05:14 | 0:05:16 | |
He danced an exquisite quadrille and wrote the most beautiful poetry. | 0:05:16 | 0:05:21 | |
Yeah. I get it. He was a real old-fashioned gentleman. | 0:05:21 | 0:05:24 | |
MOBILE BEEPS | 0:05:24 | 0:05:25 | |
Catch you later, I've got to make a call. | 0:05:25 | 0:05:28 | |
There is something to be said for old-fashioned gentlemen. | 0:05:28 | 0:05:32 | |
MOBILE BEEPS | 0:05:32 | 0:05:34 | |
At last! Farewell, Uncle! UNCLE CHUCKLES | 0:05:36 | 0:05:39 | |
-Aaah! -Good luck, my boy! | 0:05:39 | 0:05:42 | |
Thank you! | 0:05:45 | 0:05:47 | |
Hey, what's going on? Come back! | 0:05:47 | 0:05:51 | |
I have a proposal for you. | 0:05:51 | 0:05:53 | |
We both know you want to go to the dance with David, correct? | 0:05:53 | 0:05:56 | |
-Well, yes... -And we both know the clock is ticking, correct? | 0:05:56 | 0:06:00 | |
-Yes, but... -And Ernesto will give up this stupid boys' night idea | 0:06:00 | 0:06:03 | |
if David gets a date of his own. | 0:06:03 | 0:06:05 | |
No, actually, I didn't know that. | 0:06:05 | 0:06:08 | |
Well, you do now. And I want to go with Ernesto, which means... | 0:06:08 | 0:06:11 | |
You need me to convince David to go. | 0:06:11 | 0:06:14 | |
-Exactly. -I'm sorry, Christine. | 0:06:14 | 0:06:16 | |
I couldn't possibly. It's a gentleman's job. | 0:06:16 | 0:06:19 | |
Well, David's no gentleman, so let's just work with what we've got. | 0:06:19 | 0:06:24 | |
But I don't even know if he likes me. | 0:06:24 | 0:06:26 | |
I mean... I know he likes me, but would he compose a poem for me? | 0:06:26 | 0:06:30 | |
Get down on one knee for me? Slay a dragon for me? | 0:06:30 | 0:06:33 | |
Well, he hung out with you after the game last week. | 0:06:33 | 0:06:37 | |
With a dozen other people. | 0:06:37 | 0:06:38 | |
Well, if that isn't love, I don't know what is. | 0:06:38 | 0:06:41 | |
Wh...why am I in a painting? This can't be happening. | 0:06:43 | 0:06:46 | |
I didn't even like this painting. | 0:06:46 | 0:06:48 | |
Calm yourself! | 0:06:48 | 0:06:51 | |
Admire the blue skies. | 0:06:51 | 0:06:54 | |
Appreciate the magnificent vista. | 0:06:54 | 0:06:57 | |
Look, Mr Falstaff... | 0:06:57 | 0:06:58 | |
Richard. You may call me Richard. | 0:06:58 | 0:07:00 | |
Fine. Richard. You've got to get me out of here! | 0:07:00 | 0:07:03 | |
I'm afraid only Heathcliff can do that. | 0:07:03 | 0:07:06 | |
You don't understand. | 0:07:06 | 0:07:08 | |
I really need to go. | 0:07:08 | 0:07:09 | |
BELL RINGS | 0:07:09 | 0:07:11 | |
My friend, I strongly suggest you hold it. | 0:07:11 | 0:07:15 | |
But I'm bursting. Sophie! Hazel! | 0:07:15 | 0:07:18 | |
-Did you hear that? -But where did it come from? | 0:07:18 | 0:07:20 | |
I'm in here, in the painting. | 0:07:20 | 0:07:22 | |
Jonathan? | 0:07:23 | 0:07:25 | |
Is that you? What are you doing in there? | 0:07:25 | 0:07:28 | |
I'm heading to the toilet, a ghost wearing a frilly shirt grabbed me. | 0:07:28 | 0:07:32 | |
He's out there and I'm stuck in here! | 0:07:32 | 0:07:34 | |
-Jonathan! -A frilly shirt? | 0:07:34 | 0:07:37 | |
You must mean Heathcliff! And he is out here? | 0:07:37 | 0:07:40 | |
We must warn Rebecca. | 0:07:40 | 0:07:42 | |
Sophie! Hazel! | 0:07:42 | 0:07:43 | |
Quiet! Someone approaches. | 0:07:43 | 0:07:46 | |
Although very popular in his day, very few Broadwins remain. | 0:07:46 | 0:07:51 | |
Each one is distinguished by his initials, CB. | 0:07:51 | 0:07:56 | |
Well, well, well... | 0:08:00 | 0:08:02 | |
For once little Miss Smarty Pants Troublemaker was telling the truth. | 0:08:02 | 0:08:07 | |
It's simple. All you have to do | 0:08:12 | 0:08:14 | |
is ask him as if you know the answer is yes. | 0:08:14 | 0:08:16 | |
-I could never do that. -Yes, you could. And here comes your chance. | 0:08:16 | 0:08:20 | |
I'm begging you, Christine, do not bring up the dance. | 0:08:20 | 0:08:23 | |
Give me some credit! I can be very subtle. | 0:08:23 | 0:08:26 | |
So, David. Rebecca has something she wants to ask you. | 0:08:26 | 0:08:30 | |
Right, Rebecca? | 0:08:30 | 0:08:31 | |
Um...yes. | 0:08:31 | 0:08:34 | |
I was wondering if you wanted to... | 0:08:34 | 0:08:38 | |
if you're not already... | 0:08:38 | 0:08:40 | |
-Rebecca, we need to talk to you. -I'm kind of in the middle of something. | 0:08:40 | 0:08:45 | |
Miss Rebecca! | 0:08:45 | 0:08:46 | |
I've found you at last! | 0:08:47 | 0:08:49 | |
What is that?! | 0:08:51 | 0:08:53 | |
Actors! Really Rebecca, you should try and do your drama club rehearsals | 0:08:55 | 0:08:58 | |
somewhere more private. | 0:08:58 | 0:09:00 | |
150 years? | 0:09:06 | 0:09:08 | |
You waited inside a painting for 150 years, | 0:09:08 | 0:09:12 | |
-for me? -That costume ball was the happiest day of my life. | 0:09:12 | 0:09:17 | |
Love is so stupid. | 0:09:17 | 0:09:19 | |
But so romantic! | 0:09:19 | 0:09:22 | |
Heathcliff, you have to get back in the painting so Jonathan can get out. | 0:09:22 | 0:09:27 | |
-What is this about Jonathan? -In good time. -Now is a good time. | 0:09:27 | 0:09:31 | |
You jeopardised our secret. | 0:09:31 | 0:09:33 | |
If Hazel hadn't said you were an actor, everyone would know. | 0:09:33 | 0:09:36 | |
My lady is angry. | 0:09:36 | 0:09:39 | |
You cannot know the torment caused by your passing. | 0:09:39 | 0:09:43 | |
A year later, when I died on the battlefield, I made a solemn vow | 0:09:43 | 0:09:47 | |
to live on inside the memory of that day and find you again. | 0:09:47 | 0:09:51 | |
Well, here I am. | 0:09:51 | 0:09:53 | |
HE CHUCKLES | 0:09:53 | 0:09:54 | |
This token of your love has kept my love alive. | 0:09:54 | 0:09:59 | |
When you gave it to me, I knew your heart beat as true as mine. | 0:09:59 | 0:10:05 | |
You gave him your handkerchief? | 0:10:05 | 0:10:07 | |
Actually, I distinctly remember... | 0:10:07 | 0:10:10 | |
But fear not. | 0:10:10 | 0:10:12 | |
My intentions are honourable. | 0:10:12 | 0:10:14 | |
I shall court you in style and, if the fates be with us, | 0:10:14 | 0:10:19 | |
win your hand in marriage by midnight. | 0:10:19 | 0:10:22 | |
Marriage? | 0:10:30 | 0:10:31 | |
All I want to do is go to the dance! | 0:10:33 | 0:10:36 | |
This is so not cool! | 0:10:37 | 0:10:38 | |
You can't just kidnap someone and dump them inside a painting. | 0:10:38 | 0:10:41 | |
I'm afraid Heathcliff is driven by a love beyond description. | 0:10:41 | 0:10:46 | |
Yeah, well, I'm driven by a bladder that's full to bursting. | 0:10:46 | 0:10:49 | |
-Where's the toilet? -The what? | 0:10:49 | 0:10:51 | |
You know, the toilet. I have to take a leak. | 0:10:51 | 0:10:54 | |
Use the loo, capisce? | 0:10:54 | 0:10:55 | |
Oh, you mean, ye olde shrubbery. | 0:10:55 | 0:10:58 | |
Why didn't you say so? Over there, old chap. | 0:10:58 | 0:11:00 | |
Whoa...whoa...Waaaah! | 0:11:03 | 0:11:05 | |
-Remember, just ask him as if you know he'll say yes. -I can't. | 0:11:05 | 0:11:10 | |
You want to stay on my good side, right? | 0:11:10 | 0:11:12 | |
-Well, yes. -Heads up! | 0:11:12 | 0:11:15 | |
-Nice catch! -Thanks. -Do it. -Um, David? | 0:11:15 | 0:11:18 | |
I was wondering... | 0:11:18 | 0:11:20 | |
about the dance. If you're not already... | 0:11:20 | 0:11:22 | |
You want to go together? | 0:11:22 | 0:11:24 | |
-Yes, actually. -Great, sounds fun. | 0:11:24 | 0:11:26 | |
Thanks for asking me. | 0:11:26 | 0:11:28 | |
He said yes! He actually said yes! | 0:11:29 | 0:11:34 | |
Now, here's the thing. As David's date, you're part of an elite. | 0:11:38 | 0:11:41 | |
So we'll need to make sure you meet A-list standards. | 0:11:41 | 0:11:44 | |
I'm sure I could benefit from your tuition. | 0:11:44 | 0:11:47 | |
Let's start with your outfit for tonight. | 0:11:47 | 0:11:49 | |
I have a very fine eye for 19th century painting, Mr Griffith, | 0:11:51 | 0:11:56 | |
and I've identified this piece as the work of Christopher Broadwin. See? | 0:11:56 | 0:12:01 | |
He always signs his name with a CB. | 0:12:01 | 0:12:04 | |
It says so right here. | 0:12:04 | 0:12:07 | |
Well, well. That's extraordinary. | 0:12:07 | 0:12:11 | |
As it happens, the curator of the Lauther Museum in London | 0:12:11 | 0:12:14 | |
is here in Australia, sourcing works at the moment. | 0:12:14 | 0:12:18 | |
If he agrees to show this painting, it would be very good for Ainsbury. | 0:12:18 | 0:12:23 | |
It would, wouldn't it? | 0:12:23 | 0:12:24 | |
Well, make a call, see what you can do. | 0:12:25 | 0:12:28 | |
London? You're kidding. | 0:12:31 | 0:12:33 | |
Sophie, Hazel, you have to find a way to get me out of here. | 0:12:33 | 0:12:36 | |
They're going to send us to London! | 0:12:36 | 0:12:39 | |
That would be marvellous! I haven't been there for centuries. | 0:12:39 | 0:12:42 | |
-Don't worry. We'll get you out. -Maybe Agatha will have some ideas. | 0:12:42 | 0:12:46 | |
I've got to go to the toilet - I'm busting. | 0:12:46 | 0:12:48 | |
He came out of a painting? | 0:12:48 | 0:12:50 | |
Ooooh! That is not supposed to happen. | 0:12:50 | 0:12:53 | |
This guy Heathcliff must have some major unfinished business. | 0:12:53 | 0:12:57 | |
He must slaughter his enemies! Then his soul'll be free. | 0:12:57 | 0:13:00 | |
Perhaps it is a matter of the heart? | 0:13:00 | 0:13:02 | |
For real. Some crazy chick's bugging that cat. | 0:13:02 | 0:13:05 | |
-He said he made a vow to seek Rebecca's hand. -Bingo! | 0:13:06 | 0:13:10 | |
Sophus, run us through the Ghost Council's rules on unrequited love. | 0:13:10 | 0:13:15 | |
"In a case such as this, the unhappy lover is granted | 0:13:15 | 0:13:19 | |
"one day to seek a kiss. | 0:13:19 | 0:13:21 | |
"If he succeeds, his quest is over." | 0:13:21 | 0:13:24 | |
So, if they kiss, he'll finally go away? | 0:13:24 | 0:13:27 | |
He'll have nothing tying him to this world. | 0:13:27 | 0:13:30 | |
Then he can move on to the afterdeath. | 0:13:30 | 0:13:32 | |
That looks great. On me! | 0:13:36 | 0:13:38 | |
And it even looks OK on you. | 0:13:38 | 0:13:40 | |
Check this out. She actually looks like one of us. | 0:13:40 | 0:13:43 | |
Lady Rebecca? | 0:13:43 | 0:13:45 | |
There's some guy calling for you, Rebecca. | 0:13:46 | 0:13:49 | |
Lady Rebecca? | 0:13:49 | 0:13:51 | |
Do you not see my love | 0:13:51 | 0:13:52 | |
Go down the garden there? | 0:13:52 | 0:13:55 | |
It's your actor friend. | 0:13:55 | 0:13:56 | |
Rivalling the glittering sunshine The glory of her raven hair. | 0:13:56 | 0:14:02 | |
-Oh, like the shirt! -Such beauty! | 0:14:02 | 0:14:06 | |
To touch her I would not dare. | 0:14:06 | 0:14:08 | |
What is he doing? | 0:14:08 | 0:14:10 | |
He's reciting poetry. | 0:14:10 | 0:14:12 | |
He wrote that poem for me, you know. | 0:14:12 | 0:14:14 | |
Yeah, well, we've all got our problems. | 0:14:14 | 0:14:17 | |
Could you please excuse us for a moment? | 0:14:17 | 0:14:20 | |
I need to speak with him alone. | 0:14:20 | 0:14:21 | |
I can hear the alleys ring! | 0:14:25 | 0:14:27 | |
Though she may never look on me | 0:14:27 | 0:14:30 | |
Though I may never woo her | 0:14:30 | 0:14:32 | |
I shall love her until I die. | 0:14:32 | 0:14:36 | |
Heathcliff, you have to stop this. | 0:14:36 | 0:14:38 | |
My love deserves to be courted in style! | 0:14:38 | 0:14:41 | |
Give me one chance, Rebecca. | 0:14:41 | 0:14:43 | |
It's all I ask. Come to the dance with me. | 0:14:43 | 0:14:46 | |
I'm sorry, Heathcliff, I'm already going with David. | 0:14:48 | 0:14:51 | |
David? | 0:14:51 | 0:14:53 | |
Who is David? | 0:14:53 | 0:14:55 | |
I have pledged my heart. | 0:14:55 | 0:14:58 | |
It is unsuitable for you to dally with another. I cannot allow it! | 0:14:58 | 0:15:02 | |
It is not up to you. | 0:15:02 | 0:15:03 | |
I can DALLY with whomever I wish. | 0:15:03 | 0:15:07 | |
I do not belong in your world any more, Heathcliff. | 0:15:07 | 0:15:10 | |
And you certainly do not fit into mine. | 0:15:10 | 0:15:12 | |
-En garde! -OK, who are you and what's with the zucchini? | 0:15:18 | 0:15:23 | |
I had hoped for a sword, but this courgette was all I could find. | 0:15:23 | 0:15:27 | |
-En garde! -Huh? | 0:15:27 | 0:15:29 | |
You take French, don't you? En garde! I challenge you to a duel! | 0:15:29 | 0:15:33 | |
A duel? Is this some kind of joke? | 0:15:33 | 0:15:36 | |
You are the most unchivalrous, | 0:15:36 | 0:15:39 | |
uncouth excuse for a man I have ever seen. | 0:15:39 | 0:15:42 | |
You have offended me, sir! Now, en garde! | 0:15:42 | 0:15:46 | |
BOYS LAUGH | 0:15:48 | 0:15:50 | |
'Just one kiss, Rebecca!' | 0:15:53 | 0:15:55 | |
-It is the only way to free Jonathan and Heathcliff. -What about me? | 0:15:55 | 0:15:59 | |
I believe it's called "Taking one for the team". | 0:15:59 | 0:16:02 | |
Can it not wait until after my date with David? | 0:16:02 | 0:16:05 | |
Tonight I am A-list. I cannot kiss a guy in a frilly shirt! | 0:16:05 | 0:16:09 | |
It would be social death! | 0:16:09 | 0:16:10 | |
You liked him. You gave him your handkerchief. | 0:16:10 | 0:16:13 | |
I did not give it to him! | 0:16:13 | 0:16:15 | |
It fell off the balcony and he picked it up. | 0:16:15 | 0:16:17 | |
How was I supposed to know he would keep it for 150 years? | 0:16:17 | 0:16:22 | |
-I wish he'd stayed in the painting! -So do I! | 0:16:22 | 0:16:25 | |
Heathcliff! | 0:16:27 | 0:16:29 | |
HAND-DRYER BLASTS | 0:16:38 | 0:16:40 | |
HEATHCLIFF SCREAMS | 0:16:40 | 0:16:43 | |
Back, monster! | 0:16:43 | 0:16:44 | |
-Hey, what's going on? -Stand back! It may attack! | 0:16:44 | 0:16:48 | |
We thought he might have come back. | 0:16:57 | 0:16:59 | |
We have looked everywhere for him! | 0:16:59 | 0:17:01 | |
None of this would have happened if Heathcliff hadn't fallen in love. | 0:17:01 | 0:17:06 | |
Hazel, trust me. | 0:17:06 | 0:17:07 | |
You don't have any control over who you fall in love with. | 0:17:07 | 0:17:10 | |
-One day you'll understand. -I doubt it. Love is pathetic. | 0:17:10 | 0:17:14 | |
Can we discuss the matter of love another time? | 0:17:14 | 0:17:17 | |
The old bat's sending the painting to England with me inside! | 0:17:17 | 0:17:20 | |
You've got to get me out of here! | 0:17:20 | 0:17:22 | |
OK, we'll find Heathcliff. Stay there. | 0:17:22 | 0:17:25 | |
I thought, if I waited long enough, one day I'd find her | 0:17:25 | 0:17:28 | |
and we'd be together for eternity. | 0:17:28 | 0:17:30 | |
Wow, sounds pretty serious. | 0:17:30 | 0:17:34 | |
Eternity is a long time. | 0:17:34 | 0:17:36 | |
You have no idea. | 0:17:36 | 0:17:39 | |
Well, next time ask her to the dance first. | 0:17:39 | 0:17:41 | |
It's a lot simpler. | 0:17:41 | 0:17:42 | |
I don't think there will be a next time. | 0:17:42 | 0:17:45 | |
I am a man of honour, but I am no fool. | 0:17:45 | 0:17:48 | |
You have won. | 0:17:48 | 0:17:50 | |
I would slay a dragon for her, | 0:17:50 | 0:17:54 | |
but you are "A-list" and I'm just "A chap in a frilly shirt". | 0:17:54 | 0:18:00 | |
In the knowledge that you love Rebecca as I do, I accept defeat. | 0:18:00 | 0:18:04 | |
Whoa! Who said anything about love? | 0:18:07 | 0:18:10 | |
I recognised Broadwin's signature the moment I saw it. | 0:18:15 | 0:18:18 | |
It's not often we come across such... | 0:18:18 | 0:18:20 | |
-What are you girls doing here? -If you please, ma'am, | 0:18:20 | 0:18:23 | |
we wish to admire the school's new painting. | 0:18:23 | 0:18:26 | |
It's good to see the students taking an interest in art. | 0:18:26 | 0:18:29 | |
-Is this some sort of joke? -I'm sorry? | 0:18:29 | 0:18:32 | |
This painting is between 10 and 15 years old. | 0:18:32 | 0:18:37 | |
-But...that's impossible! -I'm afraid not. | 0:18:37 | 0:18:41 | |
The mobile phone is a bit of a giveaway, don't you think? | 0:18:41 | 0:18:46 | |
Perhaps we should do our homework a little more thoroughly next time. | 0:18:49 | 0:18:52 | |
David, Heathcliff is not my boyfriend. | 0:19:00 | 0:19:03 | |
I know that's technically true, but he's really into you. | 0:19:03 | 0:19:07 | |
I know he's a bit... | 0:19:07 | 0:19:08 | |
What? Ridiculously dedicated? | 0:19:08 | 0:19:10 | |
Annoyingly cavalier? Unbearably romantic? | 0:19:10 | 0:19:14 | |
I think you should give him a chance and let him be your date. | 0:19:14 | 0:19:17 | |
She's all yours. | 0:19:25 | 0:19:27 | |
You, sir, are a true gentleman. | 0:19:27 | 0:19:31 | |
Hey, lay off the insults. | 0:19:31 | 0:19:33 | |
Now, about that shirt. | 0:19:33 | 0:19:35 | |
It is not fair! | 0:19:35 | 0:19:36 | |
He has ruined my future with David. | 0:19:36 | 0:19:39 | |
-I wish I were dead! -You ARE dead. | 0:19:41 | 0:19:43 | |
You know what I mean. | 0:19:45 | 0:19:46 | |
-This is a disaster! -No, it's not. | 0:19:46 | 0:19:49 | |
If Heathcliff is to be your date, you can kiss him. | 0:19:49 | 0:19:52 | |
Kiss him? | 0:19:52 | 0:19:53 | |
I wish to never see him again! | 0:19:53 | 0:19:55 | |
Rebecca, you must. You are the only one who can save Jonathan. | 0:19:55 | 0:19:59 | |
Oh, Jonathan. | 0:19:59 | 0:20:01 | |
I nearly forgot about him. | 0:20:01 | 0:20:03 | |
All right, to free Jonathan, one kiss. | 0:20:03 | 0:20:07 | |
And then I can get on with my life. | 0:20:07 | 0:20:09 | |
'First I have two dates and now I have none! Where is he?' | 0:20:17 | 0:20:21 | |
Come on. | 0:20:28 | 0:20:30 | |
So, what's going on? | 0:20:32 | 0:20:33 | |
Why aren't you dancing with David? | 0:20:33 | 0:20:36 | |
There was a change of plans and, well... | 0:20:36 | 0:20:38 | |
-Heathcliff! -Who is that? | 0:20:42 | 0:20:46 | |
May I have this dance? | 0:20:48 | 0:20:51 | |
-You will be out soon, Jonathan, when Rebecca kisses Heathcliff. -What? | 0:21:07 | 0:21:11 | |
Yes! Then it will all be over. | 0:21:11 | 0:21:12 | |
-Heathcliff will move on to the afterdeath. -And I'll get out? | 0:21:12 | 0:21:15 | |
-RICHARD LAUGHS -Oh, what?! | 0:21:15 | 0:21:18 | |
If Heathcliff moves on to the afterdeath, | 0:21:18 | 0:21:21 | |
the two worlds will be sealed forever! | 0:21:21 | 0:21:24 | |
-What does that mean? -It means you will be | 0:21:24 | 0:21:27 | |
forever sealed in this painting. | 0:21:27 | 0:21:30 | |
If they kiss, Jonathan will be trapped? | 0:21:30 | 0:21:32 | |
-But Agatha said... -Agatha must have muddled up the rules again. | 0:21:32 | 0:21:35 | |
You've got to stop them from kissing! Go! Go! Go! | 0:21:35 | 0:21:39 | |
You didn't have to go to all that trouble for me, you know. | 0:21:40 | 0:21:43 | |
-But you're glad I did? -Yes. | 0:21:45 | 0:21:47 | |
I'm glad you did. | 0:21:47 | 0:21:49 | |
I had no idea how handsome you'd look without... | 0:21:49 | 0:21:53 | |
-you know. -My frilly shirt? | 0:21:53 | 0:21:56 | |
Come on, Sophie, quickly! Hurry! | 0:21:58 | 0:22:00 | |
Hurry, Sophie! There's no time to waste! | 0:22:04 | 0:22:07 | |
Perhaps things could work out between us. | 0:22:07 | 0:22:10 | |
We do have some things in common. | 0:22:10 | 0:22:12 | |
Such as? | 0:22:12 | 0:22:13 | |
Well, you recite poetry and I love listening to it. | 0:22:13 | 0:22:18 | |
It is a perfect combination. | 0:22:18 | 0:22:20 | |
BOTH: Noooo! | 0:22:29 | 0:22:31 | |
'Stop, Rebecca, stop! Jonathan is in danger. | 0:22:31 | 0:22:36 | |
'He needs our help. Do not kiss him!' | 0:22:36 | 0:22:40 | |
-Rebecca? -My sisters... -Stop! | 0:22:40 | 0:22:43 | |
If you kiss him, Jonathan will be trapped forever! | 0:22:43 | 0:22:46 | |
Jonathan, trapped? Is this true? | 0:22:46 | 0:22:49 | |
-You were going to let Jonathan take your place forever?! -No. | 0:22:49 | 0:22:53 | |
Our love can never thrive at the expense of another. | 0:22:53 | 0:22:57 | |
-Isn't there some other way? -No! Honour demands it - | 0:22:58 | 0:23:03 | |
from both of us. | 0:23:03 | 0:23:06 | |
This was easier when I didn't like you. | 0:23:08 | 0:23:11 | |
Thank you, young man! | 0:23:53 | 0:23:55 | |
Why is my armour so wet? | 0:23:57 | 0:24:00 | |
Good to have you back, my boy. | 0:24:00 | 0:24:02 | |
I believe this belongs to you. | 0:24:13 | 0:24:15 | |
Thank you. | 0:24:15 | 0:24:17 | |
You OK? | 0:24:17 | 0:24:19 | |
Are you OK? | 0:24:19 | 0:24:21 | |
A bit stiff and sore. | 0:24:21 | 0:24:23 | |
It's like I've been stuck in a painting for 150 years. | 0:24:23 | 0:24:26 | |
I'm sorry, Jonathan. I did not mean to get you involved in this mess. | 0:24:26 | 0:24:30 | |
It's not so messy. Besides, that's what friends are for. | 0:24:30 | 0:24:34 | |
Want to boogie? | 0:24:34 | 0:24:35 | |
May I have this dance? | 0:24:45 | 0:24:47 | |
I'm telling you, love is seriously stupid. | 0:24:51 | 0:24:54 | |
'Maybe Heathcliff is right. | 0:25:02 | 0:25:04 | |
'Maybe you can still find a boy who will slay a dragon.' | 0:25:04 | 0:25:07 | |
# Some things have changed | 0:25:22 | 0:25:25 | |
# Some things have stayed the same | 0:25:25 | 0:25:28 | |
# Life and death are not so far apart. # | 0:25:28 | 0:25:31 | |
Subtitles by Red Bee Media Ltd | 0:25:31 | 0:25:32 |