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My name's Steve Backshall and this is Deadly Art. | 0:00:02 | 0:00:05 | |
I'm lucky enough to travel the world, tracking deadly animals. | 0:00:07 | 0:00:11 | |
But in this show, my team of artists take my killer moment... | 0:00:13 | 0:00:17 | |
..and turn it into art. | 0:00:19 | 0:00:21 | |
'And we'll reveal another unique creation. | 0:00:22 | 0:00:25 | |
'Along the way, you'll get tips, | 0:00:26 | 0:00:28 | |
'tricks and techniques so you can make some art. | 0:00:28 | 0:00:31 | |
'This is no ordinary art show, this is Deadly Art.' | 0:00:33 | 0:00:37 | |
'Coming up on Deadly Art - | 0:00:41 | 0:00:42 | |
'I get close to a venomous, pinching predator.' | 0:00:42 | 0:00:45 | |
Ow! | 0:00:45 | 0:00:47 | |
'With a pile of tyres and power tools at hand, | 0:00:47 | 0:00:51 | |
'my art team get to grips with an astounding piece of killer art.' | 0:00:51 | 0:00:54 | |
-A scorpion on a truly deadly scale. -'And you can get creative, too.' | 0:00:54 | 0:00:59 | |
'So what are we looking at today?' | 0:01:00 | 0:01:02 | |
Despite being only about five centimetres long, | 0:01:02 | 0:01:06 | |
there are some species of today's deadly creature | 0:01:06 | 0:01:09 | |
that could kill someone my size stone dead. | 0:01:09 | 0:01:12 | |
It's the deadly, scary scorpion. | 0:01:12 | 0:01:14 | |
They've been around on earth for more than 420 million years. | 0:01:14 | 0:01:19 | |
They're found on nearly every continent on earth | 0:01:19 | 0:01:22 | |
and some of them are highly venomous. | 0:01:22 | 0:01:24 | |
This is an animal that certainly had a sting in the tail. | 0:01:24 | 0:01:27 | |
Let's meet today's artists ready and waiting in the Deadly Art studio. | 0:01:29 | 0:01:34 | |
I'm Jo. I'm a painter, a sculptor and a general mess-maker. | 0:01:34 | 0:01:38 | |
I'm Nicola. I'm an ice sculptor, sand sculptor and power tool queen. | 0:01:41 | 0:01:48 | |
'Nicola and Jo will be representing the Deadly Art team | 0:01:51 | 0:01:55 | |
'who are always up for a challenge like this. | 0:01:55 | 0:01:57 | |
'And here's a killer moment from the deadly scorpion.' | 0:01:57 | 0:02:01 | |
We'll make a huge sculpture of a scorpion in the striking position. | 0:02:01 | 0:02:04 | |
Excellent. We'll use car tyres. | 0:02:04 | 0:02:06 | |
They're the perfect shape for the segments of his body. | 0:02:06 | 0:02:09 | |
And they're dark, rigid, robust, just like the scorpion. | 0:02:09 | 0:02:12 | |
Let's get some tyres. | 0:02:12 | 0:02:14 | |
'Time for some more Deadly Art.' | 0:02:15 | 0:02:18 | |
'The idea of using car tyres to create a scorpion is inspired. | 0:02:18 | 0:02:23 | |
-'Great idea!' -This is really deadly, | 0:02:23 | 0:02:26 | |
so I'm going to take my time. | 0:02:26 | 0:02:28 | |
'Our artists are trained professionals. | 0:02:28 | 0:02:30 | |
'Don't attempt anything you see them do in the Big Art. | 0:02:30 | 0:02:33 | |
'There are more than 1,500 species of scorpion - | 0:02:33 | 0:02:36 | |
'160 of those in South Africa.' Got something. | 0:02:36 | 0:02:39 | |
'So I was bound to bump into one or two of them on my travels.' Ow! | 0:02:39 | 0:02:43 | |
This...is a Flat Rock Scorpion. | 0:02:44 | 0:02:48 | |
And, um...it's got quite a pinch on it. | 0:02:48 | 0:02:52 | |
But, um...it's actually really the pussycat of the scorpion world, | 0:02:52 | 0:02:56 | |
as far as the sting goes. | 0:02:56 | 0:02:58 | |
Um...the rule of thumb, really, is to look at a scorpion, | 0:02:58 | 0:03:02 | |
look at the size of its pincers, and if those are big, like this one, | 0:03:02 | 0:03:06 | |
you can see he's trying to get hold of me with those, | 0:03:06 | 0:03:09 | |
those will be its primary weapon. | 0:03:09 | 0:03:11 | |
The great thing about this Flat Rock Scorpion | 0:03:11 | 0:03:14 | |
is even though his sting really isn't very potent, | 0:03:14 | 0:03:16 | |
because he has these massive, powerful pincers, | 0:03:16 | 0:03:20 | |
he'll flatten himself inside a crevice, | 0:03:20 | 0:03:22 | |
and if other scorpions that have much more potent venom come nearby, | 0:03:22 | 0:03:26 | |
he can literally tear them apart. | 0:03:26 | 0:03:28 | |
So, although he's not very harmful to us, | 0:03:28 | 0:03:31 | |
he is quite potentially harmful to other scorpions. | 0:03:31 | 0:03:34 | |
'Join me later when I meet an even deadlier version. | 0:03:34 | 0:03:37 | |
'Back to the Deadly Art studio.' | 0:03:37 | 0:03:39 | |
Just like our scorpion, these tyres are really tough. | 0:03:39 | 0:03:42 | |
They even have metal in them. | 0:03:42 | 0:03:44 | |
'It's tough work, Nicola, but so worth it.' | 0:03:44 | 0:03:47 | |
We've made this wooden structure for the scorpion's body | 0:03:47 | 0:03:50 | |
which will then rise up into its tail. | 0:03:50 | 0:03:53 | |
And these just sit on top... | 0:03:53 | 0:03:55 | |
of the segments of his body. | 0:03:55 | 0:03:59 | |
'It still looks like a pile of car tyres to me, | 0:03:59 | 0:04:01 | |
'but, knowing the team, they'll pull it out of the bag as usual. | 0:04:01 | 0:04:05 | |
'Here's Nicola with a doodle for you.' | 0:04:05 | 0:04:07 | |
I'm going to show you how to do a Deadly Doodle of a scorpion. | 0:04:07 | 0:04:11 | |
Begin by drawing the shape of a mug handle. | 0:04:11 | 0:04:15 | |
This is going to form a guideline for the body | 0:04:15 | 0:04:19 | |
and give the tail that characteristic backwards curve. | 0:04:19 | 0:04:23 | |
He's split up into three sections. | 0:04:23 | 0:04:25 | |
His head, his body and his tail. | 0:04:25 | 0:04:28 | |
On the end of the tail, draw an upside-down tear shape. | 0:04:28 | 0:04:34 | |
That will give it the sting. | 0:04:34 | 0:04:35 | |
His pincers are two backwards C shapes, | 0:04:35 | 0:04:40 | |
and then join those to the head using some simple lines. | 0:04:40 | 0:04:45 | |
And the rest of his legs are going to overlap his body along here. | 0:04:45 | 0:04:49 | |
And he needs four of those. | 0:04:49 | 0:04:52 | |
And the ones at the back... | 0:04:52 | 0:04:55 | |
are three triangles. | 0:04:55 | 0:04:58 | |
And now we're ready to go in with our marker pen. | 0:04:58 | 0:05:01 | |
Redefine the line you've already done, | 0:05:01 | 0:05:04 | |
and to make those pincers look extra perilous, add on some spikes. | 0:05:04 | 0:05:09 | |
We want his front arms to look really strong. | 0:05:16 | 0:05:19 | |
So give some nice, bold shapes along this guide. | 0:05:19 | 0:05:23 | |
All of his legs, including his arm, | 0:05:27 | 0:05:29 | |
are going to join the body via a small circle. | 0:05:29 | 0:05:34 | |
And then double up on the lines, adding the joints as you go. | 0:05:34 | 0:05:38 | |
Do the same at the back. | 0:05:42 | 0:05:44 | |
At the front, add two triangles for the opening of his mouth. | 0:05:51 | 0:05:56 | |
And then follow this line around... to form the head. | 0:05:57 | 0:06:01 | |
He also needs two beady little eyes. | 0:06:01 | 0:06:04 | |
His body is made up of segments. | 0:06:06 | 0:06:08 | |
So again, using your guide, | 0:06:08 | 0:06:10 | |
add a few different sections... | 0:06:10 | 0:06:14 | |
..to give him that rigid structure. | 0:06:15 | 0:06:18 | |
Redefine that teardrop. | 0:06:22 | 0:06:25 | |
And the rest of his tail... | 0:06:25 | 0:06:27 | |
is just made up of simple leaf shapes | 0:06:27 | 0:06:30 | |
all the way down until you meet the body. | 0:06:30 | 0:06:33 | |
And there you have him, your deadly scorpion with a sting! | 0:06:33 | 0:06:38 | |
'Nice one, Nicola. We visited Crawley on a Deadly Day Out. | 0:06:38 | 0:06:42 | |
'Here's how you got on with your scorpions in the Deadly Art tent.' | 0:06:42 | 0:06:46 | |
CHEERING | 0:06:46 | 0:06:48 | |
His legs are really simple lines. | 0:06:49 | 0:06:53 | |
Show me. Let's have a look. Very nice! | 0:06:53 | 0:06:56 | |
This is my Deadly Doodle of a scorpion. | 0:06:56 | 0:07:00 | |
-I'm Charlie. -I'm Emily. -BOTH: And these are our scorpions. | 0:07:00 | 0:07:05 | |
-BOTH: Is this deadly enough for you? -'Yes, they are. | 0:07:05 | 0:07:08 | |
'Great work. Keep doodling. | 0:07:08 | 0:07:10 | |
'Back to Jo and Nicola and their massive sculpture.' | 0:07:10 | 0:07:14 | |
I've made this wooden arc. | 0:07:16 | 0:07:18 | |
I'm attaching these smaller bits of tyre | 0:07:18 | 0:07:20 | |
to make the sections of the scorpion's tail. | 0:07:20 | 0:07:23 | |
I'm working on the scorpion's legs. | 0:07:26 | 0:07:28 | |
I've created the shape of them out of wood, | 0:07:28 | 0:07:31 | |
and to continue our tyre theme, | 0:07:31 | 0:07:33 | |
I'm covering them in inner tube. | 0:07:33 | 0:07:36 | |
'It's looking good, but still a long way to go. | 0:07:39 | 0:07:42 | |
'When I was in South Africa, | 0:07:42 | 0:07:43 | |
'looking for one of the world's deadliest scorpions was unnerving.' | 0:07:43 | 0:07:49 | |
This is...the scorpion I was really hoping to find around here. | 0:07:49 | 0:07:54 | |
I'm going to show you why I've been carrying this torch around. | 0:07:54 | 0:07:57 | |
If I get rid of my normal light... | 0:07:57 | 0:08:01 | |
Look at that. | 0:08:01 | 0:08:02 | |
This is one of the most curious things about scorpions, | 0:08:05 | 0:08:09 | |
is that their exoskeleton, | 0:08:09 | 0:08:11 | |
their skeleton on the outside of their body, | 0:08:11 | 0:08:14 | |
has this amazing glow when it's put under ultraviolet light. | 0:08:14 | 0:08:18 | |
The reason for this probably is that because all invertebrates | 0:08:18 | 0:08:23 | |
see really well in this kind of light, | 0:08:23 | 0:08:25 | |
that a scorpion hiding in a crevice can see another one | 0:08:25 | 0:08:28 | |
by seeing that ghostly green glow. | 0:08:28 | 0:08:31 | |
Now, you'll notice that I haven't got this one on my hand | 0:08:31 | 0:08:34 | |
like I did the other one. | 0:08:34 | 0:08:36 | |
Nor am I trying to get it to sting me. | 0:08:36 | 0:08:38 | |
For the very simple reason that if it did, um... | 0:08:38 | 0:08:42 | |
well, my trip would certainly be over. | 0:08:42 | 0:08:45 | |
This is probably one of the most venomous scorpions in Africa. | 0:08:45 | 0:08:48 | |
And if you look at the size of the pincers and the size of the tail, | 0:08:48 | 0:08:52 | |
you'll see it's exactly reversed from the scorpion I had earlier. | 0:08:52 | 0:08:56 | |
The tail's big and fat, the pincers small and thin. | 0:08:56 | 0:09:00 | |
This one here has a really nasty punch. | 0:09:00 | 0:09:04 | |
One of the most extraordinary things about this particular species | 0:09:04 | 0:09:07 | |
is that it doesn't stop there. | 0:09:07 | 0:09:09 | |
It can actually flick its venom at an attacker. | 0:09:09 | 0:09:13 | |
And it can be really, really accurate. | 0:09:13 | 0:09:16 | |
'Deadly, but such an extraordinary creature. | 0:09:16 | 0:09:18 | |
'Now, Jo's got a DIY for you.' | 0:09:18 | 0:09:21 | |
I'm going to show you how to make this deadly scorpion door hanger. | 0:09:21 | 0:09:25 | |
Starting off, I've drawn Nicola's Deadly Doodle | 0:09:25 | 0:09:27 | |
onto a bit of foam board | 0:09:27 | 0:09:29 | |
and the first thing I'm going to do is cut its body out. | 0:09:29 | 0:09:32 | |
'You must get an adult to do this bit. Scalpels are dangerous.' | 0:09:32 | 0:09:36 | |
Just pop that out. We won't be needing that. | 0:09:40 | 0:09:44 | |
And then you have the body. | 0:09:44 | 0:09:45 | |
I'm going to replace his legs with these black straws. | 0:09:47 | 0:09:50 | |
Firstly, I'm going to cut about halfway up at a diagonal | 0:09:50 | 0:09:53 | |
to make nice pointy legs. | 0:09:53 | 0:09:55 | |
I'll do that with eight of them, saving two for the front arms. | 0:09:55 | 0:10:00 | |
To attach these to the body, | 0:10:00 | 0:10:02 | |
I've made tiny little slits in the end here. | 0:10:02 | 0:10:06 | |
I'll push paper fasteners through that tiny little slit | 0:10:06 | 0:10:09 | |
and then through the body. | 0:10:09 | 0:10:12 | |
And another one on the other side. | 0:10:14 | 0:10:16 | |
Open up the other side and secure it in place. | 0:10:20 | 0:10:22 | |
There you have the first two legs. | 0:10:24 | 0:10:26 | |
We're going to go all the way along. | 0:10:26 | 0:10:29 | |
Now, for the pincer arms, | 0:10:36 | 0:10:38 | |
I'm going to take a binder clip and some gardening wire. | 0:10:38 | 0:10:41 | |
I'm going to tie them on. | 0:10:41 | 0:10:43 | |
'This is fiddly. Thread the wire through the large gap in the clip, | 0:10:44 | 0:10:48 | |
'then through the slit, and twist the ends of the wire together.' | 0:10:48 | 0:10:52 | |
Taking some more foam board, I've got an oval and a teardrop shape. | 0:10:54 | 0:10:59 | |
I'm just going to glue that on. Oval first. | 0:10:59 | 0:11:02 | |
Teardrop. And that's going to cover up the binder clip. | 0:11:03 | 0:11:07 | |
OK. That's ready to attach onto the body. | 0:11:09 | 0:11:13 | |
So there you've got your scorpion. | 0:11:14 | 0:11:17 | |
Now I'm going to make him look really nasty with some black spray paint. | 0:11:17 | 0:11:20 | |
'Wear protective gear if you're using spray paints | 0:11:20 | 0:11:23 | |
'and get an adult to help you.' | 0:11:23 | 0:11:26 | |
I'm going to take some red and highlight the top of his body. | 0:11:31 | 0:11:35 | |
Next, I'm going to pick out the segments of its body | 0:11:37 | 0:11:41 | |
just by cutting along like this. | 0:11:41 | 0:11:43 | |
'You could also paint the lines on when it's dry.' | 0:11:47 | 0:11:49 | |
And now for the last little bit of detail, his eyes. | 0:11:49 | 0:11:53 | |
OK, let's give him something to hold onto. | 0:11:58 | 0:12:01 | |
So there you have it - one deadly scorpion door hanger. | 0:12:04 | 0:12:07 | |
'I reckon that will look very cool on your bedroom door. | 0:12:07 | 0:12:10 | |
'Guaranteed to keep anyone out.' | 0:12:10 | 0:12:12 | |
That's the scorpion's head in place, | 0:12:15 | 0:12:17 | |
now for those exciting finishing touches. | 0:12:17 | 0:12:19 | |
We've got more tyres bringing us up to these pincers, | 0:12:19 | 0:12:22 | |
which I made in the same way as the legs. | 0:12:22 | 0:12:24 | |
A piece of wood covered in rubber tubing. | 0:12:24 | 0:12:26 | |
Now I'm just going to screw it on. | 0:12:26 | 0:12:29 | |
'Over to Jo, and that tail is massive.' | 0:12:29 | 0:12:33 | |
I've attached the tail and tied it to this grid for support. | 0:12:33 | 0:12:36 | |
But not forgetting the most important part. | 0:12:36 | 0:12:38 | |
That's the deadly sting. Oh, it's heavy! | 0:12:38 | 0:12:41 | |
'Looks like they've both finished.' | 0:12:43 | 0:12:45 | |
Phew! That was a tough one. | 0:12:47 | 0:12:49 | |
The position is perfect. | 0:12:49 | 0:12:52 | |
That backwards arc is very dramatic, like he's about to strike. | 0:12:52 | 0:12:55 | |
Using the tyres, they're in segments they're dark, they're tough. | 0:12:55 | 0:12:59 | |
It totally captures the essence of what a scorpion is. | 0:12:59 | 0:13:02 | |
And it's huge. A scorpion on a truly deadly scale. | 0:13:02 | 0:13:07 | |
I asked the Deadly Art team to recreate this killer moment. | 0:13:10 | 0:13:14 | |
So let's take a look at the finished work of art. | 0:13:14 | 0:13:16 | |
'A stunning sculpted scorpion, ready to strike. | 0:13:18 | 0:13:21 | |
'I had no idea how a pile of car tyres | 0:13:21 | 0:13:23 | |
'would turn into this incredible arachnid, | 0:13:23 | 0:13:26 | |
'but it certainly has. | 0:13:26 | 0:13:28 | |
'The tail, curved over its body, | 0:13:28 | 0:13:30 | |
'looks just ready to jab in its venomous spear. | 0:13:30 | 0:13:34 | |
'And the pincers, poised for that killer pinch. | 0:13:34 | 0:13:37 | |
'It's an industrial creepy-crawly that's emerged from a rubbish tip | 0:13:37 | 0:13:41 | |
'and is about to wreak havoc. | 0:13:41 | 0:13:43 | |
'Art doesn't get any deadlier than this.' | 0:13:43 | 0:13:45 | |
What an incredible creation! | 0:13:45 | 0:13:48 | |
Make sure you try the doodle and the DIY | 0:13:48 | 0:13:50 | |
and we'll see you next time for more Deadly Art. | 0:13:50 | 0:13:53 | |
Subtitles by Red Bee Media Ltd | 0:14:03 | 0:14:06 | |
E-mail [email protected] | 0:14:06 | 0:14:09 |