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# We've got a television show of our own | 0:00:02 | 0:00:04 | |
# Making stuff that's been designed by you lot at home | 0:00:04 | 0:00:07 | |
# Building your inventions the best that we can | 0:00:07 | 0:00:10 | |
# Mostly out of rubbish from the back of our van | 0:00:10 | 0:00:13 | |
# We've even got a title that'll grab your attention | 0:00:13 | 0:00:17 | |
# All together now | 0:00:17 | 0:00:19 | |
# Ed and Oucho's Excellent Inventions. # | 0:00:19 | 0:00:22 | |
-I love the smell of freshly delivered post. -Di. | 0:00:22 | 0:00:25 | |
OUCHO SPEAKS CACTINIAN | 0:00:25 | 0:00:28 | |
Look at this, I've got a free gift. | 0:00:28 | 0:00:31 | |
It's a sample of a new aftershave, Eau De Success. | 0:00:31 | 0:00:35 | |
It's made for successful people, just like me. | 0:00:35 | 0:00:38 | |
OUCHO SNIGGERS | 0:00:38 | 0:00:39 | |
I'll try that later. Lovely. | 0:00:39 | 0:00:41 | |
We've got another invention as well. Good, good, good. | 0:00:42 | 0:00:46 | |
This one's called the Do It Dance Floor, from Sarah in East Kilbride. | 0:00:46 | 0:00:50 | |
Well, it's a sound-activated dance floor. That's a good idea, isn't it? | 0:00:50 | 0:00:53 | |
Go Dolly! | 0:00:53 | 0:00:55 | |
# Working nine to five Bom, bom, bom... # | 0:00:55 | 0:00:57 | |
Yes, yes, I think that's enough Dolly Parton for today, | 0:00:57 | 0:01:00 | |
thank you very much. | 0:01:00 | 0:01:02 | |
Oh, they're having a school reunion at my old school. | 0:01:02 | 0:01:06 | |
That will be great, get the old gang back together. | 0:01:06 | 0:01:08 | |
OUCHO SPEAKS CACTINIAN | 0:01:08 | 0:01:12 | |
No. I had lots of friends at school, actually. | 0:01:12 | 0:01:14 | |
OUCHO LAUGHS | 0:01:14 | 0:01:16 | |
There was little Jimmy Bobster and me and Tanker Dude Man. | 0:01:16 | 0:01:20 | |
We were the most popular kids in school. | 0:01:20 | 0:01:23 | |
Oh, yeah, we were the Wicked Gang. | 0:01:23 | 0:01:26 | |
OUCHO LAUGHS | 0:01:26 | 0:01:27 | |
They've given me a special guest, as well. | 0:01:27 | 0:01:29 | |
-Ooh! -Oh, Ted Meatrie?! | 0:01:29 | 0:01:32 | |
Oh, no! Not Ted Meatrie. | 0:01:32 | 0:01:34 | |
I don't believe that, he used to pick on me all the time, | 0:01:34 | 0:01:37 | |
now he's the special guest? That's not fair. | 0:01:37 | 0:01:39 | |
OUCHO SPEAKS CACTINIAN | 0:01:39 | 0:01:41 | |
I think it will put me off, quite frankly. | 0:01:41 | 0:01:44 | |
Oh, unless, it says here they're looking for entertainment. | 0:01:44 | 0:01:47 | |
I could provide the entertainment. | 0:01:47 | 0:01:49 | |
-Oh, di. -Then everyone will think I was really popular and cool. | 0:01:49 | 0:01:53 | |
Ah, di. | 0:01:53 | 0:01:54 | |
We could build this, build the Do It Dance Floor, then borrow it. | 0:01:56 | 0:02:00 | |
Oh, di. | 0:02:00 | 0:02:01 | |
I'll show Ted Meatrie that I'm no fool when I go back to school, | 0:02:01 | 0:02:05 | |
and I'm going to smell of success! | 0:02:05 | 0:02:09 | |
OUCHO COUGHS | 0:02:10 | 0:02:12 | |
Oh, yeah. We're coming, Sarah, to make your Do It Dance Floor. | 0:02:12 | 0:02:17 | |
Achoo! Achoo! | 0:02:22 | 0:02:25 | |
OUCHO SPEAKS CACTINIAN | 0:02:25 | 0:02:27 | |
Oucho, I don't stink. | 0:02:27 | 0:02:29 | |
This aftershave is very sophisticated, actually. | 0:02:29 | 0:02:31 | |
-Achoo! -Be quiet, you're going to ruin the surprise for Sarah. | 0:02:31 | 0:02:35 | |
-Achoo! -I mean it, be quiet. | 0:02:35 | 0:02:37 | |
-Hi, Ed. Hi, Oucho. -Achoo! | 0:02:37 | 0:02:40 | |
Hi, Sarah. Was your surprise ruined by Oucho's sneezing? | 0:02:40 | 0:02:46 | |
No, there was a sudden bad smell. | 0:02:46 | 0:02:47 | |
I came to see if the drains were blocked, can you smell anything? | 0:02:47 | 0:02:51 | |
No. I can't smell any bad smell. | 0:02:51 | 0:02:54 | |
-All I can smell is success. -Achoo! | 0:02:54 | 0:02:58 | |
-Surprise! -Can we come in, please? | 0:02:58 | 0:03:01 | |
-Sure, in you come. -Achoo! | 0:03:01 | 0:03:04 | |
You all right? | 0:03:04 | 0:03:06 | |
It's that drain smell, it's in here now. | 0:03:06 | 0:03:08 | |
OUCHO SPEAKS CACTINIAN | 0:03:08 | 0:03:10 | |
Shut up, it is not my face. | 0:03:10 | 0:03:11 | |
There's probably a very serious problem | 0:03:11 | 0:03:13 | |
that requires the attention of a plumber. | 0:03:13 | 0:03:16 | |
Now, if you can just put this on, | 0:03:16 | 0:03:17 | |
we can find out all about your Do It Dance Floor. | 0:03:17 | 0:03:21 | |
I want to invent the Do It Dance Floor, | 0:03:27 | 0:03:29 | |
because I love dancing and singing. | 0:03:29 | 0:03:31 | |
I'd like it to activate different things with my voice. | 0:03:31 | 0:03:35 | |
When I sing I would like the lights to come on, | 0:03:35 | 0:03:37 | |
smoke to appear, and then glitter to be released. | 0:03:37 | 0:03:40 | |
I'd like my friends to join me, | 0:03:40 | 0:03:43 | |
and we can sing and dance and have a party. | 0:03:43 | 0:03:46 | |
Wow, smoke, glitter, singing, dancing, | 0:03:48 | 0:03:52 | |
all the ingredients of a brilliant party, | 0:03:52 | 0:03:54 | |
a party that Ted Meatrie will be really jealous of. | 0:03:54 | 0:03:57 | |
-Oh, di. -Is Ted Meatrie coming? | 0:03:57 | 0:03:58 | |
No. No, he's not. What would you like to sing? | 0:03:58 | 0:04:02 | |
-I'd like to sing Dancing Queen from Mama Mia. -Oh, di! | 0:04:03 | 0:04:08 | |
OUCHO SPEAKS CACTINIAN | 0:04:08 | 0:04:11 | |
-Oucho loves Mamma Mia. -Di. | 0:04:11 | 0:04:12 | |
-Even more than Dolly? -Er, nos! | 0:04:12 | 0:04:16 | |
OUCHO SPEAKS CACTINIAN | 0:04:16 | 0:04:18 | |
You'd like everything activated and released at the same time? | 0:04:18 | 0:04:21 | |
No. I want smoke, glitter and lights activated at different times. | 0:04:21 | 0:04:26 | |
Oh, right. | 0:04:26 | 0:04:28 | |
Well, we can do that. | 0:04:28 | 0:04:30 | |
-Really? -Yes. Yes. Yes, we can, no problem. | 0:04:31 | 0:04:34 | |
Great. I'll get my mum to phone the council about those drains, | 0:04:34 | 0:04:38 | |
there must be something really big blocking it. | 0:04:38 | 0:04:41 | |
OUCHO LAUGHS | 0:04:41 | 0:04:42 | |
# Ed and Oucho's Excellent Inventions. # | 0:04:47 | 0:04:50 | |
OUCHO SPEAKS CACTINIAN | 0:04:50 | 0:04:53 | |
Mmm. | 0:04:53 | 0:04:55 | |
OUCHO SPEAKS CACTINIAN | 0:04:55 | 0:04:56 | |
Well, no, I haven't got any idea how to build | 0:04:56 | 0:04:59 | |
a sound-activated dance floor, but it can't be that difficult. | 0:04:59 | 0:05:02 | |
Just get some lights and a microphone or something. | 0:05:02 | 0:05:06 | |
OUCHO SPEAKS CACTINIAN | 0:05:06 | 0:05:10 | |
Well, I don't know how a microphone works. | 0:05:10 | 0:05:12 | |
It's not a great start, actually, is it? | 0:05:12 | 0:05:14 | |
It's fine, it's fine, I'll just ask the Internet. | 0:05:14 | 0:05:17 | |
I'm sure I can make this molehill into a mountain. | 0:05:17 | 0:05:19 | |
COMPUTER BLEEPS | 0:05:19 | 0:05:21 | |
PHONE RINGS | 0:05:21 | 0:05:23 | |
-Hello, the Internet here. -Hello, the Internet. | 0:05:23 | 0:05:26 | |
-Oh, hi, Ed. -Hello there, I just need some help. | 0:05:26 | 0:05:29 | |
OK. | 0:05:29 | 0:05:30 | |
We're making a sound-activated dance floor, | 0:05:30 | 0:05:33 | |
but we need to know how a microphone works. | 0:05:33 | 0:05:35 | |
A microphone? | 0:05:35 | 0:05:37 | |
Well, sound is a type of energy made by vibrations, | 0:05:37 | 0:05:41 | |
-and a microphone turns those vibrations into electricity. -How? | 0:05:41 | 0:05:45 | |
Well, if you must know, | 0:05:45 | 0:05:47 | |
inside a microphone is something called a diaphragm, | 0:05:47 | 0:05:50 | |
a little disc that vibrates when it's struck by sound waves. | 0:05:50 | 0:05:53 | |
These vibrations are converted into electricity, | 0:05:53 | 0:05:56 | |
and a wire connected to the diaphragm carries the electricity to | 0:05:56 | 0:05:59 | |
an amplifier. That makes it bigger and pumps it into a loudspeaker, | 0:05:59 | 0:06:03 | |
where there is another disc. | 0:06:03 | 0:06:05 | |
This one does the opposite of the disc in a microphone - | 0:06:05 | 0:06:08 | |
it converts the electricity back into sound waves. | 0:06:08 | 0:06:11 | |
Oh, right, so it's electricity that moves sound to speakers | 0:06:11 | 0:06:14 | |
and can make make it louder? | 0:06:14 | 0:06:16 | |
That's it, exactly. | 0:06:16 | 0:06:18 | |
-It's brilliant, isn't it? -Di. | 0:06:18 | 0:06:19 | |
It means you can hear quiet things like a trickling stream. | 0:06:19 | 0:06:22 | |
Well, you could hear a trickling stream, I suppose. | 0:06:22 | 0:06:25 | |
Oh! | 0:06:25 | 0:06:27 | |
Oh, no! My beautiful mountain! | 0:06:27 | 0:06:29 | |
Or a flock of birds flying off. | 0:06:29 | 0:06:31 | |
What flock of birds? | 0:06:31 | 0:06:33 | |
Or even the rustle of autumn leaves. | 0:06:35 | 0:06:38 | |
Well, I suppose you could hear the rustle of autumn leaves. | 0:06:38 | 0:06:42 | |
Stop getting me to say stupid things! | 0:06:42 | 0:06:46 | |
-Thank you, you've been a great help. -Di. Bye. | 0:06:46 | 0:06:48 | |
Do you realise, I'll have to start all over again now? | 0:06:48 | 0:06:51 | |
What's that terrible smell? | 0:06:51 | 0:06:53 | |
Oh, dear, I think someone must want some information on smell removal. | 0:06:53 | 0:06:57 | |
Er, no, that won't be necessary, there's no terrible smell here. | 0:06:57 | 0:07:02 | |
Good job you kept in contact with that rubbish old DJ, Disco Dave. | 0:07:04 | 0:07:08 | |
Oh, di. | 0:07:08 | 0:07:09 | |
OUCHO SPEAKS CACTINIAN | 0:07:09 | 0:07:11 | |
He can play Dolly Parton all he likes | 0:07:11 | 0:07:13 | |
if it means we get to keep all this stuff now he's hung up his decks. | 0:07:13 | 0:07:16 | |
-Di. -OK, let's get building. | 0:07:16 | 0:07:18 | |
-Nos. -What do you mean, no? | 0:07:18 | 0:07:20 | |
OUCHO SPEAKS CACTINIAN | 0:07:20 | 0:07:22 | |
Yeah, all right, you can sing Dolly Parton. | 0:07:22 | 0:07:25 | |
# Ed and Oucho's Excellent Inventions. # | 0:07:26 | 0:07:29 | |
I couldn't be happier with this invention. | 0:07:29 | 0:07:32 | |
I think it's highly unlikely that Sarah won't feel the same way. | 0:07:32 | 0:07:35 | |
OUCHO SPEAKS CACTINIAN | 0:07:35 | 0:07:37 | |
Well, if we want to test it, we've got to get her. Sarah! | 0:07:37 | 0:07:40 | |
-Hi, Ed, hi, Oucho. -Hi, Sarah, how are you doing? | 0:07:41 | 0:07:43 | |
-I'm doing fine. -You'll be more than fine when you've tried this. | 0:07:43 | 0:07:47 | |
Look, look. It's the Do It Dance Floor! | 0:07:47 | 0:07:49 | |
We've done it. Come on, come on, hop on, let's test it out. | 0:07:49 | 0:07:52 | |
What do you fancy singing? | 0:07:52 | 0:07:54 | |
-Dancing Queen. -Course you do. | 0:07:54 | 0:07:57 | |
Just turn that on. Start now. | 0:07:57 | 0:08:00 | |
# You can dance, you can jive... # | 0:08:00 | 0:08:04 | |
Just wait for the triggers. | 0:08:04 | 0:08:05 | |
# Having the time of your life... # | 0:08:05 | 0:08:07 | |
The lights will come on pretty soon. We'll have the smoke going. | 0:08:07 | 0:08:10 | |
# Ooh, see that girl... # | 0:08:10 | 0:08:11 | |
-Ed, the light. -Yeah, they'll be on soon. The glitter as well. | 0:08:11 | 0:08:15 | |
# Digging the dancing queen... | 0:08:15 | 0:08:16 | |
# Woo! | 0:08:16 | 0:08:18 | |
# Friday night and the nights are low... # | 0:08:18 | 0:08:22 | |
Keep singing. | 0:08:22 | 0:08:23 | |
# Looking out for a place to go... # | 0:08:23 | 0:08:25 | |
Sing a bit better. | 0:08:25 | 0:08:26 | |
Ed, the lights! | 0:08:26 | 0:08:28 | |
I know, stop going on about the lights. | 0:08:28 | 0:08:31 | |
# For a dance... # | 0:08:31 | 0:08:33 | |
Yeah, great. Keep doing that. | 0:08:33 | 0:08:35 | |
Keep doing what you're doing. Keep up with the tune. | 0:08:35 | 0:08:38 | |
Ed, the glitter dust! | 0:08:38 | 0:08:40 | |
# You are the dancing queen... # | 0:08:40 | 0:08:41 | |
Ed, the glitter dust! | 0:08:41 | 0:08:43 | |
Oh, look, here's the glitter. | 0:08:43 | 0:08:44 | |
There we go, hooray! | 0:08:44 | 0:08:47 | |
There you go, oh, we can stop that now. | 0:08:47 | 0:08:49 | |
Job done, let's all go home. | 0:08:49 | 0:08:50 | |
No. That was pathetic. | 0:08:50 | 0:08:53 | |
Waa! | 0:08:53 | 0:08:54 | |
That drain smell's back again. | 0:08:55 | 0:08:57 | |
Oh, er... | 0:08:57 | 0:08:59 | |
-Well, that wasn't that bad, was it, Sarah? -Yes, it was. | 0:09:00 | 0:09:04 | |
The glitter was supposed to activate itself, | 0:09:04 | 0:09:07 | |
and there was no lights or smoke. | 0:09:07 | 0:09:08 | |
OUCHO SPEAKS CACTINIAN | 0:09:08 | 0:09:12 | |
Yeah, yeah, I know she's right, Oucho. | 0:09:12 | 0:09:14 | |
And I know Ted Meatrie's going to laugh at me. | 0:09:14 | 0:09:17 | |
-There's another problem. -Another one? | 0:09:17 | 0:09:19 | |
Yeah, that smell of blocked drains is still hanging about. | 0:09:19 | 0:09:22 | |
Look, let's stop talking about smells that really aren't | 0:09:22 | 0:09:25 | |
that bad and are actually the scent of success, | 0:09:25 | 0:09:28 | |
and watch a bit of telly to calm ourselves down. | 0:09:28 | 0:09:30 | |
-TV: -'Cock-a-doodle-do! | 0:09:30 | 0:09:33 | |
'Yes, it's me, Ted Meatrie, | 0:09:33 | 0:09:34 | |
'and it's time for that daily update into my life. | 0:09:34 | 0:09:37 | |
'Now, today, I'm going to be having my eyelashes permed. | 0:09:37 | 0:09:40 | |
'Now, I know what you're thinking, "Hey, Ted, you already look great." | 0:09:40 | 0:09:44 | |
'Yes, I do, but the thing is, | 0:09:44 | 0:09:46 | |
'I've got so much money, I don't know what to do with it, | 0:09:46 | 0:09:48 | |
'so I'm going to have my eyelashes permed, then straightened,' | 0:09:48 | 0:09:51 | |
just because I can. Ha-ha-ha! | 0:09:51 | 0:09:54 | |
What? What is this? | 0:09:54 | 0:09:57 | |
School reunion? | 0:09:57 | 0:09:58 | |
Why would I want to hang out with those losers? | 0:09:58 | 0:10:01 | |
Oh, I see, they're going to pay me £5 million just for attending. | 0:10:02 | 0:10:07 | |
I can't wait to see my old school chums! | 0:10:07 | 0:10:10 | |
I'll be the highlight of the evening. | 0:10:10 | 0:10:12 | |
The entertainment will be rubbish, I expect. | 0:10:12 | 0:10:14 | |
I'll be the only entertainment there. | 0:10:14 | 0:10:16 | |
'I'll bring joy to the masses simply by being me! | 0:10:16 | 0:10:21 | |
'Woo! Woo! Woo!' | 0:10:21 | 0:10:24 | |
Me, me, me, he sickens me. | 0:10:24 | 0:10:27 | |
I should never have agreed to do the entertainment for the reunion. | 0:10:27 | 0:10:30 | |
Ted Meatrie's going to humiliate me, | 0:10:30 | 0:10:32 | |
and your friends are going to turn up | 0:10:32 | 0:10:34 | |
to a non-existent party. I give up. | 0:10:34 | 0:10:36 | |
No. No. No. No! | 0:10:36 | 0:10:38 | |
-I really want this party, we just need a bit of help. -Di. | 0:10:38 | 0:10:41 | |
OUCHO SPEAKS CACTINIAN | 0:10:41 | 0:10:43 | |
Oucho, what would Major Cake know about sound triggers? | 0:10:43 | 0:10:47 | |
OUCHO SPEAKS CACTINIAN | 0:10:47 | 0:10:51 | |
-Your mate Terry sold him a sound-activated cake oven? -Di. | 0:10:51 | 0:10:55 | |
Wow! That's convenient. | 0:10:55 | 0:10:57 | |
OK, I'll find Major Cake. Hurrah! | 0:10:57 | 0:11:00 | |
Ah, my rhubarb tartlets, what a wonder you are to behold! | 0:11:04 | 0:11:08 | |
PHONE RINGS | 0:11:08 | 0:11:11 | |
-Hello? -Hello, Major Cake. | 0:11:14 | 0:11:17 | |
Have you? Well, that's a wasted effort. | 0:11:17 | 0:11:19 | |
'I can't stand cakes, everyone knows that. | 0:11:19 | 0:11:22 | |
'I'm famous for my cake hatred.' | 0:11:22 | 0:11:23 | |
I... | 0:11:23 | 0:11:25 | |
Ugh, what's that awful smell? | 0:11:25 | 0:11:27 | |
'Smells like a chocolate log that's gone off.' | 0:11:27 | 0:11:30 | |
And I hate chocolate logs! | 0:11:30 | 0:11:31 | |
Right, of course. I was wondering if you could help me. | 0:11:31 | 0:11:34 | |
Righto. Fire away, young lady! | 0:11:34 | 0:11:37 | |
Well, we're making this thing called a Do It Dance Floor. | 0:11:37 | 0:11:40 | |
We need to know how to activate things as Sarah sings. | 0:11:40 | 0:11:43 | |
I can help you with that. It's to do with sound activation. | 0:11:43 | 0:11:48 | |
A Madeira cake, I mean, microphone, | 0:11:48 | 0:11:51 | |
passes electric signals into a computer, which can read them. | 0:11:51 | 0:11:54 | |
The computer can be programmed to do something | 0:11:54 | 0:11:57 | |
when it recognises a particular sound. | 0:11:57 | 0:11:59 | |
This is what's known as a vanilla slice, I mean, sound activation. | 0:11:59 | 0:12:03 | |
OK. Well, we've got a microphone. | 0:12:03 | 0:12:06 | |
Well done, you're on the right lines. | 0:12:06 | 0:12:08 | |
But we haven't got a computer that recognises sound. | 0:12:08 | 0:12:10 | |
You need a voice-activation computer, dear girl. | 0:12:10 | 0:12:14 | |
Is that like your voice-activated oven? | 0:12:14 | 0:12:16 | |
What? Who told you about that? | 0:12:16 | 0:12:18 | |
Now, look here, young lady, you can't be phoning me and ambushing me | 0:12:18 | 0:12:22 | |
with those types of accusations, a voice-activated cake oven, indeed! | 0:12:22 | 0:12:26 | |
Ha, what an impossible concept, | 0:12:26 | 0:12:28 | |
and I suppose you think I shouted "cake!" it would turn itself on. | 0:12:28 | 0:12:33 | |
OVEN: Cake making commencing. | 0:12:33 | 0:12:35 | |
Well, what was that? | 0:12:35 | 0:12:37 | |
Nothing to worry about, Miss, nothing to cherry bakewell about. | 0:12:37 | 0:12:41 | |
I mean, concern yourself about. | 0:12:41 | 0:12:42 | |
I order you to be quiet! | 0:12:42 | 0:12:44 | |
Goodbye! | 0:12:45 | 0:12:47 | |
OUCHO SPEAKS CACTINIAN | 0:12:50 | 0:12:52 | |
Was Major Cake any help? | 0:12:52 | 0:12:53 | |
He was, actually, he said we need a voice-activated computer. | 0:12:53 | 0:12:57 | |
It recognises certain sounds, | 0:12:57 | 0:12:59 | |
and when it hears them, it triggers something to happen. | 0:12:59 | 0:13:02 | |
Sounds amazing, doesn't it? | 0:13:02 | 0:13:03 | |
Right, we've still got to sort out the problem | 0:13:03 | 0:13:06 | |
of where we get one from. | 0:13:06 | 0:13:07 | |
OUCHO SPEAKS CACTINIAN | 0:13:07 | 0:13:09 | |
-The Green Pages? -Di. -What's that. | 0:13:09 | 0:13:12 | |
OUCHO SPEAKS CACTINIAN | 0:13:12 | 0:13:14 | |
It's where cacti advertise their services? Well, that could help. | 0:13:14 | 0:13:18 | |
Have you got one? | 0:13:18 | 0:13:19 | |
OUCHO SPEAKS CACTINIAN | 0:13:19 | 0:13:21 | |
Oh, yeah. | 0:13:21 | 0:13:22 | |
Ah! It's very prickly. Oh! It's really quite hard to read! Ooh. | 0:13:22 | 0:13:27 | |
There are some numbers in here, so I'll give them a ring. Ouch! | 0:13:27 | 0:13:32 | |
That voice-activation machine | 0:13:53 | 0:13:54 | |
arrived just in time from the Green Pages. | 0:13:54 | 0:13:56 | |
OUCHO SPEAKS CACTINIAN | 0:13:56 | 0:13:58 | |
They may have never let you down, | 0:13:58 | 0:13:59 | |
but it took ages to get the prickles out of my fingers. | 0:13:59 | 0:14:02 | |
Anyway, enough about personal injury. | 0:14:02 | 0:14:04 | |
Sarah! Look, look, we've done it. | 0:14:04 | 0:14:06 | |
The Do It Dancefloor! | 0:14:06 | 0:14:08 | |
-It's way better than the last one. -Di. -I think you might be right. | 0:14:09 | 0:14:13 | |
We've got speakers, microphone, | 0:14:13 | 0:14:14 | |
and - the most important thing - the voice-activation machine. | 0:14:14 | 0:14:18 | |
-Do you want to test it out? -Go on. Go on. -I can't wait for this. | 0:14:18 | 0:14:22 | |
MUSIC: "Dancing Queen" by Abba | 0:14:22 | 0:14:23 | |
# You can dance, you can jive | 0:14:30 | 0:14:34 | |
# Having the time of your life... # | 0:14:34 | 0:14:35 | |
It works! Brilliant. Wait for the other triggers. Well done. | 0:14:35 | 0:14:39 | |
# See that girl Watch that scene... # | 0:14:39 | 0:14:41 | |
The lights will start in a minute. | 0:14:41 | 0:14:44 | |
# Digging the dancing queen... # | 0:14:44 | 0:14:46 | |
Maybe sing it louder. | 0:14:46 | 0:14:48 | |
OK. | 0:14:49 | 0:14:50 | |
# Friday night and the nights are low... # | 0:14:53 | 0:14:56 | |
Sing louder! | 0:14:56 | 0:14:58 | |
# Looking out for a place to go... # | 0:14:58 | 0:15:00 | |
-Oi! Sing louder! -All right, no need to be rude. | 0:15:00 | 0:15:02 | |
# Where they play the right music | 0:15:02 | 0:15:06 | |
# Getting in the swing you've got to look for a king... # | 0:15:06 | 0:15:08 | |
A bit louder. I think you're not singing loud enough. | 0:15:08 | 0:15:13 | |
Can you not sing it louder? Sarah, sting louder! | 0:15:13 | 0:15:16 | |
-I can't sing any louder! -Oh, sorry. Erm, right. | 0:15:16 | 0:15:22 | |
-Well, I can't borrow this, can I? -Nos. | 0:15:22 | 0:15:24 | |
-I'm going to look a total fool in front of Ted Meatrie. -Di. | 0:15:24 | 0:15:27 | |
And I won't be able to have that party with my friends. | 0:15:27 | 0:15:30 | |
Oh, yes, your party with your friends. | 0:15:30 | 0:15:32 | |
Yes, that's the important thing. | 0:15:32 | 0:15:34 | |
Oh, I hate letting the children down. | 0:15:34 | 0:15:37 | |
Right. Well... | 0:15:38 | 0:15:40 | |
It is an exaggeration to say that this is a total disaster. | 0:15:40 | 0:15:44 | |
So, it doesn't work. | 0:15:44 | 0:15:48 | |
The glitter was activated, but the smoke and the lights weren't. | 0:15:48 | 0:15:52 | |
OUCHO SPEAKS CACTINIAN | 0:15:52 | 0:15:55 | |
I know, we've got to work that out. | 0:15:55 | 0:15:56 | |
-Oh, Ed... -Hmm? | 0:15:59 | 0:16:01 | |
OUCHO SPEAKS CACTINIAN | 0:16:01 | 0:16:03 | |
Why shouldn't I look at the TV? | 0:16:03 | 0:16:05 | |
What possible reason is there for me not to look at the TV? | 0:16:05 | 0:16:08 | |
No, I think I might look at the TV. | 0:16:08 | 0:16:10 | |
Oh, no! Not him again! | 0:16:10 | 0:16:12 | |
'Now, you may have heard about this school reunion thing | 0:16:12 | 0:16:15 | |
'that I'm contractually obliged to attend. | 0:16:15 | 0:16:18 | |
'Well, I've heard there's going to be this guy there called Ed Peewee | 0:16:18 | 0:16:21 | |
'who's providing the entertainment. | 0:16:21 | 0:16:23 | |
'Apparently, I went to the school with him, | 0:16:23 | 0:16:25 | |
'but I've never heard of the guy. | 0:16:25 | 0:16:27 | |
'He must have been a massive loser! | 0:16:27 | 0:16:30 | |
'Also, I heard that he smells like drains. | 0:16:30 | 0:16:33 | |
'So maybe he should change his name to Ed Poowee. | 0:16:33 | 0:16:36 | |
'Me no like drains, Ed Poowee. Ha-ha-ha-ha!' | 0:16:36 | 0:16:40 | |
I do not smell of drains! | 0:16:40 | 0:16:43 | |
So, it is you. Why have you been down the drains, anyway? | 0:16:43 | 0:16:46 | |
I haven't been down the drains, look, it's this. Eau De Success. | 0:16:46 | 0:16:50 | |
A lot of women like it, actually. | 0:16:50 | 0:16:51 | |
OUCHO LAUGHS | 0:16:51 | 0:16:54 | |
Right, we've got to get this Do It Dancefloor sorted now, | 0:16:54 | 0:16:57 | |
so I can get back at Ted Meatrie. | 0:16:57 | 0:16:59 | |
Oh, and you can put that party on for your friends, as well. | 0:16:59 | 0:17:04 | |
OUCHO SPEAKS CACTINIAN | 0:17:04 | 0:17:06 | |
Phone Major Cake again? | 0:17:06 | 0:17:07 | |
OUCHO SPEAKS CACTINIAN | 0:17:07 | 0:17:10 | |
Yeah, he knew about sound. He knows a lot about machines. | 0:17:10 | 0:17:13 | |
Don't you worry, Sarah, we'll sort this out. | 0:17:13 | 0:17:16 | |
And I'm going to sort out Ted Meatrie! | 0:17:16 | 0:17:18 | |
Such a haunting aroma! | 0:17:22 | 0:17:24 | |
PHONE RINGS | 0:17:29 | 0:17:32 | |
Hello, Major Cake? | 0:17:34 | 0:17:36 | |
Have you, that's very forward of you, you don't even know me. | 0:17:36 | 0:17:40 | |
If you did, you'd know that I don't like cake. | 0:17:40 | 0:17:42 | |
No, Major Cake, it's me, Ed Petrie, from CBBC? | 0:17:42 | 0:17:46 | |
I need your help again. We've got a voice-activation machine. | 0:17:46 | 0:17:50 | |
We need to trigger three things, but when Sarah sings into it, | 0:17:50 | 0:17:53 | |
it only triggers one thing, even when she sings louder. | 0:17:53 | 0:17:56 | |
Is the machine broken? | 0:17:56 | 0:17:57 | |
Well, some voice-activation machines work on how loud you are, | 0:17:57 | 0:18:01 | |
but some respond to pineapple upside-down cake. I mean, pitch. | 0:18:01 | 0:18:05 | |
It sounds like yours is programmed for pitch. | 0:18:05 | 0:18:08 | |
What's pitch? | 0:18:08 | 0:18:09 | |
Well, it's nothing to do with pineapple upside-down cake, | 0:18:09 | 0:18:12 | |
that's for sure. Ha-ha! Hmm. No. It's to do with musical notes. | 0:18:12 | 0:18:17 | |
High pitch is up like this, and low pitch is down like this. | 0:18:17 | 0:18:23 | |
Right. | 0:18:23 | 0:18:25 | |
Sound comes from vibrations which travel in sound waves. | 0:18:25 | 0:18:28 | |
Lower-pitched musical notes have vibrations that happen | 0:18:28 | 0:18:31 | |
less frequently than higher-pitched notes. | 0:18:31 | 0:18:34 | |
Listen to this. | 0:18:34 | 0:18:36 | |
# Do, re, mi fa, sol, la, ti, do... # | 0:18:36 | 0:18:43 | |
On that musical scale, re is lower than sol, you see? | 0:18:43 | 0:18:48 | |
-Er, sort of. -The lemon drizzle cake, I mean, voice-activation machine, | 0:18:48 | 0:18:53 | |
can detect the different pitches, so can tell | 0:18:53 | 0:18:55 | |
what note you are singing and will trigger when you hit the right one. | 0:18:55 | 0:18:59 | |
Right, so we need to work out what notes our machine recognises. | 0:18:59 | 0:19:03 | |
Correct, you need a voice-activation testing machine. | 0:19:03 | 0:19:08 | |
-Great. Thanks, Major Cake. -No problem. | 0:19:08 | 0:19:11 | |
Did you just mention cake? | 0:19:12 | 0:19:13 | |
No, I didn't mention cake. | 0:19:13 | 0:19:16 | |
Stop mentioning cake! | 0:19:16 | 0:19:19 | |
Disgusting! | 0:19:19 | 0:19:21 | |
-Oucho, I've never smelled anything like it. -Shh! Shh! | 0:19:24 | 0:19:28 | |
Panic over, people. Major Cake said that some voice activation machines | 0:19:28 | 0:19:32 | |
-recognise pineapple upside-down cake. -Huh? -I mean pitch. | 0:19:32 | 0:19:35 | |
If we test our machine, we can see which notes trigger it. | 0:19:35 | 0:19:38 | |
What we need is a voice-activation testing machine. | 0:19:38 | 0:19:42 | |
OUCHO SPEAKS CACTINIAN | 0:19:42 | 0:19:45 | |
Oh, great idea, I'll give Disco Dave a ring. | 0:19:45 | 0:19:47 | |
Sarah, this is our voice-activation testing machine. | 0:19:49 | 0:19:53 | |
-Would you like to know how it works? -Yeah. -Good, I'm going to tell you. | 0:19:53 | 0:19:57 | |
There are eight notes on our musical scale, we need to find out | 0:19:57 | 0:20:00 | |
which ones trigger our voice-activation machine. | 0:20:00 | 0:20:03 | |
So I've rigged up these funnels on here. So your job is | 0:20:03 | 0:20:06 | |
to sit under them and sing scales, | 0:20:06 | 0:20:08 | |
and when you hit the right notes, slop will be released. | 0:20:08 | 0:20:11 | |
I'm sorry, but it's the only way we can get the information we need. | 0:20:11 | 0:20:15 | |
Oucho, your job is to write down what note it was. | 0:20:15 | 0:20:18 | |
OUCHO SPEAKS CACTINIAN | 0:20:18 | 0:20:21 | |
Good question. We'll know what note she's hitting | 0:20:21 | 0:20:24 | |
-because I've got this little device here. Are you ready? -Yeah! | 0:20:24 | 0:20:27 | |
OK! Let the music begin. | 0:20:27 | 0:20:29 | |
-# Do, re, mi... # -That's good, that's good. | 0:20:29 | 0:20:33 | |
OUCHO LAUGHS | 0:20:33 | 0:20:35 | |
-OK. That was D. -D. | 0:20:35 | 0:20:38 | |
-Got that, Oucho? -Oh, D, D! | 0:20:38 | 0:20:40 | |
That's the first note. Are you OK there, Sarah? | 0:20:40 | 0:20:43 | |
-Are you in a choir, by any chance? -Yes. -You're a very good singer. | 0:20:43 | 0:20:46 | |
-Does this happen to you in choir much? -No. -No, no. | 0:20:46 | 0:20:50 | |
Oh, dear. | 0:20:50 | 0:20:51 | |
-Let's start again. -# Do...re...mi... # | 0:20:51 | 0:20:57 | |
OUCHO AND SARAH LAUGH | 0:20:57 | 0:21:00 | |
That was a lot there, you liked that. | 0:21:01 | 0:21:04 | |
-So, that was the next note, that was E. -D! -No, not D, E. | 0:21:04 | 0:21:08 | |
OUCHO GRUMBLES | 0:21:08 | 0:21:10 | |
-SHE LAUGHS -Right down your back, goodness. | 0:21:10 | 0:21:13 | |
Ready to move on to the next one? Oh, I've just got to be careful. | 0:21:13 | 0:21:16 | |
Wouldn't want to get messy. OK. So that's D and E so far. | 0:21:16 | 0:21:20 | |
Want to start at the bottom again and work your way up? | 0:21:20 | 0:21:23 | |
-# Do, re, mi... # -Lovely. Oh, beautiful, yes. | 0:21:23 | 0:21:28 | |
-Nearly as beautiful as all that slop. -# ..fa... # -Good! | 0:21:28 | 0:21:32 | |
-# ..sol... # -Bit louder. Good, yes, yes. | 0:21:32 | 0:21:35 | |
-# ..la... # -Higher! -# ..LA! # | 0:21:35 | 0:21:38 | |
-Good! -# ..ti... # -Ooh, not quite! | 0:21:38 | 0:21:41 | |
-OUCHO LAUGHS AGAIN D! -That was B! B, Oucho. | 0:21:41 | 0:21:46 | |
D! Mm-hm. D! | 0:21:46 | 0:21:48 | |
-No, not D, B. -E! | 0:21:48 | 0:21:51 | |
-How are you doing, there, Sarah? -SHE GIGGLES | 0:21:51 | 0:21:54 | |
-Not very well! -Really? I think you've done very well. | 0:21:54 | 0:21:58 | |
You have a new type of hat. | 0:21:58 | 0:22:00 | |
-That looks quite good. What do you think? -Losserly! | 0:22:00 | 0:22:03 | |
I think we've found the notes we need. What are they? | 0:22:03 | 0:22:06 | |
D, E... SPEAKS CACTINIAN | 0:22:06 | 0:22:10 | |
Right. I'd better translate. D, E, B. That's good, isn't it? | 0:22:10 | 0:22:15 | |
-D. -I need to sing those to activate the glitter, smoke and lights? | 0:22:15 | 0:22:19 | |
Right! She's still thinking about the invention when covered in slop. | 0:22:19 | 0:22:23 | |
Well done. Well done. Right, I need to sort out the light and smoke. | 0:22:23 | 0:22:26 | |
-You need to get on to your secret glitter supplier. We've run out. -OK. | 0:22:26 | 0:22:31 | |
Will you ever tell me who your secret glitter supplier is? | 0:22:31 | 0:22:34 | |
No. No way! | 0:22:34 | 0:22:36 | |
REGGAE-STYLE MUSIC PLAYS | 0:22:39 | 0:22:42 | |
# The Do It Dancefloor was an obvious choice | 0:22:51 | 0:22:54 | |
# Lights smoke and glitter activated by a voice | 0:22:54 | 0:22:57 | |
# I could use it for my reunion at school | 0:22:57 | 0:23:00 | |
# To show Ted Meatrie that I'm way cool | 0:23:00 | 0:23:04 | |
# Found out about mics from the internet | 0:23:04 | 0:23:07 | |
# Picked up a sound system and put glitter in it | 0:23:07 | 0:23:10 | |
# But it wasn't enough to have just amplification | 0:23:10 | 0:23:13 | |
# It turns out you need something called voice-activation | 0:23:13 | 0:23:16 | |
BOTH: # Voice activation | 0:23:16 | 0:23:19 | |
# A computer that's programmed to recognise the sound | 0:23:19 | 0:23:23 | |
# Voice activation! | 0:23:23 | 0:23:25 | |
# I was wondering where on earth one of those could be found? | 0:23:25 | 0:23:29 | |
# Oucho said I'd find one in the Green Pages | 0:23:35 | 0:23:38 | |
# I did, but my fingers were hurting for ages | 0:23:38 | 0:23:41 | |
# It worked at the start but something was wrong | 0:23:41 | 0:23:44 | |
# Only triggered one thing No matter how loud the song! | 0:23:44 | 0:23:47 | |
# This was only a momentary glitch | 0:23:47 | 0:23:50 | |
-# As Major Cake told us -It responded to pitch | 0:23:50 | 0:23:54 | |
# Which notes did our computer recognise? | 0:23:54 | 0:23:57 | |
# Sarah sang some and got a gungey surprise | 0:23:57 | 0:24:00 | |
# Voice activation! | 0:24:00 | 0:24:02 | |
# We've now got a fully working machine | 0:24:02 | 0:24:06 | |
# Voice activation! | 0:24:06 | 0:24:08 | |
# I hope those three notes are actually in Dancing Queen! # | 0:24:08 | 0:24:13 | |
So, after all our hard work, | 0:24:15 | 0:24:18 | |
I think the Do It Dancefloor is very NOTE-worthy. | 0:24:18 | 0:24:21 | |
-And it was much harder than it SOUND-ed. -Very good, yes. | 0:24:21 | 0:24:25 | |
Oucho, would you like to join in with the old puns there? | 0:24:25 | 0:24:28 | |
Er...flunks. | 0:24:28 | 0:24:30 | |
-Fair enough. Shall we reveal your invention, then? -Yeah! | 0:24:30 | 0:24:34 | |
OK, Sarah asked us to build her to Do It Dancefloor, | 0:24:34 | 0:24:37 | |
a sound-activated dance floor, with lights, smoke and glitter. | 0:24:37 | 0:24:42 | |
And here it is! | 0:24:42 | 0:24:44 | |
MUSIC PLAYS, THEN STOPS | 0:24:44 | 0:24:46 | |
No, that's not it! Nearly as funny as your puns there. | 0:24:46 | 0:24:49 | |
Here it is! | 0:24:49 | 0:24:52 | |
MUSIC: "Dancing Queen" | 0:24:52 | 0:24:56 | |
-Aw, D! -Now, we've checked which notes activate the machine, | 0:25:01 | 0:25:04 | |
and we checked whether Dancing Queen has those notes. Luckily, it does. | 0:25:04 | 0:25:08 | |
OUCHO SPEAKS CACTINIAN | 0:25:08 | 0:25:11 | |
I'm sorry, mate, it's too late to change it to Dolly Parton. | 0:25:11 | 0:25:15 | |
We tried, we tried. Are all your friends here yet? | 0:25:15 | 0:25:18 | |
-Don't worry, they're on their way. -I hope so. | 0:25:18 | 0:25:20 | |
Nothing worse than having a party and none of your friends turn up. | 0:25:20 | 0:25:25 | |
Not that I'd know, obviously. Right, let's do this! | 0:25:25 | 0:25:29 | |
MUSIC: "Dancing Queen" | 0:25:29 | 0:25:32 | |
# Friday night and the lights are low | 0:25:34 | 0:25:38 | |
# Looking out for a place to go | 0:25:38 | 0:25:44 | |
# Where they play the right music | 0:25:44 | 0:25:46 | |
# Getting in the swing You come to look for a king | 0:25:46 | 0:25:50 | |
# Anybody could be that guy | 0:25:53 | 0:25:58 | |
# Night is young and the music's high | 0:25:58 | 0:26:03 | |
# Where they play the right music Everything is fine | 0:26:03 | 0:26:07 | |
# You're in the mood for a dance | 0:26:07 | 0:26:11 | |
# And when you get the chance | 0:26:11 | 0:26:16 | |
# You are the dancing queen | 0:26:16 | 0:26:19 | |
# Young and sweet, only 17! | 0:26:19 | 0:26:26 | |
# Dancing Queen! | 0:26:26 | 0:26:29 | |
# Feel the beat from the tambourine! Oh, yeah! | 0:26:29 | 0:26:36 | |
# You can dance, you can jive | 0:26:36 | 0:26:41 | |
# Having the time of your life... # | 0:26:41 | 0:26:45 | |
-OUCHO SINGS -Smoke... -# See that girl... # | 0:26:45 | 0:26:48 | |
-..glitter... -# Watch that scene... # | 0:26:48 | 0:26:51 | |
-..lights! -# Digging the dancing queen! | 0:26:51 | 0:26:54 | |
-# Digging the dancing queen! # -Yey! | 0:26:54 | 0:26:57 | |
Oh, D! Losserly! | 0:26:59 | 0:27:03 | |
-Hooray! -EVERYONE CHEERS | 0:27:03 | 0:27:06 | |
-Sarah, how was that? -It was awesome! I love when the smoke came out. | 0:27:06 | 0:27:11 | |
It was great, wasn't it? It all worked brilliantly. | 0:27:11 | 0:27:14 | |
-Can I borrow it for my school reunion, then? -Sure, why not? | 0:27:14 | 0:27:17 | |
OUCHO SPEAKS CACTINIAN | 0:27:17 | 0:27:19 | |
Yeah! Eat that, Ted Meatrie, eat it with chips! | 0:27:19 | 0:27:21 | |
-OUCHO SPEAKS CACTINIAN -It went really well, actually, mate. | 0:27:21 | 0:27:25 | |
The Do It Dancefloor was a hit and Ted Meatrie was really annoyed. | 0:27:25 | 0:27:29 | |
You could say I literally smelled of success. | 0:27:29 | 0:27:32 | |
-OUCHO SPEAKS CACTINIAN -Well, I had to leave early, | 0:27:32 | 0:27:35 | |
-cos it all finished really quickly. -Why? | 0:27:35 | 0:27:38 | |
The Environmental Health department were called. | 0:27:38 | 0:27:41 | |
-Apparently, there'd been reports of drains backing up in the area. -Eugh! | 0:27:41 | 0:27:45 | |
Then a pack of dogs caught the scent and they descended on the school. | 0:27:45 | 0:27:48 | |
-DOGS BARK -Oh, hang on, that's them! | 0:27:48 | 0:27:52 | |
Oh, no, they've followed me! | 0:27:52 | 0:27:54 | |
Go away! Get out of here, you stupid animals! | 0:27:54 | 0:27:58 |