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Good afternoon. | 0:00:16 | 0:00:18 | |
Excuse me. | 0:00:18 | 0:00:19 | |
Excuse me! | 0:00:20 | 0:00:21 | |
PHONE VIBRATES | 0:00:32 | 0:00:34 | |
Did you get it? | 0:00:37 | 0:00:39 | |
Yes. I'm there now. Your directions were very clear. | 0:00:39 | 0:00:42 | |
Good. | 0:00:42 | 0:00:44 | |
Then get on with it. | 0:00:44 | 0:00:45 | |
Look, wait. | 0:00:45 | 0:00:47 | |
There has to be another way. | 0:00:48 | 0:00:50 | |
We don't have time for this. | 0:00:54 | 0:00:56 | |
Katherine's on the way now. | 0:00:56 | 0:00:58 | |
Already? | 0:00:58 | 0:00:59 | |
Yes! You must destroy it. Before it's too late. | 0:00:59 | 0:01:03 | |
I'm sorry, Mary, this is the worst part of my job. | 0:01:08 | 0:01:11 | |
HE PANTS | 0:01:16 | 0:01:19 | |
Dad. | 0:01:27 | 0:01:28 | |
I told you to wait in the car. | 0:01:28 | 0:01:29 | |
What is this place? What are you doing? | 0:01:29 | 0:01:32 | |
Will, promise me. You can't tell anyone about this. | 0:01:32 | 0:01:36 | |
Whoa. | 0:01:41 | 0:01:42 | |
What is she? | 0:02:03 | 0:02:04 | |
Eternity. | 0:02:06 | 0:02:07 | |
She is Project Eternity? | 0:02:07 | 0:02:10 | |
Don't call her "She". | 0:02:10 | 0:02:12 | |
But, yes. | 0:02:12 | 0:02:13 | |
What is she? It? | 0:02:15 | 0:02:18 | |
A failed experiment. | 0:02:18 | 0:02:19 | |
The project was never completed. | 0:02:22 | 0:02:24 | |
The tech could be dangerous in the wrong hands, | 0:02:30 | 0:02:32 | |
so we have to put it...beyond use. | 0:02:32 | 0:02:34 | |
Dad. | 0:02:38 | 0:02:39 | |
Dad, stop. | 0:02:41 | 0:02:42 | |
Dad, you're hurting her! | 0:02:45 | 0:02:46 | |
That's impossible. | 0:02:46 | 0:02:47 | |
BEEPING | 0:02:52 | 0:02:55 | |
Put that down. | 0:03:07 | 0:03:09 | |
Will! No! | 0:03:09 | 0:03:11 | |
You don't know how dangerous... | 0:03:11 | 0:03:13 | |
Argh! | 0:03:13 | 0:03:15 | |
Agh. Agh. | 0:03:16 | 0:03:17 | |
Let go, Will! | 0:03:20 | 0:03:22 | |
Agh! | 0:03:22 | 0:03:23 | |
No! | 0:03:23 | 0:03:24 | |
RAPID BEEPING, WILL GROANS | 0:03:28 | 0:03:30 | |
Will. | 0:04:03 | 0:04:04 | |
Will Clarke. I know you're in there. | 0:04:04 | 0:04:08 | |
'It's Will's phone. Leave a message.' | 0:04:15 | 0:04:17 | |
Me again. | 0:04:17 | 0:04:18 | |
Look, I don't know where you've been all week | 0:04:18 | 0:04:21 | |
but you need to know, Bevan's gone off on one | 0:04:21 | 0:04:23 | |
about you ditching school. | 0:04:23 | 0:04:24 | |
Hello? | 0:04:30 | 0:04:31 | |
Hello? | 0:04:32 | 0:04:33 | |
What are you after, love? | 0:04:35 | 0:04:37 | |
Spare key to across the road. | 0:04:37 | 0:04:38 | |
And...don't call me "love". It diminishes both of us. | 0:04:38 | 0:04:43 | |
What's wrong, poppet? | 0:04:43 | 0:04:44 | |
Will's got a girlfriend. | 0:04:44 | 0:04:46 | |
Aw. | 0:04:46 | 0:04:47 | |
How do you know? | 0:04:47 | 0:04:48 | |
I saw him and this blonde girl through the window. | 0:04:48 | 0:04:51 | |
Then they closed the curtains like they wanted to be all alone. | 0:04:51 | 0:04:54 | |
Well, I'm not surprised. | 0:04:54 | 0:04:55 | |
I've told you before, it's rude to spy on the neighbours. | 0:04:55 | 0:04:58 | |
Well, I'm not the one breaking into his house. | 0:04:58 | 0:05:00 | |
Bevan wants him suspended. I'm doing this for his own good. | 0:05:00 | 0:05:04 | |
Besides, no forced entry. Legally, I'm untouchable. | 0:05:04 | 0:05:07 | |
Will? Will? | 0:05:15 | 0:05:17 | |
It's OK, I'm from across the road. | 0:05:33 | 0:05:36 | |
I'm Will's best friend. Who are you? | 0:05:36 | 0:05:40 | |
My name is Eve. | 0:05:40 | 0:05:42 | |
Eve. Can you open the door? | 0:05:42 | 0:05:44 | |
Yes. | 0:05:45 | 0:05:46 | |
Well, open it, then. | 0:05:49 | 0:05:51 | |
Eve, who are you talking to? Oh! | 0:05:58 | 0:06:01 | |
Oh. | 0:06:01 | 0:06:02 | |
Oh, hey. Hey, Lily. | 0:06:02 | 0:06:04 | |
Did you get my messages? | 0:06:04 | 0:06:07 | |
Er, what? Sorry, I was, er, online gaming. | 0:06:07 | 0:06:11 | |
All week? | 0:06:11 | 0:06:12 | |
Really? | 0:06:12 | 0:06:14 | |
Yeah. | 0:06:14 | 0:06:15 | |
I'm sorry. | 0:06:16 | 0:06:17 | |
Can I come in, then? | 0:06:17 | 0:06:19 | |
Well, erm... | 0:06:19 | 0:06:21 | |
Yeah. Yeah. | 0:06:21 | 0:06:24 | |
Er, so, Lily, this is Eve. | 0:06:32 | 0:06:35 | |
We met. | 0:06:35 | 0:06:36 | |
I meant to text you. | 0:06:40 | 0:06:42 | |
Erm, been some stuff going on and... | 0:06:42 | 0:06:45 | |
Yeah, I noticed. | 0:06:45 | 0:06:47 | |
No, not that. Eve's, erm... | 0:06:47 | 0:06:51 | |
my cousin. | 0:06:51 | 0:06:52 | |
Whatever. | 0:06:53 | 0:06:55 | |
It's true. | 0:06:55 | 0:06:56 | |
Look, I don't care what you've been doing but Bevan does. | 0:06:59 | 0:07:04 | |
He's on a mission to get you suspended. | 0:07:04 | 0:07:07 | |
BANGING | 0:07:07 | 0:07:09 | |
Wait. Did you just hear that? | 0:07:09 | 0:07:12 | |
< Hello? | 0:07:12 | 0:07:13 | |
-What? -I can detect all sound waves within a 20.66 metre radius. | 0:07:13 | 0:07:18 | |
There's someone in the house. | 0:07:18 | 0:07:19 | |
< Can anyone hear me? | 0:07:21 | 0:07:23 | |
BANGING | 0:07:24 | 0:07:26 | |
< Hello?! | 0:07:26 | 0:07:27 | |
BANGING | 0:07:27 | 0:07:30 | |
< Let me out of here before I call the police! | 0:07:30 | 0:07:32 | |
BOTH: Mr Bevan? | 0:07:32 | 0:07:34 | |
Will Clarke! | 0:07:36 | 0:07:37 | |
Did...did you tell that young lady to lock me in here?! | 0:07:39 | 0:07:42 | |
-That's my maths teacher. -< Will Clarke! | 0:07:42 | 0:07:44 | |
-What is he doing in the basement? -< Are you listening? | 0:07:44 | 0:07:47 | |
Trying to get out. | 0:07:47 | 0:07:48 | |
-Sh. -Sh. -Sh. -Sh. | 0:07:48 | 0:07:51 | |
< Will Clarke! | 0:07:51 | 0:07:52 | |
BANGING | 0:07:52 | 0:07:53 | |
What have you done? | 0:07:53 | 0:07:55 | |
You were playing your game. | 0:07:55 | 0:07:56 | |
The teacher came to ask why you were not in school. | 0:07:56 | 0:07:58 | |
So you locked him in the basement? | 0:07:58 | 0:08:00 | |
If you shut the door, it locks automatically. | 0:08:00 | 0:08:02 | |
Why did you shut it at all? | 0:08:02 | 0:08:04 | |
Right, that's it. I'm calling the police! | 0:08:04 | 0:08:07 | |
As soon as I get a signal, that's the first thing I'm doing. | 0:08:07 | 0:08:10 | |
BANGING | 0:08:10 | 0:08:12 | |
You said nobody outside this house must know I'm here. | 0:08:12 | 0:08:15 | |
Why not? | 0:08:15 | 0:08:17 | |
-I didn't mean... -Who is she? | 0:08:17 | 0:08:18 | |
My cousin. | 0:08:18 | 0:08:20 | |
He knows I'm here so he must stay in the house. | 0:08:20 | 0:08:22 | |
No. We've got to get him out of there now. | 0:08:22 | 0:08:24 | |
What's going on? | 0:08:24 | 0:08:25 | |
I'll tell you in a minute. | 0:08:25 | 0:08:27 | |
-OK, Bevan doesn't know I'm here for sure, so, erm... -Hello! > | 0:08:27 | 0:08:30 | |
You can just tell him that I'm out. Yeah, I'm out. | 0:08:30 | 0:08:32 | |
I'm at the doctor's and you're home alone. | 0:08:32 | 0:08:35 | |
-You thought he was a burglar. -Let me out of here! > | 0:08:35 | 0:08:38 | |
-Just a funny mistake. Ha-ha. -Ha-ha. | 0:08:38 | 0:08:40 | |
Will Clarke! > | 0:08:42 | 0:08:43 | |
Just let him out. What's he going to do? | 0:08:43 | 0:08:45 | |
I cannot predict his actions without sufficient data. | 0:08:45 | 0:08:48 | |
Will! > | 0:08:48 | 0:08:49 | |
Just do it. Please. | 0:08:49 | 0:08:51 | |
You answer me, young man! > | 0:08:51 | 0:08:52 | |
-All right, who is she? -She's my cousin. | 0:08:56 | 0:08:57 | |
-And don't even bother with the cousin thing again. -Oh! | 0:08:57 | 0:09:01 | |
DOOR CREAKS | 0:09:03 | 0:09:05 | |
Mr Bevan? | 0:09:18 | 0:09:20 | |
HE SIGHS | 0:09:21 | 0:09:22 | |
About time. You and Will Clarke are in serious trouble, young lady. | 0:09:22 | 0:09:27 | |
Wait. | 0:09:27 | 0:09:28 | |
I have an explanation. | 0:09:29 | 0:09:31 | |
Come on, we've been friends forever. You can trust me. | 0:09:35 | 0:09:41 | |
You wouldn't even believe me if I told you. | 0:09:41 | 0:09:44 | |
OK. Fine. | 0:09:44 | 0:09:47 | |
Don't bother. | 0:09:47 | 0:09:48 | |
You thought I was a burglar? | 0:09:50 | 0:09:53 | |
Yes. It was a humorous misunderstanding. Ha-ha. | 0:09:53 | 0:09:59 | |
Right. Well, er, I need to get out of here now. | 0:10:00 | 0:10:04 | |
What are you...? Whoa... | 0:10:04 | 0:10:05 | |
CRASH | 0:10:05 | 0:10:06 | |
Oh, well, don't help me or anything, will you(?) | 0:10:15 | 0:10:18 | |
Your request is noted. | 0:10:18 | 0:10:20 | |
Very funny(!) Just give me a hand here. | 0:10:20 | 0:10:23 | |
Request acknowledged. | 0:10:23 | 0:10:24 | |
HE WHIMPERS | 0:10:31 | 0:10:32 | |
Oh. | 0:10:34 | 0:10:35 | |
ARGHHHH! | 0:10:37 | 0:10:38 | |
Arghhhh! | 0:10:38 | 0:10:39 | |
ARGHHHH! | 0:10:39 | 0:10:40 | |
Arghhhh! | 0:10:40 | 0:10:41 | |
Argh... | 0:10:41 | 0:10:42 | |
Oh. | 0:10:42 | 0:10:43 | |
What are you? | 0:10:49 | 0:10:50 | |
Please. Please tell me he's not dead. | 0:10:55 | 0:10:58 | |
He is not dead. He is unconscious. | 0:10:58 | 0:11:01 | |
What happened? | 0:11:01 | 0:11:02 | |
He fainted. He hit his head with considerable force. | 0:11:02 | 0:11:06 | |
This is bad. This is really bad. | 0:11:07 | 0:11:09 | |
No. Lily, it's all right. | 0:11:09 | 0:11:12 | |
I just never believed anyone could build something so advanced. | 0:11:15 | 0:11:18 | |
Not even with the work they're doing in Japan. | 0:11:20 | 0:11:23 | |
I actually believed it was a human. | 0:11:23 | 0:11:25 | |
Well, you're supposed to. Just don't tell anyone, please. | 0:11:25 | 0:11:28 | |
How can you keep something like this a secret? | 0:11:28 | 0:11:30 | |
Because they'll destroy her if we don't. | 0:11:30 | 0:11:33 | |
OK. | 0:11:34 | 0:11:36 | |
Maybe someone should tell me what on earth is going on here? | 0:11:36 | 0:11:38 | |
It was a top-secret project. | 0:11:47 | 0:11:48 | |
Nobody knew except for my dad and his old boss, Mary Douglas. | 0:11:52 | 0:11:55 | |
Then, Katherine Calvin staged a hostile takeover. | 0:11:56 | 0:11:59 | |
You've been looking forward to this for the last ten years. | 0:11:59 | 0:12:03 | |
This isn't personal. | 0:12:03 | 0:12:04 | |
Baloney. | 0:12:04 | 0:12:06 | |
It's just... | 0:12:06 | 0:12:08 | |
good business. | 0:12:08 | 0:12:09 | |
Mary didn't trust Katherine so she sent my dad to destroy Project Eternity. | 0:12:09 | 0:12:14 | |
The tech could be dangerous in the wrong hands, | 0:12:14 | 0:12:16 | |
so we have to put it beyond use. | 0:12:16 | 0:12:18 | |
Dad said his new boss would take her apart | 0:12:18 | 0:12:21 | |
and sell her to the highest bidder. | 0:12:21 | 0:12:22 | |
Factories, military, whatever. | 0:12:22 | 0:12:24 | |
She'd be treated like a lab animal. Used for experiments. | 0:12:24 | 0:12:28 | |
Well, I suppose that's what she was designed for. | 0:12:28 | 0:12:31 | |
No, she was designed to live. | 0:12:31 | 0:12:34 | |
Put that down. You don't know how dangerous... | 0:12:34 | 0:12:36 | |
What have you done? | 0:12:46 | 0:12:48 | |
You have to understand that she's a person. | 0:12:52 | 0:12:55 | |
It's fascinating. | 0:13:02 | 0:13:03 | |
All right, I'll keep your secret. | 0:13:12 | 0:13:15 | |
Thank you. | 0:13:17 | 0:13:18 | |
But what do we do about Bevan? | 0:13:21 | 0:13:23 | |
-WEAKLY: -Her hand. | 0:13:23 | 0:13:25 | |
What's the plan? | 0:13:25 | 0:13:27 | |
Er... | 0:13:27 | 0:13:28 | |
First up, we need to get Bevan out of the basement | 0:13:32 | 0:13:34 | |
and into an ambulance. | 0:13:34 | 0:13:36 | |
We'll tell them he's...hit his head and he's been hallucinating. | 0:13:36 | 0:13:40 | |
Do you think they'll buy it? | 0:13:40 | 0:13:42 | |
Well, which is more likely? | 0:13:42 | 0:13:44 | |
A delusional teacher... | 0:13:44 | 0:13:45 | |
HE MURMURS | 0:13:45 | 0:13:46 | |
..or a living robogirl? | 0:13:46 | 0:13:49 | |
Thanks. Bye. | 0:13:51 | 0:13:53 | |
-They're sending an ambulance. -Good. | 0:13:53 | 0:13:55 | |
MOBILE RINGS | 0:13:55 | 0:13:56 | |
Better take this. | 0:13:56 | 0:13:58 | |
Dad? | 0:13:58 | 0:13:59 | |
I got your text and the answer is no. | 0:13:59 | 0:14:02 | |
'..not tell Lily.' | 0:14:02 | 0:14:03 | |
A bit late. Anyway, we've got a bigger problem now. | 0:14:03 | 0:14:07 | |
'I don't want you to panic or anything but, erm...' | 0:14:07 | 0:14:09 | |
Mr Bevan's in the basement and he's unconscious. Bye. | 0:14:09 | 0:14:12 | |
'What?! In the basement? What...what are you talking about?' | 0:14:12 | 0:14:15 | |
Mr Bevan. | 0:14:15 | 0:14:17 | |
'My maths teacher.' | 0:14:17 | 0:14:18 | |
Yes, I know who he is, Will. What happened? | 0:14:18 | 0:14:20 | |
-'Eve.' -I've got to go. We'll talk later, OK? | 0:14:20 | 0:14:23 | |
He just...he just hung up on me. | 0:14:25 | 0:14:28 | |
Hi, Katherine. | 0:14:28 | 0:14:29 | |
Leaving early? | 0:14:29 | 0:14:31 | |
Er, yes. I'm afraid I've got a bit of a family situation. | 0:14:31 | 0:14:34 | |
Did you, um, want me for something? | 0:14:34 | 0:14:37 | |
Good news. I've recovered Mary's deleted files on Project Eternity. | 0:14:37 | 0:14:42 | |
Project...Eternity? | 0:14:42 | 0:14:44 | |
Surely you know about the legendary Project Eternity? | 0:14:44 | 0:14:47 | |
Can't say it's, er, ahem, ringing a bell. | 0:14:47 | 0:14:50 | |
So you say you've... | 0:14:50 | 0:14:52 | |
..recovered these files? | 0:14:53 | 0:14:54 | |
Come with me. | 0:14:54 | 0:14:56 | |
OK. Well, just let me know when you're done. Bye. | 0:14:58 | 0:15:02 | |
Oh. She is so good. | 0:15:02 | 0:15:05 | |
She's always helping Will out with his homework projects. | 0:15:05 | 0:15:09 | |
Hi. | 0:15:09 | 0:15:10 | |
Hi, hi. | 0:15:10 | 0:15:11 | |
Hi, hi, hi. | 0:15:11 | 0:15:12 | |
Hi, hi, hi, hi. | 0:15:12 | 0:15:13 | |
Hi, hi, hi, hi, hi. | 0:15:13 | 0:15:14 | |
HE MAKES GAGGING NOISE | 0:15:14 | 0:15:16 | |
Hi, hi, hi, hi, hi, hi. | 0:15:16 | 0:15:17 | |
Stay where you are. | 0:15:17 | 0:15:19 | |
What's he done this time? | 0:15:19 | 0:15:20 | |
Faked an alien invasion. | 0:15:20 | 0:15:23 | |
He what? | 0:15:23 | 0:15:24 | |
No, this is actually one of his better efforts. | 0:15:24 | 0:15:26 | |
See, he covered the entire school canteen with alien slime. | 0:15:26 | 0:15:31 | |
Alien slime? | 0:15:32 | 0:15:33 | |
Lime yoghurt. | 0:15:33 | 0:15:34 | |
Oh! Why do you do these things? | 0:15:34 | 0:15:37 | |
OK, so, one more lie, mister, and our trip to Spaceworld is cancelled. | 0:15:37 | 0:15:45 | |
No! | 0:15:46 | 0:15:47 | |
You do realise you can't keep something like this to yourself? | 0:15:53 | 0:15:56 | |
She's not "something". She's someone. | 0:15:56 | 0:15:58 | |
Whatever she is, she doesn't belong to you. | 0:15:58 | 0:16:00 | |
She doesn't belong to anyone. You can't own a person. | 0:16:00 | 0:16:03 | |
In that case, have you thought about what SHE needs? | 0:16:03 | 0:16:06 | |
How do you mean? | 0:16:06 | 0:16:07 | |
Well, Eve's the first of her kind. | 0:16:07 | 0:16:10 | |
Don't you think she needs to be around people that know what they're doing? | 0:16:10 | 0:16:13 | |
Question. | 0:16:13 | 0:16:15 | |
Do you know what you're doing? | 0:16:15 | 0:16:17 | |
Erm... | 0:16:17 | 0:16:19 | |
We'll talk about it later. | 0:16:22 | 0:16:24 | |
Let's get Bevan out of here now. | 0:16:26 | 0:16:27 | |
Oh, no. | 0:16:30 | 0:16:31 | |
Oh, no! | 0:16:36 | 0:16:37 | |
HE GRUNTS | 0:16:37 | 0:16:38 | |
BANGING | 0:16:38 | 0:16:39 | |
I can't believe it! Urrrrgh! Come on! | 0:16:39 | 0:16:42 | |
Will, what is it? | 0:16:42 | 0:16:44 | |
You've shut the door. | 0:16:48 | 0:16:50 | |
Is that a problem? | 0:16:50 | 0:16:52 | |
You know, maybe this, er, Project Eternity thing is just one of those industry rumours? | 0:16:57 | 0:17:03 | |
Project Eternity is real enough. | 0:17:03 | 0:17:05 | |
How do you know? | 0:17:07 | 0:17:09 | |
Because I've seen the figures. | 0:17:09 | 0:17:10 | |
It cost millions of pounds of Government grant money... | 0:17:10 | 0:17:14 | |
that Mary stole. | 0:17:14 | 0:17:15 | |
Mary isn't a thief. | 0:17:16 | 0:17:17 | |
She embezzled it, then. | 0:17:17 | 0:17:19 | |
Whatever. She's looking at some serious jail time, Nick. | 0:17:19 | 0:17:23 | |
When she's caught. | 0:17:25 | 0:17:26 | |
You, er, still don't know where she is, then? | 0:17:26 | 0:17:29 | |
No. She seems to have disappeared into thin air. | 0:17:29 | 0:17:34 | |
But her work belongs to us. | 0:17:34 | 0:17:36 | |
This could take some time. | 0:17:38 | 0:17:39 | |
Don't let me keep you. | 0:17:42 | 0:17:44 | |
Oh, right. | 0:17:46 | 0:17:48 | |
How was I supposed to know it locked automatically? | 0:18:05 | 0:18:07 | |
Well, how was I supposed to know you'd go and shut the door? | 0:18:07 | 0:18:10 | |
As soon as Mr Bevan wakes up, it's game over. | 0:18:10 | 0:18:12 | |
What game will be over? | 0:18:12 | 0:18:14 | |
I just want you to know that | 0:18:17 | 0:18:20 | |
I'm so sorry. | 0:18:20 | 0:18:21 | |
This is all my fault and I promised to protect you. | 0:18:22 | 0:18:26 | |
From what threat? | 0:18:26 | 0:18:29 | |
Do you remember when we found you? | 0:18:29 | 0:18:30 | |
I have full recall. | 0:18:30 | 0:18:32 | |
-ECHOING: -Do you remember when we found you? Do you remember? | 0:18:32 | 0:18:35 | |
It's fascinating. | 0:18:46 | 0:18:47 | |
We have to switch it off now. | 0:18:53 | 0:18:54 | |
No. You can't. | 0:18:54 | 0:18:55 | |
It'll take a while to dismantle it. | 0:18:55 | 0:18:58 | |
Dad, please. | 0:18:58 | 0:19:00 | |
Please. | 0:19:00 | 0:19:02 | |
Don't hurt her. | 0:19:09 | 0:19:10 | |
Don't hurt. | 0:19:10 | 0:19:12 | |
Please. | 0:19:12 | 0:19:14 | |
You see? Dad, she's alive. | 0:19:14 | 0:19:17 | |
No, she...she can just repeat | 0:19:17 | 0:19:19 | |
what you're saying. | 0:19:19 | 0:19:21 | |
Look into her eyes, then see if you can take her apart. | 0:19:21 | 0:19:24 | |
Thank you. | 0:19:39 | 0:19:41 | |
Thank you. | 0:19:41 | 0:19:42 | |
All right. So, what do we do now? | 0:19:44 | 0:19:49 | |
We take her home. | 0:19:51 | 0:19:52 | |
What? | 0:19:52 | 0:19:53 | |
She won't get into any trouble. | 0:19:53 | 0:19:55 | |
I'll look after her. | 0:19:58 | 0:20:00 | |
I promise. | 0:20:00 | 0:20:01 | |
IN WILL'S VOICE: I'll look after her. I promise. | 0:20:03 | 0:20:05 | |
I know. I tried. I'll keep trying. | 0:20:06 | 0:20:12 | |
But you need to know if people like Bevan keep finding out | 0:20:12 | 0:20:16 | |
about you, I might not be able to save you. | 0:20:16 | 0:20:19 | |
And then what will happen? | 0:20:21 | 0:20:24 | |
Well, if Katherine works out you're Project Eternity, then... | 0:20:24 | 0:20:29 | |
Dad will lose his job. | 0:20:29 | 0:20:32 | |
He could go to jail and... | 0:20:32 | 0:20:33 | |
..they'll take you away. | 0:20:35 | 0:20:36 | |
Will you come with me? | 0:20:37 | 0:20:39 | |
I...I'm sorry. | 0:20:39 | 0:20:41 | |
She's not crying. It's a lens-clearing mechanism. | 0:20:49 | 0:20:54 | |
It looks so real, though. | 0:20:54 | 0:20:57 | |
She's like a real person. | 0:20:58 | 0:21:00 | |
I mean, if I hadn't seen the thing with her hand, you know. | 0:21:03 | 0:21:06 | |
That's it. | 0:21:10 | 0:21:11 | |
Eve, give me your hand. | 0:21:17 | 0:21:19 | |
Whoa. | 0:21:43 | 0:21:44 | |
Cool. | 0:21:47 | 0:21:49 | |
Mum! Dad! Get out here now! | 0:21:49 | 0:21:53 | |
What's happening? Where is it? | 0:21:53 | 0:21:55 | |
I have lost signal. | 0:21:58 | 0:22:00 | |
My remote activation system has a limited range. | 0:22:00 | 0:22:02 | |
Oh, great(!) So now we've got | 0:22:02 | 0:22:03 | |
a random hand running round the neighbourhood. | 0:22:03 | 0:22:05 | |
A hand? Just a hand on its own? | 0:22:05 | 0:22:09 | |
Where is it? | 0:22:09 | 0:22:11 | |
I don't know. It ran off. | 0:22:11 | 0:22:14 | |
Running? | 0:22:14 | 0:22:15 | |
Scuttling, whatever. | 0:22:15 | 0:22:17 | |
It's a shame. | 0:22:17 | 0:22:18 | |
That's a real shame because for a moment there, | 0:22:18 | 0:22:22 | |
I actually thought you was going to make it. | 0:22:22 | 0:22:25 | |
Oh, well. | 0:22:25 | 0:22:26 | |
OK, so it didn't work. | 0:22:30 | 0:22:33 | |
There has to be another way out of here. | 0:22:33 | 0:22:34 | |
I mean, who puts a reinforced steel door on a basement anyway? | 0:22:34 | 0:22:37 | |
Oh, it's a safety thing. | 0:22:37 | 0:22:39 | |
My dad puts all his mad science chemicals and stuff in here. | 0:22:39 | 0:22:42 | |
You want to cause a major explosion? With what? | 0:22:43 | 0:22:47 | |
A bunch of chemicals and a D in general science? | 0:22:47 | 0:22:50 | |
D-plus. And a super-advanced robot. | 0:22:50 | 0:22:52 | |
And...my genius best mate. | 0:22:52 | 0:22:55 | |
All right. Where does your dad keep his safety goggles? | 0:22:55 | 0:22:58 | |
A simple algorithm based on the Fibonacci sequence? | 0:23:02 | 0:23:05 | |
Hello, Project Eternity. | 0:23:05 | 0:23:08 | |
Mary, I expected better. | 0:23:10 | 0:23:13 | |
Let's do this thing. | 0:23:17 | 0:23:19 | |
OK. Take cover, guys. | 0:23:23 | 0:23:25 | |
You ready? | 0:23:35 | 0:23:36 | |
Five, | 0:23:36 | 0:23:38 | |
four, | 0:23:38 | 0:23:39 | |
three, | 0:23:39 | 0:23:41 | |
two, | 0:23:41 | 0:23:42 | |
one. | 0:23:42 | 0:23:44 | |
DOOR OPENING | 0:23:45 | 0:23:47 | |
Hello? | 0:23:50 | 0:23:51 | |
Yes, nice one! You did it. | 0:23:54 | 0:23:55 | |
You regained remote contact. Why didn't you tell us? | 0:23:56 | 0:24:00 | |
You didn't ask. | 0:24:00 | 0:24:01 | |
Yes. Yes! Yes. | 0:24:01 | 0:24:04 | |
Detachable limbs will be confiscated... | 0:24:07 | 0:24:10 | |
He's waking up. We need to get him out of here now. | 0:24:10 | 0:24:12 | |
Eve, pick him up. Quick. | 0:24:12 | 0:24:14 | |
Yes. | 0:24:18 | 0:24:19 | |
You're going to be all right, sir. It's going to be OK. | 0:24:21 | 0:24:24 | |
Just keep that ice pack on, eh? | 0:24:24 | 0:24:27 | |
Er, er, what's happening? | 0:24:27 | 0:24:30 | |
The basement. I was locked in the basement. | 0:24:30 | 0:24:33 | |
You've had a nasty fall, sir. You've hit your head. | 0:24:33 | 0:24:35 | |
Has he, now? | 0:24:35 | 0:24:36 | |
Er, well, don't worry about anything he tells you. | 0:24:36 | 0:24:38 | |
He's probably got concussion. | 0:24:38 | 0:24:40 | |
I have not. | 0:24:40 | 0:24:41 | |
I remember everything. | 0:24:41 | 0:24:43 | |
Her! She locked me in the basement. | 0:24:44 | 0:24:49 | |
And, and, and then she... | 0:24:49 | 0:24:52 | |
Her hand. | 0:24:54 | 0:24:56 | |
She removed her hand. | 0:24:56 | 0:24:58 | |
No. | 0:24:58 | 0:25:00 | |
No, she didn't. I can explain. | 0:25:00 | 0:25:02 | |
Hallucinations can be brought on by severe stress. | 0:25:04 | 0:25:07 | |
That's true. | 0:25:07 | 0:25:08 | |
I am not stressed. I know what I saw. | 0:25:08 | 0:25:11 | |
Stress can be cured by a period of rest | 0:25:11 | 0:25:13 | |
and mildly pleasurable activity. | 0:25:13 | 0:25:14 | |
Yeah. | 0:25:14 | 0:25:15 | |
Yeah, she's right, sir, and, er, remember Mrs, er, Parkinson | 0:25:15 | 0:25:18 | |
when she was signed off with stress? | 0:25:18 | 0:25:20 | |
She was off for three months on, er, on leave. | 0:25:20 | 0:25:22 | |
And on full pay. | 0:25:22 | 0:25:23 | |
Full pay, you say? | 0:25:25 | 0:25:26 | |
-BOTH: Yes. -Yeah. | 0:25:26 | 0:25:29 | |
Ah, you know, I have been under a lot of pressure recently. | 0:25:30 | 0:25:33 | |
Get well soon, sir. | 0:25:35 | 0:25:37 | |
Come on, Will. Eve. Inside, the pair of you. | 0:25:40 | 0:25:44 | |
Let's have a little chat, shall we? | 0:25:44 | 0:25:47 | |
ENGINE STARTS, SIREN WAILS | 0:25:47 | 0:25:49 | |
Well, it's lucky you came up with that stuff about stress. | 0:25:49 | 0:25:52 | |
Where did you get it from? | 0:25:52 | 0:25:54 | |
Learning is my second protocol. | 0:25:54 | 0:25:56 | |
What are your others? | 0:25:56 | 0:25:58 | |
Survive. | 0:26:01 | 0:26:03 | |
Learn. | 0:26:03 | 0:26:05 | |
Adapt. | 0:26:05 | 0:26:07 | |
Evolve. | 0:26:07 | 0:26:08 | |
So, you learn and grow? Just like humans do? | 0:26:08 | 0:26:12 | |
Well, here's something you can learn. | 0:26:14 | 0:26:16 | |
Never remove your body parts in public. | 0:26:16 | 0:26:18 | |
It was just one hand. | 0:26:18 | 0:26:20 | |
That was just lucky, Will. | 0:26:20 | 0:26:22 | |
What if it had been an arm, or... or a leg, or her head? | 0:26:22 | 0:26:25 | |
Information. My head is fully detachable. | 0:26:25 | 0:26:28 | |
Cool. | 0:26:31 | 0:26:33 | |
FROM COMPUTER: # 'Mary had a little lamb | 0:26:33 | 0:26:35 | |
# 'Its fleece was white as snow | 0:26:35 | 0:26:36 | |
# 'And everywhere that Mary went...' # | 0:26:36 | 0:26:38 | |
Quite an elaborate bluff. | 0:26:38 | 0:26:40 | |
So whatever you're really hiding must be very valuable indeed. | 0:26:42 | 0:26:47 | |
And I'm going to find it. | 0:26:48 | 0:26:51 | |
# 'And everywhere that Mary went | 0:26:51 | 0:26:53 | |
# 'The lamb was sure to go. # | 0:26:53 | 0:26:55 | |
BEEPING AND WHIRRING | 0:27:12 | 0:27:16 | |
Katherine's not stupid. | 0:27:36 | 0:27:37 | |
She'll soon work out what's going on unless you help Eve to fit in. | 0:27:37 | 0:27:40 | |
I must dress like a typical human. | 0:27:40 | 0:27:42 | |
BOTH: No. | 0:27:42 | 0:27:44 | |
You don't belong here. So you need to go. | 0:27:44 | 0:27:46 | |
She's gone. | 0:27:47 | 0:27:48 | |
I'm so going to kill Abe. | 0:27:48 | 0:27:49 | |
Well, maybe it wasn't Abe. Maybe someone else got hold of her. | 0:27:49 | 0:27:52 | |
I think I might have found Mary's secret. | 0:27:52 | 0:27:54 |