Browse content similar to A Case of Identity. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-You're...a robot? -Yeah, but you have to keep it quiet. -Please. | 0:00:02 | 0:00:04 | |
I told you, he is Cain. | 0:00:04 | 0:00:06 | |
-And we don't know anything about him. -I do. | 0:00:06 | 0:00:09 | |
He's a loner and has no friends. | 0:00:09 | 0:00:11 | |
Will Clarke. He took a page out of my address book. Your address! | 0:00:12 | 0:00:16 | |
Activating protocol minus one. | 0:00:18 | 0:00:22 | |
'Eve knows and trusts you. | 0:00:22 | 0:00:25 | |
'I hope you understand me...Adam.' | 0:00:25 | 0:00:28 | |
-Who's Adam? -Another robot. | 0:00:28 | 0:00:30 | |
And it's someone we know... | 0:00:30 | 0:00:32 | |
ELECTRONIC NOISES | 0:01:01 | 0:01:04 | |
DISTORTED VOICES | 0:01:04 | 0:01:07 | |
-MAN: -'No! Look out!' | 0:01:13 | 0:01:14 | |
GUNSHOT | 0:01:14 | 0:01:16 | |
NOISES AND VOICES CONTINUE | 0:01:18 | 0:01:19 | |
SCREAMING | 0:01:22 | 0:01:25 | |
-Any change? -No. | 0:01:35 | 0:01:37 | |
Eve? | 0:01:40 | 0:01:42 | |
It's Lily. | 0:01:42 | 0:01:43 | |
No. No, don't. | 0:01:44 | 0:01:47 | |
This is scary. She's cracking up. | 0:01:48 | 0:01:52 | |
Do you think it's got something to do with that Adam thing? | 0:01:52 | 0:01:55 | |
What, the humanoid robot Mary Douglas sent to get Eve? | 0:01:55 | 0:01:58 | |
No, that wouldn't freak her out at all. | 0:01:58 | 0:01:59 | |
Yeah, well, it's freaking me out. | 0:01:59 | 0:02:01 | |
Eve? Eve? | 0:02:01 | 0:02:04 | |
No. No, don't. | 0:02:04 | 0:02:06 | |
I thought I'd stopped her getting to Eve. That's what this is about. | 0:02:12 | 0:02:16 | |
Mary hates the fact she can't control her so she brings in this... | 0:02:16 | 0:02:20 | |
Adam, to what? | 0:02:20 | 0:02:21 | |
Establish a connection? A link back to Mary? | 0:02:23 | 0:02:27 | |
A link via which she can reprogram her... | 0:02:27 | 0:02:29 | |
..by remote control. | 0:02:30 | 0:02:32 | |
Eve... | 0:02:32 | 0:02:34 | |
Eve. | 0:02:34 | 0:02:35 | |
-Eve, come on, snap out of it. -Eve. | 0:02:35 | 0:02:38 | |
Are you all right? | 0:02:41 | 0:02:42 | |
Where are you going? | 0:02:49 | 0:02:51 | |
Eve? | 0:02:51 | 0:02:52 | |
Eve? | 0:02:52 | 0:02:54 | |
Eve? Eve? | 0:02:55 | 0:02:57 | |
Eve! | 0:03:00 | 0:03:01 | |
-THEY BANG ON DOOR -What are you doing?! | 0:03:01 | 0:03:03 | |
-Eve, come on. -Oh, I'll ring my dad. | 0:03:03 | 0:03:05 | |
-Eve? -Eve? | 0:03:23 | 0:03:25 | |
SINISTER MUSIC | 0:03:25 | 0:03:27 | |
Eve? | 0:03:29 | 0:03:31 | |
-Will. -Come on. | 0:03:33 | 0:03:35 | |
Come on! | 0:03:36 | 0:03:37 | |
Eve? | 0:03:41 | 0:03:42 | |
Eve, what is going on? | 0:03:48 | 0:03:49 | |
ENGLISH ACCENT: It's elementary, my dear Watson. | 0:03:51 | 0:03:54 | |
Has someone been communicating with you? | 0:04:03 | 0:04:05 | |
I have been receiving data from the most powerful source. | 0:04:05 | 0:04:09 | |
Mary Douglas? | 0:04:09 | 0:04:10 | |
No. | 0:04:12 | 0:04:13 | |
Television. | 0:04:15 | 0:04:17 | |
I have been analysing the methods of the great detective Sherlock Holmes. | 0:04:17 | 0:04:21 | |
And I am taking the case. | 0:04:24 | 0:04:26 | |
"The case"? | 0:04:26 | 0:04:28 | |
We have a spy in our midst and I intend to catch him. | 0:04:28 | 0:04:32 | |
The game is afoot. | 0:04:34 | 0:04:37 | |
His name is Adam. He is a robot. | 0:04:37 | 0:04:39 | |
If we assume that he was created to the same specification as me, | 0:04:39 | 0:04:42 | |
then he's super-intelligent, perfectly formed, his eyes are | 0:04:42 | 0:04:44 | |
digital cameras, his brain a computer, limbs detachable. | 0:04:44 | 0:04:47 | |
He doesn't eat, drink or breathe. His robot status is undetectable | 0:04:47 | 0:04:50 | |
-to the human eye. -He's infiltrated our group. -A group | 0:04:50 | 0:04:52 | |
is a collection of individuals with something in common. | 0:04:52 | 0:04:55 | |
In ours, we know that I'm a robot, and who is in our group? | 0:04:55 | 0:04:57 | |
Will, Lily, Nick, Katherine, Zac, Abe, and who is new to it? | 0:04:57 | 0:04:59 | |
-Cain. -Isaac. -Ah, yes. They are both suspects. | 0:04:59 | 0:05:02 | |
-But Isaac knows Eve's a robot. -But if Cain's the robot, he knows, too. | 0:05:04 | 0:05:07 | |
There is a simple way to detect which is the robot. | 0:05:07 | 0:05:10 | |
-I will scan them. -Please don't. We don't know what you're dealing with. | 0:05:10 | 0:05:13 | |
-Yes, I do. Mary Douglas. -Who tried to destroy you. | 0:05:13 | 0:05:16 | |
Look, for all we know, she sent this Adam to achieve what she failed. | 0:05:16 | 0:05:19 | |
-MOVEMENT AND VOICES UPSTAIRS -Shh... | 0:05:19 | 0:05:21 | |
Guys... Do you hear something? | 0:05:21 | 0:05:24 | |
-VOICE UPSTAIRS: -'How'd you do that?' | 0:05:24 | 0:05:26 | |
Mark it clearly. | 0:05:26 | 0:05:28 | |
Watch closely. | 0:05:33 | 0:05:35 | |
Blow. | 0:05:36 | 0:05:37 | |
ABE GASPS | 0:05:38 | 0:05:40 | |
It's in your sleeves. | 0:05:41 | 0:05:42 | |
Check my pockets. | 0:05:49 | 0:05:51 | |
Awesome! | 0:05:57 | 0:05:59 | |
-Wait, that's my money! -No, that's magic. | 0:06:00 | 0:06:03 | |
You've got to show me how you do it. We could make a killing. | 0:06:03 | 0:06:07 | |
Hello. | 0:06:07 | 0:06:08 | |
Abe, can I talk to you for a moment? | 0:06:10 | 0:06:12 | |
Just give Eve a moment with Isaac. | 0:06:18 | 0:06:20 | |
Abe said it was all right just to come in. | 0:06:20 | 0:06:23 | |
Is something wrong? | 0:06:26 | 0:06:27 | |
Abe... | 0:06:37 | 0:06:39 | |
share. | 0:06:39 | 0:06:40 | |
Er... No, thanks. | 0:06:47 | 0:06:49 | |
Oh, go on, then. | 0:06:51 | 0:06:52 | |
HE GAGS | 0:06:56 | 0:06:58 | |
Ugh, I think I'm going to throw up. Oh. | 0:06:58 | 0:07:01 | |
That would be acceptable proof! | 0:07:01 | 0:07:03 | |
-Candy Yuck. -I like them. | 0:07:05 | 0:07:07 | |
Here, drink this. | 0:07:07 | 0:07:10 | |
That one was...earwax. | 0:07:12 | 0:07:14 | |
You're sick, do you know that? | 0:07:16 | 0:07:18 | |
-Come on, let's go. -Thanks. | 0:07:18 | 0:07:21 | |
-So what happened with the scan? -It failed. | 0:07:23 | 0:07:26 | |
I think he might be protected by a firewall. | 0:07:26 | 0:07:28 | |
Dad and Katherine are working on it. Let's just leave it to them. | 0:07:28 | 0:07:31 | |
I've taken the case and I will see it through. | 0:07:31 | 0:07:33 | |
I wish you'd stop with this Sherlock thing. This isn't a game, you know. | 0:07:33 | 0:07:36 | |
-Don't be so boring, Watson. -And stop calling me Watson, Eve! | 0:07:36 | 0:07:40 | |
Mary doesn't know we know about Adam, so we've got a bit of a lead. | 0:07:40 | 0:07:46 | |
Maybe even an opportunity. | 0:07:46 | 0:07:49 | |
Yes, but our priority is finding his identity and his whereabouts. | 0:07:49 | 0:07:53 | |
And getting him under our control. | 0:07:53 | 0:07:55 | |
-Look, Katherine, all I care about is Eve. -Oh, me, too. | 0:07:55 | 0:07:59 | |
But I've got the board breathing down my neck. They want results. | 0:08:00 | 0:08:04 | |
If I can give them Adam, reprogrammed, of course, | 0:08:04 | 0:08:09 | |
all memory of Mary Douglas wiped from his system... | 0:08:09 | 0:08:13 | |
Eve would be safe. | 0:08:13 | 0:08:15 | |
Oh, yes. That, too. | 0:08:15 | 0:08:17 | |
-Come on, Cain's my friend. -Isaac's Abe's, that didn't rule him out. | 0:08:20 | 0:08:25 | |
But Abe's an idiot. I'm not. | 0:08:25 | 0:08:27 | |
-You have to admit, though, Cain's pretty weird. -Er, hello? | 0:08:27 | 0:08:31 | |
I WAS the first person he spoke to. | 0:08:31 | 0:08:33 | |
Yeah, then he just sort of tagged himself onto us. | 0:08:33 | 0:08:37 | |
And that makes him a spy, does it? | 0:08:37 | 0:08:39 | |
-Well, have you ever been round his house? -No. | 0:08:39 | 0:08:42 | |
-Have you ever seen him eat or drink? -Or bleed? | 0:08:42 | 0:08:45 | |
Exactly. | 0:08:45 | 0:08:46 | |
Check the birth registers to see if he's even a real person. | 0:08:46 | 0:08:49 | |
Well, that's... | 0:08:49 | 0:08:50 | |
..actually not a bad idea. | 0:08:52 | 0:08:54 | |
Right, Eve, Cain Birtwistle, 2001. | 0:08:54 | 0:08:57 | |
I'm doing it. | 0:08:57 | 0:08:58 | |
ELECTRONIC NOISES | 0:08:58 | 0:09:00 | |
Anything? | 0:09:01 | 0:09:02 | |
Not in that year. | 0:09:06 | 0:09:07 | |
Widen the search. Do the whole of the UK. | 0:09:07 | 0:09:09 | |
I already have. | 0:09:10 | 0:09:12 | |
If we could isolate the frequency Mary used to communicate | 0:09:21 | 0:09:25 | |
with Adam, we could send her a reply FROM Adam, | 0:09:25 | 0:09:29 | |
trick her into revealing his identity. | 0:09:29 | 0:09:31 | |
Or track it to reveal his whereabouts. | 0:09:32 | 0:09:35 | |
-Dr Clarke, how's Eve? -She's fine. | 0:09:37 | 0:09:40 | |
Staying at home until we can figure this thing out. | 0:09:40 | 0:09:43 | |
Now sit down, we've got work to do. | 0:09:43 | 0:09:45 | |
Hey, what are you doing? | 0:10:02 | 0:10:05 | |
-Enjoying the silence. -Cool. | 0:10:05 | 0:10:07 | |
Can I come and hang out with you? | 0:10:07 | 0:10:10 | |
-Yeah, if you want. -OK. Where are you? | 0:10:10 | 0:10:14 | |
At the graveyard. | 0:10:14 | 0:10:16 | |
OK, yeah, see you later. Bye. | 0:10:16 | 0:10:19 | |
Increased heart rate, shortness of breath, fidgeting, | 0:10:26 | 0:10:29 | |
-sweat on the palms of hands - fear. -Just a bit. | 0:10:29 | 0:10:32 | |
You're not in danger. | 0:10:33 | 0:10:34 | |
Your only goal is to see if he will eat or drink. | 0:10:34 | 0:10:37 | |
Yeah, and we'll be close by the whole time. | 0:10:37 | 0:10:40 | |
Not "we," I'm staying here. | 0:10:40 | 0:10:42 | |
Oh, come on, don't make me choose. | 0:10:42 | 0:10:44 | |
Go, Will, I need to be alone. | 0:10:46 | 0:10:48 | |
I need to discover what Mary Douglas wants, why she sent Adam, | 0:10:48 | 0:10:52 | |
why now and for what purpose. | 0:10:52 | 0:10:53 | |
Wait, you're not going to, erm, try and contact her, are you? | 0:10:53 | 0:10:57 | |
No, I'm going to my mind palace to solve the mystery. | 0:10:57 | 0:11:01 | |
Now, go. | 0:11:01 | 0:11:02 | |
Go. | 0:11:09 | 0:11:10 | |
Let's go. | 0:11:12 | 0:11:13 | |
Adam, android, artificial, danger, daughter, destiny, deceive, | 0:11:34 | 0:11:39 | |
danger, mother, link cannot be found. | 0:11:39 | 0:11:41 | |
Oh, come on! | 0:11:42 | 0:11:45 | |
What's keeping you? | 0:11:49 | 0:11:51 | |
Gwenlan managed to access Mary's communications. | 0:11:51 | 0:11:54 | |
Well, then, I suggest you ask him, Katherine. | 0:11:54 | 0:11:57 | |
Oh, no, best not, on account of him being our sworn enemy. | 0:11:57 | 0:12:00 | |
Dr Clarke, I think I got it. | 0:12:00 | 0:12:02 | |
-And you're sure she can't trace it back to us? -No, no way. | 0:12:04 | 0:12:08 | |
OK. Right, erm, | 0:12:08 | 0:12:12 | |
we send a message. | 0:12:12 | 0:12:13 | |
"I'm glad you're pleased." | 0:12:15 | 0:12:19 | |
"Glad," no, it's too human. | 0:12:19 | 0:12:21 | |
She'll suspect something. | 0:12:21 | 0:12:22 | |
OK. | 0:12:23 | 0:12:24 | |
How about "Message received, ready for further instructions, Adam"? | 0:12:26 | 0:12:31 | |
Now all we have to do is wait. | 0:12:36 | 0:12:39 | |
Do you want a packet? | 0:12:52 | 0:12:53 | |
I'm not hungry, thanks. | 0:12:53 | 0:12:55 | |
Do you want to know the time? Look. | 0:13:04 | 0:13:08 | |
One o'clock. | 0:13:11 | 0:13:12 | |
Two o'clock. | 0:13:14 | 0:13:15 | |
Look, you just blow like this. | 0:13:19 | 0:13:21 | |
No, don't. | 0:13:21 | 0:13:23 | |
-Why not? -Dandelions are weeds, you shouldn't scatter them. | 0:13:24 | 0:13:28 | |
Didn't know you cared so much about weeds. | 0:13:28 | 0:13:31 | |
There's a lot about me that you don't know. | 0:13:31 | 0:13:33 | |
Anyway, I'm, er, going home. | 0:13:35 | 0:13:38 | |
Do you want to come? | 0:13:43 | 0:13:44 | |
Erm...I don't... | 0:13:44 | 0:13:46 | |
I thought you wanted to hang out. | 0:13:46 | 0:13:48 | |
Yeah, sorry, OK. | 0:13:51 | 0:13:53 | |
Mary, mother, mislead, mother, danger, destiny, daughter, mother, | 0:14:05 | 0:14:09 | |
deceived, mother, danger, destiny, mother, link cannot be found. | 0:14:09 | 0:14:14 | |
Alert, alert, alert, alert. Link cannot be found. | 0:14:14 | 0:14:17 | |
Alert, alert, alert, alert. | 0:14:17 | 0:14:19 | |
Adam, android, artificial, danger, daughter, destiny. | 0:14:19 | 0:14:22 | |
Link cannot be found. | 0:14:22 | 0:14:25 | |
Mother, mislead, android, link cannot be found. | 0:14:25 | 0:14:29 | |
Alert, alert, alert, alert. Mother, angry, daughter, destiny, deceive. | 0:14:29 | 0:14:33 | |
-Link cannot be found. -Eve. -Alert, alert, alert. | 0:14:33 | 0:14:36 | |
Link cannot be found. Deceive, mother, danger, destiny, mother. | 0:14:36 | 0:14:40 | |
-Eve. -Link cannot be found. Alert, alert, alert. | 0:14:40 | 0:14:43 | |
-Are you OK? -...artificial, danger, daughter... -Eve, talk to me. | 0:14:43 | 0:14:46 | |
Link cannot be found. Alert, alert. | 0:14:46 | 0:14:49 | |
Mary, my mother, she's angry, she has sent Adam to force me | 0:14:49 | 0:14:52 | |
-to return to her. -What? He's here? | 0:14:52 | 0:14:55 | |
-No, I saw it in my mind palace. -Your...? -Mind palace. | 0:14:55 | 0:14:57 | |
It is a technique used by the ancient Greeks and Romans. | 0:14:57 | 0:14:59 | |
In my mind I went over all the elements of the case and... | 0:14:59 | 0:15:02 | |
And frightened yourself. | 0:15:02 | 0:15:04 | |
OK? That's all that's happened. | 0:15:04 | 0:15:06 | |
I do have reason to be scared. | 0:15:07 | 0:15:09 | |
We could run away. | 0:15:10 | 0:15:12 | |
You and me, just take off. | 0:15:12 | 0:15:14 | |
Mary can't control you remotely. | 0:15:15 | 0:15:17 | |
We could get away before she gets to you through Adam. | 0:15:17 | 0:15:20 | |
You'd be out of her clutches for good. | 0:15:20 | 0:15:23 | |
And never see my family again? | 0:15:23 | 0:15:25 | |
You'd have me. | 0:15:28 | 0:15:29 | |
Dear Zac, Mary will always find a way to get to me. | 0:15:32 | 0:15:36 | |
Adam is proof of that. | 0:15:39 | 0:15:40 | |
It's just up here. | 0:15:49 | 0:15:51 | |
OK. | 0:15:56 | 0:15:58 | |
Here we are. | 0:16:01 | 0:16:03 | |
Don't go in the house. Don't go in, Lily. | 0:16:03 | 0:16:07 | |
Please. Ugh! | 0:16:07 | 0:16:08 | |
-Do you want a coffee? -Yeah, please. I'll make it. | 0:16:25 | 0:16:29 | |
Do you want some? | 0:16:31 | 0:16:32 | |
No, I don't really feel like it. | 0:16:32 | 0:16:35 | |
PHONE VIBRATES | 0:16:37 | 0:16:39 | |
-You'll need this. -SHE GASPS | 0:16:44 | 0:16:46 | |
Erm...sorry, that was my mum, | 0:16:46 | 0:16:49 | |
I've got to go. | 0:16:49 | 0:16:51 | |
DOOR OPENS | 0:16:57 | 0:16:58 | |
-What have you found out? -This is Gwenlan's house, I was here. | 0:17:01 | 0:17:04 | |
-No, there must be... -No, I was here, inside. Where are you going? | 0:17:04 | 0:17:08 | |
-Will, I need answers. -Lily. | 0:17:08 | 0:17:11 | |
Cain? Cain? | 0:17:13 | 0:17:16 | |
-I think you've got some explaining to do. -Lily, leave it. | 0:17:22 | 0:17:26 | |
-I have had a significant realisation. -About Adam? | 0:17:40 | 0:17:44 | |
-About why I can't find him. I have no intuition. -I'm sorry? | 0:17:45 | 0:17:50 | |
I can retrieve information, | 0:17:53 | 0:17:55 | |
I can process facts but I cannot make that leap. | 0:17:55 | 0:17:59 | |
Like Sherlock Holmes, | 0:17:59 | 0:18:01 | |
the way he suddenly knows what everything means. | 0:18:01 | 0:18:05 | |
When he goes to his mind palace, he makes a discovery. | 0:18:05 | 0:18:08 | |
All I did was overload my system. | 0:18:10 | 0:18:12 | |
Come on, Eve, he's not even a real person. | 0:18:12 | 0:18:15 | |
I will never solve this case because I will never be like him. | 0:18:16 | 0:18:20 | |
You don't have to be like anyone. | 0:18:21 | 0:18:24 | |
You're brilliant and unique | 0:18:24 | 0:18:26 | |
and that's why Mary goes to such lengths to get you back. | 0:18:26 | 0:18:29 | |
If you want to find Adam, just be yourself. | 0:18:29 | 0:18:31 | |
Look, Cain, we checked the birth registers | 0:18:38 | 0:18:40 | |
and there's no record of anyone with your name. | 0:18:40 | 0:18:42 | |
Yes, that's because my real name is kind of embarrassing. | 0:18:42 | 0:18:45 | |
What? Is it Gwenlan? | 0:18:45 | 0:18:46 | |
No, that's my father's name. I've got my mother's. | 0:18:46 | 0:18:49 | |
-So you're not really called Cain? -Yes, I am now. I got it changed. | 0:18:49 | 0:18:54 | |
-From what? -Arnold. | 0:18:54 | 0:18:56 | |
Hang on, what do you mean you checked it? | 0:18:59 | 0:19:01 | |
-Good job we did, seeing as what we found out. -And what was that? | 0:19:01 | 0:19:04 | |
Nothing. Come on, we need to go. | 0:19:04 | 0:19:06 | |
Cain, do you know that your dad works for Price? | 0:19:06 | 0:19:09 | |
Yes, they're just trying to limit our dependence on | 0:19:10 | 0:19:13 | |
-artificial intelligence. So what? -"So what"? | 0:19:13 | 0:19:16 | |
They break into labs, destroy years of scientific research, | 0:19:16 | 0:19:19 | |
they even hacked a drone. Cain, do you have any idea of how dangerous that is? | 0:19:19 | 0:19:22 | |
Come on, Lily, we need to go. If he sees me in here again, he'll... | 0:19:22 | 0:19:25 | |
Again? | 0:19:25 | 0:19:27 | |
-OK, what's going on? -Nothing, come on, we need to go. -Cain... | 0:19:27 | 0:19:31 | |
-No, just leave. Just leave now. -Come on. -Get out, leave! | 0:19:31 | 0:19:34 | |
I've got Alpha team on red alert ready to pick him up | 0:19:41 | 0:19:44 | |
-when we have a location. -I got back as soon as I could. | 0:19:44 | 0:19:48 | |
-Thought we might have heard something. -Nope, nothing. How's Eve? | 0:19:48 | 0:19:52 | |
Worried. | 0:19:52 | 0:19:53 | |
Will and Lily will call if anything happens. | 0:19:53 | 0:19:56 | |
They weren't there. | 0:19:56 | 0:19:58 | |
Well, in that case, I'd feel a lot better if you went back | 0:19:58 | 0:20:01 | |
and kept an eye on her. | 0:20:01 | 0:20:02 | |
Off you go, then. | 0:20:05 | 0:20:06 | |
COMPUTER BEEPS | 0:20:09 | 0:20:11 | |
"Further instructions in due course." This tells us nothing. | 0:20:16 | 0:20:20 | |
It tells us we're through to Mary. | 0:20:20 | 0:20:23 | |
And the longer we stay in communication with her, | 0:20:23 | 0:20:25 | |
the easier it will be to trace Adam. | 0:20:25 | 0:20:27 | |
We need to keep her talking. | 0:20:27 | 0:20:28 | |
"I will not fail you"? Hardly a conversation starter, Nick. | 0:20:31 | 0:20:34 | |
How about... | 0:20:39 | 0:20:40 | |
.."Your last communication was unclear. | 0:20:41 | 0:20:45 | |
"Please resend data of location you wish me to bring Eve to"? | 0:20:45 | 0:20:50 | |
It is not Isaac | 0:20:56 | 0:20:57 | |
and it is not Cain. | 0:20:57 | 0:21:00 | |
I... | 0:21:06 | 0:21:07 | |
..am a failure. | 0:21:09 | 0:21:11 | |
-Don't say that. -It is true. From Mary's point of view. | 0:21:12 | 0:21:16 | |
In my mother's eyes, I'm a disappointment. | 0:21:16 | 0:21:19 | |
An experiment gone wrong. | 0:21:19 | 0:21:21 | |
She will have designed Adam to be everything that I'm not. | 0:21:21 | 0:21:24 | |
Like capable of eating and drinking and... | 0:21:24 | 0:21:28 | |
That's it! | 0:21:28 | 0:21:29 | |
-What? -She is a genius forever refining her invention. | 0:21:29 | 0:21:35 | |
-Eve, you're brilliant. -And I do have intuition. It came to me in a flash. | 0:21:35 | 0:21:41 | |
Lily was eating and I was thinking about Adam and... | 0:21:41 | 0:21:43 | |
Isaac. | 0:21:43 | 0:21:44 | |
The only reason we ruled him out is because we saw him drink. | 0:21:44 | 0:21:47 | |
It is a known technique to rule out the real culprit early on | 0:21:47 | 0:21:51 | |
to throw you off the scent. | 0:21:51 | 0:21:52 | |
Eve, this is real life. | 0:21:52 | 0:21:54 | |
Let's get him back over. | 0:21:58 | 0:22:00 | |
Right, OK. | 0:22:01 | 0:22:03 | |
-But don't we need a plan first? -I have one. | 0:22:03 | 0:22:06 | |
As a robot, I need to gather as much information as I can get | 0:22:08 | 0:22:12 | |
about humans to help me pass as one. | 0:22:12 | 0:22:15 | |
So can I ask you a few personal questions? | 0:22:16 | 0:22:20 | |
Cool, shoot. | 0:22:20 | 0:22:22 | |
-What's your date of birth? -Sixth of June, 2004. | 0:22:24 | 0:22:27 | |
-Your mother's first name? -Alison. -Do you like Abe? | 0:22:28 | 0:22:32 | |
-Eh? -Eh? -Yes, I like him. | 0:22:32 | 0:22:35 | |
-Do you like me? -Yes. | 0:22:35 | 0:22:37 | |
-Because I'm a robot? -Yes. No. | 0:22:37 | 0:22:40 | |
Is that why you're friends with Abe? To get close to me? | 0:22:40 | 0:22:43 | |
Not really, I just... | 0:22:45 | 0:22:47 | |
Close to me, the robot, so you can report back to Price? | 0:22:47 | 0:22:50 | |
-What? No way. -Eve, stop it. | 0:22:50 | 0:22:52 | |
-Look what you've done. -Sorry, Isaac. -Put that down. | 0:22:52 | 0:22:55 | |
You can't see that. A magician never reveals his secrets. | 0:22:55 | 0:22:59 | |
-A detachable thumb. -Give it back! | 0:22:59 | 0:23:01 | |
-It's hollow. No circuits or... -I said give me that. | 0:23:01 | 0:23:06 | |
-So THAT'S how you do those tricks. -Give me that. Ouch! | 0:23:06 | 0:23:09 | |
Oh, paper cut. | 0:23:10 | 0:23:11 | |
Here. | 0:23:12 | 0:23:13 | |
-Do not worry, Isaac, we will not reveal your secrets. -Oh, please(!) | 0:23:15 | 0:23:20 | |
I would never reveal your secret, | 0:23:22 | 0:23:24 | |
I just thought it would've been cool hanging out with this robot gang. | 0:23:24 | 0:23:28 | |
But you're just too weird. | 0:23:28 | 0:23:30 | |
COMPUTER BEEPS | 0:23:48 | 0:23:50 | |
"Congratulations on getting so close to Eve. | 0:23:50 | 0:23:53 | |
"Details of rendezvous point to follow." | 0:23:53 | 0:23:55 | |
-It worked. -This is it. | 0:23:57 | 0:23:59 | |
"Nowhere you'll ever find, Katherine." | 0:24:03 | 0:24:05 | |
KNOCKING | 0:24:11 | 0:24:13 | |
Eve, what are you doing? | 0:24:24 | 0:24:26 | |
Hey. | 0:24:28 | 0:24:30 | |
I know what you did. | 0:24:30 | 0:24:32 | |
-You stole a page out of Laurie's address book. -What? | 0:24:32 | 0:24:36 | |
You used me to get to her. Don't deny it. | 0:24:36 | 0:24:40 | |
Not you... | 0:24:40 | 0:24:42 | |
You're not sufficiently significant but... | 0:24:42 | 0:24:45 | |
Could you excuse us a moment? | 0:24:45 | 0:24:46 | |
Eve, what...? | 0:24:50 | 0:24:51 | |
Why didn't we think of Chris? | 0:24:51 | 0:24:53 | |
As the robot? | 0:24:54 | 0:24:56 | |
Because of your long-standing friendship, that's why | 0:24:56 | 0:24:58 | |
but... | 0:24:58 | 0:25:00 | |
I'm also having another intuition here. | 0:25:00 | 0:25:03 | |
Adam does not have to be someone new. | 0:25:03 | 0:25:06 | |
So Mary could've made a replica of someone we know? | 0:25:06 | 0:25:11 | |
Hold on, you think the robot's someone we already know? | 0:25:11 | 0:25:14 | |
Who could it be? | 0:25:16 | 0:25:17 | |
Abe, for example. | 0:25:18 | 0:25:20 | |
Cool. | 0:25:21 | 0:25:22 | |
My mother said it was someone close to me. | 0:25:24 | 0:25:26 | |
You two are my closest friends. | 0:25:28 | 0:25:30 | |
-So you think it could be Will? -What? | 0:25:32 | 0:25:36 | |
-Unless my mother gave the robot a female form. -You mean it's Lily? -No. | 0:25:37 | 0:25:42 | |
-Well, it's not me. -Well, it's not me. -Well, I can prove it. | 0:25:42 | 0:25:46 | |
So can I. | 0:25:46 | 0:25:48 | |
-Well, at least that clears that up, then. -You shed your blood for me. | 0:25:57 | 0:26:01 | |
But if it's neither of you... | 0:26:02 | 0:26:04 | |
DOORBELL BUZZES | 0:26:04 | 0:26:06 | |
It's Zac. | 0:26:10 | 0:26:12 | |
At the door? | 0:26:12 | 0:26:13 | |
Zac who is the robot. | 0:26:13 | 0:26:16 | |
-Eve, is this another one of your intuitions? -This is reason. | 0:26:16 | 0:26:20 | |
He is closer to me than anyone. | 0:26:20 | 0:26:22 | |
Zac? | 0:26:23 | 0:26:25 | |
Mary's team got him that time, remember? | 0:26:25 | 0:26:27 | |
That's when she made the copy. Eve, you're amazing. | 0:26:27 | 0:26:31 | |
Hi, guys. | 0:26:32 | 0:26:34 | |
Hey. | 0:26:35 | 0:26:37 | |
Are you all right? | 0:26:38 | 0:26:40 | |
What's wrong? | 0:26:42 | 0:26:44 | |
DOOR OPENS | 0:26:46 | 0:26:49 | |
What's going on? | 0:26:49 | 0:26:51 | |
Eve, I had to come back. OK? | 0:26:52 | 0:26:56 | |
I couldn't stop thinking about you and... | 0:26:56 | 0:26:58 | |
Oh, two Zacs. | 0:27:07 | 0:27:09 | |
But one's Adam. | 0:27:09 | 0:27:10 | |
Yes. | 0:27:12 | 0:27:13 | |
But who? | 0:27:14 | 0:27:15 | |
You? | 0:27:16 | 0:27:18 | |
Or you? | 0:27:19 | 0:27:21 | |
Adam's targeting you. You need to stay away from him. | 0:27:28 | 0:27:31 | |
-From both of them. -Yeah, right. Now, go - hurry! | 0:27:31 | 0:27:34 | |
She could have any number of robot slaves, | 0:27:34 | 0:27:36 | |
all programmed to destroy us. | 0:27:36 | 0:27:37 | |
BANGING | 0:27:37 | 0:27:39 | |
-What was that? -Adam. | 0:27:39 | 0:27:41 | |
You can't raise Eve on any of her comm systems. | 0:27:41 | 0:27:43 | |
So there's no way of finding her? | 0:27:43 | 0:27:45 | |
You do not want to do this. | 0:27:45 | 0:27:46 | |
If you try to touch me, you will fry. | 0:27:49 | 0:27:51 |