Browse content similar to The Winner's Story. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
'She went head-to-head | 0:00:02 | 0:00:03 | |
'with some of the UK's most talented young singers.' | 0:00:03 | 0:00:05 | |
ALL SING | 0:00:05 | 0:00:08 | |
'And came out on top.' | 0:00:08 | 0:00:09 | |
It's Amaria. CHEERING | 0:00:09 | 0:00:10 | |
Me? | 0:00:10 | 0:00:12 | |
Are you real? | 0:00:13 | 0:00:14 | |
'Winning the chance to perform alongside | 0:00:14 | 0:00:16 | |
'some of the biggest stars at Radio 1's Big Weekend.' | 0:00:16 | 0:00:20 | |
# Been wondering for days... # | 0:00:20 | 0:00:23 | |
'Now, after weeks of preparation...' | 0:00:23 | 0:00:25 | |
Don't turn your back on me! | 0:00:25 | 0:00:28 | |
-Amaria! -HE MOCK SOBS | 0:00:28 | 0:00:30 | |
I like it, but I wouldn't wear it. | 0:00:30 | 0:00:32 | |
'..her big day finally is here.' | 0:00:32 | 0:00:34 | |
I'm excited, I'm amongst all the stars. | 0:00:34 | 0:00:37 | |
You've got the whole of the music industry here | 0:00:37 | 0:00:39 | |
looking after some of the biggest acts in the world. | 0:00:39 | 0:00:41 | |
In these daytime gigs, | 0:00:41 | 0:00:43 | |
you can really see the whites of the audience's eyes. | 0:00:43 | 0:00:45 | |
'Has Amaria got what it takes?' | 0:00:45 | 0:00:47 | |
-So...have fun, good luck! -Thank you. | 0:00:47 | 0:00:50 | |
# So, come on, tell me What's it gonna be? | 0:00:52 | 0:00:55 | |
# I got-got, got what it takes now | 0:00:55 | 0:00:57 | |
# I'm gonna get me going and make 'em see | 0:00:57 | 0:01:00 | |
# I got-got, got what it takes now | 0:01:00 | 0:01:03 | |
# Oh-oh, oh-oh | 0:01:03 | 0:01:06 | |
# I got-got, got what it takes now | 0:01:06 | 0:01:09 | |
# Oh-oh, oh-oh | 0:01:09 | 0:01:11 | |
# I got-got Got what it takes now. # | 0:01:11 | 0:01:14 | |
Good evening, Exeter! | 0:01:16 | 0:01:18 | |
CHEERING | 0:01:18 | 0:01:21 | |
-Hi, guys. -Hi! | 0:01:23 | 0:01:25 | |
So, Amaria, we are finally in Exeter | 0:01:25 | 0:01:27 | |
at Radio 1's Big Weekend. | 0:01:27 | 0:01:29 | |
-How are you feeling? -I'm excited, I'm amongst all the stars | 0:01:29 | 0:01:32 | |
and I'm just going to smash it and I'm just grateful to be here. | 0:01:32 | 0:01:35 | |
So, you are going to be performing in the same place as people like | 0:01:35 | 0:01:39 | |
Bastille, Mumford & Sons, Coldplay... | 0:01:39 | 0:01:42 | |
How does that make you feel? | 0:01:42 | 0:01:44 | |
Just overwhelmed really, because, like, | 0:01:44 | 0:01:46 | |
I remember a few months back when I was just waiting for it | 0:01:46 | 0:01:48 | |
and now I'm finally here, it's just amazing. | 0:01:48 | 0:01:51 | |
There's not nerves, but I know when I get on | 0:01:51 | 0:01:53 | |
there's going to be real butterflies, | 0:01:53 | 0:01:54 | |
but I'm going to calm down. | 0:01:54 | 0:01:56 | |
Since the show, Amaria, how have things changed for you? | 0:01:56 | 0:01:59 | |
Well, when I go to, like, shopping centres or, like, | 0:01:59 | 0:02:01 | |
to the shop or something, I just get stopped in the street randomly. | 0:02:01 | 0:02:04 | |
Do you get people coming up to you, like, asking for autographs | 0:02:04 | 0:02:07 | |
and pictures and stuff? | 0:02:07 | 0:02:09 | |
Yeah, but my mum gets more than me. | 0:02:09 | 0:02:11 | |
ALL LAUGH | 0:02:11 | 0:02:13 | |
Jasmine, you guys BOTH worked so hard | 0:02:13 | 0:02:16 | |
to get Amaria to this point today, | 0:02:16 | 0:02:17 | |
how are you feeling, are you nervous for her? | 0:02:17 | 0:02:19 | |
Oh, I'm definitely nervous, definitely proud. | 0:02:19 | 0:02:21 | |
All different emotions because it's such a big event for her to be at, | 0:02:21 | 0:02:24 | |
but it's where she's supposed to be. | 0:02:24 | 0:02:26 | |
I'm not shocked that she's here, and yeah, I'm quite excited. | 0:02:26 | 0:02:30 | |
Well, Amaria, it's going to be an amazing experience, | 0:02:30 | 0:02:33 | |
but before we get started, | 0:02:33 | 0:02:34 | |
let's take a little look at how you got here. | 0:02:34 | 0:02:36 | |
When 12-year-old Amaria arrived in the music mansion, | 0:02:39 | 0:02:43 | |
she made a big impression with her unique style. | 0:02:43 | 0:02:45 | |
# When your legs don't work like they used to before | 0:02:45 | 0:02:49 | |
# And I can't sweep you off of your feet... # | 0:02:52 | 0:02:55 | |
# I just keep on making... # | 0:02:56 | 0:02:58 | |
But she wasn't the only musical talent in the house. | 0:02:58 | 0:03:01 | |
# And another one bites the dust... # | 0:03:01 | 0:03:04 | |
# I swear she's destined for the screen... # | 0:03:04 | 0:03:08 | |
# My head, it is full of Things that I should've done... # | 0:03:08 | 0:03:14 | |
# Everything was as fresh as the bright, blue sky... # | 0:03:14 | 0:03:18 | |
# I got a lump in my throat cos | 0:03:18 | 0:03:20 | |
# You're gonna sing the words wrong and... # | 0:03:20 | 0:03:23 | |
# You won't see me fall apart | 0:03:23 | 0:03:30 | |
# Cos I've got... # | 0:03:30 | 0:03:31 | |
My biggest rival was Rai-Elle | 0:03:31 | 0:03:33 | |
because the first time I heard her voice, | 0:03:33 | 0:03:35 | |
it was very powerful and very, like, gospel. | 0:03:35 | 0:03:38 | |
# Ah-ooh-ooh | 0:03:38 | 0:03:41 | |
# Sweet love of mine... # | 0:03:41 | 0:03:44 | |
Even though I knew that Rai-Elle had a powerful voice, | 0:03:44 | 0:03:46 | |
I knew that I'd win. | 0:03:46 | 0:03:49 | |
-No stopping... -ALL: -Yes! | 0:03:50 | 0:03:51 | |
But Amaria wasn't alone in her battle. | 0:03:51 | 0:03:54 | |
That's what I'm talking about, Lisa. | 0:03:54 | 0:03:56 | |
With her every step of the way was her mum, Jasmine. | 0:03:56 | 0:03:59 | |
It was funny when my mum was in the zorb ball. | 0:04:01 | 0:04:03 | |
-Ooh! -SHE LAUGHS | 0:04:03 | 0:04:05 | |
Cos at the end she got stuck and she needed help getting out. | 0:04:05 | 0:04:08 | |
I can't get out, I don't think. | 0:04:08 | 0:04:10 | |
THEY LAUGH | 0:04:10 | 0:04:12 | |
The funniest Mum Challenge that my mum took part in | 0:04:12 | 0:04:14 | |
has to be the musical bears, | 0:04:14 | 0:04:17 | |
when her and Bernice were fighting over one chair. | 0:04:17 | 0:04:20 | |
LAUGHTER | 0:04:20 | 0:04:22 | |
# Well, I've got thick skin and an elastic heart... # | 0:04:22 | 0:04:28 | |
Amaria took to the stage in two amazing sing-offs | 0:04:28 | 0:04:31 | |
in the music mansion. | 0:04:31 | 0:04:32 | |
When I was in the sing-off, it was very nerve-racking. | 0:04:32 | 0:04:35 | |
But when I just heard the music start, I was just me. | 0:04:35 | 0:04:38 | |
# Sometimes it's hard | 0:04:38 | 0:04:42 | |
# To follow your heart... # | 0:04:42 | 0:04:46 | |
# So, come on, let it go... # | 0:04:46 | 0:04:49 | |
But it was in the series semifinal at the recording studio | 0:04:49 | 0:04:52 | |
when she showed what she was REALLY capable of. | 0:04:52 | 0:04:55 | |
Singing James Bay - Let It Go at the recording studio, | 0:04:55 | 0:04:58 | |
I felt comfortable and I felt like I was at home | 0:04:58 | 0:05:00 | |
cos that's the songs that I like to sing. | 0:05:00 | 0:05:03 | |
Congratulations, Amaria, you're through. | 0:05:04 | 0:05:06 | |
Bang! Bang! | 0:05:06 | 0:05:07 | |
'When I was told about the final, my head was all over the place,' | 0:05:07 | 0:05:10 | |
but I was so happy. | 0:05:10 | 0:05:12 | |
# Red lips and rosy cheeks... # | 0:05:12 | 0:05:14 | |
'In the final, Amaria took to the stage twice | 0:05:14 | 0:05:17 | |
'in front of a studio audience and a panel of industry experts...' | 0:05:17 | 0:05:21 | |
# Why don't you remember...? # | 0:05:21 | 0:05:28 | |
'..before the winner was finally announced.' | 0:05:28 | 0:05:31 | |
It's Amaria. | 0:05:31 | 0:05:33 | |
-CHEERING -Me? | 0:05:33 | 0:05:35 | |
Are you real? | 0:05:35 | 0:05:37 | |
'When I won, all that was going through my head was, | 0:05:37 | 0:05:40 | |
' "Radio 1's Big Weekend." ' | 0:05:40 | 0:05:42 | |
I was just so happy that I won. | 0:05:42 | 0:05:44 | |
-How are you feeling? -I'm still shocked! | 0:05:44 | 0:05:47 | |
I'm not really nervous about my big performance because this is what | 0:05:48 | 0:05:51 | |
I love doing and I'm just going to bring it, either way. | 0:05:51 | 0:05:54 | |
# When will I see you again? # | 0:05:54 | 0:06:03 | |
Here in Exeter, | 0:06:06 | 0:06:07 | |
Amaria will be performing on the BBC Introducing Stage, | 0:06:07 | 0:06:11 | |
which has helped launch the careers of superstars like | 0:06:11 | 0:06:13 | |
Florence And The Machine, Catfish And The Bottlemen and Jake Bugg. | 0:06:13 | 0:06:17 | |
Stepping out here is a huge opportunity, but a scary one. | 0:06:17 | 0:06:20 | |
But luckily for Amaria, she won't be going it alone. | 0:06:20 | 0:06:22 | |
Accompanying her is our very own music maestro, David Tench. | 0:06:22 | 0:06:26 | |
With only a few hours to go till her big moment, | 0:06:26 | 0:06:28 | |
it's time for a quick sound check. | 0:06:28 | 0:06:30 | |
-Hi, Amaria. -Hi, David. | 0:06:30 | 0:06:31 | |
-How you doing? -I'm all right, thank you. | 0:06:31 | 0:06:33 | |
-This is you later. -Yeah. | 0:06:33 | 0:06:35 | |
-Take your position. -SHE LAUGHS | 0:06:37 | 0:06:38 | |
-Does it feel good to be on this stage? -Yeah, I'm very excited. | 0:06:38 | 0:06:42 | |
It's got a cool backdrop, too. | 0:06:42 | 0:06:43 | |
BBC Music Introducing, introducing YOU. | 0:06:43 | 0:06:45 | |
-Yeah! -Do you feel ready now to perform here on the stage? | 0:06:45 | 0:06:49 | |
Yeah, I feel ready, I'm just pumped. | 0:06:49 | 0:06:51 | |
I just want to perform and then just show the audience | 0:06:51 | 0:06:53 | |
that I'm not a quiet little girl, I've actually got, like, a talent. | 0:06:53 | 0:06:56 | |
That's great. | 0:06:56 | 0:06:58 | |
Well, Amaria's really confident right now, | 0:06:58 | 0:07:00 | |
but later, when we come to perform, you know, | 0:07:00 | 0:07:02 | |
it can get you a little bit nervous cos in these daytime gigs, | 0:07:02 | 0:07:06 | |
you can really see the whites of the audience's eyes. | 0:07:06 | 0:07:09 | |
If you choke at one of these things, if Amaria forgets her words... | 0:07:09 | 0:07:13 | |
she's just got to keep going. | 0:07:13 | 0:07:14 | |
And I'll be right behind her | 0:07:14 | 0:07:16 | |
and I'll be offering all kinds of support. | 0:07:16 | 0:07:18 | |
I'm going to be back here, so if you need me for anything, then you... | 0:07:18 | 0:07:22 | |
You can just take your time, you can turn around, | 0:07:22 | 0:07:24 | |
catch my eye if you want to slow down, take a break, | 0:07:24 | 0:07:27 | |
whatever you want to do... | 0:07:27 | 0:07:28 | |
If you want to talk to the crowd, | 0:07:28 | 0:07:29 | |
-then I'm here to support you and back you... -Right. | 0:07:29 | 0:07:32 | |
And Ben as well on guitar, so it's all going to be good. | 0:07:32 | 0:07:34 | |
If I do get nervous during the performance, | 0:07:34 | 0:07:37 | |
do you have any tips, like, how it can go away, or, like...? | 0:07:37 | 0:07:41 | |
Just remember that it's live, right? | 0:07:41 | 0:07:43 | |
-Yeah. -And there's so many acts performing here | 0:07:43 | 0:07:46 | |
at the festival over the weekend and they're all going to make mistakes. | 0:07:46 | 0:07:49 | |
-Yeah. -So, it's part of that festival vibe | 0:07:49 | 0:07:52 | |
to just accept that things might go a bit wrong, you know? | 0:07:52 | 0:07:56 | |
You can't fail. | 0:07:56 | 0:07:57 | |
-These people are here to see you... -Yeah. -..and they fully support you. | 0:07:57 | 0:08:00 | |
We know what we're doing, right? We know those songs inside out. | 0:08:00 | 0:08:03 | |
-It's going to be great. -Thank you. | 0:08:03 | 0:08:05 | |
So, as Amaria gets to work on her final preparations with David, | 0:08:06 | 0:08:10 | |
it's time for us to check out | 0:08:10 | 0:08:11 | |
one of the other acts on the Main Stage here in Exeter, | 0:08:11 | 0:08:14 | |
and she certainly knows how to rock a festival crowd... | 0:08:14 | 0:08:16 | |
The amazing Jess Glynne. Nice hair, Jess! | 0:08:16 | 0:08:19 | |
# Oh, oh, oh | 0:08:19 | 0:08:20 | |
# I learned to wave goodbye | 0:08:20 | 0:08:23 | |
# Oh, oh, oh | 0:08:23 | 0:08:24 | |
# How not to see my life | 0:08:24 | 0:08:27 | |
# Oh, oh, oh | 0:08:27 | 0:08:28 | |
# Through someone else's eyes | 0:08:28 | 0:08:31 | |
# Oh, oh, oh | 0:08:31 | 0:08:32 | |
# It's not an easy road | 0:08:32 | 0:08:35 | |
# Oh, oh, oh | 0:08:35 | 0:08:36 | |
# And, no, I'm not alone | 0:08:36 | 0:08:39 | |
# Oh, oh, oh | 0:08:39 | 0:08:40 | |
-# So I, I won't be so -Oh, oh, oh | 0:08:40 | 0:08:44 | |
# Hard on myself no more | 0:08:44 | 0:08:47 | |
# Don't be so hard on yourself, no... # | 0:08:47 | 0:08:49 | |
Put your hands in the air. Whoo! | 0:08:49 | 0:08:52 | |
# Learn to forgive, learn to let go | 0:08:52 | 0:08:55 | |
# Hey, hey! | 0:08:55 | 0:08:56 | |
-# Everyone trips -Everyone falls | 0:08:56 | 0:08:59 | |
# So don't be so hard on yourself, no... # | 0:09:00 | 0:09:02 | |
OK, break it down. | 0:09:02 | 0:09:03 | |
# Cos I'm just tired of marching on my own | 0:09:03 | 0:09:07 | |
-# Kind of frail -I feel it in my bones | 0:09:07 | 0:09:11 | |
# Won't let my heart My heart turn into stone | 0:09:11 | 0:09:15 | |
# So don't be so hard on yourself, no | 0:09:15 | 0:09:19 | |
# Don't be so hard on yourself, no... # | 0:09:20 | 0:09:22 | |
I want to hear you sing! | 0:09:22 | 0:09:24 | |
# Learn to forgive, learn to let go | 0:09:24 | 0:09:26 | |
# Everyone trips, everyone falls Everyone, everyone falls | 0:09:28 | 0:09:31 | |
# So don't be so hard on yourself, no | 0:09:32 | 0:09:35 | |
# Cos I'm just tired of marching on my own | 0:09:36 | 0:09:39 | |
# Kind of frail I feel it in my bones | 0:09:40 | 0:09:43 | |
# Won't let my heart My heart turn into stone | 0:09:43 | 0:09:47 | |
# So don't be so hard on yourself, no... # | 0:09:47 | 0:09:51 | |
I want to hear you sing it... Shout it! Put your hands in the air. | 0:09:51 | 0:09:55 | |
-# Kind of frail -Whoo! | 0:09:55 | 0:09:57 | |
-# I feel it in my bones -Hey! | 0:09:57 | 0:09:59 | |
# Won't let my heart My heart turn into stone | 0:09:59 | 0:10:04 | |
# So don't be so hard on yourself, no... # | 0:10:04 | 0:10:06 | |
# I got-got Got what it takes now. # | 0:10:07 | 0:10:11 | |
So, Amaria, I know you're a fantastic dancer, | 0:10:11 | 0:10:14 | |
but what is your plan today? | 0:10:14 | 0:10:15 | |
Well, cos of the songs that I'm singing, | 0:10:15 | 0:10:18 | |
I'm going to be energetic, | 0:10:18 | 0:10:19 | |
but I'm going to be moving around the stage, | 0:10:19 | 0:10:21 | |
coming forward and just, like... | 0:10:21 | 0:10:23 | |
..letting the audience know, like, what I'm about and stuff. | 0:10:24 | 0:10:27 | |
Where do you get your confidence from? | 0:10:27 | 0:10:29 | |
Well, I get a lot of my confidence from my mum, | 0:10:29 | 0:10:31 | |
but at the same time, I get some of my confidence from Kevin. | 0:10:31 | 0:10:34 | |
I know you've been doing some training with Kevin, | 0:10:34 | 0:10:37 | |
how's that been going? | 0:10:37 | 0:10:38 | |
Well, he's been really helpful and he's been, like, | 0:10:38 | 0:10:40 | |
just giving me instructions, like, not to look down when I'm singing | 0:10:40 | 0:10:44 | |
and just, like, bring my audience into the song | 0:10:44 | 0:10:46 | |
so they can feel it as well as I do. | 0:10:46 | 0:10:48 | |
To help Amaria get prepared, she met up with Kevin Adams, | 0:10:49 | 0:10:52 | |
our games guru on the show. | 0:10:52 | 0:10:54 | |
But he's also a legendary choreographer, | 0:10:54 | 0:10:56 | |
who's worked with Take That and Mariah Carey. | 0:10:56 | 0:10:59 | |
This is a massive opportunity for Amaria because this is | 0:10:59 | 0:11:01 | |
a great platform to launch an artist. | 0:11:01 | 0:11:04 | |
Today, with Amaria, I'm going to be working on distraction techniques, | 0:11:04 | 0:11:07 | |
how she copes with things going wrong | 0:11:07 | 0:11:09 | |
and remembering that performance is everything. | 0:11:09 | 0:11:12 | |
This is the last time I get to see Kevin before my big performance, | 0:11:12 | 0:11:15 | |
so I'm really anxious and nervous. | 0:11:15 | 0:11:18 | |
-How are you, good? -I'm all right, thank you. | 0:11:18 | 0:11:20 | |
-Are you excited? -Yeah. | 0:11:20 | 0:11:21 | |
Ooh, it's almost time, it's almost time! | 0:11:21 | 0:11:24 | |
The one thing that I need to work on is my eye contact because I'm always | 0:11:24 | 0:11:28 | |
looking at the ground when I perform, | 0:11:28 | 0:11:30 | |
I need to start looking at the audience. | 0:11:30 | 0:11:31 | |
OK, let's work on your stage presence, let's get cracking. | 0:11:31 | 0:11:34 | |
-Yeah. -OK? -Yeah. | 0:11:34 | 0:11:35 | |
Kevin's going to be working on three key performance points. | 0:11:35 | 0:11:39 | |
First lesson - making sure your face engages with the audience. | 0:11:39 | 0:11:42 | |
# Let's get out of this town... # | 0:11:42 | 0:11:45 | |
That face... Go back, go back! | 0:11:45 | 0:11:47 | |
-It's too slow. -You may go on stage and Dave may be playing the song | 0:11:47 | 0:11:50 | |
-at a different pace... -Yeah. | 0:11:50 | 0:11:52 | |
Something may have gone wrong. | 0:11:52 | 0:11:53 | |
The face... You can't give the game away, | 0:11:53 | 0:11:56 | |
you've got to keep your face in the game. | 0:11:56 | 0:11:58 | |
# Wildest dreams Ah-ahhh-oh. # | 0:11:58 | 0:12:02 | |
When that music went off, you did the face! | 0:12:03 | 0:12:05 | |
The face. The music went off, I don't want to see the face. | 0:12:05 | 0:12:08 | |
# He's so bad but he does it so well | 0:12:08 | 0:12:11 | |
# I can see... # | 0:12:11 | 0:12:12 | |
That facial expression is good. | 0:12:12 | 0:12:15 | |
# Say you see me in hindsight Tangled up with you... # | 0:12:15 | 0:12:18 | |
Next up - giving your all to a performance. | 0:12:18 | 0:12:21 | |
When you came out there, you went back to safe mode. | 0:12:21 | 0:12:24 | |
-You've changed gears... -Mm. -..and you can really see it. | 0:12:24 | 0:12:28 | |
I'm worried. | 0:12:28 | 0:12:29 | |
She's going to have to deliver her best performance | 0:12:29 | 0:12:31 | |
when she first gets there. | 0:12:31 | 0:12:33 | |
When you come this way... | 0:12:33 | 0:12:35 | |
HE SINGS: Wildest Dreams by Taylor Swift | 0:12:35 | 0:12:38 | |
# Burning it down! # | 0:12:38 | 0:12:40 | |
You've got to give more. | 0:12:40 | 0:12:42 | |
Nerves play a part, whether you want to admit it or not, | 0:12:42 | 0:12:44 | |
so you can't then go into your shell. | 0:12:44 | 0:12:46 | |
I need to get her back to that 95% performance before the Big Weekend. | 0:12:46 | 0:12:52 | |
# Burning it down... # | 0:12:52 | 0:12:54 | |
Bend your knees. | 0:12:54 | 0:12:55 | |
# Someday when you leave me I bet these memories | 0:12:55 | 0:12:59 | |
# Follow you around... # | 0:12:59 | 0:13:02 | |
The music's not on. You've got to start singing. | 0:13:02 | 0:13:05 | |
Finally - dealing with distractions. | 0:13:05 | 0:13:08 | |
# Not a single word was said... # | 0:13:08 | 0:13:11 | |
-Stop laughing. -No, no, no, no, wait, wait, wait, wait! | 0:13:11 | 0:13:14 | |
-# No final kiss... # -You see, this is the thing. | 0:13:14 | 0:13:16 | |
-She's distracting me! -But it's distraction training! | 0:13:16 | 0:13:20 | |
Ten minute slot, Radio 1's Big Weekend, you have to sing. | 0:13:20 | 0:13:24 | |
Distraction training is really important | 0:13:24 | 0:13:26 | |
because audiences will shout anything. | 0:13:26 | 0:13:28 | |
-AMARIA SINGS YELLS: -Ah-whoo! Sing it, baby! | 0:13:28 | 0:13:33 | |
The arm, the arm! | 0:13:33 | 0:13:35 | |
You have to just be able to look out front and deliver a performance. | 0:13:35 | 0:13:39 | |
-SHE SINGS -You're my favourite! | 0:13:39 | 0:13:42 | |
I've got you on Instagram, Amaria! | 0:13:42 | 0:13:45 | |
Amaria! Ah-ha! | 0:13:45 | 0:13:47 | |
His distractions are making it harder, | 0:13:47 | 0:13:51 | |
but I know that's going to happen at Radio 1's Big Weekend, | 0:13:51 | 0:13:53 | |
so I just have to concentrate and let him do it now | 0:13:53 | 0:13:56 | |
so I know what to expect when I'm at the show. | 0:13:56 | 0:13:58 | |
Why are you ignoring me?! | 0:13:58 | 0:14:00 | |
-Amaria! -HE WAILS | 0:14:00 | 0:14:03 | |
I voted for you! | 0:14:03 | 0:14:06 | |
Don't turn your back on me! | 0:14:06 | 0:14:08 | |
Amaria! | 0:14:08 | 0:14:12 | |
Massive improvement. | 0:14:12 | 0:14:14 | |
Absolutely massive. | 0:14:14 | 0:14:15 | |
Confidence, looking at people, | 0:14:15 | 0:14:17 | |
he's brought out a completely different Amaria. | 0:14:17 | 0:14:20 | |
# Oh... # | 0:14:20 | 0:14:22 | |
Good. | 0:14:22 | 0:14:23 | |
# Wildest dreams Ah-ahhh-oh. # | 0:14:23 | 0:14:29 | |
You remembered to change your facial expression. | 0:14:29 | 0:14:31 | |
You remembered to smile. | 0:14:31 | 0:14:33 | |
You remembered all of the things that I told you to do. | 0:14:33 | 0:14:35 | |
Really, really good. | 0:14:35 | 0:14:36 | |
I just want you to remember | 0:14:36 | 0:14:37 | |
that I want those gears to still be in that direction. | 0:14:37 | 0:14:40 | |
-Yeah. -Good. How d'you feel? -Good. | 0:14:40 | 0:14:42 | |
-Yeah? You do? -Yeah. | 0:14:42 | 0:14:43 | |
-Good work. -Excellent. | 0:14:46 | 0:14:47 | |
# I got-got Got what it takes now. # | 0:14:47 | 0:14:51 | |
Not long to go now till Amaria takes to the stage, but there's just time | 0:14:51 | 0:14:54 | |
for us to check out another act from the Big Weekend... | 0:14:54 | 0:14:57 | |
The incredible Ellie Goulding. | 0:14:57 | 0:14:59 | |
# What are you waiting for? | 0:14:59 | 0:15:03 | |
-# Love me like you do -La-la-love me like you do | 0:15:03 | 0:15:07 | |
-# Like you do -Love me like you do | 0:15:07 | 0:15:09 | |
# La-la-love me like you do | 0:15:09 | 0:15:12 | |
# Touch me like you do Ta-ta-touch me like you do | 0:15:12 | 0:15:17 | |
# Oh-oh-ohhh | 0:15:17 | 0:15:19 | |
# Oh, what are you waiting for? | 0:15:19 | 0:15:22 | |
# So, love me like you do La-la-love me like you do | 0:15:22 | 0:15:27 | |
-# Like you do -Love me like you do | 0:15:27 | 0:15:30 | |
# La-la-love me like you do | 0:15:30 | 0:15:32 | |
-# Ooh -Touch me like you do | 0:15:32 | 0:15:35 | |
# Ta-ta-touch me like you do | 0:15:35 | 0:15:37 | |
# Ooh-ooh | 0:15:37 | 0:15:40 | |
# So, love me like you do La-la-love me like you do | 0:15:43 | 0:15:48 | |
# Love me like you do La-la-love me like you do | 0:15:48 | 0:15:53 | |
# Touch me like you do Ta-ta-touch me like you do | 0:15:53 | 0:15:57 | |
# Ooh-ooh | 0:15:57 | 0:16:00 | |
# What are you waiting for? | 0:16:00 | 0:16:03 | |
-# Oh-ohhh -Love me like you do | 0:16:03 | 0:16:05 | |
# La-la-love me like you do | 0:16:05 | 0:16:08 | |
# Love me like you do La-la-love me like you do | 0:16:08 | 0:16:11 | |
# Love me like you do | 0:16:11 | 0:16:13 | |
# Touch me like you do Ta-ta-touch me like you do | 0:16:13 | 0:16:18 | |
# Oh-ohhh | 0:16:18 | 0:16:20 | |
# What are you waiting for? | 0:16:20 | 0:16:28 | |
# Love me like you do La-la-love me like you do | 0:16:28 | 0:16:33 | |
# Love me like you do La-la-love me like you do | 0:16:33 | 0:16:38 | |
# Touch me like you do Ta-ta-touch me like you do. # | 0:16:38 | 0:16:43 | |
Brilliant stuff. With the clock counting down to her performance, | 0:16:49 | 0:16:53 | |
it's time for Amaria to change into her stage gear. | 0:16:53 | 0:16:55 | |
So, Amaria, you definitely look the part today. | 0:16:55 | 0:16:58 | |
Tell me a little bit about what you're wearing. | 0:16:58 | 0:17:00 | |
Well, I'm wearing, like, a beige tracksuit with, like, | 0:17:00 | 0:17:04 | |
this matching jacket and brand-new white shoes, | 0:17:04 | 0:17:07 | |
so I have to try and keep them clean. | 0:17:07 | 0:17:09 | |
You have always had an amazing style, | 0:17:09 | 0:17:11 | |
where do you think you get your style from? | 0:17:11 | 0:17:14 | |
To be honest, I don't really know, it's just, like... | 0:17:14 | 0:17:16 | |
Like, when I watch, like, um, videos of other artists | 0:17:16 | 0:17:20 | |
and what they wear, this gives me an idea what I would like to wear. | 0:17:20 | 0:17:23 | |
You're definitely looking the part, Amaria, | 0:17:23 | 0:17:25 | |
how did you put this outfit together? | 0:17:25 | 0:17:27 | |
Well, I have a stylist, her name is Ayishat, and she, like, | 0:17:27 | 0:17:32 | |
looked at what I like to wear and then she just put it out for me. | 0:17:32 | 0:17:35 | |
It's a kind of urban look and this is what I like to wear, | 0:17:35 | 0:17:38 | |
and I feel comfortable. | 0:17:38 | 0:17:40 | |
I think it's a really unique outfit, Amaria, | 0:17:40 | 0:17:42 | |
and I think it looks really, really good on you. | 0:17:42 | 0:17:44 | |
-I think you'll look fab on the stage. -Thank you. | 0:17:44 | 0:17:46 | |
To make a huge impression at the Big Weekend, | 0:17:46 | 0:17:48 | |
Amaria had to be styled like a superstar. | 0:17:48 | 0:17:51 | |
So she enlisted the help of celebrity stylist, Ayishat Akanbi, | 0:17:51 | 0:17:55 | |
who's worked with big names such as Labrinth. | 0:17:55 | 0:17:57 | |
# I wished you the best of... # | 0:17:57 | 0:18:03 | |
I think for an artist to have the right look is really key. | 0:18:03 | 0:18:06 | |
You can have a certain sound, but then if the image doesn't match up, | 0:18:06 | 0:18:09 | |
audiences can find it hard and confusing | 0:18:09 | 0:18:12 | |
and you just don't connect right. | 0:18:12 | 0:18:15 | |
Ayishat's style is very unique. | 0:18:15 | 0:18:17 | |
It will make a difference to my performance if I look the part | 0:18:17 | 0:18:19 | |
because if I look the part, then you know I'm going to smash it. | 0:18:19 | 0:18:22 | |
-Good to meet you, Amaria. -You, too. | 0:18:22 | 0:18:24 | |
And you must be Mum. | 0:18:24 | 0:18:26 | |
-Good to meet you, too. -Yeah, I am. -Is Labrinth easy to work with? | 0:18:26 | 0:18:29 | |
Labrinth is easy to work with. | 0:18:29 | 0:18:31 | |
I'd say he's my easiest client | 0:18:31 | 0:18:32 | |
because I've worked with him for so long. | 0:18:32 | 0:18:34 | |
So, now, when I shop for him, it's like shopping for myself. | 0:18:34 | 0:18:37 | |
You look like you have a really unique style, tell me about yours. | 0:18:37 | 0:18:40 | |
Well, when I dress myself, I don't just put two and two together, | 0:18:40 | 0:18:43 | |
I have to think about if that goes with that | 0:18:43 | 0:18:46 | |
or if that goes with that. | 0:18:46 | 0:18:47 | |
I literally think I was you at 13 so... | 0:18:47 | 0:18:51 | |
I've styled you almost thinking about my 13-year-old self | 0:18:51 | 0:18:53 | |
and what I'd like to look like and I think you might like it as well. | 0:18:53 | 0:18:56 | |
-You take that... -Thank you. | 0:18:58 | 0:18:59 | |
-Wicked, all right, see you soon. -Bye. | 0:18:59 | 0:19:02 | |
-You look amazing. -Thank you. | 0:19:04 | 0:19:06 | |
Outfit one, a new take on monochrome. | 0:19:06 | 0:19:09 | |
-How do you feel? -I like it. | 0:19:09 | 0:19:11 | |
I feel ready to, like, sing. | 0:19:11 | 0:19:13 | |
-Yeah, OK, yeah. It looks like it. -LAUGHTER | 0:19:13 | 0:19:15 | |
Yeah, it looks really good. | 0:19:15 | 0:19:17 | |
I feel very comfortable and it's not tight, | 0:19:17 | 0:19:20 | |
so I can walk around without stretching and stuff. | 0:19:20 | 0:19:24 | |
Look two, rocking it in double denim. | 0:19:25 | 0:19:27 | |
So, how do you feel in this one? | 0:19:27 | 0:19:29 | |
I like it, but I wouldn't wear it. | 0:19:29 | 0:19:31 | |
-Oh, I like this one. -How about maybe we remixed it a little bit? | 0:19:31 | 0:19:34 | |
-Put your arm in. -How do you feel now, babe? | 0:19:34 | 0:19:37 | |
Yeah, I like it more. | 0:19:37 | 0:19:39 | |
I like it now. | 0:19:39 | 0:19:40 | |
-You like it now? -Yeah. | 0:19:40 | 0:19:42 | |
Oh, this one looks really cool. | 0:19:43 | 0:19:45 | |
-Yeah. -Yeah. -And for her third look... | 0:19:45 | 0:19:47 | |
an urban/military mashup. | 0:19:47 | 0:19:49 | |
I like this. This is her. | 0:19:49 | 0:19:51 | |
This suits her. This is her kind of character, it suits her character, | 0:19:51 | 0:19:54 | |
it's who she is. | 0:19:54 | 0:19:55 | |
It's decision time. | 0:19:55 | 0:19:56 | |
What you thinking? | 0:19:59 | 0:20:01 | |
I like the beige one more. | 0:20:01 | 0:20:03 | |
-I feel more comfortable in the beige. -OK. | 0:20:03 | 0:20:05 | |
All right. | 0:20:05 | 0:20:07 | |
Well, here is the final look. | 0:20:07 | 0:20:08 | |
Good luck, I think you're going to kill it. | 0:20:08 | 0:20:10 | |
-Thank you. -No worries. | 0:20:10 | 0:20:12 | |
This is the outfit that I've chosen. I'm going to smash it. | 0:20:12 | 0:20:14 | |
I really like this outfit. | 0:20:14 | 0:20:16 | |
-She just gets me. -Come on. | 0:20:16 | 0:20:18 | |
Give me a high five. You know you look good, I love it. | 0:20:18 | 0:20:21 | |
It's just you, she got it spot-on. Spot-on, I love it. | 0:20:21 | 0:20:24 | |
# I got-got Got what it takes now. # | 0:20:27 | 0:20:29 | |
Before finally taking to the stage, | 0:20:33 | 0:20:35 | |
there's just enough time for Amaria to get some top industry advice. | 0:20:35 | 0:20:39 | |
Craig David has sold over 13 million records | 0:20:39 | 0:20:41 | |
and is a legend on the UK garage scene. | 0:20:41 | 0:20:44 | |
# You will never have never heard nothin' like this | 0:20:45 | 0:20:48 | |
# Better listen up otherwise you're gonna miss | 0:20:48 | 0:20:49 | |
# When the bassline drops you know what to do | 0:20:49 | 0:20:52 | |
# Baby... # | 0:20:52 | 0:20:53 | |
Is there any tips you can give Amaria about performing? | 0:20:53 | 0:20:56 | |
Um, all I'd say is enjoy it. | 0:20:56 | 0:21:00 | |
Like, when you're on stage, it's your moment to shine. | 0:21:00 | 0:21:03 | |
And usually when it seems like there's loads of people, | 0:21:03 | 0:21:06 | |
don't sort of focus on thinking how many people | 0:21:06 | 0:21:08 | |
or how many people are listening at home, | 0:21:08 | 0:21:10 | |
just enjoy your moment. | 0:21:10 | 0:21:11 | |
You're there, you've got this far because | 0:21:11 | 0:21:14 | |
you're that talented... | 0:21:14 | 0:21:15 | |
Just have fun with it and the crowd will have fun off of that, | 0:21:15 | 0:21:17 | |
-d'you know what I mean? -Have you had any tricky or difficult | 0:21:17 | 0:21:20 | |
moments on stage? | 0:21:20 | 0:21:21 | |
Do you know what, there's been moments where... | 0:21:21 | 0:21:24 | |
OK, this is a good little... A little bit of experience | 0:21:24 | 0:21:26 | |
that will help you out as well. | 0:21:26 | 0:21:28 | |
For some reason the music stopped. | 0:21:28 | 0:21:29 | |
Um... Out of the... | 0:21:29 | 0:21:31 | |
And this time it was, like, "OK, we've got options here." | 0:21:31 | 0:21:34 | |
One, we stop with it and make a big moment of it, | 0:21:34 | 0:21:38 | |
or we own it and go in and do some sort of a cappella freestyle, | 0:21:38 | 0:21:42 | |
which is what I ended up doing, | 0:21:42 | 0:21:44 | |
and then it ended up being one of the most, sort of, | 0:21:44 | 0:21:46 | |
memorable moments for me and for the fans because they were like, | 0:21:46 | 0:21:49 | |
"Oh, wow, that thing where you went into that a cappella part, | 0:21:49 | 0:21:51 | |
"that was really cool," | 0:21:51 | 0:21:53 | |
like it was all part of the whole thing. | 0:21:53 | 0:21:54 | |
So I'd say for you again, anything you're going to do on stage, | 0:21:54 | 0:21:57 | |
do it with confidence cos the crowd don't know what you're going to do. | 0:21:57 | 0:22:01 | |
Do you have any tips getting the crowd hyped up? | 0:22:01 | 0:22:04 | |
Yeah, I'd say you can always kind of engage the crowd and be like... | 0:22:04 | 0:22:08 | |
shout them out. | 0:22:08 | 0:22:09 | |
If you're here in Exeter, shout out Exeter, do you know what I mean? | 0:22:09 | 0:22:12 | |
They always love feeling like they're part of it, | 0:22:12 | 0:22:14 | |
but at the same time, as a performer, | 0:22:14 | 0:22:17 | |
I always still feel that it's your energy that gets them hyped, | 0:22:17 | 0:22:20 | |
do you know what I mean? | 0:22:20 | 0:22:21 | |
So... Cos sometimes you overthink it, | 0:22:21 | 0:22:22 | |
"Oh, I've got to say shout-outs..." Do what you're doing and do it well, | 0:22:22 | 0:22:26 | |
people are going to love it because | 0:22:26 | 0:22:27 | |
they're hyped that you're going to be on stage anyway. | 0:22:27 | 0:22:30 | |
They're like, "What?!" You'll get them hyper. | 0:22:30 | 0:22:32 | |
Um... You're going to kill it. I'm so excited. | 0:22:32 | 0:22:34 | |
After the brilliant advice from Craig, | 0:22:35 | 0:22:37 | |
Radio 1 royalty pops by to wish Amaria luck. | 0:22:37 | 0:22:40 | |
When you go on stage to DJ, what's it like? | 0:22:40 | 0:22:42 | |
Um... Well, for instance, | 0:22:42 | 0:22:44 | |
I've been out already today DJing on the Main Stage | 0:22:44 | 0:22:47 | |
and that's A LOT of people. | 0:22:47 | 0:22:49 | |
Um... I'm actually better with a large group of people | 0:22:49 | 0:22:53 | |
-than a small group. -Yeah. | 0:22:53 | 0:22:55 | |
If it was ten people, that would freak me out, | 0:22:55 | 0:22:57 | |
but because there's, like, thousands...it's just people, | 0:22:57 | 0:23:01 | |
-do you know what I mean? -Yeah. | 0:23:01 | 0:23:02 | |
You can't see their eyes, so it kind of works better if it's a big crowd. | 0:23:02 | 0:23:06 | |
I used to get so nervous before just doing anything with crowds, | 0:23:06 | 0:23:10 | |
but over the years at Radio 1 I've kind of become...not nervous, | 0:23:10 | 0:23:15 | |
I still get the real adrenaline and I pace up and down a lot beforehand | 0:23:15 | 0:23:19 | |
and just, like, think about... I don't know what, but just pace. | 0:23:19 | 0:23:23 | |
And, um... And then, as you know, before you know it, | 0:23:23 | 0:23:26 | |
you're on and you're off and it's over in a flash, so... | 0:23:26 | 0:23:29 | |
I think you've just got to enjoy it | 0:23:29 | 0:23:31 | |
-and not be terrified of it, you know? -Yeah. | 0:23:31 | 0:23:33 | |
Do you have any tips to make it out in the music industry? | 0:23:33 | 0:23:36 | |
I would say always be nice to people, | 0:23:36 | 0:23:38 | |
always turn up on time and just try your hardest. | 0:23:38 | 0:23:42 | |
And just getting your stuff out there. | 0:23:42 | 0:23:43 | |
You know, with the internet now, | 0:23:43 | 0:23:45 | |
it's much easier to just have a platform, to just, like, | 0:23:45 | 0:23:48 | |
completely flood it with stuff and I think that's what needs to be done. | 0:23:48 | 0:23:52 | |
But you've got a great stepping stone | 0:23:52 | 0:23:54 | |
just by winning this competition, you know? | 0:23:54 | 0:23:56 | |
-Thank you. -So, now you've won, what's the next step? | 0:23:56 | 0:23:59 | |
Where do you want to go next? | 0:23:59 | 0:24:00 | |
Well, I want to continue singing and I want to be, like, big. | 0:24:00 | 0:24:04 | |
-Big? -How big? | 0:24:04 | 0:24:06 | |
-Big. -Adele big? | 0:24:06 | 0:24:08 | |
-Bigger. -Bigger? -Yeah. | 0:24:08 | 0:24:10 | |
And is that possible? How can you be bigger than Adele? | 0:24:10 | 0:24:13 | |
Amaria's in such great company at this festival and if she's lucky, | 0:24:14 | 0:24:18 | |
one day she could end up like these guys. | 0:24:18 | 0:24:20 | |
Yes, just before Amaria goes on, | 0:24:20 | 0:24:22 | |
there's time for us to check out | 0:24:22 | 0:24:23 | |
more Big Weekend action from the Main Stage. | 0:24:23 | 0:24:25 | |
This time from Years & Years. Loving those dungarees, Olly. | 0:24:25 | 0:24:29 | |
# I remember us alone Waiting for the light to go | 0:24:39 | 0:24:42 | |
# Don't you feel that hunger? I've got so many secrets to show | 0:24:42 | 0:24:47 | |
# When I saw you on that stage I shivered with the look you gave | 0:24:47 | 0:24:51 | |
# Don't you hear that rhythm? Can you show me how we can escape? | 0:24:51 | 0:24:56 | |
# Ooh-ooh-ooh-ooh | 0:24:56 | 0:24:58 | |
# Ooh-ooh-ooh-ooh | 0:24:58 | 0:25:01 | |
# But I'll forget what I've done And I will be redefined... # | 0:25:01 | 0:25:05 | |
CHEERING | 0:25:05 | 0:25:08 | |
# Oh-oh-ohhh! | 0:25:11 | 0:25:14 | |
# It's shaking the sky and I'm following lightning | 0:25:14 | 0:25:18 | |
# Lightning | 0:25:18 | 0:25:20 | |
# I'll recover if you keep me alive | 0:25:20 | 0:25:23 | |
-# Don't leave me behind -No, don't leave me! | 0:25:23 | 0:25:25 | |
-# Can you see me? I'm shining -I'm shining | 0:25:25 | 0:25:29 | |
# And it's you that I've been waiting to find | 0:25:29 | 0:25:32 | |
# I'm holding it all tonight I'm folding it all tonight | 0:25:32 | 0:25:36 | |
# You know that you make it shine | 0:25:36 | 0:25:37 | |
# It's you that I've been waiting to find | 0:25:37 | 0:25:40 | |
# I'm holding it all tonight I'm folding it all tonight | 0:25:40 | 0:25:44 | |
# You know that you make it shine | 0:25:44 | 0:25:46 | |
# It's you that I've been waiting to find | 0:25:46 | 0:25:49 | |
# Oh, oh, give me till the night Oh, oh, give me till the night | 0:25:49 | 0:25:54 | |
# Oh, no, no | 0:25:54 | 0:25:55 | |
# It's you that I've been waiting to find | 0:25:55 | 0:25:58 | |
# Oh, oh, give me till the night Oh, oh, give me till the night | 0:25:58 | 0:26:04 | |
# It's you that I've been waiting to find | 0:26:04 | 0:26:10 | |
# Oh, no, no, yeah | 0:26:10 | 0:26:13 | |
# Oh, oh, yeah. # | 0:26:13 | 0:26:15 | |
Thank you. | 0:26:16 | 0:26:18 | |
CHEERING Whoo! | 0:26:18 | 0:26:20 | |
# I got-got Got what it takes now. # | 0:26:20 | 0:26:22 | |
So, this is it. | 0:26:22 | 0:26:23 | |
After months of battling it out at the music mansion | 0:26:23 | 0:26:25 | |
and earning a place at one of the UK's biggest music events, | 0:26:25 | 0:26:29 | |
it's nearly time to perform. | 0:26:29 | 0:26:30 | |
You're just about to go on, how are you feeling? | 0:26:33 | 0:26:35 | |
I'm pumped, I'm excited, | 0:26:35 | 0:26:36 | |
I just want to perform and just smash it. | 0:26:36 | 0:26:38 | |
I'm so proud of you for going up there | 0:26:38 | 0:26:40 | |
and I know you're going to enjoy it so, so much. | 0:26:40 | 0:26:42 | |
You've just got to remember - just have fun, | 0:26:42 | 0:26:44 | |
because at the end of the day, that's why you're here. | 0:26:44 | 0:26:46 | |
-You ready? -Yeah. | 0:26:46 | 0:26:48 | |
-OK. Have fun, good luck. -Thank you. | 0:26:48 | 0:26:50 | |
'It's all come down to this one moment for Amaria | 0:26:51 | 0:26:53 | |
'as she takes to the stage.' | 0:26:53 | 0:26:55 | |
If this doesn't go well for Amaria, | 0:26:55 | 0:26:57 | |
it will be a real shame because it's possibly the worst thing, | 0:26:57 | 0:27:00 | |
getting up on stage and choking. | 0:27:00 | 0:27:02 | |
Some familiar faces have come to support her. | 0:27:02 | 0:27:05 | |
This is it, Amaria, this is your moment. | 0:27:05 | 0:27:08 | |
-Don't forget to say... Speak. -Um... Hi, guys, my name's Amaria. | 0:27:14 | 0:27:17 | |
I was recently on a show called "Got What It Takes?" | 0:27:17 | 0:27:20 | |
and I won it, so that's the reason why I'm here. | 0:27:20 | 0:27:23 | |
-CHEERING -Um... | 0:27:23 | 0:27:25 | |
# Let's get out of this town | 0:27:35 | 0:27:38 | |
# Drive out of the city Away from the crowd | 0:27:38 | 0:27:42 | |
# I thought, "Heaven can't help me now" | 0:27:42 | 0:27:45 | |
# Nothing lasts forever | 0:27:45 | 0:27:48 | |
# Say you'll remember me | 0:27:48 | 0:27:51 | |
# Standing in a nice dress Staring at the sunset, babe | 0:27:51 | 0:27:56 | |
# Red lips and rosy cheeks | 0:27:56 | 0:27:58 | |
# Say you'll see me again Even if it's just in your | 0:27:58 | 0:28:04 | |
# Wildest dreams, ah-ah-ohh | 0:28:04 | 0:28:10 | |
# Wildest dreams, ah-ah-ohh | 0:28:11 | 0:28:18 | |
# Wildest dreams, ah-ah-ohh | 0:28:19 | 0:28:24 | |
# Wildest dreams, ah-ah-ohh. # | 0:28:27 | 0:28:33 | |
CHEERING | 0:28:33 | 0:28:36 | |
Amaria is smashing it and as she gets into her stride, | 0:28:36 | 0:28:39 | |
more and more people start coming over to check out her performance. | 0:28:39 | 0:28:43 | |
Come on, come on, come on. Kill it. | 0:28:51 | 0:28:54 | |
# From walking home and talking loads... # | 0:28:54 | 0:28:56 | |
Good girl. | 0:28:56 | 0:28:58 | |
# To seeing shows in evening clothes with you | 0:29:00 | 0:29:06 | |
# Now we're slipping at the edge Holding something we don't need | 0:29:07 | 0:29:12 | |
# All this delusion in our heads Gonna bring us to our knees | 0:29:14 | 0:29:20 | |
# So come on, let it go Just let it be | 0:29:21 | 0:29:29 | |
# Why don't you be you And I'll be me...? # | 0:29:29 | 0:29:34 | |
-That's all right? -Yeah. | 0:29:34 | 0:29:36 | |
Mic's perfect. | 0:29:36 | 0:29:38 | |
# Trying to push this problem up the hill | 0:29:38 | 0:29:42 | |
# When it's too heavy to hold | 0:29:42 | 0:29:47 | |
# Think now's the time to let it slide, slide, slide | 0:29:47 | 0:29:53 | |
# So come on, let it go And let it be | 0:29:53 | 0:29:59 | |
# Why don't you be you And I'll be me? | 0:30:01 | 0:30:07 | |
# And I'll be me. # | 0:30:08 | 0:30:16 | |
CHEERING | 0:30:16 | 0:30:18 | |
AMARIA LAUGHS | 0:30:18 | 0:30:21 | |
The next song, the last one I'm going to be singing, is Adele, | 0:30:21 | 0:30:25 | |
Don't You Remember? So I hope you enjoy it. | 0:30:25 | 0:30:28 | |
Going into the final song, | 0:30:28 | 0:30:29 | |
the crowd really fills out as Amaria ramps it up with her favourite | 0:30:29 | 0:30:32 | |
Adele track. | 0:30:32 | 0:30:33 | |
# When will I see you again? | 0:30:33 | 0:30:37 | |
# You left with no goodbye Not a single word was said | 0:30:37 | 0:30:43 | |
# No final kiss to seal any sins | 0:30:46 | 0:30:51 | |
# I had no idea of the state we were in | 0:30:53 | 0:30:59 | |
# But I know I have a fickle heart and bitterness | 0:31:01 | 0:31:05 | |
# And a wandering eye and a heaviness in my head | 0:31:05 | 0:31:12 | |
# But don't you remember? | 0:31:12 | 0:31:20 | |
# Baby, please remember me once more | 0:31:20 | 0:31:27 | |
# Gave you the space so you could breathe | 0:31:30 | 0:31:33 | |
# I kept my distance so you could be free | 0:31:33 | 0:31:37 | |
# I hoped that you'd find the missing piece | 0:31:37 | 0:31:41 | |
# To bring you back to me | 0:31:41 | 0:31:45 | |
# Why don't you remember? | 0:31:45 | 0:31:53 | |
# Don't you remember? | 0:31:54 | 0:32:00 | |
# The reason you loved me before | 0:32:00 | 0:32:08 | |
# Baby, please remember me once more | 0:32:08 | 0:32:16 | |
# When will I see you again? # | 0:32:18 | 0:32:26 | |
Thank you. | 0:32:26 | 0:32:28 | |
CHEERING | 0:32:28 | 0:32:30 | |
She's done it. | 0:32:30 | 0:32:32 | |
Amaria has triumphed at the Big Weekend. | 0:32:32 | 0:32:34 | |
Go, Amaria! | 0:32:36 | 0:32:37 | |
It was excellent. | 0:32:38 | 0:32:40 | |
Everything went to plan. | 0:32:40 | 0:32:41 | |
I just want to do it again, it was that fun. | 0:32:41 | 0:32:43 | |
Oh, it was...epic. | 0:32:43 | 0:32:45 | |
Absolutely epic. | 0:32:45 | 0:32:47 | |
Amaria! Well done. | 0:32:47 | 0:32:49 | |
You absolutely smashed it. | 0:32:49 | 0:32:50 | |
I'm so proud. How do you think it went? | 0:32:50 | 0:32:52 | |
I think it went great, you know, cos, like, I was pumped. | 0:32:52 | 0:32:56 | |
As soon as she started making noise and we started playing, she was off. | 0:32:56 | 0:32:59 | |
And the crowd came to see her... | 0:32:59 | 0:33:01 | |
I'm so happy for her, it was ace. | 0:33:01 | 0:33:03 | |
When I watched Amaria's performance, | 0:33:03 | 0:33:05 | |
it was a little bit emotional for me because obviously when I met Amaria, | 0:33:05 | 0:33:09 | |
she was really shy and she didn't really talk that much | 0:33:09 | 0:33:12 | |
and I didn't really, really understand what she was about. | 0:33:12 | 0:33:14 | |
But now I know her more and she's come so far. | 0:33:14 | 0:33:17 | |
It's just been amazing to see her grow that much. | 0:33:17 | 0:33:20 | |
I don't think I've ever known, in all of my time at Radio 1, | 0:33:20 | 0:33:23 | |
someone who is on the BBC Introducing Stage at the age of 13 | 0:33:23 | 0:33:27 | |
and actually not fazed by it at all. | 0:33:27 | 0:33:29 | |
She's like, "Yeah, I'm cool." | 0:33:29 | 0:33:31 | |
Not nervous. That's exactly what you need if you're an artist. | 0:33:31 | 0:33:34 | |
So that's it. I think it's clear that here at the Big Weekend, | 0:33:34 | 0:33:38 | |
Amaria absolutely proved she's got what it takes. | 0:33:38 | 0:33:41 | |
-Thank you. -CHEERING | 0:33:43 | 0:33:45 | |
LAUGHTER | 0:33:49 | 0:33:50 | |
Amaria smashing up the stages all over the UK. | 0:33:50 | 0:33:53 | |
What have you got to say about that? This all started here. | 0:33:53 | 0:33:56 | |
-Trust me, it's all on you now, you know what I mean? -Yeah. | 0:33:56 | 0:33:59 |