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# You gotta watch this... # | 0:00:02 | 0:00:04 | |
FARTING | 0:00:04 | 0:00:06 | |
# ..You gotta watch this | 0:00:06 | 0:00:09 | |
# You gotta watch this | 0:00:09 | 0:00:12 | |
# My, my, my, my programme hits you So hard | 0:00:12 | 0:00:15 | |
# Makes me say Oh, my word! | 0:00:15 | 0:00:17 | |
# Thank you for watching me It's telly | 0:00:17 | 0:00:19 | |
# But not what you normally see | 0:00:19 | 0:00:21 | |
# It feels good And there's out-takes, too | 0:00:21 | 0:00:23 | |
# Comedy, guests and clips It's true | 0:00:23 | 0:00:25 | |
# So sit back, don't move too much This is a show | 0:00:25 | 0:00:27 | |
# Ha! You can't touch | 0:00:27 | 0:00:29 | |
# Stop! Hacker time! # | 0:00:29 | 0:00:31 | |
Thank you. | 0:00:31 | 0:00:32 | |
Good day to you, cockers, one and all. | 0:00:32 | 0:00:35 | |
We have got loads of drama in store for you | 0:00:35 | 0:00:38 | |
because today's Hacker Time is all about | 0:00:38 | 0:00:41 | |
the fascinating art of the soap opera. | 0:00:41 | 0:00:44 | |
But first of all... Oh, hang on, there's a problem. | 0:00:44 | 0:00:48 | |
I have lost my script. | 0:00:48 | 0:00:50 | |
EASTENDERS DUFF-DUFFS PLAY | 0:00:50 | 0:00:52 | |
Oi, Herman, do you mind? I'm doing my bit now. | 0:00:52 | 0:00:55 | |
Sorry, Hacker. | 0:00:55 | 0:00:56 | |
Now, where was I? Oh, yes. I've lost my script! | 0:00:56 | 0:01:00 | |
CORONATION STREET THEME PLAYS | 0:01:00 | 0:01:03 | |
Derek, what do you think you are doing? | 0:01:03 | 0:01:04 | |
Oh, sorry, Mr Hacker. | 0:01:04 | 0:01:06 | |
I'm just getting some practice in before my next cornet lesson. | 0:01:06 | 0:01:11 | |
Well, do it in your own time, please. | 0:01:11 | 0:01:13 | |
Now, what was I saying? Oh, yes, I remember now. | 0:01:13 | 0:01:16 | |
I've lost me script! | 0:01:16 | 0:01:17 | |
EMMERDALE THEME PLAYS | 0:01:17 | 0:01:20 | |
And you lot can shut up as well! Oh, I am livid, here! | 0:01:22 | 0:01:27 | |
But, on the bright side, I've found me script. | 0:01:27 | 0:01:29 | |
It says it's time for the menu. Derek, do the honours, if you would. | 0:01:29 | 0:01:34 | |
-Coming up, friendly banter. -That doesn't make sense. | 0:01:34 | 0:01:37 | |
-You don't make sense. -High-fashion. Plus. -You have front legs? -Yes. | 0:01:37 | 0:01:43 | |
Then you'd better go and get that seen to, love. | 0:01:43 | 0:01:46 | |
If I see another musical instrument | 0:01:48 | 0:01:50 | |
during the course of this programme, | 0:01:50 | 0:01:52 | |
I will trump in all your packed lunches! | 0:01:52 | 0:01:54 | |
-FARTING -Oh, hello, yes. | 0:01:54 | 0:01:56 | |
Now, as I was saying, today's show is all about soap operas | 0:01:56 | 0:01:59 | |
what are always on the telly, | 0:01:59 | 0:02:01 | |
so I've got one of the stars of Coronation Street joining us. | 0:02:01 | 0:02:04 | |
-Except she doesn't know it. Wilf, Herman, get her! -Yes, Mr Hacker. | 0:02:04 | 0:02:10 | |
I'll fire up the van. | 0:02:10 | 0:02:13 | |
HACKER LAUGHS | 0:02:13 | 0:02:15 | |
MISSION IMPOSSIBLE THEME PLAYS | 0:02:15 | 0:02:17 | |
See you, everyone! | 0:02:18 | 0:02:20 | |
Oh, Rita, I'm going to borrow your new snazzy cardi to go out in, | 0:02:20 | 0:02:23 | |
is that all right? | 0:02:23 | 0:02:24 | |
-Oh! -Off you go, Wilf. -What's going on? | 0:02:24 | 0:02:28 | |
-Off we go. -Hello? Driver? | 0:02:28 | 0:02:32 | |
Driver? Driver? | 0:02:32 | 0:02:36 | |
-Does my agent know about this? -Reversing. | 0:02:36 | 0:02:40 | |
Please welcome, today's special guest, from Coronation Street, | 0:02:40 | 0:02:43 | |
it's Jennie Mucklepine, who plays Fiz Stape. | 0:02:43 | 0:02:47 | |
Firstly, it's Jennie McAlpine, | 0:02:47 | 0:02:50 | |
and secondly what is going on here, Hacker? | 0:02:50 | 0:02:52 | |
-You are my guest on today's Hacker Time. -What does that entail? | 0:02:52 | 0:02:56 | |
30 minutes of total and utter nonsense, basically. | 0:02:56 | 0:02:58 | |
Oh, and what makes you think I will stay for that? | 0:02:58 | 0:03:00 | |
Well, I have a lovely hotpot. | 0:03:00 | 0:03:02 | |
You lot on Corrie always seem to be eating hotpot. | 0:03:02 | 0:03:05 | |
Oh, well, if that is the case. I am all yours. | 0:03:05 | 0:03:07 | |
-Belting. Bring on the hotpot! -That is not a hotpot. -Yes it is, love. | 0:03:07 | 0:03:14 | |
She is a pot and she is very hot. | 0:03:14 | 0:03:17 | |
Now that is sorted, | 0:03:18 | 0:03:19 | |
it is time to educate the audience on the subject of you. | 0:03:19 | 0:03:22 | |
-Here is everything you need to know about Jenny Mucklepine. -MCALPINE! | 0:03:22 | 0:03:26 | |
Bless you. Pull that lever, my old cock-sparrow. | 0:03:26 | 0:03:30 | |
Jennie McAlpine is a TV woman who has got red hair. | 0:03:30 | 0:03:34 | |
She has played Fiz in Coronation Street since Victorian times. | 0:03:34 | 0:03:39 | |
More recently, Fiz was sent to trial for trumping. "Not again!" | 0:03:39 | 0:03:45 | |
"Sorry, there was beans in the canteen." | 0:03:45 | 0:03:48 | |
The problem is so bad that the rest of the cast must stand | 0:03:48 | 0:03:51 | |
at least one car's distance away from her. | 0:03:51 | 0:03:54 | |
Things have gone from bad to worse of late | 0:03:54 | 0:03:56 | |
and after getting arrested at a funeral for trumping, | 0:03:56 | 0:04:00 | |
she ended up in prison where her cellmate | 0:04:00 | 0:04:02 | |
made hurtful comments about her tabard. | 0:04:02 | 0:04:05 | |
But her trumping problems just won't stop. | 0:04:05 | 0:04:07 | |
-FARTING -"Sorry!" | 0:04:07 | 0:04:10 | |
"Will you just stop it with the beans, Fiz." | 0:04:10 | 0:04:13 | |
It got so bad, she managed to clear everyone out | 0:04:13 | 0:04:16 | |
of Hayley Cropper's wedding. | 0:04:16 | 0:04:18 | |
Look at Hayley! She is furious. | 0:04:18 | 0:04:20 | |
That is all you need to know about Jenny Mucklepine. | 0:04:20 | 0:04:24 | |
HACKER LAUGHS | 0:04:24 | 0:04:26 | |
What did you make of that? | 0:04:26 | 0:04:28 | |
Well, Hacker, it was factually incorrect. | 0:04:28 | 0:04:30 | |
-You are factually incorrect. -That does not make sense. | 0:04:30 | 0:04:32 | |
-You do not make sense. -Right, I will be going now. -You'll be going now. | 0:04:32 | 0:04:36 | |
-Thank goodness for that. -No, no, don't go. Don't go, Jennie. | 0:04:36 | 0:04:39 | |
-I have a proper interview prepared for you. -Right, all right. | 0:04:39 | 0:04:45 | |
I'll stay as long as it is sensible. | 0:04:45 | 0:04:48 | |
Jennie, you have absolutely nothing to worry about. | 0:04:48 | 0:04:53 | |
LAUGHS MANIACALLY | 0:04:53 | 0:04:54 | |
-I can hear you, you know. -That's awkward. Oh, all right then. | 0:04:58 | 0:05:03 | |
Question one. You appear on a programme called Coronation Street. | 0:05:03 | 0:05:09 | |
-On what road is that programme set? -Coronation Street. | 0:05:09 | 0:05:12 | |
What a confusing show it is, this. | 0:05:12 | 0:05:15 | |
-Now, your character is called Fiz Stape. -Yes. | 0:05:15 | 0:05:19 | |
-But before she got married her name was Fiz Brown. -Yes. -Fiz Brown! | 0:05:19 | 0:05:23 | |
-Is that a medical complaint? -No. No. -Next question! | 0:05:23 | 0:05:27 | |
-What is your favourite soap? -Coronation Street. | 0:05:27 | 0:05:30 | |
Hold on, I have not finished the question. | 0:05:30 | 0:05:32 | |
It was, what is your favourite soap - | 0:05:32 | 0:05:35 | |
a lavender-scented bar or one of those antibacterial hand washes? | 0:05:35 | 0:05:39 | |
-This is not a sensible interview, Hacker. -Why? -It is not sensible. | 0:05:39 | 0:05:43 | |
Now, Jennie, I am thinking of moving house. | 0:05:43 | 0:05:46 | |
I have an estate agent brochure down here all about Weatherfield. | 0:05:46 | 0:05:49 | |
That's where Coronation Street is | 0:05:49 | 0:05:52 | |
and it says in the last couple of years | 0:05:52 | 0:05:54 | |
there has been a massive tram crash. | 0:05:54 | 0:05:56 | |
At least five of the residents have been to prison, | 0:05:56 | 0:05:59 | |
including you, you naughty woman. | 0:05:59 | 0:06:01 | |
And, worst of all, you can't ride your bike with all them cobbles. | 0:06:01 | 0:06:05 | |
-Oh, yes. -What more do you want? -I love Coronation Street, me. | 0:06:05 | 0:06:09 | |
I was even in an episode once with Roy and Hayley Cropper. | 0:06:09 | 0:06:13 | |
-Do you remember it? -No, I'm pretty sure that did not happen. | 0:06:13 | 0:06:16 | |
Well, it truly did happen, cockers. Have a gander at this. | 0:06:16 | 0:06:20 | |
TELEPHONE RINGS | 0:06:20 | 0:06:21 | |
Roy Cropper here. | 0:06:21 | 0:06:22 | |
Hi, Roy, it is your old friend Hacker T Dog here. Guess what? | 0:06:22 | 0:06:24 | |
I've been working on my allotment | 0:06:24 | 0:06:26 | |
and I have harvested a very large marrow. | 0:06:26 | 0:06:30 | |
Oh, really? Well, that is very late in the season. | 0:06:30 | 0:06:35 | |
Well, I've been treating the soil with goat manure like you told me. | 0:06:35 | 0:06:40 | |
Even so, it is quite unusual. | 0:06:40 | 0:06:42 | |
Anyway, I wondered if you fancied coming over. | 0:06:42 | 0:06:45 | |
I could serve it up with a bit of fried mince | 0:06:45 | 0:06:47 | |
and a rich tomato and basil sauce. | 0:06:47 | 0:06:50 | |
-I'm afraid not. I'm sorry. -Not even if I use my best crockery? | 0:06:50 | 0:06:56 | |
-Perhaps another night. -But, Roy, I'm just so lonely. | 0:06:56 | 0:07:00 | |
ROY LAUGHS | 0:07:00 | 0:07:02 | |
-Roy, there is no need to laugh at my misery. -Thank you for calling. | 0:07:02 | 0:07:06 | |
The cheek of it! I'll phone Norris instead. | 0:07:06 | 0:07:10 | |
-Oh, I've not got his number. -I'll give you Norris's number. | 0:07:10 | 0:07:13 | |
-Have you got him on speed dial? -Yes, of course I have. | 0:07:13 | 0:07:17 | |
Now, Jennie Mucklepine, have you noticed that | 0:07:17 | 0:07:19 | |
when everything is going well in a soap, | 0:07:19 | 0:07:22 | |
some bad news comes along and ruins everything in a dramatic fashion? | 0:07:22 | 0:07:25 | |
Yes, it does. | 0:07:25 | 0:07:26 | |
-PHONE RINGS -Oh, no. I'll just get this. | 0:07:26 | 0:07:29 | |
Who could possibly be ringing me now? Everything is going so well. | 0:07:29 | 0:07:35 | |
Hello. Oh, no! I don't believe it. | 0:07:35 | 0:07:37 | |
How can this be? Please say it is not so. | 0:07:37 | 0:07:40 | |
What's that? It is so! No! I can't believe it. Tragic news. | 0:07:42 | 0:07:49 | |
Oh, right, then. Goodbye. Goodbye. | 0:07:49 | 0:07:53 | |
Are you all right, what was all that about? | 0:07:54 | 0:07:58 | |
Oh, I don't know, I couldn't hear him. It was a bad line. | 0:07:58 | 0:08:00 | |
Something about a wolf or something. Anyway, what is next, Derek? | 0:08:00 | 0:08:04 | |
I think you will find I am next, ducky. It is Derek Time. | 0:08:04 | 0:08:09 | |
Oh, no, you don't. This is my show, Derek. | 0:08:09 | 0:08:11 | |
You are not polluting my airwaves with your nonsense. | 0:08:11 | 0:08:14 | |
Not even if I threaten to show the photograph? | 0:08:14 | 0:08:18 | |
DRAMATIC MUSIC PLAYS | 0:08:18 | 0:08:20 | |
Not the photograph! | 0:08:21 | 0:08:23 | |
DRAMATIC MUSIC PLAYS | 0:08:23 | 0:08:25 | |
Have you seen it and all? | 0:08:25 | 0:08:27 | |
Yeah! It's all round Coronation Street. | 0:08:27 | 0:08:29 | |
We have it pinned up in the cabin. | 0:08:29 | 0:08:31 | |
All right, Derek, you win. Do your show, then shred that photograph. | 0:08:31 | 0:08:37 | |
Here we go then, me ducks. | 0:08:37 | 0:08:39 | |
Here's me sting. | 0:08:39 | 0:08:40 | |
Woo-hoo! It's Derek Time. | 0:08:42 | 0:08:44 | |
Hello, again. | 0:08:46 | 0:08:47 | |
On today's show we haven't got time to show you | 0:08:47 | 0:08:50 | |
the cat that is sick of Derek Time. | 0:08:50 | 0:08:53 | |
Or the chicken that is sick of Derek Time. | 0:08:57 | 0:08:59 | |
Come on, Mr Chicken. Wake up! How can you be bored of me? | 0:08:59 | 0:09:04 | |
I'm dead exciting. | 0:09:04 | 0:09:06 | |
But we do have time to show you | 0:09:06 | 0:09:08 | |
one of the greatest video clips of all time. | 0:09:08 | 0:09:12 | |
It's a frog, on a bench. I wonder what he is doing? | 0:09:12 | 0:09:16 | |
Maybe he's just waiting for the number 51 bus to Chesterfield? | 0:09:16 | 0:09:20 | |
Maybe he is basking in the sun on the way to the library | 0:09:20 | 0:09:23 | |
to return some overdue books? | 0:09:23 | 0:09:24 | |
Or maybe he is just waiting to be TOAD away. Hoo-Hoo! TOAD, get it? | 0:09:24 | 0:09:30 | |
Like a frog. It sort of works, it is like a joke, ain't it? | 0:09:30 | 0:09:34 | |
Oh, I have disgraced myself again. Back to you, Hacker. | 0:09:34 | 0:09:40 | |
Derek, you have disgraced everyone with that behaviour. | 0:09:40 | 0:09:43 | |
-Oh, I'm furious. Now, Jennie Mucklepine. -McAlpine! | 0:09:43 | 0:09:47 | |
I do love Coronation Street. I really, really, do. I love Rita. | 0:09:47 | 0:09:52 | |
I love Norris "Nozzer" Cole. | 0:09:53 | 0:09:56 | |
I love Ken Barlow's immaculate side parting. | 0:09:56 | 0:09:59 | |
-Oh, yes, he has a lovely head of hair. -He has a fabulous mane. | 0:09:59 | 0:10:03 | |
-But there is one thing I cannot stand. -What? | 0:10:03 | 0:10:06 | |
It is Hayley Cropper's unsightly red anorak! | 0:10:06 | 0:10:08 | |
Oh, it is a disgrace! | 0:10:08 | 0:10:11 | |
I love the woman but her taste in coatwear makes my blood boil! | 0:10:11 | 0:10:15 | |
-Oh, that is a bit mean, Hacker! -Do you know what, Jennie? | 0:10:15 | 0:10:19 | |
There is only one way I can communicate my feelings | 0:10:19 | 0:10:22 | |
on this matter and that is through the medium of song. | 0:10:22 | 0:10:25 | |
Cue the music, me old Cocker. | 0:10:25 | 0:10:27 | |
MUSIC PLAYS | 0:10:28 | 0:10:33 | |
# Up in Greater Manchester There is a woman in a cafe | 0:10:38 | 0:10:42 | |
# With a cheeky smile and raven hair | 0:10:42 | 0:10:45 | |
# She is a treat for all to see | 0:10:45 | 0:10:47 | |
# She goes by the name of Hayley and her husband is a man called Roy | 0:10:47 | 0:10:51 | |
# They live on a backstreet terrace in a marital state of joy | 0:10:51 | 0:10:56 | |
# But one thing about this woman that constantly gets my goat | 0:10:56 | 0:11:01 | |
# Is that wizened piece of fabric allegedly called a coat | 0:11:01 | 0:11:06 | |
# Anorak, red anorak Threadbare and slightly torn | 0:11:06 | 0:11:11 | |
# Anorak, red anorak Shabby and very worn | 0:11:11 | 0:11:16 | |
# Anorak, red anorak Object of all my scorn | 0:11:16 | 0:11:19 | |
# She has worn that crimson jacket now for more than 14 years | 0:11:24 | 0:11:28 | |
# But the chequered lining in the hood still reduces me to tears | 0:11:28 | 0:11:33 | |
# I don't know why she still wears it | 0:11:33 | 0:11:35 | |
# Maybe she likes the toggles or the zipper and button combo | 0:11:35 | 0:11:40 | |
# The mind really truly boggles | 0:11:40 | 0:11:42 | |
# I suppose she thinks that it's trendy | 0:11:42 | 0:11:44 | |
# I suppose she thinks that it is cool | 0:11:44 | 0:11:47 | |
# But she will never grace the catwalk in that rancid old cagoule | 0:11:47 | 0:11:52 | |
# Anorak, red anorak Threadbare and slightly torn | 0:11:52 | 0:11:56 | |
# Anorak, red anorak Shabby and very worn | 0:11:56 | 0:12:01 | |
# Anorak, red anorak Object of all my scorn. # | 0:12:01 | 0:12:06 | |
Jenny, what are you doing wearing that atrocity?! | 0:12:09 | 0:12:12 | |
What are you thinking of? | 0:12:12 | 0:12:14 | |
-Sorry, Hacker. I'm just a bit cold. -I am furious! | 0:12:14 | 0:12:17 | |
You come in here, put the anorak on, | 0:12:17 | 0:12:19 | |
I sang about my disdain for it and you put it on. | 0:12:19 | 0:12:21 | |
I'm livid! | 0:12:21 | 0:12:24 | |
Yet another despicable episode of Hacker Time. | 0:12:24 | 0:12:28 | |
Benjamin, get a pen and paper. | 0:12:28 | 0:12:30 | |
-We are writing another letter of complaint. -Do we have to, Frank? | 0:12:30 | 0:12:34 | |
-Yes, now be quick about it. -OK. -Here we go. | 0:12:34 | 0:12:39 | |
Dear the BBC, why must you spend a whole episode of Hacker Time | 0:12:39 | 0:12:44 | |
glorifying soap operas? | 0:12:44 | 0:12:46 | |
These shows are totally unrealistic. | 0:12:46 | 0:12:49 | |
Real life is not fall of dramatic revelations like that. | 0:12:49 | 0:12:53 | |
-Frank, I have a dramatic revelation for you. -Benjamin, what is it? | 0:12:53 | 0:12:58 | |
-I have forgotten how to write. -Benjamin! | 0:12:58 | 0:13:03 | |
That's better. I got those fruits off me bonce. | 0:13:05 | 0:13:09 | |
Hacker, did you just hear something? | 0:13:09 | 0:13:11 | |
Oh, it's probably my stomach rumbling, Jennie. | 0:13:11 | 0:13:14 | |
No, it sounded more like cockroaches or something. | 0:13:14 | 0:13:17 | |
Well, that figures. But my stomach is still rumbling. | 0:13:17 | 0:13:20 | |
-STOMACH RUMBLES -That means make me a sandwich! | 0:13:20 | 0:13:23 | |
But I'm the guest! | 0:13:23 | 0:13:25 | |
Make me a sandwich, post haste! And don't skimp on the meat paste, love. | 0:13:25 | 0:13:29 | |
You're not doing fiction now! | 0:13:29 | 0:13:31 | |
While Jennie Mucklepine's doing that, | 0:13:31 | 0:13:33 | |
why don't you lot take a look at what's coming up? | 0:13:33 | 0:13:36 | |
Still to come, soap slip-ups... | 0:13:36 | 0:13:39 | |
STUDIO LAUGHTER | 0:13:39 | 0:13:41 | |
..brilliant bowling... | 0:13:41 | 0:13:43 | |
and crime capers. | 0:13:43 | 0:13:45 | |
Oof! A-a-a-w! | 0:13:45 | 0:13:47 | |
Don't go away. | 0:13:47 | 0:13:49 | |
Thanks for the sandwich, Jennie. It's not a bad effort. | 0:13:50 | 0:13:53 | |
If I was to mark it out of ten I'd give it an F. | 0:13:53 | 0:13:56 | |
Oh, right. Thank you very much(!) | 0:13:56 | 0:13:58 | |
Now, Jennie off Coronation Street, | 0:13:58 | 0:14:00 | |
your character Fiz works in a clothing factory. | 0:14:00 | 0:14:03 | |
-What sort of garments does she make? -Knickers. | 0:14:03 | 0:14:05 | |
Ooh, Jennifer! There's no need to be rude. | 0:14:05 | 0:14:08 | |
I was asking a perfectly reasonable question. | 0:14:08 | 0:14:11 | |
-No, I'm saying that's what we stitch, knickers! -Oh, I see. Knick-knacks. | 0:14:11 | 0:14:16 | |
But I tell you what though, | 0:14:16 | 0:14:18 | |
you wouldn't think Fiz works in the fashion industry, would you? | 0:14:18 | 0:14:21 | |
I mean, look at the state of this fabric-based travesty. | 0:14:21 | 0:14:25 | |
KLAXON BLARES | 0:14:25 | 0:14:27 | |
-What's wrong with that? -I think your character needs some advice | 0:14:27 | 0:14:30 | |
from the fashion experts. And I know the very people. Stay there! | 0:14:30 | 0:14:35 | |
And make me another sandwich! | 0:14:35 | 0:14:38 | |
Here we go! | 0:14:40 | 0:14:41 | |
Y'all right, everybody? | 0:14:57 | 0:14:58 | |
ALL: Hello, Hacker! | 0:14:58 | 0:15:00 | |
-Are you all well? -ALL: Yeah. | 0:15:00 | 0:15:02 | |
Good. D'you reckon you can help me become a proper stylish celebrity? | 0:15:02 | 0:15:07 | |
-ALL: Yes. -Very well. | 0:15:07 | 0:15:10 | |
Set to it and design me some garments, good people. | 0:15:10 | 0:15:13 | |
-Hello, Ben! What have you drawn? -It's a shirt with extendable arms | 0:15:18 | 0:15:22 | |
and extendable bottoms. | 0:15:22 | 0:15:24 | |
You said "Extendable bottoms!" | 0:15:24 | 0:15:27 | |
Ha-ha-ha! Bottom! | 0:15:27 | 0:15:30 | |
GIGGLING | 0:15:30 | 0:15:32 | |
Bottom! | 0:15:32 | 0:15:33 | |
Ha-ha-ha! Bottom. | 0:15:33 | 0:15:37 | |
-Ooh, a new outfit for me, what's in it? -A skirt and blue boots. | 0:15:37 | 0:15:41 | |
Oh, I'd love to wear a skirt and blue boots, | 0:15:41 | 0:15:43 | |
but, oh, I've not got the legs for it. Ohh! | 0:15:43 | 0:15:47 | |
Connor, what have you drawn? | 0:15:47 | 0:15:49 | |
I've drawn...I've drawn the cracker-stacker. | 0:15:49 | 0:15:53 | |
-That rhymes with Hacker. -It's got a jet-pack at the back. -Aww! | 0:15:53 | 0:15:57 | |
What an amazing thing! Bottom! | 0:15:57 | 0:16:00 | |
Right, you lot! Let's hit the catwalk. | 0:16:00 | 0:16:03 | |
Herman, bring in the box of stuff. | 0:16:03 | 0:16:07 | |
Here you go, Hacker. Eeh, urgh, who-oa! | 0:16:07 | 0:16:09 | |
CRASH | 0:16:09 | 0:16:12 | |
Up now, we've got Alicia here. | 0:16:15 | 0:16:18 | |
Oh, what are those? Rubber gloves? She certainly will clean up | 0:16:18 | 0:16:22 | |
when she makes her name big in the fashion world, baby. | 0:16:22 | 0:16:25 | |
Coming up now is Taneesha. | 0:16:25 | 0:16:27 | |
Look at her saunter down the catwalk with her fabulous tiara, | 0:16:27 | 0:16:31 | |
which looks a little bit like it's from, erm... | 0:16:31 | 0:16:34 | |
free with some cereal or something. | 0:16:34 | 0:16:37 | |
Up now, we've got Rebecca, who's sporting a lovely chicken hat | 0:16:37 | 0:16:41 | |
and some undies. | 0:16:41 | 0:16:43 | |
Oh-oh, they've fallen down. Knickers, please! | 0:16:43 | 0:16:47 | |
So, what have we learned today? | 0:16:47 | 0:16:49 | |
Number one, clothes come in a variety | 0:16:49 | 0:16:52 | |
of different shapes, colours and sizes. | 0:16:52 | 0:16:55 | |
Number two, clothes are an essential part of everyday life. | 0:16:55 | 0:16:59 | |
And number three... Ooh, look! I'm not wearing any clothes! | 0:16:59 | 0:17:03 | |
Ooh, I'm naked. Ooh, me privets are everywhere! | 0:17:03 | 0:17:07 | |
That's it, I'm out of here. Thanks for all your help, everyone. | 0:17:07 | 0:17:10 | |
-Bye-bye. -ALL: Bye, Hacker. | 0:17:10 | 0:17:12 | |
Yeah, now I must get back to the studio. | 0:17:12 | 0:17:15 | |
They can't be having much fun there without me. | 0:17:15 | 0:17:18 | |
MUSIC: "Street Life" by Randy Crawford | 0:17:18 | 0:17:22 | |
Y'all right, cockers? I'm back! | 0:17:27 | 0:17:29 | |
What in the name of a gibbon's left armpit's going on in here? | 0:17:29 | 0:17:33 | |
This is my show, stop the music! Stop them lights! | 0:17:33 | 0:17:36 | |
You're not meant to enjoy yourselves without me. | 0:17:36 | 0:17:40 | |
Jennifer Mucklepine, come here! | 0:17:40 | 0:17:42 | |
-I think you should apologise to me. -Sorry. | 0:17:42 | 0:17:45 | |
-And you costumed characters, apologise! -ALL: Sorry, Hacker. | 0:17:45 | 0:17:49 | |
That's all right. I still don't understand why we've got a lemon. | 0:17:49 | 0:17:52 | |
It's a bit weird, that is. | 0:17:52 | 0:17:54 | |
Now, Jennie, you actors do your best | 0:17:54 | 0:17:56 | |
-to make soaps look like real life, don't you? -Yeah. | 0:17:56 | 0:17:59 | |
Well, let's have a look at some people who just can't get it right. | 0:17:59 | 0:18:03 | |
Run those howlers, Derek! | 0:18:03 | 0:18:05 | |
'Oh, look. It's the Queen Victoria Public Inn. | 0:18:07 | 0:18:12 | |
'Oh, don't throw a... | 0:18:12 | 0:18:13 | |
'Oh, no! It's landed atop Phil Mitchell's bonce-age. | 0:18:13 | 0:18:17 | |
'Everyone's looking at you, Phil.' | 0:18:17 | 0:18:19 | |
-Blood pressure's normal. -'Is it?' -But your temperature's... | 0:18:19 | 0:18:22 | |
'It's through the roof! Your blood pressure! | 0:18:22 | 0:18:25 | |
'Jane, no! Don't take his carrier bag. | 0:18:25 | 0:18:28 | |
'All his hankies are in there, he might need it!' | 0:18:28 | 0:18:30 | |
HE SNEEZES | 0:18:30 | 0:18:31 | |
'I told you, look! He had to use his hand! Filthy! | 0:18:31 | 0:18:35 | |
'Now, you be careful with that ice-cream on a summer's... | 0:18:35 | 0:18:39 | |
'You've dropped your dairy produce, man! What are you playing at? | 0:18:39 | 0:18:43 | |
'Ian, no! Oh-oh, old Limpy Beale back on the scene. | 0:18:43 | 0:18:47 | |
'He's lost his shoe! | 0:18:47 | 0:18:49 | |
'One-shoe Beale!' | 0:18:49 | 0:18:50 | |
Ha-ha-ha! What a load of moo-eys, eh, Jennie? | 0:18:52 | 0:18:55 | |
I bet you never get it wrong like that. | 0:18:55 | 0:18:57 | |
Oh, no, no. We are very professional at Coronation Street. | 0:18:57 | 0:19:00 | |
It's a good job you said that, | 0:19:00 | 0:19:02 | |
for I am going to put your soap acting skills to the test. | 0:19:02 | 0:19:05 | |
I have written a top-drawer drama series, | 0:19:05 | 0:19:08 | |
and I want you to play the role of Valerie Toothbrush, | 0:19:08 | 0:19:11 | |
a down-to-earth cafeteria owner. | 0:19:11 | 0:19:13 | |
Right, and who are you going to play? | 0:19:13 | 0:19:15 | |
Most of the other roles, of course, for I am top-drawer | 0:19:15 | 0:19:18 | |
and a dead good actor. Derek, run the titles! | 0:19:18 | 0:19:21 | |
JENNIE SIGHS | 0:19:21 | 0:19:24 | |
Right, here you go! One grapefruit and stilton pasty! Thank you. | 0:19:29 | 0:19:33 | |
He's a right cheeky monkey, that one. | 0:19:33 | 0:19:35 | |
-Hello, missus! -Oh, well, look who it is. | 0:19:35 | 0:19:38 | |
If it isn't Mildred Wrongwhistle, the local battle-axe. | 0:19:38 | 0:19:42 | |
That's enough of the small-talk, missus. I want summat to eat. | 0:19:42 | 0:19:45 | |
-OK, what can I get ya? -I'd like a place... | 0:19:45 | 0:19:48 | |
Ah, well, you are in luck, Mildred, | 0:19:48 | 0:19:50 | |
because today's special is actually plaice. | 0:19:50 | 0:19:53 | |
Hang on. I hadn't finished talking. I'd like a place...to sit. | 0:19:53 | 0:19:57 | |
Oh, right, well, go on. Sit down here, then. OK, what can I get you? | 0:19:57 | 0:20:02 | |
-I'd like a place... -I've just told you today's special is plaice! | 0:20:02 | 0:20:07 | |
Not that sort of plaice! I want a place-mat! | 0:20:07 | 0:20:10 | |
Oh, right, here you go then. | 0:20:10 | 0:20:12 | |
Now chuck that fish away and do as I order! | 0:20:12 | 0:20:15 | |
-Now, what can I get you to eat? -Plaice, please. | 0:20:17 | 0:20:21 | |
-I believe it's today's special. -And I've just chucked it away! | 0:20:21 | 0:20:24 | |
That does it! I'm never eating in this establishment again. | 0:20:24 | 0:20:27 | |
-Good day, sir! -Good riddance. -Leave that. Don't need it anyway. | 0:20:27 | 0:20:31 | |
I'll bring your wig after. Wonder who me next customer's going to be? | 0:20:31 | 0:20:34 | |
Hello, lady! | 0:20:34 | 0:20:36 | |
Well, hello! If it isn't Alfred Shoulderpad, the local old man. | 0:20:36 | 0:20:40 | |
Well, if it isn't me, then I'd best be going. Good day. | 0:20:40 | 0:20:44 | |
See ya. I wonder who me next customer'll be. | 0:20:44 | 0:20:47 | |
I said, I wonder who me next customer will be! | 0:20:48 | 0:20:51 | |
-Give us a minute, love, I'm just getting me wig on! -Hurry up! | 0:20:51 | 0:20:55 | |
Hello, lady. | 0:20:55 | 0:20:57 | |
Oh, well, if it isn't Judith Twelve-Knuckles, | 0:20:57 | 0:21:00 | |
the local hairdresser. | 0:21:00 | 0:21:01 | |
-What will it be? -Do you have frog's legs? | 0:21:01 | 0:21:04 | |
-Yes. -Then you better go and get that seen to, love. | 0:21:04 | 0:21:07 | |
-Do you have pig's trotters? -Yes. | 0:21:07 | 0:21:10 | |
Then you better get that seen to as well! | 0:21:10 | 0:21:12 | |
Do you have a trout's face, an aardvark's nose | 0:21:12 | 0:21:15 | |
and a kangaroo's eyeballs? | 0:21:15 | 0:21:17 | |
-No, I certainly do not! -But that's what I really fancied for my lunch! | 0:21:17 | 0:21:21 | |
In that case, I am never eating in this cafeteria again! | 0:21:21 | 0:21:24 | |
Good day, sir! I'm off! | 0:21:24 | 0:21:27 | |
JENNIE SIGHS I wonder who me next customer'll be. | 0:21:27 | 0:21:31 | |
Ooh, hello, lady. | 0:21:31 | 0:21:33 | |
-I realised it was me after all, so I came back. -What would you like? | 0:21:33 | 0:21:39 | |
A new pair of windscreen wipers and a set of hubcaps, please. | 0:21:39 | 0:21:43 | |
But we only sell food here. | 0:21:43 | 0:21:45 | |
In that case, I'm never eating at this car mechanics ever again! | 0:21:45 | 0:21:49 | |
That's it! Hacker, I've had enough of this! | 0:21:49 | 0:21:51 | |
I cannot stand here and be the butt of your jokes anymore! | 0:21:51 | 0:21:55 | |
-Where are you going? -I'm going to sit on the sofa | 0:21:55 | 0:21:58 | |
and be the butt of your jokes in comfort instead! | 0:21:58 | 0:22:01 | |
Fair enough. Why don't you lot watch some proper acting instead? | 0:22:01 | 0:22:06 | |
It's time for the latest instalment of my detective series, | 0:22:06 | 0:22:09 | |
Sherlock Bones. | 0:22:09 | 0:22:10 | |
-Run it, Derek! -Right you are, Mr Hacker! | 0:22:10 | 0:22:13 | |
Hoo-hoo! | 0:22:13 | 0:22:15 | |
'This is the sinister town of Teapot, | 0:22:15 | 0:22:18 | |
'where trouble's always on the brew! It's a joke!' | 0:22:18 | 0:22:21 | |
A-agh! Sherlock, my diamonds have been stolen! | 0:22:21 | 0:22:25 | |
Since when have you been able to afford diamonds? I barely pay her... | 0:22:25 | 0:22:29 | |
Sherlock, you've got to find out who stole them. | 0:22:29 | 0:22:32 | |
Oh, yes! For this is a case for... | 0:22:32 | 0:22:34 | |
Sherlock Bones! | 0:22:34 | 0:22:36 | |
I might have a dark and shady past, Mr Bit, | 0:22:52 | 0:22:55 | |
but I can assure you, that's all behind me now. Got it? | 0:22:55 | 0:22:58 | |
Good. Right, moving on, what d'you think of my new diamonds? | 0:22:58 | 0:23:03 | |
Stop, police! | 0:23:03 | 0:23:05 | |
Oof! Aw-w-w-w! | 0:23:05 | 0:23:07 | |
Every time! Anyway, I come in here on urgent business. | 0:23:08 | 0:23:13 | |
Right, well it'll have to wait. I'm serving Mr Bit, | 0:23:13 | 0:23:16 | |
while telling him about loving diamonds so much it's criminal! | 0:23:16 | 0:23:19 | |
Anyway, this rash I've got. It's very red and sore, | 0:23:19 | 0:23:22 | |
it's also quite flaky... | 0:23:22 | 0:23:23 | |
Mr Bit. Ha-ha! Mr Bit! Woo-hoo! Mr Bit... | 0:23:23 | 0:23:27 | |
Mr Bit! | 0:23:27 | 0:23:29 | |
-Sherlock, have you got something to say? -Yes, I have, yes. | 0:23:29 | 0:23:32 | |
I cannot go a moment longer without saying this. | 0:23:32 | 0:23:34 | |
Mrs Doo... | 0:23:34 | 0:23:36 | |
you look divine in all those diamonds. | 0:23:36 | 0:23:39 | |
But on an unrelated matter, has anyone seen some stolen diamonds? | 0:23:39 | 0:23:44 | |
MRS DOO LAUGHS NERVOUSLY | 0:23:44 | 0:23:46 | |
What an odd question! Who'd steal diamonds? Not me! | 0:23:46 | 0:23:50 | |
That's all in my past. Oh, look, medicines! | 0:23:50 | 0:23:54 | |
Sherlock, do you think Mrs Doo might have something to do with this? | 0:23:54 | 0:23:58 | |
I don't know what Mrs Doo and her insatiable love of diamonds | 0:23:58 | 0:24:01 | |
-has got to do with this! -Well, she's got a sign on her back that says, | 0:24:01 | 0:24:04 | |
-"I definitely stole the diamonds." -We've all had signs on our backs. | 0:24:04 | 0:24:08 | |
Agh-oh! A-agh! B-w-wf! | 0:24:08 | 0:24:11 | |
Look. | 0:24:11 | 0:24:13 | |
Sherlock, I'm pretty sure that the thief is right in this room. | 0:24:13 | 0:24:16 | |
-HE GASPS -YOU stole the diamonds? -No. | 0:24:16 | 0:24:20 | |
Well, if you didn't steal the diamonds... | 0:24:20 | 0:24:22 | |
Mrs Doo, did you, DOO, do it? | 0:24:22 | 0:24:25 | |
-No. -If Mrs Doo didn't do it, then... | 0:24:25 | 0:24:29 | |
I must have stolen the diamonds! | 0:24:29 | 0:24:31 | |
I've got to arrest myself! Come on, me! Down the station! | 0:24:31 | 0:24:35 | |
You'll never take me alive! Yes, I will! You're hurting me arm! | 0:24:35 | 0:24:39 | |
-Stop being a wimp! -Sherlock, you've got it wrong! | 0:24:39 | 0:24:42 | |
Ha-ha-ha! What d'you think of that, Jennie? | 0:24:44 | 0:24:47 | |
Er...yeah, it was good. | 0:24:47 | 0:24:49 | |
I wouldn't give up your day job. | 0:24:49 | 0:24:51 | |
Could you get me a part in Corrie? | 0:24:51 | 0:24:53 | |
I can do lots of funny faces like Steve MacDonald does, look. | 0:24:53 | 0:24:57 | |
-Oh, yeah. -Or there's this one. | 0:24:58 | 0:25:00 | |
-Or my favourite that he does. -Oh, yeah, that's uncanny. | 0:25:00 | 0:25:04 | |
-He does that. What d'you think? -Brilliant. | 0:25:04 | 0:25:06 | |
We've had a lovely day, haven't we, Jennie? | 0:25:06 | 0:25:08 | |
-Er, well, YOU have. -Well, one of us had to. | 0:25:08 | 0:25:11 | |
But quite frankly, | 0:25:11 | 0:25:12 | |
I'm tiring of your company now, so, you know, get out. | 0:25:12 | 0:25:15 | |
-What? -You know where the door is. Go on, make a move. | 0:25:15 | 0:25:19 | |
Don't you want to hear me showbiz anecdotes? | 0:25:19 | 0:25:22 | |
-I've got loads about Norris Cole, Emily Bishop... -No. | 0:25:22 | 0:25:25 | |
That's your lot. Off you go now, bye-bye. | 0:25:25 | 0:25:28 | |
See ya later, Jennie, and take that wretched anorak with you, please! | 0:25:28 | 0:25:32 | |
-I will. -I'm sick of it! Mind me paintwork. Pull the door! -All right! | 0:25:32 | 0:25:35 | |
-Pull it, and mind your hair on the way out! -Thanks for having me. | 0:25:35 | 0:25:39 | |
No worries, love. | 0:25:39 | 0:25:40 | |
What a lovely woman! I've got all her albums! | 0:25:40 | 0:25:44 | |
Anyway, now that she's cleared off, | 0:25:44 | 0:25:46 | |
I'm going to show you some of the best LOLs from around the world. | 0:25:46 | 0:25:49 | |
It's time for... | 0:25:49 | 0:25:50 | |
Hacker's Top Three Dramatic Howlers! | 0:25:50 | 0:25:54 | |
In at three, it's my main man. Disco Owl! | 0:25:56 | 0:25:58 | |
HACKER HUMS "DISCO INFERNO" | 0:25:58 | 0:26:02 | |
Look at him dance! Mmm-mmm! | 0:26:02 | 0:26:04 | |
A lesser comedian would make a joke about him having a right hoot! | 0:26:07 | 0:26:11 | |
But I'm better than that. | 0:26:11 | 0:26:12 | |
At Two, I wouldn't want to get a slap from this hand. | 0:26:12 | 0:26:16 | |
A-a-a-agh! It's Kung-Thumb! | 0:26:16 | 0:26:19 | |
Ha-ha-ha! It's funny cos it looks cross! | 0:26:19 | 0:26:23 | |
And finally, you're going to be bowled over | 0:26:25 | 0:26:28 | |
by our Number One Dramatic Howler. | 0:26:28 | 0:26:30 | |
Now what's he doing, here? | 0:26:30 | 0:26:32 | |
Oh look, it looks like... yes, you're right, | 0:26:32 | 0:26:36 | |
he looks like he's going on strike! | 0:26:36 | 0:26:38 | |
Ha-ha-ha! | 0:26:38 | 0:26:40 | |
Apparently, he kept sliding all the way to Dunstable! | 0:26:43 | 0:26:47 | |
Thanks for watching my little show. It's been proper good, hasn't it? | 0:26:47 | 0:26:51 | |
At times, I've been frightened by my own hosting talents. | 0:26:51 | 0:26:55 | |
I'm off now, though, cos I've got a pork loin | 0:26:55 | 0:26:57 | |
defrosting in my kitchenette, so I'll see you next time. | 0:26:57 | 0:27:00 | |
All that's left for me to do is sing my well good end song. | 0:27:00 | 0:27:04 | |
Join in if you know the words! Good day! | 0:27:04 | 0:27:07 | |
# That is it for now The end of the show | 0:27:09 | 0:27:11 | |
# I need the lav, love So I'm going to go | 0:27:11 | 0:27:14 | |
# I'll see you next time on this show of mine | 0:27:14 | 0:27:16 | |
# Put it in your diary It's called Hacker Time | 0:27:16 | 0:27:19 | |
# It's been amazing We've been larking around | 0:27:19 | 0:27:21 | |
# And we've been LOLing at some clips that I've found | 0:27:21 | 0:27:23 | |
# Watch again next time cos I've got much more | 0:27:23 | 0:27:26 | |
# There'll be tonnes of other funny stuff, it'll be top-drawer | 0:27:26 | 0:27:28 | |
# The lovely Jennie Mucklepine dropped in to say hello | 0:27:28 | 0:27:32 | |
# She's got a face and curly hair | 0:27:32 | 0:27:35 | |
# But I had enough so I told her it was time to go | 0:27:35 | 0:27:38 | |
# That is it for now The end of the show | 0:27:38 | 0:27:40 | |
# I need the lav, love So I'm going to go | 0:27:40 | 0:27:43 | |
# I'll see you next time on this show of mine | 0:27:43 | 0:27:45 | |
# Put it in your diary It's called Hacker Time | 0:27:45 | 0:27:47 | |
# Put it in your diary It's called Hacker Time | 0:27:47 | 0:27:50 | |
# That is the end of today's Hacker Time! # | 0:27:50 | 0:27:53 | |
Subtitles by Red Bee Media Ltd | 0:27:53 | 0:27:55 |