Browse content similar to My Girlfriend has Flippers. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
# Don't be a lonely dolphin Cos here I am | 0:00:32 | 0:00:37 | |
# I'm a dolphin | 0:00:37 | 0:00:38 | |
# And I can save you, lonely dolphin | 0:00:38 | 0:00:41 | |
# With my dolphin song. # | 0:00:41 | 0:00:43 | |
And, no. I have no idea how we got here. | 0:00:43 | 0:00:46 | |
All I know is that it started with an idea for an assembly. | 0:00:46 | 0:00:49 | |
-I've already said "no". -But I would like to do the next assembly! | 0:00:49 | 0:00:54 | |
As much as everyone loved your three-hour assembly on statistical | 0:00:54 | 0:00:58 | |
handling of Maths data, Miss Adolf, I think it's someone else's turn. | 0:00:58 | 0:01:01 | |
-Me? -Him! | 0:01:01 | 0:01:03 | |
Yes, Mr Rock. | 0:01:03 | 0:01:05 | |
And this is not another opportunity for you to play guitar or | 0:01:05 | 0:01:09 | |
-talk about the tour of '72. -Great time! | 0:01:09 | 0:01:12 | |
An actual assembly, where actual learning takes place! | 0:01:12 | 0:01:16 | |
But I already have an assembly prepared! | 0:01:16 | 0:01:18 | |
-You do? -Perfect. -OK, so what's your idea, babe? | 0:01:18 | 0:01:22 | |
-An assembly on marine life. -Oh, marine life, that sounds good. | 0:01:22 | 0:01:26 | |
Specifically, the cyprid larvae stage of the barnacle life cycle. | 0:01:26 | 0:01:30 | |
-Starting with modified antennules. -That sounds less good. | 0:01:30 | 0:01:33 | |
Mr Joy, clearly Mr Rock is not going to be capable of... | 0:01:33 | 0:01:38 | |
No, it's about sharing ideas. | 0:01:38 | 0:01:41 | |
Does anybody know anything about barnacles? | 0:01:41 | 0:01:43 | |
Does anybody know anything interesting about barnacles? | 0:01:45 | 0:01:49 | |
-Anya? -Barnacles live upside down, don't they? | 0:01:51 | 0:01:54 | |
One time, I did a handstand for | 0:01:54 | 0:01:56 | |
five minutes and it made my head hurt. | 0:01:56 | 0:01:58 | |
Nice. Anybody else? | 0:01:58 | 0:02:00 | |
Anya? | 0:02:02 | 0:02:04 | |
Well, I don't know anything else about barnacles, | 0:02:04 | 0:02:06 | |
but I do know things about sea urchins and dolphins. | 0:02:06 | 0:02:10 | |
Wait a minute! I think you're on to something! | 0:02:10 | 0:02:13 | |
Of course! We don't have to do this about barnacles, | 0:02:13 | 0:02:16 | |
it's just about marine life. | 0:02:16 | 0:02:18 | |
We can do this about sea urchins, about fish, about dolphins. | 0:02:18 | 0:02:22 | |
And when I say we, I mean you. | 0:02:22 | 0:02:24 | |
"Oh, thank you, Mr Rock. What a great idea. | 0:02:25 | 0:02:28 | |
"Very nice of you to mention." OK, I need you to pair up. | 0:02:28 | 0:02:32 | |
OK, Frankie and Ashley, uh, Nick with Toby. | 0:02:32 | 0:02:36 | |
Hank, you've got Anya. | 0:02:36 | 0:02:39 | |
-Hank, obviously I won't be able to work with you. -You won't? | 0:02:39 | 0:02:43 | |
-It'll just be too awkward since we've broken up now. -Broken up? | 0:02:43 | 0:02:46 | |
I didn't even know we were together. Well, there was the... | 0:02:46 | 0:02:50 | |
-Will you be my date to the Valentine Dance? -Yes! | 0:02:50 | 0:02:53 | |
Absolutely, definitely! That would be completely, totally, just... | 0:02:53 | 0:02:56 | |
-"Wow, I was squeaky back then." -Cool. | 0:02:56 | 0:02:58 | |
But, I didn't know we were "going out," going out. I wish I'd known. | 0:02:58 | 0:03:03 | |
You know, breaking up is not a reason not to work together. | 0:03:03 | 0:03:06 | |
I mean, I did some of my most creative work | 0:03:06 | 0:03:09 | |
when I had a bust up with my band-mate. | 0:03:09 | 0:03:11 | |
The last four years of Flaming Rhinos, | 0:03:11 | 0:03:13 | |
this band-mate would only talk to me through the drums. | 0:03:13 | 0:03:17 | |
Snare for "yes", hi-hat for "no". | 0:03:17 | 0:03:20 | |
OK, I'll work with him but I'm not | 0:03:20 | 0:03:21 | |
smiling and I'm not making eye contact. | 0:03:21 | 0:03:24 | |
Which won't be weird at all. | 0:03:24 | 0:03:26 | |
At the end of the smallest bronchioles are alveoli. | 0:03:28 | 0:03:31 | |
These are small sacs that are lined by a thin layer of cells. | 0:03:31 | 0:03:36 | |
The tiny alveoli are the place where oxygen enters... | 0:03:36 | 0:03:39 | |
HER VOICE ECHOES ROMANTIC MUSIC PLAYS | 0:03:39 | 0:03:41 | |
So, about the thing you said earlier... | 0:03:54 | 0:03:57 | |
Not making eye contact is hard, I'm still not smiling, though. | 0:03:58 | 0:04:02 | |
And, also, I've got an idea for our assembly. | 0:04:02 | 0:04:07 | |
-Cool, so we should talk about that, then. -It's a dolphin song. | 0:04:07 | 0:04:10 | |
-I like dolphins! -It's about a lonely dolphin. | 0:04:10 | 0:04:12 | |
On her own. Because the other dolphin missed their one-month | 0:04:14 | 0:04:17 | |
anniversary, and their two-month anniversary and also their | 0:04:17 | 0:04:20 | |
three-month anniversary, and the other dolphin didn't even | 0:04:20 | 0:04:23 | |
notice when she changed her parting to the other side of her head. | 0:04:23 | 0:04:27 | |
Well, what if the other dolphin said he was really sorry? | 0:04:27 | 0:04:31 | |
-He tries, but it's too late. -Why? | 0:04:31 | 0:04:36 | |
Because the lonely dolphin is caught | 0:04:36 | 0:04:38 | |
in a tuna net and it's dragging her away forever! | 0:04:38 | 0:04:40 | |
DOLPHIN CLICKS | 0:04:40 | 0:04:41 | |
Told you not to eat tuna sandwiches, Hank! | 0:04:41 | 0:04:44 | |
I never knew dolphins were so complicated. | 0:04:44 | 0:04:47 | |
If I had known we were going out, none of this | 0:04:47 | 0:04:49 | |
would have ever have happened. I would have remembered our | 0:04:49 | 0:04:51 | |
one-month anniversary AND our two-month anniversary. | 0:04:51 | 0:04:54 | |
I might even have noticed her different parting. OK, probably not. | 0:04:54 | 0:04:59 | |
-Man, I really miss her. -How can you be upset if you didn't even | 0:04:59 | 0:05:02 | |
-know you were going out? -You wait until you've broken up with | 0:05:02 | 0:05:04 | |
something you've not known you were going out with. I've got to win her | 0:05:04 | 0:05:07 | |
-back, Frankie. What do I do? -Hank, I will pass on to you | 0:05:07 | 0:05:12 | |
everything I know about girls. You must be cool, act like what | 0:05:12 | 0:05:16 | |
she does makes no difference to you. If she's in the room, pretend | 0:05:16 | 0:05:19 | |
she isn't. Or pretend you've got something more interesting to do. | 0:05:19 | 0:05:22 | |
-Like burping the alphabet? -Yeah, that or something else. | 0:05:22 | 0:05:27 | |
But most important of all, though, never, ever tell a girl what you're | 0:05:27 | 0:05:30 | |
-really feeling. -Why not? -Because girls be crazy. | 0:05:30 | 0:05:34 | |
Be they? I mean, are they? | 0:05:34 | 0:05:36 | |
I can't have written the words myself. There must be a | 0:05:36 | 0:05:39 | |
logical explanation. It makes no sense. | 0:05:39 | 0:05:42 | |
OK, point taken. | 0:05:44 | 0:05:46 | |
-Did you hear about me and Hank breaking up? -I didn't exactly | 0:05:51 | 0:05:53 | |
-know that you two were going out. -He wasn't a very good boyfriend. | 0:05:53 | 0:05:57 | |
He said "hi" a couple of times, but if you like someone you say | 0:05:57 | 0:06:01 | |
-more words than "hi". -Uh-huh. -My dads both think | 0:06:01 | 0:06:04 | |
I'm definitely too good for him. | 0:06:04 | 0:06:05 | |
The thing is with Hank, he probably didn't know what | 0:06:05 | 0:06:08 | |
else to say except from "hi". I know he talks a lot but | 0:06:08 | 0:06:10 | |
-it's different. -To what? -To talking to a girl he really likes. | 0:06:10 | 0:06:13 | |
-You think it likes me, then? -Yeah, I do. -Thanks, Ashley, I'll get | 0:06:15 | 0:06:20 | |
my tree book in case he wants to ask me to the park to look at leaves. | 0:06:20 | 0:06:23 | |
Then, if I really did write those things, maybe I'm ill. | 0:06:27 | 0:06:32 | |
Maybe I'm hallucinating. Well, I'd have to be, if I was going | 0:06:32 | 0:06:35 | |
to write "sparkling eyes." | 0:06:35 | 0:06:37 | |
ROMANTIC MUSIC PLAYS | 0:06:37 | 0:06:39 | |
Thanks. | 0:06:52 | 0:06:54 | |
What's happening to me? | 0:06:57 | 0:06:59 | |
I trust you're taking exceptional care of my assembly materials? | 0:07:00 | 0:07:06 | |
I think you will find them almost untouched. | 0:07:06 | 0:07:10 | |
But don't you need the information on the cyprid larvae? | 0:07:10 | 0:07:12 | |
-All completely digested. -The modified antennules? | 0:07:12 | 0:07:15 | |
Well, we modified the antennules and | 0:07:15 | 0:07:17 | |
then we modified the entire barnacle theme. | 0:07:17 | 0:07:20 | |
-"We?" -Well, the kids and I. They came up with incredible ideas | 0:07:20 | 0:07:24 | |
-on the Marine Day theme. -Oh, dear, you're not making the mistake | 0:07:24 | 0:07:28 | |
of encouraging children, are you? | 0:07:28 | 0:07:30 | |
Well, I will do anything to avoid barnacle boredom. | 0:07:30 | 0:07:34 | |
-Do not aim too high, Mr Rock. -No. | 0:07:34 | 0:07:38 | |
Think of Icarus. | 0:07:38 | 0:07:40 | |
Yes, I'm going to write that down. | 0:07:40 | 0:07:41 | |
And also health and safety regulations. | 0:07:41 | 0:07:43 | |
Absolutely. | 0:07:43 | 0:07:45 | |
All right. | 0:07:45 | 0:07:47 | |
Note to self, ignore everything that lady says. | 0:07:48 | 0:07:52 | |
Three of the best chocolate milkshakes in the Western world. | 0:07:58 | 0:08:02 | |
Thanks, Papa Pete. | 0:08:02 | 0:08:03 | |
Hi. | 0:08:06 | 0:08:07 | |
I always walk this way. Except when I walk the other way. | 0:08:09 | 0:08:13 | |
-Which is quicker, and it has more interesting clouds. -Does it? | 0:08:13 | 0:08:16 | |
Hank, about this dolphin song, I don't think the lonely | 0:08:16 | 0:08:20 | |
dolphin should be too lonely. Because they are very | 0:08:20 | 0:08:24 | |
sociable, so I think they should talk. | 0:08:24 | 0:08:27 | |
Even if it is awkward. | 0:08:27 | 0:08:30 | |
Time to play it cool. | 0:08:32 | 0:08:34 | |
Yeah, I don't know, because I've got | 0:08:34 | 0:08:37 | |
something better to do. | 0:08:37 | 0:08:38 | |
Better than our dolphin song? Aren't we working together any more? | 0:08:38 | 0:08:42 | |
Yeah, I'm just kind of over dolphins now, like, you know, | 0:08:42 | 0:08:45 | |
me and the guys've been working on some pretty sweet seagull stuff. | 0:08:45 | 0:08:48 | |
Don't you want to work with me? | 0:08:48 | 0:08:50 | |
Yeah, well I'm just more into the seagull thing now. | 0:08:50 | 0:08:54 | |
OK. I think I'll go, then. | 0:08:54 | 0:08:57 | |
-WHAT was that? -That was me winning Anya back! | 0:08:59 | 0:09:03 | |
I'm pretty sure it wasn't. | 0:09:03 | 0:09:04 | |
-It was. Wasn't it? -You're wrong. So very wrong. | 0:09:04 | 0:09:08 | |
Well, you see the thing is Ashley, I don't quite think you know girls | 0:09:08 | 0:09:12 | |
-the way I'd do. -I AM a girl! -Hmm... | 0:09:12 | 0:09:15 | |
-I thought you were hungry. -Yeah, strange. So did I. | 0:09:21 | 0:09:26 | |
So hungry, you couldn't wait till dinner? | 0:09:26 | 0:09:28 | |
I assumed it was hunger, but... | 0:09:28 | 0:09:30 | |
If it's OK with you, I think I'll go to my room. | 0:09:30 | 0:09:33 | |
Of course. | 0:09:33 | 0:09:35 | |
It feels very odd, Catherine. Like indigestion. | 0:09:39 | 0:09:43 | |
But, I didn't eat too fast, because I didn't eat. | 0:09:43 | 0:09:46 | |
He is objectively a solid specimen, | 0:09:46 | 0:09:48 | |
with a symmetrical face, but I'm not usually | 0:09:48 | 0:09:51 | |
interested in things like fringes. | 0:09:51 | 0:09:54 | |
But then I noticed his eyes sparkled. | 0:09:54 | 0:09:57 | |
Which of course, was obviously some trick of the light easily explained | 0:09:58 | 0:10:01 | |
if we recreate the circumstances of the experience. | 0:10:01 | 0:10:04 | |
That's it! I'll solve the mystery of the sparkling eyes using science! | 0:10:06 | 0:10:10 | |
Thank you, Catherine. This has been most helpful. | 0:10:10 | 0:10:13 | |
-There's something up with Emily. -Really? -Mm. | 0:10:13 | 0:10:17 | |
Yeah, she's acting oddly. She's staring off into the distance. | 0:10:17 | 0:10:21 | |
She barely ate supper. You know she always eats. | 0:10:21 | 0:10:23 | |
Mm. That is worrying. Maybe she got an A- in something. | 0:10:23 | 0:10:27 | |
Well, you know I don't really like to snoop, | 0:10:27 | 0:10:29 | |
but I do feel that if a parent has deep concerns | 0:10:29 | 0:10:31 | |
-then snooping's allowed, right? -Yeah, absolutely. In fact, I think | 0:10:31 | 0:10:35 | |
snooping is allowed even for mild worry or just boredom. | 0:10:35 | 0:10:38 | |
OK, right. | 0:10:38 | 0:10:39 | |
A+, A+, A+... | 0:10:39 | 0:10:44 | |
Oh, check this out. | 0:10:44 | 0:10:46 | |
BOTH: Ooh. | 0:10:46 | 0:10:48 | |
-Aww! -Ah! | 0:10:48 | 0:10:50 | |
Emily's got her first crush, how brilliant! | 0:10:50 | 0:10:52 | |
I don't think this is brilliant, Rosa. | 0:10:52 | 0:10:55 | |
In fact, it feels the exact opposite of brilliant. | 0:10:55 | 0:10:58 | |
-What are you going to do? -OK, well, first of all just breathe. | 0:10:58 | 0:11:02 | |
And then just do nothing. I'll handle it all. | 0:11:02 | 0:11:04 | |
Oh, I'm so excited, my first | 0:11:04 | 0:11:07 | |
mother-daughter girlie chat with Emily about love. | 0:11:07 | 0:11:09 | |
Shouldn't you do that now? | 0:11:09 | 0:11:11 | |
-Stan, it's 11 o'clock at night. -Yeah, no time like the present. | 0:11:11 | 0:11:14 | |
Stan, Stan? Give me back the book! | 0:11:15 | 0:11:18 | |
Stan! Your fingers are turning...blue. | 0:11:18 | 0:11:22 | |
BELL RINGS | 0:11:22 | 0:11:24 | |
No obvious source of light refraction. | 0:11:55 | 0:11:58 | |
It just doesn't make scientific sense. | 0:11:58 | 0:12:00 | |
-Are you sure about this? -Totally. -OK, OK. I'll tell her I was an | 0:12:01 | 0:12:05 | |
idiot and I definitely do want to sing the dolphin song with her, | 0:12:05 | 0:12:08 | |
but what if she just doesn't like me any more? | 0:12:08 | 0:12:10 | |
-Trust me, she still likes you. -Hmm. | 0:12:10 | 0:12:12 | |
OK, here goes. | 0:12:14 | 0:12:16 | |
DOLPHIN CLICKS | 0:12:16 | 0:12:18 | |
Good luck, kid. Don't mess this up. | 0:12:18 | 0:12:21 | |
DOLPHIN CLICKS | 0:12:22 | 0:12:24 | |
Anya, I... McKelty. | 0:12:24 | 0:12:26 | |
-Hi, Hank. -What's going on? | 0:12:26 | 0:12:28 | |
Nick offered to do my dolphin song | 0:12:28 | 0:12:30 | |
with me because you said you didn't want to. | 0:12:30 | 0:12:33 | |
-Because you like seagulls now. -I've been working on some lyrics. | 0:12:33 | 0:12:37 | |
Perhaps I could sing them to you. | 0:12:37 | 0:12:39 | |
I already have got a lot of lyrics but OK, I guess. | 0:12:39 | 0:12:43 | |
# Don't be a lonely dolphin | 0:12:43 | 0:12:48 | |
# Because here I am | 0:12:48 | 0:12:51 | |
# I'm a dolphin | 0:12:51 | 0:12:52 | |
# And I can save you, lonely dolphin | 0:12:54 | 0:12:58 | |
# With my dolphin song. # | 0:12:58 | 0:13:01 | |
HE MAKES DOLPHIN NOISES | 0:13:04 | 0:13:06 | |
-So if you come along... -This is going to be a great seagull dance. | 0:13:13 | 0:13:17 | |
I think we should spin and bend down in this neck bit | 0:13:17 | 0:13:19 | |
so it looks like we're swooping in to catch fish. | 0:13:19 | 0:13:22 | |
I don't know, can't we do something a bit more like this? | 0:13:25 | 0:13:28 | |
No, cos seagulls don't break-dance. | 0:13:33 | 0:13:35 | |
Well, I don't think I should be a seagull any more. | 0:13:35 | 0:13:37 | |
Maybe I'll be like a really cool guy just busting out some moves | 0:13:37 | 0:13:40 | |
while you're kind of a seagull flapping around in the distance. | 0:13:40 | 0:13:43 | |
You're too obsessed with being cool. Look where that attitude got Hank. | 0:13:43 | 0:13:46 | |
Your advice wasn't any better. | 0:13:46 | 0:13:47 | |
Well, it would have been if he'd listen to me any sooner. | 0:13:47 | 0:13:50 | |
Mr Rock? | 0:13:50 | 0:13:51 | |
Yes? | 0:13:54 | 0:13:56 | |
Don't think we need fear you'll fly too close to the sun. | 0:13:56 | 0:13:59 | |
Plummeting into the ground at high velocity seems more likely. | 0:13:59 | 0:14:03 | |
Why don't you just cool your jets, Miss A? When you see | 0:14:03 | 0:14:06 | |
these people perform, your socks are going to go up and down. | 0:14:06 | 0:14:09 | |
Mr Rock? | 0:14:09 | 0:14:10 | |
-Yes, my darling Molly? -Could I be an iceberg? | 0:14:10 | 0:14:13 | |
What a great idea. Yes on being an iceberg. One condition. | 0:14:13 | 0:14:17 | |
You be the most creative, most wonderful iceberg in the ocean. | 0:14:17 | 0:14:20 | |
Cool, I've always wanted to be an iceberg. | 0:14:20 | 0:14:23 | |
Well, that or a political correspondent. Or a wizard. | 0:14:23 | 0:14:26 | |
Yeah, well you follow your dreams. | 0:14:26 | 0:14:29 | |
You will be hoisted by your own petard, Mr Rock. | 0:14:29 | 0:14:32 | |
Already happened. '72 tour. That's why I don't wear Lycra any more. | 0:14:32 | 0:14:37 | |
It will look weird if I'm a seagull and you're just a guy on the beach. | 0:14:38 | 0:14:41 | |
Oh, maybe you could try and steal my chips? | 0:14:41 | 0:14:43 | |
Do you want to show me the dance move for that? | 0:14:43 | 0:14:45 | |
THEY LAUGH | 0:14:47 | 0:14:49 | |
-Nice. What do you think, Hank? -I think just because Anya and McKelty | 0:14:49 | 0:14:52 | |
are working together, that doesn't mean they're definitely going out. | 0:14:52 | 0:14:56 | |
Two dolphins can sing a song together and not go out, right? | 0:14:56 | 0:14:58 | |
Wrong, sorry, Hank. | 0:14:58 | 0:15:01 | |
Yeah, sorry. Maybe you need to active even cooler. | 0:15:01 | 0:15:05 | |
You know develop a dismissive walk, or... | 0:15:05 | 0:15:07 | |
Listen, it's got nothing to do with walks. | 0:15:07 | 0:15:09 | |
-It's about showing her how you feel. -Can't you guys agree on anything? | 0:15:09 | 0:15:12 | |
-No! -Yes. No. -Ye- No. -Yes. -Yes. -No. -Yes. -We can, yes. | 0:15:12 | 0:15:16 | |
ASHLEY GROANS | 0:15:19 | 0:15:20 | |
But I can't dance like a seagull if I'm not feeling the seagull vibes. | 0:15:20 | 0:15:23 | |
Oh, I know, Hank should be a seagull! | 0:15:23 | 0:15:25 | |
I don't think I'm feeling the vibes either. | 0:15:25 | 0:15:27 | |
Oh, come on, man, this could be what you need. Don't you reckon, Ashley? | 0:15:27 | 0:15:30 | |
-Actually, I think I'm with Frankie on this one. -I guess. | 0:15:30 | 0:15:33 | |
But this doesn't mean you get out of being a seagull, all right? | 0:15:33 | 0:15:36 | |
We're all doing this for Hank. | 0:15:36 | 0:15:37 | |
OK, but can I at least be a break dancing seagull? | 0:15:37 | 0:15:40 | |
OK, fine, we'll work it in. So the swooping move goes like this. | 0:15:40 | 0:15:43 | |
Yeah, I think I've got that. | 0:15:46 | 0:15:48 | |
THUMP | 0:15:48 | 0:15:50 | |
Um, yeah it's nearly there. We'll just try it with the music. | 0:15:50 | 0:15:55 | |
MUSIC PLAYS | 0:15:56 | 0:15:58 | |
-What's up, Hank? -There's still a bit of me that wants to be a dolphin. | 0:16:06 | 0:16:10 | |
Have you ever seen light where there logically shouldn't | 0:16:13 | 0:16:15 | |
have been light? Um... And in seeing that light, on one hand you | 0:16:15 | 0:16:21 | |
thought, "that's scientifically impossible," but on the other, | 0:16:21 | 0:16:25 | |
-"wow." -Not exactly. | 0:16:25 | 0:16:27 | |
I think I need to talk things through. | 0:16:27 | 0:16:30 | |
Absolutely. And you know who you need for that, don't you? Your mum! | 0:16:30 | 0:16:34 | |
Rosa? Rosa! | 0:16:34 | 0:16:37 | |
Blimey, what's taking her so long? Rosa! | 0:16:39 | 0:16:44 | |
She said she needs to talk. With you, please? Not with me. | 0:16:45 | 0:16:49 | |
-Oh, she so reminds me of me. -Really? -Yeah, I mean, you know obviously as | 0:16:49 | 0:16:53 | |
I've got older I've got more confident, but when I was her age, | 0:16:53 | 0:16:56 | |
I was a wreck. I once told a boy that he had nice earlobes and then | 0:16:56 | 0:17:00 | |
I got so nervous that when I went in to kiss him, | 0:17:00 | 0:17:03 | |
I head-butted him instead. | 0:17:03 | 0:17:05 | |
-Well? -No, actually I don't think I'm the right | 0:17:06 | 0:17:09 | |
person to talk to her. I think... I think she needs a best friend. | 0:17:09 | 0:17:12 | |
Catherine, there is only one possible explanation - | 0:17:12 | 0:17:17 | |
perceptual bias. I think his eyes sparkle, not because they | 0:17:17 | 0:17:21 | |
actually do, but because of the lens I view him with. | 0:17:21 | 0:17:25 | |
And it's only now that I've had the chance to look at | 0:17:25 | 0:17:27 | |
this situation objectively. And I can see where it's all heading. | 0:17:27 | 0:17:30 | |
Tomorrow, Catherine, I think it's time to tell him how I feel. | 0:17:32 | 0:17:35 | |
I knew you'd agree with me. | 0:17:36 | 0:17:38 | |
Mr Rock? What do you think? | 0:17:41 | 0:17:44 | |
Did I go creative enough? | 0:17:44 | 0:17:47 | |
If by "creative" you mean "massive", you have outdone yourself. | 0:17:47 | 0:17:50 | |
You're going to knock these kids right out of their chairs. | 0:17:50 | 0:17:53 | |
Come here, let me place you right here. | 0:17:53 | 0:17:55 | |
Anya? A preshow present. | 0:18:01 | 0:18:04 | |
I didn't know we were doing presents. | 0:18:06 | 0:18:09 | |
I didn't get you anything. I'm sorry. | 0:18:09 | 0:18:11 | |
It's fine, you didn't have to get me anything. | 0:18:11 | 0:18:14 | |
It's for your charm bracelet. So, no matter where you are | 0:18:17 | 0:18:20 | |
you can look at this dolphin and think of me. | 0:18:20 | 0:18:24 | |
I... Didn't wear my charm bracelet today. | 0:18:24 | 0:18:27 | |
It just didn't seem like something a | 0:18:29 | 0:18:32 | |
dolphin would wear but thank you. | 0:18:32 | 0:18:34 | |
All right, everybody, let's take our places because it is showtime! | 0:18:40 | 0:18:44 | |
Obviously we have a connection which is very deep. | 0:18:53 | 0:18:57 | |
I think we should go out. | 0:18:57 | 0:18:59 | |
And, when we're ready, tell our parents about it. | 0:18:59 | 0:19:02 | |
They'll want to meet, and it'll be awkward. | 0:19:02 | 0:19:04 | |
But we'll laugh about it afterwards. | 0:19:04 | 0:19:06 | |
It's what comes next that concerns me. I intend to go | 0:19:06 | 0:19:10 | |
to Oxford, or Cambridge or Harvard but I've seen your grades. | 0:19:10 | 0:19:15 | |
And it's unlikely that you're | 0:19:15 | 0:19:17 | |
going to get into any of those universities. | 0:19:17 | 0:19:20 | |
So, we'd have to have a long-distance relationship. | 0:19:20 | 0:19:23 | |
Arguments on the phone, disagreements online, but one | 0:19:23 | 0:19:26 | |
day you'll call and I won't pick up because I'll be studying with | 0:19:26 | 0:19:30 | |
some sweet, slightly nerdy boy who just gets me. | 0:19:30 | 0:19:34 | |
I think that we both know deep down | 0:19:34 | 0:19:36 | |
that it just won't work between us. | 0:19:36 | 0:19:39 | |
So, it's best that we end it now. | 0:19:39 | 0:19:42 | |
Ladies and gentlemen, boys and girls of all ages. | 0:19:48 | 0:19:51 | |
Welcome to the best, the most creative, | 0:19:51 | 0:19:53 | |
the biggest Marine Day assembly ever! | 0:19:53 | 0:19:57 | |
Prepare to have your minds blown! | 0:19:57 | 0:19:59 | |
Sit up! Sit up! | 0:20:02 | 0:20:04 | |
Hank, me and Frankie were talking. | 0:20:04 | 0:20:05 | |
And we're both in agreement. You even said it yourself. | 0:20:05 | 0:20:08 | |
You're not a seagull, BOTH: you're a dolphin. | 0:20:08 | 0:20:10 | |
And now, for your edification and entertainment allow me to introduce | 0:20:12 | 0:20:17 | |
Frankie and Ashley doing their very famous seagull dance! | 0:20:17 | 0:20:20 | |
DANCE MUSIC | 0:20:20 | 0:20:21 | |
And now, this is about dolphins. | 0:20:52 | 0:20:54 | |
# Here I am, a lonely dolphin | 0:20:57 | 0:21:02 | |
# I used to be a happy dolphin | 0:21:02 | 0:21:06 | |
# But my boyfriend didn't text me | 0:21:06 | 0:21:09 | |
# Don't be a lonely dolphin | 0:21:11 | 0:21:16 | |
# Cos here I am, I'm a dolphin... | 0:21:16 | 0:21:20 | |
Oh, this is a disaster. McKelty's won Anya over, and now the crowd | 0:21:20 | 0:21:25 | |
are going to love him too. I've got to do something. | 0:21:25 | 0:21:28 | |
# With my dolphin song. # | 0:21:28 | 0:21:30 | |
MCKELTY MAKES DOLPHIN NOISES | 0:21:30 | 0:21:32 | |
-# I'm not sure what I'm doing... -# | 0:21:38 | 0:21:41 | |
Ah! | 0:21:41 | 0:21:43 | |
This iceberg is too heavy! | 0:21:43 | 0:21:46 | |
Anya! Look out. | 0:21:46 | 0:21:48 | |
I've got you! | 0:21:54 | 0:21:56 | |
Wow! | 0:21:56 | 0:21:58 | |
Are you OK, Molly? | 0:22:02 | 0:22:04 | |
I should have gone with political correspondent or wizard. | 0:22:04 | 0:22:07 | |
-But, I'm OK. -OK, that's wonderful. | 0:22:07 | 0:22:09 | |
In that case... | 0:22:09 | 0:22:12 | |
OH, MY, SOMEBODY HELP ME! | 0:22:12 | 0:22:15 | |
ASHLEY: First Aider coming through! | 0:22:15 | 0:22:17 | |
Oh, my leg! | 0:22:17 | 0:22:20 | |
-Wow, that was amazing. -My favourite bit was about the crabs. | 0:22:22 | 0:22:25 | |
-As I predicted, a total disaster. -Did you not hear those kids? | 0:22:25 | 0:22:29 | |
-They loved it, everybody loved it. -Yes, yes, I knew it was a | 0:22:29 | 0:22:32 | |
brilliant idea of mine to have staff share ideas. I must have | 0:22:32 | 0:22:36 | |
missed the bit about barnacles, but otherwise, excellent. | 0:22:36 | 0:22:39 | |
-Thank you. -I suppose, in your eyes, the approval of children | 0:22:39 | 0:22:42 | |
makes this whole farce worthwhile. Even at the expense of a broken leg. | 0:22:42 | 0:22:46 | |
It's not broken. | 0:22:46 | 0:22:47 | |
OK, you're right, you win. It's broken. | 0:22:48 | 0:22:52 | |
Could you take your hand off my leg, please? Thank you. | 0:22:52 | 0:22:55 | |
-You are a ridiculous man. -And you are filled with warmth, madam. | 0:22:56 | 0:23:01 | |
-You saved me. -No, I just... -You saved me. | 0:23:01 | 0:23:05 | |
DOLPHIN CLICKS | 0:23:08 | 0:23:10 | |
SPLASH | 0:23:10 | 0:23:13 | |
-So, did it work? -Are you back together? | 0:23:21 | 0:23:23 | |
Yes, but mainly no. | 0:23:23 | 0:23:26 | |
She's moving. It turns out the whole lonely dolphin thing is | 0:23:26 | 0:23:29 | |
-just a metaphor because she's been dragged away. -What, you're kidding? | 0:23:29 | 0:23:32 | |
I wish. One of her dads got a new job in Edinburgh and | 0:23:32 | 0:23:36 | |
-they're moving there. -No way! the dolphin's still going to be lonely. | 0:23:36 | 0:23:39 | |
Yeah, but at least this time the boy | 0:23:39 | 0:23:40 | |
dolphin is going to remember to text. | 0:23:40 | 0:23:42 | |
Man, all of that and she's still moving. Girls be crazy. | 0:23:42 | 0:23:46 | |
-Next time, be cool. -Frankie! | 0:23:46 | 0:23:48 | |
I think Mr Love has forgotten he's no longer the headteacher of | 0:23:50 | 0:23:54 | |
this school. The Mayor will be here tomorrow to present this | 0:23:54 | 0:23:57 | |
-award to me. ZIPZER! -I didn't do this, Sir! | 0:23:57 | 0:24:01 | |
-Then what is that? -Caught purple-handed, graffiti boy. | 0:24:01 | 0:24:04 | |
-It's like I don't know him. -Why does no-one believe me? | 0:24:04 | 0:24:06 | |
You are excluded from this school. | 0:24:06 | 0:24:09 | |
Oh, my... Hank, have you totally lost it? | 0:24:09 | 0:24:12 | |
-What are you doing? -You? What's your name? -Hannah, Miss. | 0:24:12 | 0:24:16 | |
Who are you, anyway? | 0:24:16 | 0:24:18 | |
I'm going to find out who tagged that wall and get my life back. | 0:24:18 | 0:24:21 |