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-Harriet, I found her. -Found who? -My mother. | 0:00:02 | 0:00:04 | |
-It's Ida. -I never wanted to let you go, you know that. | 0:00:04 | 0:00:08 | |
Have you seen the way Mathias Grigg looks at her in chapel, | 0:00:08 | 0:00:10 | |
all doe-eyed? | 0:00:10 | 0:00:12 | |
When you leave here, there will be a place for you in my household. | 0:00:12 | 0:00:16 | |
Thank you, ma'am! | 0:00:16 | 0:00:18 | |
You can't take me to your school. | 0:00:18 | 0:00:19 | |
Maybe in a year or so. | 0:00:19 | 0:00:21 | |
A new position, Mr Cranbourne? | 0:00:21 | 0:00:23 | |
Well, more a joint running of the hospital. | 0:00:23 | 0:00:26 | |
-It's Ida, Matron. -What?! | 0:00:26 | 0:00:28 | |
She's Hetty Feather's mother. | 0:00:28 | 0:00:29 | |
SHE SOBS I'm sorry. | 0:00:29 | 0:00:32 | |
Get her out. Get her out! | 0:00:32 | 0:00:33 | |
Hetty, please! | 0:00:33 | 0:00:35 | |
I will find my mother again. | 0:00:35 | 0:00:37 | |
This isn't over. | 0:00:38 | 0:00:39 | |
'Life in the foundling hospital went on. | 0:00:47 | 0:00:49 | |
'Days became weeks, weeks became months. | 0:00:51 | 0:00:55 | |
'Some things had changed...' | 0:00:57 | 0:00:59 | |
Up and down, and up, straight backs... | 0:01:01 | 0:01:04 | |
'..but enemies were still enemies, and friends were still friends. | 0:01:04 | 0:01:08 | |
'It wasn't the same for me. | 0:01:10 | 0:01:12 | |
'I missed Ida more than I could bear. | 0:01:12 | 0:01:14 | |
'Without her, what was the point of anything?' | 0:01:18 | 0:01:21 | |
Senior foundlings! | 0:01:59 | 0:02:01 | |
HE CLEARS HIS THROAT | 0:02:04 | 0:02:05 | |
As a joint head of the hospital, | 0:02:06 | 0:02:09 | |
I would like to take this opportunity | 0:02:09 | 0:02:11 | |
to remind the senior foundlings among you | 0:02:11 | 0:02:13 | |
that soon it will be time to say goodbye. | 0:02:13 | 0:02:16 | |
Your time with us is coming to an end. | 0:02:16 | 0:02:19 | |
But your remaining weeks in our care will mean as much to us as to you. | 0:02:19 | 0:02:25 | |
What Mr Cranbourne is trying to say is, | 0:02:25 | 0:02:27 | |
all future positions outside these walls | 0:02:27 | 0:02:30 | |
will be dependent upon your behaviour. | 0:02:30 | 0:02:33 | |
Good or bad will be taken into consideration... | 0:02:33 | 0:02:36 | |
There are some who have already secured their places | 0:02:36 | 0:02:40 | |
through hard work and diligence. | 0:02:40 | 0:02:42 | |
And for the rest, the choice is ours to make. | 0:02:42 | 0:02:45 | |
We will decide your future. | 0:02:45 | 0:02:47 | |
Now stand. | 0:02:49 | 0:02:50 | |
Mr Cranbourne. | 0:02:52 | 0:02:54 | |
HE CLEARS HIS THROAT | 0:02:56 | 0:02:58 | |
Dismissed. | 0:02:58 | 0:02:59 | |
You're really going to Lady Asquith's now? | 0:03:05 | 0:03:07 | |
They're on a business trip to America. | 0:03:07 | 0:03:09 | |
They might not be back for ages. | 0:03:09 | 0:03:11 | |
Good luck, Harriet. | 0:03:11 | 0:03:13 | |
"Good luck, Harriet"? | 0:03:13 | 0:03:14 | |
CRANBOURNE: Er, Gideon! A word, please. | 0:03:23 | 0:03:25 | |
I've recently received a letter from Mr Melrose. | 0:03:27 | 0:03:30 | |
Unfortunately, he's unable to offer you the scholarship. | 0:03:30 | 0:03:33 | |
What do you mean? | 0:03:35 | 0:03:37 | |
He said he would give me another chance. | 0:03:37 | 0:03:38 | |
It has proved too costly. | 0:03:38 | 0:03:40 | |
Your future is with the other boys, in the Army. | 0:03:40 | 0:03:43 | |
Now run along, girls. There is ironing to be done, too. | 0:04:03 | 0:04:05 | |
-(Nurse!) -Thank you, girls. | 0:04:07 | 0:04:09 | |
Ida, you can't be here. | 0:04:16 | 0:04:19 | |
Please, Nurse. | 0:04:19 | 0:04:20 | |
Pass this to Hetty for me. | 0:04:20 | 0:04:22 | |
Oh, Ida. It's too big a risk. | 0:04:22 | 0:04:25 | |
If Matron was to find out... | 0:04:25 | 0:04:26 | |
But I've no other way. | 0:04:26 | 0:04:28 | |
How is she? | 0:04:28 | 0:04:30 | |
Does Hetty miss me, too? | 0:04:30 | 0:04:32 | |
Please. She needs to know I'm thinking of her. | 0:04:34 | 0:04:37 | |
(Thank you.) | 0:04:42 | 0:04:43 | |
(Hetty!) | 0:04:58 | 0:05:00 | |
(Hetty!) | 0:05:00 | 0:05:01 | |
Ida came to the back gate. | 0:05:04 | 0:05:05 | |
Ida? You saw her? | 0:05:05 | 0:05:08 | |
She couldn't stay, but she wanted me to give you this. | 0:05:08 | 0:05:11 | |
Keep it hidden. | 0:05:11 | 0:05:12 | |
"Dear Hetty, I want you to know that I'm safe and well. | 0:05:20 | 0:05:25 | |
"I've been living in the workhouse, and though it's hard, | 0:05:25 | 0:05:29 | |
"I made a promise to myself. | 0:05:29 | 0:05:31 | |
"Every time I hear the church bells over the noise of the city... | 0:05:32 | 0:05:35 | |
"..or catch a glimpse of the busy river... | 0:05:37 | 0:05:39 | |
"..I think of you. | 0:05:40 | 0:05:41 | |
"But thanks to the kindness of the gatekeeper's wife, | 0:05:43 | 0:05:46 | |
"I hope to move on from here. | 0:05:46 | 0:05:47 | |
"Wherever I am, wherever I go... | 0:05:47 | 0:05:51 | |
"I'll never stop loving you, Hetty. | 0:05:51 | 0:05:53 | |
-"Your dear mother, Ida." -Ida? | 0:05:55 | 0:05:58 | |
Don't you dare snitch. | 0:05:58 | 0:05:59 | |
Hetty? | 0:06:20 | 0:06:21 | |
Hetty! | 0:06:24 | 0:06:25 | |
Shh. | 0:06:26 | 0:06:28 | |
Nurse Winterson gave me a letter from Ida. | 0:06:28 | 0:06:31 | |
I need to go and find her. | 0:06:31 | 0:06:33 | |
Say goodbye to Gideon from me. | 0:06:34 | 0:06:36 | |
I'll miss you and I'll see you again. | 0:06:36 | 0:06:38 | |
I promise. | 0:06:38 | 0:06:39 | |
-Ah, Matron. -Oh! | 0:06:55 | 0:06:57 | |
Allow me to introduce Miss Sarah Smith, | 0:06:57 | 0:07:00 | |
my good friend and esteemed writer of the Religious Tracts Society. | 0:07:00 | 0:07:04 | |
Pamphlets for straight children. | 0:07:04 | 0:07:06 | |
One does one's best. | 0:07:06 | 0:07:08 | |
Er...Matron Bottomly. | 0:07:08 | 0:07:09 | |
I was not expecting you all so soon! | 0:07:09 | 0:07:12 | |
Oh, I do apologise, Matron. | 0:07:12 | 0:07:14 | |
I've heard so much about the hospital from Donald at Evensong | 0:07:14 | 0:07:19 | |
that I persuaded Colonel Brigwell to allow me to arrive early. | 0:07:19 | 0:07:24 | |
-You travelled together? -And a most delightful journey it was. | 0:07:24 | 0:07:27 | |
I've never learned so much about the desperate hardships | 0:07:27 | 0:07:30 | |
there are on our streets. | 0:07:30 | 0:07:31 | |
Sarah's eagerness and her charitable work | 0:07:31 | 0:07:34 | |
make her the ideal choice. | 0:07:34 | 0:07:36 | |
Choice? | 0:07:36 | 0:07:37 | |
To act as governor while Lady Asquith's on her travels. | 0:07:37 | 0:07:41 | |
I was not aware that the governors had made their decision. | 0:07:41 | 0:07:43 | |
Mr Cranbourne represented the interests of the staff. | 0:07:43 | 0:07:46 | |
Miss Smith, please. | 0:07:48 | 0:07:49 | |
What an honour, Matron. | 0:07:51 | 0:07:53 | |
I spend most of my time scribbling down stories I hear | 0:07:53 | 0:07:58 | |
at the refuge for girls in need. | 0:07:58 | 0:08:01 | |
I try to give a voice to those who are never heard. | 0:08:01 | 0:08:06 | |
The girls of your refuge are very lucky indeed. | 0:08:06 | 0:08:09 | |
And I am sure, Miss Smith, that we are very lucky to have you. | 0:08:09 | 0:08:12 | |
Indeed we are. | 0:08:12 | 0:08:14 | |
So you are most welcome to our ranks. | 0:08:14 | 0:08:16 | |
Hetty? | 0:08:20 | 0:08:21 | |
Hetty...! | 0:08:25 | 0:08:26 | |
-A foundling girl has not gone through this gate? -No. | 0:08:36 | 0:08:39 | |
-You're absolutely sure? -Yes. | 0:08:39 | 0:08:41 | |
-KNOCK ON DOOR -Come in. | 0:08:44 | 0:08:46 | |
-Mr Cranbourne, Matron. -Is there a problem, Nurse? | 0:08:47 | 0:08:50 | |
It's Hetty Feather. | 0:08:50 | 0:08:51 | |
Ah. | 0:08:51 | 0:08:53 | |
One of Matron's charges. | 0:08:53 | 0:08:56 | |
A name I've heard many times before. | 0:08:56 | 0:08:59 | |
Do excuse us. | 0:08:59 | 0:09:00 | |
Cook reported her absent from kitchen duty. | 0:09:05 | 0:09:07 | |
She's nowhere to be found. | 0:09:07 | 0:09:09 | |
Very well. Ensure staff search the entire hospital. | 0:09:09 | 0:09:12 | |
Let us keep the situation in perspective. | 0:09:12 | 0:09:15 | |
This is Hetty Feather, after all. | 0:09:15 | 0:09:16 | |
Foundlings are to remain at their chores, and no-one unaccounted for. | 0:09:16 | 0:09:20 | |
You don't think it's best that we send for the constable? | 0:09:20 | 0:09:24 | |
The constable? | 0:09:24 | 0:09:26 | |
The girl will be hiding somewhere in the hospital! | 0:09:26 | 0:09:28 | |
SHE SIGHS | 0:09:34 | 0:09:35 | |
If you could just excuse us, Miss Smith. Colonel. | 0:09:37 | 0:09:40 | |
Do accept my apologies. We shouldn't be much longer. | 0:09:40 | 0:09:42 | |
-Oi! What are YOU wearing?! -THEY LAUGH | 0:09:46 | 0:09:49 | |
-'Scuse me. Do you know where the workhouse is? -Go away. Go away. | 0:09:49 | 0:09:53 | |
Excuse me, do you know where the workhouse is? | 0:09:59 | 0:10:01 | |
-No, don't know, love. -Please. -No! | 0:10:01 | 0:10:03 | |
Gideon, do you know the whereabouts of your sister? | 0:10:14 | 0:10:17 | |
Me, sir? | 0:10:17 | 0:10:18 | |
No, sir. | 0:10:18 | 0:10:20 | |
It seems she has slipped away from her duties. | 0:10:20 | 0:10:24 | |
Any ideas? | 0:10:24 | 0:10:26 | |
No, sir. Honest. | 0:10:26 | 0:10:27 | |
Very well. Carry on. | 0:10:31 | 0:10:32 | |
You don't think Matron sent her somewhere awful? | 0:10:36 | 0:10:39 | |
She wouldn't have just disappeared, not without telling us. | 0:10:39 | 0:10:41 | |
We should find Harriet. | 0:10:41 | 0:10:43 | |
Harriet won't be happy. | 0:10:44 | 0:10:46 | |
Cheer her up if you're that bothered. | 0:10:46 | 0:10:48 | |
Harriet! | 0:10:50 | 0:10:51 | |
-What's happened? -Nurse Winterson passed Hetty a letter from Ida. | 0:10:52 | 0:10:55 | |
First chance she had, she bolted straight out the gate. | 0:10:55 | 0:10:58 | |
-She's escaped? -Yeah. | 0:10:58 | 0:11:00 | |
She was in such a rush, she dropped it. | 0:11:00 | 0:11:02 | |
What does it say? | 0:11:04 | 0:11:05 | |
Ida's in the workhouse. | 0:11:09 | 0:11:11 | |
-We have to hand this in. -But then they'll find her and bring her back. | 0:11:11 | 0:11:14 | |
And Nurse Winterson will get in trouble. | 0:11:14 | 0:11:16 | |
London's a big place, and Hetty's on her own. | 0:11:16 | 0:11:18 | |
All sorts of people will take advantage. | 0:11:19 | 0:11:21 | |
I know what it's like, remember. | 0:11:21 | 0:11:23 | |
No! She's our friend. | 0:11:23 | 0:11:25 | |
This letter belongs to Hetty. We're not showing it to anyone. | 0:11:25 | 0:11:27 | |
There are different ways of looking out for a friend, you know. | 0:11:27 | 0:11:30 | |
What, you mean like snitching? | 0:11:30 | 0:11:31 | |
It's not snitching. It's about her safety. | 0:11:31 | 0:11:33 | |
Call it whatever you want, it's still against our rules. | 0:11:33 | 0:11:36 | |
Mathias. | 0:11:42 | 0:11:43 | |
If you tell... | 0:11:44 | 0:11:45 | |
..we're finished. | 0:11:46 | 0:11:47 | |
NURSE WINTERSON: Harriet. | 0:11:53 | 0:11:55 | |
Where have you been? | 0:11:58 | 0:12:00 | |
Er...privy break, Nurse. | 0:12:00 | 0:12:01 | |
If you knew anything about Hetty's whereabouts... | 0:12:04 | 0:12:07 | |
..you would tell me? | 0:12:10 | 0:12:11 | |
Just like I would tell you... | 0:12:13 | 0:12:14 | |
..if I was certain of the facts. | 0:12:15 | 0:12:18 | |
Yes, Nurse. | 0:12:18 | 0:12:19 | |
But I don't know anything, either. | 0:12:20 | 0:12:22 | |
Although I do hope she'll find someone who will look out for her. | 0:12:22 | 0:12:26 | |
Let us both hope so. | 0:12:28 | 0:12:29 | |
Harriet. | 0:12:31 | 0:12:33 | |
Matron's asking questions. | 0:12:34 | 0:12:35 | |
What's that, Harriet? | 0:12:40 | 0:12:41 | |
It's from Mathias. | 0:12:43 | 0:12:45 | |
He knew I'd be worried about Hetty. | 0:12:45 | 0:12:46 | |
Believe that and I'd believe anything. | 0:12:46 | 0:12:49 | |
I know who it's from. | 0:12:49 | 0:12:50 | |
Please, Sheila. | 0:12:53 | 0:12:55 | |
Don't say a word. | 0:12:55 | 0:12:56 | |
Me? | 0:12:56 | 0:12:58 | |
I've already seen it. | 0:12:58 | 0:12:59 | |
If I wanted to snitch, I would have done it already, | 0:12:59 | 0:13:02 | |
and I'm not going through that again. | 0:13:02 | 0:13:03 | |
Let's hope she finds Ida. | 0:13:03 | 0:13:06 | |
I'm glad for her. | 0:13:06 | 0:13:07 | |
Matches! Does anyone want matches? | 0:13:12 | 0:13:14 | |
Excuse me, which way to the workhouse? | 0:13:16 | 0:13:18 | |
Thank you! | 0:13:18 | 0:13:19 | |
Oi! Watch where you're going! | 0:13:21 | 0:13:23 | |
-I'm sorry! -Sorry?! That's tuppence you owe me. -I'm sorry! | 0:13:23 | 0:13:26 | |
Oi! Get back here before I come looking! | 0:13:26 | 0:13:29 | |
We now believe that a girl has escaped. | 0:13:34 | 0:13:37 | |
Anyone found to be covering for her... | 0:13:39 | 0:13:43 | |
their future will be severely compromised. | 0:13:43 | 0:13:45 | |
You may find yourself without a position... | 0:13:47 | 0:13:49 | |
..for I shall personally make sure that any potential employers | 0:13:53 | 0:13:55 | |
know exactly what kind of untrustworthy candidates you are. | 0:13:55 | 0:14:00 | |
The only option left open to you will be a factory... | 0:14:02 | 0:14:05 | |
..or a mill. | 0:14:07 | 0:14:09 | |
Somewhere far away from here. | 0:14:09 | 0:14:11 | |
I'd do anything not to end up there. | 0:14:13 | 0:14:15 | |
-Same here. -Does anyone have anything to report? | 0:14:15 | 0:14:18 | |
-THEY ALL MURMUR: -No, Matron. | 0:14:20 | 0:14:22 | |
Excuse me?! | 0:14:22 | 0:14:23 | |
-ALL: -No, Matron. | 0:14:23 | 0:14:26 | |
The constable has been sent for. | 0:14:26 | 0:14:28 | |
Hetty Feather's safe return is paramount. | 0:14:28 | 0:14:31 | |
So... | 0:14:31 | 0:14:32 | |
if anybody has any information on this matter... | 0:14:32 | 0:14:35 | |
-Sir. -Don't! | 0:14:35 | 0:14:36 | |
Boy, if you have something to say... | 0:14:39 | 0:14:41 | |
Well...the thing is, sir... | 0:14:41 | 0:14:43 | |
Mathias... | 0:14:43 | 0:14:45 | |
thinks the girls are more likely to know something. | 0:14:45 | 0:14:48 | |
We hardly see Hetty. | 0:14:48 | 0:14:49 | |
Yes, sir. | 0:14:50 | 0:14:51 | |
Noted. | 0:14:52 | 0:14:54 | |
Any further evidence, come directly to me. | 0:14:54 | 0:14:58 | |
Back to class. | 0:15:03 | 0:15:04 | |
Friends don't tell! They stay loyal, no matter what. | 0:15:12 | 0:15:15 | |
Yeah, and friends don't leave someone in danger. | 0:15:15 | 0:15:18 | |
But if you can't accept that, maybe we're not mates after all. | 0:15:18 | 0:15:21 | |
Cook? | 0:15:24 | 0:15:25 | |
When I leave here, I hope I don't end up in a factory. | 0:15:27 | 0:15:31 | |
You? Your talent'd be wasted. | 0:15:31 | 0:15:34 | |
Factory's no place for my best kitchen maid. | 0:15:34 | 0:15:37 | |
You're a hard worker, Ormsby, I'll give you that. | 0:15:37 | 0:15:40 | |
You know me, Cook. I always aim to please. | 0:15:40 | 0:15:44 | |
You toe the line and keep in Matron's good books, | 0:15:44 | 0:15:47 | |
and maybe there'll be a job for you here when you finish your schooling. | 0:15:47 | 0:15:51 | |
I'd rather have no job than tell on Hetty. | 0:15:53 | 0:15:55 | |
So why does Mathias think it's the right thing to do? | 0:15:55 | 0:15:57 | |
Cos he's been out there, same as me. | 0:15:57 | 0:16:00 | |
You just see things differently. | 0:16:00 | 0:16:01 | |
Harriet! | 0:16:03 | 0:16:04 | |
What do you get when you cross a snake with a pork pie? | 0:16:04 | 0:16:08 | |
A pie-thon! | 0:16:08 | 0:16:09 | |
SHE SIGHS | 0:16:09 | 0:16:10 | |
Well, that went well, didn't it? | 0:16:13 | 0:16:15 | |
Maybe she likes you. Girls are weird like that. | 0:16:15 | 0:16:18 | |
So, what do we do? | 0:16:23 | 0:16:25 | |
Tell Harriet to destroy the letter before it's too late. | 0:16:25 | 0:16:28 | |
Makes no difference. Can still tell Mr Cranbourne. | 0:16:28 | 0:16:30 | |
You're acting like I'm the enemy. | 0:16:35 | 0:16:37 | |
I'm just worried about Hetty. | 0:16:37 | 0:16:39 | |
But... | 0:16:39 | 0:16:40 | |
you're my friends. | 0:16:40 | 0:16:42 | |
And if you don't want me to say anything, then I won't. | 0:16:42 | 0:16:45 | |
-You're not going to tell Matron? -No. | 0:16:45 | 0:16:48 | |
But that doesn't mean I think you're right. | 0:16:48 | 0:16:50 | |
SHE KNOCKS 'Scuse me. | 0:16:58 | 0:17:00 | |
Um...I'm here to see my mother. Her name's Ida Battersea. | 0:17:00 | 0:17:03 | |
We've no-one of that name here. | 0:17:05 | 0:17:06 | |
But this is the workhouse, isn't it? | 0:17:06 | 0:17:08 | |
Yeah, one of about 100 in this fair city. | 0:17:08 | 0:17:11 | |
So how am I supposed to find her? | 0:17:11 | 0:17:13 | |
With plenty of time, money for a carriage, and a good pair of boots. | 0:17:13 | 0:17:17 | |
But...I don't have any money, and I need to find her! | 0:17:17 | 0:17:19 | |
She's not here! | 0:17:19 | 0:17:20 | |
Er...age 14, red hair, blue eyes, freckles about the face. | 0:17:54 | 0:17:59 | |
And what was the last known sighting of the child? | 0:17:59 | 0:18:01 | |
-This morning at ten o'clock. -And where, exactly? | 0:18:01 | 0:18:04 | |
Constable, we really must move swiftly on this matter. | 0:18:04 | 0:18:06 | |
Before I'm forced to call my army chums. | 0:18:06 | 0:18:09 | |
I understand, but the more information we have, the better. | 0:18:09 | 0:18:12 | |
Is it possible that Hetty had another plan? | 0:18:12 | 0:18:15 | |
To go somewhere, meet someone? | 0:18:15 | 0:18:16 | |
-MISS SMITH: -Quite. | 0:18:16 | 0:18:18 | |
Is running away her usual pattern of behaviour? | 0:18:18 | 0:18:22 | |
Studies have shown... | 0:18:22 | 0:18:24 | |
There is no rhyme nor reason with this girl, I'm afraid. | 0:18:24 | 0:18:27 | |
-THEY CHUCKLE -Little minx is afraid of nothing. | 0:18:27 | 0:18:29 | |
Hmm. | 0:18:29 | 0:18:30 | |
Is there anybody out there the child knows? | 0:18:30 | 0:18:33 | |
There is her mother. | 0:18:34 | 0:18:36 | |
Allow me to explain, Constable. | 0:18:44 | 0:18:46 | |
There was a woman called Ida Battersea | 0:18:47 | 0:18:49 | |
who worked here for a while. | 0:18:49 | 0:18:51 | |
Unbeknownst to the staff, and indeed to the governors... | 0:18:51 | 0:18:54 | |
..she was Hetty Feather's mother. | 0:18:55 | 0:18:58 | |
-MISS SMITH: -My goodness! | 0:18:58 | 0:18:59 | |
She left our employ six months ago. | 0:18:59 | 0:19:01 | |
So there's every possibility the child's out there looking for her? | 0:19:02 | 0:19:05 | |
I just wish we could go out and search for Hetty ourselves. | 0:19:05 | 0:19:08 | |
Better for you to stay safe. | 0:19:08 | 0:19:09 | |
-I'll waste no time in my endeavours. -Constable. | 0:19:11 | 0:19:13 | |
Any possible sightings, report back to us immediately. | 0:19:13 | 0:19:17 | |
Allow me, Constable. | 0:19:17 | 0:19:18 | |
SHE CHUCKLES | 0:19:20 | 0:19:21 | |
Such a brave profession. | 0:19:21 | 0:19:23 | |
Out there on them streets, in that uniform... | 0:19:23 | 0:19:27 | |
Right then. Good news or bad news? | 0:19:27 | 0:19:29 | |
Please, if this is a joke... | 0:19:29 | 0:19:31 | |
I heard just now, when I finish classes, | 0:19:31 | 0:19:33 | |
I'm walking straight into a job for life. | 0:19:33 | 0:19:36 | |
Apprentice kitchen maid to one of the best cooks in London. | 0:19:36 | 0:19:39 | |
Apparently I'm highly skilled, and very talented. | 0:19:39 | 0:19:43 | |
And what's the bad news? | 0:19:43 | 0:19:45 | |
There isn't any. Don't think Cook could cope without me. | 0:19:45 | 0:19:47 | |
Cook? Our cook? The job's here? | 0:19:47 | 0:19:50 | |
That IS bad news! | 0:19:50 | 0:19:52 | |
No, it's not. | 0:19:52 | 0:19:53 | |
What's wrong with being Cook's new kitchen maid? | 0:19:53 | 0:19:56 | |
Signing up for a lifetime with Matron? | 0:19:56 | 0:19:58 | |
Good luck, Sheila. | 0:19:58 | 0:20:00 | |
You'll need it. | 0:20:00 | 0:20:01 | |
Nurse. Cook needs an errand for the kitchen. I forgot to go before. | 0:20:04 | 0:20:08 | |
Go on, then. | 0:20:08 | 0:20:10 | |
Thank you for your efforts, Mr Cranbourne. | 0:20:12 | 0:20:14 | |
And you, Matron. | 0:20:14 | 0:20:16 | |
You're handling the situation... | 0:20:16 | 0:20:18 | |
quite well. | 0:20:18 | 0:20:20 | |
As for a child escaping these premises, | 0:20:20 | 0:20:22 | |
it won't happen again - not on my watch. | 0:20:22 | 0:20:25 | |
I only hope she's found before darkness falls. | 0:20:25 | 0:20:28 | |
A foundling coming to any harm is my greatest fear. | 0:20:28 | 0:20:32 | |
I do not quite know how I will sleep tonight. | 0:20:32 | 0:20:34 | |
It's most comforting to know how you care for the children. | 0:20:34 | 0:20:38 | |
You understand me so well already. | 0:20:39 | 0:20:41 | |
And I feel there is so much more to understand. | 0:20:41 | 0:20:44 | |
Ah! Colonel. Miss Smith. | 0:20:45 | 0:20:48 | |
Your carriages are waiting. | 0:20:48 | 0:20:49 | |
Allow me. | 0:20:49 | 0:20:50 | |
-BRIGWELL: -Matron. | 0:20:52 | 0:20:53 | |
Matron! | 0:20:57 | 0:20:58 | |
I think I found something you need to see. | 0:21:01 | 0:21:03 | |
It was my duty to tell you as an honest and loyal foundling. | 0:21:04 | 0:21:07 | |
Where did you find this? | 0:21:13 | 0:21:14 | |
Harriet. | 0:21:15 | 0:21:17 | |
For now, we will keep this between ourselves. | 0:21:21 | 0:21:23 | |
I need to investigate thoroughly, make sure the letter is genuine, | 0:21:24 | 0:21:27 | |
you understand? | 0:21:27 | 0:21:29 | |
Yes, matron, of course. | 0:21:29 | 0:21:30 | |
You have done the right thing. | 0:21:32 | 0:21:33 | |
Here you are - get yourself something to eat, love. | 0:21:44 | 0:21:47 | |
Oh... thanks, milady! | 0:21:47 | 0:21:48 | |
'Scuse me, Miss - spare me a halfpenny? | 0:22:06 | 0:22:09 | |
A penny, please? | 0:22:09 | 0:22:10 | |
'Scuse me, sir. | 0:22:13 | 0:22:15 | |
I'm hungry, sir - could I have a penny, please? | 0:22:15 | 0:22:18 | |
Thank you, sir. | 0:22:20 | 0:22:21 | |
SHE SIGHS | 0:22:24 | 0:22:25 | |
WHISTLE BLOWS | 0:22:26 | 0:22:28 | |
It's the police! Run for it! | 0:22:28 | 0:22:29 | |
Go that way! | 0:22:29 | 0:22:31 | |
Come on, come this way! | 0:22:36 | 0:22:38 | |
WHISTLING | 0:22:38 | 0:22:39 | |
Good day's begging, then? | 0:22:43 | 0:22:45 | |
I wasn't begging, I was looking for my mother. | 0:22:45 | 0:22:47 | |
-Hand it over. -Forget it, it's mine! | 0:22:47 | 0:22:49 | |
Not for long. | 0:22:49 | 0:22:50 | |
Leave me alone, it's my money! | 0:22:50 | 0:22:52 | |
Oi! | 0:22:52 | 0:22:53 | |
Up to your old tricks again, are ya? | 0:22:53 | 0:22:55 | |
Well, move. This is my patch, and you lot give it a bad name. | 0:22:55 | 0:22:58 | |
-Says who? -Says me! | 0:22:58 | 0:23:00 | |
Now get gone before I fetch my father! | 0:23:00 | 0:23:02 | |
My money! | 0:23:04 | 0:23:05 | |
That was all the money I had, and I can't pay you back. | 0:23:09 | 0:23:11 | |
I just saved you from Mr Grace's gang, and that's the thanks I get? | 0:23:11 | 0:23:15 | |
-They're from Mr Grace's? -Yeah. | 0:23:15 | 0:23:18 | |
And this is their stomping ground. | 0:23:18 | 0:23:19 | |
It's not yours, though, is it? | 0:23:21 | 0:23:23 | |
The name's Sissy, by the way. | 0:23:23 | 0:23:25 | |
-Hetty. -What you doing here, then, Hetty? | 0:23:25 | 0:23:28 | |
I'm trying to find my mother, but I don't know where to look. | 0:23:28 | 0:23:30 | |
Well, what you need is someone who knows their Westminster | 0:23:30 | 0:23:33 | |
from their Wapping. | 0:23:33 | 0:23:34 | |
Mr Brunsden. | 0:23:44 | 0:23:46 | |
Got the note you sent out, Gertie. | 0:23:48 | 0:23:50 | |
Why the urgency? | 0:23:50 | 0:23:51 | |
Don't tell me that factory girl's been blabbing. | 0:23:51 | 0:23:54 | |
No. A girl has escaped. | 0:23:54 | 0:23:57 | |
Hetty Feather. Desperate to be with her mother. | 0:23:57 | 0:23:59 | |
The child is obsessed. | 0:23:59 | 0:24:01 | |
And where do I fit into all of this? | 0:24:01 | 0:24:02 | |
I want Feather taken care of. | 0:24:02 | 0:24:05 | |
So she can trouble me no more. | 0:24:05 | 0:24:06 | |
Find her. | 0:24:07 | 0:24:08 | |
This was smuggled in. | 0:24:12 | 0:24:13 | |
Seems her mother, Ida Battersea, is in a workhouse. | 0:24:16 | 0:24:19 | |
Get Mr Grace's runners onto it, search the streets yourself. | 0:24:21 | 0:24:24 | |
This sounds like the Ludgate workhouse. | 0:24:24 | 0:24:26 | |
I need her to disappear. | 0:24:26 | 0:24:28 | |
To a factory, anywhere, as long as she's off the streets. | 0:24:30 | 0:24:32 | |
Leave it to me. | 0:24:32 | 0:24:33 | |
I shall delay informing the constable until tomorrow. | 0:24:35 | 0:24:37 | |
You have a head start. | 0:24:38 | 0:24:40 | |
Mr Brunsden. | 0:24:41 | 0:24:42 | |
DOOR OPENS | 0:24:49 | 0:24:50 | |
Girls! | 0:24:50 | 0:24:51 | |
Come - bring her in. | 0:24:53 | 0:24:55 | |
Take her to Hetty's bed. | 0:24:57 | 0:24:59 | |
Well, we can't have a bed go empty | 0:25:00 | 0:25:02 | |
just because Hetty decides to run away. | 0:25:02 | 0:25:04 | |
Although, I have to say, I'm not sure that girl will be coming back. | 0:25:05 | 0:25:09 | |
Out there on those streets, cold and alone, hungry... | 0:25:09 | 0:25:13 | |
..in danger. | 0:25:14 | 0:25:15 | |
Oh, well. Sleep soundly, girls. | 0:25:16 | 0:25:19 | |
All yours. | 0:25:19 | 0:25:20 | |
What if Matron's right? | 0:25:21 | 0:25:23 | |
What if she IS in danger? | 0:25:23 | 0:25:24 | |
-Are you going to tell? -She's my friend. | 0:25:24 | 0:25:27 | |
YOU took it! | 0:25:33 | 0:25:35 | |
No matter what you say, Sheila, you just can't help it. | 0:25:35 | 0:25:39 | |
Harriet was going to do it anyway. | 0:25:39 | 0:25:40 | |
I just saved her the job. | 0:25:40 | 0:25:42 | |
I was going to tell because I care for Hetty. | 0:25:42 | 0:25:45 | |
You told just to keep in with Matron and get a job. | 0:25:45 | 0:25:47 | |
You don't deserve friends. | 0:25:49 | 0:25:52 | |
Maybe, but at least I've got a future. | 0:25:52 | 0:25:54 | |
It's not much, but it's home. | 0:26:02 | 0:26:04 | |
Good. Me father's not back yet. | 0:26:08 | 0:26:12 | |
Come on, Hetty. | 0:26:12 | 0:26:13 | |
Sissy? | 0:26:29 | 0:26:30 | |
It's all right now, Lil. | 0:26:30 | 0:26:32 | |
I'm back. | 0:26:32 | 0:26:33 | |
I've brought a friend. | 0:26:35 | 0:26:37 | |
This is Hetty. | 0:26:37 | 0:26:38 | |
Make yourself at home. | 0:26:42 | 0:26:43 | |
Light the candles, will you, Hetty? | 0:26:47 | 0:26:49 | |
'I was safe, for now, thanks to my new friend. | 0:26:57 | 0:27:01 | |
'And I was one step closer to finding Ida. | 0:27:02 | 0:27:05 | |
'I wouldn't let anything stop me.' | 0:27:05 | 0:27:07 | |
-Harriet Summers. -You found it? | 0:27:09 | 0:27:12 | |
It wasn't handed to you by a child? | 0:27:12 | 0:27:14 | |
Or a member of staff, perhaps? | 0:27:14 | 0:27:16 | |
No, Matron. | 0:27:16 | 0:27:17 | |
These unruly girls are your responsibility, are they not? | 0:27:17 | 0:27:21 | |
Do you have Ida's address? | 0:27:21 | 0:27:22 | |
Ooh...I don't have details like that, I'm afraid. | 0:27:22 | 0:27:24 | |
Her name's Hetty. She's hanging about with a flower seller. | 0:27:27 | 0:27:30 | |
If we see her, we'll nab her. | 0:27:30 | 0:27:31 | |
Hetty, quick! | 0:27:33 | 0:27:34 | |
Find out who smuggled in that letter to the hospital, | 0:27:36 | 0:27:39 | |
and I will make sure that Harriet keeps her job with the Asquiths. | 0:27:39 | 0:27:43 | |
Hmm? | 0:27:43 | 0:27:44 | |
Come get your flowers, posies and nosegays! | 0:27:44 | 0:27:48 |