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Please, Nurse, pass this to Hetty for me. | 0:00:02 | 0:00:03 | |
-Ida. -Don't you dare snitch. | 0:00:03 | 0:00:05 | |
Nurse Winterson gave me a letter from Ida. | 0:00:05 | 0:00:07 | |
Oh, I need to go and find her. | 0:00:07 | 0:00:09 | |
Is there anybody out there the child knows? | 0:00:09 | 0:00:11 | |
Allow me to introduce Miss Sarah Smith. | 0:00:11 | 0:00:14 | |
Sarah's eagerness and her charitable | 0:00:14 | 0:00:16 | |
work make her the ideal choice to act as governor. | 0:00:16 | 0:00:20 | |
Where did you find this? | 0:00:20 | 0:00:22 | |
-Harriet. -Leave me alone! | 0:00:22 | 0:00:23 | |
-It's my money. -Oi! | 0:00:23 | 0:00:25 | |
I just saved you from Mr Grace's gang and that's the thanks I get? | 0:00:25 | 0:00:28 | |
I want Feather taken care of. | 0:00:28 | 0:00:30 | |
-Leave it to me. -The name's Sissy, by the way. | 0:00:30 | 0:00:33 | |
DOOR OPENS | 0:00:44 | 0:00:46 | |
Sissy, Sissy. | 0:00:57 | 0:00:59 | |
It's just my father. | 0:01:00 | 0:01:02 | |
SHE COUGHS | 0:01:08 | 0:01:10 | |
Is he back, Sissy? | 0:01:11 | 0:01:13 | |
Shh. Lil, go back to sleep. | 0:01:13 | 0:01:16 | |
I can't. | 0:01:16 | 0:01:18 | |
It's all right. Have some water. | 0:01:20 | 0:01:22 | |
Shh. It's all right. | 0:01:29 | 0:01:32 | |
Once there was a little girl who wasn't too well, | 0:01:37 | 0:01:40 | |
but in her mind she could be anywhere she wanted. | 0:01:40 | 0:01:43 | |
Right now she was on a beautiful ship, sailing to a far-off land, | 0:01:46 | 0:01:52 | |
with the warm sun on her face, | 0:01:52 | 0:01:54 | |
and the wind blowing through her hair. | 0:01:54 | 0:01:58 | |
I wasn't far from the safety of the Foundling Hospital, | 0:02:10 | 0:02:13 | |
yet I was a world away from my friends and everything I knew, | 0:02:13 | 0:02:18 | |
but I had a new friend to help me... | 0:02:18 | 0:02:20 | |
..and tomorrow I was going to find my mother again. | 0:02:23 | 0:02:26 | |
Mr Cranbourne. I was just coming to find you. | 0:02:58 | 0:03:01 | |
-In you go, boys. -Evidence on Feather. | 0:03:01 | 0:03:04 | |
This was found late last night. | 0:03:04 | 0:03:06 | |
From her mother. | 0:03:09 | 0:03:10 | |
-How did you come by this? -According to Sheila Ormsby, | 0:03:12 | 0:03:15 | |
Harriet had it all along, and I'm about to deal with her. | 0:03:15 | 0:03:18 | |
Matron, now we know where to find her, I shall inform the constable. | 0:03:18 | 0:03:22 | |
No. | 0:03:22 | 0:03:23 | |
I came by the evidence. And anyway, Colonel Brigwell and Miss Smith | 0:03:23 | 0:03:27 | |
will be very keen to hear from me. | 0:03:27 | 0:03:29 | |
Indeed, I'm sure they will. | 0:03:29 | 0:03:31 | |
After all, these unruly girls are your responsibility, are they not? | 0:03:31 | 0:03:34 | |
If we're ill in the Foundling Hospital, | 0:03:41 | 0:03:44 | |
we get sent to the infirmary. | 0:03:44 | 0:03:45 | |
Doctors cost money. | 0:03:45 | 0:03:47 | |
Sissy says we can't afford it. | 0:03:49 | 0:03:51 | |
I wish my mother could look after me. | 0:03:53 | 0:03:56 | |
I wish I could bring her back from heaven. | 0:03:57 | 0:04:00 | |
I miss her. | 0:04:01 | 0:04:04 | |
And she misses you too. | 0:04:04 | 0:04:06 | |
And she'll look down on you | 0:04:08 | 0:04:10 | |
with her beautiful white angel wings. | 0:04:10 | 0:04:13 | |
I'll be an angel soon too. | 0:04:14 | 0:04:16 | |
That's enough now, Lil. | 0:04:16 | 0:04:18 | |
I'll bring back warm potatoes if I earn enough. | 0:04:18 | 0:04:22 | |
Best be moving, then. | 0:04:25 | 0:04:27 | |
Sound of the church bells, near the city, and she can see the river too? | 0:04:27 | 0:04:32 | |
That's what it said in the letter. | 0:04:32 | 0:04:34 | |
We need the Ludgate Workhouse, then. | 0:04:34 | 0:04:36 | |
-Get well, Lil. -Good luck, Hetty. | 0:04:36 | 0:04:39 | |
Harriet Summers. | 0:04:50 | 0:04:52 | |
Matron's office, quickly. | 0:04:52 | 0:04:55 | |
Wasn't it enough to give Matron the letter? | 0:05:01 | 0:05:04 | |
You snitched on Harriet, too. | 0:05:04 | 0:05:07 | |
At least I'll have a decent future. | 0:05:07 | 0:05:09 | |
Cook's head kitchen maid. What will you have? | 0:05:09 | 0:05:13 | |
Her name's Ida Battersea, she's my mother. | 0:05:19 | 0:05:21 | |
That name's familiar. | 0:05:21 | 0:05:23 | |
Ida Battersea... | 0:05:23 | 0:05:25 | |
Told you this was the place. | 0:05:25 | 0:05:27 | |
What? She's here? | 0:05:27 | 0:05:28 | |
She was. Left for dutiful employment yesterday. | 0:05:28 | 0:05:32 | |
No, she can't have. | 0:05:32 | 0:05:35 | |
Afraid so. | 0:05:35 | 0:05:37 | |
That's why I knew the name - my good lady wife helped arrange it. | 0:05:37 | 0:05:40 | |
A well-to-do household up in Highgate somewhere. | 0:05:40 | 0:05:43 | |
Highgate? Where's that? | 0:05:43 | 0:05:45 | |
Or was it Hampstead? No, it was definitely Highgate, cos I | 0:05:45 | 0:05:47 | |
remember thinking it's where my wife's cousin got kicked to death by | 0:05:47 | 0:05:50 | |
-a birthing cow at the Turnpike. -All right. | 0:05:50 | 0:05:53 | |
So whereabouts in Highgate? | 0:05:53 | 0:05:55 | |
Do you have Ida's address? | 0:05:55 | 0:05:56 | |
Oh, I don't have details like that, I'm afraid. No one tells me nothing. | 0:05:56 | 0:06:00 | |
-Thanks anyway. -Well, best of luck to you. | 0:06:00 | 0:06:02 | |
She's a nice lady, Ida - from what I remember, anyways. | 0:06:02 | 0:06:05 | |
So, how I supposed to find her now? | 0:06:06 | 0:06:09 | |
Help me sell a few flowers. | 0:06:09 | 0:06:11 | |
We'll save up for the omnibus. | 0:06:11 | 0:06:12 | |
I can't take your money. You need it to help Lil. | 0:06:12 | 0:06:15 | |
You'd best sell double, then. | 0:06:15 | 0:06:17 | |
-WOMAN: -All right, stop it! Stop that right now | 0:06:17 | 0:06:19 | |
or I'll clip you round the ear. | 0:06:19 | 0:06:21 | |
You found it? | 0:06:24 | 0:06:25 | |
-Yes, Matron. -It wasn't handed to you by a child? | 0:06:25 | 0:06:29 | |
Or a member of staff perhaps? | 0:06:29 | 0:06:31 | |
No, Matron. | 0:06:31 | 0:06:32 | |
-Matron... -I found it in the yard near the railings. | 0:06:35 | 0:06:38 | |
It must have blown in. | 0:06:38 | 0:06:40 | |
-Nurse. -Well, that's certainly possible. | 0:06:40 | 0:06:44 | |
It's... The yard does get quite blustery. | 0:06:44 | 0:06:46 | |
Your good friend, just a child on her own, on the streets... | 0:06:50 | 0:06:55 | |
My question is, Harriet, why did you not tell us about this sooner? | 0:06:56 | 0:06:59 | |
-You could have helped us help Hetty. -There was nothing to tell. | 0:07:01 | 0:07:04 | |
I don't read other people's letters. | 0:07:04 | 0:07:06 | |
I've been trained far too well. | 0:07:06 | 0:07:08 | |
Really? | 0:07:08 | 0:07:10 | |
Please, Matron, I would never throw away my chances | 0:07:12 | 0:07:15 | |
of working for Lady Asquith. | 0:07:15 | 0:07:16 | |
Oh, well, that's a pity, because once this debacle is over, | 0:07:16 | 0:07:19 | |
Lady Asquith will hear of the whole thing. | 0:07:19 | 0:07:22 | |
Your position will be no more. | 0:07:22 | 0:07:23 | |
No, Matron, please. | 0:07:23 | 0:07:25 | |
Kitchen duty alongside Sheila. | 0:07:25 | 0:07:27 | |
Certainly, Matron. | 0:07:27 | 0:07:29 | |
Harriet. | 0:07:34 | 0:07:35 | |
-WOMAN: -All right? Look where you're going. | 0:07:42 | 0:07:45 | |
Look where you're going, dear. | 0:07:45 | 0:07:47 | |
Excuse me, sir. I'm looking for a certain resident of yours, | 0:07:47 | 0:07:50 | |
a Miss Ida Battersea. | 0:07:50 | 0:07:52 | |
Oh, not another one. What is it with this Ida Battersea all of a sudden? | 0:07:52 | 0:07:55 | |
Why? Has a young girl been here? | 0:07:55 | 0:07:57 | |
Ida's daughter. | 0:07:57 | 0:07:58 | |
I was supposed to accompany her on her search. | 0:07:58 | 0:08:01 | |
I'm a friend of the family. Do you know where the girl was heading? | 0:08:01 | 0:08:04 | |
Well, Ida's up in Hampstead these days. | 0:08:04 | 0:08:07 | |
No, Highgate... It's where the wife's cousin got trampled. | 0:08:07 | 0:08:10 | |
Oh, that was a tragedy. | 0:08:10 | 0:08:11 | |
Anyway, Ida's got a nice little job in service by all accounts. | 0:08:11 | 0:08:14 | |
-What's Ida's address? -Oh, can't help you there, sir. | 0:08:14 | 0:08:17 | |
No-one tells me nothing. Can't think why. | 0:08:17 | 0:08:21 | |
But they both seemed pretty keen to find her. | 0:08:22 | 0:08:24 | |
Both? Who was she with? | 0:08:24 | 0:08:27 | |
Some flower seller. They was hoping to make enough for the omnibus. | 0:08:27 | 0:08:30 | |
Shilling a ride, they'll be lucky. | 0:08:30 | 0:08:32 | |
Wishing you well. | 0:08:34 | 0:08:35 | |
So it seems Hetty Feather is on the trail of her mother, | 0:08:40 | 0:08:43 | |
as suggested by Nurse Winterson. | 0:08:43 | 0:08:45 | |
And a most astute suggestion it was, Nurse. | 0:08:45 | 0:08:48 | |
Is there anything of interest there, Constable? | 0:08:48 | 0:08:51 | |
No. No hidden indentations or invisible code, as far as I can see. | 0:08:51 | 0:08:55 | |
A letter from a former kitchen maid? | 0:08:55 | 0:08:57 | |
I hardly think she's capable of writing in code. | 0:08:57 | 0:09:00 | |
Maybe not. | 0:09:00 | 0:09:02 | |
But the place she is describing, I know it well. | 0:09:02 | 0:09:05 | |
-It's close to Ludgate, near to the river. -How fortuitous. | 0:09:05 | 0:09:08 | |
Our refuge is in the same area. | 0:09:08 | 0:09:11 | |
I can ask about, too. | 0:09:11 | 0:09:13 | |
Well, as the constable would tell you, Miss Smith, | 0:09:13 | 0:09:15 | |
-there really is no need. -I absolutely agree. | 0:09:15 | 0:09:17 | |
Not at all. Anyone familiar with the area is a great benefit. | 0:09:17 | 0:09:21 | |
What about those not familiar? | 0:09:21 | 0:09:22 | |
Perhaps if we had a map, we could help too. | 0:09:22 | 0:09:25 | |
Well, we must not be distracted from those still in our care. | 0:09:25 | 0:09:28 | |
Yes, Mr Cranbourne. | 0:09:28 | 0:09:30 | |
I'll pass on the information and start my search at once. | 0:09:30 | 0:09:33 | |
I shall waste no time either. | 0:09:33 | 0:09:35 | |
I have no doubt. Shall we? | 0:09:35 | 0:09:38 | |
-Best of luck. -Thank you, Matron. | 0:09:39 | 0:09:42 | |
Thank you, Mr Cranbourne. | 0:09:44 | 0:09:46 | |
Allow me, Constable. You might not find your way under that hat. | 0:09:46 | 0:09:50 | |
Actually, I believe Nurse Winterson is going that way herself. | 0:09:50 | 0:09:53 | |
Constable, if I'd had any information as to where Hetty was, | 0:09:58 | 0:10:02 | |
I would have told Matron at once. | 0:10:02 | 0:10:04 | |
No, no, no, no, you've been a tremendous help, Nurse. | 0:10:04 | 0:10:08 | |
Your insight, your kind heart... | 0:10:08 | 0:10:11 | |
We will find her. | 0:10:14 | 0:10:15 | |
-I bid you good day. -And to you. | 0:10:15 | 0:10:18 | |
A penny each for looking. | 0:10:22 | 0:10:24 | |
A shilling reward if anyone finds her. | 0:10:24 | 0:10:27 | |
Her name's Hetty. She's wearing a brown frock - her foundling uniform. | 0:10:27 | 0:10:32 | |
She's hanging about with a flower seller. | 0:10:32 | 0:10:34 | |
Hold on, we saw them yesterday. | 0:10:34 | 0:10:36 | |
Yeah, the flower seller, she works on our patch. | 0:10:36 | 0:10:38 | |
-She's a bigmouth. -You saw her? | 0:10:38 | 0:10:41 | |
Yes, Mr Brumsden, but we didn't know you wanted her. | 0:10:41 | 0:10:44 | |
So we robbed their pennies and legged it instead. | 0:10:44 | 0:10:46 | |
We'll have to be clever, then. | 0:10:46 | 0:10:48 | |
You three stay local. | 0:10:48 | 0:10:50 | |
You two head up to Highgate, where the mother's in service. | 0:10:50 | 0:10:53 | |
The girl might be looking there. If we see her, we'll nab her. | 0:10:53 | 0:10:58 | |
Fetch her to me. | 0:10:58 | 0:11:00 | |
Straight to Mr Grace's den. | 0:11:00 | 0:11:03 | |
I'll look around this patch myself. | 0:11:03 | 0:11:05 | |
And if anyone asks, you've not seen me or met me. | 0:11:05 | 0:11:08 | |
Go on. | 0:11:09 | 0:11:10 | |
-Posy for you, sir? -No. Go away. -Oi! No need to be rude! | 0:11:15 | 0:11:18 | |
Sissy, I'm no good at this. | 0:11:21 | 0:11:22 | |
You spun our Lil a good tale - | 0:11:22 | 0:11:24 | |
why not do the same thing for selling posies? | 0:11:24 | 0:11:27 | |
Go on. | 0:11:27 | 0:11:29 | |
Posy for you, Madam? | 0:11:29 | 0:11:30 | |
They bring love, and luck too - a lady in the circus taught me that. | 0:11:30 | 0:11:34 | |
All right. Thanks. | 0:11:34 | 0:11:37 | |
-Posies! -And nosegays! -Posies and nosegays! | 0:11:40 | 0:11:44 | |
Hey, you take skin off carrots, not keep it on. | 0:11:44 | 0:11:46 | |
And, Sheila, you're in charge of lunch service today. | 0:11:48 | 0:11:51 | |
So I want them peeled properly. | 0:11:53 | 0:11:55 | |
I don't want to see you, let alone speak to you. | 0:11:55 | 0:11:57 | |
Now Matron knows where Hetty is, she'll be back soon. | 0:11:57 | 0:12:00 | |
You should be thanking me. | 0:12:00 | 0:12:02 | |
For what? I've just lost my place at Lady Asquith's because of you, | 0:12:02 | 0:12:06 | |
and here you are lording it in the kitchen like a mini Matron. | 0:12:06 | 0:12:10 | |
You don't deserve a job. | 0:12:10 | 0:12:12 | |
Over here, Sheila. | 0:12:12 | 0:12:13 | |
Now, we've got some beetroot here and some cabbage... | 0:12:18 | 0:12:21 | |
The beetroot, that needs to be boiled. | 0:12:21 | 0:12:22 | |
The cabbage needs to be washed and then chopped and sliced. | 0:12:22 | 0:12:25 | |
And this is rosemary - it goes really well | 0:12:25 | 0:12:27 | |
with the lamb, so that needs to go in the lamb stew. | 0:12:27 | 0:12:30 | |
The red bring true love, while the pretty pink bring untold fortune. | 0:12:33 | 0:12:37 | |
This way you'll soon have enough for the omnibus. | 0:12:43 | 0:12:45 | |
Posies and nosegays! | 0:12:45 | 0:12:47 | |
Beautiful flowers! | 0:12:47 | 0:12:49 | |
Right here. Right here. | 0:12:49 | 0:12:52 | |
Hetty, quick! | 0:12:52 | 0:12:54 | |
What did that lot want with me this time? | 0:13:06 | 0:13:08 | |
Who cares? All clear. | 0:13:08 | 0:13:11 | |
-Very smart. -Good for selling. | 0:13:12 | 0:13:15 | |
Posies and nosegays! | 0:13:15 | 0:13:17 | |
Fresh smell of country cottage! | 0:13:17 | 0:13:20 | |
Come get your flowers. | 0:13:20 | 0:13:22 | |
Posies and nosegays. | 0:13:22 | 0:13:25 | |
Excuse me. | 0:13:25 | 0:13:27 | |
-Young lady. -Care for some flowers, Madam? | 0:13:27 | 0:13:30 | |
Tell me what you have. | 0:13:30 | 0:13:32 | |
Well, these little ones bring youth and prosperity. | 0:13:32 | 0:13:35 | |
Not that you need it. A lady in the circus taught me all about flowers. | 0:13:35 | 0:13:39 | |
-That's where I used to live. -In a circus? | 0:13:39 | 0:13:42 | |
How intriguing. | 0:13:42 | 0:13:44 | |
I was happy at the circus, but then a cruel harridan | 0:13:44 | 0:13:48 | |
called Bertha Bottomsup came and snatched me away. | 0:13:48 | 0:13:52 | |
Such a fascinating tale, it's almost beyond belief, and I should know. | 0:13:52 | 0:13:57 | |
-I'm a writer myself. -A real writer? | 0:13:57 | 0:14:00 | |
In fact, I'd like to hear more about your life | 0:14:00 | 0:14:04 | |
-for a story I'm working on. -Posies and nosegays! -Sissy. | 0:14:04 | 0:14:07 | |
-What's all this about? -My name is Miss Sarah Smith. | 0:14:08 | 0:14:12 | |
And I'm Sapphire, Sapphire Battersea. | 0:14:12 | 0:14:15 | |
-Sapphire what? -And this is Sissy. | 0:14:15 | 0:14:17 | |
Then why don't you both tell me all about yourselves? | 0:14:17 | 0:14:21 | |
I'll give you a penny for your time. | 0:14:21 | 0:14:23 | |
A penny to talk? | 0:14:23 | 0:14:25 | |
We'll soon have enough to get to Highgate. | 0:14:25 | 0:14:27 | |
That's where my mother's in service. Her name's Ida. | 0:14:27 | 0:14:29 | |
Line-up, boys. No dawdling, please. | 0:14:34 | 0:14:37 | |
You're serving the boys luncheon? To what do we owe the pleasure? | 0:14:37 | 0:14:40 | |
It's my first one in charge. Didn't you know I'm becoming staff. | 0:14:40 | 0:14:43 | |
She'll be just as bad as Matron. | 0:14:44 | 0:14:47 | |
What did you say? | 0:14:47 | 0:14:49 | |
I'm sure your stew will be just as nice as cook's. | 0:14:49 | 0:14:52 | |
No, no, it's cold. | 0:14:52 | 0:14:54 | |
That's disgusting. | 0:14:54 | 0:14:55 | |
There's a barrel of salt in here. | 0:14:55 | 0:14:58 | |
My mutton stew's perfect. | 0:14:58 | 0:14:59 | |
I made it myself. | 0:14:59 | 0:15:01 | |
Ugh! Who did this? | 0:15:05 | 0:15:08 | |
Someone ruined my stew! | 0:15:08 | 0:15:10 | |
You did. You're a snitch and you can't cook. | 0:15:10 | 0:15:14 | |
At least I've got a job, which is | 0:15:14 | 0:15:16 | |
more than can be said for some people. | 0:15:16 | 0:15:18 | |
Oh, didn't you know? | 0:15:21 | 0:15:23 | |
She hid Hetty's letter. | 0:15:23 | 0:15:25 | |
Now she's not going to Lady Asquith's anymore. | 0:15:25 | 0:15:27 | |
Harriet's lost her future because of you? | 0:15:27 | 0:15:30 | |
This is payback, Ormsby. | 0:15:33 | 0:15:35 | |
What is going on?! | 0:15:38 | 0:15:39 | |
Sheila, come. | 0:15:41 | 0:15:43 | |
Come on. Harriet, take over. | 0:15:43 | 0:15:48 | |
Mathias Grigg, Matron's office now. | 0:15:50 | 0:15:53 | |
Mathias, I don't need you to fight my battles for me. | 0:15:56 | 0:16:00 | |
You look really pretty when you're angry. | 0:16:05 | 0:16:07 | |
SNIGGERING | 0:16:07 | 0:16:09 | |
You need to get her alone and tell her how you feel. | 0:16:09 | 0:16:13 | |
Good plan. | 0:16:13 | 0:16:15 | |
Sissy's little sister's poorly. | 0:16:15 | 0:16:17 | |
They can't even afford a proper meal, let alone a doctor, | 0:16:17 | 0:16:20 | |
so Lil just lies there in the cold and the dark. | 0:16:20 | 0:16:23 | |
And once Sissy's sold her posies, that's where she calls home - | 0:16:23 | 0:16:27 | |
a horrible room with no-one to care for her. | 0:16:27 | 0:16:29 | |
Have you quite finished? | 0:16:29 | 0:16:30 | |
Sissy, it's not fair. | 0:16:30 | 0:16:32 | |
Indeed it isn't. | 0:16:32 | 0:16:34 | |
I work closely with a charity | 0:16:34 | 0:16:36 | |
-which runs a refuge for girls like you, Sissy. -Me? | 0:16:36 | 0:16:40 | |
I don't need help. I look after my family. | 0:16:40 | 0:16:43 | |
But who looks after you? | 0:16:43 | 0:16:46 | |
Come to this address at any time, my dear. | 0:16:46 | 0:16:50 | |
We can feed you, clothe you and teach you. | 0:16:50 | 0:16:54 | |
All children should be cared for. | 0:16:54 | 0:16:57 | |
Why just me? What about her? | 0:16:57 | 0:16:59 | |
I'll look after her too. | 0:16:59 | 0:17:02 | |
You would make a most excellent writer. | 0:17:02 | 0:17:06 | |
I write my own journals, or I did before I ran away, | 0:17:06 | 0:17:10 | |
-but that's another story. -And one I'd like to hear, | 0:17:10 | 0:17:13 | |
for I rather suspect that the story you told me before is fiction from | 0:17:13 | 0:17:19 | |
-beginning to end. -What do you mean? | 0:17:19 | 0:17:22 | |
She means she knows you're telling a pack of lies. | 0:17:22 | 0:17:25 | |
It's Hetty, isn't it? | 0:17:27 | 0:17:29 | |
Not Sapphire. | 0:17:29 | 0:17:31 | |
How do you know that? | 0:17:31 | 0:17:33 | |
I recognised you by your Foundling uniform at once. | 0:17:33 | 0:17:38 | |
I'm the new governor of the hospital. | 0:17:38 | 0:17:41 | |
You tricked me. | 0:17:41 | 0:17:43 | |
The police are looking for you, Hetty. | 0:17:43 | 0:17:46 | |
You don't belong here. | 0:17:46 | 0:17:48 | |
I'm not going back there. You can't make me. | 0:17:48 | 0:17:50 | |
Hetty Feather! | 0:17:59 | 0:18:01 | |
Don't be alarmed, my dear. | 0:18:03 | 0:18:05 | |
I've told you, I'm not going back there. | 0:18:05 | 0:18:08 | |
I know you don't want to go back, but Miss Smith is right. | 0:18:08 | 0:18:12 | |
Think about it, Hetty, | 0:18:12 | 0:18:14 | |
-you can't sell my flowers forever. -Cab! | 0:18:14 | 0:18:17 | |
And the streets aren't a place for a girl like you. | 0:18:17 | 0:18:19 | |
She's right, young lady. You can go the easy way, | 0:18:19 | 0:18:23 | |
or you can go the hard way, walking back with me. | 0:18:23 | 0:18:26 | |
Both lead back to the Foundling Hospital. | 0:18:26 | 0:18:29 | |
This way, Miss Smith. | 0:18:32 | 0:18:34 | |
Use this to get Lil a doctor, and look after yourself. | 0:18:40 | 0:18:43 | |
-Bye, Hetty. -Bye, Sissy. | 0:18:43 | 0:18:46 | |
See you around, Sapphire! | 0:18:48 | 0:18:50 | |
I am sorry, my dear, but there are | 0:18:56 | 0:18:59 | |
some rules which must be obeyed, | 0:18:59 | 0:19:01 | |
for your own safety. | 0:19:01 | 0:19:04 | |
But I won't be safe there. | 0:19:04 | 0:19:06 | |
Matron will put me in detention for this and she'll send me to a mill | 0:19:06 | 0:19:09 | |
somewhere. I'll never see Ida again. | 0:19:09 | 0:19:12 | |
Do you know the punishment your behaviour warrants? | 0:19:12 | 0:19:16 | |
I only did what Sheila deserved, Matron. | 0:19:16 | 0:19:18 | |
You're answering back now? That is another black mark. | 0:19:18 | 0:19:20 | |
But she's messed up everything for Harriet. | 0:19:20 | 0:19:23 | |
Sheila's information was vital in our search for Hetty. | 0:19:23 | 0:19:26 | |
Which leaves me with only one choice. | 0:19:28 | 0:19:31 | |
Find out who smuggled in that letter to the hospital and I will make sure | 0:19:33 | 0:19:37 | |
that Harriet keeps her job with the Asquiths. | 0:19:37 | 0:19:40 | |
Harriet... | 0:19:50 | 0:19:52 | |
The Matron's offered me a deal. | 0:19:54 | 0:19:56 | |
If I tell her who gave you Ida's letter, | 0:19:59 | 0:20:02 | |
you get to keep your job at the Asquiths'. | 0:20:02 | 0:20:04 | |
What will you do? | 0:20:04 | 0:20:06 | |
It's up to you. You can fight your own battles. | 0:20:06 | 0:20:09 | |
Whether you choose to tell on Nurse Winterson or not, | 0:20:11 | 0:20:14 | |
I'll be here if you need me. | 0:20:14 | 0:20:15 | |
Tell on Nurse Winterson? | 0:20:15 | 0:20:17 | |
I'd rather work in a scullery all my life. | 0:20:17 | 0:20:20 | |
Please, Miss Smith, let me go. | 0:20:41 | 0:20:42 | |
Finding your mother could ruin everything. | 0:20:42 | 0:20:45 | |
But she sent me a letter. She wants to be with me. | 0:20:45 | 0:20:48 | |
If her employers found out she had an illegitimate child, | 0:20:49 | 0:20:53 | |
she would lose her job. | 0:20:53 | 0:20:54 | |
Please, Miss Smith. Please! | 0:20:54 | 0:20:56 | |
Hetty, this is where you belong and where you must return. | 0:20:56 | 0:21:02 | |
KNOCKING Come in. | 0:21:08 | 0:21:10 | |
Our worries are over, Matron. | 0:21:10 | 0:21:12 | |
Please excuse us unannounced, Matron. | 0:21:12 | 0:21:15 | |
Wherever was she found? | 0:21:15 | 0:21:17 | |
-Not in the hands of a street gang, I hope. -Matron... | 0:21:17 | 0:21:20 | |
-Far worse. -Worse? | 0:21:22 | 0:21:25 | |
Never in my life have I seen a child | 0:21:25 | 0:21:29 | |
held in such shocking circumstances. | 0:21:29 | 0:21:33 | |
Once Hetty discovered her mother was no longer at the workhouse, she, | 0:21:33 | 0:21:38 | |
of course, planned to return. | 0:21:38 | 0:21:41 | |
She wandered back through Regent's Park, | 0:21:41 | 0:21:46 | |
and there she was captured by a band of brigands, | 0:21:46 | 0:21:50 | |
who smuggled her into an attic... | 0:21:50 | 0:21:54 | |
..where they intended to ship her overseas. | 0:21:55 | 0:22:01 | |
I see. | 0:22:02 | 0:22:04 | |
I heard her screams among the slum | 0:22:04 | 0:22:07 | |
dwellings, and I rescued her. | 0:22:07 | 0:22:10 | |
She begged to be brought back, Matron. | 0:22:11 | 0:22:14 | |
She was most afraid. | 0:22:14 | 0:22:16 | |
Scared for my life, Matron. | 0:22:18 | 0:22:21 | |
And a child who has suffered such trauma... | 0:22:21 | 0:22:24 | |
..mustn't be confined | 0:22:25 | 0:22:28 | |
or left alone in the dark. | 0:22:28 | 0:22:31 | |
Punishment is not the way forward. | 0:22:32 | 0:22:35 | |
Punishment? Never. | 0:22:35 | 0:22:37 | |
-Nurse. -Constable. | 0:22:40 | 0:22:42 | |
Is it... Is it true that Hetty Feather's back? | 0:22:44 | 0:22:47 | |
Safe and well. Yes, it's most excellent news. | 0:22:47 | 0:22:50 | |
So, what happened? Did you fight off them ruffians in the workhouse with | 0:22:50 | 0:22:54 | |
-your bare hands? -Well, I have to admit... | 0:22:54 | 0:22:56 | |
You're so brave. | 0:22:56 | 0:22:58 | |
I have to admit it was Miss Smith who found her. | 0:22:58 | 0:23:01 | |
Without her assistance, I don't know how it would have turned out. | 0:23:01 | 0:23:03 | |
You're still my hero. | 0:23:03 | 0:23:07 | |
-Nurse Macclesfield, boys' dorm immediately. -Oh. | 0:23:07 | 0:23:10 | |
Well, thank you for your help, Constable. | 0:23:14 | 0:23:17 | |
Nurse, I owe you thanks, too. | 0:23:17 | 0:23:20 | |
And if it's to your pleasing, | 0:23:23 | 0:23:25 | |
maybe I could call again and check all is well. | 0:23:25 | 0:23:28 | |
I really don't think there will be any need. | 0:23:28 | 0:23:30 | |
It would be most appreciated by the governors and Matron. | 0:23:30 | 0:23:34 | |
I hope to see you again soon, Constable. | 0:23:34 | 0:23:37 | |
Yes, well, we really are very busy here, so, if you wouldn't mind, | 0:23:39 | 0:23:42 | |
I shall escort you out. | 0:23:42 | 0:23:44 | |
Now's your chance. | 0:23:54 | 0:23:55 | |
Cupid, do your magic. | 0:23:55 | 0:23:58 | |
Harriet... | 0:23:58 | 0:23:59 | |
-Good news at last. -She's back? | 0:23:59 | 0:24:02 | |
I'm sorry about everything. | 0:24:03 | 0:24:05 | |
-Friends? -Always. | 0:24:05 | 0:24:08 | |
Who cares about a silly job? | 0:24:08 | 0:24:10 | |
Mathias Grigg! | 0:24:17 | 0:24:19 | |
Get in. | 0:24:19 | 0:24:20 | |
To be honest, she's not really your type. | 0:24:25 | 0:24:28 | |
She's too tall. | 0:24:28 | 0:24:31 | |
Boys! | 0:24:31 | 0:24:33 | |
Hetty! | 0:24:43 | 0:24:44 | |
Sit. | 0:24:44 | 0:24:46 | |
Harriet, report to my office tomorrow. | 0:24:51 | 0:24:54 | |
Why? What's Harriet done? | 0:24:54 | 0:24:56 | |
Harriet withheld information as to your whereabouts. | 0:24:56 | 0:25:00 | |
For such dishonesty, she will lose her position with Lady Asquith, | 0:25:00 | 0:25:03 | |
unless she reveals how she came by the letter. | 0:25:03 | 0:25:05 | |
Ida pushed it through the gate. | 0:25:05 | 0:25:08 | |
I picked it up | 0:25:08 | 0:25:10 | |
but it blew away. | 0:25:10 | 0:25:11 | |
Then I found it, just like I told you, Matron. | 0:25:11 | 0:25:14 | |
Really? In that case, the girl's position should stand. | 0:25:14 | 0:25:20 | |
May I write to Lady Asquith myself | 0:25:20 | 0:25:23 | |
and assure her of Harriet's character? | 0:25:23 | 0:25:27 | |
Our families are great friends. | 0:25:27 | 0:25:29 | |
Thank you, Miss Smith. | 0:25:29 | 0:25:30 | |
How very kind. | 0:25:32 | 0:25:34 | |
Shall we? | 0:25:34 | 0:25:35 | |
Well, did you find her? | 0:25:40 | 0:25:42 | |
Tell us everything. | 0:25:42 | 0:25:43 | |
What happened? | 0:25:43 | 0:25:45 | |
Elizabeth, don't be nice to me. | 0:25:45 | 0:25:47 | |
It doesn't suit you. | 0:25:47 | 0:25:49 | |
Don't worry, Feather. Now you're back, we'll be just as mean as ever. | 0:25:49 | 0:25:53 | |
How did Matron find out about the letter? | 0:25:55 | 0:25:57 | |
Sheila. | 0:25:59 | 0:26:01 | |
What? You didn't really think I wouldn't snitch, did you? | 0:26:01 | 0:26:04 | |
Welcome back, Hetty. | 0:26:08 | 0:26:10 | |
I'm so pleased that you're here where I can keep my eye on you. | 0:26:12 | 0:26:16 | |
You'll be safe with me. | 0:26:16 | 0:26:18 | |
I was back. Nothing had changed. | 0:26:25 | 0:26:28 | |
Sheila was still a snitch and Matron was still a threat. | 0:26:28 | 0:26:31 | |
Today was full of surprises. | 0:26:36 | 0:26:38 | |
I'd expected to find Ida and hadn't. | 0:26:40 | 0:26:43 | |
I thought I'd never come back to the hospital, and here I was. | 0:26:43 | 0:26:47 | |
But the person I thought was an enemy | 0:26:47 | 0:26:50 | |
turned out to be a friend, | 0:26:50 | 0:26:53 | |
and a writer. | 0:26:53 | 0:26:54 | |
With Miss Smith on my side, | 0:26:56 | 0:26:58 | |
I would be able to face whatever Matron had planned for me. | 0:26:58 | 0:27:02 | |
One of Mr Grace's girls has escaped. | 0:27:05 | 0:27:07 | |
Well, I saw you sneaking around last night. | 0:27:09 | 0:27:11 | |
She told me you were a snitch. | 0:27:11 | 0:27:12 | |
She has the book. It's got dirt on everyone. | 0:27:12 | 0:27:15 | |
If she is here, I will find her. | 0:27:15 | 0:27:16 | |
The constable's here. If he finds Jess with all of these stolen goods, | 0:27:16 | 0:27:19 | |
she can go to prison. | 0:27:19 | 0:27:21 | |
I told you they were up to something. | 0:27:21 | 0:27:23 | |
-Where is she? I know she's here. -Is there a problem, Matron? | 0:27:23 | 0:27:25 | |
Nothing unusual around here today? | 0:27:25 | 0:27:27 | |
Run. Jess, just run! | 0:27:27 | 0:27:29 |