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Hi, I'm Katie B and this is Hit The Stage. | 0:00:02 | 0:00:04 | |
In this series I've taken a group of kids who all love music, | 0:00:08 | 0:00:11 | |
and given them the chance to perform on some of the biggest stages. | 0:00:11 | 0:00:15 | |
We've seen a budding DJ go from playing his mum and dad's parties | 0:00:15 | 0:00:19 | |
to rocking the decks at a major festival. | 0:00:19 | 0:00:21 | |
A singer go from singing hymns in church to performing to sell-out | 0:00:21 | 0:00:24 | |
crowds, and a songwriter afraid to play her songs in public | 0:00:24 | 0:00:28 | |
to playing to an audience of thousands. | 0:00:28 | 0:00:31 | |
In this final episode, | 0:00:31 | 0:00:32 | |
we see Darrel get the chance | 0:00:32 | 0:00:34 | |
to play his own composition to a big crowd. | 0:00:34 | 0:00:36 | |
Brianna introduces me to the harp, | 0:00:36 | 0:00:39 | |
and the whole group come together for a very special finale. | 0:00:39 | 0:00:42 | |
Are you ready to Hit The Stage? We are! | 0:00:42 | 0:00:45 | |
CHEERING | 0:00:45 | 0:00:47 | |
MUSIC: "Lights on" by Katy B | 0:00:52 | 0:00:55 | |
I've been lucky enough to make a life out of doing something | 0:00:55 | 0:00:58 | |
that I love - singing and performing. | 0:00:58 | 0:01:01 | |
You may even know some of my hit singles. | 0:01:01 | 0:01:03 | |
And now I'm in Londonderry, Northern Ireland. | 0:01:07 | 0:01:10 | |
Why am I here? Well, it's simple. | 0:01:10 | 0:01:12 | |
This year, the city is the UK's first ever City Of Culture, | 0:01:12 | 0:01:15 | |
which means there's loads of massive music events happening | 0:01:15 | 0:01:19 | |
all year round. | 0:01:19 | 0:01:20 | |
And I've been helping some local kids to hit the stage. | 0:01:20 | 0:01:23 | |
I'm not doing it alone - I've got two local musicians | 0:01:29 | 0:01:31 | |
to help out when I'm not around - | 0:01:31 | 0:01:33 | |
Glenn, who loves hitting the stage himself | 0:01:33 | 0:01:36 | |
when he's rocking out with his band. | 0:01:36 | 0:01:38 | |
The spark of creativity they have | 0:01:38 | 0:01:39 | |
really reignites the spark you have | 0:01:39 | 0:01:42 | |
so I'm really looking forward to the eight months, | 0:01:42 | 0:01:44 | |
and seeing where this is going to go. | 0:01:44 | 0:01:46 | |
And Jenny, who likes to take things a bit more slowly | 0:01:46 | 0:01:49 | |
when she's teaching students how to play the harp or sing. | 0:01:49 | 0:01:52 | |
It's really inspiring to think that these kids really have | 0:01:52 | 0:01:56 | |
so much potential. | 0:01:56 | 0:01:57 | |
So I'm really, really excited to see what they're going to come up with. | 0:01:57 | 0:02:02 | |
Last time we met Darrel, who's obsessed with playing | 0:02:02 | 0:02:04 | |
and composing his own tunes on the old family piano. | 0:02:04 | 0:02:08 | |
Well, I'd like to become a famous composer, going round the world. | 0:02:08 | 0:02:12 | |
'I was so impressed with his playing, I arranged for him to meet | 0:02:12 | 0:02:16 | |
'Neil Cowley, who is the City Of Culture's musician in residence.' | 0:02:16 | 0:02:19 | |
I'm already liking your hand position, that's very good. So... | 0:02:19 | 0:02:23 | |
'Neil has played on some of the biggest hits of this century, | 0:02:23 | 0:02:26 | |
'including Adele's Rolling In The Deep.' | 0:02:26 | 0:02:28 | |
And he thinks Darrel has what it takes to go all the way. | 0:02:31 | 0:02:34 | |
You've got everything within your grasp, technically, | 0:02:34 | 0:02:37 | |
for you to do exactly what you want for the rest of your life. | 0:02:37 | 0:02:41 | |
I'm telling you, you really have. | 0:02:41 | 0:02:43 | |
'The only thing holding Darrel back was his schoolwork.' | 0:02:44 | 0:02:47 | |
You've this weird idea that you can go into your exam | 0:02:47 | 0:02:50 | |
-and pass it. -THEY TALK OVER EACH OTHER | 0:02:50 | 0:02:52 | |
I don't have. | 0:02:52 | 0:02:54 | |
'But he promised me he'd try harder.' | 0:02:54 | 0:02:56 | |
And now a few months have passed, his school report is in. | 0:02:57 | 0:03:00 | |
What? | 0:03:01 | 0:03:03 | |
Look what came in today - can you guess what this is? | 0:03:03 | 0:03:06 | |
It's my report, school report. | 0:03:06 | 0:03:09 | |
Would you like to read it? | 0:03:09 | 0:03:11 | |
Aye, I'll have to, I guess. | 0:03:11 | 0:03:13 | |
If you look at your maths - he's a very good comment there because | 0:03:14 | 0:03:17 | |
in January when I was talking to that teacher, he says that you've | 0:03:17 | 0:03:21 | |
a mental block when it comes to maths, and now he's saying now | 0:03:21 | 0:03:24 | |
that he thinks you're going to get it. | 0:03:24 | 0:03:26 | |
But I kept at you with your maths. | 0:03:26 | 0:03:28 | |
Katy B - what did she tell you? She told you, "Darrel, you need it | 0:03:28 | 0:03:32 | |
"and you don't want to do what I done," | 0:03:32 | 0:03:33 | |
where she had to go to night classes and do it later. | 0:03:33 | 0:03:36 | |
She says you've got to do it now. And your music's very good. | 0:03:36 | 0:03:39 | |
It's first place in music, so that's very good. | 0:03:39 | 0:03:42 | |
Well, the report's very good and you're to keep up now the work. | 0:03:42 | 0:03:45 | |
That's a really positive report. If Darrel keeps this up, it looks like | 0:03:45 | 0:03:48 | |
he'll pass his maths, and there's even a reward for his efforts. | 0:03:48 | 0:03:52 | |
-There's a fiver now. -Oh, thank you. | 0:03:52 | 0:03:54 | |
If your grades improve, I will double that fiver. | 0:03:54 | 0:03:58 | |
Oh, what about the grand piano? | 0:03:58 | 0:04:00 | |
I think that might be pushing it, Darrel. | 0:04:00 | 0:04:02 | |
No grand piano, no. | 0:04:02 | 0:04:03 | |
My Hit The Stage super-group are hard at work on their cover | 0:04:08 | 0:04:12 | |
of local band Snow Patrol's classic song Chasing Cars. | 0:04:12 | 0:04:15 | |
'When I first announced the song, it didn't go down so well.' | 0:04:18 | 0:04:21 | |
I decided we can make our own unique version | 0:04:21 | 0:04:24 | |
of an iconic song by a local band. | 0:04:24 | 0:04:26 | |
But by encouraging everyone to get creative... | 0:04:27 | 0:04:30 | |
I could make the beats along with the piano. | 0:04:30 | 0:04:33 | |
..and embracing new ideas... | 0:04:33 | 0:04:34 | |
Can we make the song a little bit faster? | 0:04:34 | 0:04:38 | |
..they turned things around, and the group are nearly ready to | 0:04:38 | 0:04:40 | |
record their own unique version. | 0:04:40 | 0:04:42 | |
SHE SINGS | 0:04:42 | 0:04:45 | |
A key member of the group is 12-year-old Brianna. | 0:04:45 | 0:04:48 | |
Brianna is a pro on the latest computer games. | 0:04:50 | 0:04:52 | |
I really need to get this - oh! | 0:04:52 | 0:04:55 | |
But when it comes to the harp, she's a total beginner. | 0:04:55 | 0:04:58 | |
The harp is a much-loved Irish string instrument that | 0:04:58 | 0:05:02 | |
dates back at least 1,400 years. | 0:05:02 | 0:05:04 | |
Brianna loves the sound that it makes. | 0:05:04 | 0:05:07 | |
The harp is a beautiful instrument and, um, plus it's quite soft | 0:05:07 | 0:05:11 | |
and delicate and doesn't bang the eardrums. | 0:05:11 | 0:05:15 | |
But that peace and quiet doesn't last long | 0:05:15 | 0:05:17 | |
when you have a dog around the house. | 0:05:17 | 0:05:19 | |
His name is Stitch. | 0:05:21 | 0:05:22 | |
He's a wee bundle of chaos. | 0:05:22 | 0:05:24 | |
He's eating the grass again. | 0:05:30 | 0:05:32 | |
I know, I think he should have been a sheep. | 0:05:32 | 0:05:35 | |
'Hit The Stage isn't just about being the very best - | 0:05:35 | 0:05:38 | |
'it's about loving music too. | 0:05:38 | 0:05:40 | |
'Brianna may be only starting to play, | 0:05:40 | 0:05:42 | |
'but that won't stop her being part of the Hit The Stage gang.' | 0:05:42 | 0:05:45 | |
'And like everyone else in the group, I think Brianna could really | 0:05:47 | 0:05:49 | |
'benefit from having a performance to aim for. | 0:05:49 | 0:05:52 | |
'But as a beginner, | 0:05:52 | 0:05:53 | |
'I know she could struggle to play in front of a big crowd.' | 0:05:53 | 0:05:56 | |
It would be kind of nerve-racking | 0:05:56 | 0:05:58 | |
but I suppose it really depends on how big it is, technically, | 0:05:58 | 0:06:02 | |
and if it's a small crowd, I'd be OK with that. | 0:06:02 | 0:06:06 | |
'I know that Brianna's worried about performing before she's ready, | 0:06:06 | 0:06:09 | |
'so I'm going to give her as much advice as I can.' | 0:06:09 | 0:06:12 | |
I don't get, how can you handle the nerve of going up on stage, | 0:06:14 | 0:06:18 | |
in front of thousands, maybe millions of people? | 0:06:18 | 0:06:20 | |
I don't get...I can't do that. | 0:06:20 | 0:06:22 | |
I don't get how someone can gather up the courage to do that. | 0:06:22 | 0:06:26 | |
Well, the thing is, you start off | 0:06:26 | 0:06:27 | |
as you're playing to, like, five people. | 0:06:27 | 0:06:30 | |
And then the next concert you do, you're playing to ten | 0:06:30 | 0:06:33 | |
and then the next, you're playing to 50. | 0:06:33 | 0:06:36 | |
After a while, it's building up, building up. | 0:06:36 | 0:06:39 | |
It wasn't like my first ever gig was to, like, 80,000 people. | 0:06:39 | 0:06:42 | |
That would have definitely freaked me out. | 0:06:42 | 0:06:45 | |
You're always going to be a little bit, like, little bit scared, | 0:06:45 | 0:06:49 | |
but - you know, you can't let that stop you, | 0:06:49 | 0:06:51 | |
you've got to kind of go for it anyway, you know? | 0:06:51 | 0:06:54 | |
So have you got a little harp here | 0:06:54 | 0:06:57 | |
that I can hear you play some...? | 0:06:57 | 0:06:59 | |
-It's upstairs? -Yeah. | 0:07:01 | 0:07:03 | |
So what are you going to be playing? | 0:07:16 | 0:07:18 | |
Um, I forget what it's called, it's Southern Wind or The Western Wind. | 0:07:18 | 0:07:21 | |
'It's so exciting learning a new instrument | 0:07:26 | 0:07:28 | |
'but it's lots of hard work too. | 0:07:28 | 0:07:30 | |
'I think if Brianna had a big performance to work towards, | 0:07:30 | 0:07:33 | |
'it could really help her focus, | 0:07:33 | 0:07:35 | |
'so I'll work with Jenny to cook up a real surprise.' | 0:07:35 | 0:07:38 | |
Well, I've never had anyone play the harp to me before, Brianna, | 0:07:38 | 0:07:42 | |
so thank you very much. It's lovely. | 0:07:42 | 0:07:45 | |
'But first, Brianna has a solo to sort out in the group session.' | 0:07:47 | 0:07:50 | |
Literally at the start, we were thinking maybe, like, | 0:07:50 | 0:07:53 | |
just the harp doing that wee riff at the very beginning | 0:07:53 | 0:07:55 | |
and then yous come in with a couple of those phrases, yeah? | 0:07:55 | 0:07:58 | |
-Let's get cracking, then. -Cool. OK, Brianna? | 0:07:58 | 0:08:00 | |
SHE PLAYS INTRO TO CHASING CARS | 0:08:00 | 0:08:02 | |
I was nervous about having to start the song because it's... | 0:08:05 | 0:08:08 | |
Well, if you screw up, you screw up the whole song. | 0:08:08 | 0:08:11 | |
It's a big responsibility to start the group's song, | 0:08:12 | 0:08:15 | |
but I know she can do it. | 0:08:15 | 0:08:17 | |
14-year-old pianist Darrel loves his music. | 0:08:21 | 0:08:24 | |
He spends hours making up his own tunes, but composing your own music | 0:08:24 | 0:08:28 | |
isn't easy when you can't even keep your piano in key. | 0:08:28 | 0:08:31 | |
IT PLAYS OUT OF TUNE | 0:08:31 | 0:08:33 | |
But amazing mum Sharon has a massive surprise | 0:08:33 | 0:08:36 | |
in store for her son. | 0:08:36 | 0:08:37 | |
She's pushed the family budget to the limit and come to the rescue. | 0:08:37 | 0:08:41 | |
I'm waiting on Darrel and Tyreece to come back from the beach. | 0:08:41 | 0:08:45 | |
They think I'm away shopping to buy clothes, but I've went | 0:08:45 | 0:08:48 | |
and I've invested in a good piano for him. | 0:08:48 | 0:08:50 | |
He doesn't know that he's getting it, so I'm just going to surprise him. | 0:08:50 | 0:08:54 | |
And I've been thinking about it this past while. | 0:08:54 | 0:08:57 | |
When Darrel comes back now, he's actually, | 0:08:57 | 0:09:00 | |
I think he could faint, even, for the shock of seeing this new piano. | 0:09:00 | 0:09:03 | |
I can't believe she has managed to keep this a secret. | 0:09:04 | 0:09:08 | |
I love a good surprise. | 0:09:08 | 0:09:09 | |
That's them. | 0:09:09 | 0:09:10 | |
Well, how did the beach go? | 0:09:13 | 0:09:15 | |
Was it good? Did you enjoy the beach? | 0:09:15 | 0:09:17 | |
Oh! Aye! | 0:09:17 | 0:09:20 | |
This can't be real. No, no, no, this isn't real. | 0:09:20 | 0:09:23 | |
How'd you get that? | 0:09:28 | 0:09:29 | |
No, this is impossible. | 0:09:29 | 0:09:31 | |
It's in tune and all! | 0:09:35 | 0:09:36 | |
Even Tyreece is liking the sound of this. | 0:09:49 | 0:09:52 | |
So shocked. | 0:09:55 | 0:09:56 | |
Like really, like, it is a dream come true. | 0:09:56 | 0:09:59 | |
I'm amazed that me mum's given me this - really happy, | 0:09:59 | 0:10:02 | |
I really appreciate it, | 0:10:02 | 0:10:04 | |
and, like, best thing in the world to happen. | 0:10:04 | 0:10:07 | |
Just time for one last goodbye to his old faithful. | 0:10:09 | 0:10:12 | |
'I will miss it in a way, but in a way, I won't miss it.' | 0:10:14 | 0:10:18 | |
Goodbye. | 0:10:18 | 0:10:20 | |
'Actually - I was in on the secret, | 0:10:20 | 0:10:22 | |
'and I've got another surprise in store for Darrel.' | 0:10:22 | 0:10:26 | |
Hi, Darrel. Now, I know you've been really enjoying working with | 0:10:26 | 0:10:31 | |
Neil Cowley, and you know what? | 0:10:31 | 0:10:32 | |
Neil has really enjoyed working with you, and he's very impressed. | 0:10:32 | 0:10:36 | |
Neil and his band have a performance coming up, and guess what? | 0:10:36 | 0:10:39 | |
He wants you to join him and play your own composition. | 0:10:39 | 0:10:42 | |
Are you serious? Oh, yes! | 0:10:42 | 0:10:45 | |
I'm so excited for you, Darrel, best of luck. | 0:10:45 | 0:10:48 | |
I can't believe this is happening to me. | 0:10:48 | 0:10:50 | |
Like, you get to play with on stage with him for a proper performance. | 0:10:50 | 0:10:54 | |
I'm really shocked. I'll have to do masses of practice. | 0:10:54 | 0:10:58 | |
It's amazing how something so simple like getting a new instrument | 0:10:58 | 0:11:02 | |
can really fire your creativity. | 0:11:02 | 0:11:04 | |
And with a brand spanking new piano under the stairs, I can't wait to | 0:11:04 | 0:11:08 | |
hear what Darrel is going to come up with for his big performance. | 0:11:08 | 0:11:12 | |
Since I met Brianna, she's been practising harp every day | 0:11:17 | 0:11:20 | |
and I've made sure that Jenny is on hand to help her get to grips | 0:11:20 | 0:11:23 | |
with this tricky instrument. | 0:11:23 | 0:11:25 | |
-Oh, is it a blister? -It was. | 0:11:27 | 0:11:29 | |
If I haven't been practising a while, my fingers will get really sore | 0:11:29 | 0:11:33 | |
but you just have to keep practising through it. | 0:11:33 | 0:11:36 | |
-Unfortunately. -It's just a wee sting, | 0:11:36 | 0:11:38 | |
we'll get through it, it's just sore for that wee bit. | 0:11:38 | 0:11:42 | |
'If you're getting blisters on your fingers, it means you must be | 0:11:42 | 0:11:45 | |
'really working hard. I'm impressed. | 0:11:45 | 0:11:48 | |
'And I think it's time for all that hard work to be rewarded.' | 0:11:48 | 0:11:52 | |
Hi, Brianna. Hi, Stitch. How are you? | 0:11:52 | 0:11:55 | |
'I've lined Brianna up a great opportunity to play | 0:11:55 | 0:11:58 | |
'solo at her very own harp recital.' | 0:11:58 | 0:12:00 | |
How do you feel? | 0:12:02 | 0:12:04 | |
Nervous... | 0:12:04 | 0:12:05 | |
Very surprising. Can't believe it. Um, very, very happy. | 0:12:05 | 0:12:10 | |
-Oh, good. -Don't cry, you'll make me cry. | 0:12:10 | 0:12:13 | |
This is a big deal for Brianna. It won't be easy, but Jenny will be | 0:12:13 | 0:12:17 | |
working closely with her on the pieces she'll have to play. | 0:12:17 | 0:12:21 | |
Right now, though, she's taking her harp | 0:12:21 | 0:12:23 | |
and joining the Hit The Stage group as they hit the studio. | 0:12:23 | 0:12:26 | |
After all their practising, the group are ready | 0:12:44 | 0:12:47 | |
to record their version of Chasing Cars. | 0:12:47 | 0:12:50 | |
Ready when you are! | 0:12:50 | 0:12:51 | |
Recording a song professionally takes a lot of effort. | 0:12:53 | 0:12:56 | |
Everyone has to record their part separately, | 0:12:56 | 0:12:59 | |
and the engineer will then mix all the pieces together | 0:12:59 | 0:13:01 | |
into the final track. | 0:13:01 | 0:13:02 | |
I know Brianna was nervous about this, but she's doing brilliantly. | 0:13:06 | 0:13:10 | |
It's my first time in a recording studio and, well, | 0:13:10 | 0:13:14 | |
it was a lot harder than I expected. | 0:13:14 | 0:13:17 | |
I love being in the studio, it's where I feel most at home | 0:13:19 | 0:13:22 | |
but if you aren't used to it, it can be tough. | 0:13:22 | 0:13:25 | |
I'm trying. I'm really trying. OK. | 0:13:25 | 0:13:29 | |
Hannah's used to playing live, you know, | 0:13:29 | 0:13:31 | |
which is a totally different world to the recording world. | 0:13:31 | 0:13:34 | |
If your nerves switch on when you're recording, | 0:13:34 | 0:13:36 | |
it's very, very hard to get your part right. | 0:13:36 | 0:13:38 | |
It's so hard. No, I don't like it. | 0:13:38 | 0:13:41 | |
All the instruments get recorded first | 0:13:44 | 0:13:46 | |
so that the engineer can start to build the track. | 0:13:46 | 0:13:49 | |
I feel ready to go! | 0:13:49 | 0:13:52 | |
With all the instruments recorded, | 0:13:52 | 0:13:54 | |
it's time for the singers to step up to the mic. | 0:13:54 | 0:13:57 | |
# Remind me... # | 0:13:57 | 0:14:00 | |
Erm, I'm not sure that's the way it goes. | 0:14:00 | 0:14:03 | |
On your own's easier. | 0:14:04 | 0:14:06 | |
But being in a group's sort of...better - more fun. | 0:14:06 | 0:14:09 | |
SHE LAUGHS | 0:14:09 | 0:14:13 | |
I really can't wait, I'm all excited, | 0:14:13 | 0:14:15 | |
it's like my first proper time using one of...whatever that is. | 0:14:15 | 0:14:18 | |
# If I lay here | 0:14:18 | 0:14:22 | |
# If I just lay here... # | 0:14:22 | 0:14:25 | |
In a recording studio you just feel so natural and you just... | 0:14:25 | 0:14:28 | |
You can just let go and it's an amazing thing to do, like. | 0:14:28 | 0:14:31 | |
# Would you lay with me and just forget the world? # | 0:14:31 | 0:14:40 | |
With all instruments and vocals recorded, the DJs are in the studio | 0:14:42 | 0:14:46 | |
bringing their own unique sounds into the mix. | 0:14:46 | 0:14:49 | |
I can't wait to hear the finished track. | 0:14:49 | 0:14:51 | |
Have you ever thought about how to really listen to music? | 0:14:54 | 0:14:56 | |
I love listening to music at home, on my own, or with my friends. | 0:14:56 | 0:15:01 | |
It's powerful, | 0:15:01 | 0:15:02 | |
it can make you happy, sad or even make you want to dance. | 0:15:02 | 0:15:05 | |
But have you ever wondered what different parts make up a record? | 0:15:05 | 0:15:09 | |
Try breaking them down - it's fun. | 0:15:09 | 0:15:11 | |
First of all there's the beats, the drums, | 0:15:11 | 0:15:14 | |
which you should know very well because it's related to | 0:15:14 | 0:15:16 | |
one of the sounds that you know best - your own beating heart. | 0:15:16 | 0:15:20 | |
Then there's the melody and the singing. | 0:15:21 | 0:15:23 | |
Put all three together and that's when the magic happens. | 0:15:23 | 0:15:26 | |
With only a couple of weeks to go | 0:15:47 | 0:15:49 | |
before he supports Neil Cowley on tour, | 0:15:49 | 0:15:51 | |
Darrel is busy putting the finishing touches to his composition. | 0:15:51 | 0:15:55 | |
I want to really impress Neil, | 0:15:55 | 0:15:57 | |
show him that I'm really putting in the hard work for this big gig. | 0:15:57 | 0:16:02 | |
Darrel uses the latest computer software to | 0:16:02 | 0:16:04 | |
write down the music he's composed in his head. | 0:16:04 | 0:16:07 | |
I have more or less done it now, actually. | 0:16:07 | 0:16:10 | |
So I'm going to go down to the piano and try it out. | 0:16:10 | 0:16:13 | |
I think getting a new piano has really helped improve | 0:16:15 | 0:16:18 | |
Darrel's skills, and in just a couple of weeks' time, he'll be | 0:16:18 | 0:16:22 | |
playing his own tune in front of a crowd for the very first time. | 0:16:22 | 0:16:25 | |
Really excited about doing it. Not even nervous, just really excited. | 0:16:29 | 0:16:32 | |
I can't wait to be sitting at that piano and just playing | 0:16:32 | 0:16:36 | |
away in front of a big massive audience, like. It's so exciting. | 0:16:36 | 0:16:39 | |
Ever since Brianna found out about her very own recital, | 0:16:42 | 0:16:45 | |
she's been busy practising with Jenny | 0:16:45 | 0:16:47 | |
to learn as many pieces as she can. | 0:16:47 | 0:16:49 | |
She's come such a long way in such a short period of time. | 0:16:51 | 0:16:54 | |
And she's now ready to perform in front of a crowd | 0:16:57 | 0:17:00 | |
for the very first time. | 0:17:00 | 0:17:01 | |
Even though I am nerv-cited - nervous and excited, | 0:17:02 | 0:17:06 | |
I am confident that everything will go well. I can't wait. | 0:17:06 | 0:17:11 | |
She'll be playing in a beautiful venue in the city centre | 0:17:11 | 0:17:14 | |
in front of an invited audience of family members and friends, | 0:17:14 | 0:17:18 | |
including her Hit The Stage pals. | 0:17:18 | 0:17:20 | |
Oh, and Stitch is there for support too. | 0:17:20 | 0:17:22 | |
Will we give Brianna a big clap? | 0:17:22 | 0:17:24 | |
STITCH BARKS | 0:17:30 | 0:17:33 | |
APPLAUSE | 0:17:52 | 0:17:53 | |
STITCH BARKS | 0:17:53 | 0:17:55 | |
All the hard work has been worth it. Brianna sounds amazing. | 0:18:04 | 0:18:07 | |
Everyone loves it. It's an emotional moment for Brianna. | 0:18:23 | 0:18:26 | |
After working hard for months and you finally accomplish a goal, | 0:18:32 | 0:18:36 | |
it is something...amazing. | 0:18:36 | 0:18:39 | |
With their cover version recorded, | 0:18:46 | 0:18:48 | |
it's time for the group to film their very own music video. | 0:18:48 | 0:18:51 | |
We are on our way to Belfast | 0:18:53 | 0:18:56 | |
to record the music video in front of the green screen | 0:18:56 | 0:18:59 | |
-and I think we're really excited, aren't we, Brianna? -Yep. | 0:18:59 | 0:19:03 | |
Really looking forward to it. | 0:19:03 | 0:19:04 | |
They're heading to one of the biggest TV studios | 0:19:04 | 0:19:07 | |
in Northern Ireland, to film against the massive green screen. | 0:19:07 | 0:19:10 | |
This is how the stars like to record many of their videos. | 0:19:10 | 0:19:13 | |
It sounds really exciting, like, you see all these celebrities | 0:19:13 | 0:19:16 | |
and behind the scenes in their music videos and it looks really cool. | 0:19:16 | 0:19:20 | |
And for anyone wondering why it's green, Brianna has all the answers. | 0:19:20 | 0:19:24 | |
Why's it green? | 0:19:26 | 0:19:27 | |
Well, green's a reflective colour | 0:19:27 | 0:19:30 | |
and any image or any texture can be reflected against it | 0:19:30 | 0:19:34 | |
to make it look as if it's like... | 0:19:34 | 0:19:36 | |
something there's but it's not. | 0:19:36 | 0:19:39 | |
Could it be a blue screen, do you know what I mean? | 0:19:39 | 0:19:41 | |
-Why does it have to be green? -You can get blue ones. | 0:19:41 | 0:19:44 | |
Could it be, like, a purple screen? | 0:19:44 | 0:19:47 | |
-No. -Why not purple? -It's not reflective, | 0:19:47 | 0:19:49 | |
-you can only get blue, green or white. -That's me told. | 0:19:49 | 0:19:52 | |
Here's how it works. | 0:19:55 | 0:19:57 | |
Everyone mimes their parts in front of the camera | 0:19:57 | 0:19:59 | |
and through the magic of computers, the background will be | 0:19:59 | 0:20:02 | |
replaced with all sorts of cool stuff. | 0:20:02 | 0:20:04 | |
If you're going to star in your very own music video, | 0:20:07 | 0:20:09 | |
it's important to look your best, and even the boys need make-up. | 0:20:09 | 0:20:13 | |
You need to get your make-up on so you don't shine. | 0:20:15 | 0:20:18 | |
The cameras in the studio are really strong. | 0:20:18 | 0:20:20 | |
That looks lovely. | 0:20:20 | 0:20:21 | |
Make-up done, it's time to get down to work. Action! | 0:20:21 | 0:20:25 | |
It was a bit weird what we had to do - repeat it and repeat it | 0:20:32 | 0:20:35 | |
and repeat it. But, no, it's good, like, but it was a bit weird. | 0:20:35 | 0:20:39 | |
Darrel has left the bright lights of the studio behind - | 0:20:47 | 0:20:50 | |
he's in Lancaster for his performance supporting Neil Cowley. | 0:20:50 | 0:20:53 | |
Oh, look, there you are. | 0:20:53 | 0:20:56 | |
There it is. | 0:20:56 | 0:20:58 | |
-It's becoming real now, isn't it? -It really is. | 0:20:58 | 0:21:01 | |
And it's time for his sound check | 0:21:01 | 0:21:03 | |
to make sure everything is ready for tonight's gig. | 0:21:03 | 0:21:05 | |
How you doing, Darrel? How you doing? | 0:21:13 | 0:21:15 | |
Hi, girls, how are you doing? | 0:21:15 | 0:21:17 | |
-All right? Nice to see you. Nice to see you. -You too. | 0:21:17 | 0:21:20 | |
Tonight will be the first time a crowd will ever have heard | 0:21:27 | 0:21:30 | |
one of Darrel's own compositions, and it seems Neil is impressed. | 0:21:30 | 0:21:34 | |
Wow! | 0:21:43 | 0:21:44 | |
Darrel, you know what? Your timing's really nice | 0:21:46 | 0:21:48 | |
and you're fluid and just, you know, you exude something. | 0:21:48 | 0:21:52 | |
It's really amazing. I'm really blown away, I really am. That's great. | 0:21:52 | 0:21:57 | |
With the venue filling up for tonight's sold-out concert, | 0:21:59 | 0:22:03 | |
Darrel is raring to go. | 0:22:03 | 0:22:05 | |
I'm going to kill this audience. | 0:22:07 | 0:22:09 | |
They're going to go off the seats and I am going to kill the audience. | 0:22:09 | 0:22:13 | |
But one look at the crowd, and it's a different story. | 0:22:16 | 0:22:20 | |
Five minutes to the gig. I'm feeling nervous. | 0:22:20 | 0:22:23 | |
Really nervous. | 0:22:23 | 0:22:25 | |
Me stomach's feeling sore, | 0:22:25 | 0:22:26 | |
I feel sick. | 0:22:26 | 0:22:29 | |
I feel really like I'm going to make mistakes, but... | 0:22:29 | 0:22:33 | |
Hello, mate. You all right? | 0:22:33 | 0:22:35 | |
-Nervous. -You nervous? -Yeah. | 0:22:35 | 0:22:36 | |
Come on, give us a hug. | 0:22:36 | 0:22:38 | |
You're going to be fine. | 0:22:38 | 0:22:40 | |
-Has it got to you, finally? -Yeah. -It was going to. | 0:22:40 | 0:22:43 | |
20 minutes before, I was all right. Now, five minutes before... | 0:22:43 | 0:22:46 | |
But this is normal. This is natural, this is the way it should be. | 0:22:46 | 0:22:49 | |
-Is it? -Yeah, you need a bit of nerves. | 0:22:49 | 0:22:51 | |
Cos if you go out there all bolshie and confident it won't be quite | 0:22:51 | 0:22:54 | |
the same performance - you need a little bit of nerves. | 0:22:54 | 0:22:56 | |
-Good. -Going to nail it. | 0:22:56 | 0:22:58 | |
Five minutes, Miss Piggy. "Five minutes, Miss Piggy!" | 0:22:58 | 0:23:02 | |
I was worried there for a second. | 0:23:02 | 0:23:03 | |
Go on, Darrel! | 0:23:03 | 0:23:05 | |
MELODIC PIANO PIECE | 0:23:14 | 0:23:16 | |
Working with Neil has really paid off for Darrel. | 0:23:44 | 0:23:47 | |
This is world class, and he looks right at home on the big stage. | 0:23:47 | 0:23:50 | |
CHEERING | 0:24:44 | 0:24:47 | |
-How do you feel? -Great. -Do you feel good? -Nice. | 0:25:06 | 0:25:09 | |
You sound fantastic. | 0:25:09 | 0:25:10 | |
Great, mate. | 0:25:10 | 0:25:12 | |
Can't believe it. That's class. That was class. | 0:25:16 | 0:25:19 | |
That was...best time of my life. | 0:25:19 | 0:25:21 | |
Happy flippin' days! | 0:25:21 | 0:25:22 | |
It's a big memory he's got now. It's a big tag in his brain saying, | 0:25:24 | 0:25:28 | |
"I did that, I achieved that, I could do that again." | 0:25:28 | 0:25:31 | |
I bet he's addicted. | 0:25:31 | 0:25:33 | |
In fact, he loves it so much, | 0:25:34 | 0:25:36 | |
at the end of the night he doesn't want to leave. | 0:25:36 | 0:25:39 | |
Well, that's nearly it - 13 kids, nine months, | 0:25:42 | 0:25:45 | |
and hours and hours of practice, but it's all been worth it. | 0:25:45 | 0:25:49 | |
Thanks, guys. | 0:25:49 | 0:25:51 | |
HARP PLAYS INTRO TO CHASING CARS | 0:25:51 | 0:25:53 | |
I was only playing for a few months. | 0:25:55 | 0:25:57 | |
Now, I just can't believe I've come this far. | 0:25:57 | 0:26:00 | |
You know, working with everybody, | 0:26:04 | 0:26:06 | |
meeting new people, I never thought I would get this opportunity. | 0:26:06 | 0:26:11 | |
I've really just enjoyed every moment of it. | 0:26:11 | 0:26:13 | |
It just shows you, right, I play... it's literally a bit of wood | 0:26:19 | 0:26:22 | |
and it shows you how far it brought me. | 0:26:22 | 0:26:24 | |
# On our own... # | 0:26:26 | 0:26:29 | |
We're all part of each others' experience and we can look back | 0:26:29 | 0:26:32 | |
and laugh and have memories. I'm sure we'll keep in contact. | 0:26:32 | 0:26:35 | |
# Let's waste time chasing cars | 0:26:37 | 0:26:44 | |
# Around our heads | 0:26:44 | 0:26:47 | |
# I need your grace... # | 0:26:51 | 0:26:53 | |
Well, I never thought I would have achieved | 0:26:53 | 0:26:56 | |
what I've achieved from this show. | 0:26:56 | 0:26:58 | |
# To find my home... # | 0:26:58 | 0:27:01 | |
It's changed me as a person. | 0:27:01 | 0:27:03 | |
# If I lay here | 0:27:03 | 0:27:06 | |
# If I just lay here | 0:27:06 | 0:27:10 | |
# Would you lie with me and just forget the world? # | 0:27:10 | 0:27:15 | |
-This is the end now? -Is that it? Ah! | 0:27:19 | 0:27:22 | |
It was so short. It felt so short | 0:27:22 | 0:27:24 | |
# Would you lie with me and just forget the world? # | 0:27:24 | 0:27:29 | |
-Can I do it again? -I don't want to be free, I want to do it again. | 0:27:32 | 0:27:35 | |
I never knew it would be that good, actually. | 0:27:35 | 0:27:37 | |
-I'd do it again. -I want to do it again. -Can I do that again? | 0:27:37 | 0:27:41 | |
I'm so proud of them. | 0:27:46 | 0:27:48 | |
Everyone has pushed themselves further and harder | 0:27:48 | 0:27:50 | |
than they ever thought possible | 0:27:50 | 0:27:52 | |
and achieved some amazing things - and so can you. | 0:27:52 | 0:27:56 | |
So whatever your ambition, in music and beyond, go for it! | 0:27:56 | 0:27:59 | |
Subtitles by Red Bee Media Ltd | 0:28:09 | 0:28:11 |