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# Terrible Tudors Gorgeous Georgians | 0:00:02 | 0:00:03 | |
# Slimy Stuarts Vile Victorians | 0:00:03 | 0:00:04 | |
# Woeful wars Ferocious fights | 0:00:04 | 0:00:05 | |
# Dingy castles Daring knights | 0:00:05 | 0:00:07 | |
# Horrors that defy description Cut-throat Celts, awful Egyptians | 0:00:07 | 0:00:09 | |
# Vicious Vikings, cruel crimes Punishment from ancient times | 0:00:09 | 0:00:12 | |
# Romans - rotten, rank and ruthless | 0:00:12 | 0:00:13 | |
# Cavemen - Savage, fierce and toothless | 0:00:13 | 0:00:15 | |
# Groovy Greeks, brainy sages Mean and measly Middle Ages | 0:00:15 | 0:00:17 | |
# Gory stories, we do that | 0:00:17 | 0:00:20 | |
# And your host, a talking rat | 0:00:20 | 0:00:23 | |
# The past is no longer a mystery Welcome to... | 0:00:23 | 0:00:27 | |
# Horrible Histories. # | 0:00:27 | 0:00:31 | |
Five eager chefs, five historical eras but just one prize. | 0:00:36 | 0:00:40 | |
Who will be crowned Historical MasterChef? | 0:00:40 | 0:00:44 | |
People make food and we eat the food! | 0:00:44 | 0:00:47 | |
That is the format as I understand it. | 0:00:47 | 0:00:50 | |
Stone-age chef Nug, is a farmer from Skara Brae - | 0:00:51 | 0:00:54 | |
a Neolithic community from the Scottish Orkney Isles. | 0:00:54 | 0:00:58 | |
But will stone-age cooking rock our judges? | 0:00:58 | 0:01:01 | |
I'll handle this. | 0:01:01 | 0:01:02 | |
Ug, Nug, Nug, | 0:01:02 | 0:01:04 | |
ugga, Nug, Nug, ug? | 0:01:04 | 0:01:06 | |
Is he all right? | 0:01:06 | 0:01:07 | |
It's all right, I was just speaking Stone Age. | 0:01:07 | 0:01:10 | |
That's actually quite offensive. | 0:01:10 | 0:01:12 | |
Neolithic man was almost as evolved as you are now | 0:01:12 | 0:01:14 | |
so our language is quite sophisticated. | 0:01:14 | 0:01:17 | |
Right, sorry. I wasn't, you know. | 0:01:17 | 0:01:19 | |
I... Lots of my friends are cavemen. | 0:01:19 | 0:01:21 | |
Nug is pulling out all the stops to wow the judges. | 0:01:22 | 0:01:26 | |
So what are you going to cook for us today then, Nug? | 0:01:26 | 0:01:29 | |
Don't tell me, mammoth with mammoth served with mammoth and mammoth, | 0:01:29 | 0:01:33 | |
wrapped in mammoth and with a side order of mammoth?! | 0:01:33 | 0:01:36 | |
Ha-ha! | 0:01:36 | 0:01:37 | |
Just try to ignore him, Nug. I do. | 0:01:37 | 0:01:39 | |
-Well, I thought we'd kick off with a seafood starter, limpets. -Mm. | 0:01:39 | 0:01:43 | |
Mmm, those are beautiful, mate, lovely and fresh! | 0:01:45 | 0:01:48 | |
We keep 'em in rock pool tanks. | 0:01:48 | 0:01:50 | |
Not for me, I'm allergic. I swell up. | 0:01:50 | 0:01:52 | |
You sure you haven't eaten some already? | 0:01:52 | 0:01:55 | |
Ha-ha! Good one, mate. Hm. | 0:01:55 | 0:01:57 | |
Nug's preparing his main course | 0:01:57 | 0:02:00 | |
and the judges are in for another surprise. | 0:02:00 | 0:02:03 | |
It's sheep and deer meat with a berry jus, | 0:02:03 | 0:02:08 | |
all washed down with some cow's milk. | 0:02:08 | 0:02:11 | |
Let's have a start. | 0:02:12 | 0:02:13 | |
Yeah? | 0:02:13 | 0:02:15 | |
Mmm, that is succulent, perfectly cooked, it's sublime! | 0:02:17 | 0:02:21 | |
Look, John, he's made a dessert. Stone-age chocolate cake. | 0:02:21 | 0:02:26 | |
Oh! | 0:02:26 | 0:02:27 | |
No, no, that's fuel for cooking. | 0:02:27 | 0:02:29 | |
It's dried cow dung. | 0:02:29 | 0:02:31 | |
GREGG SPITS IT OUT | 0:02:31 | 0:02:33 | |
Why, why?! | 0:02:33 | 0:02:35 | |
Get me some soap! I need some soap! | 0:02:35 | 0:02:38 | |
Nug, we were expecting a primitive meal | 0:02:41 | 0:02:45 | |
but you really have surprised us with some very advanced cooking, | 0:02:45 | 0:02:48 | |
isn't that right, Gregg? | 0:02:48 | 0:02:50 | |
Whatever! This soap's not working, John. | 0:02:50 | 0:02:52 | |
You're through to the next round, congratulations! | 0:02:52 | 0:02:55 | |
Sorry, I get quite emotional! | 0:02:55 | 0:02:57 | |
That's OK, mate. It's all right. | 0:02:57 | 0:02:59 | |
You're just a modern man. | 0:02:59 | 0:03:01 | |
NUG SOBS | 0:03:01 | 0:03:02 | |
It's true, the people who lived at Skara Brae in Orkney | 0:03:02 | 0:03:06 | |
5,000 years ago | 0:03:06 | 0:03:08 | |
had a really varied diet | 0:03:08 | 0:03:10 | |
and had limpet tanks to keep their seafood fresh. | 0:03:10 | 0:03:14 | |
Rotten seafood can easily make you sick. | 0:03:14 | 0:03:17 | |
Which is good news | 0:03:17 | 0:03:18 | |
because one of my favourite dishes is rotten seafood sick. Ha-ha! | 0:03:18 | 0:03:23 | |
And about 7,000 years ago, | 0:03:23 | 0:03:25 | |
some stone-age town dwellers created the first stone-age city. | 0:03:25 | 0:03:31 | |
-I don't know... -This is all off topic. | 0:03:31 | 0:03:33 | |
Let's call this meeting of the town planning committee to order. | 0:03:33 | 0:03:37 | |
The first item on the agenda | 0:03:37 | 0:03:39 | |
is my proposal to turn our stone-age town into a city. | 0:03:39 | 0:03:41 | |
Question, Mr Chairman. What's a city? | 0:03:41 | 0:03:45 | |
-This is a city. -Looks a lot like our town. | 0:03:45 | 0:03:48 | |
It is our town. | 0:03:48 | 0:03:50 | |
It's just bigger and we've put gaps between the houses - streets. | 0:03:50 | 0:03:53 | |
What's wrong with what we do now? | 0:03:53 | 0:03:55 | |
Building the houses joined together and walking over roofs? | 0:03:55 | 0:03:58 | |
Not saying anything's wrong | 0:03:58 | 0:04:00 | |
but you can't drive donkeys and carts across the roofs | 0:04:00 | 0:04:02 | |
whereas you can along the streets. | 0:04:02 | 0:04:04 | |
Come on, we don't need these fancy-pants straits. | 0:04:04 | 0:04:08 | |
-Streets. -Streets. | 0:04:08 | 0:04:09 | |
This isn't another of your plans to be made boss of everyone, is it? | 0:04:09 | 0:04:13 | |
-Oh, here we go! -Yeah! | 0:04:13 | 0:04:15 | |
No, no, no! | 0:04:15 | 0:04:16 | |
-Sounds familiar. -Can we just draw a line under this? | 0:04:16 | 0:04:19 | |
Whose is this massive house? | 0:04:19 | 0:04:21 | |
-I bet you it's his! -No, no, no! | 0:04:21 | 0:04:23 | |
It's not my house and it's not even a house. | 0:04:23 | 0:04:25 | |
We thought it'd be nice to have buildings | 0:04:25 | 0:04:27 | |
that aren't just places to live. | 0:04:27 | 0:04:29 | |
-Why? -They'd be places to meet, | 0:04:29 | 0:04:31 | |
places to worship, places to make things. | 0:04:31 | 0:04:34 | |
They can make stuff at home! | 0:04:34 | 0:04:36 | |
-And you are a great carpenter. -Thanks. | 0:04:36 | 0:04:38 | |
Wouldn't it be nice if you could concentrate on that | 0:04:38 | 0:04:41 | |
in a special building for it with other carpenters? | 0:04:41 | 0:04:44 | |
Imagine how many carts you'd make! | 0:04:44 | 0:04:47 | |
If I spend all my day making carts what am I going to eat? | 0:04:47 | 0:04:50 | |
While you're making the carts, people who are good at growing, | 0:04:50 | 0:04:53 | |
grow things, | 0:04:53 | 0:04:54 | |
then you swap your carts for their food... | 0:04:54 | 0:04:58 | |
What if you're good at everything? | 0:04:58 | 0:05:00 | |
I don't think you don't need to worry about that, Craig. | 0:05:00 | 0:05:03 | |
We call it trade. | 0:05:03 | 0:05:05 | |
Sounds a bit complicated. | 0:05:05 | 0:05:07 | |
Maybe you're right, maybe we need someone in charge. | 0:05:07 | 0:05:09 | |
I knew this was going to happen! | 0:05:09 | 0:05:11 | |
No, no, no! | 0:05:11 | 0:05:13 | |
I didn't say me, not necessarily me! | 0:05:13 | 0:05:16 | |
All right, I'll be in charge. | 0:05:16 | 0:05:18 | |
-Maybe it's better if it is me. -Hm. | 0:05:19 | 0:05:22 | |
And I'll give myself a simple title, like King and I'll live here. | 0:05:22 | 0:05:27 | |
-You said that wasn't a house. -It's not, it's a palace. | 0:05:27 | 0:05:30 | |
I don't see why I can't be king? | 0:05:30 | 0:05:32 | |
Well, I've already hired these two heavily-armed bodyguards. | 0:05:32 | 0:05:35 | |
Right. | 0:05:35 | 0:05:36 | |
Do you think they'll be needing carts? | 0:05:36 | 0:05:39 | |
-Now you're getting it! -OK. -Take a leaf out of this guy's book. | 0:05:39 | 0:05:42 | |
You may have heard of Hannibal. | 0:05:49 | 0:05:51 | |
He was one of Rome's greatest enemies | 0:05:51 | 0:05:53 | |
but he didn't just fight us Romans, oh, no! | 0:05:53 | 0:05:56 | |
From the great naval power of Carthage | 0:05:56 | 0:05:59 | |
came a maverick Carthaginian commander | 0:05:59 | 0:06:02 | |
who liked to fight dirty. | 0:06:02 | 0:06:03 | |
The name's Hannibal and don't you Carthaginian forget it, y'all! | 0:06:03 | 0:06:08 | |
In the war with Greece, he'd stop at nothing to get what he wanted. | 0:06:08 | 0:06:11 | |
Let them have it! | 0:06:11 | 0:06:12 | |
Heads up, lads, looks like Hannibal is catapulting something at us. | 0:06:12 | 0:06:16 | |
Quite hard to make out what it is? | 0:06:16 | 0:06:18 | |
It could be arrows. | 0:06:18 | 0:06:20 | |
No, it's not arrows. Looks like bits of rope! | 0:06:20 | 0:06:23 | |
-THEY SCREAM -Aah! Snakes! | 0:06:23 | 0:06:25 | |
Hiss! | 0:06:27 | 0:06:28 | |
Bet they weren't expecting that! | 0:06:28 | 0:06:30 | |
Don't worry, lads. I know my snakes and I'm sure those aren't venomous. | 0:06:30 | 0:06:34 | |
Oh! My mistake...they are venomous. | 0:06:35 | 0:06:39 | |
The deadliest of enemies use the deadliest of tactics. | 0:06:40 | 0:06:44 | |
THEY SCREAM | 0:06:44 | 0:06:45 | |
Get this Carthaginian snake off my bottom! | 0:06:45 | 0:06:49 | |
When I fight, I fight Carthaginian dirty, y'all! | 0:06:49 | 0:06:53 | |
Let them eat snake! | 0:06:57 | 0:06:58 | |
I'm still a Carthaginian maverick, y'all! | 0:07:08 | 0:07:11 | |
In the war with Rome, | 0:07:11 | 0:07:12 | |
he would do what never had been done before. | 0:07:12 | 0:07:15 | |
I'm going to take elephants over the mountains | 0:07:15 | 0:07:17 | |
and crush the Romans on the plain. | 0:07:17 | 0:07:19 | |
I mean literally crush them. | 0:07:19 | 0:07:21 | |
When I fight, I fight Carthaginian dirty, y'all! | 0:07:21 | 0:07:25 | |
Those Carthaginian horses certainly look big. | 0:07:25 | 0:07:29 | |
I don't think those are horses. | 0:07:29 | 0:07:31 | |
-They're elephants! Elephants! -THEY YELL | 0:07:31 | 0:07:34 | |
Man, they weren't expecting that! | 0:07:38 | 0:07:40 | |
Ooh! | 0:07:44 | 0:07:46 | |
Hello and welcome to The News At When. | 0:07:57 | 0:07:59 | |
When? The 1300s, when over in Italy, | 0:07:59 | 0:08:02 | |
the discovery of ancient writings and art | 0:08:02 | 0:08:05 | |
led to a cultural rebirth or renaissance | 0:08:05 | 0:08:08 | |
that's become known somewhat unimaginably, as the Renaissance. | 0:08:08 | 0:08:12 | |
Here with more details on this retro revolution is Bob Hale | 0:08:12 | 0:08:16 | |
with the Renaissance report. | 0:08:16 | 0:08:18 | |
Bob. | 0:08:18 | 0:08:19 | |
Thank you, Sam! | 0:08:19 | 0:08:20 | |
Well, the year is 1300 and something or other, | 0:08:20 | 0:08:22 | |
that there is Italy, and here in cities like Venice and Florence, | 0:08:22 | 0:08:25 | |
something exciting is happening. | 0:08:25 | 0:08:27 | |
Actually, something dull is happening | 0:08:27 | 0:08:29 | |
but there's something exciting - bear with me. | 0:08:29 | 0:08:32 | |
The dull thing is they've done away with the feudal system - | 0:08:32 | 0:08:35 | |
an emperor at the top, uneducated peasants at the bottom - | 0:08:35 | 0:08:37 | |
and opted instead for a republic | 0:08:37 | 0:08:39 | |
where everything's run by boring middle management. | 0:08:39 | 0:08:42 | |
Told you it was dull. | 0:08:42 | 0:08:43 | |
To become a boring middle-management type | 0:08:43 | 0:08:45 | |
you need a decent education, | 0:08:45 | 0:08:46 | |
something your average Italian hasn't had for centuries. | 0:08:46 | 0:08:49 | |
To find it, they have to go old-school. | 0:08:49 | 0:08:51 | |
To an old school in fact, | 0:08:51 | 0:08:53 | |
the great libraries of the Islamic world, | 0:08:53 | 0:08:55 | |
which contain classical writings from ancient Rome and Greece. | 0:08:55 | 0:08:58 | |
So these Italian boffins rediscover loads of ancient knowledge, | 0:08:58 | 0:09:01 | |
classical learning enjoys something of a rebirth | 0:09:01 | 0:09:04 | |
or Renaissance as the French like to call it and that's the end of that. | 0:09:04 | 0:09:07 | |
But not for long! | 0:09:07 | 0:09:09 | |
Soon Italian sculptors start turning to the past for inspiration too, | 0:09:09 | 0:09:12 | |
basing their statues on ones from ancient Rome and Greece | 0:09:12 | 0:09:15 | |
and Renaissance art is born. | 0:09:15 | 0:09:17 | |
Yes, thanks to such big name chisel chippers as Michelangelo, Donatello | 0:09:17 | 0:09:20 | |
and Da Vinci, | 0:09:20 | 0:09:22 | |
the style of the past is brought back at last. | 0:09:22 | 0:09:24 | |
Oh, I'm a poet and I don't know it, | 0:09:24 | 0:09:26 | |
except I do know it and I did that on purpose | 0:09:26 | 0:09:28 | |
as a clever link into this next bit about poetry. | 0:09:28 | 0:09:30 | |
Well done, Bobsy. | 0:09:30 | 0:09:31 | |
The Renaissance isn't just about copying stuff. | 0:09:31 | 0:09:34 | |
That's not a Renaissance, that's cheating as examiners will tell you. | 0:09:34 | 0:09:37 | |
It's being inspired by the past but adding a modern twist, | 0:09:37 | 0:09:40 | |
which is where the poets come in. | 0:09:40 | 0:09:42 | |
The likes of Dante, Petrarch and Boccaccio | 0:09:42 | 0:09:44 | |
inspired by ancient writing, | 0:09:44 | 0:09:46 | |
find a new style of rhyme that more suits their time | 0:09:46 | 0:09:49 | |
and become the first poets of the Renaissance. | 0:09:49 | 0:09:51 | |
Before long, the painters are also relishing this Renaissance spirit. | 0:09:51 | 0:09:55 | |
Giotto brightens up the art world by brightening up the art world. | 0:09:55 | 0:09:58 | |
Yes, he adds windows to his paintings, | 0:09:58 | 0:10:00 | |
introducing light and space to art for the very first time. | 0:10:00 | 0:10:03 | |
Then Alberti hits upon the concept of perspective, | 0:10:03 | 0:10:06 | |
a system of judging when something is very, very far away | 0:10:06 | 0:10:09 | |
and when something is very, very close, whoa! | 0:10:09 | 0:10:11 | |
SIGNAL BEEPS | 0:10:11 | 0:10:13 | |
Sorry about that, I forgot that was there, where were we? | 0:10:13 | 0:10:16 | |
Ah yes, Renaissance artists! | 0:10:16 | 0:10:18 | |
Titian, Raphael, Botticelli all making their mark on the art world | 0:10:18 | 0:10:21 | |
as they discover shadow and lifelike accuracy. | 0:10:21 | 0:10:24 | |
And they don't stop there. | 0:10:24 | 0:10:25 | |
Having developed a taste for new concepts and fresh thinking, | 0:10:25 | 0:10:28 | |
Renaissance man becomes what we now call a Renaissance man. | 0:10:28 | 0:10:31 | |
Someone who's brilliant at everything, just like Bobsy. | 0:10:31 | 0:10:34 | |
So sculptor Michelangelo puts down his chisel, | 0:10:34 | 0:10:37 | |
picks up a paintbrush | 0:10:37 | 0:10:38 | |
and turns the Sistine Chapel ceiling into a work of art. | 0:10:38 | 0:10:41 | |
As for Leonardo Da Vinci, well, there's nothing he CAN'T do. | 0:10:41 | 0:10:44 | |
He's a sculptor, painter, scientist, inventor, engineer, | 0:10:44 | 0:10:47 | |
geologist, botanist, musician and all round smarty-pants. | 0:10:47 | 0:10:50 | |
Though he didn't win silver | 0:10:50 | 0:10:52 | |
at the 1981 Three Counties Domino Championships so, | 0:10:52 | 0:10:54 | |
I think I'm still a little bit better. | 0:10:54 | 0:10:56 | |
He does however, come up with designs for... | 0:10:56 | 0:10:59 | |
the calculator, solar power, military tanks and helicopters | 0:10:59 | 0:11:02 | |
though obviously not helicopters but with... What? | 0:11:02 | 0:11:05 | |
Oh, apparently he did come up with helicopters. | 0:11:05 | 0:11:07 | |
I knew that one would come back to bite me one day! | 0:11:07 | 0:11:10 | |
And talking of things coming back to bite you, | 0:11:10 | 0:11:12 | |
remember the republic? | 0:11:12 | 0:11:14 | |
Well, with the emperors gone, | 0:11:14 | 0:11:15 | |
Italians now get to vote for their leaders, | 0:11:15 | 0:11:17 | |
and no sooner is there voting than there is vote rigging, | 0:11:17 | 0:11:20 | |
meaning corrupt families like the Borgias and the Medicis | 0:11:20 | 0:11:23 | |
can bribe, buy and muscle their way into power. | 0:11:23 | 0:11:26 | |
An absolute disaster, right? | 0:11:26 | 0:11:27 | |
Wrong! | 0:11:27 | 0:11:29 | |
These corrupt families just love showing off, | 0:11:29 | 0:11:31 | |
so what do they spend all their money on? | 0:11:31 | 0:11:33 | |
New works of art! | 0:11:33 | 0:11:34 | |
The rulers of Italy are now personally funding the Renaissance | 0:11:34 | 0:11:38 | |
and it goes from strength to strength. | 0:11:38 | 0:11:40 | |
The threat of foreign invasion only helps to fuel the march of progress, | 0:11:40 | 0:11:43 | |
as Da Vinci, Alberti and Michelangelo | 0:11:43 | 0:11:45 | |
start designing clever new forts to defend Italy from invaders. | 0:11:45 | 0:11:49 | |
Now the Renaissance is harder to contain | 0:11:49 | 0:11:51 | |
than the waist on my trousers on pizza night. | 0:11:51 | 0:11:53 | |
This new way of thinking starts spreading right around the world! | 0:11:53 | 0:11:56 | |
Copernicus and Galileo revolutionise astronomy. | 0:11:56 | 0:11:59 | |
Erasmus and Descartes become the great new thinkers of a new age, | 0:11:59 | 0:12:02 | |
and silly superstitions are replaced by fantastic facts | 0:12:02 | 0:12:05 | |
thanks to the invents of what we now call science, | 0:12:05 | 0:12:08 | |
as men like Bacon and Hooke, Wren and Boyle with Renaissance power | 0:12:08 | 0:12:11 | |
do witchcraft foil, | 0:12:11 | 0:12:13 | |
belief in witches and Dark Age fear, | 0:12:13 | 0:12:15 | |
just like Bobsy, disappear! | 0:12:15 | 0:12:17 | |
BOOM! | 0:12:17 | 0:12:19 | |
-HE COUGHS -Yeah, didn't think that would work. | 0:12:19 | 0:12:21 | |
It didn't work in rehearsal. | 0:12:21 | 0:12:23 | |
Back to you, Sam. Sorry about all the smoke. | 0:12:23 | 0:12:25 | |
SHE COUGHS | 0:12:25 | 0:12:27 | |
The answer is... | 0:12:43 | 0:12:45 | |
Towards the end of his life, | 0:12:46 | 0:12:47 | |
Da Vinci made a robot lion | 0:12:47 | 0:12:49 | |
that could walk forward | 0:12:49 | 0:12:50 | |
and open its chest | 0:12:50 | 0:12:51 | |
to reveal flowers. | 0:12:51 | 0:12:53 | |
He really was ahead of his time. | 0:12:53 | 0:12:55 | |
'Leonardo?' KNOCKING AT DOOR | 0:12:55 | 0:12:58 | |
He's not in. | 0:12:58 | 0:12:59 | |
Yes, you are in! | 0:12:59 | 0:13:01 | |
Ciao, Lisa! | 0:13:01 | 0:13:02 | |
Don't you, "Ciao, Lisa" me! Where is my portrait? | 0:13:02 | 0:13:05 | |
Ah! It's still notta finished! | 0:13:05 | 0:13:08 | |
I'm very busy. | 0:13:08 | 0:13:10 | |
It's been 12 years since you started, Leonardo! | 0:13:10 | 0:13:13 | |
I've gotta too much to do. | 0:13:13 | 0:13:15 | |
I'm not just a painter, | 0:13:15 | 0:13:16 | |
I'm a sculptor, an architect, a musician, | 0:13:16 | 0:13:19 | |
a scientist, a mathematician, an engineer, an anatomist, | 0:13:19 | 0:13:22 | |
a geologist, a cartographer, a botanist, | 0:13:22 | 0:13:26 | |
a writer and inventor. | 0:13:26 | 0:13:28 | |
Ah, an inventor! | 0:13:28 | 0:13:29 | |
What rubbish you inventa here, huh? | 0:13:29 | 0:13:32 | |
It's a glider, it's to fly through the air. | 0:13:32 | 0:13:35 | |
I'll make you fly through the air, I'll kick your butt! | 0:13:35 | 0:13:38 | |
-Funny. -I thought you said my portrait would be a masterpiece, | 0:13:38 | 0:13:41 | |
look at it, it a tiddly! | 0:13:41 | 0:13:44 | |
Lisa, bellissima! I even give you the enigmatic smile, | 0:13:44 | 0:13:47 | |
you never smile for real. | 0:13:47 | 0:13:49 | |
You know the problem with you, you never finish anything! | 0:13:49 | 0:13:53 | |
You not even finished getting dressed! | 0:13:53 | 0:13:55 | |
OK, that's true but that's not fair because there's a... | 0:13:56 | 0:14:00 | |
You not even finish your sentence! | 0:14:00 | 0:14:02 | |
Can we finish this argument tomorrow? | 0:14:02 | 0:14:04 | |
I have a very important mathematical problem I need to solve. | 0:14:04 | 0:14:07 | |
Tomorrow, tomorrow you're a procrastinator! | 0:14:07 | 0:14:10 | |
Maybe I'll do something about being a procrastinator tomorrow. | 0:14:10 | 0:14:13 | |
Ergh! | 0:14:13 | 0:14:14 | |
It's a joke, I make a joke! | 0:14:14 | 0:14:16 | |
The only joke here is you. | 0:14:16 | 0:14:18 | |
Now you finish my painting or this supper, | 0:14:18 | 0:14:21 | |
it'll be your last supper, capisce? | 0:14:21 | 0:14:24 | |
The Last Supper, the only painting I ever finished. | 0:14:24 | 0:14:27 | |
SHE GROWLS | 0:14:27 | 0:14:28 | |
No wonder they call her the Mona Lisa. She's horrible! | 0:14:29 | 0:14:33 | |
Mummification is a funny old game. It really is! | 0:14:37 | 0:14:42 | |
Hello and welcome to the ancient Egyptian Make Show. | 0:14:46 | 0:14:49 | |
Today, we're going to be showing you how to make a mummy! | 0:14:49 | 0:14:52 | |
Joining me today is my new apprentice embalmer, Vadile. | 0:14:54 | 0:14:57 | |
Aah, aah, argh! | 0:14:57 | 0:15:00 | |
It's Vadile's first day as apprentice embalmer, | 0:15:00 | 0:15:03 | |
how's it going? | 0:15:03 | 0:15:04 | |
Brilliantly, yeah, really good. | 0:15:04 | 0:15:06 | |
Apart from being chased through the city having abuse shouted at me | 0:15:06 | 0:15:09 | |
and rocks thrown at me! | 0:15:09 | 0:15:11 | |
Leave me alone! | 0:15:11 | 0:15:13 | |
Ha-ha-ha! That's just ancient Egyptian tradition, I'm afraid. | 0:15:13 | 0:15:17 | |
People get the chance to damage the body of the apprentice embalmer, | 0:15:17 | 0:15:20 | |
for it is he who will be damaging their body | 0:15:20 | 0:15:23 | |
when he prepares them for the journey to the afterlife. | 0:15:23 | 0:15:25 | |
Makes perfect sense. | 0:15:25 | 0:15:28 | |
First of all, we need a dead body. | 0:15:28 | 0:15:30 | |
Here's one that died earlier. | 0:15:30 | 0:15:32 | |
Or did he?! | 0:15:32 | 0:15:33 | |
I think he's dead, boss. | 0:15:33 | 0:15:35 | |
Well, better tickle him with a feather just to make sure. | 0:15:35 | 0:15:38 | |
Trust me, you don't want to be pulling a man's guts out | 0:15:38 | 0:15:41 | |
while he's still alive. | 0:15:41 | 0:15:43 | |
Ha-ha, seriously, you don't. I've done it, it's awful. | 0:15:43 | 0:15:47 | |
Here's one I disembowelled earlier. | 0:15:48 | 0:15:50 | |
The lungs, liver, stomach and intestine have all been removed | 0:15:50 | 0:15:54 | |
and placed in the appropriate Canopic jars. | 0:15:54 | 0:15:58 | |
Vadile is now removing the brains through the nose | 0:15:58 | 0:16:00 | |
and is going to put them in the bin. | 0:16:00 | 0:16:03 | |
-Wa-argh! -Oh. Ha-ha-ha! | 0:16:03 | 0:16:05 | |
Careful there, Vadile - we might not need our brains in the afterlife | 0:16:05 | 0:16:09 | |
but we certainly need to use them while we're still here. Ha-ha! | 0:16:09 | 0:16:12 | |
Next, we cover the body with salt. | 0:16:13 | 0:16:16 | |
I also like to season it with a little bit of pepper. | 0:16:16 | 0:16:19 | |
Ha-ha! I don't really, Vadile, I'm joking! | 0:16:19 | 0:16:22 | |
The salt sucks up all the moisture from the body, | 0:16:22 | 0:16:25 | |
we then pack it full of sawdust | 0:16:25 | 0:16:27 | |
and then soften the skin with oil. | 0:16:27 | 0:16:29 | |
It's now time to wrap things up, literally, ha-ha! | 0:16:30 | 0:16:34 | |
This is none other than the body of the great Pharaoh, | 0:16:34 | 0:16:38 | |
Ramesses II himself. | 0:16:38 | 0:16:39 | |
Vadile, you have the great honour | 0:16:39 | 0:16:41 | |
of watching a master technician at work, | 0:16:41 | 0:16:44 | |
putting the finishing touches to the Pharaoh's mummy. | 0:16:44 | 0:16:47 | |
Oh! Oh, no! Oh, no! The head's come off! | 0:16:47 | 0:16:50 | |
-Vadile! Ah, ah! -It's OK. | 0:16:50 | 0:16:53 | |
You can just stick it on using this stick. | 0:16:53 | 0:16:55 | |
Yes, the stick, let's do that. Argh, no-one's going to notice. | 0:16:55 | 0:16:58 | |
Argh, argh! | 0:16:58 | 0:17:00 | |
Oh, no! It's on the wrong way round! | 0:17:00 | 0:17:01 | |
It's OK. Calm down, calm down. | 0:17:01 | 0:17:03 | |
We'll turn the head back around... | 0:17:03 | 0:17:05 | |
Yes? | 0:17:05 | 0:17:06 | |
..and cover the join using this bandage here. | 0:17:06 | 0:17:08 | |
-There you go. -That's done it. | 0:17:08 | 0:17:10 | |
-Bob's your uncle or rather your -mummy! | 0:17:10 | 0:17:13 | |
Ha-ha-ha! | 0:17:13 | 0:17:15 | |
-Is that supposed to be me, cos it's not funny?! -Sorry. | 0:17:15 | 0:17:17 | |
-Sounds nothing like me. -I thought it was pretty good. | 0:17:17 | 0:17:20 | |
The mummy of Ramesses II was flown to Paris in 1974 | 0:17:20 | 0:17:24 | |
for emergency conservation work. | 0:17:24 | 0:17:27 | |
It was issued a passport | 0:17:27 | 0:17:28 | |
and in the box titled, "occupation," the passport said, | 0:17:28 | 0:17:32 | |
"King (deceased)" | 0:17:32 | 0:17:35 | |
Ha-ha! | 0:17:35 | 0:17:37 | |
Just imagine his sarcophagus | 0:17:37 | 0:17:38 | |
going round and round on the luggage carousel! | 0:17:38 | 0:17:41 | |
Oh, I've made myself feel sick! | 0:17:41 | 0:17:44 | |
# Pull the brain out through the nose | 0:17:46 | 0:17:49 | |
# Know where each organ goes | 0:17:49 | 0:17:52 | |
# Be careful you don't quiver | 0:17:52 | 0:17:54 | |
# When you yank out the liver | 0:17:54 | 0:17:57 | |
# And the stomach, lungs and guts | 0:17:57 | 0:17:59 | |
# Try not to be a klutz | 0:17:59 | 0:18:01 | |
# Choose the right Canopic jar | 0:18:01 | 0:18:04 | |
-# To be an embalming star... # -Yeah! | 0:18:04 | 0:18:06 | |
# So cut the heart out with your knife | 0:18:06 | 0:18:08 | |
# I need it for the afterlife. # | 0:18:08 | 0:18:11 | |
It'll tickle your funny bone. | 0:18:11 | 0:18:13 | |
BUZZER RINGS | 0:18:13 | 0:18:14 | |
When it came to the art of words, | 0:18:19 | 0:18:21 | |
Tudor playwright William Shakespeare was penominant... | 0:18:21 | 0:18:25 | |
Phenomin... | 0:18:25 | 0:18:26 | |
Phenom... He was good. | 0:18:26 | 0:18:29 | |
PEOPLE CHATTER | 0:18:31 | 0:18:33 | |
Oh, sir, thou did spill my ale. | 0:18:35 | 0:18:38 | |
Aye, sir, what of that? | 0:18:38 | 0:18:40 | |
-You challenge me? -What of it? -Leave it Thomas, he's not worth it. | 0:18:40 | 0:18:43 | |
Unhand me, Tina. This man has insulted me. | 0:18:43 | 0:18:46 | |
Aye, sir and will again. | 0:18:46 | 0:18:48 | |
In that case... I challenge you to a duel! | 0:18:48 | 0:18:51 | |
CROWD MURMURS EXCITEDLY | 0:18:51 | 0:18:53 | |
Name your weapon. | 0:18:53 | 0:18:55 | |
I choose words. | 0:18:55 | 0:18:57 | |
Words? That's unusual, but I accept. | 0:18:57 | 0:19:01 | |
-Don't you know who that is? -No and neither do I care. | 0:19:01 | 0:19:03 | |
That's Will Shakespeare. | 0:19:03 | 0:19:05 | |
You can't fight him with words, no-one can beat him. | 0:19:05 | 0:19:08 | |
Stuff and nonsense, Tina. I will out insult this man with ease. | 0:19:08 | 0:19:12 | |
Fight! | 0:19:12 | 0:19:13 | |
-CROWD CHANTS: -Fight, fight, fight! | 0:19:13 | 0:19:16 | |
Come now, sir. Blast me with your tongue. | 0:19:16 | 0:19:19 | |
Vassal! Ha-hah! | 0:19:19 | 0:19:21 | |
Villainous... | 0:19:21 | 0:19:23 | |
villain! | 0:19:23 | 0:19:25 | |
CROWD LAUGHS Finished? | 0:19:25 | 0:19:27 | |
No, hang on. | 0:19:27 | 0:19:28 | |
Thou art...a saucy rogue. | 0:19:28 | 0:19:33 | |
A saucy rogue, how can I respond? | 0:19:33 | 0:19:37 | |
To a beslubbered, pebbling, churlish clotpole. | 0:19:37 | 0:19:41 | |
Beef-witted, gleeking bum-bailey. | 0:19:41 | 0:19:44 | |
A gorbellied, mewling, hedge-born, | 0:19:44 | 0:19:48 | |
onion-eyed, fustilarian cob loaf! | 0:19:48 | 0:19:51 | |
LAUGHTER | 0:19:51 | 0:19:52 | |
What? | 0:19:52 | 0:19:54 | |
Silence! You flap-eared, knotty-pated measle. | 0:19:54 | 0:19:56 | |
You ruttish, reeking coxcomb! | 0:19:56 | 0:19:59 | |
You hugger-mugger moldwarp! | 0:19:59 | 0:20:02 | |
You pottle-deep, maggot-pie lewdster! | 0:20:02 | 0:20:06 | |
Got him. | 0:20:06 | 0:20:07 | |
Go on, Will, finish him off. | 0:20:07 | 0:20:09 | |
Yeasty, tickle-brained, whey-faced, nut-hook skainsmate! | 0:20:09 | 0:20:15 | |
CHEERING | 0:20:15 | 0:20:16 | |
Still the champion! | 0:20:16 | 0:20:18 | |
Any of you clay-brained fools want a piece of me? | 0:20:18 | 0:20:21 | |
WHACK! | 0:20:21 | 0:20:22 | |
CHEERING AND APPLAUSE | 0:20:24 | 0:20:25 | |
I'm all right, I'm all right. | 0:20:25 | 0:20:28 | |
Shakespeare was a genius with words. | 0:20:28 | 0:20:30 | |
He invented 1,700 of them, | 0:20:30 | 0:20:33 | |
many of which have become household words. | 0:20:33 | 0:20:36 | |
In fact, he came up with the phrase, "household words," as well. Ha-ha! | 0:20:36 | 0:20:41 | |
Elizabeth I liked Shakespeare's plays - which was just as well - | 0:20:41 | 0:20:45 | |
cos you really wouldn't want to upset Elizabeth. | 0:20:45 | 0:20:48 | |
This week in Oh Yea! Magazine, it's our Royal Rage Special | 0:20:48 | 0:20:51 | |
as we dish the dirt on Queen Elizabeth's temper tantrums. | 0:20:51 | 0:20:54 | |
What do you mean, "temper tantrums?!" | 0:20:54 | 0:20:57 | |
Find out what she did to her personal private secretary, | 0:20:57 | 0:21:00 | |
William Davidson. | 0:21:00 | 0:21:01 | |
The Queen punched and kicked me. But don't tell her I told you so. | 0:21:01 | 0:21:05 | |
< Davidson, who are you talking to? | 0:21:05 | 0:21:07 | |
Nobody, ma'am! | 0:21:07 | 0:21:09 | |
And we've an exclusive from political commentator, John Stubbs. | 0:21:09 | 0:21:12 | |
I wrote a pamphlet that the Queen didn't like, | 0:21:12 | 0:21:15 | |
but I certainly won't be doing it again! | 0:21:15 | 0:21:17 | |
Partly because I don't want to make her angry, | 0:21:17 | 0:21:20 | |
but mainly because she had my writing hand cut off. | 0:21:20 | 0:21:22 | |
Plus, we've got a copy of the letter she wrote to the Earl of Essex | 0:21:22 | 0:21:26 | |
that was so terrifying, it made him faint. | 0:21:26 | 0:21:28 | |
Essex, we are ignorant of where thou art, | 0:21:28 | 0:21:31 | |
what thou doth or what thou art to do. | 0:21:31 | 0:21:34 | |
PS - wish you were here so I could cut your head off. | 0:21:34 | 0:21:38 | |
And we've got the photos | 0:21:38 | 0:21:39 | |
the royal courtiers didn't want you to see. | 0:21:39 | 0:21:42 | |
Look at those embarrassing sweat patches! | 0:21:42 | 0:21:44 | |
You'd be sweaty too if you had to meet livid Liz! | 0:21:44 | 0:21:47 | |
Actually, that's not a sweat patch. | 0:21:47 | 0:21:49 | |
Queen Elizabeth didn't like the tassels on my outfit, | 0:21:49 | 0:21:52 | |
so she spat on me. | 0:21:52 | 0:21:53 | |
She really did! Ha-ha! | 0:21:53 | 0:21:56 | |
It's your Queen as you've never seen her before. | 0:21:56 | 0:21:58 | |
Don't make me angry. | 0:21:58 | 0:22:00 | |
You wouldn't like me when I'm angry! | 0:22:00 | 0:22:02 | |
Keep your hair on, ma'am! Oh, you can't, it's a wig! | 0:22:02 | 0:22:05 | |
I heard that. Call my executioner! | 0:22:05 | 0:22:09 | |
Oh Yea! Magazine - buy it now while necks last. | 0:22:09 | 0:22:12 | |
You may have heard of the Charge of the Light Brigade, | 0:22:16 | 0:22:19 | |
a catalogue of silly mistakes that led to a British military disaster. | 0:22:19 | 0:22:23 | |
Obviously, it wasn't planned that way, | 0:22:23 | 0:22:26 | |
but if it had been, it might have gone something like this. | 0:22:26 | 0:22:30 | |
OK, pay attention, chaps. | 0:22:30 | 0:22:32 | |
Here is the plan for the pivotal battle | 0:22:32 | 0:22:34 | |
in the whole of the Crimean War. | 0:22:34 | 0:22:36 | |
Splendid, Lord Raglan. | 0:22:36 | 0:22:38 | |
Hooray! Ha-ha! | 0:22:38 | 0:22:39 | |
As your commanding officer, I will be up here on the hill | 0:22:39 | 0:22:43 | |
from where I will order our troops to charge the enemy Russian guns. | 0:22:43 | 0:22:47 | |
Which ones, sir? | 0:22:47 | 0:22:49 | |
Good question! Not as stupid as you look, old Cardigan! | 0:22:49 | 0:22:51 | |
Oh, I think I am, sir! | 0:22:51 | 0:22:53 | |
-THEY LAUGH -And so am I, | 0:22:53 | 0:22:55 | |
which is why I won't realise that I'm the only one | 0:22:55 | 0:22:57 | |
that can see that there are TWO enemy Russian guns. | 0:22:57 | 0:23:00 | |
The rest of you will be in the valley here, | 0:23:00 | 0:23:03 | |
able to see the guns HERE, but not HERE! | 0:23:03 | 0:23:06 | |
-Right, sir. -Captain Nolan? -Yes, sir? | 0:23:06 | 0:23:09 | |
You will be with me and I shall issue you | 0:23:09 | 0:23:11 | |
with a very vague and badly-written order | 0:23:11 | 0:23:13 | |
to attack the enemy Russian guns, | 0:23:13 | 0:23:15 | |
which you will carry to Lord Lucan. | 0:23:15 | 0:23:18 | |
But surely I won't know which Russian guns you mean, sir? | 0:23:18 | 0:23:21 | |
Ha-ha, now you're getting it, boy! | 0:23:21 | 0:23:24 | |
You will ask Nolan, "Which guns?" to which he will reply, "Those guns," | 0:23:24 | 0:23:29 | |
giving a very broad sweep of his arm, leaving you none the wiser. | 0:23:29 | 0:23:33 | |
-It's a jolly good plan! -Oh, thank you. | 0:23:33 | 0:23:35 | |
-Old Cardigan. -Yes, sir? | 0:23:35 | 0:23:37 | |
You will be in charge of the Light Brigade, | 0:23:37 | 0:23:40 | |
so when Lucan here, gives you the order to charge, | 0:23:40 | 0:23:43 | |
you just...charge off at completely the wrong guns! | 0:23:43 | 0:23:45 | |
Brilliant. | 0:23:45 | 0:23:47 | |
Nolan, as they set off, you'll realise your mistake | 0:23:47 | 0:23:50 | |
and try to charge ahead to warn Cardigan, | 0:23:50 | 0:23:52 | |
but you'll be shot and killed before you're able to give him the message. | 0:23:52 | 0:23:56 | |
Right you are, sir. | 0:23:56 | 0:23:58 | |
The plan is for Lucan to follow Cardigan | 0:23:58 | 0:24:00 | |
with the Heavy Brigade as backup, | 0:24:00 | 0:24:02 | |
but naturally, Lucan won't follow at all. | 0:24:02 | 0:24:05 | |
He will simply stand and watch, and leave you to it. | 0:24:05 | 0:24:08 | |
-Why's that, sir? -Because you're my brother-in-law and I don't like you! | 0:24:08 | 0:24:12 | |
THEY LAUGH | 0:24:12 | 0:24:14 | |
These are all the advantages of having the army commanded | 0:24:14 | 0:24:17 | |
by a small group of upper-class twits! | 0:24:17 | 0:24:19 | |
Hm, hm. | 0:24:19 | 0:24:20 | |
I'm not an upper-class twit, sir. | 0:24:20 | 0:24:23 | |
That's why you're not in charge of anything at all, Nolan! | 0:24:23 | 0:24:26 | |
So be quiet! Any questions? | 0:24:26 | 0:24:27 | |
Just one, sir. | 0:24:27 | 0:24:29 | |
What happens when we charge completely at the wrong guns? | 0:24:29 | 0:24:33 | |
Well, the Russians will open fire at you from all sides | 0:24:33 | 0:24:36 | |
and hundreds will be killed, taken prisoner or wounded. | 0:24:36 | 0:24:40 | |
It will be an utter disaster! | 0:24:40 | 0:24:43 | |
-Hm. -Miraculously, you will survive the charge, old Cardigan, | 0:24:43 | 0:24:47 | |
but instead of struggling back with the rest of your troops, | 0:24:47 | 0:24:50 | |
you will simply head to your yacht for a slap-up lunch. | 0:24:50 | 0:24:53 | |
Best make a note of that. Slap-up lunch, very good. | 0:24:53 | 0:24:56 | |
So, are we all clear? | 0:24:56 | 0:24:58 | |
-ALL: -No, not really, no. | 0:24:59 | 0:25:01 | |
Marvellous! Then let the charge begin! | 0:25:01 | 0:25:05 | |
-ALL: -Hoorah! | 0:25:05 | 0:25:06 | |
Ha, ha, ha! | 0:25:06 | 0:25:08 | |
Lord Raglan had fought against the French in the Napoleonic Wars | 0:25:08 | 0:25:11 | |
about 40 years before. | 0:25:11 | 0:25:13 | |
He insisted on calling the enemy the French, | 0:25:13 | 0:25:16 | |
even though the enemy in the Crimean War were the Russians! | 0:25:16 | 0:25:20 | |
In fact, the French were on Raglan's side! | 0:25:20 | 0:25:23 | |
No wonder he lost his Light Brigade, huh! | 0:25:23 | 0:25:26 | |
Just as well, there were some great nurses in the Crimea. | 0:25:26 | 0:25:30 | |
# Me name Mary Seacole, famous nurse | 0:25:35 | 0:25:38 | |
# To the Crimean boys | 0:25:38 | 0:25:40 | |
# No, me not Florence Nightingale | 0:25:40 | 0:25:43 | |
# Dat mix up, me annoys | 0:25:43 | 0:25:45 | |
# Me learn me skills in Jamaica | 0:25:45 | 0:25:48 | |
# Where me mother nursed de sick | 0:25:48 | 0:25:50 | |
# And I tink it my destiny, child | 0:25:50 | 0:25:53 | |
# To be a war medic | 0:25:53 | 0:25:55 | |
# If you're coughing Then you should have a drink with it | 0:25:55 | 0:25:57 | |
# If your diet's poor You should really tink upon it | 0:25:57 | 0:26:00 | |
# If it's cholera Rehydration's best for it | 0:26:00 | 0:26:02 | |
# If it's fever Better take some rest for it | 0:26:02 | 0:26:05 | |
# Wha-oh-oh, wha-oh-oh Wha-oh-oh-oh | 0:26:05 | 0:26:10 | |
# History still says me name | 0:26:10 | 0:26:12 | |
# Cos me not one to moan | 0:26:12 | 0:26:15 | |
# Me ask me friend Thomas Day for help | 0:26:15 | 0:26:17 | |
# And set off upon my own | 0:26:17 | 0:26:19 | |
# If you need it Put a mustard plaster upon it | 0:26:19 | 0:26:22 | |
# If you're bleeding Shouldn't be disaster for it | 0:26:22 | 0:26:25 | |
# If your leg broke Going to need a cast on it | 0:26:25 | 0:26:27 | |
# If you're constipated Take oil of castor for it | 0:26:27 | 0:26:30 | |
# Wha-oh-oh, wha-oh-oh Wha-oh-oh-oh | 0:26:30 | 0:26:35 | |
# Once here, in Crimea | 0:26:35 | 0:26:37 | |
# Me became a pioneer | 0:26:37 | 0:26:40 | |
# Me carpenters engineered | 0:26:40 | 0:26:42 | |
# A hotel at the new frontier | 0:26:42 | 0:26:44 | |
# Set up on the front line in 1855 | 0:26:44 | 0:26:47 | |
# Independent woman Saving soldiers' lives... # | 0:26:47 | 0:26:49 | |
Welcome to the British Hotel. | 0:26:49 | 0:26:52 | |
# Me boarding house became de haunt | 0:26:52 | 0:26:55 | |
# Of de great and good | 0:26:55 | 0:26:57 | |
# Though it wasn't glamorous | 0:26:57 | 0:26:59 | |
# It was built of old bits of wood | 0:26:59 | 0:27:02 | |
# Supplied the troops With kit and clothes | 0:27:02 | 0:27:04 | |
# Served both de rich and poor | 0:27:04 | 0:27:07 | |
# Me nursed right upon De battlefield | 0:27:07 | 0:27:09 | |
# While Florence worked Far from the war | 0:27:09 | 0:27:12 | |
# I'm a nursing lady Put a splint on it | 0:27:12 | 0:27:14 | |
# Me see a wounded man Better sprint to it | 0:27:14 | 0:27:17 | |
# Earned fame from de war And my stint in it | 0:27:17 | 0:27:19 | |
-# But the -Crimean -shame Is me a skint from it | 0:27:19 | 0:27:22 | |
# When de war was done | 0:27:22 | 0:27:24 | |
# Me never have a dime | 0:27:24 | 0:27:26 | |
# Despite de work me do | 0:27:26 | 0:27:29 | |
# Bankruptcy was mine | 0:27:29 | 0:27:32 | |
# I'm a fierce lady Never fazed by it | 0:27:32 | 0:27:34 | |
# Wrote a book And earned funds raised by it | 0:27:34 | 0:27:37 | |
# Me hotel Men owed their lives to it | 0:27:37 | 0:27:39 | |
# Going down in history Dat's me prize for it. # | 0:27:39 | 0:27:42 | |
# Tall tales, atrocious acts | 0:27:44 | 0:27:45 | |
We gave you all The fearsome facts... # | 0:27:45 | 0:27:47 | |
If you enjoyed that, why not play the new AD/BC Time Tour music game? | 0:27:47 | 0:27:51 | |
Go to the CBBC website and click on Horrible Histories. Rock on! | 0:27:51 | 0:27:56 | |
# Hope you enjoyed... Horrible Histories. # | 0:27:56 | 0:28:00 |