Browse content similar to Episode 8. Check below for episodes and series from the same categories and more!
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# Terrible Tudors, Gorgeous Georgians Slimy Stuarts, Vile Victorians | 0:00:02 | 0:00:05 | |
# Woeful Wars, Ferocious Fights Dingy Castles, Daring Knights | 0:00:05 | 0:00:07 | |
# Horrors that defy description Cut-throat Celts, Awful Egyptians | 0:00:07 | 0:00:10 | |
# Vicious Vikings, Cruel Crime Punishments from ancient times | 0:00:10 | 0:00:13 | |
# Roman, rotten, rank and ruthless Cavemen savage, fierce and toothless | 0:00:13 | 0:00:16 | |
# Groovy Greeks, Reigning stages Mean and Measley Middle Ages | 0:00:16 | 0:00:19 | |
# Gory Stories we do that | 0:00:19 | 0:00:20 | |
# And your host a talking rat | 0:00:20 | 0:00:23 | |
# The past is no longer a mystery | 0:00:23 | 0:00:26 | |
# Welcome to... # | 0:00:26 | 0:00:27 | |
Hello, I'm a gorgeous Viking scientist, | 0:00:41 | 0:00:43 | |
and this is the wonders of the Viking universe. | 0:00:43 | 0:00:46 | |
You know, we Vikings are amazing scientists, | 0:00:46 | 0:00:48 | |
we can navigate across the world's oceans | 0:00:48 | 0:00:50 | |
just by using our knowledge of the stars. | 0:00:50 | 0:00:52 | |
We can tell where we are | 0:00:52 | 0:00:53 | |
just by looking at the consistency of coastal mud. | 0:00:53 | 0:00:55 | |
What we Vikings don't know about the universe isn't worth knowing. | 0:00:55 | 0:00:59 | |
And we also know that it rests | 0:00:59 | 0:01:01 | |
in the branches of an enormous tree called Yggdrasil. | 0:01:01 | 0:01:04 | |
It's a massive tree, amazing. | 0:01:04 | 0:01:06 | |
Brian, stick to the script, mate, yeah? | 0:01:06 | 0:01:08 | |
At the bottom of the tree is the land of the dead | 0:01:08 | 0:01:11 | |
and right up high, the top of the tree, is Asgard. | 0:01:11 | 0:01:13 | |
Now, that's where all the gods live, | 0:01:13 | 0:01:15 | |
and it's all surrounded by this vast ocean | 0:01:15 | 0:01:17 | |
with a big snake in it called Jormungandr. | 0:01:17 | 0:01:20 | |
It's a huge snake, amazing. | 0:01:20 | 0:01:23 | |
-All right, Brian, I'm going to stop you there, yeah, mate. -What? | 0:01:23 | 0:01:26 | |
Erm, I'll let the tree rubbish go, because it's a nice picture, yeah? | 0:01:26 | 0:01:30 | |
But the massive snake is ludicrous. | 0:01:30 | 0:01:32 | |
No, it's not. No, it's Viking scientific fact. | 0:01:32 | 0:01:35 | |
You know, like the beautiful gigantic bridge in the, in the sky | 0:01:35 | 0:01:38 | |
that connects where we live to Asgard, the home of the gods. | 0:01:38 | 0:01:41 | |
Amazing. | 0:01:41 | 0:01:43 | |
Right, if it's so amazing, why can't we see it? | 0:01:43 | 0:01:45 | |
You can. Well, that's what a rainbow is. | 0:01:45 | 0:01:48 | |
No, Brian, a rainbow is just a refraction of light, yeah? | 0:01:48 | 0:01:50 | |
No, no, every Viking knows it's a bridge you walk on to Asgard | 0:01:50 | 0:01:54 | |
if you can get past Heimdall, the warrior who guards it. | 0:01:54 | 0:01:57 | |
All right, Brian. Sorry about this, all right? Come on, lads. | 0:01:57 | 0:02:00 | |
No, wait. I haven't told you about Loki, | 0:02:00 | 0:02:02 | |
who gave birth to an eight-legged horse. | 0:02:02 | 0:02:04 | |
It's Viking scientific fact. | 0:02:04 | 0:02:06 | |
Amazing. | 0:02:06 | 0:02:08 | |
It's true. | 0:02:08 | 0:02:09 | |
Vikings believed all that nonsense. | 0:02:09 | 0:02:12 | |
They really did think Loki gave birth to an eight-legged horse. | 0:02:12 | 0:02:16 | |
Bet they've never had that story line on Holby City. | 0:02:16 | 0:02:19 | |
Yes, it's fair to say those Vikings did things a bit differently. | 0:02:19 | 0:02:23 | |
TELEPHONE RINGS | 0:02:23 | 0:02:25 | |
Hello, historical dates, | 0:02:25 | 0:02:27 | |
call us with speed if it's a partner you need. | 0:02:27 | 0:02:30 | |
I'm sorry you had a terrible date with Alexander the Great. | 0:02:30 | 0:02:33 | |
Perhaps you'll have a great one with Ivan the Terrible. | 0:02:33 | 0:02:37 | |
CLIENT HANGS UP | 0:02:37 | 0:02:38 | |
Maybe you should go out with him. | 0:02:38 | 0:02:40 | |
Oh, no, I've had enough, Karen. I'm not dating any more men. | 0:02:40 | 0:02:42 | |
Least of all these historical ones. | 0:02:42 | 0:02:44 | |
HORN TOOTS | 0:02:44 | 0:02:46 | |
Oh, hello, the Viking. | 0:02:46 | 0:02:48 | |
What can I do for you? | 0:02:48 | 0:02:50 | |
I am looking for a woman. | 0:02:50 | 0:02:52 | |
-Bing. -She must be good at fighting. | 0:02:52 | 0:02:54 | |
Well, you should see me on a Saturday night. | 0:02:54 | 0:02:56 | |
And she must be able to manage the farm | 0:02:56 | 0:02:58 | |
whilst I'm away on Viking raids. | 0:02:58 | 0:03:00 | |
I love animals, I do. | 0:03:00 | 0:03:03 | |
Embarrassing. | 0:03:03 | 0:03:05 | |
Well, in that case, what are you doing tonight? | 0:03:05 | 0:03:07 | |
What? Really? | 0:03:07 | 0:03:09 | |
Wait till my mum hears I'm going out with a Viking. | 0:03:09 | 0:03:12 | |
No! You must not tell your mum. | 0:03:12 | 0:03:14 | |
If you tell your mum, I must marry you. | 0:03:14 | 0:03:16 | |
What? | 0:03:16 | 0:03:18 | |
A Viking who takes too long to propose to a woman | 0:03:18 | 0:03:20 | |
can be physically harmed by this woman's family. | 0:03:20 | 0:03:22 | |
Hello, Mum. | 0:03:22 | 0:03:24 | |
I'm going on a date with a Viking, | 0:03:24 | 0:03:25 | |
I got to go, I got a wedding to organise. | 0:03:25 | 0:03:28 | |
Babe, you hardly know him. | 0:03:28 | 0:03:30 | |
Now, how much will your father want for you? | 0:03:30 | 0:03:32 | |
Sorry? | 0:03:32 | 0:03:33 | |
We Vikings always pay for the bride. | 0:03:33 | 0:03:35 | |
Sally's as cheap as chips, | 0:03:35 | 0:03:37 | |
For two bags of chips, you probs marry Sally and her sister. | 0:03:37 | 0:03:40 | |
-All right. -Nice deal. | 0:03:40 | 0:03:42 | |
Right, I must go and fetch the goat. | 0:03:42 | 0:03:44 | |
The what? | 0:03:44 | 0:03:45 | |
To sacrifice, so that we can drip its blood over us. | 0:03:45 | 0:03:48 | |
-Lovely. -And then we will eat, drink and wrestle. | 0:03:48 | 0:03:52 | |
Sounds like your cousin's wedding, Sal. | 0:03:52 | 0:03:54 | |
And then we will hurl insults at each other. | 0:03:54 | 0:03:56 | |
You cut price Saxon bride from hell, you stupid... | 0:03:56 | 0:03:59 | |
Oh, OK. Now, I'm going to stop you there, I don't want to marry you. | 0:03:59 | 0:04:02 | |
I just think it's moving a bit too fast. | 0:04:02 | 0:04:04 | |
OK, listen, since I'm here, do you mind if I do a bit of pillaging? | 0:04:04 | 0:04:09 | |
Oh, no, not at all. Help yourself. | 0:04:09 | 0:04:12 | |
Doing anything nice at the weekend, Karen? | 0:04:14 | 0:04:16 | |
Well, I'm thinking I might... | 0:04:16 | 0:04:18 | |
One of our most unpopular emperors was Emperor Nero. | 0:04:24 | 0:04:27 | |
He really had no shame. | 0:04:27 | 0:04:29 | |
-Oh, I can't believe it. -Mother. | 0:04:30 | 0:04:33 | |
The whole city burnt to the ground and our home, our beautiful home. | 0:04:33 | 0:04:37 | |
TRUMPETS | 0:04:37 | 0:04:38 | |
His Majesty, the Emperor Nero. | 0:04:38 | 0:04:41 | |
Hail me. | 0:04:41 | 0:04:42 | |
Oh, mighty Emperor, thank you for visiting us in our hour of need. | 0:04:42 | 0:04:46 | |
Well, yeah, of course. | 0:04:46 | 0:04:48 | |
OK, so let's have a look, shall we? | 0:04:48 | 0:04:49 | |
What do you make? I make it 5.4? | 0:04:49 | 0:04:51 | |
Darling, he's going to rebuild it. | 0:04:51 | 0:04:53 | |
Yes, I am, time is of the essence, people. | 0:04:53 | 0:04:56 | |
-Emperor. -Thank you. | 0:04:56 | 0:04:58 | |
I see a beautiful Roman palace, lots of Roman villas, | 0:04:58 | 0:05:01 | |
lots of pavilions, a man-made lake and a revolving dining room. | 0:05:01 | 0:05:05 | |
I've always wanted one of those. | 0:05:05 | 0:05:07 | |
She has always wanted one of those. | 0:05:07 | 0:05:09 | |
What? Oh! I get it, yeah. | 0:05:09 | 0:05:11 | |
You think I'm building this for you. | 0:05:11 | 0:05:13 | |
No, no. I'm building a palace for me, | 0:05:13 | 0:05:15 | |
right here in the centre of Rome. | 0:05:15 | 0:05:17 | |
Where will we live? | 0:05:17 | 0:05:19 | |
I dunno, on the edge of town. | 0:05:19 | 0:05:20 | |
Do you know an area called the slums? Ha-ha-ha! | 0:05:20 | 0:05:23 | |
But they're just full of dirty poor people. | 0:05:23 | 0:05:26 | |
Well, all your stuff's been burnt to a crisp, | 0:05:26 | 0:05:28 | |
you should feel right at home. | 0:05:28 | 0:05:30 | |
But, Emperor, our... our lives have been destroyed, | 0:05:30 | 0:05:32 | |
you have to do something for us. | 0:05:32 | 0:05:33 | |
And so I shall. | 0:05:33 | 0:05:34 | |
I promise you I will not rest | 0:05:34 | 0:05:37 | |
until there is a 35-metre bronze statue of me just there. | 0:05:37 | 0:05:41 | |
How shall I pose? Grapes, no grapes. | 0:05:41 | 0:05:45 | |
Argh. | 0:05:45 | 0:05:46 | |
Oh, save the waterworks, love. | 0:05:46 | 0:05:48 | |
-There's no fire left to put out. Ha-ha-ha! -Ha-ha! | 0:05:48 | 0:05:51 | |
Oh, very funny, Emperor, very funny. | 0:05:51 | 0:05:53 | |
Tss, oh, I'm literally on fire. | 0:05:53 | 0:05:55 | |
-Oh, because of the fire! -Cos of the fire. -Yeah, well, brilliant, yeah. | 0:05:55 | 0:05:59 | |
Right, let's take a look at the bathroom, shall we? | 0:05:59 | 0:06:01 | |
Did he...? | 0:06:06 | 0:06:07 | |
Nero declared himself the winner despite crashing out, | 0:06:17 | 0:06:21 | |
unlike this champion who earned his fame and fortune in the Roman arena. | 0:06:21 | 0:06:26 | |
Enjoy the thrills and spills, | 0:06:30 | 0:06:32 | |
but chiefly the spills, | 0:06:32 | 0:06:33 | |
of chariot racing at the Circus Maximus, | 0:06:33 | 0:06:35 | |
with celebrity charioteer, Scorpus. | 0:06:35 | 0:06:38 | |
2,000 and counting. | 0:06:40 | 0:06:43 | |
And the most brutal and deadly race of all time. | 0:06:49 | 0:06:52 | |
Good choice. | 0:07:04 | 0:07:05 | |
Choose team colour. | 0:07:05 | 0:07:06 | |
Yeah, green's good. | 0:07:11 | 0:07:12 | |
Although red doesn't show up your opponents' blood so much. | 0:07:12 | 0:07:15 | |
He-he-he-he! | 0:07:15 | 0:07:18 | |
Let the race commence. | 0:07:18 | 0:07:20 | |
Ho-ho-ooh! | 0:07:20 | 0:07:21 | |
Do you have what it takes to survive the seven laps? | 0:07:21 | 0:07:23 | |
Oh, yeah. | 0:07:23 | 0:07:25 | |
Well, he doesn't. | 0:07:25 | 0:07:26 | |
Watch out for the fallen charioteer, | 0:07:26 | 0:07:28 | |
you don't want to miss him. | 0:07:28 | 0:07:30 | |
Nearly missed you. Ha-ha! | 0:07:30 | 0:07:31 | |
-And watch out for the flying horse poo. -Ha-ha-ha! | 0:07:31 | 0:07:34 | |
Avoid the broken chariots, known as shipwrecks. | 0:07:34 | 0:07:37 | |
If you do crash, don't forget to let go of the reins. | 0:07:37 | 0:07:40 | |
Oh, unlucky, you can't, they're wrapped around your waist. | 0:07:40 | 0:07:43 | |
So long, sucker. | 0:07:43 | 0:07:44 | |
Scorpus wins. | 0:07:44 | 0:07:46 | |
Yeah. | 0:07:46 | 0:07:47 | |
And I live to race another day, | 0:07:47 | 0:07:49 | |
unlike my winning horse, | 0:07:49 | 0:07:51 | |
who is to be sacrificed to the gods. | 0:07:51 | 0:07:53 | |
I shall miss you, Dobbinus. | 0:07:53 | 0:07:55 | |
I'm not crying. | 0:07:55 | 0:07:57 | |
No way, I'm not crying, I'm not. | 0:08:02 | 0:08:06 | |
# Stupid deaths, stupid deaths | 0:08:13 | 0:08:16 | |
# They're funny cos they're true Wooh! | 0:08:16 | 0:08:18 | |
# Stupid deaths, stupid deaths | 0:08:18 | 0:08:20 | |
# Hope next time it's not you He, hee! # | 0:08:20 | 0:08:23 | |
Oh, no, no, you're doing awfully well, | 0:08:23 | 0:08:26 | |
a new judge is just what we needed, keep these two on their toes. | 0:08:26 | 0:08:29 | |
Next! And you are? | 0:08:29 | 0:08:32 | |
Richard Lionheart, King of England. | 0:08:32 | 0:08:34 | |
Mm, also known as the King of France. | 0:08:34 | 0:08:37 | |
Oh, if only. | 0:08:37 | 0:08:38 | |
I hate England, that's why I was always away fighting. | 0:08:38 | 0:08:41 | |
Oh, which presumably explains the er... | 0:08:41 | 0:08:43 | |
Yes. | 0:08:43 | 0:08:44 | |
Come on, then, hit me with it. The story, not the sword. He-he-he! | 0:08:44 | 0:08:48 | |
Well, I was besieging a castle in France. | 0:08:48 | 0:08:50 | |
As you do. | 0:08:50 | 0:08:51 | |
And I became highly amused by one of the defenders. | 0:08:51 | 0:08:54 | |
He was holding a crossbow in the one hand, and a frying pan in the other. | 0:08:54 | 0:09:00 | |
He was using it as a shield, every time an arrow came towards him, | 0:09:00 | 0:09:03 | |
pop, he popped it away, pop. | 0:09:03 | 0:09:05 | |
40, love. New balls please! | 0:09:05 | 0:09:07 | |
-Sorry? -As in tennis. | 0:09:07 | 0:09:09 | |
Tennis? | 0:09:09 | 0:09:11 | |
Oh, never mind. Carry on. | 0:09:11 | 0:09:12 | |
It was the funniest thing you've ever seen, | 0:09:12 | 0:09:14 | |
I was laughing and all the guys were laughing, we were having great time. | 0:09:14 | 0:09:18 | |
And sadly, I didn't notice that there was a small boy | 0:09:18 | 0:09:21 | |
aiming his crossbow at me. | 0:09:21 | 0:09:23 | |
Oh, I see. Ouch. | 0:09:23 | 0:09:25 | |
And the wound went gangrenous, et voila, here I am. | 0:09:25 | 0:09:28 | |
How come your armour didn't stop the arrow? | 0:09:28 | 0:09:30 | |
Oh, I wasn't wearing any armour. | 0:09:30 | 0:09:32 | |
You went into battle without wearing any armour? | 0:09:32 | 0:09:35 | |
Oh, tough. It's how I rule. | 0:09:35 | 0:09:37 | |
Oh! Ha-ha-ha! | 0:09:37 | 0:09:39 | |
Well that, yeah, erm, you're not Richard the Lionheart, | 0:09:39 | 0:09:42 | |
you're Richard the Chicken Brain. Ha-ha-ha! | 0:09:42 | 0:09:45 | |
Mummy's joke, you two raise your game, | 0:09:45 | 0:09:48 | |
you're through to the afterlife. | 0:09:48 | 0:09:50 | |
Oh, by the way, what happened to the little boy who killed you? | 0:09:50 | 0:09:54 | |
I gave my men the orders that he must be forgiven | 0:09:54 | 0:09:57 | |
and given a full pardon. | 0:09:57 | 0:09:58 | |
Mm, nice touch. | 0:09:58 | 0:10:00 | |
-Au revoir. -Au revoir. | 0:10:00 | 0:10:02 | |
Next! | 0:10:03 | 0:10:05 | |
Arh. I take it Richard's men didn't obey his order. | 0:10:07 | 0:10:10 | |
Oh, well, what you going to do? You're through. Ha-ha. | 0:10:10 | 0:10:13 | |
Next! | 0:10:13 | 0:10:15 | |
# Stupid deaths, stupid deaths | 0:10:15 | 0:10:17 | |
# Hope next time it's not you Hoo-hoo! # | 0:10:17 | 0:10:21 | |
Richard the Lionheart fought in the Crusades | 0:10:21 | 0:10:23 | |
and in their bid to capture the Holy Land, | 0:10:23 | 0:10:25 | |
Crusaders went away on long journeys | 0:10:25 | 0:10:28 | |
through unfamiliar foreign countries. | 0:10:28 | 0:10:30 | |
And so they had to be ready for anything. | 0:10:30 | 0:10:33 | |
My name is Sir William Giscard, | 0:10:33 | 0:10:36 | |
I am your worst nightmare. | 0:10:36 | 0:10:38 | |
I am going to turn you into crusaders or kill you trying. | 0:10:38 | 0:10:42 | |
-BOTH: Sir, yes, Sir! -Why are you here, soldier? | 0:10:42 | 0:10:44 | |
Because I'm a lean, mean, crusading machine, Sir. | 0:10:44 | 0:10:46 | |
Arh, freckles here thinks he's a fighter. | 0:10:46 | 0:10:49 | |
Well, freckles, can you defend yourself against a Saracen lance? | 0:10:49 | 0:10:51 | |
-Sir, yes, Sir! -How about a Saracen sword, | 0:10:51 | 0:10:53 | |
can you defend yourself against Zimmertar? | 0:10:53 | 0:10:56 | |
-Sir, yes, Sir! -What about a man with elephant trunks for ears? | 0:10:56 | 0:10:58 | |
Sir, yes. No, what? | 0:10:58 | 0:11:00 | |
Know your enemy. | 0:11:00 | 0:11:01 | |
The Penati is not an Italian cake, it's just one of the monsters | 0:11:01 | 0:11:05 | |
you may have to fight in the Holy Land. | 0:11:05 | 0:11:08 | |
What is so funny, soldier, am I amusing to you? | 0:11:08 | 0:11:11 | |
Sir, not you, Sir, the man with stupid ears. | 0:11:11 | 0:11:13 | |
Oh, he's funny, is he? | 0:11:13 | 0:11:15 | |
What would you do if he was charging towards you, argh? | 0:11:15 | 0:11:17 | |
What would you do then? | 0:11:17 | 0:11:19 | |
Erm, cut his ears off? | 0:11:19 | 0:11:21 | |
Right, yeah, that'll do it. | 0:11:21 | 0:11:24 | |
What about the one-legged Cyclops? | 0:11:24 | 0:11:27 | |
Too slow, you think that's slow | 0:11:27 | 0:11:29 | |
and he will dance on your grave. | 0:11:29 | 0:11:31 | |
-Hop. -Hop on your grave. | 0:11:31 | 0:11:32 | |
Right, freckles, you know so much about him, | 0:11:32 | 0:11:34 | |
you can be the one-legged Cyclops and attack me. | 0:11:34 | 0:11:37 | |
Attack me! | 0:11:37 | 0:11:38 | |
Argh! | 0:11:38 | 0:11:40 | |
Get out of it! Did you see what I just did? | 0:11:40 | 0:11:43 | |
-Pushed him over. -I just pushed him over! | 0:11:43 | 0:11:45 | |
The one-legged Cyclops has one fatal weakness, | 0:11:45 | 0:11:49 | |
he only has one leg, clue's in the name. | 0:11:49 | 0:11:51 | |
As monsters go, these ones are a bit rubbish, really, aren't they? | 0:11:51 | 0:11:54 | |
You clearly haven't met the Antipodes. | 0:11:54 | 0:11:57 | |
What's he got, Sir, no legs? | 0:11:57 | 0:11:58 | |
Oh, he's got some legs, soldier, he's got a fine pair of legs. | 0:11:58 | 0:12:02 | |
They're pointing in the wrong direction. | 0:12:02 | 0:12:04 | |
That's right, Mr Smarty Armour Underpants. | 0:12:04 | 0:12:06 | |
What would you do if he was running towards you? | 0:12:06 | 0:12:08 | |
Do whatever I like, cos he'd be facing the wrong way. | 0:12:08 | 0:12:10 | |
What about a horned human who grows old when he's seven? | 0:12:10 | 0:12:14 | |
Hide and wait till he dies of old age. | 0:12:14 | 0:12:16 | |
What about a bird, so big it can pick up an elephant? | 0:12:16 | 0:12:20 | |
I guess I'd shoot him down with arrows, I mean you can't miss. | 0:12:20 | 0:12:23 | |
Sir, are you sure all these monsters actually exist? | 0:12:23 | 0:12:27 | |
Do you want to see proof? | 0:12:27 | 0:12:28 | |
Do you want to see scars? | 0:12:28 | 0:12:30 | |
-Yeah. -Yeah. | 0:12:30 | 0:12:32 | |
Well, when I meet them, I will show you the scars. | 0:12:32 | 0:12:35 | |
You haven't actually met one, then? | 0:12:35 | 0:12:37 | |
We have had detailed descriptions of these monsters by travellers. | 0:12:37 | 0:12:41 | |
-And they've seen them? -They've heard about them, yes. | 0:12:41 | 0:12:43 | |
Face it, none of these monsters actually exist. | 0:12:43 | 0:12:46 | |
There is one that exists, | 0:12:46 | 0:12:48 | |
and I've seen him with my own eyes. | 0:12:48 | 0:12:50 | |
He terrifies the inhabitants of cities | 0:12:50 | 0:12:53 | |
by throwing the severed heads of his victims over the walls. | 0:12:53 | 0:12:56 | |
What kind of sick creature is this? | 0:12:56 | 0:12:58 | |
A Crusader. | 0:12:59 | 0:13:00 | |
That's what we do, boys. Now. | 0:13:00 | 0:13:03 | |
Grab a head and let's start throwing, hey, go! | 0:13:03 | 0:13:07 | |
Crusaders discovered some unusual stuff | 0:13:10 | 0:13:12 | |
when they were out fighting in the Middle East. | 0:13:12 | 0:13:14 | |
Check out this crazy cure. | 0:13:14 | 0:13:16 | |
If you want to give them a great way to start the day, | 0:13:17 | 0:13:20 | |
give them something really different for breakfast. | 0:13:20 | 0:13:22 | |
Yes, we take the finest old Arabian men | 0:13:23 | 0:13:26 | |
and feed them nothing but honey. | 0:13:26 | 0:13:28 | |
Then, when they die, | 0:13:28 | 0:13:30 | |
we bury them in more honey. | 0:13:30 | 0:13:31 | |
Then, we wait a hundred years | 0:13:31 | 0:13:34 | |
and dig them up again. | 0:13:34 | 0:13:36 | |
And it's the delicious golden honey | 0:13:36 | 0:13:38 | |
and hundred-year wait | 0:13:38 | 0:13:39 | |
that make the great taste of Mellified Man. | 0:13:39 | 0:13:41 | |
So give them the finest delicacy of Medieval Arabia, | 0:13:41 | 0:13:44 | |
golden chunks of real 100-year-old honey soaked dead person. | 0:13:44 | 0:13:48 | |
A mummy in honey, that's yummy. | 0:13:49 | 0:13:51 | |
Yeugh! | 0:13:51 | 0:13:52 | |
I am not eating that. | 0:13:52 | 0:13:54 | |
Yummy. | 0:13:56 | 0:13:58 | |
Y-U-C-K, yuck! | 0:13:59 | 0:14:02 | |
And that's not a word I use often. | 0:14:02 | 0:14:04 | |
People really thought that mellified man had healing powers, as if. | 0:14:04 | 0:14:10 | |
The Georgian era saw lots of advancements, | 0:14:14 | 0:14:18 | |
like the Agricultural Revolution, | 0:14:18 | 0:14:20 | |
which all started with the humble turnip. | 0:14:20 | 0:14:23 | |
Good morning. | 0:14:28 | 0:14:29 | |
ALL: Morning, Lord Sugar. | 0:14:29 | 0:14:31 | |
This was a perfectly simple task. | 0:14:31 | 0:14:33 | |
I asked you, vegetables, | 0:14:33 | 0:14:35 | |
to take these turnips and turn them into cash. | 0:14:35 | 0:14:38 | |
You lot, who's your project manager? | 0:14:38 | 0:14:40 | |
I was. | 0:14:40 | 0:14:41 | |
And what did you bring to the table, Whiggy? | 0:14:41 | 0:14:43 | |
I prefer the name the Second Viscount Townshend. | 0:14:43 | 0:14:46 | |
No, I'm not impressed, Whiggy. I'm a Lord, answer the question. | 0:14:46 | 0:14:50 | |
Well, Lord Sugar, I'm a politician, | 0:14:50 | 0:14:52 | |
I served for a decade as Secretary of State | 0:14:52 | 0:14:55 | |
with responsibility for directing British foreign policy. | 0:14:55 | 0:14:58 | |
Was he a good project manager? | 0:14:58 | 0:15:00 | |
-I'd have been better but I. -Ha! I hardly think so. | 0:15:00 | 0:15:02 | |
-Actually, I've been in charge of all sorts of things. -Such as? | 0:15:02 | 0:15:05 | |
Two pigs, a goat, goat died. | 0:15:05 | 0:15:07 | |
Boo hoo. Right that's enough of you, Whiggy. | 0:15:07 | 0:15:10 | |
I'm sick of hearing from you. | 0:15:10 | 0:15:11 | |
It's Team Whig, with a H, named after my political party. | 0:15:11 | 0:15:14 | |
Don't try and make me look stupid. | 0:15:14 | 0:15:16 | |
You're the one that looks stupid. | 0:15:16 | 0:15:18 | |
Right, you lot, I believe you've called yourself team Go Wurzel. | 0:15:18 | 0:15:23 | |
-Go Wurzel. -Go Wurzel. -Go Wurzel. | 0:15:23 | 0:15:25 | |
What did you lot do with my turnips? | 0:15:25 | 0:15:28 | |
We made soup. | 0:15:28 | 0:15:29 | |
Turnip soup. | 0:15:29 | 0:15:30 | |
What other kind of soup are you going to make with turnips, son? | 0:15:30 | 0:15:32 | |
Lobster bisque? Is there a market for turnip soup? | 0:15:32 | 0:15:35 | |
Team Go Wurzel never really found out. | 0:15:35 | 0:15:38 | |
They ate all the soup themselves. | 0:15:38 | 0:15:40 | |
Can I get a rewind, you ate all of my soup? | 0:15:40 | 0:15:42 | |
We are starving. | 0:15:42 | 0:15:43 | |
-Anyway he ate the most of it. -I never. -Well you did, look you. | 0:15:43 | 0:15:47 | |
-You're greedy! -Ah! -Oh! -No-one's having it. | 0:15:47 | 0:15:49 | |
Let's hope team Whig did better. | 0:15:49 | 0:15:52 | |
We planted them. | 0:15:52 | 0:15:54 | |
Actually, Lord Sugar, I think it was Phil who planted them. | 0:15:54 | 0:15:57 | |
I'm a Georgian gent, I never get my hands dirty. | 0:15:57 | 0:15:59 | |
I'm more the ideas person. | 0:15:59 | 0:16:01 | |
Yeah, I'm the do the actual work person. | 0:16:01 | 0:16:03 | |
-Why did you plant them? -Well, I noticed that British farmers | 0:16:03 | 0:16:07 | |
were using a three-year crop rotation cycle. | 0:16:07 | 0:16:10 | |
Two years of crops | 0:16:10 | 0:16:11 | |
with one year crop-free. | 0:16:11 | 0:16:13 | |
As I understand it, Lord Sugar, | 0:16:13 | 0:16:14 | |
it's to give the soil a chance to become fertile again. | 0:16:14 | 0:16:17 | |
But planting turnips restores nitrogen to the soil, | 0:16:17 | 0:16:21 | |
so you can make the soil fertile again | 0:16:21 | 0:16:23 | |
AND grow a crop at the same time. | 0:16:23 | 0:16:26 | |
I've implemented a new four-year crop rotation. | 0:16:26 | 0:16:29 | |
Oh, I now is it suddenly. | 0:16:29 | 0:16:30 | |
I think you'll find we implemented it, actually. | 0:16:30 | 0:16:33 | |
I have implemented | 0:16:33 | 0:16:34 | |
a four-year crop rotation cycle | 0:16:34 | 0:16:36 | |
where the field is never empty. | 0:16:36 | 0:16:39 | |
Does it work? | 0:16:39 | 0:16:40 | |
Well, it has vastly increased the productivity. | 0:16:40 | 0:16:43 | |
Farmers can now produce a lot more food per field. | 0:16:43 | 0:16:46 | |
It's like a revolution in agriculture, Lord Sugar. | 0:16:46 | 0:16:48 | |
If I wanted your opinion, sunbeam, I'd have asked for it. | 0:16:48 | 0:16:51 | |
You might say it's an Agricultural Revolution. | 0:16:51 | 0:16:54 | |
That's very good that, Karen, I like that. | 0:16:54 | 0:16:56 | |
So was this your idea, Whiggy? | 0:16:56 | 0:16:57 | |
Well, no. Dutch farmers have been doing it for a while. | 0:16:57 | 0:17:00 | |
So you nicked it? | 0:17:00 | 0:17:01 | |
I prefer the term "borrowed". | 0:17:01 | 0:17:03 | |
Industrial espionage, well done. | 0:17:03 | 0:17:05 | |
So team Go Wurzel here took my turnips, | 0:17:05 | 0:17:08 | |
made turnip soup out of them and then ate it, | 0:17:08 | 0:17:11 | |
whereas team Whiggy here have taken my turnips | 0:17:11 | 0:17:15 | |
and revolutionised the way farming is done in Britain. | 0:17:15 | 0:17:17 | |
Team Go Wurzel... | 0:17:17 | 0:17:19 | |
You're fired. | 0:17:21 | 0:17:22 | |
-Oh! -OK, thank you. | 0:17:22 | 0:17:24 | |
Team Whiggy, I've got a treat for you, | 0:17:24 | 0:17:26 | |
you're going away for a weekend in the country, | 0:17:26 | 0:17:28 | |
where you will stay in a luxury mansion, | 0:17:28 | 0:17:30 | |
go horse riding and sleep in a four poster bed. | 0:17:30 | 0:17:34 | |
You, you're sending me home? | 0:17:34 | 0:17:36 | |
But I, I thought we won. | 0:17:36 | 0:17:37 | |
For his hugely important contribution to the Agricultural Revolution, | 0:17:38 | 0:17:43 | |
the Second Viscount Townshend was given a new title. | 0:17:43 | 0:17:47 | |
He was known ever more as Turnip Townshend. Ha-ha-ha! | 0:17:47 | 0:17:52 | |
Unlucky turnip! | 0:17:52 | 0:17:53 | |
And the Georgian Agricultural Revolution led in turn | 0:17:53 | 0:17:57 | |
to an Industrial Revolution, which not everybody was happy about. | 0:17:57 | 0:18:02 | |
# We were weavers highly skilled | 0:18:08 | 0:18:10 | |
# Till things were mechanised | 0:18:10 | 0:18:13 | |
# Craft and artisanship killed | 0:18:13 | 0:18:16 | |
# A threat to all our lives | 0:18:16 | 0:18:19 | |
# Machines meant the workforce shrunk | 0:18:19 | 0:18:22 | |
# You think you'd see us settle? | 0:18:22 | 0:18:24 | |
# When bosses said "Let's junk each punk | 0:18:24 | 0:18:27 | |
# "And replace you with heavy metal!" | 0:18:27 | 0:18:31 | |
# The workingman was sacrificed | 0:18:36 | 0:18:38 | |
# Luddite! Luddite! Luddite! Luddite! Luddites! | 0:18:38 | 0:18:41 | |
# Turned us into Anar-chistes! | 0:18:41 | 0:18:46 | |
# Industrial Revolution | 0:18:50 | 0:18:52 | |
# Our old life overthrown | 0:18:52 | 0:18:54 | |
# So we came up with a solution | 0:18:54 | 0:18:58 | |
# A revolution of our own | 0:18:58 | 0:19:01 | |
# Met in the hills and planned to smash | 0:19:01 | 0:19:03 | |
# Their weaving machines of gloom | 0:19:03 | 0:19:06 | |
# Hear that sweet music as we bash | 0:19:06 | 0:19:09 | |
# A wop bop a loom, ahh! | 0:19:09 | 0:19:11 | |
# A wop bam boom! | 0:19:11 | 0:19:14 | |
# Industrial weaving it's a stitch-up! | 0:19:17 | 0:19:20 | |
Luddite! Luddite! Luddite! Luddite! Luddites! | 0:19:20 | 0:19:23 | |
# Break the device and smash my switch up! | 0:19:23 | 0:19:27 | |
# We named our movement after Ned Ludd | 0:19:28 | 0:19:31 | |
# A folk hero who myth proclaimed | 0:19:31 | 0:19:34 | |
# Once reacted in a fit of rage | 0:19:34 | 0:19:37 | |
# By smashing up some knitting frames | 0:19:37 | 0:19:40 | |
# So we formed the new Luddite Army | 0:19:40 | 0:19:43 | |
# Started to riot! | 0:19:43 | 0:19:44 | |
# It all went barmy! | 0:19:44 | 0:19:46 | |
# Laws were passed to shake our will | 0:19:51 | 0:19:53 | |
# Sent soldiers armed with guns | 0:19:53 | 0:19:56 | |
# And though we tried to break things still | 0:19:56 | 0:19:59 | |
# We fought the law | 0:19:59 | 0:20:01 | |
# But the law won | 0:20:01 | 0:20:02 | |
# Trial and punishments were seen | 0:20:02 | 0:20:04 | |
# It's clear we'd lost the fight | 0:20:04 | 0:20:07 | |
# But thanks to us rage against the machine | 0:20:07 | 0:20:11 | |
# Now carries the name Ludd-ite! | 0:20:11 | 0:20:16 | |
Luddite! Luddite! Luddite! Luddite! Luddites! | 0:20:16 | 0:20:19 | |
# This band's struggle carries on | 0:20:19 | 0:20:22 | |
Luddite! Luddite! Luddite! Luddite! Luddites! | 0:20:22 | 0:20:24 | |
# Won't rest till machines are all gone! # | 0:20:24 | 0:20:28 | |
Solo! | 0:20:32 | 0:20:33 | |
On, on what exactly? | 0:20:33 | 0:20:36 | |
We ancient Greeks believe that certain birds | 0:20:43 | 0:20:45 | |
carried messages from the gods. | 0:20:45 | 0:20:47 | |
Lysander, look yonder, a dove this way flies. | 0:20:50 | 0:20:55 | |
A bird of such beauty. | 0:20:55 | 0:20:57 | |
Truly the radiant dove is a worthy messenger | 0:20:57 | 0:20:59 | |
for the goddess of beauty herself. | 0:20:59 | 0:21:01 | |
Aphrodite. | 0:21:01 | 0:21:02 | |
It takes her messages from heaven and brings them to us, | 0:21:02 | 0:21:05 | |
mere mortals on Earth. | 0:21:05 | 0:21:07 | |
Behold, I think it's heading for this very tree. | 0:21:07 | 0:21:10 | |
Tell us Aphrodite's bidding, oh, white winged one. | 0:21:10 | 0:21:12 | |
A blessing. | 0:21:14 | 0:21:16 | |
It's easy for you to say, you haven't got poo on your shoulder. | 0:21:16 | 0:21:18 | |
No, think, Lysander, | 0:21:18 | 0:21:20 | |
the gods themselves have chosen you to receive this divine message. | 0:21:20 | 0:21:24 | |
It's brown message. My toga's ruined. | 0:21:24 | 0:21:26 | |
Consider, Lysander, perhaps this bird | 0:21:26 | 0:21:29 | |
brings tidings of great joy of a future love, | 0:21:29 | 0:21:32 | |
perhaps you have been singled out for greatness. | 0:21:32 | 0:21:35 | |
Or perhaps the gods want us to stop standing under trees full of doves. | 0:21:35 | 0:21:39 | |
Yeah, it could be that. | 0:21:41 | 0:21:43 | |
Maybe the gods want us to stand over there. | 0:21:43 | 0:21:45 | |
Maybe they do, yeah. | 0:21:45 | 0:21:47 | |
That's right, the ancient Greeks believed that different birds | 0:21:48 | 0:21:51 | |
carried messages for different gods. | 0:21:51 | 0:21:53 | |
Aphrodite had doves and swans, Zeus had eagles, | 0:21:53 | 0:21:57 | |
and Aries had owls and vultures. | 0:21:57 | 0:22:00 | |
A chicken brought me a message once. It said, "Eat me." | 0:22:00 | 0:22:02 | |
Must have been from the god of food. Ha-ha-ha! | 0:22:02 | 0:22:05 | |
And humans had some unusual ways of transporting messages as well. | 0:22:05 | 0:22:09 | |
Hi! I'm a shouty man! | 0:22:09 | 0:22:11 | |
And I'm here to tell you about... | 0:22:11 | 0:22:13 | |
Do you have trouble keeping your secret messages secret? | 0:22:18 | 0:22:21 | |
Shhh. | 0:22:21 | 0:22:22 | |
Sorry, do you have trouble keeping your secret messages secret? | 0:22:22 | 0:22:26 | |
Then you need... | 0:22:26 | 0:22:27 | |
The perfect way to arrange a rebellion | 0:22:29 | 0:22:31 | |
without alerting your enemies. | 0:22:31 | 0:22:33 | |
Simply shave the head of your most trusted slave | 0:22:33 | 0:22:36 | |
and tattoo your secret message directly onto his skull. | 0:22:36 | 0:22:39 | |
Please arrange a rebellion. | 0:22:39 | 0:22:46 | |
-Ow. -Spelt rebellion wrong. | 0:22:46 | 0:22:48 | |
Cross it out. | 0:22:48 | 0:22:49 | |
Ow. | 0:22:49 | 0:22:51 | |
Then simply wait for the slave's hair to grow back | 0:22:51 | 0:22:53 | |
and voila, bingo, bango, | 0:22:53 | 0:22:55 | |
your message is completely hidden from prying eyes. | 0:22:55 | 0:22:57 | |
And ancient Greek tattoo messenger | 0:22:57 | 0:22:59 | |
comes with its own easy-to-hear instructions. | 0:22:59 | 0:23:01 | |
Pst, shave off my hair | 0:23:01 | 0:23:03 | |
and you'll find a secret message tattooed on my head. | 0:23:03 | 0:23:06 | |
I shall act on this secret message at once. | 0:23:08 | 0:23:11 | |
-Although he has spelt Persians incorrectly. -Ow! | 0:23:11 | 0:23:15 | |
So try new ancient Greek tattoo messenger today, | 0:23:15 | 0:23:18 | |
the ancient messaging system | 0:23:18 | 0:23:20 | |
that's both hair today, but not gone tomorrow. | 0:23:20 | 0:23:22 | |
Or something, all right? | 0:23:22 | 0:23:24 | |
Warning! | 0:23:24 | 0:23:25 | |
Slaves with pre-existing baldness | 0:23:25 | 0:23:26 | |
are not suitable. | 0:23:26 | 0:23:28 | |
Oh, thank you so much for seeing me, I've got really bad toothache | 0:23:35 | 0:23:39 | |
and my normal dentist couldn't fit me in. | 0:23:39 | 0:23:41 | |
Oh, that's all right, we've always got plenty of appointments | 0:23:41 | 0:23:44 | |
here at the historical dentist. | 0:23:44 | 0:23:46 | |
Even if the patients do survive, they tend not to come back. | 0:23:46 | 0:23:51 | |
Historical dentist? | 0:23:51 | 0:23:52 | |
Yes. Mr Tudor will be seeing you today. Arh. | 0:23:52 | 0:23:56 | |
Hello, I'm so sorry to keep you waiting, | 0:23:56 | 0:23:57 | |
I've just been boiling a few frogs. | 0:23:57 | 0:23:59 | |
Don't need to tell you how important they are to modern Tudor dentistry. | 0:23:59 | 0:24:02 | |
Actually, I think you do. | 0:24:02 | 0:24:04 | |
Tell me, how do you clean your teeth? | 0:24:04 | 0:24:05 | |
Well, I use an electric toothbrush. | 0:24:05 | 0:24:07 | |
Ridiculous, no wonder you've got problems with your teeth. | 0:24:07 | 0:24:10 | |
You need to be using a Tudor toothbrush. | 0:24:10 | 0:24:13 | |
It's a twig with a rag on the end, | 0:24:13 | 0:24:15 | |
you rub it on your teeth with a paste | 0:24:15 | 0:24:17 | |
made from rose water, lavender and cuttlefish. | 0:24:17 | 0:24:19 | |
Still, it's too late for you, | 0:24:19 | 0:24:21 | |
the pain has already started. | 0:24:21 | 0:24:22 | |
Erm, Mandy do we have any poo? | 0:24:22 | 0:24:24 | |
Freshly made this morning. | 0:24:24 | 0:24:25 | |
Wonderful. Where did it come from? | 0:24:25 | 0:24:28 | |
I'd rather not say. | 0:24:28 | 0:24:30 | |
Oh, right. Yes, of course, sorry. | 0:24:30 | 0:24:31 | |
We'll mix that with some honey, | 0:24:31 | 0:24:33 | |
and we'll see if that does any good. | 0:24:33 | 0:24:35 | |
You're not going to put that poo in my mouth? | 0:24:35 | 0:24:37 | |
Don't be ridiculous, | 0:24:37 | 0:24:38 | |
in order for it to be effective it must be your own poo. | 0:24:38 | 0:24:42 | |
-I don't suppose you want... -No chance, mate. | 0:24:42 | 0:24:44 | |
Right, OK. Well, frogs it is. | 0:24:44 | 0:24:46 | |
Good job I mixed this up earlier, isn't it? | 0:24:46 | 0:24:48 | |
So let's take a dollop of this, | 0:24:48 | 0:24:50 | |
I'll apply it to the affected tooth | 0:24:50 | 0:24:52 | |
and it should drop straight out. Open up. | 0:24:52 | 0:24:54 | |
Erm, I'm not putting that in my mouth either. | 0:24:54 | 0:24:56 | |
This is cutting-edge Tudor dentistry. | 0:24:56 | 0:24:58 | |
Of course, if I get any on the good teeth they could fall out also, | 0:24:58 | 0:25:01 | |
but, huh, you can't have anything, er, I mean everything. | 0:25:01 | 0:25:04 | |
Can't you just do a filling or something? | 0:25:04 | 0:25:06 | |
Look, I understand your nervousness, | 0:25:06 | 0:25:08 | |
why don't I remove | 0:25:08 | 0:25:09 | |
one of Mandy's teeth first just to prove that it's not going to hurt? | 0:25:09 | 0:25:12 | |
That's fine by me. | 0:25:12 | 0:25:13 | |
This is crazy. | 0:25:13 | 0:25:15 | |
No. No, this is what the Bishop of London did for Queen Elizabeth. | 0:25:15 | 0:25:19 | |
She was worried that having a tooth out would hurt, | 0:25:19 | 0:25:23 | |
so the Bishop had a healthy one of his own removed to show it wouldn't. | 0:25:23 | 0:25:27 | |
Come on, Mr Tudor, whip it out. | 0:25:27 | 0:25:29 | |
I'm sorry, I'll live with the pain, you people are nuts. | 0:25:29 | 0:25:33 | |
Oh! | 0:25:34 | 0:25:35 | |
While I'm in the chair, I do have some pain in one of my teeth. | 0:25:35 | 0:25:39 | |
Well, luckily, | 0:25:39 | 0:25:41 | |
we've got just the thing. | 0:25:41 | 0:25:43 | |
I know! | 0:25:43 | 0:25:45 | |
And being a dentist wasn't even the most unusual job in Tudor times. | 0:25:46 | 0:25:51 | |
Hello and welcome once again to Behind the Throne, | 0:25:54 | 0:25:57 | |
where this week we've been granted unprecedented access | 0:25:57 | 0:26:00 | |
to the most important aid in King Henry's entire household. | 0:26:00 | 0:26:04 | |
Sir Thomas Heneage, the so called groom of the stool. | 0:26:04 | 0:26:08 | |
-Hello, Sir Thomas. -Hello, Jilly. | 0:26:08 | 0:26:11 | |
And of course a, er, a very special hello to you, your majesty. | 0:26:11 | 0:26:14 | |
Looking lovely as ever, Jilly. | 0:26:14 | 0:26:16 | |
So, tell me, Sir Thomas, | 0:26:16 | 0:26:18 | |
what does being groom of the stool actually entail? | 0:26:18 | 0:26:21 | |
Well, basically, Jilly, it just means I'm his personal assistant. | 0:26:21 | 0:26:24 | |
I help to dress him, er... All done, sire. | 0:26:24 | 0:26:28 | |
Excellent, now if you'll excuse me, | 0:26:28 | 0:26:29 | |
I've got to go to the little boy's room and powder my nose. | 0:26:29 | 0:26:33 | |
Very good, your majesty. | 0:26:33 | 0:26:34 | |
Yes, so basically, I look after his clothes, | 0:26:34 | 0:26:37 | |
-like this beautiful jacket here, oh. -Oh, yes, that's beautiful. | 0:26:37 | 0:26:40 | |
-Yes, it's lovely, there we go. -What on earth are you doing? | 0:26:40 | 0:26:43 | |
It's been worn three times, Jilly, it must be destroyed by fire. | 0:26:43 | 0:26:46 | |
-Right. -Then there's accompanying him | 0:26:46 | 0:26:48 | |
on his travels and wiping his bottom. | 0:26:48 | 0:26:50 | |
Well, that'll... Sorry, what? | 0:26:50 | 0:26:53 | |
Ready when you are, Tommy. | 0:26:53 | 0:26:55 | |
Coming, your majesty. | 0:26:55 | 0:26:56 | |
Sorry, when you say wiping his bottom, | 0:26:56 | 0:26:59 | |
you don't actually mean that you... Oh! | 0:26:59 | 0:27:01 | |
There you are, your majesty, all polished. | 0:27:01 | 0:27:03 | |
Arh, splendid. | 0:27:03 | 0:27:05 | |
And then afterwards, Jilly, I like to analyse it. | 0:27:06 | 0:27:10 | |
So you, er, you wipe his bottom | 0:27:13 | 0:27:15 | |
and then you look at his poo? | 0:27:15 | 0:27:17 | |
Oh, it's a very important job, Jilly, | 0:27:17 | 0:27:18 | |
just to check that he's in a good state of health. | 0:27:18 | 0:27:20 | |
Let's have a look, mm, good size, good consistency. | 0:27:20 | 0:27:24 | |
Sorry, Tommy, I've got another one brewing, I think. | 0:27:24 | 0:27:26 | |
And then just to double check he's in good health... | 0:27:26 | 0:27:28 | |
Um hm. | 0:27:28 | 0:27:30 | |
I like to inhale the exhalation of the royal posterior. | 0:27:30 | 0:27:34 | |
So the exhalation... | 0:27:34 | 0:27:35 | |
PRRRT! | 0:27:35 | 0:27:37 | |
Oh! | 0:27:37 | 0:27:38 | |
Anything bad in that one? | 0:27:38 | 0:27:40 | |
The breath of an angel. | 0:27:40 | 0:27:42 | |
-What do you think, Jilly, are you getting this? -Arh. | 0:27:42 | 0:27:45 | |
Arh. Oh, what does she know, she's not a professional. | 0:27:45 | 0:27:48 | |
Wiping time again, Tommy. | 0:27:48 | 0:27:49 | |
Of course, your majesty. | 0:27:49 | 0:27:52 | |
# Tall tales, atrocious acts We gave you all the fearsome facts. # | 0:27:52 | 0:27:54 | |
If you enjoyed that, | 0:27:54 | 0:27:56 | |
why not come and play. | 0:27:56 | 0:27:57 | |
Go to the CBBC Website | 0:27:57 | 0:27:59 | |
and click on Horrible Histories. | 0:27:59 | 0:28:01 | |
See you there! | 0:28:01 | 0:28:03 | |
# The past is no longer a mystery | 0:28:03 | 0:28:05 | |
# Hope you enjoyed | 0:28:05 | 0:28:07 | |
# Horrible Histories. # | 0:28:07 | 0:28:11 |