Browse content similar to Ridiculous Romance. Check below for episodes and series from the same categories and more!
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-# Terrible Tudors, gorgeous Georgians -Slimy Stuarts, vile Victorians | 0:00:02 | 0:00:05 | |
-# Woeful wars, ferocious fights -Dingy castles, daring knights | 0:00:05 | 0:00:07 | |
-# Horrors that defy description -Cut-throat Celts, awful Egyptians | 0:00:07 | 0:00:10 | |
-# Vicious Vikings, cruel crimes -Punishment from ancient times | 0:00:10 | 0:00:13 | |
# Romans, rotten, rank and ruthless | 0:00:13 | 0:00:15 | |
# Cavemen, savage, fierce and toothless | 0:00:15 | 0:00:16 | |
-# Groovy Greeks, brainy sages -Mean and measly Middle Ages | 0:00:16 | 0:00:19 | |
# Gory stories, we do that And your host, a talking rat | 0:00:19 | 0:00:23 | |
# The past is no longer a mystery Welcome to... | 0:00:23 | 0:00:28 | |
# Horrible Histories. # | 0:00:28 | 0:00:31 | |
Oh, hello there. | 0:00:38 | 0:00:40 | |
I'm busy making a romantic candlelit dinner | 0:00:40 | 0:00:42 | |
for my new girlfriend, Ratterly. | 0:00:42 | 0:00:44 | |
I'm cooking cockroach in "jus de rubbish bag". | 0:00:44 | 0:00:48 | |
While I get ready, you have a look | 0:00:48 | 0:00:50 | |
at that great historical heartbreaker, Henry VIII | 0:00:50 | 0:00:54 | |
and the story of his shortest marriage to Anne of Cleves. | 0:00:54 | 0:00:58 | |
This week, in Dating In Darkness, | 0:01:05 | 0:01:07 | |
it's the turn of rotund royal Henry VIII | 0:01:07 | 0:01:10 | |
to see if love really is blind. | 0:01:10 | 0:01:12 | |
It's what's on the inside that counts, isn't it? | 0:01:12 | 0:01:16 | |
Personality, I mean, not guts and stuff. | 0:01:16 | 0:01:18 | |
HE CHUCKLES | 0:01:18 | 0:01:19 | |
In our pitch black dating room is Anne of Cleves. | 0:01:19 | 0:01:22 | |
She's been picked as the best match | 0:01:22 | 0:01:24 | |
to be Henry's fourth wife. | 0:01:24 | 0:01:25 | |
They're already engaged, but they've never laid eyes on each other. | 0:01:25 | 0:01:28 | |
As long as she has a good sense of humour, | 0:01:28 | 0:01:30 | |
enjoys long walks in the park and vicious beheadings, | 0:01:30 | 0:01:34 | |
then that's all that matters, isn't it, yeah. | 0:01:34 | 0:01:37 | |
It's not about looks, | 0:01:37 | 0:01:38 | |
although I have had a sneaky portrait commissioned. | 0:01:38 | 0:01:42 | |
Lovely, isn't she? | 0:01:42 | 0:01:43 | |
He's got artist, Hans Holbein, to paint a picture of her. | 0:01:43 | 0:01:45 | |
Well, that's completely against the rules of the show. | 0:01:45 | 0:01:48 | |
Although, if you remember, I am the King | 0:01:48 | 0:01:50 | |
and I do enjoy cutting people's heads off, so... | 0:01:50 | 0:01:54 | |
However, it has been allowed on this occasion. | 0:01:54 | 0:01:57 | |
Good lad. | 0:01:57 | 0:01:58 | |
It's time for Henry to head into our dating room | 0:02:00 | 0:02:03 | |
for his darkened date with Anne. | 0:02:03 | 0:02:04 | |
But will the royal wedding be off when the lights go on? | 0:02:04 | 0:02:07 | |
-Hello. -Hallo? | 0:02:10 | 0:02:12 | |
-Oh! -Oh! | 0:02:12 | 0:02:13 | |
HE CLEARS HIS THROAT | 0:02:13 | 0:02:14 | |
I'm Henry, the King. | 0:02:14 | 0:02:17 | |
-IN GERMAN: -Was? | 0:02:17 | 0:02:19 | |
Do you speak English? | 0:02:19 | 0:02:21 | |
Ich spreche Deutsch. | 0:02:21 | 0:02:23 | |
Oh, that's a bind. | 0:02:23 | 0:02:24 | |
So I've already got three marriages under my belt, | 0:02:24 | 0:02:27 | |
I can't afford to be choosy. | 0:02:27 | 0:02:29 | |
Do you like eating copious quantities of meat? | 0:02:29 | 0:02:34 | |
Ich verstehe dich nicht. | 0:02:34 | 0:02:36 | |
I'm going to pretend that was a yes. | 0:02:36 | 0:02:38 | |
So what does Henry think of his German date? | 0:02:38 | 0:02:41 | |
My favourite advisor, Thomas Cromwell, seems to think | 0:02:41 | 0:02:44 | |
it's a good match - "political reasons", apparently. | 0:02:44 | 0:02:47 | |
I mean, that's a very shallow reason to get married, but... | 0:02:47 | 0:02:50 | |
So, I'm going to base it | 0:02:50 | 0:02:52 | |
on what her portrait looks like. | 0:02:52 | 0:02:54 | |
Yeah. Let's tie the knot. | 0:02:54 | 0:02:56 | |
Oh, come here, you... | 0:02:56 | 0:02:58 | |
Henry has decided to marry Anne of Cleves, | 0:02:58 | 0:03:01 | |
which means it's time for the 48-year-old king | 0:03:01 | 0:03:04 | |
and his 24-year-old bride-to-be | 0:03:04 | 0:03:05 | |
to lay eyes on each other for the very first time. | 0:03:05 | 0:03:08 | |
HE YELLS | 0:03:10 | 0:03:11 | |
Oh, switch it off, switch it off! | 0:03:11 | 0:03:13 | |
Was ist los? | 0:03:13 | 0:03:14 | |
Oh, she looks like a horse. | 0:03:14 | 0:03:16 | |
I'm going to kill that Holbein | 0:03:16 | 0:03:17 | |
when I get my hands on him. | 0:03:17 | 0:03:19 | |
But...how do I get out of here? | 0:03:19 | 0:03:21 | |
So what does the future hold for Henry and Anne? | 0:03:21 | 0:03:24 | |
Well, it looks like I'm going to have to marry her, | 0:03:24 | 0:03:26 | |
as agreed, for "political reasons". | 0:03:26 | 0:03:29 | |
HE CLEARS HIS THROAT | 0:03:29 | 0:03:30 | |
I'll give it six months, I'll get it annulled | 0:03:30 | 0:03:32 | |
and then move on to my fifth wife. | 0:03:32 | 0:03:35 | |
Was? | 0:03:35 | 0:03:36 | |
I said I love you very much. | 0:03:36 | 0:03:40 | |
Oh, ich liebe dich auch. | 0:03:40 | 0:03:43 | |
She has hay in her teeth. | 0:03:45 | 0:03:46 | |
Seriously, I think she's been eating hay. | 0:03:46 | 0:03:49 | |
Another Tudor who was no oil painting was Elizabeth I. | 0:03:49 | 0:03:52 | |
She had flattering portraits too, | 0:03:52 | 0:03:54 | |
but it still didn't make her lucky in love. | 0:03:54 | 0:03:56 | |
Might have been something to do with her temper. | 0:03:56 | 0:03:59 | |
Walsingham, what happened to you? | 0:04:02 | 0:04:04 | |
The Queen threw a slipper at me... again! | 0:04:04 | 0:04:07 | |
Oh, what did you do this time? | 0:04:07 | 0:04:09 | |
I told her she had a short temper. | 0:04:09 | 0:04:11 | |
Oh, you idiot, you know that makes her angry! | 0:04:11 | 0:04:13 | |
I know. Have you finished her portrait yet? | 0:04:13 | 0:04:16 | |
Oh, well, it's getting there, but I'm petrified - | 0:04:16 | 0:04:18 | |
what if she doesn't like it? | 0:04:18 | 0:04:20 | |
-You'd better hope she's in a good mood. -Is she ever? | 0:04:20 | 0:04:23 | |
-No. -'Where's my portrait!?' | 0:04:23 | 0:04:25 | |
Oh, I can't look! | 0:04:26 | 0:04:29 | |
It's grotesque! | 0:04:29 | 0:04:31 | |
The hideous nose, rotten teeth and pockmarked skin. | 0:04:31 | 0:04:36 | |
Walsingham, have that man relieved of the burden of his head. | 0:04:36 | 0:04:40 | |
Ma'am, you're looking into a mirror. | 0:04:40 | 0:04:42 | |
Oh! | 0:04:42 | 0:04:44 | |
This is the portrait. | 0:04:44 | 0:04:45 | |
Ah. | 0:04:45 | 0:04:47 | |
Petite nose, perfect teeth, porcelain skin, | 0:04:47 | 0:04:52 | |
why, however, did you manage to capture my good looks? | 0:04:52 | 0:04:55 | |
Well, m'lady, I just did an exact copy | 0:04:55 | 0:04:57 | |
of the only portrait you've ever liked. | 0:04:57 | 0:05:00 | |
As per your orders. | 0:05:00 | 0:05:01 | |
Splendid. | 0:05:01 | 0:05:02 | |
Do me another and see if you can capture my regal beauty again. | 0:05:02 | 0:05:06 | |
I think it looks nothing like her. | 0:05:10 | 0:05:12 | |
I heard that. | 0:05:12 | 0:05:13 | |
Love in the Middle Ages wasn't much prettier. | 0:05:19 | 0:05:22 | |
William the Conqueror, for instance, was a big bully | 0:05:22 | 0:05:25 | |
who thought violence was an acceptable way to woo a woman. | 0:05:25 | 0:05:28 | |
I don't know what's wrong with a few nice flowers. | 0:05:28 | 0:05:31 | |
Oh, lovely. | 0:05:31 | 0:05:33 | |
He was the vicious, arrogant Norman Duke | 0:05:34 | 0:05:36 | |
who would one day rule England. | 0:05:36 | 0:05:38 | |
Oh, really? Good, I like England, | 0:05:38 | 0:05:41 | |
apart from the weather. | 0:05:41 | 0:05:43 | |
Oh, and the food, and the people, mm-hm. | 0:05:43 | 0:05:46 | |
She was the beautiful granddaughter | 0:05:46 | 0:05:48 | |
of the French King. | 0:05:48 | 0:05:50 | |
Grandpapa, can I have a pony? | 0:05:50 | 0:05:52 | |
Yes, have a hundred ponies. | 0:05:52 | 0:05:54 | |
I love you, Grandpapa. | 0:05:54 | 0:05:55 | |
And when William asked for her hand in marriage, | 0:05:55 | 0:05:58 | |
there was only ever going to be one answer. | 0:05:58 | 0:06:01 | |
No way. I'm way too posh for that stinky Duke William. | 0:06:01 | 0:06:04 | |
I'm going to marry, like, a Prince or something. | 0:06:04 | 0:06:07 | |
But William wouldn't take "non" for an answer. | 0:06:07 | 0:06:10 | |
He set off on a journey to win the heart of the beautiful princess. | 0:06:10 | 0:06:14 | |
Stand up. | 0:06:14 | 0:06:16 | |
I am standing up. | 0:06:16 | 0:06:17 | |
Wow, you're very small. | 0:06:17 | 0:06:20 | |
Yeah, I'm, like, four foot. What do you want? | 0:06:20 | 0:06:23 | |
I want you to marry me. | 0:06:23 | 0:06:25 | |
I will NEVER marry you. | 0:06:25 | 0:06:27 | |
Hm, we'll see about that. | 0:06:27 | 0:06:29 | |
Duke William used all his charm to make Matilda fall in love with him. | 0:06:29 | 0:06:33 | |
Marry me? | 0:06:33 | 0:06:35 | |
No! | 0:06:35 | 0:06:36 | |
Marry me? | 0:06:38 | 0:06:40 | |
No. | 0:06:40 | 0:06:41 | |
Marry me? | 0:06:43 | 0:06:45 | |
OK. | 0:06:45 | 0:06:46 | |
Great. | 0:06:46 | 0:06:47 | |
Hey, woo, woo, woo! Now, hang on a minute. What was all that about? | 0:06:47 | 0:06:51 | |
-All what? -All that! You pulling her hair | 0:06:51 | 0:06:53 | |
and pushing her in the mud and stuff? | 0:06:53 | 0:06:55 | |
Well, it's just what happened, she said no, so I pulled her hair | 0:06:55 | 0:06:58 | |
and then I pushed her in the mud and... | 0:06:58 | 0:07:00 | |
But you can't do that. | 0:07:00 | 0:07:01 | |
Yeah, yeah, I know, it was terrible, | 0:07:01 | 0:07:03 | |
but actually, he turned out to be a really good husband. | 0:07:03 | 0:07:05 | |
-Yeah, we were together 30 years. -We had 11 beautiful children. | 0:07:05 | 0:07:09 | |
Yeah, but it's kinda... but I, er, you... | 0:07:09 | 0:07:12 | |
BOTH: What? | 0:07:12 | 0:07:13 | |
Ah, forget it! | 0:07:13 | 0:07:15 | |
So where were we? | 0:07:15 | 0:07:17 | |
Coming soon to a cinema near you, | 0:07:17 | 0:07:19 | |
Mud And Matilda, a tale of loving... | 0:07:19 | 0:07:21 | |
and shoving. | 0:07:21 | 0:07:23 | |
Oi, I already said yes. | 0:07:23 | 0:07:25 | |
Oh, sorry, my bad. | 0:07:25 | 0:07:28 | |
Rated unreasonable. | 0:07:30 | 0:07:32 | |
It wasn't just royals who had a rough time in the romance stakes. | 0:07:32 | 0:07:37 | |
All Middle Ages weddings were really quite odd. | 0:07:37 | 0:07:40 | |
This week in My Middle Ages Wedding Magazine, | 0:07:40 | 0:07:43 | |
everything you need | 0:07:43 | 0:07:45 | |
for an unforgettable day. | 0:07:45 | 0:07:46 | |
Read our top Middle Ages bridal makeover tips. | 0:07:46 | 0:07:49 | |
How to stop your hair growing using ant eggs. | 0:07:49 | 0:07:52 | |
And how to get rid of those annoying freckles | 0:07:52 | 0:07:54 | |
with a mixture of hare's blood and swallow's eyes. | 0:07:54 | 0:07:57 | |
And our experts test out a variety of wedding cakes, | 0:07:57 | 0:08:00 | |
so you don't have to. | 0:08:00 | 0:08:01 | |
SHE YELLS | 0:08:01 | 0:08:03 | |
If the cake's too heavy, it'll hurt the bride when it's thrown at her. | 0:08:03 | 0:08:06 | |
What about that one? | 0:08:06 | 0:08:07 | |
Ah-hah! Bruised, but no permanent damage, so it's perfect! | 0:08:07 | 0:08:14 | |
And don't miss this week's special feature. | 0:08:14 | 0:08:16 | |
Real Middle Ages brides give you tips on sorting out | 0:08:16 | 0:08:18 | |
that troublesome guest list. | 0:08:18 | 0:08:20 | |
I had a total nightmare trying to work out how to squeeze | 0:08:20 | 0:08:23 | |
all of our guests into the venue. | 0:08:23 | 0:08:25 | |
But then half of them died of the plague. Brilliant. | 0:08:25 | 0:08:28 | |
That's all in My Middle Ages Wedding Magazine. | 0:08:28 | 0:08:30 | |
I always dreamed of having a perfect Middle Ages wedding, | 0:08:30 | 0:08:33 | |
kissing my husband over a pile of bread and cakes | 0:08:33 | 0:08:36 | |
and having sawdust thrown at me, and it's all come true. | 0:08:36 | 0:08:39 | |
Thanks to my Middle Ages Wedding Magazine. | 0:08:39 | 0:08:42 | |
Free bag of sawdust with every copy. | 0:08:42 | 0:08:44 | |
They say love hurts. Well, it does if you're a Roman leader | 0:08:50 | 0:08:54 | |
and you fall for Egyptian Queen, Cleopatra. | 0:08:54 | 0:08:57 | |
She could be trouble, oh, yes. | 0:08:57 | 0:08:59 | |
Mark Antony has accepted me as a friend on Mummy-bo. | 0:09:04 | 0:09:08 | |
Excellent! | 0:09:08 | 0:09:10 | |
Thanks for the ad, smiley hieroglyphic. | 0:09:10 | 0:09:14 | |
RINGING | 0:09:14 | 0:09:15 | |
Huh, it's him. | 0:09:15 | 0:09:16 | |
Hail, Queen Cleopatra! | 0:09:18 | 0:09:20 | |
Hail yourself. | 0:09:20 | 0:09:22 | |
Yeah, I was just looking at your Mummy-bo profile | 0:09:22 | 0:09:25 | |
and I couldn't help but notice | 0:09:25 | 0:09:26 | |
you haven't got many friends. | 0:09:26 | 0:09:27 | |
Yeah, well, I did have my sister, | 0:09:27 | 0:09:29 | |
Pharaoh Cleopatra VI, | 0:09:29 | 0:09:30 | |
but she died in suspicious circumstances. | 0:09:30 | 0:09:33 | |
And my other sister, Pharaoh Berenice IV, | 0:09:33 | 0:09:36 | |
but she was executed. | 0:09:36 | 0:09:38 | |
Then, there were my half brothers, | 0:09:38 | 0:09:40 | |
Pharaoh Ptolemy XIII, drowned, | 0:09:40 | 0:09:43 | |
and Pharaoh Ptolemy XIV, poisoned. | 0:09:43 | 0:09:45 | |
Sounds like being on the throne in Egypt | 0:09:45 | 0:09:48 | |
is a pretty dangerous job, Cleo. | 0:09:48 | 0:09:50 | |
Do you never get scared? | 0:09:50 | 0:09:51 | |
SHE LAUGHS | 0:09:51 | 0:09:53 | |
Oh, no, no, no, no, I'll be fine, | 0:09:53 | 0:09:54 | |
I just need a powerful Roman to stand alongside me. | 0:09:54 | 0:09:57 | |
What, like Caesar? Didn't you date him? | 0:09:57 | 0:10:00 | |
Yeah. | 0:10:00 | 0:10:01 | |
And now he's dead. | 0:10:01 | 0:10:02 | |
Yeah. | 0:10:02 | 0:10:03 | |
Er, er, about that, there's now a vacancy, | 0:10:03 | 0:10:06 | |
so do you want to go out with me? | 0:10:06 | 0:10:08 | |
No. | 0:10:08 | 0:10:09 | |
Oh, please, please, please, please, please. | 0:10:09 | 0:10:11 | |
I'll put you on my top-ten friends list. | 0:10:11 | 0:10:13 | |
Oh, OK. In for a denarius, | 0:10:13 | 0:10:15 | |
in for a sestertius. | 0:10:15 | 0:10:17 | |
HE CHUCKLES | 0:10:17 | 0:10:19 | |
More like a top-two friends list. | 0:10:19 | 0:10:21 | |
Who's this other one? | 0:10:21 | 0:10:22 | |
Oh, yeah, that's my sister, Arsinoe. | 0:10:22 | 0:10:24 | |
At last, a member of your family who isn't dead? | 0:10:24 | 0:10:27 | |
Hm, about that. | 0:10:27 | 0:10:29 | |
Cleo... | 0:10:29 | 0:10:30 | |
Yeah, the thing is she's the last threat to my throne. | 0:10:30 | 0:10:34 | |
So I need to have Arsinoe killed. | 0:10:34 | 0:10:36 | |
You don't mind if I put your name on the assassination warrant, do you? | 0:10:36 | 0:10:39 | |
Um...? | 0:10:39 | 0:10:40 | |
-Please, please, please, please, please? -Oh, OK. | 0:10:40 | 0:10:43 | |
There we go! Nasty business, | 0:10:44 | 0:10:47 | |
but had to be done. | 0:10:47 | 0:10:49 | |
Now you and me can rule the Egyptian Empire in peace. | 0:10:49 | 0:10:52 | |
Right, great. | 0:10:52 | 0:10:53 | |
BEEP | 0:10:53 | 0:10:54 | |
Oh! Oh, what was that noise? | 0:10:54 | 0:10:56 | |
Did something go wrong? | 0:10:56 | 0:10:58 | |
Oh, yeah, | 0:10:58 | 0:10:59 | |
it says there's a problem with the transaction. | 0:10:59 | 0:11:02 | |
I probably just need to update my Papyrus Pal account. | 0:11:02 | 0:11:05 | |
-Oh. -What...what is it? | 0:11:06 | 0:11:09 | |
Yeah, turns out Arsinoe was on the steps of the sacred temple | 0:11:09 | 0:11:12 | |
when you murdered her. | 0:11:12 | 0:11:14 | |
When I murdered her? | 0:11:14 | 0:11:15 | |
Rome is up in arms. We're in big trouble. | 0:11:15 | 0:11:18 | |
What are we going to do? | 0:11:18 | 0:11:20 | |
Well, if we want to die with dignity, | 0:11:20 | 0:11:22 | |
we'll have to kill ourselves before the Roman Army get to us. | 0:11:22 | 0:11:25 | |
What! Oh, this is most inconvenient. | 0:11:25 | 0:11:29 | |
Oh, well, I suppose. | 0:11:29 | 0:11:31 | |
No, no, no, wait, I suppose we could pretend to kill ourselves | 0:11:31 | 0:11:34 | |
and then just hide. | 0:11:34 | 0:11:35 | |
Oh, oh, now you tell me, Cleo, | 0:11:35 | 0:11:38 | |
you are literally the worst girlfriend I've ever had | 0:11:38 | 0:11:41 | |
and I've had some shockers. | 0:11:41 | 0:11:43 | |
Urgh. | 0:11:43 | 0:11:45 | |
Right... | 0:11:45 | 0:11:47 | |
Looks like I'll have to do the same then. | 0:11:47 | 0:11:50 | |
Er, phew. | 0:11:50 | 0:11:52 | |
I'll get a poisonous snake to bite me, | 0:11:52 | 0:11:54 | |
I mean, that's quite a regal way to go. | 0:11:54 | 0:11:56 | |
An asp! | 0:11:56 | 0:11:58 | |
Perfect. | 0:11:58 | 0:12:00 | |
How much? | 0:12:00 | 0:12:01 | |
20 bronze coins for packaging? | 0:12:01 | 0:12:05 | |
Well, I suppose it is quite a long tube. | 0:12:05 | 0:12:08 | |
It's... | 0:12:14 | 0:12:15 | |
false. | 0:12:15 | 0:12:16 | |
And when she died, he even made her into a goddess. | 0:12:21 | 0:12:23 | |
But not all Roman Emperors made such good husbands. | 0:12:23 | 0:12:27 | |
New from HH Pictures. | 0:12:27 | 0:12:29 | |
I now pronounce you Emperor and wife, | 0:12:29 | 0:12:32 | |
Emperor Nero, you may kiss the bride. | 0:12:32 | 0:12:35 | |
You lucky, lucky thing. | 0:12:35 | 0:12:37 | |
He was the man who had everything. | 0:12:37 | 0:12:41 | |
-Land. -I love you. | 0:12:41 | 0:12:43 | |
-Power. -Hail me. | 0:12:43 | 0:12:46 | |
Grapes. | 0:12:46 | 0:12:48 | |
A lot of grapes. | 0:12:48 | 0:12:50 | |
And the woman of his dreams. | 0:12:50 | 0:12:53 | |
I love you, darling. | 0:12:53 | 0:12:54 | |
I don't blame you. | 0:12:54 | 0:12:55 | |
Then, one day, possibly while shopping for grapes... | 0:12:55 | 0:12:58 | |
I'm not paying for these. My Empire, my rules. | 0:12:58 | 0:13:01 | |
..Nero met the woman of his dreams. | 0:13:01 | 0:13:04 | |
Yes, another one. | 0:13:05 | 0:13:08 | |
Who is that? | 0:13:08 | 0:13:09 | |
Do you want to go out with me? | 0:13:10 | 0:13:12 | |
Won't your wife mind? | 0:13:12 | 0:13:14 | |
I shouldn't think so. Do you mind? | 0:13:14 | 0:13:16 | |
Yes, I mind. | 0:13:16 | 0:13:18 | |
Hm, you can never second-guess these things. | 0:13:19 | 0:13:21 | |
But Nero was prepared to do anything to be with the woman he loved. | 0:13:21 | 0:13:25 | |
No, no, the other one. | 0:13:25 | 0:13:27 | |
Yeah, yeah, that one there. | 0:13:29 | 0:13:30 | |
I need a sign, something to show that you love me now, not her. | 0:13:32 | 0:13:36 | |
Right, well, something more than grapes, | 0:13:36 | 0:13:38 | |
because I've got loads of grapes. | 0:13:38 | 0:13:41 | |
Yes, something more than grapes. | 0:13:41 | 0:13:43 | |
Right. | 0:13:43 | 0:13:45 | |
Er... | 0:13:45 | 0:13:47 | |
This summer, one Emperor will prove that love is a gift. | 0:13:47 | 0:13:52 | |
Darling, it's just what I wanted. | 0:13:52 | 0:13:55 | |
Your wife's severed head in a basket. | 0:13:55 | 0:13:58 | |
Coming soon, the film that puts the Roman in romantic comedy. | 0:13:58 | 0:14:03 | |
You would never cut off my head and put it in a basket, would you? | 0:14:03 | 0:14:06 | |
Baby, of course not. | 0:14:06 | 0:14:07 | |
-I'm going to have you kicked to death. -What! | 0:14:08 | 0:14:11 | |
Ssh, nothing. | 0:14:11 | 0:14:12 | |
Love You To Death. | 0:14:12 | 0:14:15 | |
Based on a true story. | 0:14:15 | 0:14:16 | |
Rated even more unreasonable. | 0:14:16 | 0:14:18 | |
Well, so far, we've met some of the worst love rats in history. | 0:14:18 | 0:14:24 | |
Where does that expression "love rats" come from? | 0:14:24 | 0:14:27 | |
I mean, as if being a rat could ever be a bad thing. | 0:14:27 | 0:14:30 | |
Anyway, that lot did all do | 0:14:30 | 0:14:32 | |
some pretty shocking things in the name of romance. | 0:14:32 | 0:14:36 | |
# I'm Henry VIII, as you know | 0:14:45 | 0:14:48 | |
# I'm the king who married six | 0:14:48 | 0:14:50 | |
# But I'm not what you call a romantic though | 0:14:50 | 0:14:53 | |
# In fact, in love I was the pits | 0:14:53 | 0:14:56 | |
# Kath and Jane and Cath all ended up divorced or dead | 0:14:56 | 0:15:01 | |
# I'm just the same | 0:15:01 | 0:15:02 | |
# Nero's the name | 0:15:02 | 0:15:03 | |
# Killed the wife | 0:15:03 | 0:15:05 | |
# Sent my girlfriend the gift of her head | 0:15:05 | 0:15:07 | |
# Then Poppaea met a bad end | 0:15:07 | 0:15:09 | |
# Kicked and beaten I'm the worst boyfriend | 0:15:09 | 0:15:12 | |
# That's what I was doing | 0:15:12 | 0:15:13 | |
# When I was wooing my wife Matilda | 0:15:13 | 0:15:15 | |
# What? I never killed her! | 0:15:15 | 0:15:17 | |
# Love rats | 0:15:17 | 0:15:19 | |
# I only married once Shouldn't be in the song | 0:15:19 | 0:15:22 | |
# Love rats | 0:15:22 | 0:15:24 | |
# William the Conqueror You are wrong | 0:15:24 | 0:15:27 | |
# It wasn't just men | 0:15:27 | 0:15:29 | |
# Some rats were wonderfully pretty | 0:15:29 | 0:15:32 | |
# I'm Cleopatra | 0:15:32 | 0:15:34 | |
# Loved a match that offered power | 0:15:34 | 0:15:37 | |
# Married one brother, he died | 0:15:37 | 0:15:39 | |
# I wed another, but he wasn't the one for me | 0:15:39 | 0:15:42 | |
# Julius Caesar My next romantic squeeze | 0:15:42 | 0:15:45 | |
# Ended up with Mark Antony | 0:15:45 | 0:15:48 | |
# His death was your fault As I recall | 0:15:48 | 0:15:50 | |
# Didn't mean for that to happen at all | 0:15:50 | 0:15:53 | |
# Still think I shouldn't be here I held my wife dear | 0:15:53 | 0:15:56 | |
# After you'd bullied her I'd say it's fully fair | 0:15:56 | 0:15:59 | |
# Ba, ba, ba, ba, ba, ba Ba, ba, ba, ba, ba, ba, ba | 0:15:59 | 0:16:04 | |
# Ba, ba Ba, ba, ba, ba, ba, ba, ba Ba, ba, ba, ba, ba, ba, ba, ba | 0:16:04 | 0:16:09 | |
# Love rats | 0:16:09 | 0:16:11 | |
# Who are you? You don't look bad | 0:16:11 | 0:16:14 | |
# Love rats | 0:16:14 | 0:16:16 | |
# Edward VIII, 20th-century lad | 0:16:16 | 0:16:19 | |
# Edward VIII? | 0:16:19 | 0:16:20 | |
# Now, there's no debate | 0:16:20 | 0:16:22 | |
# You really shouldn't be here | 0:16:22 | 0:16:23 | |
# I do agree Though love conquered me | 0:16:23 | 0:16:27 | |
# Abdicated the throne for Wallis Simpson dear | 0:16:27 | 0:16:29 | |
# Love rats | 0:16:29 | 0:16:32 | |
# Wallis divorced So I was forced to pick | 0:16:32 | 0:16:34 | |
# Love rats | 0:16:34 | 0:16:36 | |
# Between love and crown | 0:16:36 | 0:16:38 | |
# You chose love, that's sick! | 0:16:38 | 0:16:40 | |
# Love rats | 0:16:40 | 0:16:42 | |
# Was a national crisis when I stepped down as King | 0:16:42 | 0:16:45 | |
# Love rats | 0:16:45 | 0:16:47 | |
# Moonlight and roses Not really our thing. # | 0:16:47 | 0:16:50 | |
What could be more romantic than helping your beloved | 0:16:56 | 0:16:59 | |
to escape from the Tower of London? | 0:16:59 | 0:17:00 | |
This is the story of Lord Nithsdale and his ever so clever wife! | 0:17:00 | 0:17:05 | |
A locked door, a prison cell | 0:17:06 | 0:17:09 | |
and a desperate prisoner hellbent on breaking out. | 0:17:09 | 0:17:13 | |
That can only mean one thing. | 0:17:13 | 0:17:14 | |
You're watching History's Greatest Escapes! | 0:17:14 | 0:17:18 | |
I'm Gary Chubb and I've come all the way to the year 1716 | 0:17:21 | 0:17:24 | |
in the Georgian era to witness an escape so audacious... | 0:17:24 | 0:17:28 | |
SNORING ..so dramatic, so breathtaking... | 0:17:28 | 0:17:31 | |
Sorry, can we wake him up, please? | 0:17:31 | 0:17:33 | |
It's just completely going against what I'm doing. | 0:17:34 | 0:17:38 | |
So, Lord Nithsdale. | 0:17:41 | 0:17:42 | |
Tell us how you ended up imprisoned here in the Tower of London? | 0:17:42 | 0:17:46 | |
Well, I was involved in the Jacobite Risings | 0:17:46 | 0:17:48 | |
trying to return the Stuart blood line to the English throne. | 0:17:48 | 0:17:51 | |
But I was captured, and King George, | 0:17:51 | 0:17:53 | |
who is really touchy about people trying to kill him, | 0:17:53 | 0:17:56 | |
threw me in the Tower. | 0:17:56 | 0:17:57 | |
I'm due to be executed tomorrow. | 0:17:57 | 0:17:59 | |
So what were you thinking, escape-wise? | 0:17:59 | 0:18:01 | |
A frontal assault on the guards, | 0:18:01 | 0:18:03 | |
levering out the window bars or the classic tunnel under the wall thing? | 0:18:03 | 0:18:07 | |
None of the above. | 0:18:07 | 0:18:09 | |
This is the Tower of London. Escape's impossible. | 0:18:09 | 0:18:12 | |
I thought I'd just have a nice chicken dinner, | 0:18:12 | 0:18:14 | |
a wee sleep and then... | 0:18:14 | 0:18:16 | |
Right. | 0:18:16 | 0:18:18 | |
Yeah, it's just, um, someone from our show spoke to your wife | 0:18:18 | 0:18:20 | |
and she assured us there'd be an exciting escape attempt. | 0:18:20 | 0:18:23 | |
Also I've cut short a holiday in France for this. | 0:18:23 | 0:18:26 | |
You've got five minutes. | 0:18:26 | 0:18:28 | |
-Darling. -Snookums! | 0:18:30 | 0:18:32 | |
Sorry, I'm Winifred, his wife. | 0:18:32 | 0:18:36 | |
Oh, right, so the escape attempt's still on, yeah? | 0:18:36 | 0:18:38 | |
-Oh, yes. -Great, so what are we thinking? | 0:18:38 | 0:18:41 | |
Blow down this wall and let loose your secret Ninjas | 0:18:41 | 0:18:44 | |
on the panicked guard | 0:18:44 | 0:18:45 | |
while you two leap 200 feet into the icy river below, yeah? | 0:18:45 | 0:18:49 | |
No, I'm dressing him as a woman. | 0:18:49 | 0:18:51 | |
Right. | 0:18:51 | 0:18:52 | |
There is a show called World's Stupidest Escapes. | 0:18:52 | 0:18:55 | |
-I can give you their number, if you like. -Ladies, get to work. | 0:18:55 | 0:18:57 | |
You see, I told the guards that my friends and I wanted to come | 0:18:57 | 0:19:00 | |
and say goodbye to my husband, banking on them | 0:19:00 | 0:19:03 | |
not counting how many of us came into the cell. | 0:19:03 | 0:19:05 | |
Oh, corset. Oh! | 0:19:05 | 0:19:07 | |
Then we dress him up as a woman, | 0:19:07 | 0:19:08 | |
then we sneak him out in the middle | 0:19:08 | 0:19:10 | |
of the group, just like he's one of the girls. | 0:19:10 | 0:19:12 | |
You look lovely, snookums. | 0:19:14 | 0:19:16 | |
I look ridiculous. | 0:19:16 | 0:19:17 | |
Watch this. | 0:19:17 | 0:19:19 | |
SHE KNOCKS ON THE DOOR | 0:19:21 | 0:19:22 | |
See you later. | 0:19:25 | 0:19:27 | |
All right, so, your husband's clear of the Tower, | 0:19:31 | 0:19:34 | |
but how are you going to get out? | 0:19:34 | 0:19:36 | |
Easy. Er... | 0:19:36 | 0:19:37 | |
SHE COUGHS | 0:19:37 | 0:19:38 | |
-IN A MAN'S VOICE: -Anyway, I think I need to be alone now | 0:19:38 | 0:19:40 | |
so I can do a nice wee pray. | 0:19:40 | 0:19:43 | |
-IN HER VOICE: -I understand completely, my lover. | 0:19:43 | 0:19:45 | |
Um, see you in the next life, bye. | 0:19:45 | 0:19:48 | |
We've said our goodbyes, but I beg you, | 0:19:57 | 0:20:00 | |
please don't disturb my husband's final prayers. | 0:20:00 | 0:20:02 | |
Yes, of course, Countess Nithsdale. | 0:20:02 | 0:20:04 | |
Thanks. | 0:20:04 | 0:20:06 | |
Wow. | 0:20:06 | 0:20:08 | |
Well, it didn't sound like much of a plan, but what an escape that was. | 0:20:08 | 0:20:12 | |
Next time, on History's Greatest Escapes, I'll be in the Middle Ages | 0:20:15 | 0:20:19 | |
with Matilda, daughter of Henry I, who'll be trying to escape | 0:20:19 | 0:20:22 | |
from Oxford Castle in a snowstorm, by wearing nothing but white. | 0:20:22 | 0:20:27 | |
Yeah, pretty cool. | 0:20:27 | 0:20:29 | |
I'll see you then. | 0:20:29 | 0:20:31 | |
If I can work out how to get out of this Tower. No probs. | 0:20:31 | 0:20:35 | |
HE KNOCKS ON THE DOOR | 0:20:35 | 0:20:36 | |
-Yeah, excuse me, can you let me out, please? -Shut up, Nithsdale. | 0:20:36 | 0:20:38 | |
No, I'm not Nithsdale. | 0:20:38 | 0:20:40 | |
Yeah, right. Do you think we're all stupid or something? | 0:20:40 | 0:20:43 | |
I'm from the television! | 0:20:43 | 0:20:44 | |
Can you let me out please? I'm from the television! | 0:20:44 | 0:20:47 | |
Oh, Ratterly. | 0:20:53 | 0:20:54 | |
You smell absolutely awful. | 0:20:56 | 0:20:59 | |
SHE CRIES | 0:20:59 | 0:21:00 | |
No, Ratterly, Ratterly, I mean awful in a good way, eh. | 0:21:00 | 0:21:04 | |
Oh! | 0:21:04 | 0:21:05 | |
Girlfriends can be quick to take offence in Victorian Times as well. | 0:21:06 | 0:21:11 | |
So I just left the pheasant where it was and shot Mr Harrington instead. | 0:21:11 | 0:21:15 | |
THEY LAUGH | 0:21:15 | 0:21:18 | |
Oh, Mr Darbly, I've never known such a great wit. | 0:21:18 | 0:21:20 | |
Oh, you're too kind. | 0:21:20 | 0:21:22 | |
Well, this looks as good a spot as any. | 0:21:22 | 0:21:24 | |
Oh, yes, it's perfect. | 0:21:24 | 0:21:26 | |
I must say, Miss Pennywhistle, | 0:21:26 | 0:21:28 | |
you really are the most pleasant of company. | 0:21:28 | 0:21:30 | |
Charming of character, bright of mind | 0:21:30 | 0:21:33 | |
and with as pretty a smile as I have ever... | 0:21:33 | 0:21:37 | |
I've never known such rudeness. | 0:21:37 | 0:21:38 | |
What the...? | 0:21:38 | 0:21:40 | |
Sitting next to a lady in the countryside is entirely improper, | 0:21:40 | 0:21:43 | |
the very height of Victorian rudeness. | 0:21:43 | 0:21:45 | |
I'm sorry. | 0:21:45 | 0:21:46 | |
Perhaps this humble sandwich would serve by way of an apology? | 0:21:46 | 0:21:51 | |
Perhaps. | 0:21:51 | 0:21:53 | |
What, pray tell, is in the sandwich? | 0:21:53 | 0:21:55 | |
Cheese and onion. | 0:21:55 | 0:21:56 | |
Rudeness that cannot be counted on one's fingers | 0:21:57 | 0:22:00 | |
or measured in one's heart. | 0:22:00 | 0:22:02 | |
What now? | 0:22:02 | 0:22:03 | |
Cheese and onion! | 0:22:03 | 0:22:04 | |
Mr Darbly, there is nothing more rude in polite Victorian society | 0:22:04 | 0:22:08 | |
than for a man to smell of onion. | 0:22:08 | 0:22:10 | |
Yes, of course. | 0:22:10 | 0:22:12 | |
Well, happily, there are plenty of non-onion-based delights | 0:22:12 | 0:22:16 | |
within the hamper. | 0:22:16 | 0:22:17 | |
I'll just attend to this slight nose bleed you appear to have caused | 0:22:17 | 0:22:20 | |
and I'll... Oh, wow. | 0:22:20 | 0:22:21 | |
Rudeness beyond human comprehension. | 0:22:21 | 0:22:24 | |
Come on. | 0:22:24 | 0:22:25 | |
Blowing your nose in public is the very height of bad manners. | 0:22:25 | 0:22:29 | |
As it would seem are most things, Miss Pennywhistle. | 0:22:29 | 0:22:32 | |
May I ask where polite Victorian society stands on apple pie? | 0:22:32 | 0:22:36 | |
Apple pie? | 0:22:38 | 0:22:39 | |
Is it considered discourteous, offensive or uncultured? | 0:22:39 | 0:22:43 | |
Well...no. | 0:22:43 | 0:22:45 | |
Is it rude, ill-mannered, improper or indiscreet? | 0:22:45 | 0:22:49 | |
I...I don't believe so, no. | 0:22:49 | 0:22:51 | |
So just to clarify, you have no objection whatsoever to apple pie? | 0:22:51 | 0:22:55 | |
No, of course not. | 0:22:55 | 0:22:57 | |
Good. | 0:22:57 | 0:22:58 | |
And just be thankful I forgot the cream. | 0:23:01 | 0:23:04 | |
Well, he's the rudest man I've ever met. | 0:23:06 | 0:23:08 | |
But he sure can bake. | 0:23:11 | 0:23:13 | |
Communication in Victorian times could be very fragrant, | 0:23:13 | 0:23:17 | |
if you knew the code. | 0:23:17 | 0:23:19 | |
Lady Penelope, we've been courting for ten years now | 0:23:19 | 0:23:24 | |
and there's something I must say to you as a matter of urgency. | 0:23:24 | 0:23:28 | |
Yes, Lord Percival, say it and say it now | 0:23:28 | 0:23:31 | |
for if my heart beats any faster, I will surely faint. | 0:23:31 | 0:23:35 | |
-I... -Yes? | 0:23:35 | 0:23:37 | |
-I... -Yes? | 0:23:37 | 0:23:39 | |
-I... -Yes?! | 0:23:39 | 0:23:41 | |
Lost for words, then why not say it with flowers? | 0:23:41 | 0:23:45 | |
With the new Victorian floral messaging system, | 0:23:45 | 0:23:48 | |
you can literally say it with flowers | 0:23:48 | 0:23:51 | |
because each flower means a different thing, yeah. | 0:23:51 | 0:23:53 | |
A red tulip means "I love you." | 0:23:53 | 0:23:56 | |
A forget-me-not means "true love". | 0:23:56 | 0:23:58 | |
A cactus flower means | 0:23:58 | 0:24:00 | |
"I really love you." | 0:24:00 | 0:24:01 | |
Whatever you need to say, say it with flowers, hm? | 0:24:01 | 0:24:04 | |
Do you by any chance have one that means, "I love someone else"? | 0:24:04 | 0:24:07 | |
And another one that means "and it's your best friend". | 0:24:07 | 0:24:10 | |
I can do you a hyacinth. | 0:24:10 | 0:24:12 | |
"I'm sorry, will you forgive me?" | 0:24:12 | 0:24:14 | |
I'll take all you've got. | 0:24:14 | 0:24:15 | |
Or for you, an orange lily. | 0:24:15 | 0:24:17 | |
"I hate you!" | 0:24:17 | 0:24:19 | |
Just give me the cactus. | 0:24:19 | 0:24:20 | |
-Ah! -You! | 0:24:20 | 0:24:22 | |
Whatever you need to say, | 0:24:22 | 0:24:23 | |
say it with flowers. | 0:24:23 | 0:24:25 | |
With the new Victorian floral messaging system. | 0:24:25 | 0:24:28 | |
Well, I think I got that message. | 0:24:29 | 0:24:32 | |
Anyone got any tweezers? | 0:24:32 | 0:24:34 | |
No, don't worry about me, you're never really on your own | 0:24:36 | 0:24:40 | |
when you've got a thousand lice. | 0:24:40 | 0:24:42 | |
Time to wrap up this Ridiculous Romance Special | 0:24:42 | 0:24:44 | |
and what better way to do it than with history's greatest lovebirds. | 0:24:44 | 0:24:49 | |
Nah, this pair always brings a tear to my eye. | 0:24:49 | 0:24:53 | |
# For 40 years, I ruled alone | 0:25:00 | 0:25:03 | |
# Shed all those tears while on the throne | 0:25:03 | 0:25:06 | |
# What got me through the pain and hurt | 0:25:06 | 0:25:10 | |
# Was clinging to the memory of Albert | 0:25:10 | 0:25:13 | |
# I loved her so, my darling Vicky | 0:25:13 | 0:25:16 | |
# So much, you know almost made me sicky | 0:25:16 | 0:25:19 | |
# I was not liked in your country | 0:25:19 | 0:25:22 | |
# But who cares when I had her love for me | 0:25:22 | 0:25:27 | |
# Her love for me | 0:25:27 | 0:25:32 | |
# Oh, V and A Oh, A and V | 0:25:32 | 0:25:35 | |
# Each way still spells L-O-V-E | 0:25:35 | 0:25:38 | |
# Oh, A and V Oh, V and A | 0:25:38 | 0:25:41 | |
# There'll name a building after us one day | 0:25:41 | 0:25:47 | |
# In love from our first rendezvous | 0:25:52 | 0:25:55 | |
# As Queen, had to propose to you | 0:25:55 | 0:25:58 | |
# You were my rock in a crisis | 0:25:58 | 0:26:01 | |
# Like when someone tried to shoot you, but they missed | 0:26:01 | 0:26:05 | |
# We were a real celebrity pair | 0:26:05 | 0:26:08 | |
# Was first Queen Vic | 0:26:08 | 0:26:10 | |
-# First Albert -Square | 0:26:10 | 0:26:11 | |
# The press watched every smile and flirt | 0:26:11 | 0:26:14 | |
# Called us Alboria But I preferred Vicbert | 0:26:14 | 0:26:19 | |
# Or you can call me Al! | 0:26:19 | 0:26:23 | |
# Oh, Bert and Vic Oh, Vic and Bert | 0:26:24 | 0:26:27 | |
# Nine kids, great family advert | 0:26:27 | 0:26:30 | |
# Oh, Vic and Bert Oh, Bert and Vic | 0:26:30 | 0:26:33 | |
# Yet I found babies ugly | 0:26:33 | 0:26:36 | |
# Ironic... # | 0:26:36 | 0:26:38 | |
Urgh, my eyes! | 0:26:38 | 0:26:40 | |
# We set trends Started new traditions | 0:26:43 | 0:26:46 | |
# Christmas trees Wearing tartan with style | 0:26:46 | 0:26:49 | |
# Albert had the Great Exhibition | 0:26:49 | 0:26:53 | |
# Which made Great Britain Albert-o-phile... # | 0:26:53 | 0:26:58 | |
At last! | 0:26:58 | 0:26:59 | |
# Oh, Vic and Al Oh, Al and Vic | 0:26:59 | 0:27:03 | |
# You showed our kids love with your stick | 0:27:03 | 0:27:06 | |
# Oh, Al and Vic Oh, Vic and Al | 0:27:06 | 0:27:09 | |
# Ours was a truly grand affaire royale | 0:27:09 | 0:27:14 | |
# Then Albert died Which left just me | 0:27:19 | 0:27:22 | |
# Just V, no A No A, just V | 0:27:22 | 0:27:26 | |
# Oh, how I mourned my special pal | 0:27:26 | 0:27:30 | |
# I loved you, Vic | 0:27:30 | 0:27:31 | |
# I loved you, Al. # | 0:27:31 | 0:27:34 | |
# Tall tales, atrocious acts We gave you all the fearsome facts | 0:27:38 | 0:27:41 | |
# The ugly truth, no glam... # | 0:27:41 | 0:27:43 | |
Can't get enough of Horrible Histories? | 0:27:43 | 0:27:45 | |
Then go to the CBBC Website and click on the link. | 0:27:45 | 0:27:48 | |
See you there. | 0:27:48 | 0:27:49 | |
# The past is no longer a mystery | 0:27:49 | 0:27:52 | |
# Hope you enjoyed... | 0:27:52 | 0:27:53 | |
# Horrible Histories. # | 0:27:53 | 0:27:57 |