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Welcome to Hotel Trubble. Meet Sally, our receptionist. | 0:00:02 | 0:00:05 | |
Trying to have a conversation here. | 0:00:05 | 0:00:08 | |
And this is Lenny. He's a man of many talents. | 0:00:08 | 0:00:11 | |
This is Dolly, she's Mr Trubble's fiancee. | 0:00:12 | 0:00:16 | |
And this is Mrs Poshington, the new cleaner. | 0:00:17 | 0:00:20 | |
Which just leaves me, Jamie. I'm the bellboy. | 0:00:20 | 0:00:24 | |
# Hotel Trubble for ever | 0:00:24 | 0:00:27 | |
# It's the pits and we know we're stuck, but we love it | 0:00:27 | 0:00:32 | |
# Hotel Trubble for ever | 0:00:32 | 0:00:34 | |
# We're a team staying calm arm in arm | 0:00:34 | 0:00:37 | |
# So the hotel survives trubble, trubble | 0:00:37 | 0:00:41 | |
# Keep the hotel alive. # | 0:00:41 | 0:00:44 | |
Wow, I can't believe Jamie's pulled it off. | 0:00:46 | 0:00:49 | |
Jedward lookalikes Jim and Eleanor staying here at Hotel Trubble! | 0:00:49 | 0:00:54 | |
It's not Jim and Eleanor, it's Jeleanor. One word. | 0:00:54 | 0:00:57 | |
Jeleanor. | 0:00:57 | 0:00:59 | |
Like cheese and onion would be "chonion". | 0:00:59 | 0:01:03 | |
Or nice and easy would be "neasy". | 0:01:03 | 0:01:07 | |
Yeah, and chicken and chips would be chips. | 0:01:07 | 0:01:10 | |
Sort of, yeah. | 0:01:10 | 0:01:12 | |
I'm going to enjoy entertainment Thursday | 0:01:12 | 0:01:15 | |
almost as much as I enjoyed tidy-your-office Tuesday. | 0:01:15 | 0:01:18 | |
-Let's hope they don't cancel. -They won't. | 0:01:19 | 0:01:22 | |
PHONE RINGS | 0:01:22 | 0:01:24 | |
Jamie soon-to-be-manager after the success of entertainment Thursday. | 0:01:24 | 0:01:29 | |
BABBLING | 0:01:29 | 0:01:30 | |
What, sir? Yeah, OK. | 0:01:30 | 0:01:33 | |
That's great. All right, bye. | 0:01:33 | 0:01:36 | |
They've cancelled? | 0:01:37 | 0:01:38 | |
They've cancelled. | 0:01:38 | 0:01:40 | |
We just have to postpone entertainment Thursday. | 0:01:40 | 0:01:43 | |
But Mr Trubble is sending the potential investor | 0:01:43 | 0:01:46 | |
and this is the only Thursday he can do - we can't cancel. | 0:01:46 | 0:01:49 | |
We need a replacement like...now. | 0:01:49 | 0:01:51 | |
May I make a suggestion? | 0:01:51 | 0:01:54 | |
-I thought perhaps I could do my coin trick. -I'm not sure... | 0:01:54 | 0:01:58 | |
Just let me show you. | 0:01:58 | 0:02:00 | |
DRUM ROLL | 0:02:00 | 0:02:03 | |
Ta-dah! | 0:02:06 | 0:02:09 | |
It's not quite what we're looking for. | 0:02:13 | 0:02:16 | |
Jamie, I've got something. | 0:02:16 | 0:02:18 | |
-I can fit all 12 of my fingers inside my mouth. -Hang on, 12? | 0:02:18 | 0:02:23 | |
I know it sounds hard, but just watch this. | 0:02:23 | 0:02:26 | |
BONES CRACK | 0:02:26 | 0:02:28 | |
OK, here goes. One.. | 0:02:28 | 0:02:32 | |
Sorry, I haven't done it in a while. I'll have another try. | 0:02:34 | 0:02:37 | |
It's harder than I remember. | 0:02:41 | 0:02:43 | |
Just to sum up... | 0:02:43 | 0:02:46 | |
you can only fit one finger inside your mouth. | 0:02:46 | 0:02:49 | |
Yeah, well, almost. | 0:02:49 | 0:02:51 | |
Jamie, Jamie, Jamie... | 0:02:51 | 0:02:55 | |
We all know that there's only one star in this room, that's me. | 0:02:55 | 0:03:00 | |
Picture this. | 0:03:00 | 0:03:03 | |
Entertainment Thursday, Sally live. | 0:03:03 | 0:03:08 | |
-That's it. -I thought he would be harder to convince! | 0:03:08 | 0:03:13 | |
-We'll do a musical. -That is not what I meant. | 0:03:13 | 0:03:15 | |
I'll direct it. It'll be about the hotel as the central location, | 0:03:15 | 0:03:20 | |
featuring songs about the hotel | 0:03:20 | 0:03:23 | |
and everyone at the hotel doing hotel-based things. | 0:03:23 | 0:03:25 | |
What will we call it, though? I know. | 0:03:26 | 0:03:30 | |
We'll call it... | 0:03:30 | 0:03:34 | |
I want to be a POP star. | 0:03:34 | 0:03:37 | |
Musicals are lame. | 0:03:37 | 0:03:38 | |
Especially ones set in a hotel. What are you going to have? | 0:03:38 | 0:03:42 | |
# Let's all scream and howl | 0:03:42 | 0:03:46 | |
# Someone's stolen a towel. # It'll be rubbish! | 0:03:46 | 0:03:49 | |
That is a good lyric. | 0:03:49 | 0:03:50 | |
When this gets back to Mr Trubble, he'll definitely promote me. | 0:03:50 | 0:03:55 | |
And - whatever you do - don't mention it to Dolly. | 0:03:55 | 0:03:58 | |
She'll only try and take over. | 0:03:58 | 0:04:00 | |
She's so bossy and you know I hate people that are bossy. | 0:04:00 | 0:04:04 | |
SO! Do what I say and whatever you do, don't tell her. | 0:04:04 | 0:04:09 | |
Make sure you turn up to auditions in half an hour or there'll be trouble. | 0:04:09 | 0:04:15 | |
Got it? | 0:04:15 | 0:04:16 | |
Ugh! | 0:04:17 | 0:04:19 | |
A musical, eh? Well, well, well. | 0:04:22 | 0:04:26 | |
-I hate them! -What? -Musicals, of course! | 0:04:31 | 0:04:35 | |
-Don't tell me you like them? -Who, me? No. | 0:04:35 | 0:04:38 | |
I hate the way they form on the end of your nose in winter. | 0:04:38 | 0:04:42 | |
That's icicles. I'm talking about musicals, Lenny. | 0:04:42 | 0:04:46 | |
Musicals, they're so silly and unrealistic. | 0:04:46 | 0:04:51 | |
# I hate how they burst into song all the time | 0:04:51 | 0:04:55 | |
# It's stupid and it makes me fume | 0:04:55 | 0:04:59 | |
# Cos one minute they're talking, but here's the crime | 0:04:59 | 0:05:03 | |
# The next thing you know they're singing some awful show tune | 0:05:03 | 0:05:09 | |
# I don't care what they tell me, I don't care what they say | 0:05:09 | 0:05:14 | |
# It just ain't realistic | 0:05:14 | 0:05:18 | |
# At all | 0:05:18 | 0:05:20 | |
# All of a sudden we change location | 0:05:22 | 0:05:25 | |
# For no reason at all | 0:05:25 | 0:05:27 | |
# Oh, look, there's a nun on vacation | 0:05:27 | 0:05:29 | |
# We're walking along now but why stop at walking? | 0:05:29 | 0:05:33 | |
# There's room for a two-step, a waltz while we're talking | 0:05:33 | 0:05:39 | |
# I don't care what they tell me, I don't care what they say | 0:05:39 | 0:05:42 | |
# It just ain't realistic at all | 0:05:42 | 0:05:46 | |
# And then the finale, the big final song | 0:05:47 | 0:05:50 | |
# We've all got to join in and help sing along | 0:05:50 | 0:05:54 | |
# But how do I know the words? | 0:05:54 | 0:05:56 | |
# That doesn't matter! | 0:05:56 | 0:06:01 | |
# And how do we know these moves? | 0:06:02 | 0:06:04 | |
# And before we both know it we can hardly believe | 0:06:04 | 0:06:09 | |
# We're singing together in sweet harmony | 0:06:09 | 0:06:17 | |
# We don't care what they tell us, we don't care what they say | 0:06:18 | 0:06:21 | |
# It just ain't realistic | 0:06:21 | 0:06:24 | |
# At all! | 0:06:24 | 0:06:28 | |
# It just ain't realistic at all. # | 0:06:28 | 0:06:30 | |
That's the musicals, and I can promise you | 0:06:31 | 0:06:34 | |
I won't be auditioning and nothing is going to change my mind. | 0:06:34 | 0:06:37 | |
By the way, the potential investor is bringing a plus one. | 0:06:37 | 0:06:42 | |
He's a Hollywood talent scout. | 0:06:42 | 0:06:44 | |
Where's the audition again? | 0:06:44 | 0:06:46 | |
The character you're auditioning for, the part of Sally. | 0:06:49 | 0:06:52 | |
She's a tough cookie. Can you be tough, sweetheart? | 0:06:52 | 0:06:55 | |
-Grrrr! -She's also light. | 0:06:55 | 0:06:58 | |
Plus, she can pirouette. Good. Now try the line. | 0:06:58 | 0:07:01 | |
-Hello? Hotel Trubble? -Cut! | 0:07:03 | 0:07:06 | |
I don't believe it, Sally. | 0:07:06 | 0:07:08 | |
I need to believe that YOU are a receptionist in the hotel. | 0:07:08 | 0:07:13 | |
I need YOU to imagine that you are that person. | 0:07:13 | 0:07:17 | |
-But I AM that person. -That's the spirit! Now show me. | 0:07:17 | 0:07:20 | |
-Hello? Hotel Trubble? -OK, OK, OK. | 0:07:22 | 0:07:25 | |
Just go with me on this. I'm going to throw some things out there. | 0:07:25 | 0:07:29 | |
Do it like you're French. | 0:07:29 | 0:07:32 | |
-Bonjour! -No. Try it like a doctor. -Hello. | 0:07:32 | 0:07:34 | |
-She's a receptionist, not a doctor. -But you just... -Never mind. Next! | 0:07:34 | 0:07:38 | |
Now, Lenny. You're auditioning for the part of... | 0:07:40 | 0:07:44 | |
..Lenny. | 0:07:44 | 0:07:46 | |
Lenny's rather a clueless simpleton, | 0:07:46 | 0:07:49 | |
-doesn't really understand basic concepts. -I don't get it. | 0:07:49 | 0:07:52 | |
That's perfect! The part is yours. | 0:07:52 | 0:07:55 | |
Oh, yeah! | 0:07:55 | 0:07:57 | |
Sally, seeing as no one else wants to audition for the part of Sally, | 0:07:57 | 0:08:00 | |
I'm offering you... | 0:08:00 | 0:08:01 | |
Not so fast, Buster! | 0:08:01 | 0:08:03 | |
I just want a chance to audition, like everybody else. | 0:08:05 | 0:08:08 | |
I don't want any special treatment, | 0:08:08 | 0:08:10 | |
even though I'm Mr Trubble's girlfriend, and he's your boss, | 0:08:10 | 0:08:14 | |
-and I could get you sacked. -Fine. See what you got. | 0:08:14 | 0:08:16 | |
I want to be the most famousest person in the world! | 0:08:17 | 0:08:21 | |
Listen to what I can do! | 0:08:24 | 0:08:26 | |
SHE SCREAMS | 0:08:26 | 0:08:28 | |
That's someone texting me to tell me how brilliant I am! | 0:08:28 | 0:08:31 | |
Florence the Tractor comes to me for my fashion tips. | 0:08:31 | 0:08:33 | |
-It's Florence and the Machine! -OK, OK. | 0:08:33 | 0:08:36 | |
No, Jamie! I'm sorry, but are you going to let her get away with THAT? | 0:08:36 | 0:08:39 | |
I've made my decision. | 0:08:39 | 0:08:42 | |
Sally, I'm sorry, sweetheart... | 0:08:42 | 0:08:46 | |
..but you're not going to have to not be getting up earlier this week | 0:08:46 | 0:08:50 | |
because you've not been successful in failing to convince me that you're not the right person | 0:08:50 | 0:08:54 | |
to persuade me not to give you this part. | 0:08:54 | 0:08:56 | |
What?! | 0:08:57 | 0:08:59 | |
-You got the part. -SHE SCREAMS | 0:08:59 | 0:09:03 | |
(SINGS) I'm going to be famous! I'm going to be famous! | 0:09:03 | 0:09:06 | |
-What do you think you're doing? -You said no special treatment. | 0:09:09 | 0:09:12 | |
That was just an expression, you mental head! | 0:09:12 | 0:09:16 | |
I got the part! | 0:09:16 | 0:09:17 | |
Of course I want special treatment! I want it now! | 0:09:17 | 0:09:20 | |
Dolly, I'm sorry, sweetheart, | 0:09:20 | 0:09:22 | |
I don't mean to be rude, but you were really rubbish. | 0:09:22 | 0:09:25 | |
I got the part! | 0:09:27 | 0:09:29 | |
I see. | 0:09:29 | 0:09:31 | |
Let me just tell you something. | 0:09:31 | 0:09:34 | |
If I'm not in it, you're not allowed to do it. | 0:09:34 | 0:09:37 | |
The show is cancelled. | 0:09:37 | 0:09:39 | |
And if I smell so much as a leg warmer... | 0:09:41 | 0:09:44 | |
I'll tell Mr Trubble. | 0:09:44 | 0:09:46 | |
Who does he think he is, | 0:09:53 | 0:09:56 | |
that jumped-up little dumbwit bellboy?! | 0:09:56 | 0:10:00 | |
I'll teach him! | 0:10:00 | 0:10:01 | |
PHONE RINGS | 0:10:03 | 0:10:05 | |
Oh, hello. Lord Lloyd-Blubber, | 0:10:09 | 0:10:11 | |
famous West End theatre impresario and all-round man about town? | 0:10:11 | 0:10:14 | |
It is he. | 0:10:14 | 0:10:16 | |
Oh, thank goodness for that! | 0:10:16 | 0:10:18 | |
Andy, it's Dolly. | 0:10:18 | 0:10:20 | |
Flaming jazz hands! | 0:10:20 | 0:10:22 | |
-Dolly! My yummy Brummie! -I need to ask you a favour, Andy. | 0:10:22 | 0:10:26 | |
Ah-ah-ah-ah! It's Your Lordship now. | 0:10:26 | 0:10:29 | |
Your...Lordship. | 0:10:29 | 0:10:32 | |
Look, I know you have a glittering career as... | 0:10:32 | 0:10:34 | |
a famous West End theatre impresario and all-round man about town, | 0:10:34 | 0:10:38 | |
but I have a little project for you. | 0:10:38 | 0:10:41 | |
So, our musical's been cancelled. | 0:10:42 | 0:10:44 | |
Fine. But let me tell you this - | 0:10:44 | 0:10:49 | |
we're going to carry on rehearsing the musical in secret. | 0:10:49 | 0:10:52 | |
(What about Dolly?) | 0:10:52 | 0:10:54 | |
She won't notice! You know what she's like. | 0:10:54 | 0:10:57 | |
She didn't even notice when we turned the whole hotel into stables. | 0:10:57 | 0:11:02 | |
Whoa! This place is a pigsty! | 0:11:02 | 0:11:05 | |
Well, I'm as happy as a pig in...mud! | 0:11:05 | 0:11:07 | |
So she certainly won't notice this. | 0:11:07 | 0:11:10 | |
Plus, we'll be very quiet. | 0:11:10 | 0:11:13 | |
OK, let's get started! | 0:11:14 | 0:11:17 | |
-Jamie? -Yep. -Can I not just do my song? -No. | 0:11:17 | 0:11:20 | |
Yeah, but, I don't really get Lenny. I mean, like this - | 0:11:20 | 0:11:23 | |
it says here on page six, "Lenny immediately falls over." | 0:11:23 | 0:11:27 | |
That's not realistic! And then there's this - | 0:11:27 | 0:11:29 | |
"Lenny sees a cream cake | 0:11:29 | 0:11:31 | |
"and immediately forgets what he was doing." | 0:11:31 | 0:11:34 | |
I would never do that, and... | 0:11:34 | 0:11:36 | |
Ooh! A cream cake! | 0:11:36 | 0:11:38 | |
Right, first positions, everybody. | 0:11:39 | 0:11:42 | |
Come on! Quickly! | 0:11:42 | 0:11:43 | |
Dear me, Jamie! | 0:11:43 | 0:11:45 | |
This directing lark is going to your head, rather. | 0:11:45 | 0:11:49 | |
I hope you don't start being needlessly mean to everybody. | 0:11:49 | 0:11:53 | |
Of course not! What do you take me for? | 0:11:53 | 0:11:55 | |
Anyway, you don't need to worry, Mrs P. | 0:11:55 | 0:11:57 | |
You're too old and unsightly for acting. You're on piano. | 0:11:57 | 0:12:00 | |
Sirius, you can turn the pages. | 0:12:02 | 0:12:05 | |
All right, now, scene one, | 0:12:06 | 0:12:09 | |
all throughout the hotel, silence. | 0:12:09 | 0:12:13 | |
-What are you all doing in here?! -We're rehearsing. -An auction. | 0:12:15 | 0:12:20 | |
We're rehearsing an auction. | 0:12:20 | 0:12:22 | |
Sold! To the old woman on the piano. | 0:12:22 | 0:12:27 | |
What's happening? | 0:12:27 | 0:12:28 | |
I don't know, I was as confused doing the musical. | 0:12:28 | 0:12:31 | |
I knew it! Well, two can play at that game. | 0:12:31 | 0:12:36 | |
Please welcome the famous West End theatre impresario | 0:12:36 | 0:12:41 | |
and all-round man about town, Andrew Lloyd Blubber. | 0:12:41 | 0:12:45 | |
It's Your Lordship. Lord Lloyd Blubber. | 0:12:46 | 0:12:51 | |
-Tired now, need cake. -How do you like them apples? | 0:12:53 | 0:12:57 | |
Oh, you brought apples? Please let them be toffee apples. | 0:12:57 | 0:13:01 | |
-It's a saying, Lenny. -0h, why must I always be disappointed? | 0:13:01 | 0:13:06 | |
Wow! Lord Lloyd Blubber. | 0:13:07 | 0:13:09 | |
You are my all-time favourite West End theatre impresario | 0:13:09 | 0:13:15 | |
and all-round man about town ever! | 0:13:15 | 0:13:18 | |
I loved your show The Hound Of Music! | 0:13:18 | 0:13:21 | |
Teaching that Labradoodle to sing... | 0:13:21 | 0:13:24 | |
-..my proudest moment. -What are you doing here?! | 0:13:25 | 0:13:29 | |
Are you here to direct the musical? Please tell me you are. | 0:13:29 | 0:13:32 | |
Indeed I am. | 0:13:32 | 0:13:35 | |
Not so fast, missy. | 0:13:35 | 0:13:37 | |
-Lord Lloyd Blubber is here to direct my musical. -You're doing a musical? | 0:13:37 | 0:13:41 | |
That's right. Picture it. | 0:13:41 | 0:13:44 | |
An Audience With Dolly. | 0:13:44 | 0:13:46 | |
It's going to be sensational. | 0:13:49 | 0:13:52 | |
So, you continue with your pathetic excuse for a show if you like. | 0:13:52 | 0:13:56 | |
Come Entertainment Thursday, my musical will thrash yours. | 0:13:57 | 0:14:01 | |
SHE SCREAMS | 0:14:01 | 0:14:03 | |
Fine, you're on. | 0:14:03 | 0:14:05 | |
-YOU'RE on. -YOU'RE on. | 0:14:05 | 0:14:07 | |
Can I be on, too? | 0:14:07 | 0:14:09 | |
-On what? -You'll come to regret your little challenge, Dolly. | 0:14:09 | 0:14:13 | |
My show is going to be fantastic. | 0:14:13 | 0:14:17 | |
Brilliant lyrics with a cast that's 100% committed. | 0:14:17 | 0:14:21 | |
Let me be in your show, please! | 0:14:22 | 0:14:25 | |
Please, please! | 0:14:25 | 0:14:27 | |
Sally? | 0:14:27 | 0:14:29 | |
I'm sorry, Jamie. | 0:14:29 | 0:14:31 | |
But this show is going to be a smash hit sensation. | 0:14:31 | 0:14:35 | |
It's got Andy Lloyd Blubber! | 0:14:35 | 0:14:37 | |
'Scuse me, can we all get this straight - it's Your Lordship. | 0:14:38 | 0:14:42 | |
Nice try, but no. Come on, Lordy. | 0:14:44 | 0:14:47 | |
We've got magic to create. | 0:14:47 | 0:14:50 | |
I hope you're looking forward | 0:14:50 | 0:14:53 | |
to your professional humiliation, Jamie? | 0:14:53 | 0:14:56 | |
Please don't leave me with these no-hopers! | 0:14:57 | 0:15:01 | |
# I've got Trubble on my mind | 0:15:07 | 0:15:11 | |
# Mr Trubble on my mind | 0:15:12 | 0:15:17 | |
# I'm just a woman of a certain age | 0:15:18 | 0:15:23 | |
# He's just a man | 0:15:23 | 0:15:26 | |
# What is his age? | 0:15:26 | 0:15:28 | |
# Well I guess he's the wrong side of 68... # | 0:15:28 | 0:15:30 | |
-How was that? -Terrible! Shocking! | 0:15:35 | 0:15:39 | |
-I knew it. -Sorry, I was just listening to the football results. | 0:15:39 | 0:15:43 | |
As for your performance, Dolly, dearest, | 0:15:43 | 0:15:46 | |
here are my notes. | 0:15:46 | 0:15:48 | |
We're going to need | 0:15:48 | 0:15:51 | |
some golden statues. | 0:15:51 | 0:15:55 | |
-What? -Some lovely golden statues of me. | 0:15:55 | 0:16:00 | |
No set looks complete without at least 25 golden statues. | 0:16:00 | 0:16:08 | |
Every West End show has them. Cats has 50. | 0:16:08 | 0:16:12 | |
What about the table? Shouldn't I fix that before we...? | 0:16:12 | 0:16:15 | |
WE are doing a show, | 0:16:15 | 0:16:17 | |
not some table party! | 0:16:17 | 0:16:19 | |
We need to splash out. | 0:16:19 | 0:16:22 | |
-Splash out. -That's what the audience expects. | 0:16:22 | 0:16:26 | |
Didn't you mention something about the Hotel Trubble emergency fund? | 0:16:27 | 0:16:32 | |
Yeah, I'm not meant to touch that, you see, Mr Trubble would be angry. | 0:16:32 | 0:16:37 | |
Angry? Well, in that case, | 0:16:38 | 0:16:41 | |
hello, is that Starlight Express? | 0:16:41 | 0:16:44 | |
Yes, I think I will be free now. | 0:16:44 | 0:16:47 | |
No! OK! | 0:16:47 | 0:16:49 | |
As long as we can pay it back at the end out of the ticket sales. | 0:16:49 | 0:16:53 | |
Magnifico. Scene 42. | 0:16:53 | 0:16:55 | |
-Sally! -OK, so you said there wasn't a part for me, but... | 0:16:55 | 0:16:59 | |
-What is going on? -I really want a part! I can do anything. | 0:16:59 | 0:17:04 | |
Come to think of it, there could be a part, | 0:17:04 | 0:17:08 | |
a very small one, | 0:17:08 | 0:17:10 | |
but a very, very important part. | 0:17:10 | 0:17:13 | |
Yes! | 0:17:13 | 0:17:15 | |
But Lord Lloyd Blubber... | 0:17:16 | 0:17:18 | |
Trust me, Dolly dearest. | 0:17:18 | 0:17:22 | |
I am after all a famous theatre impresario and man about town. | 0:17:22 | 0:17:26 | |
Remember? | 0:17:26 | 0:17:27 | |
OK, team, we're one down. | 0:17:30 | 0:17:33 | |
You all witnessed what happened with Sally. I wish her well. | 0:17:33 | 0:17:37 | |
OK, scene nine. Listen, Sally, shhh. | 0:17:37 | 0:17:44 | |
I will hush your mouth with a... | 0:17:44 | 0:17:48 | |
with a kiss. | 0:17:48 | 0:17:49 | |
# Wise men say... # | 0:17:49 | 0:17:51 | |
With a kiss. | 0:17:51 | 0:17:53 | |
# ..Only fools rush in | 0:17:56 | 0:17:59 | |
# But I can't help... # | 0:18:02 | 0:18:04 | |
Oh, no, I can't watch this. | 0:18:04 | 0:18:06 | |
And I can't do it. I quit! | 0:18:06 | 0:18:09 | |
This script is the biggest load of guff! | 0:18:09 | 0:18:12 | |
# I've got trouble on my mind | 0:18:16 | 0:18:19 | |
# I call him to tell him I think he's the one | 0:18:19 | 0:18:23 | |
# He phones me right back | 0:18:23 | 0:18:26 | |
# Oh great, are those invoices done? | 0:18:26 | 0:18:29 | |
# I tell him he's special | 0:18:29 | 0:18:34 | |
# The best guy by far | 0:18:34 | 0:18:37 | |
# But he'd just says the hotel | 0:18:37 | 0:18:40 | |
# Needs one extra star-ar-ar | 0:18:40 | 0:18:48 | |
# Oh, Trubbly wubbly... # Oi! | 0:18:48 | 0:18:52 | |
# While crouching down I'm on all fours | 0:18:52 | 0:18:55 | |
# While she's the one that he adores | 0:18:55 | 0:18:59 | |
# I'm a table leg that feels neglected | 0:18:59 | 0:19:03 | |
# Why can't my talent be respected? # | 0:19:03 | 0:19:07 | |
Cut music! | 0:19:09 | 0:19:11 | |
How dare you improvise during my song? | 0:19:11 | 0:19:15 | |
Dolly! This is a once-in-a-lifetime opportunity for me | 0:19:15 | 0:19:20 | |
and I'm wasting it being a quarter of a piece of furniture! | 0:19:20 | 0:19:24 | |
Please, Andy! I mean, please Lord, | 0:19:24 | 0:19:27 | |
find me another part. | 0:19:27 | 0:19:29 | |
Oh, she's right, Dolly, love, | 0:19:29 | 0:19:32 | |
we'll find her something else. | 0:19:32 | 0:19:34 | |
I am not going to be upstaged by her during my show! | 0:19:34 | 0:19:39 | |
I promise you, she won't. | 0:19:39 | 0:19:42 | |
And must I do everything myself? Can we get some emerald swans? | 0:19:42 | 0:19:48 | |
It's all looking very bare in here. | 0:19:48 | 0:19:51 | |
Lenny, so, you're now playing a number of characters. Sally. | 0:19:53 | 0:19:57 | |
-Hello, my lovely. -Mr Trubble. | 0:19:57 | 0:20:00 | |
HE BABBLES | 0:20:00 | 0:20:01 | |
-Mrs Poshington. -Hello, my lovely. | 0:20:01 | 0:20:04 | |
-And of course, Lenny. -I still don't get him. | 0:20:04 | 0:20:08 | |
You're going to need a whole lot of training. | 0:20:08 | 0:20:11 | |
Nevertheless, I shall persevere. | 0:20:11 | 0:20:14 | |
It ain't over until the man dressed as an unconvincing woman sings. | 0:20:14 | 0:20:18 | |
-Are you saying I can do my song? -No. We will stick to the script. | 0:20:18 | 0:20:23 | |
From the top, if you will. | 0:20:23 | 0:20:25 | |
-Read it out loud! -All right. Calm down! | 0:20:28 | 0:20:31 | |
I can't stand it any more! | 0:20:31 | 0:20:33 | |
I can't work like this with such...such idiots! | 0:20:33 | 0:20:37 | |
-Don't listen to him. I think you're doing a great job. -You! | 0:20:37 | 0:20:42 | |
I'm talking about you! That's it. You know what? You're fired! | 0:20:42 | 0:20:46 | |
I'll make it a one-man musical and I'll still demolish the opposition. | 0:20:46 | 0:20:51 | |
You see if I don't! | 0:20:51 | 0:20:53 | |
Glad you all saw sense and quit Jamie's show. | 0:21:00 | 0:21:03 | |
An audience with Dolly will show off your talents quite nicely. | 0:21:03 | 0:21:07 | |
Oh, Sally, I'm so glad you're happy with your new part. | 0:21:12 | 0:21:15 | |
Every show needs a fruit bowl. | 0:21:15 | 0:21:18 | |
So, loves, we open tomorrow. | 0:21:18 | 0:21:21 | |
How's everybody feeling? | 0:21:21 | 0:21:23 | |
So excited! It's only 24 hours | 0:21:23 | 0:21:26 | |
until Trubbly Wubbly will know how diva-tastic I am. | 0:21:26 | 0:21:29 | |
Now, there's just one last tiny, teeny-weeny thing I... | 0:21:30 | 0:21:35 | |
er - WE - need. | 0:21:35 | 0:21:37 | |
A getaway car. | 0:21:37 | 0:21:39 | |
A getaway car? | 0:21:39 | 0:21:41 | |
Why would this show need a getaway car? | 0:21:41 | 0:21:44 | |
Well, you're going to have to sign so many autographs at the stage door | 0:21:44 | 0:21:49 | |
there'll be a crush and you'll need a very good getaway car. | 0:21:49 | 0:21:54 | |
Do you think I'm going to be that popular? | 0:21:54 | 0:21:56 | |
Oh, the people are going to love your...thick hair. | 0:21:56 | 0:22:00 | |
I'm just certain of it. | 0:22:00 | 0:22:03 | |
But that will use up all the emergency fund. | 0:22:03 | 0:22:05 | |
Hello. Is that the Phantom Of the Opera? | 0:22:08 | 0:22:10 | |
No! I'll go and get the car. | 0:22:10 | 0:22:14 | |
Brilliant, mon ami. Everybody take five. | 0:22:14 | 0:22:18 | |
-Lord Lloyd Blubber? -Do I know you? | 0:22:18 | 0:22:21 | |
Yes. I'm in the show. I wanted to talk to you, if that's OK? | 0:22:21 | 0:22:25 | |
Well, that depends - | 0:22:25 | 0:22:27 | |
do you have any cake? | 0:22:27 | 0:22:29 | |
-No. -Well, I'm sorry, I'm going to have to go. | 0:22:29 | 0:22:33 | |
It's half past sponge. | 0:22:33 | 0:22:37 | |
# I hear this voice, it's deep inside | 0:22:45 | 0:22:49 | |
# It's telling me to keep on trying | 0:22:49 | 0:22:53 | |
# But everybody laughs at me | 0:22:53 | 0:22:57 | |
# And says I should give in | 0:22:57 | 0:23:01 | |
# But I'm sick of doing what I'm told | 0:23:01 | 0:23:05 | |
# Oh, sick of feeling nine years old | 0:23:05 | 0:23:09 | |
# Stopping now I ain't going to be pushed around | 0:23:09 | 0:23:18 | |
# I'm gonna make my mark | 0:23:18 | 0:23:21 | |
# A real big hitter | 0:23:21 | 0:23:23 | |
# Be the most popular person on Twitter | 0:23:23 | 0:23:26 | |
# A Z-list celebrity | 0:23:26 | 0:23:29 | |
# An obnoxious, stroppy VIP | 0:23:29 | 0:23:32 | |
# I'm going to make my mark Things will change | 0:23:32 | 0:23:35 | |
# I'm going to get my own supermarket clothing range | 0:23:35 | 0:23:39 | |
# No-one's gonna tear my dreams apart | 0:23:39 | 0:23:44 | |
# I'm going to make my mark | 0:23:44 | 0:23:47 | |
# I'm gonna write my column in Heat | 0:23:52 | 0:23:54 | |
# Pay six buff guys just to wash my feet | 0:23:54 | 0:23:58 | |
# I'm gonna live my life like a queen | 0:23:58 | 0:24:01 | |
# With my prince and my Jag and my pink limousine | 0:24:01 | 0:24:05 | |
# Oh-oh-oh | 0:24:05 | 0:24:07 | |
# I'm gonna make my mark. # | 0:24:07 | 0:24:15 | |
Eh! | 0:24:21 | 0:24:23 | |
SHE SCREAMS | 0:24:23 | 0:24:26 | |
-What is it?! -Everything's gone! | 0:24:28 | 0:24:31 | |
Guys, you better take a look at this. | 0:24:32 | 0:24:35 | |
-Oh, it can't be! -I know, a cat playing snooker! | 0:24:36 | 0:24:40 | |
No, not that, the front page, Lenny! | 0:24:40 | 0:24:42 | |
-Wow! Looks just like Hotel Trubble. -BOTH: It IS Hotel Trubble. | 0:24:45 | 0:24:49 | |
Wow. | 0:24:49 | 0:24:51 | |
-You still thinking about the cat? -How does it know about the colours?! | 0:24:51 | 0:24:57 | |
Can't believe Lord Lloyd Blubber would do such a thing. | 0:24:57 | 0:24:59 | |
All the money's gone, the emergency fund. The investor will be here | 0:24:59 | 0:25:03 | |
in five minutes and we don't have a show. | 0:25:03 | 0:25:06 | |
Aren't you forgetting my show? | 0:25:06 | 0:25:08 | |
You were wrong to underestimate me, Dolly. | 0:25:08 | 0:25:11 | |
I guarantee my musical will not only get all the money back, | 0:25:11 | 0:25:15 | |
it'll make thousands more in CD sales. It's that good. | 0:25:15 | 0:25:19 | |
Jamie, you're the only person left in your show. | 0:25:19 | 0:25:22 | |
It'll be an unmitigated disaster. People will pelt fruit and veg. | 0:25:22 | 0:25:26 | |
Oh, you think so?! Then let me prove you wrong once and for all. | 0:25:26 | 0:25:32 | |
Never fear, it is I, Jamie. | 0:25:34 | 0:25:38 | |
-the handsome soon-to-be manager bellboy. -Boo! | 0:25:38 | 0:25:42 | |
I have been in my office doing important work for the hotel. | 0:25:42 | 0:25:47 | |
This is nonsense! He's making a fool of himself. | 0:25:47 | 0:25:50 | |
At least he hasn't been hit by a lettuce. | 0:25:50 | 0:25:52 | |
I take it all back. I should've never got... | 0:25:58 | 0:26:01 | |
so carried away with my own self-importance. | 0:26:01 | 0:26:04 | |
And I shouldn't have put on this awful show. | 0:26:05 | 0:26:08 | |
-Can I stop being hit by food now, please? -What are we going to do? | 0:26:08 | 0:26:13 | |
Don't worry, Dolly, I'll take it from here. | 0:26:13 | 0:26:15 | |
# Sometimes we let things get us down | 0:26:20 | 0:26:23 | |
# Sometimes the world can make us wear a frown | 0:26:25 | 0:26:30 | |
# But I've got a treat that you can't ignore | 0:26:30 | 0:26:34 | |
# Learnt how to do it when I was born | 0:26:35 | 0:26:39 | |
# First you take one finger | 0:26:39 | 0:26:42 | |
# Then you take another finger | 0:26:42 | 0:26:44 | |
# Then you take another finger | 0:26:44 | 0:26:46 | |
# Then you take the rest of your fingers and shove them in your mouth | 0:26:46 | 0:26:50 | |
# And now you've stuck your fingers inside your mouth | 0:26:51 | 0:26:55 | |
# Munching on your hands is what it's all about | 0:26:56 | 0:27:00 | |
# Tell me how this world could be a stressful place | 0:27:00 | 0:27:05 | |
# When you've got all your fingers | 0:27:05 | 0:27:09 | |
# Stuffed in your face | 0:27:09 | 0:27:10 | |
# We've got a treat that you can't ignore | 0:27:19 | 0:27:22 | |
# Learnt how to do it when we were born | 0:27:24 | 0:27:27 | |
# We've stuffed all our fingers inside our mouths | 0:27:28 | 0:27:33 | |
# Munching on your hands | 0:27:33 | 0:27:35 | |
# Is what it's all about | 0:27:35 | 0:27:37 | |
# Tell me how this world could be a stressful place | 0:27:37 | 0:27:43 | |
# When you've got all your fingers | 0:27:43 | 0:27:46 | |
# Stuffed in your face. # | 0:27:46 | 0:27:49 | |
CHEERING AND APPLAUSE | 0:27:49 | 0:27:51 | |
Subtitles by Red Bee Media Ltd | 0:28:06 | 0:28:09 | |
E-mail [email protected] | 0:28:09 | 0:28:12 |