Browse content similar to William Holds the Stage. Check below for episodes and series from the same categories and more!
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Help me, William! Help me, please! | 0:00:16 | 0:00:19 | |
Help me, William, save me! | 0:00:19 | 0:00:21 | |
'William had recently had a change of heart about girls.' | 0:00:21 | 0:00:26 | |
Help me, William! | 0:00:26 | 0:00:28 | |
'Or about one girl, anyway.' | 0:00:28 | 0:00:31 | |
DOG GROWLS | 0:00:36 | 0:00:37 | |
-Oh, William! -Ha-ha! | 0:00:38 | 0:00:41 | |
'A distaste for girls had been one of William's many foibles. | 0:00:54 | 0:00:57 | |
'Shyness, however, had never been a problem. | 0:00:57 | 0:01:01 | |
'Nor was lack of energy. | 0:01:01 | 0:01:04 | |
'Or appetite.' | 0:01:04 | 0:01:06 | |
Elbows off the table. | 0:01:06 | 0:01:08 | |
-I was just finishing a poem about how false and bland our suburban lives are. -Were you, dear? | 0:01:08 | 0:01:15 | |
-Super. -Bye. | 0:01:15 | 0:01:17 | |
'Nor was William good at sitting still for long periods.' | 0:01:17 | 0:01:20 | |
Who was that? | 0:01:20 | 0:01:22 | |
'Above all, William wasn't lacking in confidence.' | 0:01:22 | 0:01:25 | |
They just make me want to cry. | 0:01:37 | 0:01:39 | |
Oh, that's perfectly normal. | 0:01:39 | 0:01:42 | |
I look at William Brown and think | 0:01:42 | 0:01:45 | |
you're not bad, or dim, | 0:01:45 | 0:01:48 | |
so how can you manage to be so infuriating? | 0:01:48 | 0:01:54 | |
-Headmaster! -Ah. | 0:01:54 | 0:01:56 | |
-I've had an idea. -How exciting. | 0:01:56 | 0:01:59 | |
Mr Attwater, this is Mr Wellbecker, school governor, Shakespeare expert. | 0:01:59 | 0:02:04 | |
And all-round clever-clogs. | 0:02:04 | 0:02:06 | |
An annual prize for the class who stages the best Shakespeare scene. | 0:02:06 | 0:02:10 | |
Children love Shakespeare. | 0:02:10 | 0:02:13 | |
That's a terrific idea. | 0:02:13 | 0:02:15 | |
Terrific. | 0:02:15 | 0:02:16 | |
Isn't it? I have a clever theory about teaching, | 0:02:16 | 0:02:19 | |
it shouldn't be left to teachers. | 0:02:19 | 0:02:21 | |
And I have a theory about children. | 0:02:21 | 0:02:23 | |
Well, don't waste it on us. Let's try it out on a class right now. | 0:02:23 | 0:02:28 | |
Fight, fight, fight, fight! | 0:02:28 | 0:02:30 | |
Headmaster! | 0:02:30 | 0:02:33 | |
Boys, this is Mr Wellbecker, | 0:02:39 | 0:02:44 | |
who has come to talk to you about Shakespeare. | 0:02:44 | 0:02:48 | |
Whom you love. | 0:02:48 | 0:02:51 | |
Mr Attwater and I will leave you to it. | 0:02:51 | 0:02:53 | |
-Whilst we get on with important... -Educational... | 0:02:53 | 0:02:56 | |
Planning. Exactly. | 0:02:56 | 0:02:59 | |
Carry on. | 0:02:59 | 0:03:01 | |
Thank you. | 0:03:01 | 0:03:02 | |
William Shakespeare. | 0:03:06 | 0:03:09 | |
Get back! | 0:03:10 | 0:03:11 | |
Get back! | 0:03:13 | 0:03:15 | |
Last thing we need, | 0:03:15 | 0:03:17 | |
some hair-brained Shakespeare competition every year. | 0:03:17 | 0:03:22 | |
-Tiny pre-luncheon sherry? -Oh yes, please, Headmaster. | 0:03:22 | 0:03:26 | |
Fight, fight, fight! | 0:03:26 | 0:03:28 | |
I'm going to count to ten... Then... | 0:03:28 | 0:03:32 | |
QUIET! | 0:03:34 | 0:03:37 | |
Hello. Yes, I am an expert on the Bard, | 0:03:49 | 0:03:55 | |
-indeed I've written a book about him. -I've written a book. | 0:03:55 | 0:03:58 | |
Perhaps, but you've not had it published, have you? | 0:03:58 | 0:04:01 | |
No, I've not tried. | 0:04:01 | 0:04:03 | |
-And it wasn't about Shakespeare, was it? -No. | 0:04:03 | 0:04:05 | |
It was about someone a jolly sight more interesting. | 0:04:05 | 0:04:08 | |
-The greatest writer of plays who has ever lived? -I wrote a play once. | 0:04:08 | 0:04:11 | |
Yes, well. | 0:04:11 | 0:04:13 | |
-It was about a pirate. -Shh. | 0:04:13 | 0:04:15 | |
My book has a clever theory that Shakespeare's plays | 0:04:17 | 0:04:21 | |
-were in fact written by Bacon. -Sounds more like a stupid theory to me. | 0:04:21 | 0:04:25 | |
A man called Francis Bacon, | 0:04:25 | 0:04:27 | |
who lived at the same time as Shakespeare. | 0:04:27 | 0:04:30 | |
Why's Shakespeare got his name on all the books? | 0:04:30 | 0:04:32 | |
-Stop interrupting. -Yes, let Mr Wellbecker speak. | 0:04:32 | 0:04:36 | |
-So did this Ham...? -Bacon. | 0:04:40 | 0:04:42 | |
Well, it's nearly the same. | 0:04:42 | 0:04:45 | |
I am instituting a prize for the class | 0:04:45 | 0:04:47 | |
that stages the best scene from Shakespeare. | 0:04:47 | 0:04:50 | |
Now, the play you'll be performing. | 0:04:50 | 0:04:52 | |
A man called Hamlet. | 0:04:52 | 0:04:54 | |
When I called him Ham you said it was Bacon, | 0:04:54 | 0:04:56 | |
and now you're calling him Ham. | 0:04:56 | 0:04:58 | |
That was a different man. Listen! | 0:04:58 | 0:05:01 | |
This man was called Hamlet and his uncle had killed his father | 0:05:05 | 0:05:09 | |
because he wanted to marry his mother. | 0:05:09 | 0:05:11 | |
Why did he want to marry his mother? | 0:05:11 | 0:05:13 | |
It was Hamlet's mother he wanted to marry. | 0:05:13 | 0:05:16 | |
-Oh, that man who you think wrote the plays. -No that was Bacon. | 0:05:16 | 0:05:20 | |
But you just said it was Ham! | 0:05:20 | 0:05:22 | |
Look, so we're not muddled, let's call them both Eggs. All right? | 0:05:22 | 0:05:27 | |
Hello, William! | 0:05:32 | 0:05:34 | |
Hello, Dorinda. | 0:05:34 | 0:05:37 | |
Frog. | 0:05:37 | 0:05:38 | |
Good frog. | 0:05:38 | 0:05:41 | |
I'm going to be in a play at school. | 0:05:41 | 0:05:43 | |
-Who are you going to be? -The most important person in it. -Are you? | 0:05:43 | 0:05:47 | |
Yes. | 0:05:47 | 0:05:48 | |
I was the only person that knew anything about plays so they've given me the biggest part. | 0:05:48 | 0:05:53 | |
It's by... Eggs. | 0:05:53 | 0:05:57 | |
Oh, William. I think you're wonderful! | 0:05:57 | 0:06:00 | |
Yeah. | 0:06:00 | 0:06:01 | |
No, Stanley I'm afraid I don't love you. | 0:06:07 | 0:06:10 | |
Your sticking-out teeth don't help, no. | 0:06:10 | 0:06:13 | |
Is William reading a proper book? | 0:06:13 | 0:06:17 | |
Mm. | 0:06:17 | 0:06:18 | |
That's never happened before. | 0:06:18 | 0:06:20 | |
He's suddenly keen on Hamlet. | 0:06:20 | 0:06:22 | |
Yes, you can still buy me a present. | 0:06:28 | 0:06:30 | |
Bye! | 0:06:30 | 0:06:32 | |
DOOR OPENS | 0:06:32 | 0:06:34 | |
I hate this house. It's so damn tidy and "nice". | 0:06:34 | 0:06:38 | |
I know, dear, it's hateful. | 0:06:38 | 0:06:40 | |
Bye! | 0:06:40 | 0:06:42 | |
Why are his lips moving? | 0:06:44 | 0:06:47 | |
To be or not to be, that's... | 0:06:47 | 0:06:51 | |
nonsense. | 0:06:51 | 0:06:53 | |
It's actually the most famous speech in the English language. | 0:06:53 | 0:06:57 | |
Good to see you showing an interest in literature, William. | 0:06:57 | 0:07:00 | |
-So this Hamlet wants to kill someone. -Yes. | 0:07:03 | 0:07:06 | |
-Himself. -Well, that's a bit daft. | 0:07:06 | 0:07:08 | |
Or his uncle, who killed his father by pouring poison | 0:07:08 | 0:07:11 | |
in his ear and turned him into a ghost. | 0:07:11 | 0:07:13 | |
Because he loved Hamlet's mother. | 0:07:13 | 0:07:16 | |
Interesting parents. | 0:07:16 | 0:07:18 | |
So, did any of that ever happen to you? | 0:07:20 | 0:07:25 | |
To be or not to be. | 0:07:32 | 0:07:34 | |
With a bare bodkin how do these fardels bear? | 0:07:45 | 0:07:50 | |
-What is that rubbish? -Shakespeare. | 0:07:53 | 0:07:55 | |
It's actually the most famous speech in the English language. | 0:07:55 | 0:07:58 | |
Do you want to hear real poetry which I wrote? | 0:07:58 | 0:08:01 | |
No. | 0:08:01 | 0:08:03 | |
See the tight people in their suits, their uniforms. | 0:08:03 | 0:08:06 | |
Howl at the moon. | 0:08:06 | 0:08:08 | |
Howl at the lawnmowers which are so self-congratulatory. | 0:08:08 | 0:08:13 | |
Now it doesn't rhyme or anything, but that is deliberate. | 0:08:13 | 0:08:17 | |
Yeah, nice. | 0:08:17 | 0:08:20 | |
To grunt and sweat under a weary life. | 0:08:25 | 0:08:29 | |
Soft you now! Fair Opp-heliya! | 0:08:29 | 0:08:34 | |
It's a play, Jumble. I'm Hamlet. | 0:08:36 | 0:08:38 | |
That's the best part. | 0:08:38 | 0:08:40 | |
The part of Hamlet | 0:08:42 | 0:08:45 | |
will be played | 0:08:45 | 0:08:47 | |
by Dalrymple. | 0:08:47 | 0:08:51 | |
What?! | 0:08:51 | 0:08:52 | |
-William Brown, Attendant. -Eh? | 0:08:52 | 0:08:56 | |
Douglas, the Queen. | 0:08:56 | 0:08:59 | |
LAUGHTER | 0:08:59 | 0:09:00 | |
-Please don't make me a woman, sir. -Don't whine! | 0:09:00 | 0:09:02 | |
I'm sure Dalrymple will make a great Queen. | 0:09:02 | 0:09:06 | |
No, no, no, you've made a mistake. | 0:09:06 | 0:09:09 | |
The Attendant doesn't speak. | 0:09:09 | 0:09:10 | |
Doesn't he? Oh, dear. | 0:09:10 | 0:09:12 | |
Percy, Polonius. | 0:09:12 | 0:09:15 | |
I want to say something. | 0:09:15 | 0:09:17 | |
I've no doubt you do. | 0:09:17 | 0:09:18 | |
It's not fair! I just stand there while horrible Dalpimple is Hamlet. | 0:09:18 | 0:09:23 | |
Why are you so upset about this? | 0:09:23 | 0:09:25 | |
I'm not. | 0:09:25 | 0:09:26 | |
But I told Dorinda I'd have the biggest part. | 0:09:26 | 0:09:29 | |
Greenfly. Work of Beelzebub. | 0:09:31 | 0:09:33 | |
Everyone can't be Hamlet, William. | 0:09:35 | 0:09:37 | |
I know. But it should be me. I've learnt the speech and everything. | 0:09:37 | 0:09:41 | |
Hamlet was on recently in town and the main actor | 0:09:41 | 0:09:44 | |
-fell ill so another one stepped into the breach. -Why did he do that? | 0:09:44 | 0:09:48 | |
Do what? | 0:09:48 | 0:09:50 | |
-Step into the thing you said. -What thing? | 0:09:50 | 0:09:53 | |
You said an actor stepped in something. | 0:09:53 | 0:09:56 | |
Let's start again. | 0:09:56 | 0:09:57 | |
The sick actor's part was played by another actor. | 0:09:59 | 0:10:02 | |
At least you're not playing a queen, and have to wear a dress. | 0:10:07 | 0:10:10 | |
I'd rather that than an attendant who just stands there. | 0:10:10 | 0:10:13 | |
I'd rather just stand there. | 0:10:13 | 0:10:14 | |
Me too. | 0:10:14 | 0:10:16 | |
But I am going to play Hamlet | 0:10:16 | 0:10:18 | |
because Dalrymple's going to fall ill and I'll step onto the... | 0:10:18 | 0:10:22 | |
beach. | 0:10:22 | 0:10:24 | |
And what if he doesn't fall ill? | 0:10:24 | 0:10:27 | |
-We could pour poison in his ear, like in the play. -Not to kill him. | 0:10:27 | 0:10:31 | |
No, killing gets you into all sorts of trouble. | 0:10:31 | 0:10:34 | |
-What would make him ill but not kill him? -A rotten fish? | 0:10:34 | 0:10:38 | |
How are we going to get a rotten fish in Dalrymple's ear? | 0:10:38 | 0:10:42 | |
Wait till he's asleep? | 0:10:42 | 0:10:45 | |
Tell him it's good for hearing. | 0:10:45 | 0:10:48 | |
I know. We could pour gin in his ear. | 0:10:52 | 0:10:54 | |
Why? | 0:10:54 | 0:10:55 | |
Well, I accidentally drank some once and I felt like I was going to die. | 0:10:55 | 0:11:00 | |
I can get some gin. My dad drinks it. | 0:11:00 | 0:11:03 | |
It's got to be bad, it did make him fall into the cellar. | 0:11:03 | 0:11:06 | |
Do I smell of greenfly repellent? | 0:11:08 | 0:11:10 | |
-Yes. -Sorry. | 0:11:12 | 0:11:14 | |
I prefer it to that cologne you bought in Torquay. | 0:11:14 | 0:11:17 | |
Is there a problem, Robert? | 0:11:19 | 0:11:21 | |
-Girls. -Been turned down again? -I hate them. | 0:11:23 | 0:11:26 | |
I'm going to throw myself into my poetry. | 0:11:26 | 0:11:29 | |
DOOR SLAMS UPSTAIRS | 0:11:33 | 0:11:35 | |
I think William's keen on that girl Dorinda. | 0:11:35 | 0:11:37 | |
William likes a girl? | 0:11:37 | 0:11:40 | |
I thought he wanted to send them all to an island. | 0:11:40 | 0:11:42 | |
She is quite a tomboy. It's very sweet. | 0:11:42 | 0:11:45 | |
Maybe girls will tame him. | 0:11:45 | 0:11:47 | |
-DOOR SLAMS AGAIN -Will you stop slamming your stupid door! | 0:11:48 | 0:11:53 | |
What do you mean, "Turned down again"?! | 0:11:53 | 0:11:55 | |
Perhaps not. | 0:11:58 | 0:12:01 | |
-Hello, Dorinda. -How's your school play? | 0:12:09 | 0:12:11 | |
Very good. How's your frog? | 0:12:11 | 0:12:13 | |
-Not very well. -Oh. | 0:12:13 | 0:12:15 | |
Are you really going to be the hero in the play? | 0:12:15 | 0:12:18 | |
Yes. I have a speech that goes on for hours and hours and hours, | 0:12:18 | 0:12:22 | |
the longest there's ever been in a play. | 0:12:22 | 0:12:24 | |
-I talk for hours. -I'm coming to see it. | 0:12:24 | 0:12:26 | |
No, you don't want to do that. | 0:12:26 | 0:12:28 | |
-I do. -No, you don't. -It might be the last chance I have to see you. | 0:12:28 | 0:12:32 | |
Why? Are you going blind? | 0:12:32 | 0:12:35 | |
No, we're moving house. | 0:12:35 | 0:12:36 | |
This one's rented, and we're buying one miles away. | 0:12:36 | 0:12:39 | |
Oh. | 0:12:39 | 0:12:43 | |
-I'll look after your sick frog if there's no room for it in your new house. -Thank you, William. | 0:12:43 | 0:12:48 | |
To be or not to be, that is the question. | 0:12:52 | 0:12:54 | |
Whether 'tis nobler in the mind to suffer the slings and arrows... | 0:12:54 | 0:12:59 | |
Oh, and, Douglas, I want you to bring out the Queen's burgeoning sense of parental malaise. | 0:12:59 | 0:13:03 | |
-I could bring that out if you like. -Shut up. | 0:13:03 | 0:13:06 | |
On you go. | 0:13:09 | 0:13:12 | |
I shall obey you and for your part... | 0:13:14 | 0:13:17 | |
Stop! Monstrous! | 0:13:17 | 0:13:19 | |
You sound like you're trying to shout an old aunt to death. | 0:13:19 | 0:13:22 | |
-You said be loud. -Yes, loud and good, not loud and bad. | 0:13:22 | 0:13:27 | |
Everyone have a break and try to feel your way into your characters. | 0:13:30 | 0:13:35 | |
I have a clever theory that... | 0:13:35 | 0:13:37 | |
-I'll tell you another time. Ophelia. -Hello, Dalrymple. | 0:13:37 | 0:13:41 | |
-Hello. -How are you feeling? | 0:13:41 | 0:13:44 | |
Fine. | 0:13:44 | 0:13:46 | |
Do you, by any chance, have any diseases in your family? | 0:13:46 | 0:13:49 | |
-None of your business. -I've got goat flu in my family. | 0:13:49 | 0:13:53 | |
-Have you got the gin? -Yes. -Ready? | 0:13:53 | 0:13:55 | |
Goat flu makes you turn purple, and you lose your voice | 0:13:55 | 0:13:58 | |
so you can't be in plays. | 0:13:58 | 0:13:59 | |
Do you perhaps have anything like that? | 0:13:59 | 0:14:02 | |
No, because my family eat well and I have a big clean house. | 0:14:02 | 0:14:05 | |
-Look, the Headmaster with a bucket on his head! -Aghh! It stings. | 0:14:05 | 0:14:10 | |
Hold him still! | 0:14:12 | 0:14:14 | |
Put the Prince of Denmark down! | 0:14:14 | 0:14:17 | |
They've squirted something wet in my ear. | 0:14:17 | 0:14:19 | |
Yes! | 0:14:19 | 0:14:20 | |
He still looked awfully healthy at the end of the day. | 0:14:23 | 0:14:26 | |
-Ah, come on. It's not so bad, not saying anything in the play. -No! | 0:14:26 | 0:14:29 | |
We can't let Dalrymple play Hamlet. | 0:14:29 | 0:14:31 | |
I've learnt all the lines, I've made promises to people. | 0:14:31 | 0:14:34 | |
-Who? -It can't be that hard to make someone ill. How do people get sick? | 0:14:34 | 0:14:39 | |
By getting sneezed over. | 0:14:39 | 0:14:41 | |
I'm not wasting a good sneeze on Dalrymple. | 0:14:41 | 0:14:43 | |
You're not ill anyway. | 0:14:43 | 0:14:45 | |
My cat's got a cold. | 0:14:45 | 0:14:47 | |
He keeps sneezing. | 0:14:47 | 0:14:48 | |
I can't bring my cat into school, it's not allowed. | 0:14:50 | 0:14:53 | |
Tell Mr Attwater you're bringing him in because he's a magic talking cat. | 0:14:53 | 0:14:58 | |
But he talks really quietly - | 0:14:58 | 0:15:01 | |
more of a magic murmuring cat than a magic talking cat. | 0:15:01 | 0:15:05 | |
So Dalrymple leans in to hear what he's murmuring about, | 0:15:05 | 0:15:08 | |
the cat sneezes on him, he catches a bad cold, and I play Hamlet. | 0:15:08 | 0:15:14 | |
MUSIC PLAYS: SHAKE RATTLE AND ROLL | 0:15:28 | 0:15:31 | |
To grunt and sweat under a hairy wife. | 0:15:31 | 0:15:34 | |
Soft you now, fair Opp-helia. | 0:15:34 | 0:15:37 | |
Turn that down! | 0:15:37 | 0:15:39 | |
-What, Daddy?! -This conscience does make custard of us all. | 0:15:39 | 0:15:43 | |
Turn that blasted music down or find something with a tune! | 0:15:45 | 0:15:48 | |
Sorry, Daddy, can't hear you! | 0:15:48 | 0:15:52 | |
Girls, girls, | 0:15:57 | 0:16:01 | |
don't think you know everything when you know nothing | 0:16:01 | 0:16:08 | |
except how to look nice and | 0:16:08 | 0:16:12 | |
not always even that, in some cases. | 0:16:12 | 0:16:15 | |
Trees... | 0:16:21 | 0:16:25 | |
Trees... | 0:16:25 | 0:16:26 | |
You make me... | 0:16:29 | 0:16:31 | |
..so... | 0:16:32 | 0:16:34 | |
angry because, because... | 0:16:34 | 0:16:38 | |
because your bark is worse... | 0:16:38 | 0:16:43 | |
..than your bite. | 0:16:46 | 0:16:50 | |
-Quiet. -I took the plug off Ethel's gramophone. | 0:17:05 | 0:17:11 | |
I ran into little Dorinda. | 0:17:14 | 0:17:16 | |
-She seems to think William has a huge part in this school play competition. -Mm? | 0:17:16 | 0:17:21 | |
Rather than his actual role of non-speaking Attendant. | 0:17:21 | 0:17:24 | |
-What is he playing at? -You know what he's like. | 0:17:24 | 0:17:27 | |
-He gets carried away. I'm sure you were the same as a boy. -Don't be absurd. | 0:17:27 | 0:17:31 | |
No, there's a sound missing. | 0:17:36 | 0:17:38 | |
-Robert slamming something? -No. | 0:17:38 | 0:17:42 | |
Ethel on the phone to some poor sobbing youth? | 0:17:42 | 0:17:44 | |
No. | 0:17:44 | 0:17:46 | |
The grandfather clock isn't ticking. | 0:17:48 | 0:17:51 | |
I'll fix it in the morning. | 0:18:12 | 0:18:14 | |
Henry, don't throw paper, | 0:18:28 | 0:18:30 | |
unless you want me to confiscate your so-called mumbling cat. | 0:18:30 | 0:18:33 | |
Murmuring cat, sir. | 0:18:33 | 0:18:35 | |
A mumbling cat would be ridiculous, sir. | 0:18:35 | 0:18:38 | |
Right, break in a minute or two, and afterwards I want you to... No, no! | 0:18:38 | 0:18:44 | |
Dalrymple, come and listen to the cat. | 0:18:45 | 0:18:48 | |
He can't talk, you idiot. | 0:18:48 | 0:18:50 | |
Well, you'll never know, will you? | 0:18:50 | 0:18:52 | |
BELL RINGS | 0:18:52 | 0:18:54 | |
-Talk, then. -He's thinking of something to say. | 0:18:59 | 0:19:03 | |
Come on Spangle, sneeze. | 0:19:03 | 0:19:07 | |
I mean speak. | 0:19:07 | 0:19:10 | |
Pepper. | 0:19:10 | 0:19:12 | |
Pepper makes him chatty. | 0:19:12 | 0:19:15 | |
You have to put your head in, or you might not hear what he's murmuring. | 0:19:15 | 0:19:20 | |
Yes! Did we say "magic talking cat"? | 0:19:24 | 0:19:27 | |
We meant "magic sneezing cat". | 0:19:27 | 0:19:30 | |
To be or not to be... | 0:19:33 | 0:19:34 | |
...that is the question. | 0:19:34 | 0:19:37 | |
Whether 'tis nobler in the slings to suffer the mind and arrows. | 0:19:37 | 0:19:41 | |
-That's not quite right. -It's as sensible as what's in the book. | 0:19:41 | 0:19:45 | |
-But is the boy playing Hamlet ill? -No. | 0:19:45 | 0:19:47 | |
We thought he was going to be, but by some miracle he isn't. | 0:19:47 | 0:19:51 | |
So we'll be coming along later. | 0:19:51 | 0:19:54 | |
You will go straight to school, won't you, or they'll be anxious? | 0:19:54 | 0:19:57 | |
-Coming to the play? -I'd rather die. I'm a modernist. | 0:20:11 | 0:20:13 | |
I'm not interested in conventional theatre. And I'll tell you why. | 0:20:13 | 0:20:18 | |
-William. -Evening. -Evening. | 0:20:18 | 0:20:20 | |
This is a gate. It's an intriguing device most of us use for getting in and out of the garden. | 0:20:21 | 0:20:28 | |
'William disliked arriving early for anything. | 0:20:37 | 0:20:40 | |
'Especially when he had a humiliating evening ahead, | 0:20:40 | 0:20:45 | |
'and a present to make for the only girl he'd ever met whom he liked.' | 0:20:45 | 0:20:50 | |
Thank you, Sir. | 0:20:54 | 0:20:55 | |
-Can't I do it like this, sir? -No, Shakespeare's queens did not wear trousers, even at weekends. | 0:20:55 | 0:21:00 | |
-Come on, quickly. -Thank you, sir. | 0:21:00 | 0:21:03 | |
-Ophelia... -Thank you, sir. | 0:21:03 | 0:21:05 | |
Um, Headmaster, Mr Wellbecker's a little over-stretched. should we be helping? | 0:21:05 | 0:21:09 | |
I'm not sure we should be, really. | 0:21:09 | 0:21:12 | |
We have to ask ourselves what will we achieve by helping a rather pompous big-head who, if this goes well, | 0:21:12 | 0:21:18 | |
will pop up every year offering his confounded shield and disrupting the smooth running of the school. | 0:21:18 | 0:21:24 | |
Bad day? | 0:21:34 | 0:21:35 | |
Again? | 0:21:37 | 0:21:39 | |
Why don't you come and watch William in his play? It might cheer you up. | 0:21:41 | 0:21:45 | |
-Would you like to read me your latest poem? -No. | 0:21:48 | 0:21:51 | |
There might be some girls there tonight. | 0:21:52 | 0:21:56 | |
All right, I'll come. | 0:22:01 | 0:22:03 | |
Round the rock the rugged rascal ran. Round the rock the rugged... | 0:22:08 | 0:22:14 | |
LAUGHTER | 0:22:14 | 0:22:16 | |
Good. | 0:22:22 | 0:22:25 | |
Where is William Brown? | 0:22:28 | 0:22:29 | |
'William had inadvertently set fire to the Outlaws' Den, | 0:22:29 | 0:22:34 | |
'which made him even later than he'd intended. | 0:22:34 | 0:22:38 | |
'It could have happened to anyone.' | 0:22:38 | 0:22:40 | |
Good evening, Headmaster. | 0:22:42 | 0:22:43 | |
Sit down, Robert. | 0:22:45 | 0:22:46 | |
Everyone here is either under 12 or over 35. | 0:22:48 | 0:22:54 | |
Well, you can concentrate on the Shakespeare, dear. | 0:22:54 | 0:22:57 | |
Good old Shakespeare. | 0:22:57 | 0:22:59 | |
Never less than thought-provoking. | 0:22:59 | 0:23:01 | |
Do nudge me if I nod off. | 0:23:01 | 0:23:04 | |
Where on earth have you been?! | 0:23:17 | 0:23:19 | |
-Oh, am I a bit late? -Quickly, get this on! | 0:23:19 | 0:23:22 | |
Dalrymple, help him with his trousers. | 0:23:22 | 0:23:24 | |
Hat, Douglas. Come on, quickly. | 0:23:24 | 0:23:27 | |
Out, come on, quickly, quickly. | 0:23:27 | 0:23:29 | |
APPLAUSE | 0:23:29 | 0:23:32 | |
Good evening, everyone. Thank you for coming. | 0:23:32 | 0:23:35 | |
I'm sure there are other things you could be doing. | 0:23:35 | 0:23:39 | |
So tonight, what a joy, sees the awarding of the Wellbecker Shield for Shakespearian acting. | 0:23:39 | 0:23:46 | |
I hope you can read that. | 0:23:48 | 0:23:50 | |
To start the proceedings, Mr Attwater's class, who rarely disappoint. | 0:23:51 | 0:23:57 | |
Act Three, Scene One | 0:23:57 | 0:24:01 | |
from Hamlet. | 0:24:01 | 0:24:03 | |
You. Go on first and stand by the throne, as I told you. | 0:24:04 | 0:24:08 | |
The others will follow you on. Quickly! Come on. | 0:24:08 | 0:24:10 | |
'William had never been hugely good at obeying orders | 0:24:10 | 0:24:14 | |
'and, now, faced with the girl he wanted to impress, | 0:24:14 | 0:24:16 | |
'and a captive audience, he couldn't help himself.' | 0:24:16 | 0:24:20 | |
To be or not to be, | 0:24:22 | 0:24:23 | |
that is the question. | 0:24:23 | 0:24:25 | |
-Whether 'tis nobler in the mind to suffer, you know, slings and arrows... -Stop! | 0:24:25 | 0:24:30 | |
Or to take arms in a sea of bubbles. | 0:24:30 | 0:24:33 | |
-Get off! -And, by opposing, end there, dying to sleep. | 0:24:33 | 0:24:37 | |
The heartache and national shock of the fleshy hair-do. | 0:24:37 | 0:24:41 | |
To dine two sheep. Two sheep. Purchase a dream! | 0:24:41 | 0:24:44 | |
Brown! | 0:24:44 | 0:24:45 | |
Aye, here's the rub! A-har! | 0:24:45 | 0:24:48 | |
The undiscovered country from whose bum no traveller ever returns. | 0:24:48 | 0:24:53 | |
-Lower the curtain! -There isn't a curtain. -There isn't a curtain. | 0:24:53 | 0:24:56 | |
More! He's breaking down the fourth wall. | 0:24:56 | 0:24:58 | |
So, to be or not to be, as I think I've already mentioned... | 0:24:58 | 0:25:02 | |
It's terribly innovative. | 0:25:02 | 0:25:03 | |
Sorry. Left the gas on at home. | 0:25:03 | 0:25:05 | |
For in that sheep of death what dreams may come | 0:25:07 | 0:25:10 | |
when we have shuffled off this immortal doily, that is so soft. | 0:25:10 | 0:25:15 | |
-Fair Dorinda. -Thank you. | 0:25:17 | 0:25:21 | |
This is an outrage! | 0:25:21 | 0:25:22 | |
I wouldn't dream of presenting my shield to a school of this kind. | 0:25:22 | 0:25:27 | |
Judas! I shall be having words with the school governors... | 0:25:27 | 0:25:31 | |
angry words! | 0:25:31 | 0:25:33 | |
-Er, should I carry on? -No. | 0:25:36 | 0:25:39 | |
Well, I may have muddled up one or two words, | 0:25:42 | 0:25:45 | |
but I think it went pretty well. | 0:25:45 | 0:25:48 | |
-Shame we didn't see Douglas being the Queen. -Yeah! | 0:25:48 | 0:25:52 | |
Let's go to the den. | 0:25:52 | 0:25:54 | |
-Yeah. -No, I'm sick of that den. | 0:25:54 | 0:25:57 | |
Let's build another one, a long way away. | 0:25:57 | 0:26:00 | |
-Got to rush. -Night. | 0:26:03 | 0:26:05 | |
Hello, Dorinda. | 0:26:12 | 0:26:15 | |
William, you were wonderful. | 0:26:15 | 0:26:17 | |
-Thank you very much. -Why didn't you say it was the funniest ever comedy? | 0:26:17 | 0:26:21 | |
Yes, I should've mentioned that. | 0:26:21 | 0:26:23 | |
Oh, and there's marvellous news. | 0:26:23 | 0:26:25 | |
We're only moving across the village. | 0:26:25 | 0:26:28 | |
But I've got a going away present for you anyway. | 0:26:28 | 0:26:31 | |
The dead frog. That's the nicest present anyone's ever got for me. | 0:26:41 | 0:26:46 | |
I've stuffed it, but not very well. | 0:26:46 | 0:26:49 | |
-Thank you. -Bye. | 0:26:52 | 0:26:53 | |
Bye. | 0:26:53 | 0:26:55 | |
'Although William now had more time for girls, if they were the kind of | 0:26:55 | 0:26:59 | |
'girl who'd have a go at stuffing a frog, | 0:26:59 | 0:27:02 | |
'the long, glorious summer stretched ahead | 0:27:02 | 0:27:05 | |
'and William planned to spend it with his friends, the Outlaws. | 0:27:05 | 0:27:10 | |
'And, as far as possible, to avoid his family.' | 0:27:10 | 0:27:13 | |
Joyce, it's Robert. | 0:27:17 | 0:27:19 | |
We just met at the play. | 0:27:19 | 0:27:22 | |
DIALLING TONE Joyce? | 0:27:22 | 0:27:23 | |
HANGS PHONE UP | 0:27:23 | 0:27:24 | |
Evening. | 0:27:27 | 0:27:29 | |
What have I done wrong? | 0:27:34 | 0:27:38 | |
Subtitles by Red Bee Media Ltd | 0:27:45 | 0:27:47 | |
E-mail [email protected] | 0:27:47 | 0:27:49 |