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Lots of secrets in here. | 0:00:09 | 0:00:11 | |
I kind of think you've got a secret too. | 0:00:11 | 0:00:14 | |
No! | 0:00:14 | 0:00:16 | |
Oh, yes, and you're going to tell me everything. | 0:00:16 | 0:00:20 | |
Everything. | 0:00:20 | 0:00:21 | |
Everything. | 0:00:21 | 0:00:22 | |
FEARFUL GASPING | 0:00:22 | 0:00:24 | |
Tutto! | 0:00:24 | 0:00:26 | |
-'I think you've a secret too. -No! | 0:01:04 | 0:01:08 | |
'Secret... | 0:01:08 | 0:01:09 | |
'secret... | 0:01:09 | 0:01:11 | |
'secret.' | 0:01:11 | 0:01:12 | |
-Ah! -Tom, shh. It's OK, it's OK. | 0:01:12 | 0:01:16 | |
It's me. You were having a bad dream. Shh, shh. | 0:01:16 | 0:01:20 | |
Lorenzo's father. He's got your notebook, all your designs. | 0:01:22 | 0:01:25 | |
What does he want with them? What's he up to? | 0:01:27 | 0:01:31 | |
I took it. | 0:01:34 | 0:01:35 | |
-It's all my fault. -Shh, shh, hey. | 0:01:41 | 0:01:44 | |
Shh. Va bene. | 0:01:44 | 0:01:47 | |
We'll find it. | 0:01:47 | 0:01:49 | |
I don't care how rich and powerful he is. | 0:01:49 | 0:01:52 | |
He has got my notebook and I'm getting it back. | 0:01:52 | 0:01:55 | |
-Ciao, Mac! Really good to see you. -Why's that? | 0:02:02 | 0:02:04 | |
-Well, cos we're mates. So, where you off to? -Business. You? | 0:02:04 | 0:02:07 | |
-Oh, hither and thither. -Doing what? -This and that. | 0:02:07 | 0:02:10 | |
-So, business? You're a busy man. Bet that'll take a while. -Mm. | 0:02:10 | 0:02:14 | |
-Probably be out for hours, will you? -Mm. -Eccellente! Well, better get on. | 0:02:14 | 0:02:18 | |
-HE WHISTLES -Yeah? | 0:02:24 | 0:02:26 | |
Follow him. | 0:02:28 | 0:02:29 | |
Just saw Lorenzo acting really weird. | 0:02:49 | 0:02:51 | |
Don't start that again! | 0:02:51 | 0:02:52 | |
Oh, excuse me for not trusting the son of the man | 0:02:52 | 0:02:55 | |
-who kidnapped and tortured me. -He didn't torture you. Don't exaggerate. | 0:02:55 | 0:02:58 | |
-Anyway, it has nothing to do with Lorenzo. -You don't know that. | 0:02:58 | 0:03:02 | |
He could be working for his father, spying on us. | 0:03:02 | 0:03:04 | |
I've been thinking, how did Piero even know about your notebook? | 0:03:04 | 0:03:08 | |
Well, he could have heard from... Don't be crazy. | 0:03:08 | 0:03:11 | |
Oh, I'm crazy, all right. Crazy like a fox. | 0:03:11 | 0:03:13 | |
DOOR OPENING | 0:03:13 | 0:03:14 | |
Bad news. They want Alfonso in it. Caruso's boy. | 0:03:14 | 0:03:18 | |
Who's Alfonso? | 0:03:18 | 0:03:20 | |
His beloved pet parrot. | 0:03:20 | 0:03:23 | |
PARROT CAWS | 0:03:23 | 0:03:25 | |
I'd nearly finished. | 0:03:25 | 0:03:27 | |
You're adding a bird. How hard can it be? | 0:03:27 | 0:03:30 | |
You, Jack, Mac, whatever your name is, | 0:03:30 | 0:03:31 | |
if you're going to hang around, you can make yourself useful. | 0:03:31 | 0:03:35 | |
I'm going out for a while. | 0:03:35 | 0:03:37 | |
I'm not really a bird person. | 0:03:37 | 0:03:39 | |
Be still. | 0:03:57 | 0:04:00 | |
A smaller wing span than a falcon's. | 0:04:00 | 0:04:03 | |
Must need rapid wing beats to stay aloft. | 0:04:03 | 0:04:05 | |
The Maestro's out. | 0:04:10 | 0:04:12 | |
What did I tell you? Lorenzo just sneaked into my place! | 0:04:15 | 0:04:18 | |
-What? -See? | 0:04:18 | 0:04:20 | |
He is spying on us. | 0:04:20 | 0:04:22 | |
Good work, boy. Keep on like this, I'll throw in some butter next time. | 0:04:22 | 0:04:25 | |
-Lorenzo's a friend. It's a misunderstanding. -We'll go check. | 0:04:25 | 0:04:30 | |
Right now! | 0:04:30 | 0:04:32 | |
Aha! So you thought you could... | 0:04:44 | 0:04:46 | |
Redecorate?! | 0:04:50 | 0:04:52 | |
Right, so what's going on? | 0:04:52 | 0:04:54 | |
I've met a girl. | 0:04:54 | 0:04:56 | |
Sono innamorato. | 0:04:56 | 0:04:58 | |
You can't imagine how blissful it is. | 0:04:58 | 0:05:02 | |
Blissful? Sounds hideous to me. | 0:05:02 | 0:05:05 | |
-And me. -Why didn't you tell us? | 0:05:05 | 0:05:08 | |
I haven't told anyone. | 0:05:08 | 0:05:10 | |
She's a commoner, works in the fish market. | 0:05:10 | 0:05:12 | |
If my family hear about this, they'll never let me see her again. | 0:05:12 | 0:05:16 | |
So I thought we could meet here without anyone knowing. | 0:05:16 | 0:05:20 | |
But I didn't... I didn't realise... | 0:05:20 | 0:05:22 | |
the squalor. | 0:05:22 | 0:05:23 | |
How often do you actually bathe? | 0:05:27 | 0:05:28 | |
Once a month. Whether I need to or not. | 0:05:28 | 0:05:31 | |
Do you like what I've done with the place? I nearly didn't make it. | 0:05:33 | 0:05:37 | |
I've been grounded because my elocution tutor | 0:05:37 | 0:05:39 | |
said I'm not concentrating. I had to sneak out through the kennels. | 0:05:39 | 0:05:42 | |
Maria! Ciao, bella! | 0:05:45 | 0:05:47 | |
Oh! | 0:06:01 | 0:06:02 | |
-Sorry, I didn't mean to interrupt. -Like you could ever! | 0:06:02 | 0:06:07 | |
These are my friends. | 0:06:09 | 0:06:10 | |
-Leo and Tomaso. -The painters. | 0:06:10 | 0:06:13 | |
Lolly's told me all about you. | 0:06:13 | 0:06:16 | |
Lolly? | 0:06:16 | 0:06:18 | |
HE LAUGHS | 0:06:18 | 0:06:19 | |
And that's Mac. | 0:06:19 | 0:06:21 | |
I call him Lolly because he's so sweet. | 0:06:21 | 0:06:25 | |
Not as sweet as you, Honey pot! | 0:06:25 | 0:06:28 | |
I call her that because... | 0:06:29 | 0:06:31 | |
Yeah, we get it. | 0:06:31 | 0:06:33 | |
-So sweet. -We'd better head back. | 0:06:33 | 0:06:36 | |
Have a lovely time. | 0:06:39 | 0:06:41 | |
-It's always lovely when I'm with Lolly. -Aw! | 0:06:41 | 0:06:45 | |
-She wasn't that bad. -She's a total gonzo. But that's not the point. | 0:06:52 | 0:06:56 | |
Having a dim girlfriend doesn't make Lorenzo innocent, | 0:06:56 | 0:06:59 | |
he still could be a Luminare. | 0:06:59 | 0:07:00 | |
Why didn't he steal Leo's notebook himself? Why did Piero make me do it? | 0:07:00 | 0:07:04 | |
The rich don't do their own dirty work. | 0:07:04 | 0:07:07 | |
Look, Lorenzo is a Medici through and through, | 0:07:07 | 0:07:10 | |
and we have to remember that. | 0:07:10 | 0:07:11 | |
DOOR OPENING | 0:07:11 | 0:07:12 | |
Now, get back to work. | 0:07:12 | 0:07:14 | |
ALL: Yes, Maestro. | 0:07:14 | 0:07:18 | |
Hm. Passable. | 0:07:18 | 0:07:20 | |
-Grazie, Maestro. -A pity it's not going to someone more discerning. | 0:07:20 | 0:07:25 | |
That idiot Caruso won't appreciate a painting like this. | 0:07:25 | 0:07:28 | |
Idiot Caruso! | 0:07:28 | 0:07:29 | |
Idiot Caruso! | 0:07:32 | 0:07:33 | |
-Oh, no, you mustn't say that. -Idiot Caruso! | 0:07:33 | 0:07:36 | |
No. Pretty Alfonso, pretty Alfonso. | 0:07:36 | 0:07:39 | |
Idiot Caruso! Idiot Caruso! | 0:07:39 | 0:07:41 | |
-Idiot Caruso! -We don't say nasty things about our clients. | 0:07:41 | 0:07:45 | |
Let's get some nice bird seed. Say bird seed. | 0:07:45 | 0:07:47 | |
Idiot Caruso! Idiot Caruso! | 0:07:47 | 0:07:50 | |
-Right, let's go. -Where? -The palace. -Now? | 0:07:51 | 0:07:56 | |
Yeah. Lorenzo's out, Verrocchio's gone, now's our chance. | 0:07:56 | 0:07:59 | |
And I made a fake, so we just have to switch. | 0:07:59 | 0:08:02 | |
And find yours and avoid Medici security. Piece of cake(!) | 0:08:02 | 0:08:05 | |
She doesn't have to come, does she? | 0:08:07 | 0:08:09 | |
No, Mac's right. Piero could recognize you. You better stay. | 0:08:11 | 0:08:15 | |
But he's only seen me as Tomaso. | 0:08:15 | 0:08:17 | |
-I'm nobody. -I wouldn't say that. | 0:08:17 | 0:08:21 | |
I'm told you have real talent. | 0:08:21 | 0:08:23 | |
Too risky. | 0:08:27 | 0:08:29 | |
And you need to cover for us if Verrocchio gets back before us, OK? | 0:08:29 | 0:08:32 | |
Come on then. | 0:08:32 | 0:08:34 | |
-We'll try Lorenzo's route through the kennels. -I'm not a dog person. | 0:08:34 | 0:08:39 | |
Oh, no! | 0:08:51 | 0:08:54 | |
I wish you hadn't gone to all this trouble, Lolly. | 0:09:05 | 0:09:09 | |
I want everything to be perfect. | 0:09:09 | 0:09:11 | |
But I don't need it. Just being with you, that's enough. | 0:09:11 | 0:09:16 | |
Every day, I meet 20 girls who want to marry me because I'm a Medici. | 0:09:16 | 0:09:21 | |
-But you couldn't care less, could you? -I'm a simple girl. | 0:09:21 | 0:09:25 | |
I don't know anything about that life. | 0:09:25 | 0:09:27 | |
It's actually quite stressful. | 0:09:27 | 0:09:29 | |
Balls three or four times a month, dressing for dinner every evening. | 0:09:29 | 0:09:33 | |
And my new valet is useless. | 0:09:33 | 0:09:36 | |
See? | 0:09:36 | 0:09:37 | |
-No bounce. -Oh, poor Lolly! | 0:09:37 | 0:09:41 | |
Enough about my problems. | 0:09:41 | 0:09:43 | |
Let's eat. | 0:09:43 | 0:09:45 | |
-Is it OK? -It's too much! | 0:09:45 | 0:09:48 | |
I couldn't eat all this while my family goes hungry. | 0:09:48 | 0:09:51 | |
-Oh. I didn't realise, I... -Things have been so hard recently. | 0:09:51 | 0:09:56 | |
If only there was some way my family could have a meal like this. | 0:09:58 | 0:10:01 | |
Unlikely. It costs quite a bit. | 0:10:01 | 0:10:05 | |
Perhaps some kind rich person would see how we suffer | 0:10:06 | 0:10:09 | |
and offer to share his food with us? | 0:10:09 | 0:10:13 | |
I don't know. Rich people can be pretty insensitive. Buon appetito. | 0:10:13 | 0:10:17 | |
Mm! | 0:10:19 | 0:10:21 | |
Delizioso. | 0:10:21 | 0:10:23 | |
Wait. | 0:10:27 | 0:10:28 | |
I've an idea! | 0:10:28 | 0:10:32 | |
Why don't we go and share this with your family? | 0:10:32 | 0:10:36 | |
-Oh, could we? -Uh-huh. -Oh! | 0:10:36 | 0:10:40 | |
I think I'm falling in love with you. | 0:10:42 | 0:10:44 | |
DOG BARKING | 0:10:49 | 0:10:51 | |
Down, boy! Get off me! Ow! Ow! | 0:10:51 | 0:10:54 | |
Just look at my shirt! Who's bright idea was this? | 0:10:54 | 0:10:57 | |
Shush! Right, let's go. Sbrigati. | 0:10:57 | 0:11:01 | |
Oh. | 0:11:27 | 0:11:28 | |
This is... | 0:11:30 | 0:11:32 | |
um... | 0:11:32 | 0:11:34 | |
Delightful! | 0:11:34 | 0:11:35 | |
Nice solid chair. Love the whole chain effect. | 0:11:37 | 0:11:41 | |
Good. Cos they're for you. | 0:11:41 | 0:11:44 | |
Honeypot? What are you doing? | 0:11:47 | 0:11:49 | |
You've been kidnapped, rich boy. Now, sit! | 0:11:49 | 0:11:51 | |
Oh, I see! | 0:11:53 | 0:11:55 | |
Very clever! | 0:11:55 | 0:11:57 | |
This is some kind of fish market initiation? Well, I'm a good sport. | 0:11:57 | 0:12:00 | |
Sit in the chair. | 0:12:00 | 0:12:03 | |
Maria, you should never point cocked pistols at someone. | 0:12:03 | 0:12:06 | |
That's very, very dangerous. | 0:12:06 | 0:12:08 | |
Try to keep up, gonzo. I'm not Maria. | 0:12:08 | 0:12:12 | |
I'm Belladonna. | 0:12:12 | 0:12:13 | |
The Bandit Queen? | 0:12:13 | 0:12:15 | |
Finally, he gets it! | 0:12:15 | 0:12:18 | |
Now, sit. | 0:12:18 | 0:12:19 | |
Please, just listen. | 0:12:19 | 0:12:21 | |
Like this? | 0:12:23 | 0:12:24 | |
It's been two months now, Valerio. | 0:12:30 | 0:12:33 | |
I've got to make sure everything works. | 0:12:33 | 0:12:36 | |
But why is it taking so long? | 0:12:36 | 0:12:39 | |
Well, the, er... | 0:12:39 | 0:12:40 | |
the technical specifications in the notebook, | 0:12:40 | 0:12:45 | |
they're not complete. | 0:12:45 | 0:12:47 | |
Then work around it. | 0:12:47 | 0:12:49 | |
We have been. And we're getting close now. | 0:12:49 | 0:12:51 | |
Very close. | 0:12:51 | 0:12:53 | |
You hear that? They're trying to build something but they're stuck. | 0:12:54 | 0:12:59 | |
-So what do we do? -Well, we distract them. | 0:12:59 | 0:13:01 | |
They come running out, we go in, switch the notebooks, | 0:13:01 | 0:13:04 | |
escape through the window. What could go wrong? | 0:13:04 | 0:13:06 | |
Quite a lot of things. Like the bit where we distract them? | 0:13:06 | 0:13:09 | |
-My new flashbomb. -Oh, an experimental explosive device? | 0:13:12 | 0:13:16 | |
My mind is at rest(!) | 0:13:16 | 0:13:18 | |
Fire! | 0:13:38 | 0:13:39 | |
Noise but no fire. | 0:13:46 | 0:13:50 | |
There's something odd about this. | 0:13:50 | 0:13:53 | |
This was meant to get us out of the room. | 0:13:53 | 0:13:55 | |
It's my son. | 0:14:14 | 0:14:15 | |
He's been kidnapped by that ridiculous outlaw, | 0:14:15 | 0:14:18 | |
Belladonna, the Bandit Queen. | 0:14:18 | 0:14:21 | |
Lorenzo should be in his room. | 0:14:21 | 0:14:23 | |
Maybe it's not true, Your Excellency? Maybe it's a bluff. | 0:14:23 | 0:14:26 | |
It's Lorenzo's hair. Sound the alarm. | 0:14:34 | 0:14:37 | |
They've got the notebook! Now what do we do? | 0:14:41 | 0:14:45 | |
-What do you think? We've got to help Lorenzo. -OK. | 0:14:45 | 0:14:47 | |
But just because he's been kidnapped doesn't mean he's innocent. | 0:14:47 | 0:14:51 | |
BELL RINGING | 0:14:58 | 0:15:00 | |
Ah! Running from someone? | 0:15:00 | 0:15:03 | |
I... I was just... I heard the bell. | 0:15:03 | 0:15:08 | |
No! I've seen you before. | 0:15:08 | 0:15:11 | |
You! | 0:15:12 | 0:15:13 | |
What do you want? | 0:15:15 | 0:15:18 | |
I haven't done anything. I'm nobody. | 0:15:18 | 0:15:21 | |
The apprentice? | 0:15:21 | 0:15:23 | |
You're a girl? | 0:15:23 | 0:15:25 | |
I...I don't know what you mean. | 0:15:25 | 0:15:27 | |
Of course I'm a girl. A humble servant girl. Humbelina. | 0:15:27 | 0:15:31 | |
You'll have to do better than that. | 0:15:31 | 0:15:34 | |
Now tell me, why are you in my house? | 0:15:34 | 0:15:36 | |
You're involved in the kidnapping, aren't you? | 0:15:38 | 0:15:41 | |
-Kidnapping? -Very foolish. I have the best informers in Florence. | 0:15:41 | 0:15:46 | |
Your Bandit Queen's getting a very nasty surprise. | 0:15:46 | 0:15:49 | |
-I don't know what you're talking about. -I don't believe you. | 0:15:49 | 0:15:52 | |
Now you're going to tell me everything. | 0:15:52 | 0:15:54 | |
Tutto. | 0:15:54 | 0:15:56 | |
Where have you been? | 0:16:06 | 0:16:08 | |
Getting this, Signor. | 0:16:08 | 0:16:11 | |
Your lapis lazuli. You had run out. | 0:16:11 | 0:16:14 | |
What do I owe you? | 0:16:14 | 0:16:15 | |
Think nothing of it. A gift. | 0:16:15 | 0:16:17 | |
Where's Tomaso? | 0:16:17 | 0:16:19 | |
Maybe he's gone to look at a sheep? | 0:16:19 | 0:16:22 | |
I'll show him sheep when I see him. | 0:16:22 | 0:16:25 | |
Look at this blob. | 0:16:25 | 0:16:26 | |
-Idiot Caruso! -Cavolo! This bird's going to ruin me. | 0:16:26 | 0:16:30 | |
There'll be no commissions if it gets out | 0:16:30 | 0:16:32 | |
I'm insulting my clients. | 0:16:32 | 0:16:33 | |
Signor Verrocchio, I have a business relationship with Valduccio. | 0:16:33 | 0:16:37 | |
-The tropical bird importer? -Well, what good would that...? | 0:16:37 | 0:16:41 | |
Of course! | 0:16:44 | 0:16:45 | |
Swap this one for a bird that says nothing. | 0:16:45 | 0:16:48 | |
Valduccio's address. | 0:16:48 | 0:16:49 | |
Just say you're a friend of mine. | 0:16:49 | 0:16:51 | |
Everything I've said about you, I take it all back. | 0:16:51 | 0:16:54 | |
You are a most resourceful boy. | 0:16:54 | 0:16:57 | |
-Grazie. -Prego. -Idiot Caruso! | 0:16:57 | 0:17:00 | |
We have to find Lorenzo. | 0:17:00 | 0:17:02 | |
Relax. I've got the best informers in the city. | 0:17:02 | 0:17:05 | |
HE WHISTLES | 0:17:05 | 0:17:07 | |
-She took him to the old town. -Old town? -Via Della Scala. | 0:17:09 | 0:17:13 | |
-Number 22. -22. | 0:17:13 | 0:17:14 | |
-His left shoe is slightly scuffed. -OK, OK can we go now? | 0:17:14 | 0:17:18 | |
A-hem! | 0:17:18 | 0:17:21 | |
I can't believe you tricked me. | 0:17:26 | 0:17:28 | |
You rich boys are all the same. | 0:17:28 | 0:17:31 | |
Vain peacocks. | 0:17:31 | 0:17:34 | |
Do you seriously think I'd be interested | 0:17:34 | 0:17:36 | |
in anything other than your money? | 0:17:36 | 0:17:39 | |
And you are going to fetch such a big ransom. | 0:17:39 | 0:17:43 | |
I'll be rich. | 0:17:43 | 0:17:45 | |
If I didn't enjoy my work so much, I'd retire on it. | 0:17:45 | 0:17:49 | |
Oh, Lolly, just being with you, that's enough. | 0:17:51 | 0:17:56 | |
Don't. | 0:17:56 | 0:17:57 | |
Hey, I had to listen to you whinging about your valet. | 0:17:57 | 0:18:00 | |
-Poorly conditioned fabric can be very stressful. -Can it? | 0:18:02 | 0:18:05 | |
You won't get away with this, you know. | 0:18:05 | 0:18:07 | |
Ooh! I'm being threatened by the milquetoast | 0:18:07 | 0:18:10 | |
who can't even dress himself. | 0:18:10 | 0:18:12 | |
It's not me you need to worry about. | 0:18:12 | 0:18:15 | |
No, you don't! | 0:18:15 | 0:18:17 | |
Ah! | 0:18:17 | 0:18:18 | |
It's my father. | 0:18:18 | 0:18:20 | |
Take her. | 0:18:20 | 0:18:21 | |
Did she hurt you, Master Lorenzo? | 0:18:24 | 0:18:26 | |
No, I'm fine. | 0:18:26 | 0:18:28 | |
You're to return to the palace immediately. | 0:18:28 | 0:18:31 | |
Your father wants to speak to you. | 0:18:31 | 0:18:34 | |
-This is it, Via Della Scala. -Good work, men. | 0:18:42 | 0:18:46 | |
His Excellency will be pleased. Might even be a little bonus in it. | 0:18:46 | 0:18:50 | |
And we caught your accomplice, too. So don't expect any help from her. | 0:18:50 | 0:18:54 | |
-What accomplice? I work alone. -Yeah, right. | 0:18:54 | 0:18:56 | |
Who's the brunette in the pink dress His Excellency caught | 0:18:56 | 0:18:59 | |
sneaking around the palace? | 0:18:59 | 0:19:01 | |
I have no idea. | 0:19:01 | 0:19:02 | |
Tom! | 0:19:02 | 0:19:05 | |
RAPPING ON DOOR | 0:19:13 | 0:19:15 | |
We've brought you a little friend. What? | 0:19:39 | 0:19:43 | |
Shut the door. | 0:19:44 | 0:19:46 | |
And let her go. | 0:19:46 | 0:19:48 | |
-Grazie, grazie! -Va bene, Maria. You're safe. | 0:19:50 | 0:19:56 | |
-You'll never get out of the palace. -Shut up! | 0:19:56 | 0:20:00 | |
Over there! | 0:20:00 | 0:20:01 | |
And you, move! | 0:20:01 | 0:20:04 | |
Keys. | 0:20:16 | 0:20:18 | |
Cover them. I'll see if the coast is clear. | 0:20:18 | 0:20:20 | |
You're staying with them. | 0:20:20 | 0:20:22 | |
-Excuse me? -You've been double-crossed, love. | 0:20:23 | 0:20:27 | |
That's what you get for working with the Bandit Queen. | 0:20:27 | 0:20:30 | |
The Bandit...? No, no. This is Maria, | 0:20:30 | 0:20:33 | |
the kind and simple fish girl. | 0:20:33 | 0:20:36 | |
-But I set you free! -Yeah, and now you'll get me caught. | 0:20:38 | 0:20:42 | |
-But... -But nothing. I don't work with amateurs. | 0:20:42 | 0:20:45 | |
HE LAUGHS | 0:20:45 | 0:20:46 | |
The place will be swarming with Medici guards. | 0:20:49 | 0:20:52 | |
I know a way out. | 0:20:52 | 0:20:53 | |
Do you now? | 0:20:53 | 0:20:56 | |
I'll show you. But you've got to take me with you. | 0:20:57 | 0:21:02 | |
'You've got to hand it to her.' | 0:21:04 | 0:21:05 | |
That whole Maria act was perfect and kidnapping a Medici? | 0:21:05 | 0:21:08 | |
-Oof! She's got some nerve! -OK, can we focus on finding Tom? | 0:21:08 | 0:21:12 | |
VOICES APPROACHING | 0:21:12 | 0:21:13 | |
See that? | 0:21:14 | 0:21:17 | |
He's got my notebook! | 0:21:17 | 0:21:19 | |
What happened to, "Can we just focus on finding Tom?" | 0:21:19 | 0:21:21 | |
We might not get a chance like this again. | 0:21:21 | 0:21:23 | |
-He's coming. Can you...? -I know, distract him. | 0:21:23 | 0:21:26 | |
Are you all right, boy? Boy? | 0:21:32 | 0:21:35 | |
Boy? | 0:21:37 | 0:21:38 | |
HE COUGHS | 0:21:39 | 0:21:41 | |
Signor, please help me. I think I've got the seeping boil plague. | 0:21:44 | 0:21:49 | |
It's what my mum died so horribly of. | 0:21:49 | 0:21:51 | |
All right. Well, let me go and I'll get you some help. | 0:21:51 | 0:21:56 | |
Please don't leave me! | 0:21:56 | 0:21:57 | |
Let go of me, you little swine! | 0:21:57 | 0:22:00 | |
-The seeping boil plague? -Would you want to catch it? | 0:22:08 | 0:22:12 | |
-Now, can we go and find Tom? -Yeah. | 0:22:12 | 0:22:15 | |
-What are you doing here? -I could ask you the same question. -I live here. | 0:22:22 | 0:22:26 | |
-How convenient. -It's Tom. | 0:22:26 | 0:22:27 | |
-What about her? -Your dad might have locked her up. | 0:22:27 | 0:22:30 | |
-What was she doing here? -We found out that you'd been kidnapped | 0:22:30 | 0:22:34 | |
so Tom came here to find out if it was true. | 0:22:34 | 0:22:37 | |
We think your dad caught her and assumed she was mixed up in it. | 0:22:37 | 0:22:40 | |
This is not good. I'm already in trouble. | 0:22:40 | 0:22:43 | |
If you're found here, then... OK, you two go. | 0:22:43 | 0:22:46 | |
I'll tell my father she's a harmless peasant girl, or something. | 0:22:46 | 0:22:50 | |
-It might be better if we actually... -Tom?! | 0:22:50 | 0:22:53 | |
Tom, eh? You had me fooled. Nobody move. | 0:22:55 | 0:23:00 | |
Kidnap's back on. | 0:23:03 | 0:23:04 | |
Thinking on your feet, I love it. See how she's turned this round? | 0:23:04 | 0:23:07 | |
I'm just saying. | 0:23:08 | 0:23:09 | |
I'm a Medici. I don't take orders from some bandit. | 0:23:11 | 0:23:14 | |
OK, rich boy. You've got three seconds. | 0:23:14 | 0:23:18 | |
Uno... | 0:23:18 | 0:23:19 | |
-Lorenzo, maybe you should just... -No. | 0:23:19 | 0:23:21 | |
-..Due... -Lorenzo, do what she says! -Absolutely not. | 0:23:21 | 0:23:25 | |
If I must die, I will die as a Medici should. | 0:23:25 | 0:23:28 | |
-Proud... -OK, how about if he dies? | 0:23:28 | 0:23:32 | |
Me?! I'm one of your biggest fans! | 0:23:32 | 0:23:35 | |
Come with me or your friend gets it. Your choice. | 0:23:35 | 0:23:39 | |
I'll go with you. | 0:23:44 | 0:23:45 | |
I won't forget this, Lorenzo. | 0:23:46 | 0:23:48 | |
BELL RINGS | 0:23:49 | 0:23:51 | |
There's poison on the end of this. Anyone want to try? | 0:23:59 | 0:24:02 | |
I'll get you next time. | 0:24:06 | 0:24:08 | |
And good luck with the whole sleeve problem. | 0:24:08 | 0:24:12 | |
Sleeve?! | 0:24:13 | 0:24:14 | |
Tom, they know you've escaped. | 0:24:14 | 0:24:17 | |
You need to get out of here. Come on! | 0:24:17 | 0:24:19 | |
DOGS BARK | 0:24:23 | 0:24:25 | |
We've got to go through this again? | 0:24:25 | 0:24:28 | |
It's OK. They've been trained to respond to a password. | 0:24:28 | 0:24:31 | |
# Satin pillows! # | 0:24:31 | 0:24:33 | |
It was my mum's idea. I wanted "thunderbolt". | 0:24:36 | 0:24:38 | |
RAPPING ON DOOR | 0:24:47 | 0:24:49 | |
Entre. | 0:24:49 | 0:24:50 | |
There's no sign of them, Your Excellency. | 0:24:51 | 0:24:54 | |
They've vanished into thin air. | 0:24:54 | 0:24:56 | |
The one maybe. The other, I know where to find her. | 0:24:56 | 0:25:01 | |
Excellency. | 0:25:01 | 0:25:03 | |
You are very lucky that we made copies. | 0:25:34 | 0:25:39 | |
Excellency. | 0:25:39 | 0:25:41 | |
Look! | 0:25:53 | 0:25:55 | |
Identical! | 0:25:55 | 0:25:57 | |
The only other one in the whole city. | 0:25:57 | 0:26:00 | |
Tail feathers are different. I need to build up the lighter shades. | 0:26:02 | 0:26:07 | |
No. | 0:26:07 | 0:26:09 | |
We notice because we have an artist's eye. | 0:26:09 | 0:26:11 | |
That idiot Caruso would nev... | 0:26:11 | 0:26:13 | |
-Idiot Caruso! -No, no, no! | 0:26:17 | 0:26:20 | |
No, pretty Alfonso! Pretty Alfonso! | 0:26:20 | 0:26:23 | |
Idiot Caruso! | 0:26:23 | 0:26:24 | |
And whoever keeps messing around with that dress, put it back! | 0:26:28 | 0:26:32 | |
Idiot Caruso! | 0:26:32 | 0:26:33 | |
He's gone! | 0:26:40 | 0:26:41 | |
Maybe I shouldn't bother. | 0:26:54 | 0:26:56 | |
I mean, it's all over, isn't it? | 0:26:56 | 0:26:58 | |
Now that Piero knows I'm a girl. | 0:26:58 | 0:27:01 | |
One word to Verrocchio and that's it, you're gone. | 0:27:02 | 0:27:05 | |
It's not just Tom. | 0:27:05 | 0:27:07 | |
Maybe the whole workshop if it gets out Verrocchio hired a girl. | 0:27:07 | 0:27:11 | |
-They'll close him down. -I don't know what to do. | 0:27:11 | 0:27:14 | |
What should I do? | 0:27:14 | 0:27:17 | |
Should I get out of here? | 0:27:17 | 0:27:18 | |
Should I run? | 0:27:22 | 0:27:24 | |
Subtitles by Red Bee Media Ltd | 0:27:41 | 0:27:43 | |
E-mail [email protected] | 0:27:43 | 0:27:45 |