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LEONARDO COUGHS | 0:00:12 | 0:00:15 | |
This is where I do my pottering. | 0:00:23 | 0:00:25 | |
Fantastico! | 0:00:33 | 0:00:34 | |
Behold! The fireball - | 0:01:08 | 0:01:12 | |
key to ultimate power over the city of Florence, | 0:01:12 | 0:01:15 | |
and the vermin who... | 0:01:15 | 0:01:18 | |
The vermin... | 0:01:18 | 0:01:19 | |
Mi scusi. | 0:01:19 | 0:01:21 | |
The vermin... | 0:01:21 | 0:01:25 | |
Behold! The fireball... | 0:01:25 | 0:01:27 | |
-Oh, shut up! -Excellency. | 0:01:27 | 0:01:30 | |
-One question. Does it work? -Of course. | 0:01:30 | 0:01:34 | |
The sphere contains two separate, harmless liquids. | 0:01:34 | 0:01:37 | |
But when mixed, they create a ball of fire, | 0:01:37 | 0:01:39 | |
destroying everything within six feet. | 0:01:39 | 0:01:42 | |
-Mm. And it is activated how? -By sound. | 0:01:42 | 0:01:46 | |
With one clap of my hands, | 0:01:46 | 0:01:48 | |
the ball of fire will reduce this table to ashes. | 0:01:48 | 0:01:51 | |
Behold! | 0:01:51 | 0:01:54 | |
I... My hands are a little sweaty. Once more. | 0:01:57 | 0:02:00 | |
Ooh! | 0:02:02 | 0:02:04 | |
-HE STAMPS FOOT -Ooh! | 0:02:04 | 0:02:06 | |
Your Excellency, you're in great danger. | 0:02:07 | 0:02:09 | |
THUD! | 0:02:09 | 0:02:11 | |
I appear to be alive. | 0:02:14 | 0:02:16 | |
Praise be. There must be some technical hitch. | 0:02:16 | 0:02:20 | |
Here's the hitch... your bomb does not work. | 0:02:20 | 0:02:23 | |
And when things do not work, I dispose of them. | 0:02:23 | 0:02:26 | |
Your Excellency, I can fix it, trust me. | 0:02:26 | 0:02:29 | |
I have no time left for trust. | 0:02:29 | 0:02:31 | |
I need expertise. A child could do a better job than... | 0:02:31 | 0:02:34 | |
A child could do a better job than you. | 0:02:36 | 0:02:41 | |
I brought you some... | 0:02:42 | 0:02:44 | |
What are you doing? | 0:02:44 | 0:02:46 | |
Well, that's everything. | 0:02:46 | 0:02:47 | |
But you can't go. | 0:02:47 | 0:02:50 | |
I can't stay, Leo. I don't want to run into Verrocchio... | 0:02:50 | 0:02:53 | |
Tomaso! Leonardo! | 0:02:53 | 0:02:55 | |
Mark this day, for it is the greatest of your lives. | 0:02:55 | 0:03:00 | |
You have been summoned to create a painting for Piero de' Medici. | 0:03:00 | 0:03:04 | |
-A what? -A painting, boy. | 0:03:04 | 0:03:06 | |
The application of oils to canvas for visual effect. | 0:03:06 | 0:03:09 | |
You might have seen them around. | 0:03:09 | 0:03:11 | |
-And His Excellency asked for us? -Yes. I could hardly believe it myself - | 0:03:11 | 0:03:15 | |
that he has heard of you, let alone commissioned a piece. | 0:03:15 | 0:03:18 | |
You're to go to the palace immediately. | 0:03:18 | 0:03:20 | |
I'll take those blank faces as expressions of delight. | 0:03:22 | 0:03:25 | |
Presto, presto! We don't want him to change his mind. | 0:03:25 | 0:03:27 | |
Get your things. | 0:03:27 | 0:03:29 | |
Where's the cobalt? | 0:03:32 | 0:03:35 | |
It's just there. | 0:03:35 | 0:03:36 | |
You've been invited to the Medici Palace? | 0:03:39 | 0:03:41 | |
It's the ideal opportunity to find out what Piero is up to. | 0:03:41 | 0:03:44 | |
Or the ideal opportunity to get killed! Talk him out of it! | 0:03:44 | 0:03:48 | |
Piero knows I'm a girl. If we don't do this, | 0:03:48 | 0:03:50 | |
he could have Verrocchio arrested. | 0:03:50 | 0:03:52 | |
Oh, so better to be locked up, interrogated, killed? | 0:03:52 | 0:03:55 | |
He's not going to kill us. | 0:03:55 | 0:03:57 | |
Anyway, Verrocchio knows we're there. | 0:03:57 | 0:03:59 | |
Piero is a respectable man in the eyes of the world, remember? | 0:03:59 | 0:04:02 | |
And a dangerous one. | 0:04:02 | 0:04:04 | |
We don't know that for sure. See you later? | 0:04:04 | 0:04:06 | |
Yeah...I hope so. | 0:04:06 | 0:04:10 | |
What happens now? | 0:04:26 | 0:04:28 | |
We wait. | 0:04:30 | 0:04:31 | |
Piero comes and we find out what this is all about. | 0:04:31 | 0:04:35 | |
-Ciao! -Lorenzo! -We haven't seen you for days. | 0:04:57 | 0:05:03 | |
I know I've been helping my dad organize the Duke's birthday party. | 0:05:03 | 0:05:07 | |
No talking. Less this... more of this... | 0:05:07 | 0:05:11 | |
So...we are here to do a portrait? | 0:05:11 | 0:05:13 | |
Of course! You're painters, aren't you? | 0:05:13 | 0:05:16 | |
Yeah, but... | 0:05:16 | 0:05:17 | |
Do not speak to Master Lorenzo directly. | 0:05:17 | 0:05:20 | |
Any questions you address to me. | 0:05:20 | 0:05:22 | |
So...is His Excellency at home? | 0:05:24 | 0:05:27 | |
No. Not that it's any of your business. | 0:05:27 | 0:05:29 | |
-Could I go to the bathroom? -No. Now get painting. | 0:05:29 | 0:05:34 | |
We need to get into his study again. | 0:05:38 | 0:05:41 | |
-You distract Lorenzo, while I... -While you what? | 0:05:41 | 0:05:44 | |
So, how do you want me? | 0:05:44 | 0:05:48 | |
Um, could the...young master strike a noble, commanding pose? | 0:05:48 | 0:05:55 | |
Ahh! | 0:05:56 | 0:05:58 | |
Perfetto! | 0:05:58 | 0:06:00 | |
Grr... | 0:06:00 | 0:06:02 | |
They might be dead already. You know he chained me up? | 0:06:02 | 0:06:06 | |
Probably would have tortured and executed me, | 0:06:06 | 0:06:08 | |
had I not engineered a daring escape. | 0:06:08 | 0:06:10 | |
I wonder what's happening up there? I'm talking to myself. | 0:06:10 | 0:06:14 | |
KNOCK AT DOOR | 0:06:14 | 0:06:16 | |
-Are you Machiavelli? -That depends. | 0:06:19 | 0:06:22 | |
I'm in urgent need of your assistance. I'm in fear of my life. | 0:06:22 | 0:06:26 | |
-I need help to escape the city. -I know you. | 0:06:26 | 0:06:28 | |
-You're Piero de' Medici's engineer. -He fired me. | 0:06:28 | 0:06:31 | |
-And now I think he wants to kill me. -Oh really? | 0:06:31 | 0:06:34 | |
Interessante. | 0:06:36 | 0:06:38 | |
I wonder if the young master | 0:06:48 | 0:06:50 | |
would care to inspect the work in progress. | 0:06:50 | 0:06:52 | |
Um, no, thanks, I'll wait till it's finished. | 0:06:52 | 0:06:56 | |
Or...maybe a little glance. Yeah. | 0:06:58 | 0:07:02 | |
Oh... Well, that's not a picture, that's a series of pictures. | 0:07:10 | 0:07:14 | |
HE LAUGHS There's one of me looking at the canvas. | 0:07:15 | 0:07:19 | |
Shh! | 0:07:22 | 0:07:23 | |
So, here's the deal. I provide you with a whole new identity | 0:07:27 | 0:07:31 | |
for the bargain price of 200 florins. | 0:07:31 | 0:07:34 | |
The Duke himself couldn't afford that! | 0:07:34 | 0:07:36 | |
Or you could pay with some other form of currency. Like information. | 0:07:36 | 0:07:42 | |
-Information? -About Piero de' Medici. What goes on at that house. | 0:07:42 | 0:07:46 | |
I couldn't tell you that. | 0:07:46 | 0:07:47 | |
I am in enough danger already, without betraying Piero's plans. | 0:07:47 | 0:07:51 | |
Oh, he has plans? See? | 0:07:51 | 0:07:56 | |
You've saved yourself a couple of florins already. | 0:07:56 | 0:08:00 | |
-Va bene, Master Lorenzo? -No, not really, feeling a trifle hot. | 0:08:01 | 0:08:09 | |
Stand in for us a while would you, there's a good fellow. | 0:08:09 | 0:08:13 | |
No reason to shirk. Keep painting! | 0:08:30 | 0:08:34 | |
(Let's go!) | 0:08:46 | 0:08:47 | |
Master Lorenzo! | 0:08:52 | 0:08:53 | |
Sorry about the dirty trick there. | 0:08:53 | 0:08:56 | |
-But...? -It's all in this sequence of pictures. | 0:08:56 | 0:09:00 | |
There's one of me giving you the helmet, | 0:09:00 | 0:09:02 | |
there they are escaping and... very clever, | 0:09:02 | 0:09:05 | |
they've even drawn the moment where you find me. | 0:09:05 | 0:09:08 | |
Oh, and there's one of you running out after... Oh. | 0:09:08 | 0:09:11 | |
-What are we looking for? -There must be something here. | 0:09:17 | 0:09:20 | |
-Like what? -Anything that'll show us what they're up to. | 0:09:20 | 0:09:24 | |
Perhaps I can help you. | 0:09:25 | 0:09:27 | |
I thought it was time we met properly. | 0:09:27 | 0:09:30 | |
That's why I invited you here. | 0:09:30 | 0:09:32 | |
I am Piero de' Medici. | 0:09:32 | 0:09:36 | |
Your names are Leonardo and, um... | 0:09:36 | 0:09:39 | |
-Tomaso. -Lisa. That's right. Lisa. | 0:09:39 | 0:09:43 | |
I apologise for summoning you up to the palace in this way | 0:09:43 | 0:09:46 | |
but a man like me could hardly stroll into your workshop | 0:09:46 | 0:09:49 | |
for a chat. You have my permission to speak. | 0:09:49 | 0:09:52 | |
No? No need - I know everything you could possibly tell me. | 0:09:53 | 0:10:00 | |
I know, for example, that you are friendly with my son, Lorenzo. | 0:10:00 | 0:10:03 | |
That he visits you in your workshop | 0:10:03 | 0:10:05 | |
in the belief that I know nothing about it. | 0:10:05 | 0:10:08 | |
Clearly, you thought I was stupid. | 0:10:08 | 0:10:10 | |
Well, I do not extend the same discourtesy to you, Leonardo. | 0:10:10 | 0:10:14 | |
I think you are a very gifted boy. | 0:10:14 | 0:10:16 | |
So that's why you and your sinister friends stole my notebook? | 0:10:16 | 0:10:20 | |
-The Luminari? -So, you know our name. | 0:10:20 | 0:10:24 | |
But you've got it wrong. We're not sinister. | 0:10:24 | 0:10:27 | |
You just like hanging out in the catacombs. | 0:10:27 | 0:10:29 | |
Do you know what it means, Luminari, eh? Shining lights. | 0:10:29 | 0:10:35 | |
We are the shining lights. | 0:10:35 | 0:10:38 | |
The bright minds, the visionaries. | 0:10:38 | 0:10:41 | |
Fine, so you're so clever, what do you want with me? | 0:10:44 | 0:10:47 | |
I want to offer you a job. | 0:10:47 | 0:10:50 | |
HE TUTS | 0:10:54 | 0:10:57 | |
Not interested. | 0:10:57 | 0:10:58 | |
That's a shame. | 0:10:58 | 0:11:00 | |
Never mind then, arrivederci. | 0:11:00 | 0:11:02 | |
-Sorry? -I'm not going to force you. | 0:11:02 | 0:11:05 | |
Come on, Leo, let's go. | 0:11:05 | 0:11:07 | |
But I am surprised you don't want to see the prototypes. | 0:11:07 | 0:11:11 | |
-Prototypes? -Of your designs. | 0:11:11 | 0:11:14 | |
Difficult to know which ones work until you build them. | 0:11:14 | 0:11:18 | |
-You've built my designs? -Mm-hm. -And do they work? | 0:11:18 | 0:11:23 | |
Why don't you see for yourself? | 0:11:23 | 0:11:25 | |
I can have you taken to my workshop. | 0:11:25 | 0:11:29 | |
No, Leo. | 0:11:29 | 0:11:31 | |
We're alike, you and I. | 0:11:34 | 0:11:36 | |
The future belongs to men like us. | 0:11:36 | 0:11:38 | |
Men of reason. Men who see the infinite possibilities. | 0:11:38 | 0:11:42 | |
Men of vision. And women too, of course. | 0:11:42 | 0:11:45 | |
Such a shame, such a crime, | 0:11:45 | 0:11:47 | |
that an artist as talented as young Lisa is denied | 0:11:47 | 0:11:50 | |
the chance to flourish just because she's female. | 0:11:50 | 0:11:53 | |
Such Dark Age nonsense. | 0:11:53 | 0:11:55 | |
Well, yes, it is a real... | 0:11:55 | 0:11:59 | |
It doesn't have to be that way. | 0:11:59 | 0:12:01 | |
You could help me to design a better world. | 0:12:01 | 0:12:05 | |
Just take a look, eh? | 0:12:06 | 0:12:08 | |
No. We can't. We need to go. | 0:12:11 | 0:12:14 | |
Then go. But I think young Leonardo here wants to visit my workshop. | 0:12:14 | 0:12:19 | |
Don't you? | 0:12:19 | 0:12:21 | |
I'll be fine. | 0:12:25 | 0:12:27 | |
I'll make sure everyone knows where you are. | 0:12:30 | 0:12:33 | |
I do like it when people come round to my way of thinking. | 0:12:39 | 0:12:44 | |
Tom! I've been looking for you everywhere. What's going on? | 0:12:46 | 0:12:51 | |
What was all that business with the pictures about? | 0:12:51 | 0:12:53 | |
Just a bit of fun. | 0:12:53 | 0:12:55 | |
Come on, I can see something's going on. Where's Leo? | 0:12:55 | 0:12:59 | |
-He went with your dad. -What?! Why? | 0:13:00 | 0:13:03 | |
You'll have to ask your dad that. | 0:13:05 | 0:13:07 | |
LEONARDO COUGHS | 0:13:14 | 0:13:17 | |
Forgive the blindfold. This is where I do my pottering. | 0:13:20 | 0:13:23 | |
Fantastico. I... | 0:13:27 | 0:13:31 | |
My rotary blades! | 0:13:31 | 0:13:34 | |
My deep-sea diving suit! | 0:13:34 | 0:13:35 | |
Effective to a depth of eight fathoms. | 0:13:35 | 0:13:38 | |
You mean you've tested it? | 0:13:38 | 0:13:39 | |
Everything works, Leonardo, exactly as you designed it. | 0:13:39 | 0:13:42 | |
I could never afford to build any of these. | 0:13:42 | 0:13:45 | |
That's why we're such a great team. Your ideas, my resources. | 0:13:45 | 0:13:50 | |
-We are not a team. -You don't trust me. | 0:13:51 | 0:13:55 | |
That's reasonable. I don't blame you for it. | 0:13:57 | 0:14:00 | |
How about this... | 0:14:01 | 0:14:03 | |
Join me for a day, or two. | 0:14:03 | 0:14:05 | |
A trial period. You'd be free to leave at any time. | 0:14:05 | 0:14:09 | |
You could look at a problem I'm having with one of your designs. | 0:14:09 | 0:14:12 | |
-I don't know. -No, it is a very difficult problem. | 0:14:15 | 0:14:19 | |
You almost certainly won't be able to solve it. | 0:14:19 | 0:14:23 | |
Let me see. | 0:14:24 | 0:14:25 | |
-Signor Verrocchio. -Hmm? Oh, it's you. | 0:14:42 | 0:14:45 | |
Have Leonardo and Tomaso returned from the palace? | 0:14:45 | 0:14:48 | |
How do you know they went to the palace? What do you want? | 0:14:48 | 0:14:51 | |
You look very dashing, Signore. Bellissimo! | 0:14:51 | 0:14:56 | |
Court appearance, is it? | 0:14:56 | 0:14:58 | |
Hmm. I have a very big day tomorrow. | 0:14:58 | 0:15:03 | |
Tomaso! Did you paint well? | 0:15:04 | 0:15:06 | |
Was His Excellency pleased? Were you a good ambassador for the workshop? | 0:15:06 | 0:15:10 | |
-Yes, Maestro. -To which question? | 0:15:10 | 0:15:13 | |
-All of them? -Eccellente! | 0:15:14 | 0:15:18 | |
Where's Leo? | 0:15:18 | 0:15:20 | |
He stayed behind to... | 0:15:20 | 0:15:22 | |
to do some extra work. | 0:15:22 | 0:15:24 | |
Bene, bene. Shows willing. | 0:15:24 | 0:15:27 | |
Oh, no not this coat. No, too shiny. | 0:15:27 | 0:15:31 | |
-What has Piero done to Leo? -He's... | 0:15:34 | 0:15:37 | |
This is really weird. he's kind of, um, made friends with him. | 0:15:37 | 0:15:41 | |
Leo's with him now, looking at inventions. | 0:15:41 | 0:15:43 | |
Piero's plotting an assassination. He plans to kill the Duke. | 0:15:43 | 0:15:46 | |
He needs Leo's help to build some sort of sound-activated bomb. | 0:15:46 | 0:15:51 | |
A fireball. | 0:15:51 | 0:15:52 | |
That's ridiculous. | 0:15:54 | 0:15:56 | |
Leo would never help anyone build a weapon. | 0:15:56 | 0:15:59 | |
He doesn't know it's a weapon. | 0:15:59 | 0:16:01 | |
-He designed it as something else. -What? | 0:16:01 | 0:16:03 | |
My flower ball! | 0:16:04 | 0:16:06 | |
Your flower ball. Precisamente. | 0:16:06 | 0:16:08 | |
-You remember designing this? -Of course. It's a children's toy. | 0:16:08 | 0:16:12 | |
Clap your hands, a bunch of flowers pops out. | 0:16:12 | 0:16:14 | |
I wanted to present it to the Duke tomorrow | 0:16:14 | 0:16:17 | |
at his birthday celebrations in the piazza. | 0:16:17 | 0:16:19 | |
-And what's the problem? -The sound activation. | 0:16:19 | 0:16:22 | |
It's crucial the ball can be operated at a distance. | 0:16:22 | 0:16:25 | |
And yet none of my engineers has been able to fix it. | 0:16:25 | 0:16:29 | |
-Can I meet your engineers? -They've all...moved on, I'm afraid. | 0:16:29 | 0:16:33 | |
So difficult to find people who share one's vision. | 0:16:33 | 0:16:37 | |
BELLS CHIME | 0:16:44 | 0:16:47 | |
What's the time? | 0:16:48 | 0:16:50 | |
-Late? -Later than late - it's early. | 0:16:50 | 0:16:53 | |
Maybe that's a good thing. | 0:16:56 | 0:16:58 | |
Maybe Leo couldn't fix this fireball - then there's no problem. | 0:16:59 | 0:17:04 | |
-Success! -So much for that hope. | 0:17:07 | 0:17:10 | |
Mac, you won't believe what happened to us today...er, yesterday. | 0:17:10 | 0:17:14 | |
-Tom told me. -I feel like an idiot. We got Piero all wrong, | 0:17:14 | 0:17:19 | |
thinking he had some evil plan, when really... What? | 0:17:19 | 0:17:24 | |
That feeling like you're an idiot? | 0:17:24 | 0:17:26 | |
Hold on to that, you're gonna need it again in a minute. | 0:17:26 | 0:17:29 | |
-What do you mean? -Piero tricked us. -No, he didn't. | 0:17:29 | 0:17:32 | |
He really is a decent man. He had me fix a birthday toy for the Duke. | 0:17:32 | 0:17:37 | |
-It's not a toy. It's a bomb. -Bomb? No, no, it's a flowerball. | 0:17:37 | 0:17:42 | |
-I designed it myself. -Piero adapted your design | 0:17:42 | 0:17:45 | |
into an explosive fireball, | 0:17:45 | 0:17:47 | |
-built to assassinate the Duke. -No, Mac, it's a flowerball... | 0:17:47 | 0:17:51 | |
Clap your hands together and out comes a lovely bunch of... | 0:17:51 | 0:17:54 | |
I think I must be the most stupid person in the world, ever. | 0:17:57 | 0:18:00 | |
I fell for his act as well. | 0:18:00 | 0:18:02 | |
Yeah, but you didn't help him build a bomb. | 0:18:02 | 0:18:05 | |
-I've got to go, destroy it. -Where? Where's his workshop? | 0:18:05 | 0:18:10 | |
I don't know, I was blindfolded. | 0:18:10 | 0:18:13 | |
But it's below the palace. | 0:18:13 | 0:18:16 | |
I'm sure it is. We must be able to find a way in. | 0:18:16 | 0:18:19 | |
Tom! What if you can't find it? | 0:18:20 | 0:18:24 | |
Be careful. | 0:18:24 | 0:18:26 | |
And don't worry, I've got a plan of my own. | 0:18:26 | 0:18:28 | |
Don't you always? | 0:18:28 | 0:18:30 | |
With a little help from my friend. | 0:18:30 | 0:18:34 | |
I gave you what you wanted. | 0:18:35 | 0:18:38 | |
Where are my papers? | 0:18:38 | 0:18:39 | |
You'll get them. Patience. | 0:18:39 | 0:18:41 | |
How can I have patience when I fear for my life? | 0:18:41 | 0:18:44 | |
Because, my friend, I am about to make you unrecognisable. | 0:18:44 | 0:18:48 | |
Wait here. | 0:18:59 | 0:19:01 | |
There it is. Grazie, Leonardo. | 0:19:11 | 0:19:15 | |
I...need to adjust...something. The... | 0:19:17 | 0:19:20 | |
There was no problem last night. | 0:19:20 | 0:19:23 | |
I realised this morning. | 0:19:23 | 0:19:25 | |
-You know, it might not work if I don't... -It's fine. Trust me. | 0:19:25 | 0:19:29 | |
If we're going to work together, we must have trust, yes? | 0:19:32 | 0:19:35 | |
But I... | 0:19:36 | 0:19:38 | |
Placidi! Escort them out. | 0:19:38 | 0:19:42 | |
Yes, Excellency. | 0:19:42 | 0:19:44 | |
Oh, they're back. Are they carrying on with my portrait? | 0:19:53 | 0:19:57 | |
-Should I go with them, Papa? -No. | 0:19:57 | 0:19:59 | |
It's time to get ready for the Duke's party. | 0:19:59 | 0:20:02 | |
I'm looking forward to it. It should be a lot of fun. | 0:20:02 | 0:20:06 | |
Ridicolo! Why must I be dressed up as an old crone? | 0:20:10 | 0:20:14 | |
-So you won't be recognised as we cross town to see the Duke. -Do what? | 0:20:14 | 0:20:18 | |
Show the Duke those plans. Explain what Piero is up to. | 0:20:18 | 0:20:21 | |
He'll be arrested and your worries over. | 0:20:21 | 0:20:23 | |
That was not our arrangement. I just want to get out of the city. | 0:20:23 | 0:20:27 | |
I changed our arrangement - my friends are in danger. | 0:20:27 | 0:20:29 | |
Now if you'd rather fend for yourself, fine. | 0:20:29 | 0:20:32 | |
But I don't give much for your chances. Relax. | 0:20:32 | 0:20:34 | |
You look very convincing. You might even enjoy it too. | 0:20:34 | 0:20:39 | |
Buon giorno, Signor Verrocchio. Off to the Duke's birthday bash? | 0:20:39 | 0:20:43 | |
-That's right, boy. Big day. -Oh... | 0:20:43 | 0:20:46 | |
-Signor Verrocchio, may I introduce my aunt. Elena. -Charmed, Signora. | 0:20:46 | 0:20:51 | |
Tell me, have we perhaps met? | 0:20:51 | 0:20:55 | |
-No. -Ah. Um, well...I-I must be... | 0:20:55 | 0:21:02 | |
See? Not only convincing but attractive too. | 0:21:03 | 0:21:08 | |
-Did you get to the fireball? -I failed. | 0:21:23 | 0:21:25 | |
Me too. The disguise was too good. | 0:21:25 | 0:21:27 | |
-Oh, Mac. -Andiamo, presto. We need to get to the Duke before Piero does. | 0:21:27 | 0:21:31 | |
TRIUMPHAL MUSIC PLAYS | 0:21:35 | 0:21:38 | |
This is hopeless. | 0:21:57 | 0:21:59 | |
We can't even get close, never mind speak to him. | 0:21:59 | 0:22:02 | |
-Something isn't right. -Yeah, he's going to kill the Duke! | 0:22:04 | 0:22:07 | |
Exactly. Right here, in broad daylight. | 0:22:07 | 0:22:09 | |
If I was Piero, I'd get someone else to present the gift for me. | 0:22:09 | 0:22:13 | |
Oh, no... | 0:22:15 | 0:22:16 | |
Don't! Master Verrocchio! Please don't! | 0:22:17 | 0:22:20 | |
-It's dangerous! -Put the box down! | 0:22:20 | 0:22:23 | |
-Don't give him the gift! -Put it down! | 0:22:23 | 0:22:25 | |
APPLAUSE | 0:22:25 | 0:22:27 | |
THUD! | 0:22:41 | 0:22:42 | |
GUESTS GASP | 0:22:42 | 0:22:44 | |
Arrest that boy. | 0:22:52 | 0:22:54 | |
-Leo... -No! I had to do it! The gift, it was going to explode. | 0:22:55 | 0:23:00 | |
-It was Piero de Medici! -Silenzio! | 0:23:00 | 0:23:02 | |
It seems the boy has something to say. | 0:23:03 | 0:23:05 | |
Your Excellency, he's clearly not well. | 0:23:05 | 0:23:08 | |
Paint fumes can sometimes affect the brain. | 0:23:08 | 0:23:10 | |
-Yes, I have something to say. -Leonardo! | 0:23:10 | 0:23:13 | |
-Well, out with it boy. -Your Grace... | 0:23:13 | 0:23:17 | |
that gift was going to explode. It's a sound-activated fireball. | 0:23:17 | 0:23:22 | |
GUESTS GASP | 0:23:22 | 0:23:24 | |
A what? | 0:23:24 | 0:23:26 | |
If the boy's claims are correct, | 0:23:26 | 0:23:28 | |
he is a hero and I am indeed a terrible villain. | 0:23:28 | 0:23:31 | |
If, on the other hand, he is inventing stories... | 0:23:31 | 0:23:35 | |
But there is an easy way to find out. | 0:23:36 | 0:23:39 | |
Sound-activated, you say, hmm? | 0:23:39 | 0:23:43 | |
-Your Grace, would you be so kind as to clap your hands for me? -Get back! | 0:23:43 | 0:23:50 | |
LAUGHTER AND APPLAUSE | 0:23:54 | 0:23:55 | |
That's charming, charming! | 0:23:55 | 0:23:58 | |
Thank you, Your Grace. Buon compleanno. | 0:23:58 | 0:24:01 | |
-I don't understand. -There! That man, he knows the truth. | 0:24:04 | 0:24:07 | |
He'll explain everything. | 0:24:07 | 0:24:09 | |
Valerio? He's my chief engineer. | 0:24:09 | 0:24:11 | |
Was your chief engineer, before you threatened to kill him. | 0:24:11 | 0:24:14 | |
Valerio, do you know these young men? | 0:24:14 | 0:24:18 | |
No, Excellency, I do not. | 0:24:18 | 0:24:20 | |
And have I threatened to kill you? | 0:24:20 | 0:24:23 | |
No, Excellency. What a suggestion, Excellency! | 0:24:23 | 0:24:28 | |
So it seems the boy has been inventing stories after all. | 0:24:28 | 0:24:32 | |
Tut-tut-tut... | 0:24:35 | 0:24:37 | |
-Take him away. -No! Leo! Leo, no! | 0:24:41 | 0:24:46 | |
# It's empty in the valley of your heart | 0:24:49 | 0:24:52 | |
# The sun it rises slowly as you walk | 0:24:52 | 0:24:55 | |
# Away from all the fears and all the faults | 0:24:55 | 0:24:58 | |
# You've left behind | 0:24:58 | 0:25:02 | |
# Come out of your cave walking on your hands | 0:25:02 | 0:25:06 | |
# See the world hanging upside down | 0:25:06 | 0:25:09 | |
# But I have seen the same I know the shame | 0:25:09 | 0:25:12 | |
# In your defeat.. # | 0:25:12 | 0:25:14 | |
Buon giorno. Hungry? | 0:25:21 | 0:25:23 | |
I brought you an apple. | 0:25:23 | 0:25:25 | |
It was all real, you know. | 0:25:30 | 0:25:32 | |
Everything I offered. | 0:25:32 | 0:25:33 | |
You could have been my right-hand man. | 0:25:33 | 0:25:35 | |
You'd have had power, resources... | 0:25:35 | 0:25:38 | |
security for your little friend, Lisa Gherardini. | 0:25:38 | 0:25:41 | |
All you had to do was show loyalty. And obedience. | 0:25:41 | 0:25:44 | |
So the whole thing, the story your engineer told Machiavelli, | 0:25:44 | 0:25:49 | |
-that was all a set-up? -That's right. | 0:25:49 | 0:25:51 | |
And now we can never be allies. Shame. | 0:25:51 | 0:25:55 | |
-I would -never -be your ally. | 0:25:55 | 0:25:58 | |
Clearly. But you did help me with the fireball. | 0:25:58 | 0:26:01 | |
And after your outburst at the banquet | 0:26:03 | 0:26:06 | |
no-one will take your accusations seriously ever again. | 0:26:06 | 0:26:10 | |
Oh, you're free to go by the way. I asked the Duke for clemency. | 0:26:14 | 0:26:18 | |
You're no threat to me any more, so why not? | 0:26:18 | 0:26:22 | |
It's fine. Thank me some other time. | 0:26:23 | 0:26:26 | |
Mmm, bello. | 0:26:28 | 0:26:31 | |
Leo! | 0:26:42 | 0:26:44 | |
Leo! I thought you'd be banished. That I'd never see you again. | 0:26:44 | 0:26:49 | |
Get back to the workshop, both of you. | 0:26:49 | 0:26:52 | |
Maestro... | 0:26:52 | 0:26:54 | |
I'm sorry for embarrassing you at yesterday's celebrations. | 0:26:54 | 0:26:57 | |
Behold. | 0:27:09 | 0:27:12 | |
-Ha-ha! -Never again will you come to me with your technical hitches. | 0:27:18 | 0:27:22 | |
You might not be offered the same chance to redeem yourself. | 0:27:22 | 0:27:25 | |
No, Excellency. Grazie, Excellency. | 0:27:25 | 0:27:27 | |
Get it installed. By morning. | 0:27:27 | 0:27:29 | |
Subtitles by Red Bee Media Ltd | 0:27:48 | 0:27:51 | |
Email [email protected] | 0:27:51 | 0:27:54 |