Browse content similar to Time Waits. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
THEME MUSIC | 0:00:35 | 0:00:37 | |
BELL TOLLS | 0:01:06 | 0:01:08 | |
Why can't you keep time like everyone else? Breakfast! Presto! | 0:01:17 | 0:01:22 | |
"Happy Birthday, Cosimo. | 0:01:22 | 0:01:25 | |
"Why don't you take the day off, Cosimo?" | 0:01:25 | 0:01:28 | |
Dream on, Cosimo. | 0:01:28 | 0:01:30 | |
MUSIC | 0:01:30 | 0:01:32 | |
# If you want me to stay | 0:01:36 | 0:01:40 | |
# If you want me to stay | 0:01:40 | 0:01:44 | |
# If you want me to stay | 0:01:45 | 0:01:48 | |
# I will stay by your side | 0:01:48 | 0:01:52 | |
# I will stay by your side | 0:01:53 | 0:01:57 | |
# And I want you to find me. # | 0:01:57 | 0:02:01 | |
Bravo. Parry. | 0:02:02 | 0:02:04 | |
Be ready for the riposte here. Recover quickly or you're open here. | 0:02:04 | 0:02:09 | |
Excellente. Keep that up and we'll bring home a trophy. | 0:02:09 | 0:02:13 | |
-You're coming? -To see my son win the cup? Of course! | 0:02:13 | 0:02:17 | |
Excuse me, Lorenzo. One moment. | 0:02:20 | 0:02:23 | |
And then recover. That's it. No room for error. | 0:02:24 | 0:02:29 | |
You're not supposed to be here. | 0:02:29 | 0:02:32 | |
Your Excellency, my target, Signor Schelling, has gone missing. | 0:02:32 | 0:02:37 | |
Left his hotel and never came back. | 0:02:37 | 0:02:39 | |
-And the package? -Disappeared. -You have no idea how precious it is. | 0:02:39 | 0:02:43 | |
If we lose it... We may lose the key to time itself. | 0:02:43 | 0:02:47 | |
-Is there a lead? Was he alone? -He was travelling with his mother. | 0:02:47 | 0:02:52 | |
Have her brought up here. Nicely. She might tell us something useful. | 0:02:52 | 0:02:56 | |
In the meantime, find him. | 0:02:56 | 0:02:59 | |
Find that package. Put the word out on the street. Check the morgue. | 0:02:59 | 0:03:03 | |
Lorenzo. Something's cropped up. | 0:03:08 | 0:03:11 | |
Why no stress in these muscles? Think about how they work! | 0:03:22 | 0:03:26 | |
They push and they pull. Everything moves. | 0:03:26 | 0:03:29 | |
This looks like a lump of overcooked pasta. | 0:03:29 | 0:03:32 | |
This, on the other hand, could walk off the canvas. | 0:03:34 | 0:03:38 | |
Leonardo's, I take it. Unfinished, as usual. | 0:03:38 | 0:03:41 | |
Where is he, then? | 0:03:41 | 0:03:43 | |
Up to mischief, no doubt. | 0:03:43 | 0:03:46 | |
Tell him I want to see him. One half blind, the other half bonkers. | 0:03:46 | 0:03:51 | |
-Respect, Lisa. That's amazing. -It's Tomaso, and this is Leo's. | 0:03:56 | 0:04:01 | |
It's Leo I wanted. Wanted to know if you want to see me in the Under 18s. | 0:04:01 | 0:04:06 | |
Lorenzo de Medici going for gold! | 0:04:06 | 0:04:08 | |
-Ha! -Waah! | 0:04:08 | 0:04:09 | |
-Sorry. -Leo's been out since dawn. | 0:04:09 | 0:04:12 | |
-Not at the morgue again, is he? -Morgue? -Creepy, eh? | 0:04:12 | 0:04:16 | |
Oh well. | 0:04:16 | 0:04:17 | |
I guess I could use a cheerleader. | 0:04:17 | 0:04:20 | |
Do I look stupid? Why would I waste my time watching schoolboys | 0:04:20 | 0:04:25 | |
poke sticks at each other? | 0:04:25 | 0:04:27 | |
OK. Wish me luck, though. | 0:04:28 | 0:04:30 | |
No? Rude. | 0:04:32 | 0:04:34 | |
CRASHING | 0:04:50 | 0:04:52 | |
-WHISPERS: -Leo. | 0:05:01 | 0:05:03 | |
Leo, I know you're down here. I saw your bike. | 0:05:04 | 0:05:07 | |
I know what you're up to. | 0:05:07 | 0:05:10 | |
CLATTERING | 0:05:15 | 0:05:17 | |
-SCREAMING -Shh! | 0:05:25 | 0:05:27 | |
-What are you playing at? -There it is again. | 0:05:28 | 0:05:32 | |
-WHISPERS: -Listen. | 0:05:34 | 0:05:36 | |
What? TICKING | 0:05:36 | 0:05:38 | |
-Listen. -TICKING GETS LOUDER | 0:05:40 | 0:05:42 | |
Ticking. | 0:05:43 | 0:05:45 | |
Like a clock. But why? | 0:05:45 | 0:05:47 | |
Indigestion? | 0:05:48 | 0:05:50 | |
What are you doing? | 0:05:53 | 0:05:55 | |
Finding out what makes him tick. | 0:05:55 | 0:05:58 | |
-Leo. Hang on. You can't- -I'll need a bucket. | 0:05:58 | 0:06:01 | |
So will I. | 0:06:01 | 0:06:03 | |
-Fantastico! -TICKING | 0:06:12 | 0:06:14 | |
-It's tiny! -Why would it be in his stomach? | 0:06:14 | 0:06:19 | |
BANGING | 0:06:19 | 0:06:21 | |
We're not meant to be in here. | 0:06:21 | 0:06:24 | |
Let's go. | 0:06:24 | 0:06:26 | |
Keep watch. I'll see if Schelling's body's here. | 0:06:40 | 0:06:44 | |
It's him! | 0:06:50 | 0:06:52 | |
This is his! | 0:07:02 | 0:07:04 | |
It's soaking wet. | 0:07:04 | 0:07:06 | |
He probably drowned in the river. | 0:07:06 | 0:07:09 | |
Fell or was pushed. | 0:07:09 | 0:07:12 | |
It's not here. | 0:07:12 | 0:07:14 | |
Ew. Eurgh. | 0:07:20 | 0:07:22 | |
Search the room! Come on you great jellyfish! | 0:07:25 | 0:07:29 | |
Do you know how important this is? | 0:07:29 | 0:07:31 | |
We're searching for the key to time itself. | 0:07:31 | 0:07:35 | |
Look. Someone's been in here. | 0:07:52 | 0:07:54 | |
Over here. | 0:08:01 | 0:08:03 | |
Tomb raiders. They've obviously taken it. | 0:08:06 | 0:08:09 | |
COUGHING | 0:08:16 | 0:08:18 | |
It's a horrible cupboard, full of bones. | 0:08:21 | 0:08:24 | |
It's a pulley that goes up to the hospital and down to the catacombs. | 0:08:24 | 0:08:28 | |
They use it for moving the bodies. | 0:08:28 | 0:08:31 | |
Key to time? Key to time. | 0:08:34 | 0:08:37 | |
What can he mean? | 0:08:39 | 0:08:41 | |
Ah! | 0:08:53 | 0:08:54 | |
Lunch is ready! It's a special treat to celebrate my birthday. | 0:08:56 | 0:09:02 | |
-Leo? -It's meat. | 0:09:04 | 0:09:07 | |
It's devilled kidneys. My favourite. | 0:09:07 | 0:09:10 | |
My mum sends them on my birthday. | 0:09:10 | 0:09:12 | |
-Ah. Happy Birthday, Colin. -Happy Birthday, Colin. | 0:09:13 | 0:09:16 | |
Grazie. If you're sure you don't want any... | 0:09:16 | 0:09:20 | |
Mmm. | 0:09:24 | 0:09:25 | |
Mmmm! | 0:09:26 | 0:09:28 | |
My mum's the only person who remembers. | 0:09:29 | 0:09:32 | |
My mum always remembers, too. | 0:09:32 | 0:09:35 | |
She won't be able to send me anything this year. | 0:09:35 | 0:09:39 | |
Maybe she wouldn't want to. | 0:09:39 | 0:09:41 | |
I haven't got a mother. | 0:09:43 | 0:09:46 | |
What? | 0:09:46 | 0:09:48 | |
She died when I was a baby. | 0:09:48 | 0:09:50 | |
Well... Err, two. | 0:09:51 | 0:09:53 | |
Do you remember her? | 0:09:54 | 0:09:56 | |
No. | 0:09:57 | 0:09:59 | |
Nothing at all? | 0:10:00 | 0:10:02 | |
I remember being held by her. | 0:10:06 | 0:10:08 | |
I remember the feeling. | 0:10:10 | 0:10:12 | |
I remember the smell. | 0:10:13 | 0:10:15 | |
But... | 0:10:17 | 0:10:19 | |
I don't remember anything about her. | 0:10:20 | 0:10:23 | |
Does your dad talk about her? | 0:10:26 | 0:10:28 | |
He doesn't like it when I ask. | 0:10:30 | 0:10:32 | |
This clock, phew! | 0:10:36 | 0:10:38 | |
It's so hard... Ah! | 0:10:38 | 0:10:40 | |
I've got it! | 0:10:41 | 0:10:43 | |
Wow! Look at this! | 0:10:44 | 0:10:47 | |
-It's fantastico! -Where are the ropes and weights? | 0:10:50 | 0:10:54 | |
There's a spring-powered mechanism instead. | 0:10:54 | 0:10:58 | |
It's so tiny. | 0:10:58 | 0:11:00 | |
That means you can carry time with you wherever you go. | 0:11:00 | 0:11:03 | |
-Really? -Yeah. | 0:11:03 | 0:11:06 | |
Maybe one day we'll all wear clocks. Round necks, in pockets, on wrists. | 0:11:06 | 0:11:11 | |
What's the time? | 0:11:11 | 0:11:13 | |
LAUGHING | 0:11:13 | 0:11:15 | |
The things you see, Cosimo. Santa Maria! | 0:11:15 | 0:11:19 | |
-It's amazing. -It's a pocket watch. | 0:11:19 | 0:11:21 | |
-It's a clock. -No. It's a pocket watch. | 0:11:21 | 0:11:24 | |
-Dad brings them home from abroad. -You can buy them? | 0:11:24 | 0:11:27 | |
If you've got the money. Dad's got a drawer full of duds. | 0:11:27 | 0:11:31 | |
Stick to church clocks or sundials. Those things don't work. | 0:11:31 | 0:11:35 | |
-Did you win? -Win what? -Nothing. Just a fencing match. | 0:11:35 | 0:11:39 | |
Only the Gold Cup Under 18s. | 0:11:39 | 0:11:42 | |
I came second. OK? | 0:11:42 | 0:11:45 | |
Medicis don't do second. | 0:11:45 | 0:11:47 | |
-Sounds good to me. -You can tell my dad, then. | 0:11:47 | 0:11:50 | |
Stupido. | 0:11:50 | 0:11:52 | |
I messed up the thing he warned me about. | 0:11:52 | 0:11:55 | |
There! Look! | 0:11:55 | 0:11:57 | |
It does work. | 0:11:57 | 0:11:59 | |
Backwards. What use is that? | 0:12:00 | 0:12:02 | |
Backwards. | 0:12:06 | 0:12:08 | |
Ahah! Just as I thought. The maker's mark. | 0:12:15 | 0:12:19 | |
PS. Peter Schelling. A watch maker from Switzerland. | 0:12:19 | 0:12:22 | |
He died in the river last night. | 0:12:22 | 0:12:25 | |
-Signor Schelling. -Are you still coming first in German? | 0:12:25 | 0:12:29 | |
There's an inscription. | 0:12:29 | 0:12:31 | |
Ah. | 0:12:31 | 0:12:33 | |
MUTTERING | 0:12:34 | 0:12:35 | |
OK. Taught at death... | 0:12:35 | 0:12:38 | |
Zeit means time. | 0:12:38 | 0:12:41 | |
-Besiegt? That's... -Defeated. | 0:12:42 | 0:12:45 | |
..defeated. | 0:12:46 | 0:12:48 | |
Something like... | 0:12:48 | 0:12:50 | |
Time is defeated. Death, too. | 0:12:50 | 0:12:52 | |
That man said, "The key to time." Now you're saying it defeats time. | 0:12:52 | 0:12:57 | |
Don't you see? It runs backwards so it takes time backwards! | 0:12:58 | 0:13:02 | |
-Time travel? -The key to time! | 0:13:02 | 0:13:04 | |
Just think, to go back whenever and wherever we wanted. | 0:13:05 | 0:13:09 | |
-With this we can change history. -Yeah! I would win every match! | 0:13:09 | 0:13:14 | |
I could be with my mum. Maybe you could even be with yours! | 0:13:14 | 0:13:19 | |
Come off it, guys. | 0:13:19 | 0:13:22 | |
It doesn't make any sense. | 0:13:22 | 0:13:24 | |
Still, you obviously want to believe it. | 0:13:25 | 0:13:27 | |
CRASHING | 0:13:27 | 0:13:30 | |
-How dare you! -Take care not to obstruct me, Signor Verrocchio. | 0:13:33 | 0:13:38 | |
I'm here on authority. | 0:13:38 | 0:13:40 | |
-WHISPERS: -The man from the morgue. | 0:13:40 | 0:13:42 | |
I believe one of the city's artists has been breaking in to the morgue | 0:13:42 | 0:13:47 | |
and defiling its dead. | 0:13:47 | 0:13:49 | |
My boys know the law. Why don't you go next door? | 0:13:49 | 0:13:53 | |
I already have. I'm looking for the artist responsible for this. | 0:13:53 | 0:13:59 | |
I see you recognise the hand. | 0:14:03 | 0:14:05 | |
No, Signor. Not at all. | 0:14:07 | 0:14:10 | |
I'd better check for myself, hadn't I? | 0:14:10 | 0:14:13 | |
My painting. Quick. Stop him. | 0:14:13 | 0:14:15 | |
Do you like it? I based the legs on pasta. | 0:14:25 | 0:14:29 | |
Have you noticed how muscles can look like spaghetti? | 0:14:29 | 0:14:33 | |
Err, it's for sale if you'd like- | 0:14:34 | 0:14:37 | |
If you don't leave my workshop, you'll get another one. Green. | 0:15:03 | 0:15:09 | |
They don't mix. | 0:15:09 | 0:15:11 | |
Don't think me a fool, Leonardo. | 0:15:22 | 0:15:25 | |
Don't risk the workshop's reputation. The morgue's off limits. | 0:15:25 | 0:15:29 | |
Break the law, you're out. Next time I won't save you from prison. | 0:15:29 | 0:15:34 | |
Very modern(!) | 0:15:34 | 0:15:36 | |
Cosimo. Mop. | 0:15:38 | 0:15:40 | |
It's gone. Where's it gone? | 0:15:47 | 0:15:50 | |
LEONARDO SIGHS | 0:15:50 | 0:15:52 | |
MUSIC: The Dead 60s - "Riot Radio" | 0:15:52 | 0:15:55 | |
# Talk talk speaker on the end of the wire | 0:15:58 | 0:16:01 | |
# You know I can't turn it off | 0:16:04 | 0:16:06 | |
# Riot on the radio. # | 0:16:10 | 0:16:13 | |
What's going on? | 0:16:18 | 0:16:20 | |
-What have you done with it? -Just in time. | 0:16:20 | 0:16:23 | |
-An auction. -Auction? | 0:16:23 | 0:16:25 | |
It's incredible. So many people want to go back in time. | 0:16:26 | 0:16:30 | |
They want to change something or they miss someone. It's gold dust. | 0:16:30 | 0:16:36 | |
You can't do this. You can't sell it off to the highest bidder. | 0:16:36 | 0:16:40 | |
-It's not yours to sell. -It's not yours. | 0:16:44 | 0:16:47 | |
-I found it. -Not this one. | 0:16:47 | 0:16:49 | |
-It's a fake. -It's a real pocket watch. | 0:16:50 | 0:16:53 | |
The only fake is writing the PS. | 0:16:53 | 0:16:55 | |
Where's the original? | 0:16:55 | 0:16:57 | |
My guess, trying to please Daddy. | 0:16:57 | 0:17:01 | |
No cup? | 0:17:06 | 0:17:08 | |
What happened? | 0:17:08 | 0:17:10 | |
-Err... -What's that? | 0:17:10 | 0:17:12 | |
-It's only a watch. -Oh. Can I see? | 0:17:12 | 0:17:15 | |
Hah! | 0:17:18 | 0:17:19 | |
Interessante. | 0:17:19 | 0:17:21 | |
-How did you get it? -I found it in the street. | 0:17:22 | 0:17:25 | |
Really? I think it might be the make I'm after. | 0:17:25 | 0:17:29 | |
I'd give you a good price for it if it was. | 0:17:29 | 0:17:32 | |
Oh no. Have it, Papa. | 0:17:32 | 0:17:35 | |
Take it. | 0:17:35 | 0:17:37 | |
Very kind, Lorenzo. | 0:17:39 | 0:17:41 | |
KNOCKING | 0:17:44 | 0:17:46 | |
-What are you doing with it that's special? -Please help me get it back. | 0:17:47 | 0:17:52 | |
-My dad seemed pretty happy. -He doesn't know what it can do. | 0:17:52 | 0:17:56 | |
If he goes back in time, re-lives his past, he might not meet your mum. | 0:17:56 | 0:18:01 | |
You might never be born. | 0:18:01 | 0:18:03 | |
Really? | 0:18:03 | 0:18:05 | |
So where's your dad now? | 0:18:05 | 0:18:07 | |
Probably in his study. | 0:18:07 | 0:18:09 | |
Well you're going to have to help me. | 0:18:09 | 0:18:11 | |
KNOCKING | 0:18:22 | 0:18:24 | |
Si. | 0:18:25 | 0:18:27 | |
Ah. Signora Schelling. | 0:18:27 | 0:18:29 | |
I seem to have brought you here unnecessarily. | 0:18:30 | 0:18:33 | |
I now have the missing item. SOBBING | 0:18:33 | 0:18:36 | |
So sorry to hear about your son. | 0:18:36 | 0:18:39 | |
Err, please. | 0:18:39 | 0:18:40 | |
As a father myself, I feel your loss deeply. | 0:18:45 | 0:18:49 | |
Your son was, by all accounts, an extraordinary man. | 0:18:49 | 0:18:53 | |
And so much more than a mere watchmaker. | 0:18:53 | 0:18:58 | |
Papa? Papa! | 0:19:12 | 0:19:14 | |
If I were to lean more on my right when counter attack, | 0:19:15 | 0:19:19 | |
would I then risk being open on my left on return? | 0:19:19 | 0:19:23 | |
-What? -If I were to lean more on my right. | 0:19:23 | 0:19:26 | |
I understand the question, Lorenzo. I'm busy. | 0:19:26 | 0:19:30 | |
If you want to discuss your failure to win today, leave it until dinner. | 0:19:30 | 0:19:35 | |
Still not working? | 0:20:09 | 0:20:11 | |
Maybe we're not meant to go back. | 0:20:13 | 0:20:15 | |
Have you tried it out yet? | 0:20:18 | 0:20:20 | |
Hang on. | 0:20:21 | 0:20:23 | |
Of course! | 0:20:27 | 0:20:29 | |
I dropped the watch around here. We're looking for a pin or a key. | 0:20:53 | 0:20:57 | |
Can't see... Under here! | 0:21:05 | 0:21:08 | |
-LOUD BANG -Quick. In here. | 0:21:23 | 0:21:25 | |
Get him. Get him. | 0:21:32 | 0:21:34 | |
Come on! | 0:21:34 | 0:21:36 | |
Grr! | 0:21:40 | 0:21:43 | |
Um, Leo? Where exactly are we? | 0:21:49 | 0:21:52 | |
In the catacombs under the hospital. | 0:21:52 | 0:21:54 | |
'They're here!' | 0:21:54 | 0:21:56 | |
EXCITING MUSIC | 0:21:58 | 0:22:00 | |
SCREAMING | 0:22:12 | 0:22:14 | |
MUFFLED SHOUTING | 0:22:15 | 0:22:18 | |
You know what we want. | 0:22:21 | 0:22:23 | |
If you don't surrender it, your friend won't get out of here alive. | 0:22:23 | 0:22:27 | |
We made a few. | 0:22:29 | 0:22:31 | |
Let her go. | 0:22:34 | 0:22:36 | |
-Him. -Him. Let him go and you can have it. | 0:22:36 | 0:22:40 | |
-Give me the watch. -Catch! | 0:22:41 | 0:22:45 | |
-How could you give it away? -I gave away a watch, not THE watch. | 0:22:53 | 0:22:58 | |
I've still got it. | 0:22:58 | 0:23:00 | |
FOOTSTEPS | 0:23:08 | 0:23:10 | |
Danke. | 0:23:40 | 0:23:42 | |
Danke schoen. | 0:23:59 | 0:24:01 | |
-That's his mother. -I didn't know about her. | 0:24:14 | 0:24:17 | |
-What difference does it make? -You won't give it to her? | 0:24:17 | 0:24:20 | |
With this she can go back to before he died and be with him again. | 0:24:20 | 0:24:25 | |
Leo. Remember why you wanted this. | 0:24:25 | 0:24:27 | |
It's your only chance, isn't it? | 0:24:29 | 0:24:31 | |
Signora! Signora. | 0:24:37 | 0:24:39 | |
It's Peter's. | 0:24:40 | 0:24:42 | |
Ja. Danke. Danke. | 0:24:44 | 0:24:47 | |
Now I have Peter. | 0:24:59 | 0:25:03 | |
I think she's going to use it. | 0:25:19 | 0:25:21 | |
Come on. I want to see if I can recreate the spring mechanism. | 0:25:23 | 0:25:28 | |
Where did she go? | 0:25:32 | 0:25:34 | |
Impossibile! | 0:25:39 | 0:25:41 | |
Nah. | 0:25:42 | 0:25:44 | |
Hey! | 0:25:45 | 0:25:46 | |
I was right, your Excellency. It was the da Vinci boy all along. | 0:25:50 | 0:25:54 | |
He's too curious for his own good. | 0:25:54 | 0:25:56 | |
Your Excellency, I hesitate to mention it... | 0:25:57 | 0:26:01 | |
When we arrested him in the morgue, the young master was with him. | 0:26:01 | 0:26:05 | |
-Yes, they're friends. -Papa? Papa! | 0:26:05 | 0:26:09 | |
I know all about that. The young master doesn't know that I know. | 0:26:11 | 0:26:15 | |
-I'd like to keep it that way. -Excellency. | 0:26:15 | 0:26:19 | |
Here we are. | 0:26:19 | 0:26:21 | |
WHISPERS: It doesn't work! | 0:26:40 | 0:26:42 | |
The whole thing was obviously a complete waste of time. | 0:26:46 | 0:26:51 | |
He didn't have some kind of key, did he? | 0:26:53 | 0:26:57 | |
WHIRRING AND CREAKING | 0:27:05 | 0:27:07 | |
LAUGHING | 0:27:13 | 0:27:15 | |
It's a wake-up clock. | 0:27:16 | 0:27:18 | |
If the bell doesn't wake him, the water will! | 0:27:18 | 0:27:22 | |
Come on Cosimo, get up. We've made your favourite breakfast. | 0:27:22 | 0:27:26 | |
Subtitles by Red Bee Media Ltd | 0:27:43 | 0:27:45 |