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Che bella. | 0:00:36 | 0:00:38 | |
Beautiful. | 0:00:39 | 0:00:41 | |
-Are you looking forward to the finals of the art contest? -Indeed. | 0:01:13 | 0:01:18 | |
Of the five, the Benchi apprentice, Michelangelo, is favourite. | 0:01:18 | 0:01:22 | |
-Verrocchio's apprentice, what's his name? -Leo. | 0:01:22 | 0:01:26 | |
Or is it Rio, or Theo? Something like that anyway. | 0:01:26 | 0:01:30 | |
Ah, yes, grazie. | 0:01:30 | 0:01:32 | |
Leonardo da Vinci is also supposed to be rather good. | 0:01:32 | 0:01:35 | |
It should be a close contest. | 0:01:35 | 0:01:37 | |
Let's hope there aren't many battlefield scenes. | 0:01:37 | 0:01:40 | |
It's bad enough our young men have to sacrifice their lives. | 0:01:40 | 0:01:43 | |
There is nothing glorious about war. | 0:01:43 | 0:01:46 | |
Quite so. | 0:01:46 | 0:01:48 | |
Summer berries? | 0:01:48 | 0:01:51 | |
A celebration of talent is what we need. Good of you to sponsor it. | 0:01:51 | 0:01:55 | |
There's nothing I wouldn't do for the good of Florence. | 0:01:55 | 0:01:59 | |
I wish all were as public-spirited. | 0:01:59 | 0:02:01 | |
Perhaps you should judge the contest. | 0:02:01 | 0:02:03 | |
No, no, cousin. It's Florence's leader the people wish to see. | 0:02:03 | 0:02:08 | |
They do so love you, Your Grace. | 0:02:08 | 0:02:10 | |
I try to listen. | 0:02:10 | 0:02:12 | |
It's important to keep in touch with fears, hopes, desires. | 0:02:12 | 0:02:16 | |
It keeps wars at bay. | 0:02:16 | 0:02:17 | |
Democracy. The will of the people. | 0:02:17 | 0:02:22 | |
Quite. | 0:02:22 | 0:02:23 | |
MUSIC BOX PLAYS A TUNE | 0:02:23 | 0:02:28 | |
No toca lo. | 0:02:35 | 0:02:36 | |
Don't let him get to you. Grumpy idiot. No wonder his wife left him. | 0:02:45 | 0:02:51 | |
It's not that. | 0:02:51 | 0:02:52 | |
My mum has this music box. | 0:02:52 | 0:02:56 | |
I haven't heard that song since I left home. | 0:02:56 | 0:02:59 | |
Sorry, pathetic. Crying like a girl! | 0:03:03 | 0:03:06 | |
Andiamo. Let's find Leo. | 0:03:08 | 0:03:09 | |
Verrocchio will go mad if we're late. | 0:03:09 | 0:03:12 | |
Hello. | 0:03:12 | 0:03:14 | |
You can't save every bird. Cost you a fortune. | 0:03:16 | 0:03:19 | |
I think it's lovely. | 0:03:19 | 0:03:21 | |
# I'm a dandy highway man you're too scared to mention | 0:03:21 | 0:03:24 | |
# I spend my cash on looking flash and grabbing your attention | 0:03:24 | 0:03:28 | |
# Stand and deliver | 0:03:28 | 0:03:30 | |
# Your money or your life... # | 0:03:30 | 0:03:32 | |
-Ah, look who it is. -Michelangelo. | 0:03:34 | 0:03:38 | |
Bird boy and his feathered friends. Fly, little birdie. | 0:03:38 | 0:03:41 | |
Presto, before we turn you into a juicy bird pie. | 0:03:41 | 0:03:44 | |
Don't. Leave it alone. | 0:03:44 | 0:03:46 | |
Ah, bless, I'm upsetting his delicate sensibilities. | 0:03:46 | 0:03:51 | |
He's a vegetarian. Doesn't eat meat, not a sausage. | 0:03:51 | 0:03:54 | |
-Against his "principles". -What do you want? | 0:03:54 | 0:03:57 | |
To wish da Vinci luck in the contest. | 0:03:57 | 0:03:59 | |
Have you heard? Apparently you're going to win. | 0:03:59 | 0:04:02 | |
-Where did you hear that? -People love an underdog story. | 0:04:02 | 0:04:05 | |
-The poor peasant boy. -I'm not a peasant! -Really? | 0:04:05 | 0:04:09 | |
So...why are you dressed as one? | 0:04:09 | 0:04:11 | |
I find underdog stories incredibly tedious, so I've decided to win. | 0:04:11 | 0:04:17 | |
That's what you think. Leo's painting's fantastico. | 0:04:17 | 0:04:21 | |
Is it? What about yours? | 0:04:21 | 0:04:22 | |
-Are you going to beat me with your scribbles? -I might. | 0:04:22 | 0:04:26 | |
Some advice - no self-portraits. You don't have the bone structure. See? | 0:04:26 | 0:04:31 | |
It's all squishy! Ew! | 0:04:31 | 0:04:35 | |
# ..Stand and deliver | 0:04:35 | 0:04:36 | |
# Your money or your life. # | 0:04:36 | 0:04:39 | |
I don't know why he hates me so much. | 0:04:39 | 0:04:41 | |
Cos you're good. You'll win. I'd bet every florin I have. | 0:04:41 | 0:04:45 | |
At last! | 0:04:51 | 0:04:52 | |
How long does it take to buy a few things from the market? | 0:04:52 | 0:04:56 | |
Presto, not much time left. I bet the Benchis don't have this. | 0:04:56 | 0:04:59 | |
I'm sure Michelangelo doesn't idle away his time at the market. | 0:04:59 | 0:05:04 | |
-You, turn around and buzz off. -I came to see Leo's painting. | 0:05:04 | 0:05:08 | |
You can see it along with the rest of Florence. | 0:05:08 | 0:05:11 | |
Now, vamoose, skedaddle. | 0:05:11 | 0:05:13 | |
I won't tolerate any distractions. | 0:05:13 | 0:05:17 | |
An apprentice from my workshop will triumph at the finals. | 0:05:17 | 0:05:21 | |
You need to add a few more layers. Where's the linseed oil? | 0:05:21 | 0:05:25 | |
Give me strength! Go and get it. Presto! | 0:05:27 | 0:05:31 | |
Grazie. | 0:05:41 | 0:05:43 | |
Don't you have anything better to do? | 0:05:45 | 0:05:49 | |
Not really. Banged out a searing masterpiece this morning. | 0:05:49 | 0:05:53 | |
I'm kind of bored now. | 0:05:53 | 0:05:56 | |
Please, I don't have time. | 0:05:58 | 0:06:00 | |
Come on, don't be a meany. Give it back to him. | 0:06:00 | 0:06:03 | |
When you don't have my gifts - | 0:06:07 | 0:06:09 | |
you're a hard-working plodder and not a genius - | 0:06:09 | 0:06:12 | |
you need all the time you can get. | 0:06:12 | 0:06:14 | |
You going to wipe that smile off his face? You'd better, cos I did it. | 0:06:25 | 0:06:30 | |
I bet everything on you to win. | 0:06:30 | 0:06:32 | |
Mac, that's a lot of money. Are you sure? | 0:06:34 | 0:06:36 | |
I have total faith in you. | 0:06:36 | 0:06:38 | |
-Grazie. -Prego. | 0:06:38 | 0:06:40 | |
PLAYS OUT OF TUNE | 0:06:45 | 0:06:48 | |
Sorry. | 0:06:48 | 0:06:49 | |
CONTINUES TO PLAY OUT OF TUNE | 0:06:50 | 0:06:54 | |
I am very disappointed. That was a disgrace. | 0:07:01 | 0:07:05 | |
I'm sorry, Mama, I really have been practising. | 0:07:05 | 0:07:08 | |
I'm sure, mio piccolo tortellini. | 0:07:08 | 0:07:11 | |
I know you're not to blame. The Medicis are musically gifted, | 0:07:11 | 0:07:15 | |
so I assume it is your tutoring. | 0:07:15 | 0:07:17 | |
Incompetence is not tolerated here. You are fired. Leave immediately. | 0:07:19 | 0:07:23 | |
Does this mean I don't have to have lessons any more? | 0:07:30 | 0:07:33 | |
Don't be absurd, Lorenzo. | 0:07:33 | 0:07:35 | |
Well, that was, erm... | 0:07:38 | 0:07:40 | |
That was, er...music to my ears. | 0:07:40 | 0:07:44 | |
You should try playing it, it's not easy. | 0:07:44 | 0:07:46 | |
How did you pass security? | 0:07:46 | 0:07:48 | |
Delivering hay for the horses. MIMICS: Coming through! | 0:07:48 | 0:07:52 | |
Finest hay for His Excellency's horses. | 0:07:52 | 0:07:55 | |
-What do you want? -What makes you think I want anything? | 0:07:55 | 0:07:59 | |
-The Duke's your dad's cousin? -Yes... -And he's judging the finals? -Yes. | 0:07:59 | 0:08:03 | |
Michelangelo is convinced he'll win. | 0:08:03 | 0:08:05 | |
He's so arrogant. But he is good. | 0:08:05 | 0:08:08 | |
-Leo could beat him. -Yes. -Especially if we give him an advantage. | 0:08:08 | 0:08:12 | |
Yes... No! What, do you mean cheat? | 0:08:12 | 0:08:15 | |
Angels and fools play by the rules. | 0:08:15 | 0:08:17 | |
We've got an angle and we'd be idiots not to use it. | 0:08:17 | 0:08:20 | |
-What angle? -La famiglia. | 0:08:20 | 0:08:23 | |
Your dad's cousin. | 0:08:23 | 0:08:25 | |
Find out what he likes. | 0:08:25 | 0:08:27 | |
I don't know what he likes but I know what he hates. | 0:08:28 | 0:08:30 | |
-Really? -Battle scenes. Loathes them. | 0:08:30 | 0:08:33 | |
"There's nothing glorious about war." | 0:08:33 | 0:08:36 | |
You can do an impersonation? | 0:08:38 | 0:08:40 | |
Lorenzo, for the first time in our long acquaintance, I'm impressed. | 0:08:40 | 0:08:44 | |
Mmm. You have a way with portraits. | 0:08:50 | 0:08:53 | |
An ability to get inside. | 0:08:53 | 0:08:56 | |
Leonardo may not be the only one to watch. | 0:08:56 | 0:08:58 | |
Your mother, I presume? Your parents haven't been to visit you. | 0:08:59 | 0:09:03 | |
They live in Rome. It's too far to travel. | 0:09:03 | 0:09:06 | |
You could apply the paint in thinner layers. | 0:09:06 | 0:09:10 | |
Gives a broader, luminous range of colour. | 0:09:10 | 0:09:13 | |
See how delicate the paint is, almost translucent. | 0:09:15 | 0:09:19 | |
See how he uses the oil. | 0:09:19 | 0:09:20 | |
What's...? | 0:09:27 | 0:09:30 | |
I don't understand. | 0:09:31 | 0:09:33 | |
This oil isn't linseed. | 0:09:36 | 0:09:37 | |
How could you be so careless? | 0:09:37 | 0:09:40 | |
All that work. | 0:09:40 | 0:09:42 | |
Start again. | 0:09:48 | 0:09:49 | |
I can't. That was weeks of work. It won't be the same. | 0:09:49 | 0:09:53 | |
Don't answer back. You can...and you will. | 0:09:53 | 0:09:56 | |
Oh, Leo, missing me already? | 0:10:07 | 0:10:10 | |
Cavolo! Are you mad?! | 0:10:13 | 0:10:14 | |
I knew you were arrogant. I didn't think you were a cheat! | 0:10:14 | 0:10:17 | |
-Watch who you're calling a cheat. -You switched my linseed oil. | 0:10:17 | 0:10:21 | |
Ridicolo. Why would I do that? | 0:10:21 | 0:10:23 | |
-I didn't know. -Oh! | 0:10:29 | 0:10:30 | |
I swear, I didn't. I didn't ask them to do it. | 0:10:30 | 0:10:33 | |
I don't need to cheat. | 0:10:33 | 0:10:35 | |
I am better than you, do you hear me? ECHOES: I am better than you. | 0:10:35 | 0:10:39 | |
The will of the people, democracy? We need strong leadership, | 0:11:14 | 0:11:19 | |
not this weakling bleating about the tragedy of wars. | 0:11:19 | 0:11:23 | |
He's taken to walking the streets, | 0:11:23 | 0:11:25 | |
listening to his citizens and any old riff-raff. | 0:11:25 | 0:11:28 | |
With one bodyguard. Imbecile! | 0:11:28 | 0:11:32 | |
If that isn't asking to be assassinated, what is? | 0:11:32 | 0:11:35 | |
In fact, maybe we have waited long enough, hmm? | 0:11:36 | 0:11:40 | |
Caporaso. | 0:11:42 | 0:11:44 | |
Do you believe him? | 0:11:52 | 0:11:54 | |
Yeah. He doesn't need to cheat to win. | 0:11:54 | 0:11:57 | |
But I'm not going to let him. Not without a fight. | 0:12:00 | 0:12:03 | |
But I can't do that painting again. | 0:12:06 | 0:12:09 | |
Not now, not yet. I don't have the heart. | 0:12:09 | 0:12:12 | |
I need something else, something... | 0:12:15 | 0:12:18 | |
Tomaso, wake up. Wake up. | 0:12:27 | 0:12:29 | |
What? | 0:12:29 | 0:12:30 | |
-You were snoring. -I don't snore. | 0:12:30 | 0:12:33 | |
-Let me sleep, I'm really tired. -Per favore, get up. Get up. | 0:12:34 | 0:12:38 | |
# Mona Lisa | 0:12:44 | 0:12:46 | |
# With your cryptic smile | 0:12:48 | 0:12:52 | |
# Though it pains me it sustains me | 0:12:52 | 0:12:55 | |
# All the while | 0:12:55 | 0:13:00 | |
# Mona Lisa | 0:13:00 | 0:13:02 | |
# Love can't heal you now... # | 0:13:02 | 0:13:08 | |
Che bella. | 0:13:08 | 0:13:10 | |
# ..A moment in time... # | 0:13:10 | 0:13:13 | |
Just like that. | 0:13:13 | 0:13:14 | |
# ..When you were mine | 0:13:14 | 0:13:19 | |
# Mona Lisa. # | 0:13:20 | 0:13:23 | |
-Bongiorno. -Your Grace. | 0:13:27 | 0:13:29 | |
-Bongiorno. -Your Grace. | 0:13:29 | 0:13:31 | |
-Looking forward to the contest? -Si, Signore. | 0:13:31 | 0:13:34 | |
-You're sure Michelangelo dines there? -Mm-hmm. | 0:13:39 | 0:13:42 | |
OK, so you know what to do. | 0:13:42 | 0:13:44 | |
Go on, hop to it. Off you pop. | 0:13:45 | 0:13:48 | |
-Bongiorno. -Bongiorno, Signore. -Bongiorno. | 0:13:59 | 0:14:03 | |
-Che bella ragazza. What's your name? -Maria... | 0:14:03 | 0:14:07 | |
What the devil...?! | 0:14:07 | 0:14:08 | |
Come back! Come back! | 0:14:10 | 0:14:12 | |
HE MOUTHS | 0:14:26 | 0:14:28 | |
-I see you worked through the night. -Si, Maestro. | 0:14:40 | 0:14:45 | |
It's not an easy profession. | 0:14:45 | 0:14:47 | |
If it isn't good enough, rip it up, start again. | 0:14:47 | 0:14:50 | |
Strive for perfection, | 0:14:50 | 0:14:53 | |
because sometimes we may even find that we...get close. | 0:14:53 | 0:14:58 | |
You've drawn from memory, I take it the model exists. | 0:15:00 | 0:15:04 | |
Anyone I know? | 0:15:04 | 0:15:06 | |
No, Maestro. | 0:15:06 | 0:15:09 | |
Unusual, you've shown her smiling. I'm not sure it's been done before. | 0:15:09 | 0:15:14 | |
Is it wrong? | 0:15:15 | 0:15:17 | |
Nothing wrong with breaking rules, it's how art progresses. | 0:15:17 | 0:15:21 | |
Why should our portraits have to be serious? No, I like it. | 0:15:21 | 0:15:26 | |
She has a lovely smile. | 0:15:26 | 0:15:29 | |
Reminds me of someone. | 0:15:29 | 0:15:31 | |
Carry on, you have another few hours yet. | 0:15:33 | 0:15:37 | |
You're late. Michelangelo's in the cafe already. | 0:15:42 | 0:15:45 | |
Amazing! | 0:15:45 | 0:15:46 | |
-It's exactly like my uncle's hat, perfect replica! -Yeah, perfect. | 0:15:46 | 0:15:50 | |
We can't let anyone see your face, so keep your handkerchief over it, | 0:15:50 | 0:15:54 | |
-that way we'll get away with your impression. -What do you mean? | 0:15:54 | 0:15:58 | |
-You were impressed before! -Well, I had to suck you in. | 0:15:58 | 0:16:02 | |
-And vanity, thy name is Lorenzo, need I say more? -I am not vain! | 0:16:02 | 0:16:06 | |
I can still back out, you know. | 0:16:06 | 0:16:08 | |
-Can't even imagine the trouble if we're caught. -We won't be caught. | 0:16:08 | 0:16:12 | |
WHISTLES | 0:16:12 | 0:16:14 | |
OK, here's what to do - surround him, ask for money, autograph, whatever, | 0:16:16 | 0:16:21 | |
but make sure no-one else can get a look. | 0:16:21 | 0:16:23 | |
Once we're in the VIP, we should be fine. | 0:16:23 | 0:16:26 | |
Come on, andiamo! | 0:16:26 | 0:16:27 | |
Atchoo! | 0:16:31 | 0:16:33 | |
Allow me, Your Grace, this way. | 0:16:35 | 0:16:38 | |
Atchoo! | 0:16:38 | 0:16:39 | |
Leave His Grace alone. | 0:16:44 | 0:16:46 | |
Go on, be off with you, shoo! | 0:16:46 | 0:16:48 | |
Trust Machiavelli to try and get in with the Duke. | 0:16:48 | 0:16:51 | |
Shameless sucking up. Look at him. | 0:16:51 | 0:16:54 | |
-There you go, Your Grace, you settle yourself there. -Atchoo! | 0:16:54 | 0:16:58 | |
That's a nasty cold. | 0:16:58 | 0:17:00 | |
I've taken the liberty of ordering you a hot lemon to soothe it. | 0:17:00 | 0:17:04 | |
Ah, grazie. | 0:17:04 | 0:17:05 | |
That devious cur is up to something. | 0:17:07 | 0:17:10 | |
Mmm, simply delizioso, my good man. | 0:17:10 | 0:17:14 | |
WHISPERS: You're overdoing it! | 0:17:14 | 0:17:16 | |
Ah, simply delizioso. | 0:17:16 | 0:17:18 | |
So, is Your Grace looking forward to judging the finals? | 0:17:18 | 0:17:22 | |
He's digging for information. | 0:17:22 | 0:17:24 | |
Um, indeed. | 0:17:25 | 0:17:28 | |
Indeed I am. | 0:17:28 | 0:17:29 | |
And what sort of paintings adorn your own palace? | 0:17:29 | 0:17:33 | |
Ah, well, I'm afraid I'm rather conservative in my tastes. | 0:17:33 | 0:17:37 | |
Battle scenes, portraits of soldiers... | 0:17:37 | 0:17:41 | |
..great warriors dying on the battlefield. | 0:17:44 | 0:17:47 | |
Spears piercing flesh, legs ripped asunder. | 0:17:47 | 0:17:51 | |
Heads on moles... | 0:17:51 | 0:17:53 | |
-Sorry, I mean poles, heads on poles. That sort of thing. -Really? | 0:17:53 | 0:17:57 | |
Yes, you can't beat a good scrap when it comes down to it. | 0:17:57 | 0:18:00 | |
The more blood and gore, the better. | 0:18:00 | 0:18:02 | |
Anything you aren't keen on? | 0:18:02 | 0:18:04 | |
Well, to tell the truth, I'm not mad about angels or cherubs. | 0:18:08 | 0:18:14 | |
I find, when it comes to angels and cherubs, | 0:18:14 | 0:18:17 | |
well, when you've seen one, you've seen them all. | 0:18:17 | 0:18:21 | |
Your painting? | 0:18:21 | 0:18:23 | |
Angels... | 0:18:23 | 0:18:24 | |
..and cherubs. | 0:18:25 | 0:18:27 | |
Come on! | 0:18:27 | 0:18:29 | |
My acting was good, wasn't it? | 0:18:33 | 0:18:36 | |
Yeah, almost as good as your ability to play a musical instrument. | 0:18:36 | 0:18:40 | |
Did you catch my Duke-like hand action? | 0:18:40 | 0:18:43 | |
Lorenzo, where did you get that hat? | 0:18:43 | 0:18:45 | |
The hat? | 0:18:45 | 0:18:47 | |
The hat. | 0:18:47 | 0:18:48 | |
-I... -We saw a vile urchin with it | 0:18:48 | 0:18:51 | |
and Lorenzo recognised it. | 0:18:51 | 0:18:54 | |
So we chased after him and got it back. | 0:18:54 | 0:18:57 | |
Well done. Very public-spirited, like your father. | 0:18:57 | 0:19:01 | |
Unfortunately the urchin escaped. | 0:19:01 | 0:19:03 | |
Pity. A boy like that needs some guidance. | 0:19:03 | 0:19:08 | |
Grazie. | 0:19:08 | 0:19:09 | |
Grazie. | 0:19:09 | 0:19:11 | |
I was hasty. | 0:19:19 | 0:19:21 | |
Assassinations create martyrs. | 0:19:21 | 0:19:23 | |
The Duke would be more popular dead than alive. | 0:19:23 | 0:19:26 | |
We can be a bit more creative in our thinking. | 0:19:26 | 0:19:29 | |
Valerio's had a breakthrough with a mechanical man. | 0:19:29 | 0:19:32 | |
And I think I know exactly how to use it. | 0:19:32 | 0:19:35 | |
Our time will come. | 0:19:35 | 0:19:37 | |
I will command this city. | 0:19:37 | 0:19:40 | |
But we need to be patient a while longer. | 0:19:40 | 0:19:43 | |
You have a real chance of winning. | 0:19:54 | 0:19:58 | |
Although you'll have to beat Tomaso first. | 0:19:58 | 0:20:01 | |
Grazie, maestro! | 0:20:01 | 0:20:03 | |
Pack it up. | 0:20:03 | 0:20:05 | |
For once, I expect the pair of you to be on time. | 0:20:05 | 0:20:07 | |
You all right, Leo, ready to go? | 0:20:16 | 0:20:19 | |
One sec. | 0:20:19 | 0:20:21 | |
Oh, wow. | 0:20:22 | 0:20:24 | |
She's beautiful. | 0:20:24 | 0:20:26 | |
I mean, the painting's beautiful, not Lisa. | 0:20:26 | 0:20:30 | |
Not that Lisa's not beautiful too. | 0:20:30 | 0:20:32 | |
I mean, I haven't noticed before, why would I? | 0:20:32 | 0:20:35 | |
But...ahem. | 0:20:35 | 0:20:36 | |
I thought you were doing an angel, what happened? | 0:20:36 | 0:20:39 | |
-Michelangelo. -What? | 0:20:39 | 0:20:41 | |
It's a long story. | 0:20:41 | 0:20:42 | |
His friends switched some oil, ruined the painting. | 0:20:42 | 0:20:46 | |
-He said he didn't know. -You believe him? | 0:20:46 | 0:20:48 | |
-I think so. -Doesn't matter, | 0:20:48 | 0:20:50 | |
-because you're going to win and he'll lose. -You can't be sure about that. | 0:20:50 | 0:20:55 | |
I can, because someone, and you can thank them later, | 0:20:55 | 0:20:58 | |
convinced him the Duke adores battle scenes. | 0:20:58 | 0:21:01 | |
Which, in fact, he hates. | 0:21:01 | 0:21:03 | |
Please tell me you're joking. | 0:21:03 | 0:21:05 | |
Of course I'm not. | 0:21:05 | 0:21:06 | |
What's the problem, you said yourself, he's a cheat? | 0:21:06 | 0:21:09 | |
What happened to, "I have every faith in you"? | 0:21:09 | 0:21:12 | |
"I'll put every florin I have..." | 0:21:12 | 0:21:14 | |
I did... I do. | 0:21:14 | 0:21:17 | |
I should have known. | 0:21:17 | 0:21:18 | |
It was all about fixing things, so you come out on top, as usual. | 0:21:18 | 0:21:22 | |
-No, it wasn't. -You didn't think I could win on merit, no cheating? | 0:21:22 | 0:21:27 | |
Vai via, Mac. | 0:21:29 | 0:21:30 | |
I don't want to talk to you. | 0:21:30 | 0:21:32 | |
Just... | 0:21:32 | 0:21:34 | |
Welcome to Florence's first art contest. | 0:22:02 | 0:22:06 | |
I'd like to thank my Cousin, his Excellency Piero de' Medici, | 0:22:06 | 0:22:10 | |
for sponsoring the event showcasing our young talent. | 0:22:10 | 0:22:14 | |
And, in no particular order, the five finalists are | 0:22:18 | 0:22:22 | |
Carlo Greco, Tomaso Gherardini, Paulo Ricci, Leonardo da Vinci | 0:22:22 | 0:22:27 | |
and Michelangelo di Lodovico Buonarroti Simoni. | 0:22:27 | 0:22:33 | |
Would the artists please reveal their paintings? | 0:22:33 | 0:22:37 | |
Interesting pallid skin tones. | 0:23:01 | 0:23:04 | |
This is beautiful. | 0:23:16 | 0:23:17 | |
-Complimenti, it's a charming piece. -Grazie, Your Grace. | 0:23:17 | 0:23:22 | |
I can see why they say he has talent but that painting... | 0:23:36 | 0:23:39 | |
hard to stomach. | 0:23:39 | 0:23:41 | |
It's a shame, it's almost perfect, | 0:24:07 | 0:24:09 | |
but there's something not right about the mouth. | 0:24:09 | 0:24:13 | |
Signori, signore e bambini. | 0:24:23 | 0:24:26 | |
The winner of the contest and Florence's best young artist is... | 0:24:26 | 0:24:33 | |
..Tomaso Gherardini. | 0:24:44 | 0:24:46 | |
CHEERS AND APPLAUSE | 0:24:46 | 0:24:48 | |
Well done. | 0:25:06 | 0:25:07 | |
Your talent does Florence proud. | 0:25:07 | 0:25:10 | |
Grazie, Your Grace. | 0:25:10 | 0:25:12 | |
And your prize - your first commission will be | 0:25:12 | 0:25:15 | |
to paint my god-daughter, La Contessa Rosetta Brunetti Bugatti d'Abruzzo. | 0:25:15 | 0:25:21 | |
Put it there. | 0:25:45 | 0:25:46 | |
It was a great show, remarkable. | 0:25:46 | 0:25:49 | |
I wasn't mistaken in taking you on. | 0:25:49 | 0:25:52 | |
Enjoy your victory, you deserve it. | 0:25:52 | 0:25:55 | |
Grazie. | 0:25:55 | 0:25:57 | |
It wasn't about the money, you know. | 0:25:57 | 0:26:00 | |
-I know. -I do have faith in you. | 0:26:00 | 0:26:02 | |
Do not involve me in anything like this again. | 0:26:02 | 0:26:05 | |
-I mean it. -All right. | 0:26:05 | 0:26:07 | |
At least Tomaso won. | 0:26:07 | 0:26:10 | |
I'm glad about that. | 0:26:10 | 0:26:11 | |
Me too. And whatever you say, I'm still glad he lost. | 0:26:11 | 0:26:15 | |
Yeah, me too. | 0:26:17 | 0:26:20 | |
Excuse me. | 0:26:23 | 0:26:25 | |
I've a package for Tomaso. | 0:26:25 | 0:26:27 | |
That's me. | 0:26:27 | 0:26:28 | |
Grazie! | 0:26:32 | 0:26:33 | |
Leo! | 0:26:42 | 0:26:43 | |
Grazie, grazie! | 0:26:45 | 0:26:46 | |
Uh... | 0:26:46 | 0:26:48 | |
But it's not from me. | 0:26:48 | 0:26:49 | |
Don't be so modest, who else would it be from? | 0:26:49 | 0:26:53 | |
MUSIC BOX PLAYS | 0:26:53 | 0:26:55 | |
What happened, boy? | 0:27:15 | 0:27:18 | |
I'm so sorry, Maestro, I didn't think the smile was right, | 0:27:18 | 0:27:22 | |
so I tried to change it. | 0:27:22 | 0:27:25 | |
You should have left it as it was. | 0:27:25 | 0:27:27 | |
It was perfect. | 0:27:27 | 0:27:29 | |
No. | 0:27:29 | 0:27:31 | |
But it will be. | 0:27:31 | 0:27:34 | |
One day. | 0:27:36 | 0:27:37 | |
# Can you find a way to make me smile? | 0:27:40 | 0:27:44 | |
# Just for a while | 0:27:44 | 0:27:47 | |
# Just make me smile-a-ile-a-ile | 0:27:48 | 0:27:51 | |
# Can you tell me what I took? | 0:27:53 | 0:27:56 | |
# You're just like a closed book... # | 0:27:56 | 0:27:59 | |
Subtitles by Red Bee Media Ltd | 0:28:03 | 0:28:06 | |
E-mail [email protected] | 0:28:06 | 0:28:09 |