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WOMAN: Leave me alone! | 0:00:39 | 0:00:41 | |
-MAN: -Just give me the money. I'll take you to the girl! | 0:00:41 | 0:00:46 | |
-No! -Just give me the money! | 0:00:46 | 0:00:48 | |
-Hey! Let go! What's going on? -He thinks I owe him money. | 0:00:48 | 0:00:53 | |
-You offered a reward. -He says he knows where my daughter is. | 0:00:53 | 0:00:57 | |
-I'll show you. -And you run off with my money while I go up that alley? | 0:00:57 | 0:01:02 | |
This is her. Have you seen her? Lisa. Lisa Garadini. | 0:01:06 | 0:01:10 | |
Lisa. Lisa. I know her. I will show you to her. | 0:01:10 | 0:01:14 | |
Do you know her? | 0:01:14 | 0:01:17 | |
Go! Go! | 0:01:17 | 0:01:19 | |
That woman offered me 100 florins. | 0:01:58 | 0:02:00 | |
Now I have to find 50 to get out of here. | 0:02:00 | 0:02:04 | |
-Because of you. -Maybe you shouldn't have lied to her. | 0:02:04 | 0:02:07 | |
What makes you so sure I was lying? | 0:02:07 | 0:02:11 | |
KEYS JANGLE | 0:02:11 | 0:02:13 | |
-Is he why you're in here. -I'll tell you later. | 0:02:20 | 0:02:23 | |
What do they want? 50 florins? | 0:02:23 | 0:02:27 | |
I might raise it by the end of the day. | 0:02:27 | 0:02:30 | |
But my dad's coming to see my work. That's why I broke the curfew. | 0:02:30 | 0:02:35 | |
-He can't know about this. -I'll try and arrange that. | 0:02:35 | 0:02:38 | |
Giacomo, nasty piece of work. Always got his finger in some fishy pie! | 0:02:38 | 0:02:43 | |
-Nothing like you, then(!) -Mm! | 0:02:43 | 0:02:47 | |
BELL TOLLS | 0:02:47 | 0:02:49 | |
Don't worry, that dragon won't trouble you. | 0:02:50 | 0:02:53 | |
Just one kiss, my darling Angelina, is all I ask. | 0:02:53 | 0:02:58 | |
-Lorenzo. -Angelina! | 0:02:58 | 0:03:01 | |
-Lorenzo, wake up! -What's going on? Who is it? -Lorenzo, it's me, Mac. | 0:03:01 | 0:03:06 | |
-Where? -Take your mask off! | 0:03:06 | 0:03:09 | |
-Oh. How long have you been there? -Long enough to meet Angelina! | 0:03:09 | 0:03:14 | |
-Huh? -Look, Leo's in jail. The fine's 50 florins. Have you got it? | 0:03:14 | 0:03:19 | |
-I only get two florins a week and I just bought a pair of dance tights. -You're loaded! | 0:03:19 | 0:03:25 | |
No. My dad is. | 0:03:25 | 0:03:27 | |
Oh, no. You've got to be joking! | 0:03:29 | 0:03:32 | |
50 florins? Cash? | 0:03:33 | 0:03:36 | |
-Are you in some kind of trouble? -No, father. Not me. | 0:03:38 | 0:03:42 | |
50 florins? That's the going rate for breaking the curfew, isn't it? | 0:03:43 | 0:03:48 | |
-Is it? -Who is this friend in need? | 0:03:48 | 0:03:51 | |
Well... | 0:03:53 | 0:03:55 | |
-All right. Wait in your room. -Thank you, father. | 0:03:55 | 0:03:59 | |
Have someone bring me the prison reports from last night. | 0:04:02 | 0:04:08 | |
CHUCKLING | 0:04:14 | 0:04:17 | |
Lorenzo, grazie. I don't know how I'm going to repay you. | 0:04:20 | 0:04:25 | |
Had to cadge it off my dad. Can't believe he coughed up. | 0:04:25 | 0:04:29 | |
-Who's your friend? -Long story. Come on. | 0:04:29 | 0:04:32 | |
We have to tell Tom her mum's here. | 0:04:35 | 0:04:37 | |
But she's got a big break today painting the Duke's goddaughter. | 0:04:37 | 0:04:42 | |
Her mum's got a portrait. | 0:04:42 | 0:04:44 | |
If anyone finds out that Tomaso is pretending to be a boy, she'll go to prison - or worse. | 0:04:44 | 0:04:50 | |
Find out where her mother's staying. Please, for Tom's sake. | 0:04:50 | 0:04:54 | |
I've got to go. My dad'll be here any minute. | 0:04:54 | 0:04:57 | |
Block out everything else, including your subject. | 0:04:57 | 0:05:01 | |
Just focus on your paint. | 0:05:01 | 0:05:04 | |
-Cutting it fine. -Sorry, maestro. | 0:05:05 | 0:05:08 | |
-I need to tell you something. -Can it wait? | 0:05:08 | 0:05:12 | |
The Contessa will be here any moment. | 0:05:12 | 0:05:15 | |
I saw your mother last night. She's here in Florence looking for you. | 0:05:18 | 0:05:23 | |
She had your picture. She said your name. She looked like that. | 0:05:25 | 0:05:30 | |
-She's putting herself in danger. -That's up to her! | 0:05:30 | 0:05:35 | |
I didn't ask her to come. I didn't ask her to marry me off. | 0:05:35 | 0:05:38 | |
-At least tell her you're OK. -She can make me go home. Have you forgotten? | 0:05:38 | 0:05:44 | |
One word to the maestro and it's all over. | 0:05:44 | 0:05:48 | |
I'm not going back. This is my life now! | 0:05:48 | 0:05:51 | |
I don't want anything to do with her. | 0:05:51 | 0:05:54 | |
MAESTRO: Tomaso, La Contessa e arriva. | 0:05:54 | 0:05:59 | |
Here we are. Just as I thought. | 0:06:25 | 0:06:28 | |
Da Vinci, L. Breaking the curfew. | 0:06:28 | 0:06:31 | |
Arrested observing stars from a roof. | 0:06:32 | 0:06:36 | |
He ought to be careful. He'll find himself had up for sorcery. | 0:06:36 | 0:06:41 | |
I wonder what he was up to. Find out. | 0:06:41 | 0:06:46 | |
WHISPERS | 0:07:23 | 0:07:26 | |
-She's in the piazza, stopping passers-by. -I don't want to know. | 0:07:30 | 0:07:35 | |
How can I concentrate with you fidgeting like that? | 0:07:49 | 0:07:53 | |
MAESTRO WHISPERS | 0:07:55 | 0:08:00 | |
It cost me an ice cream, but I think I've persuaded La Contessa to stay. | 0:08:04 | 0:08:09 | |
Five minutes to get your act together! | 0:08:09 | 0:08:12 | |
Please, have you seen my daughter? | 0:08:22 | 0:08:25 | |
No. Sorry, love. Please? My daughter. | 0:08:25 | 0:08:28 | |
< Have you seen her? | 0:08:28 | 0:08:30 | |
-Have you seen my daughter? -No. -No. | 0:08:33 | 0:08:37 | |
Where is he? | 0:08:58 | 0:09:00 | |
Get to your canvas! | 0:09:03 | 0:09:04 | |
SOBS | 0:09:05 | 0:09:07 | |
Pull yourself together, boy. | 0:09:08 | 0:09:11 | |
Was she there? | 0:09:17 | 0:09:19 | |
You have to talk to her. You'd never forgive yourself if you don't. | 0:09:19 | 0:09:23 | |
I'm not going back home. | 0:09:23 | 0:09:25 | |
Whatever happens, I'm not giving all this up. | 0:09:25 | 0:09:29 | |
Leonardo, I've had a message from your father. | 0:09:31 | 0:09:35 | |
He can't get away today. He'll come tomorrow. | 0:09:35 | 0:09:38 | |
Maestro, in that case, can I look for my telescope and sketchbook? | 0:09:40 | 0:09:45 | |
-So, this is where you live? -What do you want? | 0:09:57 | 0:10:01 | |
That boy who ran in there. What does he know about the missing girl? | 0:10:01 | 0:10:05 | |
-Have you forgotten that you owe me? -I don't owe you anything. -You do. | 0:10:05 | 0:10:10 | |
You've got friends. Didn't I see you with a Medici? | 0:10:10 | 0:10:14 | |
Don't worry. I'll find a way to make you pay. | 0:10:16 | 0:10:20 | |
CLOCK STRIKES | 0:10:51 | 0:10:54 | |
Lunch. You've got an hour. | 0:10:58 | 0:11:01 | |
# Sigh no more, no more | 0:12:21 | 0:12:26 | |
# One foot in sea, one on shore... # | 0:12:28 | 0:12:34 | |
Mum? | 0:12:35 | 0:12:36 | |
# ..You know me | 0:12:41 | 0:12:45 | |
# You know me... # | 0:12:47 | 0:12:51 | |
-SOBBING: -Mum, I'm sorry. I'm so sorry. | 0:12:51 | 0:12:55 | |
# ..Man is a giddy thing | 0:12:55 | 0:12:57 | |
# Oh, man is a giddy thing Oh, man is a giddy thing | 0:12:57 | 0:13:03 | |
# Oh, man is a giddy thing. # | 0:13:04 | 0:13:06 | |
I didn't know if you were alive. Running off. The shame of it! | 0:13:13 | 0:13:19 | |
-Mum, I'm sorry. -I know it's because you were afraid. | 0:13:19 | 0:13:23 | |
Anything to banish the thought of marriage. | 0:13:23 | 0:13:26 | |
It's not too late. Signor Bufini has been very understanding. | 0:13:32 | 0:13:37 | |
-The marriage can go ahead. -Mum! It's not what I want! -What do you want? | 0:13:37 | 0:13:42 | |
Don't say you want to paint. You can't. You know that. No woman can. | 0:13:42 | 0:13:48 | |
-Come home before your father completely disowns you. -I won't. | 0:13:51 | 0:13:56 | |
You're to come home with me to marry. | 0:13:56 | 0:13:58 | |
-No. I can't. -You can and you will. Now. | 0:13:58 | 0:14:03 | |
-I can't! -Why can't you? | 0:14:03 | 0:14:05 | |
Because...I'm already married. | 0:14:05 | 0:14:08 | |
# But man is a giddy thing | 0:14:12 | 0:14:14 | |
# Oh, man is a giddy thing | 0:14:15 | 0:14:17 | |
# Oh, man is a giddy thing. # | 0:14:18 | 0:14:20 | |
-That is madness. Why did you say that? -I don't know! | 0:14:20 | 0:14:24 | |
She was going on at me. It just came out. | 0:14:24 | 0:14:27 | |
Now she wants to meet my husband, see where I live. | 0:14:27 | 0:14:32 | |
My clothes! Where are they? | 0:14:32 | 0:14:35 | |
I haven't seen them. | 0:14:35 | 0:14:37 | |
Someone's taken them! Who...? | 0:14:37 | 0:14:40 | |
-There's a weird guy out front. -With a black hat? -Keeps looking at me. | 0:14:41 | 0:14:45 | |
-He tried to take money from your mum. Lorenzo, see if he's there. If he is, distract him. -OK. | 0:14:45 | 0:14:52 | |
-This is a disaster! -Calm down. | 0:14:52 | 0:14:55 | |
Concentrate on your painting. I'll lend you some clothes. | 0:14:55 | 0:14:59 | |
Then...we'll find you a husband! | 0:15:00 | 0:15:03 | |
Pushing your luck, boy. | 0:15:31 | 0:15:33 | |
You're kidding. I make a much better husband. I've got looks, charm... | 0:15:42 | 0:15:47 | |
I get straight As for etiquette and deportment and can saddle a horse in 48 seconds. | 0:15:47 | 0:15:54 | |
Oh, and my father owns half of Florence. Eat my dust, if you will. | 0:15:54 | 0:15:58 | |
How is she going to believe that Lisa can pull someone with your wealth, your class, your... | 0:15:58 | 0:16:05 | |
looks? | 0:16:05 | 0:16:06 | |
It's a fairy tale, too good to be true. | 0:16:06 | 0:16:09 | |
-You're probably right. -We need to pitch it lower. | 0:16:11 | 0:16:14 | |
OK? | 0:16:14 | 0:16:16 | |
But not this low. | 0:16:16 | 0:16:18 | |
Get a mop. | 0:16:18 | 0:16:21 | |
CLOCK CHIMES | 0:16:34 | 0:16:38 | |
Not bad, | 0:16:44 | 0:16:46 | |
considering your earlier lack of concentration. | 0:16:46 | 0:16:50 | |
There we go. Some lovely freesias. | 0:16:57 | 0:17:00 | |
Oh! I still can't get rid of that smell! | 0:17:01 | 0:17:05 | |
Tom! Welcome home! | 0:17:05 | 0:17:08 | |
-So you are my husband. -No. I've met your mother, remember? -Oh. So... | 0:17:08 | 0:17:13 | |
-Welcome home, bambino! -Bambina. | 0:17:13 | 0:17:17 | |
-Yeah, baby. -My mum will never believe it. | 0:17:17 | 0:17:21 | |
She knows you're not my type. | 0:17:21 | 0:17:23 | |
-We'll have to make it work somehow. -It's not much of a home. | 0:17:23 | 0:17:27 | |
Where's the personal touch? | 0:17:28 | 0:17:30 | |
Things with sentimental value, like this music box | 0:17:30 | 0:17:34 | |
Leo gave me. | 0:17:34 | 0:17:37 | |
Right. | 0:17:38 | 0:17:39 | |
# If you find yourself caught in love | 0:17:41 | 0:17:43 | |
# Say a prayer to the man above | 0:17:44 | 0:17:47 | |
# Thank him for everything you know You should thank him | 0:17:47 | 0:17:51 | |
# For every breath you blow | 0:17:51 | 0:17:54 | |
# If you're single but looking out | 0:17:55 | 0:17:57 | |
# You must raise your prayer to a shout | 0:17:57 | 0:18:01 | |
# Another partner must be found Someone to take your life beyond | 0:18:01 | 0:18:07 | |
# Another TV "I Love 1999" | 0:18:07 | 0:18:11 | |
# Just one more box of cheapo wine... # | 0:18:11 | 0:18:14 | |
You've ruined that! | 0:18:14 | 0:18:16 | |
# ..If you find yourself caught in love | 0:18:16 | 0:18:19 | |
# Say a prayer to the man above | 0:18:19 | 0:18:22 | |
# But if you don't listen to the voices then, my friend | 0:18:23 | 0:18:27 | |
# You'll soon run out of choices | 0:18:27 | 0:18:29 | |
# What a pity it would be | 0:18:29 | 0:18:32 | |
# You talk of freedom, don't you see? | 0:18:32 | 0:18:35 | |
# The only freedom that you'll ever really know | 0:18:35 | 0:18:39 | |
# Is written in books from long ago | 0:18:39 | 0:18:42 | |
# Give up your will... # | 0:18:43 | 0:18:47 | |
Move your face that way. | 0:18:51 | 0:18:54 | |
Here's to the happy marriage. | 0:18:56 | 0:18:58 | |
So, did you find this together? | 0:19:00 | 0:19:04 | |
-Yes... -No... -We saw loads and... | 0:19:04 | 0:19:06 | |
finally chose this. | 0:19:06 | 0:19:08 | |
Do you like it, | 0:19:08 | 0:19:10 | |
Signora Garadini? Or should I call you Mum? | 0:19:10 | 0:19:13 | |
Hm! Charming. You've done this very nicely. | 0:19:13 | 0:19:19 | |
Lisa's very house proud. Aren't you my little bamb... | 0:19:19 | 0:19:23 | |
..bi. Bambi! | 0:19:23 | 0:19:25 | |
My little bambi. She doesn't like it when I call her that! | 0:19:26 | 0:19:30 | |
Isn't it awful when couples have cute nicknames? | 0:19:30 | 0:19:34 | |
Niccolo bought me this music box. | 0:19:34 | 0:19:38 | |
To remind me of home. | 0:19:38 | 0:19:39 | |
He's so kind and thoughtful. | 0:19:39 | 0:19:43 | |
It even plays our tune. | 0:19:43 | 0:19:46 | |
PLAYS MELODY | 0:19:46 | 0:19:49 | |
We have such a wonderful life. | 0:19:51 | 0:19:55 | |
Together. | 0:19:55 | 0:19:56 | |
I'm so lucky to have met Niccolo. | 0:19:58 | 0:20:00 | |
And, signora... Mama. | 0:20:00 | 0:20:03 | |
< I'm so lucky to have a good wife. | 0:20:03 | 0:20:05 | |
She knits, bakes, keeps a clean house. Such a credit to you. | 0:20:05 | 0:20:09 | |
I'm expected. My needlepoint circle. Shall I walk you to your lodgings? | 0:20:11 | 0:20:16 | |
No. You go. I'll stay here. Get to know my son-in-law. | 0:20:16 | 0:20:21 | |
BOTH: What? | 0:20:21 | 0:20:23 | |
I won't embarrass you! | 0:20:23 | 0:20:25 | |
Hadn't you better run along? I'll find you later. | 0:20:26 | 0:20:30 | |
Arrivederci. | 0:20:32 | 0:20:33 | |
Well, Niccolo, I see how much you like my daughter. | 0:20:42 | 0:20:46 | |
But if you think I'm stupid enough to be taken in by this charade, you've got another think coming. | 0:20:47 | 0:20:54 | |
Signorina. | 0:21:01 | 0:21:02 | |
I'm so sorry, Contessa. | 0:21:29 | 0:21:31 | |
-WHISPERS: -How was it? | 0:21:36 | 0:21:38 | |
OK, but Leo, I'm scared. | 0:21:38 | 0:21:41 | |
-Giacomo's seen me at least twice as Lisa. I think he knows. -Really? | 0:21:41 | 0:21:47 | |
What am I going to do? | 0:21:47 | 0:21:50 | |
-KNOCK ON DOOR -Maybe it's my dad. | 0:21:50 | 0:21:53 | |
I'm inspecting the city workshops for a suitable apprenticeship. | 0:21:57 | 0:22:02 | |
- For my son. - I have no positions available. | 0:22:02 | 0:22:06 | |
But look around if you want. | 0:22:06 | 0:22:08 | |
SIGNORA GARADINI: I am fascinated. When I was a girl, I loved painting. | 0:22:11 | 0:22:17 | |
But of course, it's not permitted for a woman to be an artist. | 0:22:17 | 0:22:21 | |
No, indeed. > | 0:22:21 | 0:22:23 | |
Nor should it be, in my view. A woman belongs to marriage. | 0:22:23 | 0:22:29 | |
What would happen to a woman who tried to paint, signor? | 0:22:29 | 0:22:33 | |
Prison, certainly. Or banishment. | 0:22:33 | 0:22:36 | |
After all, it's against the law. Have many tried? | 0:22:36 | 0:22:40 | |
CHUCKLING: Not in my workshop. | 0:22:40 | 0:22:43 | |
Signora, proof of the esteem in which we are held, | 0:22:44 | 0:22:49 | |
la Contessa Rosetta d'Abruzzo sits for my star apprentice, | 0:22:49 | 0:22:52 | |
Tomaso Garadini. | 0:22:52 | 0:22:54 | |
Tomaso won the city arts contest judged by His Grace the Duke. | 0:22:54 | 0:23:01 | |
You may see the winning painting, a portrait. | 0:23:01 | 0:23:05 | |
< A little like you, signora. | 0:23:15 | 0:23:18 | |
Well, well, well. So, you're all in it together. | 0:23:42 | 0:23:45 | |
-What are you talking about? -That Leo boy, you and the girl. | 0:23:45 | 0:23:50 | |
And that other boy, the runty one. I can smell something fishy. | 0:23:50 | 0:23:55 | |
And a lot of money. | 0:23:56 | 0:23:58 | |
Oh, there's nothing fishy. | 0:23:58 | 0:24:01 | |
I'm here because Leo recognised my daughter. | 0:24:01 | 0:24:04 | |
He told me where she is. Well, she works here as a maid. | 0:24:04 | 0:24:09 | |
If it wasn't for you, I would never have found her. So grazie, signor. | 0:24:09 | 0:24:14 | |
You said it, lady. Now you owe me 100 florins. | 0:24:14 | 0:24:18 | |
You drive a hard bargain, signor. | 0:24:20 | 0:24:24 | |
Here. | 0:24:28 | 0:24:30 | |
-Mum, did he threaten you? -No! | 0:24:37 | 0:24:39 | |
I don't think he'll bother you any more, either. | 0:24:39 | 0:24:43 | |
Thank you for not saying anything. | 0:24:50 | 0:24:53 | |
Well, I can't say I approve. | 0:24:55 | 0:24:58 | |
-Your father would be devastated. -I know. | 0:24:58 | 0:25:02 | |
How are you going to keep this up? > | 0:25:02 | 0:25:05 | |
What if you get caught? You just had a very lucky escape. | 0:25:05 | 0:25:09 | |
I know how stubborn you are. | 0:25:12 | 0:25:15 | |
I can see that this is something you have to do. | 0:25:15 | 0:25:18 | |
Just now, when I saw you in there, I felt proud. | 0:25:18 | 0:25:22 | |
Tomaso. You took your dad's name! | 0:25:24 | 0:25:28 | |
No. Not here. | 0:25:31 | 0:25:34 | |
You must be SO careful. | 0:25:34 | 0:25:36 | |
Can I see you again? | 0:25:40 | 0:25:42 | |
I'll write. | 0:25:43 | 0:25:46 | |
Yours, I believe. | 0:26:07 | 0:26:09 | |
Thank you. | 0:26:09 | 0:26:12 | |
Tom, I'm so sorry. She saw right through me. | 0:26:12 | 0:26:15 | |
It's OK. | 0:26:15 | 0:26:17 | |
You're a good friend, Mac. | 0:26:17 | 0:26:20 | |
-Rubbish husband, though. -HE LAUGHS | 0:26:20 | 0:26:23 | |
Ah, Caporaso. Tonight's errands. | 0:26:37 | 0:26:41 | |
I've had a look. No military applications. | 0:26:41 | 0:26:44 | |
Nothing more than a boy's star-gazing kit. | 0:26:44 | 0:26:48 | |
Grazie for today. You were right. | 0:26:53 | 0:26:56 | |
I'm glad my mum found me. | 0:26:56 | 0:26:58 | |
I'm sorry about your dad. | 0:27:02 | 0:27:04 | |
I'm sure he'll get here when he can. | 0:27:04 | 0:27:07 | |
KNOCK ON DOOR | 0:27:21 | 0:27:24 | |
Subtitles by Red Bee Media Ltd | 0:28:02 | 0:28:05 | |
E-mail [email protected] | 0:28:05 | 0:28:08 |