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-My father's a good man. -No. He's not. And if you can't see that... | 0:00:08 | 0:00:11 | |
If I can't see it, then what? | 0:00:11 | 0:00:12 | |
-Lorenzo, home. -Father... -Go home! | 0:00:12 | 0:00:15 | |
What you did today, I won't forget it. | 0:00:21 | 0:00:27 | |
I'm going to make you suffer. All of you. | 0:00:27 | 0:00:31 | |
Bring it on. | 0:00:40 | 0:00:42 | |
You know what you have to do, Placidi. | 0:01:32 | 0:01:34 | |
CLATTERING | 0:02:58 | 0:03:00 | |
TOMASO GASPS | 0:03:35 | 0:03:37 | |
Piccola ragazza. Tell him Piero de' Medici is watching him. | 0:03:37 | 0:03:42 | |
And when the time is right... | 0:03:42 | 0:03:44 | |
Buona notte. Sleep well, little girl. | 0:03:44 | 0:03:48 | |
If I hadn't woken up when I did, he would have slit his throat. | 0:04:02 | 0:04:04 | |
No. Too crude. Send his man to murder Leo in the workshop? | 0:04:04 | 0:04:07 | |
-Not Piero's style. -These warded locks are useless. They're easy to pick. | 0:04:07 | 0:04:10 | |
You just need a tool to clear the projections. | 0:04:10 | 0:04:12 | |
What is he planning, then? | 0:04:12 | 0:04:13 | |
Before the Egyptians, they used knots, not locks. | 0:04:13 | 0:04:16 | |
-But Placidi didn't steal anything? -No. -What about your notebooks? | 0:04:16 | 0:04:19 | |
Still there. | 0:04:19 | 0:04:21 | |
What is he up to? | 0:04:21 | 0:04:23 | |
He could have easily closed down the workshop by now. | 0:04:23 | 0:04:25 | |
Told people I'm a girl. Why hasn't he? | 0:04:25 | 0:04:27 | |
No, no, too simple. Piero likes toying with people. Playing games. | 0:04:27 | 0:04:30 | |
-He wants to scare us. -Well, it's working. | 0:04:30 | 0:04:32 | |
Hey! Look, it's me he's gunning for. | 0:04:32 | 0:04:34 | |
It's me he wants to get. Well, just let him try. | 0:04:34 | 0:04:36 | |
I'll be ready for him. | 0:04:36 | 0:04:38 | |
Don't let him go anywhere on his own. | 0:04:40 | 0:04:42 | |
Oh, yeah, right. Like that'll be easy(!) | 0:04:42 | 0:04:45 | |
Signor Placidi! | 0:05:01 | 0:05:04 | |
Not now, Master Lorenzo. I'm busy. | 0:05:04 | 0:05:06 | |
En garde. | 0:05:06 | 0:05:07 | |
How do you do that? | 0:05:15 | 0:05:18 | |
That would be telling. | 0:05:18 | 0:05:20 | |
Take that, Leonardo! | 0:05:26 | 0:05:27 | |
And as for you, Tom, you big... girl! | 0:05:29 | 0:05:31 | |
And as for you, Machiavelli... | 0:05:34 | 0:05:36 | |
Oh. I'm so BORED! | 0:05:40 | 0:05:43 | |
Only the boring are bored, Lorenzo. | 0:05:43 | 0:05:46 | |
Sorry, Papa. | 0:05:46 | 0:05:48 | |
It's been months now. | 0:05:48 | 0:05:50 | |
You need to stop moping around the house and get out. | 0:05:50 | 0:05:54 | |
Make some new friends. | 0:05:54 | 0:05:55 | |
Yes, Papa. | 0:05:55 | 0:05:57 | |
Well, off you go, then. | 0:05:58 | 0:06:00 | |
And as for you, you will pay for such oafish clumsiness. | 0:06:04 | 0:06:09 | |
That will come out of your wages for the next three years. | 0:06:09 | 0:06:12 | |
Oh, actually, Papa, that was... | 0:06:14 | 0:06:16 | |
me. | 0:06:16 | 0:06:17 | |
BANGING | 0:06:23 | 0:06:29 | |
Tomaso! BANGING | 0:06:36 | 0:06:40 | |
Tomaso! | 0:06:40 | 0:06:41 | |
No, no, no. It's way off. | 0:06:48 | 0:06:49 | |
What's the matter with you this morning? Do it again. | 0:06:49 | 0:06:52 | |
We're nearly out of lapis lazuli, Maestro. | 0:06:53 | 0:06:55 | |
Not surprising when you mix it so badly. | 0:06:55 | 0:06:58 | |
Leonardo, go buy some more. | 0:06:58 | 0:07:00 | |
Er... I should just go with him. | 0:07:01 | 0:07:03 | |
Yes, excellent idea(!) | 0:07:03 | 0:07:04 | |
You two go frolicking off and fritter away my time as well as my money. | 0:07:04 | 0:07:08 | |
Just mix the blue, and get it right this time. | 0:07:08 | 0:07:11 | |
Si, Maestro. | 0:07:11 | 0:07:12 | |
And Cosimo! | 0:07:12 | 0:07:14 | |
Si, Maestro. | 0:07:16 | 0:07:17 | |
Coffee! | 0:07:18 | 0:07:19 | |
< Coffee, coffee, coffee. | 0:07:22 | 0:07:24 | |
Scusi! Scusi! | 0:07:24 | 0:07:27 | |
Lapis. | 0:07:33 | 0:07:34 | |
Whoa! I wish you wouldn't do that. | 0:07:35 | 0:07:39 | |
Just watching your back, my friend. | 0:07:39 | 0:07:40 | |
Well, you don't need to. We won. We beat him, didn't we? | 0:07:40 | 0:07:43 | |
Yeah, yeah. We did. | 0:07:43 | 0:07:45 | |
-And if he tries to attack me again, we'll beat him again. Yes? -Yes. | 0:07:45 | 0:07:47 | |
Yes, I know, I've seen him. | 0:07:51 | 0:07:53 | |
-Maybe we should go over. -No. I'm not talking to him. | 0:07:53 | 0:07:56 | |
He made his choice, there's nothing more to say. | 0:07:56 | 0:08:00 | |
MACHIAVELLI CHUCKLES | 0:08:20 | 0:08:22 | |
# You pull me apart, now you pull me apart | 0:08:33 | 0:08:37 | |
# In a pool with the sharks I fall from the start... # | 0:08:40 | 0:08:44 | |
-Here, let me have a go. -Think you've got it, do you? | 0:08:48 | 0:08:50 | |
I know I've got it. I'm the Mac. Watch me! | 0:08:50 | 0:08:53 | |
You know you're going to fall in the dirt, don't you? | 0:08:57 | 0:09:01 | |
Whoa! Whoa! Oh! Oh! | 0:09:01 | 0:09:05 | |
Agh! | 0:09:07 | 0:09:08 | |
You're such a gonzo. | 0:09:11 | 0:09:13 | |
Cheers, mate. | 0:09:13 | 0:09:14 | |
-Got it. -Got it? | 0:09:18 | 0:09:21 | |
Va bene, Master Lorenzo? | 0:09:27 | 0:09:29 | |
Of course, why wouldn't I be? | 0:09:29 | 0:09:30 | |
En garde. | 0:09:31 | 0:09:33 | |
Not now. I'm not in the mood. | 0:09:33 | 0:09:35 | |
You've captured him perfectly, Maestro. | 0:09:47 | 0:09:50 | |
Yes. Would Signor Costa care to examine the work? | 0:09:50 | 0:09:54 | |
I think you will be pleased with the result. | 0:09:54 | 0:09:58 | |
Do you? | 0:09:58 | 0:10:00 | |
Well, I most certainly am not. | 0:10:03 | 0:10:06 | |
Call yourself an artist? You call THAT a portrait? | 0:10:08 | 0:10:12 | |
Pah! E spazzatura! It's nothing like me, it's tat. | 0:10:12 | 0:10:20 | |
It's rubbish. | 0:10:20 | 0:10:23 | |
And if you think I am going to pay YOU for that monstrosity, well, | 0:10:23 | 0:10:30 | |
you've got another think coming, Sir! | 0:10:30 | 0:10:32 | |
Signor Costa, | 0:10:32 | 0:10:35 | |
I can assure you it's a very good likeness. | 0:10:35 | 0:10:40 | |
Costa. You owe me 20 florins. | 0:10:43 | 0:10:47 | |
I will not pay you a single one, Sir! | 0:10:47 | 0:10:49 | |
You will pay me Costa, or I'll have the Magistrate onto you. | 0:10:49 | 0:10:52 | |
I will not pay for sub-standard work. | 0:10:52 | 0:10:57 | |
My work is of the highest quality. | 0:10:57 | 0:10:59 | |
A chimpanzee could do a better job. A big, old chimpanzee! | 0:10:59 | 0:11:04 | |
-How dare you! -A big, old, blindfolded chimpanzee! | 0:11:04 | 0:11:07 | |
-What's going on? -He won't pay him. | 0:11:07 | 0:11:10 | |
-You Philistine! -Oh! | 0:11:10 | 0:11:13 | |
Porca miseria! Give me my money. | 0:11:13 | 0:11:16 | |
I would rather give it to the beggars. You charlatan! | 0:11:16 | 0:11:19 | |
Cheat! This man cannot paint his way out of a paper bag! | 0:11:19 | 0:11:24 | |
-Maestro! -Maestro! Come away. | 0:11:27 | 0:11:30 | |
-Let me go! -My eye! My eye! | 0:11:30 | 0:11:32 | |
Thief! Scoundrel! Give me my purse! | 0:11:33 | 0:11:37 | |
You're the scoundrel! Farabutto! | 0:11:37 | 0:11:40 | |
Did you see that? Did you see? | 0:11:42 | 0:11:45 | |
He tried to steal my purse. | 0:11:45 | 0:11:48 | |
You're lucky, Sir, that I don't report you to the Magistrate. | 0:11:50 | 0:11:54 | |
-Maestro! -Maestro. | 0:11:54 | 0:11:57 | |
A week's work down the drain. | 0:12:01 | 0:12:03 | |
That portrait was an excellent likeness. | 0:12:03 | 0:12:06 | |
I'll have my money from that swindler if it kills me. | 0:12:08 | 0:12:11 | |
-Maestro, where are you going? Maybe you should... -To get a drink! | 0:12:11 | 0:12:14 | |
Go and clear up in there. And get that portrait out of my sight. | 0:12:16 | 0:12:19 | |
I don't want his ugly mug staring me in the face when I get back. | 0:12:19 | 0:12:21 | |
Sorry. | 0:12:31 | 0:12:33 | |
BELL CHIMES | 0:12:35 | 0:12:37 | |
Is the Maestro back? | 0:12:50 | 0:12:52 | |
He won't break the curfew. He'll stay in the tavern now. | 0:12:52 | 0:12:56 | |
-And be in a foul mood tomorrow. -The man cheated him. | 0:12:56 | 0:12:59 | |
I know. I know. But he can be scary when he's angry. | 0:12:59 | 0:13:02 | |
A surprise for Placidi if he comes back. | 0:13:04 | 0:13:07 | |
Where's the rest of my money? I earned it. | 0:13:51 | 0:13:54 | |
You can see the eye. | 0:13:54 | 0:13:56 | |
You did a good job, my friend. | 0:13:56 | 0:13:58 | |
Well, that concludes our business, then. | 0:14:07 | 0:14:11 | |
Not quite. | 0:14:15 | 0:14:17 | |
Come on, wake up. Time to go home. Come on. | 0:14:21 | 0:14:24 | |
All right! Let me sleep. | 0:14:24 | 0:14:27 | |
You'll be sorry in the morning. | 0:14:29 | 0:14:32 | |
You know what you have to say. | 0:14:44 | 0:14:46 | |
-And you're sure nobody saw you? -I'm sure. | 0:15:08 | 0:15:11 | |
We don't want anyone thinking there are two identical ones, do we? | 0:15:16 | 0:15:21 | |
Cosimo! Bring me coffee! | 0:15:43 | 0:15:45 | |
Oh, it's you. Bring me coffee. | 0:15:52 | 0:15:57 | |
And keep it down, can't you? | 0:16:00 | 0:16:01 | |
HE GROANS | 0:16:03 | 0:16:05 | |
LEONARDO! | 0:16:43 | 0:16:45 | |
I take it this is one of your idiot pranks. | 0:16:50 | 0:16:52 | |
-I can explain. -Don't bother. I'm going to change. | 0:16:52 | 0:16:57 | |
By order of the Duke, search the premises. Leave no stone unturned. | 0:17:07 | 0:17:11 | |
Where do you think you're going? | 0:17:11 | 0:17:13 | |
-Hey! Hey, leave that alone! -Get out of it... | 0:17:13 | 0:17:17 | |
Get off! | 0:17:17 | 0:17:20 | |
Get out of my way, boy. > | 0:17:20 | 0:17:21 | |
Not those, please! > | 0:17:21 | 0:17:23 | |
What's going on? | 0:17:26 | 0:17:28 | |
Andrea del Verrocchio. I am arresting you for murder. | 0:17:28 | 0:17:33 | |
-What! -You can't be serious. | 0:17:33 | 0:17:36 | |
Who am I supposed to have murdered? | 0:17:36 | 0:17:38 | |
This man. Signor Antonio Costa. | 0:17:38 | 0:17:41 | |
That's ridiculous. | 0:17:41 | 0:17:44 | |
Why are your clothes wet? | 0:17:44 | 0:17:45 | |
Attempting to wash away the blood, no doubt. | 0:17:45 | 0:17:48 | |
It was me, I put it there. | 0:17:48 | 0:17:50 | |
-There was a bucket over the door. -We had a break in... | 0:17:50 | 0:17:52 | |
Silenzio! | 0:17:52 | 0:17:53 | |
Where were you last night? | 0:17:57 | 0:18:00 | |
I was in the tavern. | 0:18:02 | 0:18:04 | |
The tavern outside which Signor Costa was killed. | 0:18:05 | 0:18:08 | |
I was asleep. | 0:18:14 | 0:18:15 | |
The tavern owner says you could easily have sneaked out. | 0:18:15 | 0:18:18 | |
-Come back in again. -But I didn't. | 0:18:18 | 0:18:20 | |
And then there's the witness. | 0:18:22 | 0:18:23 | |
-What witness? -The witness who saw you do it. | 0:18:23 | 0:18:26 | |
Not possible. It can't be. | 0:18:26 | 0:18:28 | |
Maestro, tell them! | 0:18:28 | 0:18:32 | |
Several other witnesses saw you fighting with him | 0:18:32 | 0:18:35 | |
-earlier in the day. -He refused to pay. | 0:18:35 | 0:18:37 | |
And so you smashed his skull in and took his purse. | 0:18:37 | 0:18:40 | |
-No! -No! He didn't, he couldn't have. | 0:18:40 | 0:18:43 | |
So, what is this? | 0:18:46 | 0:18:47 | |
Take him away. | 0:18:51 | 0:18:53 | |
-KNOCK AT DOOR -Entree. | 0:19:18 | 0:19:20 | |
It is done. The Magistrate has taken him to gaol. | 0:19:24 | 0:19:29 | |
I would like to have seen the boy's face. | 0:19:32 | 0:19:35 | |
He does so love his Maestro. | 0:19:35 | 0:19:38 | |
You don't...you don't think there's any way he could have done it? | 0:19:49 | 0:19:52 | |
No! No, I don't. | 0:19:52 | 0:19:55 | |
Go to Mac's and see if he can find out anything about this "witness". | 0:19:55 | 0:19:59 | |
All right, there's some bread and some fruits, | 0:20:02 | 0:20:05 | |
and some of his biscotti that he likes. | 0:20:05 | 0:20:07 | |
I don't know what he'll do without his coffee. | 0:20:07 | 0:20:09 | |
Do they give you coffee in prison? | 0:20:09 | 0:20:11 | |
-Don't worry, Cosi, I'm sure they do. -Bene, bene. | 0:20:11 | 0:20:14 | |
-He's like a bear with a sore head without his coffee. -Yeah. | 0:20:14 | 0:20:17 | |
They will let him go, won't they? | 0:20:17 | 0:20:19 | |
Course they will. | 0:20:19 | 0:20:21 | |
It's just...in town, people were saying it's happened before. | 0:20:21 | 0:20:25 | |
-What? -That he's done it before. | 0:20:25 | 0:20:26 | |
When he was young, he killed a boy the same way. With a rock. | 0:20:26 | 0:20:29 | |
That's rubbish! That's mindless gossip. | 0:20:29 | 0:20:32 | |
These artist types are all the same. Terrible tempers. | 0:20:33 | 0:20:38 | |
Quite. | 0:20:38 | 0:20:39 | |
And drinkers, too, more often than not. | 0:20:39 | 0:20:42 | |
Apparently, he'd been in the tavern all night, | 0:20:42 | 0:20:44 | |
drinking himself into a murderous frenzy. | 0:20:44 | 0:20:47 | |
Mmm. | 0:20:47 | 0:20:48 | |
It makes my skin crawl. | 0:20:50 | 0:20:52 | |
He painted Lorenzo's portrait, didn't he? | 0:20:54 | 0:20:57 | |
It's one of my favourites. | 0:20:57 | 0:20:59 | |
We'll have to take it down. | 0:20:59 | 0:21:01 | |
We can't display the work of murderers on our walls. | 0:21:01 | 0:21:04 | |
I'll instruct the servants. | 0:21:04 | 0:21:07 | |
Thieves and robbers and murderers | 0:21:07 | 0:21:09 | |
roaming the streets like feral animals. | 0:21:09 | 0:21:10 | |
We're barely safe in our beds at night. | 0:21:10 | 0:21:12 | |
I'll feel better once the man is executed. | 0:21:14 | 0:21:17 | |
He has to have a trial first. | 0:21:17 | 0:21:20 | |
One can't simply just hang people. More's the pity. | 0:21:20 | 0:21:24 | |
Naturalmente. A trial, and then he will hang. | 0:21:24 | 0:21:27 | |
The man is clearly guilty. Everybody says so. | 0:21:27 | 0:21:30 | |
Lorenzo, you've not eaten a thing. | 0:21:32 | 0:21:36 | |
I'm not hungry. | 0:21:36 | 0:21:38 | |
I don't know what's happened to your appetite recently. | 0:21:38 | 0:21:40 | |
At least try the pickled peacock. E delizioso. | 0:21:40 | 0:21:46 | |
Lorenzo, walk with me. I want to talk to you. | 0:21:50 | 0:21:55 | |
I brought you these. | 0:22:20 | 0:22:21 | |
I don't know what I'd do if I couldn't draw. It's like breathing. | 0:22:25 | 0:22:31 | |
They're saying I've done it before, aren't they? | 0:22:31 | 0:22:34 | |
Nobody believes that. | 0:22:34 | 0:22:36 | |
Why not? It's the truth. | 0:22:36 | 0:22:38 | |
What? | 0:22:40 | 0:22:41 | |
I have killed before. | 0:22:41 | 0:22:42 | |
No. | 0:22:42 | 0:22:44 | |
When I was about your age. We were messing about, throwing rocks. | 0:22:45 | 0:22:52 | |
I hit my best friend on the head. It was an accident. | 0:22:52 | 0:22:56 | |
But a boy still died. | 0:22:58 | 0:22:59 | |
What do you think of your Maestro now? | 0:23:06 | 0:23:08 | |
It doesn't... It doesn't change the way I feel. | 0:23:11 | 0:23:15 | |
It was an accident. | 0:23:15 | 0:23:16 | |
I didn't kill Costa, I swear to you on my life. | 0:23:19 | 0:23:23 | |
Somebody's going to a lot of trouble to make it look like you did. | 0:23:27 | 0:23:31 | |
You're being set up. Framed. | 0:23:31 | 0:23:35 | |
My dad! My dad! | 0:23:35 | 0:23:36 | |
My dad will help us. He'll prove you're innocent. | 0:23:36 | 0:23:39 | |
I just need to speak to my dad! Jailer! | 0:23:39 | 0:23:41 | |
He can't have. | 0:23:46 | 0:23:48 | |
I'm fond of him too, Lorenzo. But facts are facts. | 0:23:48 | 0:23:51 | |
And you have to face them. | 0:23:51 | 0:23:54 | |
He can't be a murderer. | 0:23:54 | 0:23:55 | |
Well, sadly, he is. Signor Verrocchio has a temper. | 0:23:55 | 0:24:00 | |
And he's done it before. He killed a boy. With a rock. | 0:24:00 | 0:24:05 | |
It was an accident. Or so he says. | 0:24:05 | 0:24:07 | |
Can't you do anything, Papa? | 0:24:08 | 0:24:10 | |
Oh, I am doing something. Costa, the murdered man, worked for me. | 0:24:10 | 0:24:14 | |
I'll make sure that justice is done. | 0:24:14 | 0:24:17 | |
HE CHUCKLES | 0:24:29 | 0:24:31 | |
-Ciao, Leo. -Ciao, Papa. | 0:24:31 | 0:24:33 | |
Come on, let me buy you an ice cream. | 0:24:35 | 0:24:37 | |
Due gelati, per favore. | 0:24:40 | 0:24:42 | |
Dad, erm... have you... Have you heard? | 0:24:46 | 0:24:49 | |
Have you heard about Signor Verrocchio? | 0:24:49 | 0:24:51 | |
I'd have to be cloth-eared not to. It's all over town. | 0:24:51 | 0:24:53 | |
I don't know what the man was thinking. | 0:24:54 | 0:24:56 | |
But if the workshop's closed down, | 0:24:56 | 0:24:57 | |
we'll have to find you somewhere else to live. | 0:24:57 | 0:25:01 | |
It won't be closed down. | 0:25:01 | 0:25:02 | |
I suppose you could come and stay with us for a couple of days. | 0:25:02 | 0:25:04 | |
But it's a bit tricky. | 0:25:04 | 0:25:07 | |
Haven't ever got around to actually telling Francesca I've got a son. | 0:25:07 | 0:25:11 | |
And what with the wedding coming up, it's not the best timing. | 0:25:11 | 0:25:16 | |
You're getting married? | 0:25:16 | 0:25:18 | |
Didn't I tell you? Anyway, that's by the by - | 0:25:18 | 0:25:21 | |
the point is, you're going to be without a job, without lodgings. | 0:25:21 | 0:25:25 | |
We're going to have to find you a new apprenticeship, presto. | 0:25:25 | 0:25:28 | |
No. No, No. You don't understand. None of it's true. | 0:25:28 | 0:25:31 | |
Verrocchio is innocent. He didn't do it. | 0:25:31 | 0:25:34 | |
-Grazie. -Prego. | 0:25:35 | 0:25:37 | |
He needs a good lawyer, and you're the best. | 0:25:37 | 0:25:39 | |
The evidence against Verrocchio is strong, practically unassailable. | 0:25:41 | 0:25:47 | |
He was at the tavern, a witness saw him do it. | 0:25:47 | 0:25:49 | |
Yes, yes, yes, but he was killed in exactly the same way | 0:25:49 | 0:25:52 | |
-as Verrocchio's friend died. With a rock. Do you see? -See what? | 0:25:52 | 0:25:56 | |
That he didn't have the imagination to choose a different method? | 0:25:56 | 0:25:59 | |
That he's being set up, he's being framed. That's the only explanation. | 0:25:59 | 0:26:02 | |
Enough, Leonardo. The victim's purse was found in his workshop. | 0:26:02 | 0:26:08 | |
It must have been... | 0:26:08 | 0:26:10 | |
..planted. Of course! | 0:26:12 | 0:26:15 | |
A few nights ago, Dad, | 0:26:15 | 0:26:16 | |
-someone broke in and that's when they did it... -I said enough! | 0:26:16 | 0:26:19 | |
You need to grow up. You're not a child any more, | 0:26:22 | 0:26:24 | |
and the world is not always what you want it to be. | 0:26:24 | 0:26:28 | |
Verrocchio is innocent. Please take the case. | 0:26:30 | 0:26:34 | |
Please. | 0:26:34 | 0:26:36 | |
I couldn't, even if I wanted to. | 0:26:36 | 0:26:38 | |
the Magistrate wants me to present the case | 0:26:39 | 0:26:42 | |
-AGAINST Signor Verrocchio. -You can't! | 0:26:42 | 0:26:44 | |
Dad, I'm begging you, tell them you've changed your mind. | 0:26:44 | 0:26:49 | |
Apparently, Piero de' Medici has asked for me especially. | 0:26:51 | 0:26:55 | |
-What? -It's a great honour. | 0:26:58 | 0:27:01 | |
His Excellency, Piero de' Medici himself! | 0:27:03 | 0:27:05 | |
All makes sense, taking revenge in the most hurtful way he can. | 0:27:09 | 0:27:12 | |
Destroying the workshop, destroying Verrocchio. | 0:27:12 | 0:27:14 | |
Leo said he got Placidi to plant the purse. | 0:27:14 | 0:27:16 | |
There must have been two. | 0:27:16 | 0:27:18 | |
He planted one, and made sure | 0:27:18 | 0:27:19 | |
witnesses saw the other one when they fought. | 0:27:19 | 0:27:21 | |
If we could prove there were two purses... | 0:27:21 | 0:27:23 | |
No, he would have destroyed it. He's anticipated our every move. | 0:27:23 | 0:27:28 | |
He's even got my dad against us. | 0:27:28 | 0:27:30 | |
-It's not your fault. -Isn't it? Isn't it? I never saw it coming. | 0:27:30 | 0:27:33 | |
I thought he'd come after me, | 0:27:33 | 0:27:35 | |
but I never thought Verrocchio would be in danger. | 0:27:35 | 0:27:37 | |
-I never saw it coming. -None of us did. | 0:27:37 | 0:27:39 | |
I was arrogant. Stupid. Thinking we could beat him. | 0:27:39 | 0:27:41 | |
-We can. -How? How can we beat him? He's got us cornered. | 0:27:41 | 0:27:44 | |
-He's won. -Don't say that, Leo. Don't say that. | 0:27:44 | 0:27:47 | |
We'll think of something. | 0:27:47 | 0:27:49 | |
Yeah. | 0:27:49 | 0:27:52 | |
Yeah, but we've got to be quick. | 0:27:52 | 0:27:54 | |
The case is being heard tomorrow and if Verrocchio is found guilty... | 0:27:54 | 0:27:58 | |
What? | 0:27:58 | 0:27:59 | |
He'll be executed. | 0:27:59 | 0:28:01 | |
Subtitles by Red Bee Media Ltd | 0:28:15 | 0:28:18 |