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We know you didn't see him do it! | 0:00:59 | 0:01:01 | |
You're in the pay of Piero de Medici! How much is he paying you? | 0:01:01 | 0:01:03 | |
-Tell the truth and we'll double it. -Get away from me! -No! | 0:01:03 | 0:01:06 | |
A man's life is at stake and you're bearing false witness! | 0:01:06 | 0:01:09 | |
Diddums. | 0:01:09 | 0:01:11 | |
-Filthy lowlife! -Tom! -You're lying! | 0:01:11 | 0:01:14 | |
-Tom! -You lowlife, admit it! -Get off! | 0:01:14 | 0:01:16 | |
My dad! | 0:01:16 | 0:01:18 | |
You, get yourself off to court and stay out of harm's way. | 0:01:19 | 0:01:23 | |
You two, don't let me ever catch you brawling in the streets again. | 0:01:24 | 0:01:29 | |
Andate via! | 0:01:29 | 0:01:31 | |
As for you... | 0:01:35 | 0:01:36 | |
Come with me. | 0:01:37 | 0:01:38 | |
How dare you? | 0:01:43 | 0:01:46 | |
How dare you interfere with a witness in a murder case! | 0:01:46 | 0:01:49 | |
Are you insane? It's a criminal offence. | 0:01:49 | 0:01:51 | |
Verrocchio is innocent. | 0:01:51 | 0:01:53 | |
-Don't start that again. -You don't understand. Why won't you listen? | 0:01:53 | 0:01:56 | |
Verrocchio didn't murder Costa. | 0:01:56 | 0:01:58 | |
I know he didn't, because I know who did. Piero de' Medici. | 0:01:58 | 0:02:02 | |
Piero de' Medici had him killed | 0:02:02 | 0:02:04 | |
and he framed Verrocchio to get back at me. | 0:02:04 | 0:02:06 | |
-Do you know how ridiculous you sound? -It's the truth. | 0:02:06 | 0:02:09 | |
-To get back at me for... -For? | 0:02:09 | 0:02:11 | |
For stopping him taking over Florence! | 0:02:11 | 0:02:14 | |
-It's the truth! -Silencio! | 0:02:14 | 0:02:16 | |
I won't hear another word. I will not be embarrassed like this. | 0:02:19 | 0:02:23 | |
You need to stop making accusations about Piero de' Medici now! | 0:02:23 | 0:02:26 | |
Capiche? | 0:02:27 | 0:02:29 | |
Yes, Father. | 0:02:29 | 0:02:31 | |
Mac? | 0:02:51 | 0:02:52 | |
Well, maybe he'll see reason. | 0:03:00 | 0:03:02 | |
No, mate! He'll just gloat! | 0:03:02 | 0:03:04 | |
-Don't give him the satisfaction. Don't do it! -What? Don't do what? | 0:03:04 | 0:03:09 | |
What a pleasant surprise. | 0:03:10 | 0:03:12 | |
A lora. | 0:03:15 | 0:03:17 | |
And what can I do for you? | 0:03:17 | 0:03:20 | |
So sorry to hear about the spot of bother at the workshop. | 0:03:20 | 0:03:23 | |
I suppose you'll be looking for a new position, | 0:03:23 | 0:03:26 | |
now that your master is in prison and very likely to hang. | 0:03:26 | 0:03:30 | |
Do you need a recommendation? Is that why you've come? | 0:03:31 | 0:03:35 | |
I'd be only too happy to oblige. | 0:03:35 | 0:03:39 | |
After all, I know better than most how gifted you are. | 0:03:39 | 0:03:42 | |
That's not why I'm here, and you know it. | 0:03:42 | 0:03:46 | |
-I can't think what you mean. -I know you're behind it. | 0:03:46 | 0:03:48 | |
Behind what, exactly? | 0:03:48 | 0:03:50 | |
Why take it out on Verrocchio? | 0:03:50 | 0:03:52 | |
-It's me you want revenge on. -Revenge? | 0:03:52 | 0:03:55 | |
Oh, you mean because of our little contretemps. | 0:03:57 | 0:04:00 | |
No, no, no. That's all water under the bridge. | 0:04:00 | 0:04:04 | |
Long forgotten. I bear no grudges. | 0:04:04 | 0:04:07 | |
Please. | 0:04:09 | 0:04:10 | |
Let him go. I'll do anything. | 0:04:12 | 0:04:15 | |
I'll work for you. I'll design for you. | 0:04:15 | 0:04:18 | |
Please, I'm begging you. | 0:04:18 | 0:04:20 | |
Oh, yes. You are, aren't you? | 0:04:20 | 0:04:23 | |
Just, please, let him go. | 0:04:23 | 0:04:28 | |
I've always liked Signor Verrocchio. | 0:04:28 | 0:04:31 | |
Maybe I will help him. | 0:04:31 | 0:04:32 | |
But on the other hand, | 0:04:35 | 0:04:36 | |
I really don't think my conscience will allow it. | 0:04:36 | 0:04:40 | |
Letting a guilty man, a murderer, go free... | 0:04:40 | 0:04:43 | |
You're the murderer! | 0:04:43 | 0:04:45 | |
Sticks and stones, Leonardo! Sticks and stones. | 0:04:45 | 0:04:50 | |
Although slander is a criminal offence, so you should be careful. | 0:04:50 | 0:04:54 | |
But delightful as it is to chat, | 0:04:56 | 0:04:59 | |
I do have work to do, | 0:04:59 | 0:05:01 | |
so if you don't mind... | 0:05:01 | 0:05:03 | |
(WHISPERS) Leo! | 0:05:19 | 0:05:21 | |
What do you want? I don't have time for apologies. | 0:05:26 | 0:05:30 | |
I wasn't going to apologise. | 0:05:30 | 0:05:32 | |
I've got nothing to apologise for. | 0:05:32 | 0:05:34 | |
What do you want, then? | 0:05:34 | 0:05:36 | |
Just to say that I'm sorry about Signor Verrocchio. | 0:05:36 | 0:05:39 | |
You know how much I like him. | 0:05:39 | 0:05:41 | |
-It's terrible, completamente orrendo. -What is, exactly? | 0:05:41 | 0:05:45 | |
Well, that he lost his temper like that | 0:05:45 | 0:05:47 | |
and, you know... But maybe the court will be lenient. | 0:05:47 | 0:05:49 | |
-Maybe they'll show mercy. -Not if your father has his way, they won't. | 0:05:49 | 0:05:53 | |
-My father likes Signor Verrocchio. -Your father has framed him! | 0:05:53 | 0:05:56 | |
He has framed him to get back at me. | 0:05:56 | 0:05:58 | |
He is going to have him executed to get back at me. | 0:05:58 | 0:06:01 | |
He doesn't care who he hurts to get back at me. | 0:06:01 | 0:06:03 | |
That's ridiculous. | 0:06:05 | 0:06:06 | |
No, it's you that's ridiculous. | 0:06:06 | 0:06:11 | |
And so, in conclusion, Your Honour, there can be no doubt... | 0:06:19 | 0:06:25 | |
No doubt whatsoever that this man standing before you is guilty. | 0:06:26 | 0:06:31 | |
-CROWD: -Yes! | 0:06:31 | 0:06:33 | |
The evidence cries out against him. | 0:06:34 | 0:06:37 | |
Just as his victim, Signor Costa, cried out | 0:06:37 | 0:06:41 | |
when Verrocchio took that rock and smashed his skull! | 0:06:41 | 0:06:45 | |
Andrea del Verrocchio, | 0:06:48 | 0:06:51 | |
I find you guilty of the murder of Signor Costa. | 0:06:51 | 0:06:54 | |
Tomorrow morning at ten, | 0:06:54 | 0:06:56 | |
you will be hanged by the neck until you are dead. Take him away. | 0:06:56 | 0:07:00 | |
-Where are you going? -I need to think. | 0:07:27 | 0:07:29 | |
-He thinks it's his fault. -We have to do something. | 0:07:29 | 0:07:32 | |
We have to save Verrocchio before Leo does something stupid. | 0:07:32 | 0:07:35 | |
Yeah? What? | 0:07:35 | 0:07:37 | |
-Are you ill, Lorenzo? -No, Papa. | 0:07:48 | 0:07:51 | |
Then why are you lying on your bed like a swooning maiden? | 0:07:51 | 0:07:54 | |
Stand up when I'm speaking to you. | 0:07:54 | 0:07:57 | |
Yes, Papa. | 0:07:59 | 0:08:00 | |
-What did Leonardo say to you? -Nothing, Papa. I haven't seen him. | 0:08:08 | 0:08:11 | |
Don't lie to me. I saw him come in here. | 0:08:11 | 0:08:15 | |
So what if he did? | 0:08:15 | 0:08:17 | |
I'll let that go. I can see you're...not yourself. | 0:08:20 | 0:08:24 | |
I suppose he told you that I framed Signor Verrocchio? | 0:08:25 | 0:08:29 | |
Yeah. But I didn't believe him. | 0:08:29 | 0:08:32 | |
More fool you, because it's the truth. | 0:08:32 | 0:08:37 | |
Oh, close your mouth, you look like a gawping goldfish. | 0:08:37 | 0:08:41 | |
I told the boy I would have my revenge. | 0:08:43 | 0:08:45 | |
And you know I never go back on my word. | 0:08:45 | 0:08:48 | |
I know this is difficult for you. But friends come and go. | 0:08:51 | 0:08:55 | |
Blood is forever. You'll learn that one day. | 0:08:56 | 0:09:01 | |
That should put the cat amongst the pigeons. | 0:09:11 | 0:09:15 | |
I don't understand, Your Excellency. Why tell the young Master? | 0:09:15 | 0:09:19 | |
Because I want him to stop me. | 0:09:19 | 0:09:22 | |
We have to spring him. | 0:09:34 | 0:09:36 | |
What? | 0:09:36 | 0:09:37 | |
-Get him out of jail, out of Florence. -How? | 0:09:37 | 0:09:40 | |
Someone has to take his place. Someone or...something. | 0:09:40 | 0:09:45 | |
It's all about illusion. | 0:09:48 | 0:09:49 | |
Scusi. | 0:10:10 | 0:10:12 | |
We're never going to get away with it. | 0:10:20 | 0:10:22 | |
Yes, we are. It'll be dark in there, gloomy. Isn't that right, Father? | 0:10:22 | 0:10:27 | |
"Si, Signor Machiavelli." | 0:10:27 | 0:10:29 | |
Your job, distract him from looking too closely. Lots of tears. | 0:10:29 | 0:10:32 | |
Ready? | 0:10:34 | 0:10:35 | |
SHE WAILS | 0:10:38 | 0:10:41 | |
There he is! | 0:10:46 | 0:10:50 | |
My poor Andrea, my poor boy! | 0:10:50 | 0:10:55 | |
Tomaso?! | 0:10:55 | 0:10:57 | |
We've come to pray with you, my son. | 0:10:57 | 0:10:58 | |
In nomine Patris, et Filii, et Spiritus Sancti. | 0:10:58 | 0:11:02 | |
Don't say a word, we're going to get you out. | 0:11:02 | 0:11:04 | |
-Are you mad? -Have you got a better idea? | 0:11:04 | 0:11:08 | |
You've overdone the make-up, boy, | 0:11:08 | 0:11:10 | |
but you make quite a convincing woman. | 0:11:10 | 0:11:12 | |
I'll keep talking in Latin, you swap clothes. | 0:11:12 | 0:11:16 | |
In nomine Patris, et filii et spiritus sancti. | 0:11:16 | 0:11:19 | |
In nomine Patris, et filii et spiritus sancti. | 0:11:19 | 0:11:21 | |
In nomine Patris, et filii et spiritus sancti. | 0:11:21 | 0:11:24 | |
In nomine Patris, et filii et spiritus sancti. | 0:11:24 | 0:11:27 | |
In nomine Patris et... | 0:11:27 | 0:11:30 | |
What? It's the only bit I know. | 0:11:30 | 0:11:32 | |
In nomine Patris, et filii et spiritus sancti. | 0:11:32 | 0:11:37 | |
In nomine Patris, et filii et spiritus sancti. | 0:11:37 | 0:11:41 | |
Mac! | 0:11:43 | 0:11:45 | |
Tom! | 0:11:45 | 0:11:47 | |
You're not welcome here. | 0:12:04 | 0:12:06 | |
What do you want? | 0:12:08 | 0:12:10 | |
My dad told me. That what you said was true. | 0:12:10 | 0:12:15 | |
He told me like it was nothing. Like I'd go along with it. | 0:12:15 | 0:12:18 | |
That's what you usually do, isn't it? | 0:12:18 | 0:12:22 | |
-I'm ashamed of him. And myself. -Will you go to the Magistrate? | 0:12:22 | 0:12:27 | |
Forget it. He'd never take a boy's word against his father's. | 0:12:27 | 0:12:31 | |
I want to help. Please let me help. | 0:12:32 | 0:12:35 | |
Can I borrow your horse? | 0:12:39 | 0:12:41 | |
Jailer! Jailer! We're done here. | 0:13:03 | 0:13:06 | |
Be right with you...Father. | 0:13:07 | 0:13:11 | |
Sleeping, is he? | 0:13:26 | 0:13:27 | |
Er, praying. Making his peace with God. Best not disturb him. | 0:13:27 | 0:13:32 | |
You must think I was born yesterday. | 0:13:34 | 0:13:36 | |
He pulls to the left a bit, | 0:13:40 | 0:13:42 | |
so you have to compensate and pull to the right. | 0:13:42 | 0:13:46 | |
You will look after him, won't you? Bring him back? | 0:13:46 | 0:13:49 | |
Where exactly are you going to, anyway? What's your plan? | 0:13:49 | 0:13:52 | |
It's best you don't know. | 0:13:52 | 0:13:54 | |
You mean you don't trust me? Va bene. I'll leave you to it, whatever it is. | 0:13:54 | 0:13:59 | |
I need to get back anyway. Got things to do. | 0:13:59 | 0:14:03 | |
Come on, Carlos. Good boy. Good boy. That's it. | 0:14:05 | 0:14:09 | |
-What do you want? -I'm here to see Signor Verrocchio. | 0:14:18 | 0:14:20 | |
Well, you can't. So get lost. | 0:14:20 | 0:14:21 | |
Porca miseria. | 0:14:25 | 0:14:27 | |
Who you calling a miserable pig? | 0:14:27 | 0:14:29 | |
You, you big gonzo. | 0:14:29 | 0:14:31 | |
And I'll carry on calling you one till you let me see my Maestro. | 0:14:31 | 0:14:34 | |
Porca! See? Ha! Porca! | 0:14:34 | 0:14:37 | |
Oh, you want to see your Maestro, do you? Va bene! | 0:14:37 | 0:14:39 | |
You can see your Maestro till the cows come home. | 0:14:39 | 0:14:42 | |
Get in there. | 0:14:44 | 0:14:45 | |
Feast your eyes on him all night and watch him hang in the morning. | 0:14:45 | 0:14:49 | |
Santa Maria, what's got into you? Such rudeness. | 0:14:56 | 0:14:59 | |
Man was just doing his job. | 0:14:59 | 0:15:00 | |
Si, Maestro. | 0:15:00 | 0:15:01 | |
I can't say I'm not glad of the company. | 0:15:03 | 0:15:05 | |
It's going to be a long night. | 0:15:05 | 0:15:07 | |
I thought we could paint together. | 0:15:07 | 0:15:09 | |
Paint? I don't want to paint. What's the point of... | 0:15:09 | 0:15:12 | |
Better I prepare myself. | 0:15:13 | 0:15:15 | |
Do you remember when you taught us about perspective, Maestro? | 0:15:15 | 0:15:18 | |
How to create the illusion of space, distance, solidity on flat surfaces? | 0:15:18 | 0:15:22 | |
Yes, yes, yes. But I'm really not in the mood for giving an art lesson. | 0:15:22 | 0:15:25 | |
I don't need a lesson. Just some help. | 0:15:25 | 0:15:28 | |
What on Earth are you up to, Leonardo? | 0:15:29 | 0:15:32 | |
# What do I have to do | 0:15:37 | 0:15:42 | |
# To get you where I want you? | 0:15:42 | 0:15:47 | |
# I'll guess we'll see | 0:15:52 | 0:15:54 | |
# What might be... # | 0:15:54 | 0:15:56 | |
(Leo, what are you doing?) | 0:16:00 | 0:16:02 | |
# You're a million miles | 0:16:02 | 0:16:06 | |
# A million miles away... # | 0:16:06 | 0:16:10 | |
Leo? | 0:16:10 | 0:16:12 | |
# So come closer | 0:16:12 | 0:16:14 | |
# So come closer | 0:16:14 | 0:16:16 | |
# So come close Ah, whoa | 0:16:18 | 0:16:21 | |
# Ah, whoa | 0:16:21 | 0:16:25 | |
# Your reasons don't make any sense | 0:16:28 | 0:16:33 | |
# I'll never rely on you | 0:16:35 | 0:16:40 | |
# And you're draped on him | 0:16:43 | 0:16:45 | |
# While you're staring at me | 0:16:45 | 0:16:48 | |
# Whoa, whoa | 0:16:48 | 0:16:54 | |
# You're a million miles | 0:16:54 | 0:16:57 | |
# A million miles away | 0:16:57 | 0:17:03 | |
# So come closer... # | 0:17:03 | 0:17:05 | |
Sorry. Sorry. | 0:17:22 | 0:17:26 | |
Leo! | 0:17:34 | 0:17:35 | |
Leo! | 0:17:37 | 0:17:39 | |
Leo! | 0:17:47 | 0:17:49 | |
The prisoner has escaped! | 0:18:14 | 0:18:16 | |
Help! Help! Guards! Guards! The prisoner has escaped! | 0:18:16 | 0:18:21 | |
Sound the alarm! The prisoner has escaped! | 0:18:23 | 0:18:27 | |
Andiamo. Presto. | 0:18:37 | 0:18:39 | |
I'll deal with them. You get to the city gates, | 0:18:48 | 0:18:51 | |
there's a horse waiting for you there. | 0:18:51 | 0:18:53 | |
Search the city. Presto! Find the prisoner! | 0:19:04 | 0:19:07 | |
HE WHOOPS | 0:19:07 | 0:19:09 | |
That's the boy that was with him! Catch him! | 0:19:12 | 0:19:15 | |
That is one clever boy. Come on! | 0:19:17 | 0:19:19 | |
Here, he's gone down that way! Just seen him. He's there! | 0:19:35 | 0:19:38 | |
I just saw him go that way! He's there! | 0:19:38 | 0:19:41 | |
-He went that way! -Just seen him! -Yeah, he's there! | 0:19:41 | 0:19:44 | |
Come on. Come on. Come on. | 0:20:02 | 0:20:05 | |
-He's getting away! Shut the gates! -Shut the gates! | 0:20:08 | 0:20:13 | |
Shut the gates! | 0:20:15 | 0:20:16 | |
Come on! Come on! | 0:20:41 | 0:20:45 | |
YES! Come on! | 0:20:48 | 0:20:51 | |
Presto! | 0:20:53 | 0:20:55 | |
Come on! | 0:21:00 | 0:21:01 | |
You're my son. I thought I could trust you. | 0:21:26 | 0:21:30 | |
Your horse has been returned to the stables. | 0:21:32 | 0:21:35 | |
Your friends have been returned to the jail. | 0:21:35 | 0:21:38 | |
The execution can still go ahead on time. | 0:21:38 | 0:21:41 | |
You know, Lorenzo, if you told me that Leonardo stole the horse, | 0:21:43 | 0:21:47 | |
I would accept your word. | 0:21:47 | 0:21:49 | |
No. I took the horse. And I'm glad I did it. | 0:21:51 | 0:21:56 | |
I'm only sorry they didn't succeed. | 0:21:57 | 0:21:59 | |
You would openly defy me like this? How dare you! | 0:21:59 | 0:22:02 | |
You leave me no choice, Father. You tell me to behave like a Medici. | 0:22:02 | 0:22:06 | |
You tell me to be proud of our noble name. | 0:22:06 | 0:22:08 | |
Well, I'm not proud of it and I'm not proud of you. | 0:22:08 | 0:22:11 | |
Lorenzo, I'm warning you. Watch your tongue. | 0:22:11 | 0:22:13 | |
No. I won't! It's murder. I won't let you kill a man for revenge. | 0:22:13 | 0:22:17 | |
If you go through with this, I'll have nothing more to do with you. | 0:22:20 | 0:22:25 | |
I swear it. On Leonardo's life, I swear it. | 0:22:25 | 0:22:29 | |
I can't believe you're talking to me like this. My own son?! | 0:22:30 | 0:22:34 | |
It's because I'm your son! | 0:22:34 | 0:22:36 | |
Dio Mio. What have I done? I have turned my own son against me. | 0:22:40 | 0:22:46 | |
Il mio ragazzo. My true and honest boy, you are right. | 0:22:49 | 0:22:56 | |
What I am doing is shameful. | 0:22:56 | 0:22:58 | |
Father, do you mean it? | 0:23:00 | 0:23:02 | |
I've been blinded, blinded by my lust for revenge. | 0:23:02 | 0:23:06 | |
But there is time. Still time to put things right. | 0:23:08 | 0:23:12 | |
The execution of Verrocchio will take place immediately. | 0:23:20 | 0:23:23 | |
The only question is whether the boy should hang alongside him. | 0:23:23 | 0:23:28 | |
My son is young, Your Honour. | 0:23:28 | 0:23:33 | |
And repentant. Extremely repentant. | 0:23:33 | 0:23:37 | |
He knows how foolish he has been. | 0:23:38 | 0:23:41 | |
But his only real crime is that he has been loyal | 0:23:42 | 0:23:45 | |
to an unworthy master. | 0:23:45 | 0:23:48 | |
Signor da Vinci. | 0:23:48 | 0:23:49 | |
Your Honour, forgive this interruption | 0:23:49 | 0:23:52 | |
but I have new evidence. | 0:23:52 | 0:23:55 | |
A signed confession from the witness. | 0:23:55 | 0:23:57 | |
The man, it would appear, is a liar. | 0:23:57 | 0:24:01 | |
Where is this liar? He must be brought before me. | 0:24:01 | 0:24:05 | |
He must pay the price. | 0:24:05 | 0:24:07 | |
He already has, Your Honour. The guilt was too much for him. | 0:24:07 | 0:24:09 | |
He took his own life. | 0:24:09 | 0:24:11 | |
Signor Verrocchio is innocent and should be released immediately. | 0:24:13 | 0:24:18 | |
As should the boy. | 0:24:18 | 0:24:19 | |
Well, you heard His Excellency. You're free to go. | 0:24:21 | 0:24:26 | |
Justice has been done. Eh, Leonardo? | 0:24:35 | 0:24:40 | |
The truth will out, Signor Verrocchio. | 0:24:42 | 0:24:45 | |
The truth will always out. | 0:24:45 | 0:24:47 | |
No hard feelings? | 0:24:50 | 0:24:52 | |
You were just doing your job. | 0:24:53 | 0:24:55 | |
Esattamente. I was just doing my job. | 0:24:55 | 0:24:58 | |
I'm glad it turned out this way. | 0:25:00 | 0:25:03 | |
Stay out of trouble, my boy. And I'll see you soon. | 0:25:03 | 0:25:07 | |
I owe you an apology. | 0:25:12 | 0:25:15 | |
No, more than that. | 0:25:15 | 0:25:18 | |
I know you won't believe this, but I am truly sorry. | 0:25:18 | 0:25:23 | |
-Really? -Yes, really. And you have my son to thank for it. | 0:25:23 | 0:25:29 | |
Lorenzo made me see sense. Pulled me back from the brink. | 0:25:29 | 0:25:33 | |
Yes. Well, excuse me if I don't fall on my knees in gratitude. | 0:25:34 | 0:25:41 | |
You're angry. I don't blame you. | 0:25:41 | 0:25:44 | |
But I hope, in time, you'll be able to forgive me. | 0:25:44 | 0:25:50 | |
Your Excellency... | 0:25:52 | 0:25:54 | |
-Oh. Grazie. -Is he all right? | 0:26:18 | 0:26:22 | |
Sleeping. | 0:26:22 | 0:26:24 | |
-Is this the end of it? Will the Medici leave us alone now? -Maybe. | 0:26:24 | 0:26:28 | |
But why? Why pull back when you've gone to all that trouble? | 0:26:28 | 0:26:31 | |
-When you're that close to winning. -Why pull back? | 0:26:31 | 0:26:34 | |
Maybe he really did do it for Lorenzo. Maybe he really is sorry? | 0:26:34 | 0:26:38 | |
Ciao. | 0:26:45 | 0:26:46 | |
-Ciao. -Is it OK if I come in? | 0:26:52 | 0:26:54 | |
-Not just now. -Oh, OK. Right. | 0:26:54 | 0:26:59 | |
Well, I just wondered... I wanted to ask... | 0:26:59 | 0:27:04 | |
Can't we go back to how we were? Can't things go back to normal? | 0:27:04 | 0:27:08 | |
My dad really is sorry. Can we be friends? | 0:27:10 | 0:27:15 | |
I don't know. | 0:27:20 | 0:27:21 | |
Lorenzo, I don't know. | 0:27:23 | 0:27:26 | |
You had them right there, dangling on the hook. Why let them off? | 0:27:41 | 0:27:46 | |
I had to make it seem as though I was taking my revenge, | 0:27:46 | 0:27:50 | |
or Leonardo would never have trusted me again. | 0:27:50 | 0:27:53 | |
And I need him to trust me. | 0:27:53 | 0:27:55 | |
And it was fun, watching them squirm. | 0:27:55 | 0:27:59 | |
But now the fun is over. The real game begins. | 0:28:00 | 0:28:04 | |
And for that, I still need Leonardo. | 0:28:04 | 0:28:08 | |
Subtitles by Red Bee Media Ltd | 0:28:23 | 0:28:26 |