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66 Via Trento. | 0:00:07 | 0:00:10 | |
Tell him to wait there until you come to the rescue. | 0:00:10 | 0:00:13 | |
HE ROARS | 0:00:55 | 0:00:57 | |
Leo! | 0:00:57 | 0:00:59 | |
Stop messing about, you two. | 0:00:59 | 0:01:01 | |
No, no, this paper's too thick, Enzo, | 0:01:01 | 0:01:04 | |
you won't get enough layers like this. | 0:01:04 | 0:01:06 | |
Come on, concentrate, all of you. | 0:01:06 | 0:01:09 | |
We've got 20 of the dratted things left to do. | 0:01:09 | 0:01:11 | |
# You sleep and I keep watch. | 0:01:13 | 0:01:16 | |
# I lament alone | 0:01:16 | 0:01:19 | |
# That I'll endure life's pain | 0:01:19 | 0:01:23 | |
# You sleep peacefully, without anguish | 0:01:23 | 0:01:28 | |
# And my eyes never close. | 0:01:28 | 0:01:31 | |
# You sleep and I, cruel one, | 0:01:34 | 0:01:36 | |
# I lament and weep | 0:01:36 | 0:01:40 | |
# And I, alas I die. # | 0:01:40 | 0:01:45 | |
Bellissimo, my piccolo songbird, bellissimo! | 0:01:47 | 0:01:51 | |
Grazie, mama. | 0:01:51 | 0:01:52 | |
You will sing for our guests tomorrow at the masked ball. | 0:01:52 | 0:01:55 | |
Oh, mama, no! In front of all those people? | 0:01:55 | 0:01:57 | |
I'll make a complete fool of myself. | 0:01:57 | 0:02:00 | |
Medicis don't make fools of themselves, Lorenzo. | 0:02:00 | 0:02:04 | |
This year, our Carnevale Ball is to be held in your honour. | 0:02:04 | 0:02:09 | |
We have a very special announcement to make. | 0:02:09 | 0:02:14 | |
What, Mama? | 0:02:14 | 0:02:15 | |
That, mio piccolo tortellini, is a surprise. Una bella sorpresa. | 0:02:15 | 0:02:20 | |
Ooh, eccitante. | 0:02:20 | 0:02:22 | |
You could invite your friends. | 0:02:22 | 0:02:24 | |
Leonardo. And the other two. | 0:02:24 | 0:02:28 | |
Seriously, Papa? | 0:02:28 | 0:02:30 | |
I know it's been a little strained. | 0:02:30 | 0:02:33 | |
It might help things get back to normal. | 0:02:33 | 0:02:35 | |
Grazie, Papa, grazie. | 0:02:35 | 0:02:38 | |
Perhaps we should tell him before the ball. Prepare him. | 0:02:42 | 0:02:45 | |
And spoil the surprise? | 0:02:45 | 0:02:47 | |
Marriage will mean the end of these carefree days. | 0:02:47 | 0:02:50 | |
It may come as quite a shock. | 0:02:50 | 0:02:53 | |
Nonsense. He'll be delighted. | 0:02:53 | 0:02:55 | |
What young man doesn't dream of his wedding day? | 0:02:55 | 0:02:58 | |
Mmm. | 0:02:58 | 0:03:01 | |
More to the point, she's from one of the most powerful families in Pisa. | 0:03:01 | 0:03:07 | |
It's a great match. | 0:03:07 | 0:03:09 | |
And she's so pretty. | 0:03:09 | 0:03:12 | |
Scusi. | 0:03:17 | 0:03:19 | |
ORGAN NOTES PLAY | 0:03:31 | 0:03:34 | |
I love Carnevale. All the music and masks and dancing. | 0:03:34 | 0:03:39 | |
I like your thingy. What is it? | 0:03:51 | 0:03:55 | |
Viola organista. | 0:03:55 | 0:03:57 | |
You strike a key and it pushes the string against the moving bow. | 0:03:57 | 0:04:01 | |
Fantastico. | 0:04:03 | 0:04:04 | |
Not the way you play it. | 0:04:04 | 0:04:05 | |
Ha, ha, same old Mac. | 0:04:05 | 0:04:07 | |
Yeah, same old Mac. | 0:04:07 | 0:04:09 | |
We're having a masked ball. For Carnevale. | 0:04:12 | 0:04:15 | |
And you're all invited. | 0:04:15 | 0:04:17 | |
One for you, one for you, and one for you. | 0:04:19 | 0:04:22 | |
Mama says they're planning a surprise for me at it. | 0:04:22 | 0:04:25 | |
Can't think what it is. | 0:04:25 | 0:04:28 | |
You're actually inviting us? | 0:04:28 | 0:04:29 | |
-You're my friends. -What about your father? | 0:04:29 | 0:04:31 | |
He suggested it. | 0:04:31 | 0:04:33 | |
Thanks, but I think I'll go to the party in the Piazza, | 0:04:33 | 0:04:36 | |
-with the rest of the commoners. -Me too. | 0:04:36 | 0:04:38 | |
Leo, you'll come, won't you? Don't let me down. | 0:04:38 | 0:04:42 | |
I have to sing. You could accompany me! | 0:04:42 | 0:04:45 | |
On your viola thingy. | 0:04:45 | 0:04:46 | |
I'd love to, I would...but I... | 0:04:46 | 0:04:50 | |
I've got to work. | 0:04:50 | 0:04:51 | |
But it's Carnevale. | 0:04:51 | 0:04:53 | |
It's a portrait. A special commission. | 0:04:53 | 0:04:56 | |
A very rich Austrian aristocrat, Baron von... | 0:04:56 | 0:04:58 | |
Schnitzel. | 0:04:58 | 0:04:59 | |
Tomorrow's the only day he can sit for us. | 0:05:03 | 0:05:05 | |
Back to work. A lavoro, you lazy lumps. | 0:05:05 | 0:05:10 | |
Break's long over. | 0:05:10 | 0:05:12 | |
-Master Lorenzo. -Signor Verrocchio, I implore you, will you not give | 0:05:12 | 0:05:16 | |
Leonardo tomorrow off, so he can attend the Medici Masked Ball? | 0:05:16 | 0:05:19 | |
Leonardo isn't working tomorrow. | 0:05:19 | 0:05:20 | |
Oh, oh, I must have misunderstood you Maestro. | 0:05:20 | 0:05:26 | |
Well, understand this - | 0:05:26 | 0:05:29 | |
stop tinkling about on that bizarre instrument, and get to work! | 0:05:29 | 0:05:33 | |
And you, we need more fur and feathers. Go and fetch them. | 0:05:33 | 0:05:38 | |
And you... | 0:05:38 | 0:05:39 | |
Buzz off! | 0:05:39 | 0:05:41 | |
I'm sorry. | 0:05:51 | 0:05:53 | |
Va bene. I understand. | 0:05:53 | 0:05:55 | |
But please, come. For me. | 0:05:55 | 0:05:58 | |
Course. | 0:06:01 | 0:06:02 | |
Course I'll come. | 0:06:04 | 0:06:07 | |
I'll see you at the palace to practice. | 0:06:07 | 0:06:09 | |
Typical Lorenzo. He thinks if he invites us | 0:06:12 | 0:06:14 | |
to his fancy ball, we'll act like nothing's happened. | 0:06:14 | 0:06:17 | |
-Well, there's no way I'm going. -Me neither. No way. | 0:06:17 | 0:06:19 | |
Santa Maria, che bella... | 0:06:19 | 0:06:24 | |
Although, on the other hand, if Leo were to go... | 0:06:28 | 0:06:32 | |
-He'd need someone to look out for him? -Exactly. | 0:06:32 | 0:06:36 | |
It's got your name on it. | 0:06:37 | 0:06:41 | |
And a huge price tag. Dream on. | 0:06:42 | 0:06:45 | |
Better get those things for the Maestro. | 0:06:50 | 0:06:52 | |
Leonardo. So glad you can come tomorrow. | 0:07:04 | 0:07:08 | |
And how nice of you to help Lorenzo out with your funny little... | 0:07:08 | 0:07:12 | |
whatever. | 0:07:12 | 0:07:14 | |
Lorenzo's waiting to practice with you. Have fun. | 0:07:14 | 0:07:17 | |
LORENZO SINGS VOCAL WARM-UPS | 0:07:17 | 0:07:21 | |
Leo, guess what? | 0:07:23 | 0:07:25 | |
I've got us matching outfits! | 0:07:27 | 0:07:31 | |
Oh! Wow... Fantastico. | 0:07:31 | 0:07:36 | |
It's a complete original. | 0:07:46 | 0:07:48 | |
One of a kind, designed by the Milanese genius himself, | 0:07:48 | 0:07:51 | |
Giorgio Adriano. | 0:07:51 | 0:07:53 | |
Do you think Leo will like it? | 0:07:53 | 0:07:55 | |
I think a "thank you" would be nice. | 0:07:55 | 0:07:57 | |
Oh, sorry, Mac - thanks. | 0:07:57 | 0:08:01 | |
Leo, look at my dress! | 0:08:01 | 0:08:02 | |
I don't think you should come. It's too dangerous. | 0:08:02 | 0:08:05 | |
Nobody will recognise me. That's the beauty of it. | 0:08:05 | 0:08:07 | |
It's a masked ball. | 0:08:07 | 0:08:10 | |
I'll be completely safe. | 0:08:10 | 0:08:12 | |
It's the perfect disguise. | 0:08:12 | 0:08:13 | |
And we've been invited. What could possibly go wrong? | 0:08:13 | 0:08:16 | |
Is everything in place? | 0:08:16 | 0:08:19 | |
Yes, Excellency. | 0:08:19 | 0:08:21 | |
Get rid of the guards at the palace gates. | 0:08:22 | 0:08:25 | |
Give them the day off. | 0:08:25 | 0:08:26 | |
They can go and join the street party in the piazza | 0:08:26 | 0:08:30 | |
with the rest of the town's rabble. | 0:08:30 | 0:08:32 | |
We don't want them here, interfering with our plans. | 0:08:34 | 0:08:38 | |
No, Excellency. | 0:08:38 | 0:08:40 | |
Here, there's the Duke. | 0:08:56 | 0:08:59 | |
-How can you tell? -Something always gives it away. | 0:08:59 | 0:09:02 | |
The eyes, a subtle gesture, body language... | 0:09:02 | 0:09:05 | |
The royal hat? | 0:09:05 | 0:09:07 | |
When you're as smart as I am, it's a piece of cake. | 0:09:07 | 0:09:11 | |
Leo, I thought you'd never get here! | 0:09:17 | 0:09:21 | |
Tom, Mac! You came too. Eccellente! | 0:09:22 | 0:09:26 | |
Come on, we have to get ready. | 0:09:26 | 0:09:28 | |
We don't have to stay - we could go to the piazza instead. | 0:09:38 | 0:09:42 | |
What, and waste all this? No, I'm going to dance. | 0:09:42 | 0:09:45 | |
-Well, if anybody asks me, that is. -I'll dance with you, | 0:09:45 | 0:09:49 | |
if you're worried about being a wallflower. | 0:09:49 | 0:09:51 | |
I'm not. | 0:09:51 | 0:09:53 | |
And I'll wait for somebody proper to ask me, thanks very much. | 0:09:53 | 0:09:56 | |
Suit yourself. | 0:09:56 | 0:09:58 | |
-LORENZO: -The only good thing about singing | 0:10:00 | 0:10:03 | |
is that it gets me out of dancing. | 0:10:03 | 0:10:05 | |
Mama usually foists a load of silly girls on me at these things. | 0:10:05 | 0:10:08 | |
Bella, bella, Angelica. | 0:10:08 | 0:10:10 | |
Lorenzo's going to be so excited when we announce the wedding. | 0:10:10 | 0:10:13 | |
You'll make the most divine couple, won't they, husband? | 0:10:13 | 0:10:17 | |
Indeed. | 0:10:17 | 0:10:18 | |
Excellency. | 0:10:18 | 0:10:20 | |
Great minds, eh? | 0:10:32 | 0:10:35 | |
We've got the same dress. | 0:10:37 | 0:10:39 | |
Yours is a copy. And a cheap one at that. | 0:10:39 | 0:10:42 | |
-May I have the pleasure of this dance? -Thank you. | 0:10:46 | 0:10:50 | |
Swap masks, a minute. | 0:11:12 | 0:11:14 | |
I want to see if Mac's as clever as he thinks he is, see if he can spot it's me. | 0:11:14 | 0:11:17 | |
All right, but don't be long. | 0:11:17 | 0:11:19 | |
MAC: Look at her, it's like she'll dance with anyone apart from me. | 0:11:38 | 0:11:42 | |
Have you ever been in love, Lorenzo? It's torture. | 0:11:44 | 0:11:48 | |
Girls are torturers. | 0:11:48 | 0:11:50 | |
It's like, no matter what I do for her, what I say, it's always Leo. | 0:11:50 | 0:11:54 | |
Leo, Leo, Leo. She only has eyes for Leo. | 0:11:54 | 0:11:58 | |
What are you talking about? Who? | 0:11:58 | 0:12:00 | |
Very funny. I was just messing with you. | 0:12:00 | 0:12:03 | |
Lisa, do you mean Lisa? She doesn't like me. | 0:12:03 | 0:12:06 | |
I mean, she likes me, but she doesn't LIKE me. | 0:12:06 | 0:12:09 | |
I told you, I was just joking around. I knew it was you all along. | 0:12:09 | 0:12:12 | |
Better luck next time, Da Vinci. | 0:12:12 | 0:12:15 | |
HE WHISPERS TO HIMSELF Why, why? | 0:12:22 | 0:12:24 | |
Come on! | 0:12:27 | 0:12:30 | |
Mac! | 0:12:44 | 0:12:47 | |
I've just had the weirdest conversation with Mac. | 0:12:50 | 0:12:53 | |
He seems to have got the idea that you like me, | 0:12:53 | 0:12:56 | |
I know that you like me, but that you like me. | 0:12:56 | 0:12:58 | |
I have no idea who you are, | 0:13:01 | 0:13:03 | |
what you are talking about, and I most certainly do not like you. | 0:13:03 | 0:13:10 | |
Porca! | 0:13:14 | 0:13:16 | |
Leo! | 0:13:30 | 0:13:31 | |
-That was so embarrassing. -What? | 0:13:31 | 0:13:34 | |
-There's a girl here wearing the exact same dress as you. -I know. | 0:13:34 | 0:13:36 | |
I asked her if she liked me, well, not exactly that... | 0:13:36 | 0:13:39 | |
I had a weird conversation with Mac. I thought he said | 0:13:39 | 0:13:41 | |
you liked me, I thought she was you, so, I asked her if she did. | 0:13:41 | 0:13:44 | |
But you don't like me, do you? | 0:13:44 | 0:13:46 | |
Course I don't like you. I mean, I like you, | 0:13:46 | 0:13:48 | |
-but I don't LIKE you. -I knew he was talking rubbish. | 0:13:48 | 0:13:51 | |
And then I thought he said that he liked you! | 0:13:51 | 0:13:54 | |
Mac liked me? That's ridiculous. | 0:13:54 | 0:13:56 | |
Mac and me - we're totally unsuited. | 0:13:56 | 0:14:00 | |
Ridicolo. You must have got it wrong. | 0:14:00 | 0:14:04 | |
The only person Mac is into is himself. | 0:14:04 | 0:14:06 | |
Leo, vieni. We're on. Swap masks. | 0:14:06 | 0:14:09 | |
And now, Signore e Signori, | 0:14:18 | 0:14:22 | |
you have the honour of hearing mio piccolo bambino sing for you. | 0:14:22 | 0:14:27 | |
I give you Lorenzo de' Medici. | 0:14:27 | 0:14:31 | |
# You sleep and I keep watch in the storm and the wind | 0:14:37 | 0:14:41 | |
# On you marble doorstep | 0:14:41 | 0:14:46 | |
# You sleep and I keep watch I am always in torment | 0:14:46 | 0:14:52 | |
# I must preserve my heart | 0:14:52 | 0:14:56 | |
# You sleep and I keep watch and in bitter tones | 0:14:56 | 0:15:04 | |
# I call on dying pity | 0:15:04 | 0:15:10 | |
# You sleep and I keep watch and in a moment | 0:15:11 | 0:15:18 | |
# I melt in tears and weeping | 0:15:18 | 0:15:21 | |
# You sleep and I keep watch, I am always in torment | 0:15:23 | 0:15:30 | |
# No-one to console me | 0:15:30 | 0:15:35 | |
# You sleep and I keep watch | 0:15:35 | 0:15:37 | |
# I lament alone, | 0:15:37 | 0:15:41 | |
# That I'll endure life's pain | 0:15:41 | 0:15:45 | |
# You sleep peacefully without anguish and my eyes never close | 0:15:45 | 0:15:53 | |
# You sleep and I, cruel one, I lament and weep | 0:15:56 | 0:16:01 | |
# And die, alas, I die. # | 0:16:03 | 0:16:09 | |
My son, my wonderful son, who is fast becoming a man. | 0:16:11 | 0:16:17 | |
And what better way to mark this passage into manhood | 0:16:17 | 0:16:21 | |
than with a betrothal. | 0:16:21 | 0:16:22 | |
A what? | 0:16:22 | 0:16:25 | |
Signore e Signori, may I present my son's future wife, | 0:16:25 | 0:16:29 | |
the very lovely Angelica Visconti. | 0:16:29 | 0:16:35 | |
No, wait, I'm not her, I'm just wearing the same dress. | 0:16:35 | 0:16:39 | |
Lift your mask, dear. | 0:16:39 | 0:16:41 | |
That's Lisa, isn't it? | 0:16:41 | 0:16:43 | |
Lorenzo, where's Lorenzo? | 0:17:01 | 0:17:04 | |
They've taken Lorenzo! | 0:17:04 | 0:17:05 | |
And his fiancee. | 0:17:05 | 0:17:07 | |
-No. I'm here. -Then who? | 0:17:07 | 0:17:10 | |
Porca! Tom! They've got Tom. | 0:17:10 | 0:17:13 | |
Find him! Find my son! | 0:17:13 | 0:17:15 | |
Aspetta un momento. This way. | 0:17:21 | 0:17:25 | |
Move it. | 0:17:28 | 0:17:30 | |
My life's over. | 0:17:41 | 0:17:42 | |
I mean, I knew it would happen one day, but not yet. | 0:17:42 | 0:17:45 | |
I'm too young! | 0:17:45 | 0:17:46 | |
Santa Maria, will you shut up about your stupid arranged marriage. | 0:17:46 | 0:17:51 | |
We're being kidnapped! | 0:17:51 | 0:17:53 | |
Sorry. | 0:17:53 | 0:17:55 | |
This is an outrage! You will be sorry you dared to abduct | 0:17:55 | 0:17:58 | |
a Medici. And, I can assure you, you won't get a single florin. | 0:17:58 | 0:18:00 | |
Big roar from a little lion. | 0:18:00 | 0:18:03 | |
Well, I have already been paid for what it is that I have to do. | 0:18:03 | 0:18:07 | |
And what's that? | 0:18:07 | 0:18:10 | |
Aspetta. My father will pay you more if you release us. | 0:18:10 | 0:18:14 | |
He will pay you in gold. More gold than you can imagine. | 0:18:14 | 0:18:17 | |
I'll make sure you get away. They won't catch you. | 0:18:17 | 0:18:19 | |
We haven't even seen your face. | 0:18:19 | 0:18:20 | |
Ha! | 0:18:20 | 0:18:21 | |
You have now. | 0:18:21 | 0:18:24 | |
Move it! | 0:18:24 | 0:18:26 | |
Get in. | 0:18:46 | 0:18:48 | |
Let her go. She isn't even my fiancee! | 0:18:48 | 0:18:51 | |
Just get in! | 0:18:51 | 0:18:53 | |
You! Up against the wall where I can see you. | 0:18:53 | 0:18:59 | |
Run! | 0:19:06 | 0:19:08 | |
Crowds and Carnevale. What did I tell you? | 0:19:37 | 0:19:40 | |
Rich pickings for pickpockets. | 0:19:40 | 0:19:43 | |
Help me, please. I am Lorenzo de' Medici, | 0:19:45 | 0:19:48 | |
I've been the victim of a scandalous attempt on my life. | 0:19:48 | 0:19:50 | |
Lorenzo De Medici. Is that so? | 0:19:50 | 0:19:53 | |
So, if you would be so kind as to escort me back to the Medici palace, | 0:19:53 | 0:19:56 | |
my father will gladly pay you a handsome reward. | 0:19:56 | 0:19:58 | |
Sounds very tempting. But, I'll tell you what? | 0:19:58 | 0:20:01 | |
I think we'd get a whole lot more money from your dear papa | 0:20:01 | 0:20:04 | |
if we ransomed you. | 0:20:04 | 0:20:06 | |
Come along, sunshine, you're coming with us. | 0:20:06 | 0:20:08 | |
You can't be serious, this is ridiculous! | 0:20:08 | 0:20:11 | |
Where's Lorenzo? | 0:20:29 | 0:20:30 | |
He's been kidnapped. | 0:20:30 | 0:20:33 | |
I know he's been kidnapped. You were paid to kidnap him. | 0:20:33 | 0:20:38 | |
Someone else has got him. | 0:20:38 | 0:20:39 | |
Where did they take him? | 0:20:41 | 0:20:43 | |
Go find him! | 0:20:45 | 0:20:47 | |
It wasn't my fault. | 0:20:50 | 0:20:52 | |
Save your breath for His Excellency. You're going to need it. | 0:20:52 | 0:20:56 | |
Move! Move! | 0:20:56 | 0:21:00 | |
Now, if you don't want to get hurt, sunshine, | 0:21:04 | 0:21:07 | |
look like you're having a good time. | 0:21:07 | 0:21:11 | |
Sing! | 0:21:11 | 0:21:12 | |
-# You sleep and I keep watch... # -Louder! | 0:21:12 | 0:21:15 | |
# ..in the storm and the wind | 0:21:15 | 0:21:17 | |
-# On your marble doorstep... # -Buona sera, Officer. | 0:21:17 | 0:21:21 | |
# You sleep and I keep watch... # | 0:21:21 | 0:21:23 | |
Tom! | 0:21:27 | 0:21:29 | |
Somebody else has got Lorenzo, and I've lost them. | 0:21:29 | 0:21:32 | |
# You sleep and I keep watch... # | 0:21:32 | 0:21:34 | |
-I don't know which way they went. -Ssh! What was that? | 0:21:34 | 0:21:36 | |
This way. | 0:21:39 | 0:21:41 | |
If anything's happened to him, I will never forgive myself. | 0:21:41 | 0:21:46 | |
Who could have done such a terrible thing? | 0:21:46 | 0:21:48 | |
Committed such a heinous crime? | 0:21:48 | 0:21:51 | |
Don't worry, dear wife. Placidi will find him, I know he will. | 0:21:52 | 0:21:56 | |
Have you got him, have you found my baby? | 0:21:58 | 0:22:02 | |
What? | 0:22:05 | 0:22:08 | |
HE WHISPERS | 0:22:08 | 0:22:09 | |
Is he here? | 0:22:09 | 0:22:11 | |
In the study. | 0:22:11 | 0:22:12 | |
Where is he? | 0:22:21 | 0:22:24 | |
He escaped. Two men took him. | 0:22:24 | 0:22:27 | |
You're lying. | 0:22:27 | 0:22:30 | |
No, I swear it! | 0:22:30 | 0:22:32 | |
I did exactly what you told me to do. | 0:22:32 | 0:22:34 | |
A boy and a slip of a girl, and they escaped. | 0:22:34 | 0:22:38 | |
If you've double crossed me... | 0:22:41 | 0:22:43 | |
I haven't. I swear, I haven't. | 0:22:43 | 0:22:45 | |
If one hair, one single hair, on my son's head is harmed, | 0:22:45 | 0:22:52 | |
I will make you pay. | 0:22:52 | 0:22:55 | |
Let me think, I need to think. | 0:22:59 | 0:23:03 | |
# You sleep and I keep watch and in bitter tones | 0:23:05 | 0:23:10 | |
# I call on... # | 0:23:10 | 0:23:11 | |
Is that an aubergine?! Are you threatening me with a vegetable? | 0:23:11 | 0:23:14 | |
They can be very dangerous in the wrong hands. | 0:23:14 | 0:23:16 | |
-LEO: -What like a bad cook, you mean? | 0:23:16 | 0:23:18 | |
Yeah that sort of thing. | 0:23:18 | 0:23:20 | |
Now you're for it. | 0:23:20 | 0:23:21 | |
We didn't mean anything by it. Just a little joke... | 0:23:21 | 0:23:26 | |
Cowards! Filthy cowards. | 0:23:30 | 0:23:32 | |
Shall we go after him? | 0:23:33 | 0:23:36 | |
Just get me back to the palace, please. | 0:23:36 | 0:23:39 | |
Yeah. | 0:23:39 | 0:23:40 | |
He's back. | 0:23:42 | 0:23:44 | |
Va bene, he's back. | 0:23:45 | 0:23:48 | |
Lucky for you. | 0:23:55 | 0:23:57 | |
Now, you say exactly what we have agreed. | 0:23:57 | 0:24:02 | |
If you think you can manage it. | 0:24:02 | 0:24:04 | |
Grazie a Dio! | 0:24:06 | 0:24:08 | |
-Are you hurt? -Sono bene, Papa. Leo found me. | 0:24:14 | 0:24:18 | |
He saved me. | 0:24:18 | 0:24:20 | |
Grazie! Grazie. | 0:24:20 | 0:24:22 | |
That's the man, him, he was going to kill us. | 0:24:23 | 0:24:28 | |
Talk. Talk before I run you through. | 0:24:28 | 0:24:32 | |
Who hired you? | 0:24:32 | 0:24:35 | |
The Duke of Milan. | 0:24:35 | 0:24:36 | |
You lie. Why would the Duke of Milan commit such an outrage? | 0:24:36 | 0:24:40 | |
Provoke us in this way? | 0:24:40 | 0:24:42 | |
To stop the wedding. | 0:24:42 | 0:24:44 | |
And to prevent an alliance between Florence and Pisa. | 0:24:44 | 0:24:46 | |
He fears our two cities together would be too powerful. | 0:24:46 | 0:24:49 | |
Would join forces against him. Against Milan. | 0:24:49 | 0:24:52 | |
I'll kill him. I'll go to Milan and I'll kill him myself. | 0:24:52 | 0:24:56 | |
No, cousin. True, he has provoked us with this terrible crime. | 0:24:56 | 0:24:59 | |
But nobody wants a war. I will travel to Milan. | 0:24:59 | 0:25:03 | |
Talk with the Duke. | 0:25:03 | 0:25:05 | |
Assure him that Florence wants peace, | 0:25:05 | 0:25:07 | |
that this alliance changes nothing. | 0:25:07 | 0:25:09 | |
Very well. | 0:25:09 | 0:25:11 | |
But, as for you, you shall never see the light of day again. | 0:25:11 | 0:25:16 | |
We'll take him to the Magistrate. | 0:25:16 | 0:25:18 | |
And now, of course, you allow me to escape, as agreed, right? | 0:25:24 | 0:25:28 | |
Of course. Plans go awry, it's not your fault. | 0:25:28 | 0:25:33 | |
A deal's a deal. So, now we let you escape. | 0:25:33 | 0:25:37 | |
Go on then. What are you waiting for? | 0:25:40 | 0:25:42 | |
I need to stop wearing dresses. Gets me in trouble every time. | 0:26:02 | 0:26:07 | |
Far safer as a boy. | 0:26:07 | 0:26:10 | |
Cioccolato. | 0:26:10 | 0:26:12 | |
Grazie. | 0:26:12 | 0:26:13 | |
Cheers. | 0:26:13 | 0:26:15 | |
The look on Piero's face when he saw Lorenzo was safe. | 0:26:17 | 0:26:21 | |
Poor Lorenzo. I don't know what was more of a shock, | 0:26:21 | 0:26:23 | |
the kidnap or the wedding announcement. | 0:26:23 | 0:26:25 | |
She wasn't very friendly, was she? | 0:26:25 | 0:26:27 | |
Snooty. Rude. Arrogant. | 0:26:28 | 0:26:31 | |
And those are her good points. | 0:26:31 | 0:26:34 | |
THEY LAUGH | 0:26:34 | 0:26:35 | |
I better get going. | 0:26:35 | 0:26:37 | |
MUSIC: "Kiss Me" by Ed Sheeran | 0:26:45 | 0:26:48 | |
Leo, you know what you asked me at the ball? | 0:26:48 | 0:26:51 | |
Err...no, what? | 0:26:51 | 0:26:54 | |
Nothing. Doesn't matter. | 0:27:01 | 0:27:06 | |
I need to change. | 0:27:06 | 0:27:08 | |
Night, Leo. | 0:27:12 | 0:27:14 | |
Night Tom. | 0:27:14 | 0:27:15 | |
# I'm in love now... # | 0:27:15 | 0:27:18 | |
Subtitles by Red Bee Media Ltd | 0:27:23 | 0:27:26 |