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-My father's a good man. -No. He's not. And if you can't see that... | 0:00:08 | 0:00:11 | |
If I can't see it, then what? | 0:00:11 | 0:00:12 | |
-Lorenzo, home. -Father... -Go home! | 0:00:12 | 0:00:15 | |
What you did today, I won't forget it. | 0:00:22 | 0:00:28 | |
I'm going to make you suffer. All of you. | 0:00:28 | 0:00:32 | |
Bring it on. | 0:00:41 | 0:00:43 | |
You know what you have to do, Placidi. | 0:01:33 | 0:01:35 | |
CLATTERING | 0:03:03 | 0:03:05 | |
TOMASO GASPS | 0:03:40 | 0:03:42 | |
Piccola ragazza. Tell him Piero de' Medici is watching him. | 0:03:42 | 0:03:47 | |
And when the time is right... | 0:03:47 | 0:03:49 | |
Buona notte. Sleep well, little girl. | 0:03:49 | 0:03:52 | |
If I hadn't woken up when I did, he would have slit his throat. | 0:04:06 | 0:04:09 | |
No. Too crude. Send his man to murder Leo in the workshop? | 0:04:09 | 0:04:11 | |
-Not Piero's style. -These warded locks are useless. They're easy to pick. | 0:04:11 | 0:04:15 | |
You just need a tool to clear the projections. | 0:04:15 | 0:04:17 | |
What is he planning, then? | 0:04:17 | 0:04:18 | |
Before the Egyptians, they used knots, not locks. | 0:04:18 | 0:04:21 | |
-But Placidi didn't steal anything? -No. -What about your notebooks? | 0:04:21 | 0:04:24 | |
Still there. | 0:04:24 | 0:04:25 | |
What is he up to? | 0:04:25 | 0:04:27 | |
He could have easily closed down the workshop by now. | 0:04:27 | 0:04:30 | |
Told people I'm a girl. Why hasn't he? | 0:04:30 | 0:04:32 | |
No, no, too simple. Piero likes toying with people. Playing games. | 0:04:32 | 0:04:35 | |
-He wants to scare us. -Well, it's working. | 0:04:35 | 0:04:37 | |
Hey! Look, it's me he's gunning for. | 0:04:37 | 0:04:38 | |
It's me he wants to get. Well, just let him try. | 0:04:38 | 0:04:41 | |
I'll be ready for him. | 0:04:41 | 0:04:42 | |
Don't let him go anywhere on his own. | 0:04:45 | 0:04:47 | |
Oh, yeah, right. Like that'll be easy(!) | 0:04:47 | 0:04:49 | |
It's just ridic... (Oh, they've gone.) | 0:04:56 | 0:04:59 | |
Signor Placidi! | 0:05:09 | 0:05:11 | |
Not now, Master Lorenzo. I'm busy. | 0:05:11 | 0:05:13 | |
En garde. | 0:05:13 | 0:05:15 | |
How do you do that? | 0:05:24 | 0:05:25 | |
That would be telling. | 0:05:25 | 0:05:28 | |
Take that, Leonardo! | 0:05:33 | 0:05:35 | |
And as for you, Tom, you big... girl! | 0:05:36 | 0:05:39 | |
And as for you, Machiavelli... | 0:05:42 | 0:05:44 | |
Oh. I'm so BORED! | 0:05:47 | 0:05:50 | |
Only the boring are bored, Lorenzo. | 0:05:50 | 0:05:54 | |
Sorry, Papa. | 0:05:54 | 0:05:56 | |
It's been months now. | 0:05:56 | 0:05:58 | |
You need to stop moping around the house and get out. | 0:05:58 | 0:06:01 | |
Make some new friends. | 0:06:01 | 0:06:03 | |
Yes, Papa. | 0:06:03 | 0:06:04 | |
Well, off you go, then. | 0:06:05 | 0:06:08 | |
And as for you, you will pay for such oafish clumsiness. | 0:06:11 | 0:06:16 | |
That will come out of your wages for the next three years. | 0:06:16 | 0:06:20 | |
Oh, actually, Papa, that was... | 0:06:21 | 0:06:23 | |
me. | 0:06:23 | 0:06:24 | |
BANGING | 0:06:30 | 0:06:37 | |
Tomaso! BANGING | 0:06:44 | 0:06:47 | |
Tomaso! | 0:06:47 | 0:06:49 | |
No, no, no. It's way off. | 0:06:55 | 0:06:56 | |
What's the matter with you this morning? Do it again. | 0:06:56 | 0:06:59 | |
We're nearly out of lapis lazuli, Maestro. | 0:07:00 | 0:07:03 | |
Not surprising when you mix it so badly. | 0:07:03 | 0:07:06 | |
Leonardo, go buy some more. | 0:07:06 | 0:07:07 | |
Er... I should just go with him. | 0:07:08 | 0:07:10 | |
Yes, excellent idea(!) | 0:07:10 | 0:07:12 | |
You two go frolicking off and fritter away my time as well as my money. | 0:07:12 | 0:07:16 | |
Just mix the blue, and get it right this time. | 0:07:16 | 0:07:18 | |
Si, Maestro. | 0:07:18 | 0:07:20 | |
And Cosimo! | 0:07:20 | 0:07:21 | |
Si, Maestro. | 0:07:23 | 0:07:24 | |
Coffee! | 0:07:25 | 0:07:27 | |
< Coffee, coffee, coffee. | 0:07:29 | 0:07:31 | |
Scusi! Scusi! | 0:07:31 | 0:07:34 | |
Lapis. | 0:07:40 | 0:07:41 | |
Whoa! I wish you wouldn't do that. | 0:07:43 | 0:07:46 | |
Just watching your back, my friend. | 0:07:46 | 0:07:48 | |
Well, you don't need to. We won. We beat him, didn't we? | 0:07:48 | 0:07:50 | |
Yeah, yeah. We did. | 0:07:50 | 0:07:52 | |
-And if he tries to attack me again, we'll beat him again. Yes? -Yes. | 0:07:52 | 0:07:55 | |
Yes, I know, I've seen him. | 0:07:59 | 0:08:00 | |
-Maybe we should go over. -No. I'm not talking to him. | 0:08:00 | 0:08:04 | |
He made his choice, there's nothing more to say. | 0:08:04 | 0:08:08 | |
MACHIAVELLI CHUCKLES | 0:08:27 | 0:08:30 | |
# You pull me apart, now you pull me apart | 0:08:41 | 0:08:45 | |
# In a pool with the sharks I fall from the start... # | 0:08:47 | 0:08:52 | |
-Here, let me have a go. -Think you've got it, do you? | 0:08:55 | 0:08:57 | |
I know I've got it. I'm the Mac. Watch me! | 0:08:57 | 0:09:01 | |
You know you're going to fall in the dirt, don't you? | 0:09:04 | 0:09:09 | |
Whoa! Whoa! Oh! Oh! | 0:09:09 | 0:09:12 | |
Agh! | 0:09:14 | 0:09:16 | |
You're such a gonzo. | 0:09:18 | 0:09:20 | |
Cheers, mate. | 0:09:20 | 0:09:21 | |
-Got it. -Got it? | 0:09:26 | 0:09:28 | |
Va bene, Master Lorenzo? | 0:09:34 | 0:09:36 | |
Of course, why wouldn't I be? | 0:09:36 | 0:09:38 | |
En garde. | 0:09:39 | 0:09:41 | |
Not now. I'm not in the mood. | 0:09:41 | 0:09:42 | |
You've captured him perfectly, Maestro. | 0:09:58 | 0:10:00 | |
Yes. Would Signor Costa care to examine the work? | 0:10:00 | 0:10:04 | |
I think you will be pleased with the result. | 0:10:04 | 0:10:09 | |
Do you? | 0:10:09 | 0:10:10 | |
Well, I most certainly am not. | 0:10:14 | 0:10:16 | |
Call yourself an artist? You call THAT a portrait? | 0:10:18 | 0:10:23 | |
Pah! E spazzatura! It's nothing like me, it's tat. | 0:10:23 | 0:10:31 | |
It's rubbish. | 0:10:31 | 0:10:33 | |
And if you think I am going to pay YOU for that monstrosity, well, | 0:10:33 | 0:10:40 | |
you've got another think coming, Sir! | 0:10:40 | 0:10:43 | |
Signor Costa, | 0:10:43 | 0:10:45 | |
I can assure you it's a very good likeness. | 0:10:45 | 0:10:51 | |
Costa. You owe me 20 florins. | 0:10:53 | 0:10:57 | |
I will not pay you a single one, Sir! | 0:10:57 | 0:11:00 | |
You will pay me Costa, or I'll have the Magistrate onto you. | 0:11:00 | 0:11:03 | |
I will not pay for sub-standard work. | 0:11:03 | 0:11:08 | |
My work is of the highest quality. | 0:11:08 | 0:11:09 | |
A chimpanzee could do a better job. A big, old chimpanzee! | 0:11:09 | 0:11:15 | |
-How dare you! -A big, old, blindfolded chimpanzee! | 0:11:15 | 0:11:17 | |
-What's going on? -He won't pay him. | 0:11:17 | 0:11:21 | |
-You Philistine! -Oh! | 0:11:21 | 0:11:24 | |
Porca miseria! Give me my money. | 0:11:24 | 0:11:26 | |
I would rather give it to the beggars. You charlatan! | 0:11:26 | 0:11:30 | |
Cheat! This man cannot paint his way out of a paper bag! | 0:11:30 | 0:11:35 | |
-Maestro! -Maestro! Come away. | 0:11:37 | 0:11:40 | |
-Let me go! -My eye! My eye! | 0:11:40 | 0:11:42 | |
Thief! Scoundrel! Give me my purse! | 0:11:44 | 0:11:47 | |
You're the scoundrel! Farabutto! | 0:11:47 | 0:11:51 | |
Did you see that? Did you see? | 0:11:52 | 0:11:55 | |
He tried to steal my purse. | 0:11:55 | 0:11:58 | |
You're lucky, Sir, that I don't report you to the Magistrate. | 0:12:00 | 0:12:05 | |
-Maestro! -Maestro. | 0:12:05 | 0:12:07 | |
A week's work down the drain. | 0:12:12 | 0:12:14 | |
That portrait was an excellent likeness. | 0:12:14 | 0:12:16 | |
I'll have my money from that swindler if it kills me. | 0:12:19 | 0:12:22 | |
-Maestro, where are you going? Maybe you should... -To get a drink! | 0:12:22 | 0:12:25 | |
Go and clear up in there. And get that portrait out of my sight. | 0:12:26 | 0:12:29 | |
I don't want his ugly mug staring me in the face when I get back. | 0:12:29 | 0:12:32 | |
Sorry. | 0:12:42 | 0:12:43 | |
BELL CHIMES | 0:12:45 | 0:12:48 | |
Is the Maestro back? | 0:13:01 | 0:13:03 | |
He won't break the curfew. He'll stay in the tavern now. | 0:13:03 | 0:13:06 | |
-And be in a foul mood tomorrow. -The man cheated him. | 0:13:06 | 0:13:09 | |
I know. I know. But he can be scary when he's angry. | 0:13:09 | 0:13:12 | |
A surprise for Placidi if he comes back. | 0:13:14 | 0:13:18 | |
Where's the rest of my money? I earned it. | 0:14:01 | 0:14:05 | |
You can see the eye. | 0:14:05 | 0:14:07 | |
You did a good job, my friend. | 0:14:07 | 0:14:09 | |
Well, that concludes our business, then. | 0:14:17 | 0:14:21 | |
Not quite. | 0:14:25 | 0:14:27 | |
Come on, wake up. Time to go home. Come on. | 0:14:31 | 0:14:34 | |
All right! Let me sleep. | 0:14:34 | 0:14:38 | |
You'll be sorry in the morning. | 0:14:39 | 0:14:42 | |
You know what you have to say. | 0:14:54 | 0:14:56 | |
-And you're sure nobody saw you? -I'm sure. | 0:15:18 | 0:15:21 | |
We don't want anyone thinking there are two identical ones, do we? | 0:15:27 | 0:15:31 | |
Cosimo! Bring me coffee! | 0:15:53 | 0:15:55 | |
Oh, it's you. Bring me coffee. | 0:16:03 | 0:16:07 | |
And keep it down, can't you? | 0:16:10 | 0:16:12 | |
HE GROANS | 0:16:14 | 0:16:16 | |
LEONARDO! | 0:16:54 | 0:16:55 | |
I take it this is one of your idiot pranks. | 0:17:00 | 0:17:03 | |
-I can explain. -Don't bother. I'm going to change. | 0:17:03 | 0:17:07 | |
By order of the Duke, search the premises. Leave no stone unturned. | 0:17:18 | 0:17:22 | |
Where do you think you're going? | 0:17:22 | 0:17:24 | |
-Hey! Hey, leave that alone! -Get out of it... | 0:17:24 | 0:17:28 | |
Get off! | 0:17:28 | 0:17:30 | |
Get out of my way, boy. > | 0:17:30 | 0:17:32 | |
Not those, please! > | 0:17:32 | 0:17:33 | |
What's going on? | 0:17:37 | 0:17:38 | |
Andrea del Verrocchio. I am arresting you for murder. | 0:17:38 | 0:17:44 | |
-What! -You can't be serious. | 0:17:44 | 0:17:46 | |
Who am I supposed to have murdered? | 0:17:46 | 0:17:49 | |
This man. Signor Antonio Costa. | 0:17:49 | 0:17:52 | |
That's ridiculous. | 0:17:52 | 0:17:54 | |
Why are your clothes wet? | 0:17:54 | 0:17:56 | |
Attempting to wash away the blood, no doubt. | 0:17:56 | 0:17:59 | |
It was me, I put it there. | 0:17:59 | 0:18:01 | |
-There was a bucket over the door. -We had a break in... | 0:18:01 | 0:18:02 | |
Silenzio! | 0:18:02 | 0:18:04 | |
Where were you last night? | 0:18:08 | 0:18:10 | |
I was in the tavern. | 0:18:12 | 0:18:14 | |
The tavern outside which Signor Costa was killed. | 0:18:15 | 0:18:19 | |
I was asleep. | 0:18:24 | 0:18:25 | |
The tavern owner says you could easily have sneaked out. | 0:18:25 | 0:18:29 | |
-Come back in again. -But I didn't. | 0:18:29 | 0:18:31 | |
And then there's the witness. | 0:18:32 | 0:18:33 | |
-What witness? -The witness who saw you do it. | 0:18:33 | 0:18:36 | |
Not possible. It can't be. | 0:18:36 | 0:18:38 | |
Maestro, tell them! | 0:18:38 | 0:18:42 | |
Several other witnesses saw you fighting with him | 0:18:42 | 0:18:45 | |
-earlier in the day. -He refused to pay. | 0:18:45 | 0:18:48 | |
And so you smashed his skull in and took his purse. | 0:18:48 | 0:18:50 | |
-No! -No! He didn't, he couldn't have. | 0:18:50 | 0:18:53 | |
So, what is this? | 0:18:57 | 0:18:58 | |
Take him away. | 0:19:01 | 0:19:03 | |
-KNOCK AT DOOR -Entree. | 0:19:29 | 0:19:31 | |
It is done. The Magistrate has taken him to gaol. | 0:19:35 | 0:19:39 | |
I would like to have seen the boy's face. | 0:19:43 | 0:19:46 | |
He does so love his Maestro. | 0:19:46 | 0:19:48 | |
You don't...you don't think there's any way he could have done it? | 0:19:59 | 0:20:03 | |
No! No, I don't. | 0:20:03 | 0:20:06 | |
Go to Mac's and see if he can find out anything about this "witness". | 0:20:06 | 0:20:10 | |
All right, there's some bread and some fruits, | 0:20:13 | 0:20:15 | |
and some of his biscotti that he likes. | 0:20:15 | 0:20:17 | |
I don't know what he'll do without his coffee. | 0:20:17 | 0:20:20 | |
Do they give you coffee in prison? | 0:20:20 | 0:20:22 | |
-Don't worry, Cosi, I'm sure they do. -Bene, bene. | 0:20:22 | 0:20:24 | |
-He's like a bear with a sore head without his coffee. -Yeah. | 0:20:24 | 0:20:27 | |
They will let him go, won't they? | 0:20:27 | 0:20:29 | |
Course they will. | 0:20:29 | 0:20:31 | |
It's just...in town, people were saying it's happened before. | 0:20:31 | 0:20:35 | |
-What? -That he's done it before. | 0:20:35 | 0:20:37 | |
When he was young, he killed a boy the same way. With a rock. | 0:20:37 | 0:20:40 | |
That's rubbish! That's mindless gossip. | 0:20:40 | 0:20:42 | |
These artist types are all the same. Terrible tempers. | 0:20:44 | 0:20:48 | |
Quite. | 0:20:48 | 0:20:50 | |
And drinkers, too, more often than not. | 0:20:50 | 0:20:52 | |
Apparently, he'd been in the tavern all night, | 0:20:52 | 0:20:54 | |
drinking himself into a murderous frenzy. | 0:20:54 | 0:20:58 | |
Mmm. | 0:20:58 | 0:20:59 | |
It makes my skin crawl. | 0:21:00 | 0:21:03 | |
He painted Lorenzo's portrait, didn't he? | 0:21:04 | 0:21:08 | |
It's one of my favourites. | 0:21:08 | 0:21:10 | |
We'll have to take it down. | 0:21:10 | 0:21:11 | |
We can't display the work of murderers on our walls. | 0:21:11 | 0:21:15 | |
I'll instruct the servants. | 0:21:15 | 0:21:17 | |
Thieves and robbers and murderers | 0:21:17 | 0:21:19 | |
roaming the streets like feral animals. | 0:21:19 | 0:21:21 | |
We're barely safe in our beds at night. | 0:21:21 | 0:21:22 | |
I'll feel better once the man is executed. | 0:21:25 | 0:21:27 | |
He has to have a trial first. | 0:21:27 | 0:21:30 | |
One can't simply just hang people. More's the pity. | 0:21:30 | 0:21:35 | |
Naturalmente. A trial, and then he will hang. | 0:21:35 | 0:21:38 | |
The man is clearly guilty. Everybody says so. | 0:21:38 | 0:21:41 | |
Lorenzo, you've not eaten a thing. | 0:21:43 | 0:21:46 | |
I'm not hungry. | 0:21:46 | 0:21:48 | |
I don't know what's happened to your appetite recently. | 0:21:48 | 0:21:51 | |
At least try the pickled peacock. E delizioso. | 0:21:51 | 0:21:56 | |
Lorenzo, walk with me. I want to talk to you. | 0:22:00 | 0:22:06 | |
I brought you these. | 0:22:30 | 0:22:32 | |
I don't know what I'd do if I couldn't draw. It's like breathing. | 0:22:36 | 0:22:41 | |
They're saying I've done it before, aren't they? | 0:22:41 | 0:22:45 | |
Nobody believes that. | 0:22:45 | 0:22:46 | |
Why not? It's the truth. | 0:22:46 | 0:22:48 | |
What? | 0:22:50 | 0:22:51 | |
I have killed before. | 0:22:51 | 0:22:53 | |
No. | 0:22:53 | 0:22:55 | |
When I was about your age. We were messing about, throwing rocks. | 0:22:56 | 0:23:03 | |
I hit my best friend on the head. It was an accident. | 0:23:03 | 0:23:06 | |
But a boy still died. | 0:23:08 | 0:23:10 | |
What do you think of your Maestro now? | 0:23:16 | 0:23:18 | |
It doesn't... It doesn't change the way I feel. | 0:23:21 | 0:23:25 | |
It was an accident. | 0:23:25 | 0:23:27 | |
I didn't kill Costa, I swear to you on my life. | 0:23:30 | 0:23:33 | |
Somebody's going to a lot of trouble to make it look like you did. | 0:23:37 | 0:23:41 | |
You're being set up. Framed. | 0:23:41 | 0:23:45 | |
My dad! My dad! | 0:23:45 | 0:23:47 | |
My dad will help us. He'll prove you're innocent. | 0:23:47 | 0:23:49 | |
I just need to speak to my dad! Jailer! | 0:23:49 | 0:23:52 | |
He can't have. | 0:23:56 | 0:23:59 | |
I'm fond of him too, Lorenzo. But facts are facts. | 0:23:59 | 0:24:02 | |
And you have to face them. | 0:24:02 | 0:24:04 | |
He can't be a murderer. | 0:24:04 | 0:24:06 | |
Well, sadly, he is. Signor Verrocchio has a temper. | 0:24:06 | 0:24:11 | |
And he's done it before. He killed a boy. With a rock. | 0:24:11 | 0:24:15 | |
It was an accident. Or so he says. | 0:24:15 | 0:24:18 | |
Can't you do anything, Papa? | 0:24:19 | 0:24:20 | |
Oh, I am doing something. Costa, the murdered man, worked for me. | 0:24:20 | 0:24:25 | |
I'll make sure that justice is done. | 0:24:25 | 0:24:28 | |
HE CHUCKLES | 0:24:39 | 0:24:41 | |
-Ciao, Leo. -Ciao, Papa. | 0:24:41 | 0:24:44 | |
Come on, let me buy you an ice cream. | 0:24:46 | 0:24:48 | |
Due gelati, per favore. | 0:24:51 | 0:24:52 | |
Dad, erm... have you... Have you heard? | 0:24:56 | 0:24:59 | |
Have you heard about Signor Verrocchio? | 0:24:59 | 0:25:01 | |
I'd have to be cloth-eared not to. It's all over town. | 0:25:01 | 0:25:04 | |
I don't know what the man was thinking. | 0:25:05 | 0:25:07 | |
But if the workshop's closed down, | 0:25:07 | 0:25:08 | |
we'll have to find you somewhere else to live. | 0:25:08 | 0:25:11 | |
It won't be closed down. | 0:25:11 | 0:25:12 | |
I suppose you could come and stay with us for a couple of days. | 0:25:12 | 0:25:15 | |
But it's a bit tricky. | 0:25:15 | 0:25:17 | |
Haven't ever got around to actually telling Francesca I've got a son. | 0:25:17 | 0:25:21 | |
And what with the wedding coming up, it's not the best timing. | 0:25:21 | 0:25:26 | |
You're getting married? | 0:25:26 | 0:25:28 | |
Didn't I tell you? Anyway, that's by the by - | 0:25:28 | 0:25:32 | |
the point is, you're going to be without a job, without lodgings. | 0:25:32 | 0:25:36 | |
We're going to have to find you a new apprenticeship, presto. | 0:25:36 | 0:25:39 | |
No. No, No. You don't understand. None of it's true. | 0:25:39 | 0:25:42 | |
Verrocchio is innocent. He didn't do it. | 0:25:42 | 0:25:44 | |
-Grazie. -Prego. | 0:25:45 | 0:25:47 | |
He needs a good lawyer, and you're the best. | 0:25:47 | 0:25:50 | |
The evidence against Verrocchio is strong, practically unassailable. | 0:25:52 | 0:25:57 | |
He was at the tavern, a witness saw him do it. | 0:25:57 | 0:26:00 | |
Yes, yes, yes, but he was killed in exactly the same way | 0:26:00 | 0:26:03 | |
-as Verrocchio's friend died. With a rock. Do you see? -See what? | 0:26:03 | 0:26:06 | |
That he didn't have the imagination to choose a different method? | 0:26:06 | 0:26:10 | |
That he's being set up, he's being framed. That's the only explanation. | 0:26:10 | 0:26:13 | |
Enough, Leonardo. The victim's purse was found in his workshop. | 0:26:13 | 0:26:19 | |
It must have been... | 0:26:19 | 0:26:20 | |
..planted. Of course! | 0:26:23 | 0:26:25 | |
A few nights ago, Dad, | 0:26:25 | 0:26:27 | |
-someone broke in and that's when they did it... -I said enough! | 0:26:27 | 0:26:30 | |
You need to grow up. You're not a child any more, | 0:26:32 | 0:26:34 | |
and the world is not always what you want it to be. | 0:26:34 | 0:26:38 | |
Verrocchio is innocent. Please take the case. | 0:26:40 | 0:26:44 | |
Please. | 0:26:44 | 0:26:47 | |
I couldn't, even if I wanted to. | 0:26:47 | 0:26:49 | |
the Magistrate wants me to present the case | 0:26:50 | 0:26:52 | |
-AGAINST Signor Verrocchio. -You can't! | 0:26:52 | 0:26:55 | |
Dad, I'm begging you, tell them you've changed your mind. | 0:26:55 | 0:27:00 | |
Apparently, Piero de' Medici has asked for me especially. | 0:27:01 | 0:27:05 | |
-What? -It's a great honour. | 0:27:09 | 0:27:11 | |
His Excellency, Piero de' Medici himself! | 0:27:13 | 0:27:16 | |
All makes sense, taking revenge in the most hurtful way he can. | 0:27:20 | 0:27:23 | |
Destroying the workshop, destroying Verrocchio. | 0:27:23 | 0:27:25 | |
Leo said he got Placidi to plant the purse. | 0:27:25 | 0:27:27 | |
There must have been two. | 0:27:27 | 0:27:28 | |
He planted one, and made sure | 0:27:28 | 0:27:30 | |
witnesses saw the other one when they fought. | 0:27:30 | 0:27:32 | |
If we could prove there were two purses... | 0:27:32 | 0:27:34 | |
No, he would have destroyed it. He's anticipated our every move. | 0:27:34 | 0:27:38 | |
He's even got my dad against us. | 0:27:38 | 0:27:41 | |
-It's not your fault. -Isn't it? Isn't it? I never saw it coming. | 0:27:41 | 0:27:44 | |
I thought he'd come after me, | 0:27:44 | 0:27:45 | |
but I never thought Verrocchio would be in danger. | 0:27:45 | 0:27:48 | |
-I never saw it coming. -None of us did. | 0:27:48 | 0:27:49 | |
I was arrogant. Stupid. Thinking we could beat him. | 0:27:49 | 0:27:52 | |
-We can. -How? How can we beat him? He's got us cornered. | 0:27:52 | 0:27:55 | |
-He's won. -Don't say that, Leo. Don't say that. | 0:27:55 | 0:27:58 | |
We'll think of something. | 0:27:58 | 0:28:00 | |
Yeah. | 0:28:00 | 0:28:02 | |
Yeah, but we've got to be quick. | 0:28:02 | 0:28:04 | |
The case is being heard tomorrow and if Verrocchio is found guilty... | 0:28:04 | 0:28:08 | |
What? | 0:28:08 | 0:28:10 | |
He'll be executed. | 0:28:10 | 0:28:12 | |
We know you didn't see him do it! | 0:28:22 | 0:28:24 | |
You're in the pay of Piero de Medici! How much is he paying you? | 0:28:24 | 0:28:27 | |
-Tell the truth and we'll double it. -Get away from me! -No! | 0:28:27 | 0:28:29 | |
A man's life is at stake and you're bearing false witness! | 0:28:29 | 0:28:32 | |
Diddums. | 0:28:32 | 0:28:34 | |
-Filthy lowlife! -Tom! -You're lying! | 0:28:34 | 0:28:37 | |
-Tom! -You lowlife, admit it! -Get off! | 0:28:37 | 0:28:39 | |
My dad! | 0:28:39 | 0:28:41 | |
You, get yourself off to court and stay out of harm's way. | 0:28:42 | 0:28:46 | |
You two, don't let me ever catch you brawling in the streets again. | 0:28:47 | 0:28:52 | |
Andate via! | 0:28:52 | 0:28:54 | |
As for you... | 0:28:58 | 0:28:59 | |
Come with me. | 0:29:03 | 0:29:05 | |
How dare you? | 0:29:10 | 0:29:12 | |
How dare you interfere with a witness in a murder case? | 0:29:12 | 0:29:16 | |
Are you insane? It's a criminal offence. | 0:29:16 | 0:29:18 | |
Verrocchio is innocent. | 0:29:18 | 0:29:21 | |
-Don't start that again. -You don't understand. Why won't you listen? | 0:29:21 | 0:29:23 | |
Verrocchio didn't murder Costa. | 0:29:23 | 0:29:25 | |
I know he didn't, because I know who did. Piero de' Medici. | 0:29:25 | 0:29:30 | |
Piero de' Medici had him killed | 0:29:30 | 0:29:31 | |
and he framed Verrocchio to get back at me. | 0:29:31 | 0:29:33 | |
-Do you know how ridiculous you sound? -It's the truth. | 0:29:33 | 0:29:36 | |
-To get back at me for... -For? | 0:29:36 | 0:29:38 | |
For stopping him taking over Florence! | 0:29:38 | 0:29:41 | |
-It's the truth! -Silencio! | 0:29:41 | 0:29:43 | |
I won't hear another word. I will not be embarrassed like this. | 0:29:46 | 0:29:50 | |
You need to stop making accusations about Piero de' Medici now! | 0:29:50 | 0:29:53 | |
Capiche? | 0:29:55 | 0:29:56 | |
Yes, Father. | 0:29:56 | 0:29:58 | |
Mac? | 0:30:41 | 0:30:42 | |
Well, maybe he'll see reason. | 0:30:49 | 0:30:52 | |
No, mate! He'll just gloat! | 0:30:52 | 0:30:54 | |
-Don't give him the satisfaction. Don't do it! -What? Don't do what? | 0:30:54 | 0:30:58 | |
What a pleasant surprise. | 0:31:00 | 0:31:02 | |
A lora. | 0:31:05 | 0:31:06 | |
And what can I do for you? | 0:31:06 | 0:31:09 | |
So sorry to hear about the spot of bother at the workshop. | 0:31:09 | 0:31:13 | |
I suppose you'll be looking for a new position, | 0:31:13 | 0:31:16 | |
now that your master is in prison and very likely to hang. | 0:31:16 | 0:31:20 | |
Do you need a recommendation? Is that why you've come? | 0:31:21 | 0:31:25 | |
I'd be only too happy to oblige. | 0:31:25 | 0:31:29 | |
After all, I know better than most how gifted you are. | 0:31:29 | 0:31:32 | |
That's not why I'm here, and you know it. | 0:31:32 | 0:31:35 | |
-I can't think what you mean. -I know you're behind it. | 0:31:35 | 0:31:38 | |
Behind what, exactly? | 0:31:38 | 0:31:40 | |
Why take it out on Verrocchio? | 0:31:40 | 0:31:42 | |
-It's me you want revenge on. -Revenge? | 0:31:42 | 0:31:45 | |
Oh, you mean because of our little contretemps. | 0:31:46 | 0:31:50 | |
No, no, no. That's all water under the bridge. | 0:31:50 | 0:31:54 | |
Long forgotten. I bear no grudges. | 0:31:54 | 0:31:57 | |
Please. | 0:31:58 | 0:32:00 | |
Let him go. I'll do anything. | 0:32:01 | 0:32:05 | |
I'll work for you. I'll design for you. | 0:32:05 | 0:32:08 | |
Please, I'm begging you. | 0:32:08 | 0:32:10 | |
Oh, yes. You are, aren't you? | 0:32:10 | 0:32:13 | |
Just, please, let him go. | 0:32:13 | 0:32:17 | |
I've always liked Signor Verrocchio. | 0:32:17 | 0:32:20 | |
Maybe I will help him. | 0:32:20 | 0:32:22 | |
But on the other hand, | 0:32:24 | 0:32:26 | |
I really don't think my conscience will allow it. | 0:32:26 | 0:32:30 | |
Letting a guilty man, a murderer go free... | 0:32:30 | 0:32:32 | |
You're the murderer! | 0:32:32 | 0:32:34 | |
Sticks and stones, Leonardo! Sticks and stones. | 0:32:34 | 0:32:39 | |
Although slander is a criminal offence, so you should be careful. | 0:32:39 | 0:32:43 | |
But delightful as it is to chat, | 0:32:46 | 0:32:48 | |
I do have work to do, | 0:32:48 | 0:32:50 | |
so if you don't mind... | 0:32:50 | 0:32:52 | |
(WHISPERS) Leo! | 0:33:09 | 0:33:10 | |
What do you want? I don't have time for apologies. | 0:33:16 | 0:33:19 | |
I wasn't going to apologise. | 0:33:19 | 0:33:21 | |
I've got nothing to apologise for. | 0:33:21 | 0:33:23 | |
What do you want, then? | 0:33:23 | 0:33:25 | |
Just to say that I'm sorry about Signor Verrocchio. | 0:33:25 | 0:33:28 | |
You know how much I like him. | 0:33:28 | 0:33:31 | |
-It's terrible, completamente orrendo. -What is, exactly? | 0:33:31 | 0:33:34 | |
Well, that he lost his temper like that | 0:33:34 | 0:33:36 | |
and, you know... But maybe the court will be lenient. | 0:33:36 | 0:33:39 | |
-Maybe they'll show mercy. -Not if your father has his way, they won't. | 0:33:39 | 0:33:42 | |
-My father likes Signor Verrocchio. -Your father has framed him! | 0:33:42 | 0:33:45 | |
He has framed him to get back at me. | 0:33:45 | 0:33:48 | |
He is going to have him executed to get back at me. | 0:33:48 | 0:33:50 | |
He doesn't care who he hurts to get back at me. | 0:33:50 | 0:33:53 | |
That's ridiculous. | 0:33:55 | 0:33:56 | |
No, it's you that's ridiculous. | 0:33:56 | 0:34:01 | |
And so, in conclusion, Your Honour, there can be no doubt... | 0:34:08 | 0:34:14 | |
No doubt whatsoever that this man standing before you is guilty. | 0:34:15 | 0:34:21 | |
-CROWD: -Yes! | 0:34:21 | 0:34:22 | |
The evidence cries out against him. | 0:34:24 | 0:34:26 | |
Just has his victim, Signor Costa, cried out | 0:34:26 | 0:34:30 | |
when Verrocchio took that rock and smashed his skull! | 0:34:30 | 0:34:35 | |
Andrea del Verrocchio, | 0:34:38 | 0:34:40 | |
I find you guilty of the murder of Signor Costa. | 0:34:40 | 0:34:43 | |
Tomorrow morning at ten, | 0:34:43 | 0:34:46 | |
you will be hanged by the neck until you are dead. Take him away. | 0:34:46 | 0:34:49 | |
-Where are you going? -I need to think. | 0:35:18 | 0:35:20 | |
-He thinks it's his fault. -We have to do something. | 0:35:21 | 0:35:23 | |
We have to save Verrocchio before Leo does something stupid. | 0:35:23 | 0:35:26 | |
Yeah? What? | 0:35:26 | 0:35:28 | |
-Are you ill, Lorenzo? -No, Papa. | 0:35:38 | 0:35:41 | |
Then why are you lying on your bed like a swooning maiden? | 0:35:41 | 0:35:44 | |
Stand up when I'm speaking to you. | 0:35:44 | 0:35:48 | |
Yes, Papa. | 0:35:50 | 0:35:51 | |
-What did Leonardo say to you? -Nothing, Papa. I haven't seen him. | 0:35:59 | 0:36:02 | |
Don't lie to me. I saw him come in here. | 0:36:02 | 0:36:06 | |
So what if he did? | 0:36:06 | 0:36:08 | |
I'll let that go. I can see you're...not yourself. | 0:36:10 | 0:36:15 | |
I suppose he told you that I framed Signor Verrocchio? | 0:36:16 | 0:36:20 | |
Yeah. But I didn't believe him. | 0:36:20 | 0:36:23 | |
More fool you, because it's the truth. | 0:36:23 | 0:36:28 | |
Oh, close your mouth, you look like a gawping goldfish. | 0:36:28 | 0:36:32 | |
I told the boy I would have my revenge. | 0:36:34 | 0:36:36 | |
And you know I never go back on my word. | 0:36:36 | 0:36:39 | |
I know this is difficult for you. But friends come and go. | 0:36:42 | 0:36:46 | |
Blood is for ever. You'll learn that one day. | 0:36:47 | 0:36:52 | |
That should put the cat amongst the pigeons. | 0:37:04 | 0:37:07 | |
I don't understand, Your Excellency. Why tell the young Master? | 0:37:07 | 0:37:12 | |
Because I want him to stop me. | 0:37:12 | 0:37:14 | |
We have to spring him. | 0:37:29 | 0:37:31 | |
What? | 0:37:31 | 0:37:32 | |
Get him out of jail, out of Florence. | 0:37:32 | 0:37:35 | |
-How? -Someone has to take his place. Someone or...something. | 0:37:35 | 0:37:40 | |
It's all about illusion. | 0:37:43 | 0:37:45 | |
Scusi. | 0:38:05 | 0:38:07 | |
We're never going to get away with it. | 0:38:18 | 0:38:20 | |
Yes, we are. It'll be dark in there, gloomy. Isn't that right, Father? | 0:38:20 | 0:38:24 | |
"Si, Signor Machiavelli." | 0:38:24 | 0:38:26 | |
Your job, distract him from looking too closely. Lots of tears. | 0:38:26 | 0:38:29 | |
Ready? | 0:38:31 | 0:38:32 | |
SHE WAILS | 0:38:35 | 0:38:38 | |
There he is! | 0:38:43 | 0:38:48 | |
My poor Andrea, my poor boy! | 0:38:48 | 0:38:53 | |
Tomaso?! | 0:38:53 | 0:38:54 | |
We've come to pray with you, my son. | 0:38:54 | 0:38:56 | |
In nomine Patris, et Filii, et Spiritus Sancti. | 0:38:56 | 0:38:59 | |
Don't say a word, we're going to get you out. | 0:38:59 | 0:39:02 | |
-Are you mad? -Have you got a better idea? | 0:39:02 | 0:39:04 | |
You've overdone the make-up, boy, | 0:39:05 | 0:39:07 | |
but you make quite a convincing woman. | 0:39:07 | 0:39:10 | |
I'll keep talking in Latin, you swap clothes. | 0:39:10 | 0:39:14 | |
In nomine Patris, et filii et spiritus sancti. | 0:39:14 | 0:39:16 | |
In nomine Patris, et filii et spiritus sancti. | 0:39:16 | 0:39:19 | |
In nomine Patris, et filii et spiritus sancti. | 0:39:19 | 0:39:21 | |
In nomine Patris, et filii et spiritus sancti. | 0:39:21 | 0:39:25 | |
In nomine Patris et... | 0:39:25 | 0:39:28 | |
What? It's the only bit I know. | 0:39:28 | 0:39:29 | |
In nomine Patris, et filii et spiritus sancti. | 0:39:29 | 0:39:32 | |
In nomine Patris, et filii et spiritus sancti. | 0:39:34 | 0:39:38 | |
In nomine Patris, et filii et spiritus sancti. | 0:39:38 | 0:39:42 | |
In nomine Patris, et filii et spiritus sancti. | 0:39:42 | 0:39:46 | |
Mac! Tom! | 0:39:46 | 0:39:51 | |
You're not welcome here. | 0:40:09 | 0:40:11 | |
What do you want? | 0:40:11 | 0:40:13 | |
My dad told me. That what you said was true. | 0:40:13 | 0:40:19 | |
He told me like it was nothing. Like I'd go along with it. | 0:40:19 | 0:40:22 | |
That's what you usually do, isn't it? | 0:40:22 | 0:40:25 | |
-I'm ashamed of him. And myself. -Will you go to the Magistrate? | 0:40:27 | 0:40:32 | |
Forget it. He'd never take a boy's word against his father's. | 0:40:32 | 0:40:35 | |
I want to help. Please let me help. | 0:40:37 | 0:40:40 | |
Can I borrow your horse? | 0:40:44 | 0:40:46 | |
Jailer! Jailer! We're done here. | 0:41:08 | 0:41:10 | |
Be right with you...Father. | 0:41:12 | 0:41:15 | |
Sleeping, is he? | 0:41:31 | 0:41:32 | |
Er, praying. Making his peace with God. Best not disturb him. | 0:41:32 | 0:41:37 | |
You must think I was born yesterday. | 0:41:39 | 0:41:41 | |
He pulls to the left a bit, | 0:41:46 | 0:41:48 | |
so you have to compensate and pull to the right. | 0:41:48 | 0:41:52 | |
You will look after him, won't you? Bring him back? | 0:41:52 | 0:41:55 | |
Where exactly are you going to, anyway? What's your plan? | 0:41:55 | 0:41:58 | |
It's best you don't know. | 0:41:58 | 0:42:00 | |
You mean you don't trust me? Va bene. I'll leave you to it, whatever it is. | 0:42:00 | 0:42:05 | |
I need to get back anyway. Got things to do. | 0:42:05 | 0:42:07 | |
Come on, Carlos. Good boy. Good boy. That's it. | 0:42:11 | 0:42:14 | |
-What do you want? -I'm here to see Signor Verrocchio. | 0:42:23 | 0:42:26 | |
Well, you can't. So get lost. | 0:42:26 | 0:42:27 | |
Porca miseria. | 0:42:31 | 0:42:33 | |
Who you calling a miserable pig? | 0:42:33 | 0:42:35 | |
You, you big gonzo. | 0:42:35 | 0:42:37 | |
And I'll carry on calling you one till you let me see my Maestro. | 0:42:37 | 0:42:40 | |
Porca! See? Ha! Porca! | 0:42:40 | 0:42:43 | |
Oh, you want to see your Maestro, do you? Va bene! | 0:42:43 | 0:42:45 | |
You can see your Maestro till the cows come home. | 0:42:45 | 0:42:48 | |
Get in there. | 0:42:50 | 0:42:51 | |
Feast your eyes on him all night and watch him hang in the morning. | 0:42:51 | 0:42:55 | |
Santa Maria, what's got into you? Such rudeness. | 0:43:02 | 0:43:05 | |
Man was just doing his job. | 0:43:05 | 0:43:06 | |
Si, Maestro. | 0:43:06 | 0:43:07 | |
I can't say I'm not glad of the company. | 0:43:09 | 0:43:11 | |
It's going to be a long night. | 0:43:11 | 0:43:13 | |
I thought we could paint together. | 0:43:13 | 0:43:15 | |
Paint? I don't want to paint. What's the point of... | 0:43:15 | 0:43:18 | |
Better I prepare myself. | 0:43:19 | 0:43:22 | |
Do you remember when you taught us about perspective, Maestro? | 0:43:22 | 0:43:24 | |
How to create the illusion of space, distance, solidity on flat surfaces? | 0:43:24 | 0:43:28 | |
Yes, yes, yes. But I'm really not in the mood for giving an art lesson. | 0:43:28 | 0:43:31 | |
I don't need a lesson. Just some help. | 0:43:31 | 0:43:33 | |
What on earth are you up to, Leonardo? | 0:43:35 | 0:43:37 | |
# What do I have to do | 0:43:43 | 0:43:48 | |
# To get you where I want you? | 0:43:48 | 0:43:53 | |
# I'll guess we'll see | 0:43:58 | 0:44:00 | |
# What might be... # | 0:44:00 | 0:44:02 | |
(Leo, what are you doing?) | 0:44:06 | 0:44:08 | |
# You're a million miles | 0:44:08 | 0:44:12 | |
# A million miles away... # | 0:44:12 | 0:44:16 | |
Leo? | 0:44:16 | 0:44:18 | |
# So come closer | 0:44:18 | 0:44:20 | |
# So come closer | 0:44:20 | 0:44:22 | |
# So come close Ah, whoa | 0:44:24 | 0:44:27 | |
# Ah, whoa | 0:44:27 | 0:44:31 | |
# Your reasons don't make any sense | 0:44:36 | 0:44:41 | |
# I'll never rely on you | 0:44:41 | 0:44:46 | |
# And you're draped on him | 0:44:50 | 0:44:52 | |
# While you're staring at me | 0:44:52 | 0:44:56 | |
# Whoa, whoa | 0:44:56 | 0:45:01 | |
# You're a million miles | 0:45:01 | 0:45:04 | |
# A million miles away | 0:45:04 | 0:45:09 | |
# So come closer... # | 0:45:09 | 0:45:11 | |
Sorry. Sorry. | 0:45:28 | 0:45:32 | |
Leo! | 0:45:39 | 0:45:40 | |
Leo! | 0:45:42 | 0:45:44 | |
Leo! | 0:45:53 | 0:45:54 | |
The prisoner has escaped! | 0:46:19 | 0:46:22 | |
Help! Help! Guards! Guards! The prisoner has escaped! | 0:46:22 | 0:46:27 | |
Sound the alarm! The prisoner has escaped! | 0:46:29 | 0:46:33 | |
Andiamo. Presto. | 0:46:43 | 0:46:45 | |
I'll deal with them. You get to the city gates, | 0:46:54 | 0:46:56 | |
there's a horse waiting for you there. | 0:46:56 | 0:46:58 | |
Search the city. Presto! Find the prisoner! | 0:47:10 | 0:47:12 | |
That's the boy that was with him! Catch him! | 0:47:18 | 0:47:21 | |
That is one clever boy. Come on! | 0:47:23 | 0:47:25 | |
Here, he's gone down that way! Just seen him. He's there! | 0:47:41 | 0:47:44 | |
I just saw him go that way! He's there! | 0:47:44 | 0:47:47 | |
-He went that way! -Just seen him! -Yeah, he's there! | 0:47:47 | 0:47:50 | |
Come on. Come on. Come on. | 0:48:08 | 0:48:10 | |
-He's getting away! Shut the gates! -Shut the gates! | 0:48:14 | 0:48:19 | |
Shut the gates. | 0:48:19 | 0:48:22 | |
Come on! Come on! | 0:48:49 | 0:48:51 | |
YES! Come on! | 0:48:54 | 0:48:57 | |
Presto! | 0:48:59 | 0:49:01 | |
Come on! | 0:49:06 | 0:49:07 | |
You're my son. I thought I could trust you. | 0:49:32 | 0:49:36 | |
Your horse has been returned to the stables. | 0:49:38 | 0:49:41 | |
Your friends have been returned to the jail. | 0:49:41 | 0:49:44 | |
The execution can still go ahead on time. | 0:49:44 | 0:49:46 | |
You know, Lorenzo, if you told me that Leonardo stole the horse, | 0:49:49 | 0:49:54 | |
I would accept your word. | 0:49:54 | 0:49:55 | |
No. I took the horse. And I'm glad I did it. | 0:49:57 | 0:50:02 | |
I'm only sorry they didn't succeed. | 0:50:03 | 0:50:05 | |
You would openly defy me like this? How dare you! | 0:50:05 | 0:50:08 | |
You leave me no choice, Father. You tell me to behave like a Medici. | 0:50:08 | 0:50:12 | |
You tell me to be proud of our noble name. | 0:50:12 | 0:50:14 | |
Well, I'm not proud of it and I'm not proud of you. | 0:50:14 | 0:50:17 | |
Lorenzo, I'm warning you. Watch your tongue. | 0:50:17 | 0:50:19 | |
No. I won't! It's murder. I won't let you kill a man for revenge. | 0:50:19 | 0:50:23 | |
If you go through with this, I'll have nothing more to do with you. | 0:50:26 | 0:50:30 | |
I swear it. On Leonardo's life, I swear it. | 0:50:30 | 0:50:35 | |
I can't believe you're talking to me like this. My own son?! | 0:50:36 | 0:50:40 | |
It's because I'm your son! | 0:50:40 | 0:50:42 | |
Dio Mio. What have I done? I have turned my own son against me. | 0:50:46 | 0:50:52 | |
Il mio ragazzo. My true and honest boy, you are right. | 0:50:55 | 0:51:02 | |
What I am doing is shameful. | 0:51:02 | 0:51:04 | |
Father, do you mean it? | 0:51:06 | 0:51:08 | |
I've been blinded, blinded by my lust for revenge. | 0:51:08 | 0:51:12 | |
But there is time. Still time to put things right. | 0:51:14 | 0:51:18 | |
The execution of Verrocchio will take place immediately. | 0:51:26 | 0:51:29 | |
The only question is whether the boy should hang alongside him. | 0:51:29 | 0:51:34 | |
My son is young, Your Honour. | 0:51:34 | 0:51:37 | |
And repentant. Extremely repentant. | 0:51:39 | 0:51:43 | |
He knows how foolish he has been. | 0:51:44 | 0:51:47 | |
But his only real crime was that he has been loyal | 0:51:48 | 0:51:51 | |
to an unworthy master. | 0:51:51 | 0:51:53 | |
Signor da Vinci. | 0:51:53 | 0:51:55 | |
Your Honour, forgive this interruption | 0:51:55 | 0:51:58 | |
but I have new evidence. | 0:51:58 | 0:52:01 | |
A signed confession from the witness. | 0:52:01 | 0:52:03 | |
The man, it would appear, is a liar. | 0:52:03 | 0:52:05 | |
Where is this liar? He must be brought before me. | 0:52:07 | 0:52:11 | |
He must pay the price. | 0:52:11 | 0:52:13 | |
He already has, Your Honour. The guilt was too much for him. | 0:52:13 | 0:52:15 | |
He took his own life. | 0:52:15 | 0:52:16 | |
Signor Verrocchio is innocent and should be released immediately. | 0:52:19 | 0:52:24 | |
As should the boy. | 0:52:24 | 0:52:25 | |
Well, you heard His Excellency. You're free to go. | 0:52:28 | 0:52:33 | |
Justice has been done. Eh, Leonardo? | 0:52:41 | 0:52:45 | |
The truth will out, Signor Verrocchio. | 0:52:48 | 0:52:50 | |
The truth will always out. | 0:52:50 | 0:52:52 | |
No hard feelings? | 0:52:56 | 0:52:58 | |
You were just doing your job. | 0:52:59 | 0:53:01 | |
Esattamente. I was just doing my job. | 0:53:01 | 0:53:04 | |
I'm glad it turned out this way. | 0:53:06 | 0:53:08 | |
Stay out of trouble, my boy. And I'll see you soon. | 0:53:09 | 0:53:13 | |
I owe you an apology. No, More than that. | 0:53:18 | 0:53:24 | |
I know you won't believe this, but I am truly sorry. | 0:53:24 | 0:53:27 | |
-Really? -Yes, really. And you have my son to thank for it. | 0:53:27 | 0:53:35 | |
Lorenzo made me see sense. Pulled me back from the brink. | 0:53:35 | 0:53:39 | |
Yes. Well, excuse me if I don't fall on my knees in gratitude. | 0:53:40 | 0:53:47 | |
You're angry. I don't blame you. | 0:53:47 | 0:53:51 | |
But I hope, in time, you'll be able to forgive me. | 0:53:51 | 0:53:54 | |
Your Excellency... | 0:53:58 | 0:54:00 | |
-Grazie. -Is he all right? | 0:54:26 | 0:54:28 | |
Sleeping. | 0:54:28 | 0:54:30 | |
-Is this the end of it? Will the Medici leave us alone now? -Maybe. | 0:54:30 | 0:54:34 | |
But why? Why pull back when you've gone to all that trouble? | 0:54:34 | 0:54:37 | |
-When you're that close to winning. -Why pull back? | 0:54:37 | 0:54:39 | |
Maybe he really did do it for Lorenzo. Maybe he really is sorry? | 0:54:39 | 0:54:43 | |
Ciao. | 0:54:51 | 0:54:52 | |
Ciao. | 0:54:59 | 0:55:00 | |
Is it OK if I come in? | 0:55:00 | 0:55:02 | |
-Not just now. -Oh, OK. Right. | 0:55:02 | 0:55:04 | |
Well, I just wondered... I wanted to ask... | 0:55:05 | 0:55:09 | |
Can't we go back to how we were? Can't things go back to normal? | 0:55:09 | 0:55:14 | |
My dad really is sorry. Can we be friends? | 0:55:16 | 0:55:20 | |
I don't know. Lorenzo, I don't know. | 0:55:27 | 0:55:31 | |
You had them right there, dangling on the hook - why let them off? | 0:55:47 | 0:55:52 | |
I had to make it seem as though I was taking my revenge, | 0:55:52 | 0:55:56 | |
or Leonardo would never have trusted me again. | 0:55:56 | 0:55:59 | |
And I need him to trust me. | 0:55:59 | 0:56:01 | |
And it was fun, watching them squirm. | 0:56:01 | 0:56:05 | |
But now the fun is over. The real game begins. | 0:56:06 | 0:56:10 | |
And, for that, I still need Leonardo. | 0:56:11 | 0:56:13 | |
Subtitles by Red Bee Media Ltd | 0:56:29 | 0:56:32 |