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More space. We need everything out, in case of explosions. | 0:01:12 | 0:01:16 | |
-Move that canvas. -Carefully! | 0:01:16 | 0:01:18 | |
-And get rid of those tables. -Anything else? | 0:01:18 | 0:01:20 | |
Perhaps we should remove the walls and ceiling for you. | 0:01:20 | 0:01:23 | |
Ah, eccitante! Is this all for the super weapon? | 0:01:26 | 0:01:29 | |
-Can you help us move those benches out to the back? -No. Not really. | 0:01:29 | 0:01:32 | |
Just came to say, guess who Papa has hired as my new fencing instructor? | 0:01:32 | 0:01:35 | |
No idea. | 0:01:35 | 0:01:37 | |
And the easels. All of them. | 0:01:37 | 0:01:38 | |
-Silvio Pirelli. -No! -Undefeated champion of all Europe! | 0:01:38 | 0:01:42 | |
Is he as handsome as he looks in his portraits? | 0:01:42 | 0:01:45 | |
That's a girl question. I've no idea. | 0:01:45 | 0:01:46 | |
He's doing a demonstration in the piazza this morning, want to come? | 0:01:46 | 0:01:50 | |
Not there, we'll trip over it. | 0:01:50 | 0:01:52 | |
I'll come! | 0:01:52 | 0:01:53 | |
Oh! Fantastico. | 0:01:53 | 0:01:55 | |
And with that move, I shaved an eyebrow | 0:02:07 | 0:02:09 | |
from the great Antonio of Naples. | 0:02:09 | 0:02:12 | |
Don't you want to comment on the dress? | 0:02:16 | 0:02:19 | |
She'd look amazing in anything. | 0:02:19 | 0:02:21 | |
My dress, Mac, my dress. | 0:02:21 | 0:02:23 | |
Oh. Yeah, yeah, it's nice. What colour do you call that? | 0:02:24 | 0:02:28 | |
Blue. | 0:02:28 | 0:02:30 | |
Never mind. | 0:02:30 | 0:02:31 | |
You're not the one I'm trying to impress. | 0:02:32 | 0:02:35 | |
Why won't she look at me? | 0:02:35 | 0:02:36 | |
He's staring at you, you know. | 0:02:38 | 0:02:40 | |
I can't help that, can I? | 0:02:40 | 0:02:42 | |
Don't do anything to encourage him. | 0:02:43 | 0:02:45 | |
Like what? | 0:02:45 | 0:02:47 | |
My father has decided our wedding will go ahead. | 0:02:47 | 0:02:49 | |
-We agreed to make the best of things. -I know. | 0:02:49 | 0:02:52 | |
You don't need to tell me. | 0:02:52 | 0:02:54 | |
I know. | 0:02:56 | 0:02:57 | |
So much for party tricks. Time for some real fencing. | 0:03:08 | 0:03:12 | |
But first, I need an opponent. | 0:03:12 | 0:03:16 | |
Who here is man enough to face Silvio Pirelli? | 0:03:16 | 0:03:20 | |
I'll do it! | 0:03:23 | 0:03:25 | |
Ladies and gentlemen, a challenger has entered the field of combat! | 0:03:28 | 0:03:32 | |
-I admire your pluck, bambino. -Thanks. | 0:03:32 | 0:03:36 | |
En garde! | 0:03:36 | 0:03:37 | |
The same response I got from Antonio of Naples! | 0:03:49 | 0:03:53 | |
What kind of person does that to a little kid? | 0:03:54 | 0:03:57 | |
Is this my next challenger? | 0:03:58 | 0:04:00 | |
At least I'm nearer your size. Or are you scared? | 0:04:00 | 0:04:05 | |
It seems, today, all my opponents are girls and bambini. | 0:04:06 | 0:04:10 | |
What next? A goat? | 0:04:10 | 0:04:12 | |
What are you doing? | 0:04:15 | 0:04:16 | |
Will you fight me or not? | 0:04:19 | 0:04:20 | |
I don't fight girls. | 0:04:22 | 0:04:24 | |
Exchange your sword for a sewing needle | 0:04:25 | 0:04:27 | |
and perhaps I'll allow you to darn my pantaloons! | 0:04:27 | 0:04:29 | |
Apprentices, thus far, you have devoted your lives to art. | 0:04:34 | 0:04:40 | |
Well, today, you finally get to do something important. | 0:04:40 | 0:04:44 | |
This is the biggest job of your lives. | 0:04:44 | 0:04:48 | |
The future of Florence lies in your hands, | 0:04:48 | 0:04:51 | |
and in the hands of Leonardo da Vinci! | 0:04:51 | 0:04:55 | |
Where's Duke Rocco today? Writing love poems to himself? | 0:05:01 | 0:05:07 | |
Blowing kisses into a mirror? | 0:05:07 | 0:05:09 | |
In the workshop, Your Excellency. | 0:05:09 | 0:05:12 | |
He'll be giving some ghastly pep talk, no doubt. | 0:05:12 | 0:05:16 | |
The future of Florence lies in your hands, all that claptrap. | 0:05:16 | 0:05:20 | |
He's speeding up the construction on the super weapon | 0:05:20 | 0:05:23 | |
and he's training the army. | 0:05:23 | 0:05:24 | |
Yes, he does have his uses. | 0:05:24 | 0:05:27 | |
That is, at least until my weapon is finished. | 0:05:28 | 0:05:32 | |
Now, for the education of our spectators, | 0:05:36 | 0:05:39 | |
perhaps my new pupil, Master Lorenzo, | 0:05:39 | 0:05:42 | |
will display his skills? | 0:05:42 | 0:05:44 | |
No. | 0:05:44 | 0:05:46 | |
Oh, go on, then. | 0:05:46 | 0:05:48 | |
En garde! | 0:05:53 | 0:05:54 | |
Angelica, didn't you see me? I've been trying to say hello. | 0:06:04 | 0:06:08 | |
I can't talk to you. | 0:06:08 | 0:06:09 | |
Non capisco. Has something changed? | 0:06:10 | 0:06:14 | |
You said you liked me. | 0:06:14 | 0:06:16 | |
I shouldn't have said that. | 0:06:16 | 0:06:18 | |
Why? Because it's not true? | 0:06:18 | 0:06:20 | |
Or because it is? | 0:06:22 | 0:06:23 | |
I'm getting married. You need to leave me alone. | 0:06:25 | 0:06:29 | |
Give me five minutes, that's all. Please, just five minutes. | 0:06:32 | 0:06:37 | |
You still owe me an ice cream, remember. | 0:06:39 | 0:06:41 | |
All right. Where can we meet in private? | 0:06:46 | 0:06:49 | |
Touche! The young master is victorious. | 0:06:55 | 0:06:59 | |
I think maybe you let me win. | 0:06:59 | 0:07:01 | |
Yes, I did. | 0:07:01 | 0:07:02 | |
Silvio Pirelli, I challenge you to a duel! | 0:07:02 | 0:07:07 | |
And who are you? | 0:07:07 | 0:07:09 | |
Tomaso Gherardini. | 0:07:09 | 0:07:11 | |
My sister Lisa challenged you, and you insulted her. | 0:07:11 | 0:07:14 | |
Insulted? | 0:07:16 | 0:07:19 | |
Was it an insult to notice she was of the weaker sex? | 0:07:19 | 0:07:21 | |
She may be talented in the feminine sports, | 0:07:21 | 0:07:24 | |
like pat a cake and apple rolling. | 0:07:24 | 0:07:27 | |
But swordplay is for men to do, | 0:07:27 | 0:07:30 | |
and girls to watch trembling behind their handkerchiefs. | 0:07:30 | 0:07:33 | |
Show's over, ladies and gentlemen. Good day to you all. | 0:07:35 | 0:07:38 | |
Thank you, Silvio, for a fantastic demonstration. | 0:07:38 | 0:07:41 | |
So you refuse my challenge? | 0:07:41 | 0:07:43 | |
I can't take on every amateur swordsman who fancies his chances. | 0:07:45 | 0:07:48 | |
(IMITATES CHICKEN) Bwark-bwok-bwok-bwok. | 0:07:53 | 0:08:00 | |
Are you calling me a coward? | 0:08:04 | 0:08:06 | |
No. It wasn't him, it was a chicken. There are loads of them here. | 0:08:06 | 0:08:10 | |
Are you a coward, Pirelli? | 0:08:10 | 0:08:13 | |
Be here tomorrow morning at seven, and you will find out. | 0:08:14 | 0:08:18 | |
Ha! That got to him! Did you see his face, Lorenzo? | 0:08:22 | 0:08:26 | |
Lorenzo? | 0:08:26 | 0:08:27 | |
What? | 0:08:28 | 0:08:29 | |
No, more than that. Those rivets need to go right through the panel. | 0:08:32 | 0:08:37 | |
Mi scusi, Maestro. | 0:08:39 | 0:08:41 | |
I thought I'd sketch some of the apprentices at work. | 0:08:41 | 0:08:44 | |
Document the construction of the weapon. | 0:08:44 | 0:08:46 | |
Great. You're... | 0:08:46 | 0:08:49 | |
Scusi, you're kind of in the way, a bit. | 0:08:49 | 0:08:52 | |
-Perhaps if you were nearer the wall? -Oh. | 0:08:52 | 0:08:55 | |
I can't believe I ever thought he was gorgeous. | 0:09:08 | 0:09:12 | |
Who? And where have you been? | 0:09:12 | 0:09:13 | |
Silvio Pirelli. He's an arrogant, disgusting, ignorant pig. | 0:09:13 | 0:09:18 | |
OK, well, now that's cleared up, | 0:09:18 | 0:09:21 | |
I need you to work on the sighting mechanism for the gun. | 0:09:21 | 0:09:24 | |
-He looks like a ferret. -It must be precise. | 0:09:24 | 0:09:26 | |
And he's going to be sorry he messed with me. | 0:09:26 | 0:09:29 | |
I challenged him to a fight. | 0:09:29 | 0:09:30 | |
Why would you do that? | 0:09:30 | 0:09:32 | |
Because he humiliated this little kid. | 0:09:32 | 0:09:34 | |
You should have heard the way he spoke to me. | 0:09:34 | 0:09:37 | |
Like, because I'm a girl, I can't fence. | 0:09:37 | 0:09:39 | |
-You can't fence. -That's not the point. | 0:09:39 | 0:09:41 | |
He made a complete fool out of me and I can't let him get away with it. | 0:09:41 | 0:09:45 | |
-Course you can. He's an idiot, isn't he? -Yes. | 0:09:45 | 0:09:47 | |
So, then, who cares? | 0:09:47 | 0:09:49 | |
KNOCK AT DOOR | 0:09:53 | 0:09:55 | |
What do you want? | 0:10:00 | 0:10:01 | |
I've been thinking... about my fight with Pirelli. | 0:10:06 | 0:10:10 | |
Oh, yeah. Go on. | 0:10:10 | 0:10:11 | |
I might have overreacted. Slightly. | 0:10:12 | 0:10:15 | |
And Leo needs my help with the weapon, | 0:10:15 | 0:10:18 | |
so, on reflection, I'm going to withdraw the challenge. | 0:10:18 | 0:10:21 | |
Is that right? | 0:10:21 | 0:10:23 | |
I hope Signor Pirelli will accept my apology. | 0:10:23 | 0:10:26 | |
I don't know about that. He's a prickly fellow. | 0:10:26 | 0:10:29 | |
It's all about honour, isn't it? You did call him a chicken. | 0:10:29 | 0:10:32 | |
-Oh. -Hmm. | 0:10:33 | 0:10:35 | |
I'm joking. Don't worry your little head. I've already done it - | 0:10:37 | 0:10:41 | |
apologised on your behalf. | 0:10:41 | 0:10:42 | |
The match is off. | 0:10:42 | 0:10:44 | |
-You...apologised FOR me? -Hmm. | 0:10:44 | 0:10:47 | |
I knew you'd change your mind when you calmed down a bit. | 0:10:47 | 0:10:50 | |
It was a heat-of-the-moment thing. I know girls. | 0:10:50 | 0:10:52 | |
Emotional and all that. | 0:10:52 | 0:10:54 | |
How dare you make that decision for me? | 0:10:56 | 0:10:58 | |
How dare you assume you know what I want? | 0:10:59 | 0:11:03 | |
But I was right. | 0:11:03 | 0:11:04 | |
No, you weren't. | 0:11:04 | 0:11:06 | |
I've changed my mind. | 0:11:06 | 0:11:08 | |
KNOCK AT DOOR | 0:11:09 | 0:11:11 | |
Ready when you are, Master... | 0:11:11 | 0:11:13 | |
Oh. | 0:11:13 | 0:11:15 | |
It's you. | 0:11:15 | 0:11:18 | |
Come to make your apology in person? | 0:11:18 | 0:11:20 | |
No, actually. I've come to take back the apology. | 0:11:20 | 0:11:23 | |
What? | 0:11:23 | 0:11:25 | |
No, he hasn't. | 0:11:25 | 0:11:27 | |
Go away. | 0:11:27 | 0:11:28 | |
I absolutely will not apologise to you, | 0:11:28 | 0:11:31 | |
and I absolutely will not take back the challenge. | 0:11:31 | 0:11:34 | |
Then you absolutely will be crushed. | 0:11:35 | 0:11:38 | |
The fight is on. | 0:11:41 | 0:11:42 | |
I've been patient with you so far, boy, | 0:11:45 | 0:11:48 | |
but this is becoming tiresome. | 0:11:48 | 0:11:51 | |
We fight, tomorrow. | 0:11:51 | 0:11:53 | |
This time...there is no wriggling out of it. | 0:11:56 | 0:11:59 | |
Good. | 0:11:59 | 0:12:01 | |
I...Sorry, what just happened? | 0:12:09 | 0:12:12 | |
Heat-of-the-moment thing. You know girls. Emotional. | 0:12:12 | 0:12:16 | |
You do realise he's going to wipe the floor with you? | 0:12:16 | 0:12:19 | |
Not if I learn how to fence properly. | 0:12:19 | 0:12:22 | |
-You can do it before seven in the morning? -With the right teacher. | 0:12:22 | 0:12:25 | |
What teacher? | 0:12:25 | 0:12:27 | |
KNOCK AT DOOR | 0:12:45 | 0:12:46 | |
Sorry. | 0:12:47 | 0:12:48 | |
Sorry. | 0:12:49 | 0:12:50 | |
It's me that should be sorry. | 0:12:51 | 0:12:53 | |
I let you think there could be something between us... | 0:12:58 | 0:13:01 | |
when there can't. | 0:13:01 | 0:13:02 | |
-But you do like me? -It doesn't matter if I do or not. | 0:13:02 | 0:13:06 | |
Of course it matters. | 0:13:06 | 0:13:08 | |
Lorenzo tried to talk to his father. | 0:13:09 | 0:13:11 | |
The wedding is to go ahead. | 0:13:13 | 0:13:15 | |
You talked to me about wanting to be free. | 0:13:15 | 0:13:17 | |
Free to do what you want. Now's your chance. | 0:13:17 | 0:13:19 | |
I was being childish, silly. | 0:13:19 | 0:13:23 | |
I have responsibilities. | 0:13:23 | 0:13:25 | |
-A duty to my family name. -Now you sound like Lorenzo. | 0:13:25 | 0:13:28 | |
I AM like Lorenzo. That's the point. | 0:13:28 | 0:13:33 | |
-We're a good match. -No, believe me, you're not. | 0:13:33 | 0:13:36 | |
I love him - he's one of my closest friends, | 0:13:36 | 0:13:39 | |
but he's not right for you. | 0:13:39 | 0:13:40 | |
-LORENZO: -Mac? Are you there? -Did he follow you? | 0:13:40 | 0:13:43 | |
-I don't know! -Behind the curtain! I'll get rid of him. | 0:13:43 | 0:13:46 | |
Hello? | 0:13:46 | 0:13:47 | |
-Don't mind if we borrow your place, do you? -Well, I was kind of... | 0:13:47 | 0:13:51 | |
I'm going to teach her everything I know about fencing. | 0:13:51 | 0:13:54 | |
So we'll be, what, 10, 15 minutes? | 0:13:54 | 0:13:56 | |
Thing is, I'm in the middle of something... | 0:13:56 | 0:13:58 | |
That's OK. You won't even know we're here. Oh! | 0:13:58 | 0:14:01 | |
-Sorry. -What are you up to that's important? -Er... | 0:14:01 | 0:14:04 | |
Nothing. Nothing. | 0:14:06 | 0:14:08 | |
Of course you can stay. | 0:14:08 | 0:14:10 | |
-Right! -OK. | 0:14:12 | 0:14:14 | |
The super-weapon will give us a massive military advantage, | 0:14:21 | 0:14:24 | |
but we can develop all sorts of other munitions | 0:14:24 | 0:14:27 | |
that will take the Milanese by surprise. | 0:14:27 | 0:14:30 | |
These are battle flares. | 0:14:30 | 0:14:33 | |
You drop them at night, and they let out a flash, | 0:14:33 | 0:14:36 | |
temporarily blinding the enemy. | 0:14:36 | 0:14:38 | |
Where's the rack for them? | 0:14:40 | 0:14:42 | |
Who's taken it from this table? | 0:14:42 | 0:14:44 | |
Maestro? | 0:14:47 | 0:14:48 | |
Foreground, Leonardo. A painting needs foreground to give depth! | 0:14:50 | 0:14:53 | |
Of course. But I kind of need it. | 0:14:53 | 0:14:57 | |
Oh, go on, then, take it, for goodness' sake. I'm not stopping you! | 0:14:57 | 0:15:00 | |
Grazie, Maestro. | 0:15:00 | 0:15:02 | |
-I'll just use the table itself for perspective. -No! | 0:15:02 | 0:15:05 | |
Yes. | 0:15:13 | 0:15:14 | |
I think it would be wiser to store those vials in a rack. | 0:15:14 | 0:15:19 | |
And... | 0:15:23 | 0:15:25 | |
Up here. | 0:15:27 | 0:15:29 | |
-Good. -Ooh. | 0:15:29 | 0:15:31 | |
And punta sopramano. And squalembrato. | 0:15:34 | 0:15:36 | |
TOMASO LAUGHS Squalembrato? You made that up. | 0:15:36 | 0:15:41 | |
No, I didn't. It's a diagonal cut. | 0:15:41 | 0:15:43 | |
Mandritto squalembrato is from right to left. | 0:15:43 | 0:15:45 | |
-Riverso squalembrato is from left to right. -OK. | 0:15:45 | 0:15:48 | |
OK, I get it! | 0:15:48 | 0:15:50 | |
Oh, yeah. I forgot to mention. | 0:15:53 | 0:15:55 | |
Angelica's here. | 0:15:55 | 0:15:57 | |
Ciao. | 0:15:57 | 0:15:58 | |
So, you're still sneaking around behind my back with another boy! | 0:15:58 | 0:16:03 | |
You can talk. You're sneaking around behind MY back with another girl. | 0:16:05 | 0:16:09 | |
What girl? | 0:16:09 | 0:16:11 | |
I'm a boy. | 0:16:12 | 0:16:14 | |
Oh, please. Credit me with SOME intelligence! | 0:16:14 | 0:16:18 | |
You're the girl from the ball. | 0:16:22 | 0:16:25 | |
The one that was kidnapped. | 0:16:25 | 0:16:28 | |
-The one that... -You can't tell anyone I'm a girl! | 0:16:29 | 0:16:32 | |
Don't worry. Angelica seems to be very good at keeping secrets. | 0:16:32 | 0:16:37 | |
-Even from her own fiance. -And what's THAT supposed to mean? | 0:16:37 | 0:16:40 | |
Perhaps we should ask Mac. | 0:16:40 | 0:16:42 | |
Nut, anyone? | 0:16:45 | 0:16:47 | |
Just need to get a bit there. | 0:16:50 | 0:16:53 | |
-CLATTERING -Porca miseria! | 0:16:53 | 0:16:54 | |
Can't you just keep out of the way? | 0:16:54 | 0:16:57 | |
I only came here to tell him we can't be together. | 0:17:12 | 0:17:15 | |
That's the truth, I swear it is. | 0:17:15 | 0:17:18 | |
I only came to prepare Lisa for her fight. | 0:17:18 | 0:17:21 | |
Tom! Not Lisa. My name is Tom. | 0:17:21 | 0:17:22 | |
Please don't tell people I'm a girl. I'd lose everything. | 0:17:24 | 0:17:28 | |
-Why are you pretending to be a boy? -So she can paint. | 0:17:28 | 0:17:31 | |
Lisa... Tom's a great artist. | 0:17:31 | 0:17:34 | |
So, you spend your whole life dressed as a boy? | 0:17:34 | 0:17:38 | |
It's not as bad as you think. You can do all sorts of stuff as a boy. | 0:17:38 | 0:17:42 | |
What? Like fight? | 0:17:42 | 0:17:45 | |
Well, yes, if you want to. | 0:17:45 | 0:17:47 | |
And why do you want to fight Silvio Pirelli? | 0:17:47 | 0:17:50 | |
-Because she's a stubborn... -You saw how he spoke to me today. | 0:17:50 | 0:17:53 | |
Didn't it make you angry? Being told girls shouldn't fence? | 0:17:53 | 0:17:58 | |
Well, they shouldn't, really, should they? | 0:17:58 | 0:18:01 | |
It's not exactly...ladylike. | 0:18:01 | 0:18:05 | |
I beg your pardon? | 0:18:05 | 0:18:07 | |
All that violence and aggression is not in our nature. | 0:18:07 | 0:18:09 | |
-Is it? -It might not be in yours. | 0:18:09 | 0:18:12 | |
This is a fascinating debate, but could we save it for another day? | 0:18:12 | 0:18:15 | |
We hadn't finished talking. | 0:18:15 | 0:18:17 | |
There's nothing more to say. I have to go. | 0:18:17 | 0:18:21 | |
Nice meeting you... | 0:18:21 | 0:18:23 | |
Tom. | 0:18:23 | 0:18:24 | |
En garde. | 0:18:30 | 0:18:32 | |
And that is how I took the thumb from the great Romano of Siena. | 0:18:35 | 0:18:39 | |
-Incredibile. -PIRELLI LAUGHS | 0:18:40 | 0:18:42 | |
So...big match tomorrow? | 0:18:42 | 0:18:46 | |
Hmm? | 0:18:46 | 0:18:48 | |
Tomaso Gherardini. | 0:18:48 | 0:18:50 | |
PIRELLI LAUGHS | 0:18:50 | 0:18:52 | |
Master Lorenzo, I have defeated the best fencers in Europe. | 0:18:52 | 0:18:56 | |
Tomorrow is not a big match. | 0:18:56 | 0:18:59 | |
It is an exercise... in fly swatting. | 0:18:59 | 0:19:02 | |
OK. You will go easy on him, though, won't you? | 0:19:02 | 0:19:05 | |
Certainly not. I intend to teach young Tomaso a lesson | 0:19:05 | 0:19:09 | |
he will not forget for the rest of his life. | 0:19:09 | 0:19:11 | |
You won't cut off his thumb, will you? | 0:19:11 | 0:19:14 | |
When I've finished with Tomaso Gherardini, | 0:19:14 | 0:19:16 | |
his thumb may well be the only thing left of him. | 0:19:16 | 0:19:19 | |
LORENZO CHUCKLES NERVOUSLY | 0:19:19 | 0:19:22 | |
That was a joke, right? | 0:19:22 | 0:19:24 | |
I'm sorry. I shouldn't have spoken to you like that. | 0:19:36 | 0:19:39 | |
Why not? You only spoke the truth. | 0:19:39 | 0:19:41 | |
I was...getting in the way. | 0:19:41 | 0:19:44 | |
It's still your workshop. | 0:19:46 | 0:19:48 | |
No. | 0:19:48 | 0:19:49 | |
No. It belongs to the military now. | 0:19:54 | 0:19:56 | |
You work for Duke Rocco, not for me. | 0:19:57 | 0:20:01 | |
So...no apology necessary. | 0:20:04 | 0:20:07 | |
-Master Lorenzo. -Signor Verrocchio. May I speak to Leonardo? | 0:20:14 | 0:20:18 | |
-Who tweaked HIS nose? -Me. | 0:20:22 | 0:20:25 | |
-I humiliated him in front of the whole workshop. -Ouch. | 0:20:25 | 0:20:28 | |
Speaking of public humiliations, talk Tom out of her fencing match. | 0:20:28 | 0:20:32 | |
-I tried. -Then do something to make her win. | 0:20:32 | 0:20:34 | |
-Like what? -Invent a special sword that fights by itself or something. | 0:20:34 | 0:20:38 | |
A special sword that fights by itself? | 0:20:38 | 0:20:43 | |
Or something. There must be an invention... | 0:20:43 | 0:20:45 | |
I'm trying to defend a city. I have a hundred problems to solve. | 0:20:45 | 0:20:49 | |
I don't have time to help Lisa win a game. | 0:20:49 | 0:20:51 | |
-It's not a game. -It is. The swords are blunt. | 0:20:51 | 0:20:54 | |
The only thing she'll hurt is her pride. | 0:20:55 | 0:20:57 | |
If she wants to fence, let her do it. | 0:20:57 | 0:21:01 | |
Fine. | 0:21:01 | 0:21:02 | |
She's going to be completely pulverised. | 0:21:02 | 0:21:04 | |
HE SIGHS | 0:21:04 | 0:21:06 | |
COCK CROWS | 0:21:08 | 0:21:10 | |
BELL CHIMES | 0:21:10 | 0:21:12 | |
Leo? | 0:21:16 | 0:21:18 | |
Signori e signore, I hate to disappoint you. | 0:22:01 | 0:22:05 | |
It seems my challenger has got cold feet. | 0:22:05 | 0:22:08 | |
I take the match by default. | 0:22:08 | 0:22:10 | |
Silvio Pirelli! | 0:22:10 | 0:22:13 | |
He's here. I mean, she's here. | 0:22:16 | 0:22:19 | |
I mean...he's here. | 0:22:19 | 0:22:22 | |
Oh, good. | 0:22:22 | 0:22:23 | |
En garde. | 0:22:24 | 0:22:26 | |
How about we make this more interesting? | 0:22:29 | 0:22:33 | |
Give these good people a chance to see real blades? | 0:22:34 | 0:22:37 | |
PIRELLI CHUCKLES | 0:22:40 | 0:22:43 | |
What do you say? | 0:22:55 | 0:22:57 | |
No. Please say no. | 0:22:59 | 0:23:01 | |
Ready to put down your training weapon and fight like a man? | 0:23:01 | 0:23:04 | |
I'm ready. | 0:23:06 | 0:23:07 | |
We fight until you yield. | 0:23:15 | 0:23:18 | |
Or die. Whichever comes sooner. | 0:23:18 | 0:23:21 | |
Go and get Leo. | 0:23:23 | 0:23:25 | |
When you've filled those ones, seal them and we'll make another batch. | 0:23:29 | 0:23:33 | |
Leo, you've got to come. Presto! | 0:23:37 | 0:23:40 | |
-I'm busy -It's Tom! Now! Andiamo! | 0:23:40 | 0:23:43 | |
Leonardo? | 0:23:46 | 0:23:47 | |
Leonardo! | 0:23:52 | 0:23:53 | |
CROWD LAUGHS | 0:24:02 | 0:24:05 | |
You're holding it wrong! Concentrate! | 0:24:05 | 0:24:08 | |
CROWD LAUGHS | 0:24:31 | 0:24:33 | |
CROWD GASPS AND APPLAUDS MAN: Bravo! | 0:24:49 | 0:24:52 | |
FABRIC RIPS | 0:24:56 | 0:24:57 | |
That shirt cost more than you earn in a month. | 0:24:57 | 0:25:01 | |
You shall pay for it with blood. | 0:25:01 | 0:25:02 | |
Tom! | 0:25:08 | 0:25:10 | |
This is what happens to those who dare to challenge Silvio Pirelli! | 0:25:16 | 0:25:20 | |
PIRELLI CRIES OUT | 0:25:22 | 0:25:24 | |
I see you've got friends willing to help you cheat. | 0:25:31 | 0:25:34 | |
Tell me, where is the honour in that? | 0:25:34 | 0:25:38 | |
That was it? The best you've got? Hey? | 0:25:42 | 0:25:46 | |
No. THAT'S the best I've got. | 0:25:49 | 0:25:51 | |
LAUGHTER | 0:25:54 | 0:25:57 | |
Darn your own pantaloons. | 0:26:03 | 0:26:05 | |
Ladies and gentlemen... Our winner... | 0:26:12 | 0:26:16 | |
CHEERING AND APPLAUSE | 0:26:16 | 0:26:19 | |
Tomaso Gherardini! | 0:26:21 | 0:26:23 | |
If Tom beat THE champion fencer in Europe, | 0:26:26 | 0:26:29 | |
does that makes her the new champion? | 0:26:29 | 0:26:31 | |
-Well, technically, yes, I suppose it does, but... -Campione! Campione! | 0:26:31 | 0:26:36 | |
I had an excellent tutor. | 0:26:36 | 0:26:38 | |
Yes, and now I don't have any tutor at all. | 0:26:38 | 0:26:41 | |
-I could teach you a few moves. -Like dropping my opponent's trousers? No! | 0:26:41 | 0:26:45 | |
Leonardo! | 0:26:45 | 0:26:47 | |
Catch you later. | 0:26:48 | 0:26:50 | |
Since when was it permissible for you to run off in the middle | 0:26:54 | 0:26:58 | |
-of the most important job this workshop has had? -I'm sorry, Maestro. | 0:26:58 | 0:27:02 | |
Will "sorry" build your super-weapon? Will it defend our city from attack? | 0:27:02 | 0:27:06 | |
No, Maestro. I behaved foolishly. | 0:27:06 | 0:27:10 | |
That you did. | 0:27:10 | 0:27:12 | |
Get back to work | 0:27:12 | 0:27:14 | |
and we'll hear no more of it. | 0:27:14 | 0:27:16 | |
-I'll talk to him. It was my fault that you ran off. -No, leave it. | 0:27:20 | 0:27:25 | |
Va bene. | 0:27:25 | 0:27:26 | |
Why are you smiling? Why are you so pleased at getting told off? | 0:27:26 | 0:27:30 | |
Leo! | 0:27:32 | 0:27:33 | |
Subtitles by Red Bee Media Ltd | 0:27:47 | 0:27:50 |