Browse content similar to Stupid Cupid. Check below for episodes and series from the same categories and more!
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A horse. A horse to get me to Florence. | 0:00:15 | 0:00:19 | |
I'll pay well for the fastest one. | 0:00:19 | 0:00:21 | |
I'll kill you, you little sneak. | 0:00:54 | 0:00:55 | |
I've got every officer in Florence after me because of you. | 0:00:55 | 0:00:58 | |
-What? What? -Don't play the innocent with me. I know you snitched on me. | 0:00:58 | 0:01:02 | |
You'll pay for this with your life! | 0:01:03 | 0:01:05 | |
Come back here, Mac! | 0:01:05 | 0:01:07 | |
Machiavelli, you're not going to get very far. | 0:01:07 | 0:01:09 | |
I'm going to get you! | 0:01:09 | 0:01:11 | |
GORGONI LAUGHS | 0:01:21 | 0:01:23 | |
Nowhere to run, eh? | 0:01:23 | 0:01:25 | |
Help! He's trying to kill me. | 0:01:31 | 0:01:34 | |
Grazie, officers. He's a wanted man - Gorgoni the smuggler. | 0:01:38 | 0:01:41 | |
I'm going to get you for this, Machiavelli. | 0:01:41 | 0:01:43 | |
I'm going to get you. I'll tear you limb from limb. | 0:01:43 | 0:01:45 | |
Dream on, fat boy. | 0:01:45 | 0:01:46 | |
The only thing you'll be tearing is stale bread in prison. | 0:01:46 | 0:01:49 | |
Today is the day, Placidi. | 0:01:54 | 0:01:56 | |
All that we have worked for. | 0:01:57 | 0:01:59 | |
Now, nothing stands in our way. | 0:02:01 | 0:02:04 | |
For today is the day | 0:02:04 | 0:02:06 | |
I will be crowned Duke. | 0:02:06 | 0:02:09 | |
Fantastico! | 0:02:14 | 0:02:16 | |
Maestro, my dad's getting married. | 0:02:16 | 0:02:19 | |
Francesca and I have finally decided on a date. 17th. | 0:02:19 | 0:02:23 | |
Congratulations. | 0:02:23 | 0:02:25 | |
Does she know about me? Have you told her yet? | 0:02:25 | 0:02:27 | |
Not yet. But I will. | 0:02:27 | 0:02:29 | |
I'll tell her today. Then you can come to the wedding. | 0:02:29 | 0:02:32 | |
I cannot wait to meet her. | 0:02:32 | 0:02:35 | |
In the meantime, how do you feel about designing our invitations? | 0:02:35 | 0:02:39 | |
I'd love to. | 0:02:44 | 0:02:46 | |
Right, where's my sketchbook? | 0:02:46 | 0:02:48 | |
Ah, Lorenzo, Angelica - good news! | 0:02:52 | 0:02:57 | |
Good news? You mean great news, my beloved. | 0:02:57 | 0:03:02 | |
For today is a momentous day for the Medicis. | 0:03:02 | 0:03:05 | |
-Your father is to be made Duke of Florence. -Papa! | 0:03:06 | 0:03:11 | |
Imagine that! The Duke of Florence! | 0:03:11 | 0:03:15 | |
And I will be the Duchess. | 0:03:15 | 0:03:18 | |
-And if we go to war...? -Which we will. | 0:03:18 | 0:03:20 | |
I will fight by your side. | 0:03:20 | 0:03:22 | |
Piccolo Tortellini, you will not be fighting! | 0:03:22 | 0:03:25 | |
Your job is to look after your pretty little fiancee, | 0:03:25 | 0:03:30 | |
isn't it, dear? | 0:03:30 | 0:03:31 | |
The buds of young love. So tender, so precious. | 0:03:34 | 0:03:39 | |
They must be fed and watered. | 0:03:39 | 0:03:42 | |
Indeed. | 0:03:42 | 0:03:43 | |
I stayed cool, of course, kept him pinned down. | 0:03:45 | 0:03:48 | |
Of course. | 0:03:48 | 0:03:50 | |
Why was he after you? | 0:03:50 | 0:03:51 | |
I just happened to mention his criminal activities to the police. | 0:03:53 | 0:03:56 | |
Oh, so you snitched? | 0:03:56 | 0:03:58 | |
He's a rat. | 0:03:58 | 0:04:00 | |
Pretends to be in the silk trade, but really he's a smuggler. | 0:04:00 | 0:04:03 | |
I was just doing my duty. As a law-abiding citizen. | 0:04:03 | 0:04:06 | |
Fat slug won't bother me again. | 0:04:06 | 0:04:08 | |
The Mac is back! | 0:04:08 | 0:04:10 | |
WHACK! | 0:04:12 | 0:04:13 | |
SMACK! | 0:04:13 | 0:04:14 | |
SMACK! | 0:04:14 | 0:04:16 | |
THEY GROAN | 0:04:28 | 0:04:31 | |
Lovely weather we're having, my little...chipmunk. | 0:04:31 | 0:04:36 | |
Hmm. | 0:04:36 | 0:04:38 | |
Very blue sky. | 0:04:38 | 0:04:39 | |
Mm-hmm. | 0:04:40 | 0:04:42 | |
Very hot. | 0:04:42 | 0:04:44 | |
Very sticky. | 0:04:44 | 0:04:46 | |
-Grazie. -Mi scusi. Momento. | 0:04:46 | 0:04:49 | |
Thanks, Mac. | 0:04:51 | 0:04:52 | |
Having fun? | 0:04:53 | 0:04:54 | |
She's so dim. She doesn't even like fencing. | 0:04:54 | 0:04:57 | |
Talk about stuck-up. | 0:04:57 | 0:04:58 | |
Yeah, she doesn't look like a bundle of laughs. | 0:04:58 | 0:05:01 | |
Beautiful though. | 0:05:01 | 0:05:02 | |
Can't see it myself. Girls are frightful. | 0:05:02 | 0:05:05 | |
You just have to know how to handle them. | 0:05:05 | 0:05:07 | |
Well, OK, if you're so good with girls, | 0:05:07 | 0:05:09 | |
you can take her off my hands. | 0:05:09 | 0:05:10 | |
-No thanks, mate, she's all yours. -I'll pay you. | 0:05:10 | 0:05:12 | |
Now that is a whole different kettle of pesci. How much? | 0:05:12 | 0:05:15 | |
-Five florins. -15. -Six. -14. -Seven -13. -Eight. | 0:05:15 | 0:05:17 | |
-12. -Nine. -11. -Ten. -Ten. | 0:05:17 | 0:05:19 | |
Oh, all right. | 0:05:19 | 0:05:21 | |
Bring her back to the Palace gate - three, prompt. Don't be late. | 0:05:21 | 0:05:24 | |
Va bene, Benito. He's with me. Benito is Angelica's security. | 0:05:28 | 0:05:33 | |
This is my cousin. | 0:05:33 | 0:05:36 | |
Count Gianlucca di Modena di Batista di Lampedusa. | 0:05:36 | 0:05:39 | |
At your service, bella signorina. | 0:05:39 | 0:05:41 | |
I've asked him to be your escort today, chicklet. | 0:05:41 | 0:05:43 | |
-It's just that with Papa being made Duke... -Whatever. | 0:05:43 | 0:05:46 | |
So what's it to be, bella signorina? | 0:05:49 | 0:05:51 | |
Stroll or an ice cream? On me, naturally. | 0:05:52 | 0:05:56 | |
Capello's. | 0:05:56 | 0:05:57 | |
Capello's? | 0:05:57 | 0:05:59 | |
The finest, most expensive restaurant in all of Florence. | 0:05:59 | 0:06:02 | |
Good, but here it's too flat, here... | 0:06:07 | 0:06:11 | |
Meet our latest life model. | 0:06:13 | 0:06:15 | |
Dino. | 0:06:15 | 0:06:17 | |
Where did you get him? | 0:06:17 | 0:06:19 | |
From the seamstress up the road. I said we'd look after him. | 0:06:19 | 0:06:21 | |
Oh, he's gorgeous! | 0:06:21 | 0:06:25 | |
-I mean, just like my little brother. -He's going to pose for Cupid. | 0:06:25 | 0:06:28 | |
The baby angel whose magical dart makes people fall in love. | 0:06:28 | 0:06:31 | |
Pose? Are you mad? | 0:06:31 | 0:06:33 | |
Painting a real baby is impossible - they keep moving. | 0:06:33 | 0:06:36 | |
-It'll be fine. -He's good as gold, aren't you? | 0:06:36 | 0:06:39 | |
-Why not copy one of mine? -It has to be perfect. | 0:06:39 | 0:06:42 | |
Sorry, I mean...different. | 0:06:42 | 0:06:45 | |
I want the invitations to be special. It's my dad's wedding. | 0:06:45 | 0:06:48 | |
When he shows them to Francesca, I want him to be proud of me. | 0:06:48 | 0:06:51 | |
May I say, bella signorina, what a lucky boy Lorenzo is | 0:06:52 | 0:06:56 | |
to have a fiancee so beautiful, | 0:06:56 | 0:06:58 | |
so elegant, | 0:06:58 | 0:07:00 | |
so graceful, so refined. | 0:07:00 | 0:07:04 | |
And so cheerful too, such a charming smile, such a sunny disposition. | 0:07:05 | 0:07:09 | |
And you too are lucky. | 0:07:10 | 0:07:12 | |
Lorenzo is a fine, fine fellow - a little immature, | 0:07:12 | 0:07:16 | |
a little naive, possibly. | 0:07:16 | 0:07:18 | |
Whereas I'm more a man of the world. | 0:07:18 | 0:07:21 | |
Ciao, Mac! | 0:07:21 | 0:07:22 | |
It would seem so - for even the beggars know you. | 0:07:22 | 0:07:25 | |
I give a lot of money to charity. | 0:07:25 | 0:07:27 | |
Then by all means, give him some. | 0:07:28 | 0:07:31 | |
I would, but I have nothing smaller than a florin. | 0:07:32 | 0:07:35 | |
He wouldn't know what to do with one. | 0:07:38 | 0:07:41 | |
You're so right. Give him two. | 0:07:41 | 0:07:43 | |
MUSIC: "Hey Ya" by OutKast # One, two, three, uh | 0:07:54 | 0:07:57 | |
# My baby don't mess around Because she loves me so | 0:07:57 | 0:08:00 | |
# And this I know for sho... # | 0:08:00 | 0:08:02 | |
Dino! No. | 0:08:02 | 0:08:05 | |
# But does she really want to | 0:08:05 | 0:08:07 | |
# But can't stand to see me walk out the door | 0:08:07 | 0:08:12 | |
# Don't try to fight the feeling | 0:08:14 | 0:08:16 | |
# Because the thought alone is killing me right now | 0:08:16 | 0:08:20 | |
# Thank God for Mom and Dad for sticking two together | 0:08:21 | 0:08:25 | |
# Cos we don't know how... # | 0:08:25 | 0:08:28 | |
Please, please stop. | 0:08:28 | 0:08:30 | |
# Hey ya | 0:08:30 | 0:08:32 | |
# Hey ya | 0:08:34 | 0:08:36 | |
# Hey ya | 0:08:38 | 0:08:41 | |
# Hey ya... # | 0:08:41 | 0:08:44 | |
This is hopeless! | 0:08:44 | 0:08:45 | |
Yes, but we can't give up, it's for my dad's wedding. | 0:08:45 | 0:08:47 | |
-It has to be right! -SMASH | 0:08:47 | 0:08:50 | |
Dino, please. Give them back. | 0:08:50 | 0:08:52 | |
Maybe he wants more to play with. | 0:08:53 | 0:08:55 | |
MAN CLEARS THROAT | 0:09:10 | 0:09:12 | |
Hmm. | 0:09:31 | 0:09:33 | |
I think I'll have the full 14-course menu. | 0:09:33 | 0:09:37 | |
Don't you think that might be a teensy bit | 0:09:38 | 0:09:41 | |
much for the stomach of such a delicate signorina? | 0:09:41 | 0:09:43 | |
Oh. Were you expecting me to have the appetite of a bird? | 0:09:44 | 0:09:49 | |
No, I just wasn't expecting the appetite of a giant troll. | 0:09:49 | 0:09:52 | |
I'll take that as a compliment. | 0:09:54 | 0:09:55 | |
What about you? | 0:09:57 | 0:09:59 | |
I'm not hungry. | 0:09:59 | 0:10:01 | |
Not at these prices. | 0:10:01 | 0:10:03 | |
I'll have the soup, the salad, the spaghetti, the crab, | 0:10:07 | 0:10:12 | |
the lobster, the oysters, the pheasant, the peacock, | 0:10:12 | 0:10:16 | |
the baked turtledove, the pigeon pie and the liver wrapped in membrane. | 0:10:16 | 0:10:21 | |
Count Gianlucca di Modena di Batista di Lampedusa will just have | 0:10:21 | 0:10:26 | |
some water. | 0:10:26 | 0:10:28 | |
OK. OK. That should do it. | 0:10:34 | 0:10:37 | |
Dino, let the carnival begin. | 0:10:37 | 0:10:40 | |
Start pedalling, please. | 0:10:40 | 0:10:42 | |
Mmm. | 0:11:13 | 0:11:15 | |
-Delizioso. How's your water? -Watery. | 0:11:19 | 0:11:22 | |
Well, I would offer you some, but seeing as you're not hungry... | 0:11:22 | 0:11:27 | |
Clear this away and bring Count Lampedusa the bill. | 0:11:28 | 0:11:31 | |
OK, I get it. | 0:11:41 | 0:11:43 | |
-Get what? -You know, don't you? | 0:11:43 | 0:11:46 | |
Know what? | 0:11:46 | 0:11:47 | |
That I'm not really Lorenzo's cousin. | 0:11:47 | 0:11:49 | |
-Or a Count. -Or a Count. | 0:11:49 | 0:11:50 | |
Lorenzo paid you, didn't he? | 0:11:50 | 0:11:53 | |
I'm not as stupid as he thinks I am. | 0:11:55 | 0:11:59 | |
No. Quite the opposite. | 0:11:59 | 0:12:02 | |
I'm sorry. | 0:12:03 | 0:12:05 | |
I'm really sorry. | 0:12:05 | 0:12:07 | |
Don't worry about it. I'm used to it. | 0:12:07 | 0:12:10 | |
Being passed around like a parcel from person to person. | 0:12:10 | 0:12:14 | |
As long as I just smile and nod and embroider nicely in the corner | 0:12:14 | 0:12:18 | |
and curtsy prettily and eat daintily... | 0:12:18 | 0:12:20 | |
I didn't see much evidence of that. | 0:12:20 | 0:12:22 | |
Everybody's happy. | 0:12:26 | 0:12:27 | |
Now I feel really bad. | 0:12:29 | 0:12:31 | |
It's not your fault. | 0:12:32 | 0:12:33 | |
It's just the way it is. | 0:12:34 | 0:12:36 | |
But just once, I'd like to be free. | 0:12:39 | 0:12:43 | |
Free to laugh and shout | 0:12:43 | 0:12:46 | |
and run all over the palace with no shoes on if I feel like it. | 0:12:46 | 0:12:48 | |
Free to do what I want | 0:12:48 | 0:12:51 | |
without being watched and judged all the time. | 0:12:51 | 0:12:54 | |
How much did Lorenzo give you? | 0:13:05 | 0:13:07 | |
Enough. | 0:13:07 | 0:13:08 | |
Just. | 0:13:10 | 0:13:11 | |
-You don't have to pay. I'll charge it to the Medicis. -No. | 0:13:11 | 0:13:16 | |
I want to. | 0:13:17 | 0:13:19 | |
Let's get out of here. How about a stroll? | 0:13:24 | 0:13:27 | |
And an ice cream? On me. | 0:13:27 | 0:13:30 | |
Yeah, I'd like that. | 0:13:30 | 0:13:32 | |
I remember you, you know. From the Medici ball. | 0:13:39 | 0:13:43 | |
Oh. That. | 0:13:43 | 0:13:44 | |
I bet it was a girl. | 0:13:46 | 0:13:47 | |
-Was it a girl? -It was a girl. | 0:13:48 | 0:13:50 | |
The one with the same dress as me? | 0:13:51 | 0:13:53 | |
What makes you say that? | 0:13:53 | 0:13:54 | |
Lisa. Yes. | 0:13:57 | 0:13:58 | |
-But I'm over her. -Are you? | 0:14:00 | 0:14:02 | |
I'm getting there. | 0:14:04 | 0:14:05 | |
What you were saying about being free...? | 0:14:09 | 0:14:11 | |
If you could go anywhere, do anything you wanted, | 0:14:12 | 0:14:15 | |
without being watched, what would it be? | 0:14:15 | 0:14:17 | |
I'd go to the river. Take off my shoes. | 0:14:18 | 0:14:23 | |
Paddle in the water. I did it once, as a little girl. | 0:14:23 | 0:14:25 | |
Come on, then. | 0:14:25 | 0:14:27 | |
-What about Benito? -You said you wanted to be free. | 0:14:27 | 0:14:29 | |
-I do. -Well, come on, then! | 0:14:29 | 0:14:31 | |
-I think we lost him. -Gotcha! -Oh! -I wouldn't say that. | 0:15:02 | 0:15:05 | |
I wouldn't say that at all. Thought you'd got away with it, eh? | 0:15:05 | 0:15:08 | |
Let go of him. How dare you, you horrible man! | 0:15:08 | 0:15:10 | |
-Shut up, lady. -Do you have any idea who I am? | 0:15:10 | 0:15:13 | |
MACHIAVELLI MUMBLES: Don't tell him. | 0:15:13 | 0:15:16 | |
I am Angelica Visconti of Pisa. | 0:15:16 | 0:15:19 | |
Are you, now? | 0:15:19 | 0:15:20 | |
Get rid of him. | 0:15:20 | 0:15:22 | |
Let's go for a walk. | 0:15:24 | 0:15:25 | |
BELL RINGS | 0:15:27 | 0:15:28 | |
So much for Benito. | 0:15:57 | 0:15:58 | |
So much for being free. | 0:15:58 | 0:16:00 | |
I told you not to tell him your name. | 0:16:00 | 0:16:02 | |
No, you didn't. | 0:16:02 | 0:16:04 | |
You said, "Mmm mmm mmm mmm mmm." | 0:16:04 | 0:16:07 | |
Who is this horrid man, anyway? | 0:16:08 | 0:16:10 | |
He's a smuggler. | 0:16:10 | 0:16:12 | |
What does he smuggle? | 0:16:12 | 0:16:14 | |
I've a nasty feeling it might be you. | 0:16:17 | 0:16:19 | |
Benito? What's happened? | 0:16:29 | 0:16:31 | |
-It's too heavy. -Shhh. Listen. | 0:16:37 | 0:16:39 | |
We'll just take what we can. Hurry! | 0:16:39 | 0:16:42 | |
They're loading up. Getting ready to leave. | 0:16:42 | 0:16:44 | |
-Aw! What are you doing? -Look! Over there on the table. | 0:16:46 | 0:16:50 | |
-Push, with your feet. -Are you telling me what to do? -Yes! | 0:16:50 | 0:16:53 | |
Come on! On three. One, two... | 0:16:53 | 0:16:56 | |
-One, two... You're pulling, not pushing. -I'm not. | 0:16:56 | 0:16:59 | |
-You are. -I'm not. -We'll only do this together. | 0:16:59 | 0:17:02 | |
-I know. That's why I'm pushing. -Move it! Come on! | 0:17:02 | 0:17:06 | |
On three. One, two... | 0:17:08 | 0:17:11 | |
One, two... | 0:17:11 | 0:17:12 | |
-One, two... Keep your feet on the ground. -I am. -You're not. -I am. | 0:17:12 | 0:17:17 | |
One, two... | 0:17:17 | 0:17:19 | |
One, two... | 0:17:19 | 0:17:20 | |
Ah! | 0:17:20 | 0:17:22 | |
Nice try, lovebirds. | 0:17:26 | 0:17:27 | |
You really thought it was a good idea to palm her off on Mac? | 0:17:30 | 0:17:33 | |
All right, I know. But you've got to help me. | 0:17:33 | 0:17:35 | |
If something happens to her, my dad'll kill me. It's not just her, | 0:17:35 | 0:17:38 | |
it's the alliance with Pisa! Without it we'll lose the war, | 0:17:38 | 0:17:41 | |
-and I'll be a traitor! -Where did it happen? -I don't know! | 0:17:41 | 0:17:43 | |
Mac snitched on someone - a silk trader. | 0:17:43 | 0:17:45 | |
Said he was a smuggler. A... | 0:17:45 | 0:17:47 | |
-..Gorgoni? -Silk trader? Let's start with the silk district. | 0:17:48 | 0:17:51 | |
Leonardo? | 0:17:53 | 0:17:54 | |
We're in real trouble. | 0:18:04 | 0:18:05 | |
-Aren't we? -I'll think of something. | 0:18:06 | 0:18:08 | |
Will you? | 0:18:10 | 0:18:11 | |
Just try and be positive. | 0:18:12 | 0:18:13 | |
You'll be all right. I'm stuffed, whatever happens. | 0:18:15 | 0:18:18 | |
If Gorgoni doesn't get me, then I'm sure Piero will. | 0:18:18 | 0:18:20 | |
Piero? | 0:18:20 | 0:18:22 | |
For running off with his son's fiancee. A beheading, probably. | 0:18:22 | 0:18:25 | |
Oh. | 0:18:25 | 0:18:27 | |
Don't worry, Gorgoni will have slit my throat before then. | 0:18:27 | 0:18:30 | |
We just need to get you back to Lorenzo, somehow. | 0:18:32 | 0:18:34 | |
Safe and sound. | 0:18:34 | 0:18:36 | |
It'll be OK. | 0:18:38 | 0:18:40 | |
I don't want to go back. | 0:18:44 | 0:18:45 | |
I don't want to marry Lorenzo. | 0:18:47 | 0:18:50 | |
I hate it at the Medicis. | 0:18:52 | 0:18:54 | |
I miss my dad. | 0:18:54 | 0:18:56 | |
I just want to go home. | 0:18:57 | 0:18:59 | |
Lorenzo isn't interested in me. | 0:19:01 | 0:19:03 | |
He talks to me like I'm some kind of weird animal. | 0:19:03 | 0:19:06 | |
I'd never have chosen him. | 0:19:11 | 0:19:12 | |
But it's not my decision. | 0:19:13 | 0:19:15 | |
-It never is. -Don't cry. | 0:19:17 | 0:19:19 | |
I'm sure it'll be all right. Somehow. | 0:19:21 | 0:19:23 | |
Look, if my arms weren't tied, I'd put them round you. | 0:19:26 | 0:19:30 | |
Oh, Mac... why can't Lorenzo be more like you? | 0:19:32 | 0:19:35 | |
What did you say? | 0:19:35 | 0:19:37 | |
Show time. | 0:19:38 | 0:19:40 | |
Hey. This way! | 0:19:44 | 0:19:46 | |
Here's the deal. I need to get out of this town. | 0:19:55 | 0:19:57 | |
And you're going to help me. | 0:19:57 | 0:19:59 | |
No-one's going to stop a lady like you - | 0:19:59 | 0:20:01 | |
the guards will wave you through. | 0:20:01 | 0:20:03 | |
And I'm your uncle. Do anything to make the guards suspicious | 0:20:03 | 0:20:07 | |
and your boyfriend... | 0:20:07 | 0:20:10 | |
Got it? Good. Let's go! | 0:20:11 | 0:20:14 | |
-It's empty. -BELL RINGS | 0:20:43 | 0:20:45 | |
Quarter to! The Coronation starts at four! | 0:20:45 | 0:20:47 | |
-You should go. -What if you don't find them? -We will. | 0:20:47 | 0:20:50 | |
Everything's gone. So where's he off to? | 0:20:52 | 0:20:56 | |
Travelling with my household. | 0:21:43 | 0:21:46 | |
My uncle. | 0:21:47 | 0:21:49 | |
Tom! | 0:21:50 | 0:21:52 | |
Tom. | 0:21:52 | 0:21:53 | |
There they are! What are you waiting for? | 0:21:53 | 0:21:55 | |
They're hostages. He's using them to get through the gates. | 0:21:55 | 0:21:58 | |
Look how Mac's standing, I think he might have a gun to his back. | 0:21:58 | 0:22:01 | |
What do we do? | 0:22:01 | 0:22:03 | |
It's taking too long, they're getting through. | 0:22:03 | 0:22:05 | |
Hold it there, exactly there. | 0:22:05 | 0:22:07 | |
Ciao! Angelica, Ciao! | 0:22:11 | 0:22:14 | |
You weren't going to leave without saying goodbye, were you? | 0:22:14 | 0:22:19 | |
And Mac! Ciao...Mac! | 0:22:19 | 0:22:23 | |
Your full name, please? | 0:22:24 | 0:22:26 | |
My name is... | 0:22:28 | 0:22:31 | |
My name is Angelica... | 0:22:31 | 0:22:32 | |
-I can't...I can't...I don't... -Fire! Look! Fire! | 0:22:35 | 0:22:40 | |
-GUNSHOT -That's Gorgoni! He's wanted! | 0:22:45 | 0:22:48 | |
After him! Don't let him get away. Come on, after him. | 0:22:49 | 0:22:52 | |
-You all right? -I'm all right. You? | 0:22:59 | 0:23:02 | |
It's late. You should get back to the Palace. Your father-in-law... | 0:23:03 | 0:23:06 | |
Oh. Yes. The beheading. I mean, the Coronation. | 0:23:06 | 0:23:10 | |
-Yes, of course. -I'll escort you. | 0:23:10 | 0:23:13 | |
Better not. | 0:23:13 | 0:23:15 | |
Will I see you again? | 0:23:18 | 0:23:19 | |
Please, come on. | 0:23:27 | 0:23:29 | |
Please, please, come on. | 0:23:32 | 0:23:33 | |
Mama? | 0:24:06 | 0:24:08 | |
Mama. Come. | 0:24:08 | 0:24:11 | |
Lorenzo, what on earth are you doing? | 0:24:16 | 0:24:19 | |
Come inside and sit down immediately. They're about to start. | 0:24:19 | 0:24:21 | |
And where's Angelica? | 0:24:21 | 0:24:22 | |
Yes, you see, that's the thing, about that, about Angelica... | 0:24:22 | 0:24:26 | |
What about Angelica? Where is she? | 0:24:26 | 0:24:28 | |
This is not the kind of sloppy tardiness | 0:24:28 | 0:24:30 | |
I expect from my future daughter-in-law. | 0:24:30 | 0:24:32 | |
I know, the thing is... what actually happened... | 0:24:32 | 0:24:36 | |
I can't exactly say what happened. | 0:24:36 | 0:24:38 | |
But the long and the short of it is...I don't know, | 0:24:38 | 0:24:42 | |
I don't know where she is, I've lost her. | 0:24:42 | 0:24:44 | |
For goodness sake! There you are! What's the meaning of this lateness? | 0:24:44 | 0:24:48 | |
-I'm sorry. -And look at the state of you. | 0:24:48 | 0:24:51 | |
I'll go and tidy up. | 0:24:51 | 0:24:53 | |
Not now. Get inside, the pair of you. | 0:24:53 | 0:24:57 | |
Leonardo! | 0:25:12 | 0:25:15 | |
Cupid! Appropriate. | 0:25:25 | 0:25:27 | |
Eccellente! | 0:25:31 | 0:25:32 | |
So one last thing to do with an invitation - that's to give it. | 0:25:32 | 0:25:38 | |
So, signore, I'd be delighted if you were able to attend. | 0:25:38 | 0:25:43 | |
Represent the workshop. | 0:25:44 | 0:25:46 | |
I'm honoured. | 0:25:51 | 0:25:52 | |
I know I said I'd tell her today, but...it's complicated. | 0:25:59 | 0:26:04 | |
You know what women are like. | 0:26:04 | 0:26:07 | |
Better that you meet her after the wedding. | 0:26:07 | 0:26:09 | |
When things have calmed down a bit. | 0:26:09 | 0:26:11 | |
You understand, don't you? | 0:26:14 | 0:26:15 | |
I, Piero de' Medici... | 0:26:29 | 0:26:32 | |
..on behalf of the city of Florence | 0:26:34 | 0:26:36 | |
and all its people... | 0:26:36 | 0:26:38 | |
..do swear to serve and protect... | 0:26:39 | 0:26:41 | |
Stop! | 0:26:41 | 0:26:42 | |
Behold... | 0:26:45 | 0:26:46 | |
..it is I, Rocco, son of the Duke of Florence. | 0:26:47 | 0:26:50 | |
Here to avenge the death of my father and claim my crown. | 0:26:50 | 0:26:54 | |
Subtitles by Red Bee Media Ltd | 0:27:15 | 0:27:17 |