Browse content similar to Eyes on the Stars. Check below for episodes and series from the same categories and more!
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COUNTRY & WESTERN MUSIC PLAYS | 0:00:02 | 0:00:04 | |
-FEEDBACK SCREECHES -AAARGH! | 0:00:09 | 0:00:11 | |
AAA-AAAARGH! | 0:00:11 | 0:00:13 | |
If music be the food of love, play on, my zombie friends, play on. | 0:00:20 | 0:00:25 | |
No-one can stop us now, no-one! | 0:00:25 | 0:00:29 | |
HE COUGHS | 0:00:35 | 0:00:36 | |
The 21st century faces a new kind of threat. | 0:00:38 | 0:00:41 | |
The old-school spies have had their day | 0:00:41 | 0:00:44 | |
and MI9 must create a new breed of skilled undercover agent. | 0:00:44 | 0:00:48 | |
Hidden in a place no villain would think to look. | 0:00:55 | 0:00:58 | |
Welcome to MI High. | 0:01:00 | 0:01:03 | |
Your mother and I are looking forward to the music gala this afternoon. | 0:01:16 | 0:01:20 | |
-It might not be very good. -Nonsense. You'll be marvellous. | 0:01:20 | 0:01:25 | |
And we'll be right there in the front row, cheering you on. | 0:01:25 | 0:01:29 | |
All set for this afternoon? | 0:01:29 | 0:01:31 | |
-Yes, the children have been practising very hard. -Good. | 0:01:31 | 0:01:35 | |
-Not that practice always makes perfect, unfortunately. -No. | 0:01:35 | 0:01:40 | |
HUMAN BEATBOX | 0:01:40 | 0:01:41 | |
HE RAPS: Fifty Pence is feelin' good Everyone wants to see my 'hood | 0:01:41 | 0:01:46 | |
So, big up respec' Because music is like food. | 0:01:46 | 0:01:50 | |
-Thanks. -You're not playing that stupid gala thing, are you? -Yeah. | 0:01:55 | 0:01:59 | |
-In front of the whole school? -What are you playing? -Beethoven. | 0:01:59 | 0:02:03 | |
Rose, you should get into something popular - like, try being normal. | 0:02:03 | 0:02:09 | |
Yeah. Classical music is so boring. | 0:02:09 | 0:02:12 | |
-I bet you're just doing it to please your parents. -No. | 0:02:12 | 0:02:16 | |
Music week is a dumb idea. St Hope's is full of musical talent. | 0:02:16 | 0:02:22 | |
Not. | 0:02:22 | 0:02:24 | |
Hey, it's Lenny. | 0:02:25 | 0:02:26 | |
RAPID BEEPING | 0:02:31 | 0:02:33 | |
Hurry, we haven't got much time. | 0:02:50 | 0:02:52 | |
What's up? | 0:02:52 | 0:02:54 | |
Teenage zombies on the rampage. | 0:02:54 | 0:02:57 | |
Like, "I like to go out at night and eat human brains" zombies? | 0:02:57 | 0:03:03 | |
Nothing so grave, but they are real. | 0:03:03 | 0:03:06 | |
They've attacked in three towns so far. | 0:03:06 | 0:03:08 | |
Going into music stores, smashing everything in their path. | 0:03:08 | 0:03:12 | |
Each night their numbers are increasing | 0:03:12 | 0:03:15 | |
Here's one we managed to capture. | 0:03:15 | 0:03:18 | |
So unless we act, | 0:03:23 | 0:03:25 | |
-every kid in the country is going to end up like that? -Gross! | 0:03:25 | 0:03:29 | |
I hate that goth look. | 0:03:29 | 0:03:31 | |
Your mission is to find out what's turning them into zombies | 0:03:31 | 0:03:35 | |
and find an antidote. Right, gadget time. | 0:03:35 | 0:03:39 | |
You'll find a miniature camera inside these false fingernails. | 0:03:39 | 0:03:43 | |
-Nice shade(!) You're learning, Leonard. -Oh, no! | 0:03:43 | 0:03:47 | |
I'm late for rehearsal. See you later. | 0:03:47 | 0:03:50 | |
So far, we've only got one piece of evidence - | 0:03:50 | 0:03:53 | |
this CCTV footage of the zombies in action. | 0:03:53 | 0:03:56 | |
Be warned, though - it's pretty scary stuff. | 0:03:56 | 0:04:00 | |
Ready, girls. | 0:04:01 | 0:04:02 | |
After three - one, two, three... | 0:04:02 | 0:04:07 | |
TUNELESS | 0:04:08 | 0:04:10 | |
-Sorry. -Not to worry. | 0:04:10 | 0:04:13 | |
Once again. One, two, three... | 0:04:14 | 0:04:17 | |
RASPING NOTES | 0:04:19 | 0:04:21 | |
-Can't do this! I don't want to play in the stupid gala! -Rose! | 0:04:21 | 0:04:25 | |
DOOR SLAMS | 0:04:25 | 0:04:27 | |
It's probably just nerves. | 0:04:28 | 0:04:31 | |
-Look at those hollow, staring eyes. -Looks like maths class on Monday. | 0:04:32 | 0:04:37 | |
They look like they've been hypnotised. Hey, look at this. | 0:04:37 | 0:04:40 | |
-Check out the shirt the kid's wearing. -Crush! | 0:04:40 | 0:04:44 | |
What's Crush? | 0:04:45 | 0:04:48 | |
-They're some dumb boy band. Can't play live. -They're gorgeous. | 0:04:48 | 0:04:53 | |
Crush have nothing to do with this zombie stuff. They're too cute. | 0:04:53 | 0:04:58 | |
Three other kids are wearing the same T-shirt. | 0:04:58 | 0:05:01 | |
We can't ignore that kind of evidence. Look, | 0:05:01 | 0:05:04 | |
when you zoom in... | 0:05:04 | 0:05:06 | |
See what they're buying? | 0:05:06 | 0:05:09 | |
Time to check out the pretty boys. | 0:05:09 | 0:05:11 | |
Another music store under our control. | 0:05:11 | 0:05:15 | |
No competition means bigger sales, | 0:05:15 | 0:05:18 | |
and bigger sales means we move closer to our target. | 0:05:18 | 0:05:23 | |
After tonight's performance, | 0:05:23 | 0:05:25 | |
no-one can stop us getting to the top of the charts. | 0:05:25 | 0:05:29 | |
Heh-heh-heh! | 0:05:29 | 0:05:30 | |
I don't believe it - Blane Whittaker's reading Girly Talk. | 0:05:31 | 0:05:36 | |
Purely for research. | 0:05:36 | 0:05:38 | |
There's an article on Crush. It lists their tour dates. | 0:05:38 | 0:05:43 | |
Folkestone, Lowestoft, Bury St Edmunds. | 0:05:43 | 0:05:45 | |
-Ring any bells? -The towns where the teen zombie attacks occurred. | 0:05:45 | 0:05:49 | |
The next gig is the biggest - Wembley, the 24th. | 0:05:49 | 0:05:54 | |
But...that's today. | 0:05:54 | 0:05:56 | |
Yeah. Wembley Stadium holds 100,000. If we don't get this sorted, | 0:05:56 | 0:06:00 | |
there'll be a whole lot more zombies roaming the streets tonight. | 0:06:00 | 0:06:05 | |
-Have you been using my henna blond again? -No! Tell him, Aaron. | 0:06:07 | 0:06:11 | |
Stick to your own hair-care products in future. | 0:06:11 | 0:06:15 | |
Stop all this nonsense at once! | 0:06:16 | 0:06:19 | |
Darren, give Gary back his hair gel! Gary, stop pushing Darren! Aaron... | 0:06:19 | 0:06:23 | |
..you've got chocolate on your shirt. | 0:06:25 | 0:06:29 | |
Didn't I tell you boys to learn those song lyrics? | 0:06:30 | 0:06:34 | |
This is an important gig and I need you to be word perfect. | 0:06:34 | 0:06:38 | |
Understand? Hm? | 0:06:38 | 0:06:42 | |
-BOTH: -Yes, Mr Frisco. | 0:06:42 | 0:06:44 | |
He says it helps him think. | 0:06:54 | 0:06:57 | |
We need to get Crush into St Hope's to check 'em out. | 0:06:57 | 0:07:00 | |
-They'd never visit a dump like this in a zillion years. -Maybe not, | 0:07:00 | 0:07:06 | |
but if they're playing Wembley Stadium tonight, | 0:07:06 | 0:07:09 | |
a couple of well-placed traffic diversions could send them our way. | 0:07:09 | 0:07:13 | |
Crush! | 0:07:13 | 0:07:15 | |
I am going to meet Crush! | 0:07:15 | 0:07:18 | |
Yeah, the same Crush that have been turning kids into zombies. | 0:07:18 | 0:07:22 | |
-We don't know for sure. -One of us will have to get close to them, | 0:07:22 | 0:07:26 | |
study their body language, | 0:07:26 | 0:07:29 | |
find out what effect they're having on people and how they're doing it. | 0:07:29 | 0:07:33 | |
-That'll be moi. -No way. You're a fan. | 0:07:33 | 0:07:36 | |
-We need someone objective. -Wrong. | 0:07:36 | 0:07:39 | |
Going undercover needs specialist knowledge. I've got it, you haven't. | 0:07:39 | 0:07:44 | |
Yeah? Prove it. | 0:07:44 | 0:07:46 | |
Gary hates all vegetables except... | 0:07:50 | 0:07:54 | |
Himself. | 0:07:54 | 0:07:55 | |
Aaron hasn't spoken in public since...? | 0:07:55 | 0:07:58 | |
May 12th 2001. | 0:07:58 | 0:08:00 | |
He plugged his hairdryer into a wet socket. | 0:08:00 | 0:08:03 | |
Darren is allergic to...? | 0:08:03 | 0:08:06 | |
Talent. | 0:08:06 | 0:08:07 | |
How many downloads of the new single have there been? | 0:08:07 | 0:08:10 | |
40,006,036. | 0:08:10 | 0:08:13 | |
-OK, OK, I give up. -Now can we deal with Crush's tour bus? | 0:08:13 | 0:08:18 | |
Mmmm. | 0:08:18 | 0:08:19 | |
Excuse me, I'm looking for Wembley Stadium. | 0:09:03 | 0:09:06 | |
Kids today! They're like zombies, the lot of them! | 0:09:07 | 0:09:11 | |
Here's the group I was telling you about, sir - Crush. | 0:09:14 | 0:09:17 | |
If you get them to sing in the gala concert, | 0:09:17 | 0:09:20 | |
-it would be the most amazing thing ever. -They're really famous, you say? | 0:09:20 | 0:09:24 | |
Really famous? They're superstars! | 0:09:24 | 0:09:27 | |
GIRLS SHRIEK LOUDLY | 0:09:29 | 0:09:32 | |
Wait! This isn't Wembley! | 0:09:33 | 0:09:36 | |
Careful! Careful! Those boys are worth a lot of money! | 0:09:41 | 0:09:45 | |
Hello. Kenneth Flatley, headmaster. | 0:09:54 | 0:09:57 | |
-Tony Frisco, Crush master... I mean manager. -Do come this way. | 0:09:57 | 0:10:03 | |
Tony Frisco? Who's he? | 0:10:05 | 0:10:08 | |
Crush's manager, some one-hit wonder. My mum used to love him. | 0:10:08 | 0:10:13 | |
-He used to be a singer? -Who cares? | 0:10:13 | 0:10:16 | |
The man I'm going to marry is going that way! | 0:10:16 | 0:10:20 | |
-It was so kind of you to agree to perform at our gala. -What gala? | 0:10:23 | 0:10:28 | |
-We've got a gig at Wembley. -You'll be finished in plenty of time. | 0:10:28 | 0:10:32 | |
You'll be on stage at 1.30. We've set aside the art room for the boys. | 0:10:32 | 0:10:36 | |
I don't understand how a brand-new bus could conk out like that. | 0:10:36 | 0:10:40 | |
-What are you doing? -Research. | 0:10:40 | 0:10:43 | |
Crush aren't behind this. They're as dense as the Amazon. | 0:10:43 | 0:10:47 | |
-Have you got any better suggestions? -I was wondering about Tony Frisco, | 0:10:47 | 0:10:52 | |
the ex-pop star, but there's no sign of him on the record charts. | 0:10:52 | 0:10:56 | |
What about those old talent shows? Plenty of one-hit wonders there. | 0:10:56 | 0:11:00 | |
Excellent work, Rose, | 0:11:00 | 0:11:02 | |
but I'm afraid you'll have to stop the investigating for now. | 0:11:02 | 0:11:05 | |
The concert's about to begin and you're due on stage. | 0:11:05 | 0:11:09 | |
We don't want any awkward questions, do we? | 0:11:09 | 0:11:13 | |
Get back to learning those lines, boys. | 0:11:21 | 0:11:23 | |
Why can't we sing our own words, like we used to? | 0:11:27 | 0:11:29 | |
You boys question me? | 0:11:31 | 0:11:33 | |
-No, we... -Who discovered you busking in that smelly subway? | 0:11:33 | 0:11:38 | |
You, Mr Frisco. | 0:11:38 | 0:11:40 | |
-Who took you and moulded you into stars? -You, Mr Frisco. | 0:11:40 | 0:11:45 | |
Chose your clothes and styled your hair? | 0:11:45 | 0:11:49 | |
ALL: You, Mr Frisco. | 0:11:49 | 0:11:51 | |
Was it a crime | 0:11:53 | 0:11:55 | |
for me to want to protect you from the cruel world out there? | 0:11:55 | 0:11:59 | |
You've no idea what it's like, | 0:11:59 | 0:12:02 | |
how fickle the critics can be, | 0:12:02 | 0:12:05 | |
how they can eat you up and spit you out, like... | 0:12:05 | 0:12:10 | |
-like... -Those nuts with the shells that Aaron likes? | 0:12:10 | 0:12:14 | |
Pistachios! Something like that. | 0:12:14 | 0:12:17 | |
Well, it won't happen again. | 0:12:19 | 0:12:21 | |
Now get back to work. | 0:12:22 | 0:12:24 | |
Hm? ALL: Yes, Mr Frisco. | 0:12:24 | 0:12:27 | |
Ladies, please calm down! There's enough here for everyone! | 0:12:27 | 0:12:30 | |
Official Crush merchandise! | 0:12:30 | 0:12:33 | |
Rose said she'd meet us here. | 0:12:33 | 0:12:35 | |
This is such a proud day, to have a real virtuoso in the family. | 0:12:35 | 0:12:41 | |
And look at all these children, come to listen to her play her tuba. | 0:12:41 | 0:12:45 | |
CHILDREN SCREAM | 0:12:45 | 0:12:48 | |
Lock the door and don't let anyone else in. | 0:12:49 | 0:12:52 | |
ALL: Yes, Mr Frisco. | 0:12:52 | 0:12:55 | |
Daisy, watch out for Crush trying to hypnotise you. | 0:13:04 | 0:13:07 | |
-And don't look into their eyes. -'Hey, I am a professional.' | 0:13:07 | 0:13:10 | |
Hello? | 0:13:15 | 0:13:17 | |
Hi, guys, can you let me in a moment? | 0:13:17 | 0:13:20 | |
We're not allowed to let anyone in. | 0:13:20 | 0:13:23 | |
'It's only for an autograph. It's for my little sister.' | 0:13:23 | 0:13:26 | |
She really loves you guys. | 0:13:26 | 0:13:29 | |
Daisy! | 0:13:34 | 0:13:36 | |
RECORDERS PLAY TUNELESSLY | 0:13:38 | 0:13:40 | |
THEY FADE TO A HALT | 0:13:46 | 0:13:47 | |
You haven't seen Rose anywhere? | 0:13:55 | 0:13:57 | |
I do hope her nerves haven't got the better of her. | 0:13:58 | 0:14:01 | |
It's just not like Rose to let everyone down. | 0:14:01 | 0:14:05 | |
FEEDBACK | 0:14:06 | 0:14:08 | |
Oops, sorry. Hello? | 0:14:08 | 0:14:10 | |
Well done, Colin and Lindsey, for an interesting interpretation of, er... | 0:14:10 | 0:14:16 | |
Three Blind Mice. | 0:14:16 | 0:14:18 | |
Anyway, coming up very soon, we have our special guests, The Crush. | 0:14:18 | 0:14:24 | |
CHILDREN CHEER WILDLY | 0:14:24 | 0:14:25 | |
All right, all right, all right! | 0:14:25 | 0:14:28 | |
Settle down. But to keep us entertained until then, | 0:14:28 | 0:14:33 | |
a little Beethoven. | 0:14:33 | 0:14:35 | |
Please welcome on stage Tina and Tanya Jones | 0:14:35 | 0:14:40 | |
and Rose Gupta. | 0:14:40 | 0:14:43 | |
APPLAUSE | 0:14:43 | 0:14:45 | |
Er...Are you all right? | 0:14:49 | 0:14:51 | |
Yeah, I think so. | 0:14:51 | 0:14:54 | |
I must have just fainted, but I'm OK now. | 0:14:54 | 0:14:57 | |
It's not like I've been... HYPNOTISED, or anything. | 0:14:57 | 0:15:02 | |
Any chance of an autograph? | 0:15:03 | 0:15:06 | |
You can make it to Daisy, your number one fan. The one with the cute smile. | 0:15:06 | 0:15:11 | |
Ah, you're back already. How did the Beethoven go? | 0:15:13 | 0:15:17 | |
Erm... | 0:15:17 | 0:15:19 | |
Fine. | 0:15:19 | 0:15:20 | |
-How's Daisy getting on? -OK. | 0:15:20 | 0:15:22 | |
There's no sign of anyone using hypnosis. | 0:15:22 | 0:15:26 | |
She lost it for a moment but that was just being so close to Crush. | 0:15:26 | 0:15:30 | |
What about their recorded music? | 0:15:30 | 0:15:33 | |
Looking at its waveforms, there's nothing suspicious. | 0:15:33 | 0:15:36 | |
We're hoping Daisy can find something more. | 0:15:36 | 0:15:38 | |
If it's not the music and it's not hypnosis, what is it? | 0:15:38 | 0:15:42 | |
Tony Frisco. That's what. Check this out. | 0:15:42 | 0:15:46 | |
# ..to me. # | 0:15:47 | 0:15:51 | |
AUDIENCE BOOS | 0:15:51 | 0:15:53 | |
-JUDGE: -It was cheesy, it was plastic, | 0:15:58 | 0:16:02 | |
you're past your sell-by date. | 0:16:02 | 0:16:04 | |
I'm sorry, but you've got no future in this business. | 0:16:04 | 0:16:09 | |
Tony Frisco will be back. | 0:16:10 | 0:16:12 | |
And one day, | 0:16:12 | 0:16:14 | |
I will have the biggest-selling single of all time! | 0:16:14 | 0:16:18 | |
You'll see! | 0:16:18 | 0:16:20 | |
BOOING | 0:16:20 | 0:16:21 | |
You...smell! I'll be back! | 0:16:21 | 0:16:25 | |
Poor man. How terrible to be humiliated like that in public. | 0:16:25 | 0:16:29 | |
-He got what he deserved. It's people like him that kill real music. -Yeah. | 0:16:29 | 0:16:34 | |
He must have ended up very bitter and twisted. | 0:16:34 | 0:16:37 | |
Time he and I had a little chat. | 0:16:37 | 0:16:40 | |
Daisy's spelt D-A-I-S-Y. | 0:16:40 | 0:16:43 | |
-What's this? -The words to our new single. | 0:16:45 | 0:16:48 | |
Mr Frisco always makes us sing it live but it's hard to remember. | 0:16:48 | 0:16:53 | |
We have to sing some bits louder than others. | 0:16:53 | 0:16:57 | |
-He's obsessed with us keep singing this one song. -Really? | 0:16:57 | 0:17:00 | |
Daisy, get the fingernail-cam on those lyrics. | 0:17:01 | 0:17:04 | |
Hey, what are you doing? | 0:17:13 | 0:17:16 | |
I just got them painted. Cool colour, huh? | 0:17:18 | 0:17:21 | |
Look into my eyes, believe in only me, oh, baby, oh, baby | 0:17:23 | 0:17:27 | |
I feel a kind of rush Whenever I'm by Crush | 0:17:27 | 0:17:30 | |
Only you can understand Why this love cannot be banned. | 0:17:30 | 0:17:33 | |
You are my number one All others now are gone. | 0:17:33 | 0:17:37 | |
There's a technique for influencing people called subliminal messaging. | 0:17:38 | 0:17:43 | |
Certain keywords are given undue emphasis in the rhyming pattern. | 0:17:43 | 0:17:48 | |
Like the "oh, ba" part of "oh, baby". | 0:17:48 | 0:17:51 | |
And "by Crush", as in purchase the single - not stand next to them. | 0:17:51 | 0:17:57 | |
This isn't a song, it's an order. | 0:17:57 | 0:18:00 | |
-So Crush have been creating zombies via their lyrics? -I'm sure of it. | 0:18:00 | 0:18:05 | |
Now we need to find a way of overcoming the hidden messages. | 0:18:05 | 0:18:08 | |
'Daisy, keep Crush in the art room.' | 0:18:08 | 0:18:11 | |
'They mustn't be allowed to perform live.' | 0:18:11 | 0:18:15 | |
-Are you some sort of stalker? -No... | 0:18:18 | 0:18:20 | |
-I just wanna...hang out with you guys. -I'm ringing Mr Frisco. | 0:18:20 | 0:18:25 | |
Rose, you have to hurry! I can't keep them in here much longer. | 0:18:25 | 0:18:31 | |
-Now she's talking to herself! -She's bonkers! | 0:18:31 | 0:18:33 | |
You have to let us out. Give us back the key. | 0:18:33 | 0:18:36 | |
Oops! | 0:18:39 | 0:18:41 | |
Sorry, it's still too noisy in here. | 0:18:41 | 0:18:44 | |
Sorry. Single still number one? | 0:18:44 | 0:18:47 | |
'Blane, you were right.' | 0:18:47 | 0:18:49 | |
It's Tony Frisco's lyrics that are turning kids into zombies. | 0:18:49 | 0:18:53 | |
I'm onto him now. | 0:18:53 | 0:18:55 | |
We're getting even closer to having the biggest single of all time. | 0:18:57 | 0:19:02 | |
We'll have even more zombies after the Wembley gig. | 0:19:02 | 0:19:05 | |
Great. Bye. | 0:19:05 | 0:19:08 | |
Oh... | 0:19:09 | 0:19:11 | |
PLAYS PIANO # Boogie Man is number one | 0:19:13 | 0:19:16 | |
# The rising sales go on and on. # | 0:19:16 | 0:19:20 | |
Not any more. | 0:19:20 | 0:19:22 | |
Says who? | 0:19:23 | 0:19:25 | |
Says many critics. No-one chooses to buy the rubbish Crush churn out. | 0:19:25 | 0:19:30 | |
Ah, that's big talk, indy kid. | 0:19:30 | 0:19:32 | |
But you're going nowhere. | 0:19:34 | 0:19:37 | |
Rose, how's it going? | 0:19:40 | 0:19:44 | |
-Can I let them go yet? -She's talking to herself again. | 0:19:44 | 0:19:47 | |
Look, let us out and we won't press charges. | 0:19:48 | 0:19:51 | |
We'll try to get you help. Mr Frisco knows all the top showbiz shrinks. | 0:19:51 | 0:19:55 | |
The lyrics! | 0:19:57 | 0:19:59 | |
KEY TURNS IN LOCK | 0:20:04 | 0:20:06 | |
-ALL: -Help! | 0:20:06 | 0:20:08 | |
Ah, loosening up the old vocal cords, I hear. | 0:20:08 | 0:20:12 | |
HE SINGS A SCALE | 0:20:12 | 0:20:14 | |
I hope you weren't trying to keep them all to yourself. | 0:20:14 | 0:20:17 | |
SHE BELCHES | 0:20:17 | 0:20:20 | |
Bad luck, psycho. | 0:20:21 | 0:20:23 | |
Ah - showtime! | 0:20:23 | 0:20:26 | |
Rose, I have some bad news. | 0:20:29 | 0:20:33 | |
Tony Boogie Man Frisco, | 0:20:33 | 0:20:35 | |
-failed Pop Factor contestant. -Oh, I didn't fail. | 0:20:35 | 0:20:39 | |
Those idiot judges were tone deaf. | 0:20:39 | 0:20:42 | |
Lowest score in the history of the show, wasn't it? | 0:20:45 | 0:20:49 | |
That's what your rubbish music deserves. | 0:20:49 | 0:20:52 | |
And now you brainwash kids into buying your cheesy pop. | 0:20:52 | 0:20:55 | |
How can you brainwash someone who doesn't have a brain to begin with? | 0:20:55 | 0:20:59 | |
Think of it as re-educating the public. | 0:21:00 | 0:21:03 | |
You're a useless old has-been. | 0:21:04 | 0:21:06 | |
We're about to have the biggest-selling single of all time, | 0:21:07 | 0:21:12 | |
then we'll be working on operas and easy listening ballads | 0:21:12 | 0:21:15 | |
and pretty soon the whole world will be listening to my music. | 0:21:15 | 0:21:18 | |
Music is about self-expression, freedom of choice. | 0:21:18 | 0:21:22 | |
I don't think so, as my boys are about to prove. | 0:21:22 | 0:21:26 | |
CHILDREN SHRIEK WITH EXCITEMENT | 0:21:27 | 0:21:29 | |
CHANTING: We want Crush, we want Crush! | 0:21:37 | 0:21:39 | |
Hey! Just cos Gary fancies me! | 0:21:40 | 0:21:42 | |
-D'you mean me?! -Girls, girls, I don't like this popular music either | 0:21:42 | 0:21:47 | |
but please, return to your seats. | 0:21:47 | 0:21:50 | |
# Look into my eyes Look into my eyes | 0:21:55 | 0:21:57 | |
# Believe in only me | 0:21:57 | 0:22:01 | |
# Oh baby | 0:22:02 | 0:22:04 | |
# Oh baby, oh baby | 0:22:04 | 0:22:07 | |
# I feel a kind of rush | 0:22:09 | 0:22:13 | |
# Whenever I'm by Crush | 0:22:14 | 0:22:17 | |
# Only you can understand | 0:22:17 | 0:22:21 | |
# Why this love cannot be banned | 0:22:21 | 0:22:27 | |
# So look into my eyes | 0:22:29 | 0:22:32 | |
# Look into my eyes Believe in only me | 0:22:32 | 0:22:37 | |
# Oh baby, oh baby... # | 0:22:37 | 0:22:40 | |
Blane? Rose? | 0:22:40 | 0:22:42 | |
Where are you? | 0:22:42 | 0:22:44 | |
Negation factor, three over ten. | 0:22:46 | 0:22:49 | |
Positive imagery... | 0:22:49 | 0:22:51 | |
2.8. | 0:22:51 | 0:22:52 | |
This antidote song had better work. | 0:22:52 | 0:22:55 | |
-GUITARS SCREECH -Aaaargh! Aaargh! | 0:22:59 | 0:23:02 | |
Stop that! | 0:23:04 | 0:23:06 | |
That's not music! Where's the melody?! | 0:23:06 | 0:23:09 | |
Where's the catchy chorus?! | 0:23:09 | 0:23:12 | |
Hold on, Daisy, I'm on my way. | 0:23:25 | 0:23:28 | |
# So look into my eyes | 0:23:33 | 0:23:36 | |
# Look into my eyes Believe in only me... # | 0:23:36 | 0:23:41 | |
Hey! Crush are over there! | 0:23:42 | 0:23:45 | |
-We'll never be able to hold them! -Where's Rose? | 0:23:46 | 0:23:49 | |
-She's a zombie! -No, it's just bad makeup. | 0:23:50 | 0:23:53 | |
Get in! | 0:23:53 | 0:23:55 | |
Mum? Dad? I'm so sorry. | 0:23:56 | 0:23:58 | |
-Do you have the antidote? -Yeah, a new set of lyrics. | 0:23:58 | 0:24:02 | |
-For Crush to sing? -No, it's all about which words you stress, | 0:24:02 | 0:24:05 | |
and when... | 0:24:05 | 0:24:07 | |
..and when you sing them. It has to be me. | 0:24:08 | 0:24:12 | |
Well, let's go. We have to kick them off stage fast. | 0:24:12 | 0:24:15 | |
MUSIC STOPS | 0:24:15 | 0:24:18 | |
-I can't sing in public. -Don't be stupid, course you can. | 0:24:20 | 0:24:23 | |
Knock 'em dead! Undead. | 0:24:25 | 0:24:27 | |
Er, hi. | 0:24:27 | 0:24:29 | |
Since this is the end of our school gala, | 0:24:29 | 0:24:32 | |
one of us has to sing a song with you - and it's me. | 0:24:32 | 0:24:37 | |
16/8 time signature, metronome marking 92, allegro. | 0:24:37 | 0:24:42 | |
Huh? | 0:24:42 | 0:24:44 | |
-Just give me some heavy beats. -What, play live? | 0:24:44 | 0:24:47 | |
HEAVY DRUMBEAT | 0:24:47 | 0:24:50 | |
# Look away from their eyes | 0:25:00 | 0:25:02 | |
# Look away from their eyes | 0:25:02 | 0:25:05 | |
# Look away from their eyes | 0:25:05 | 0:25:08 | |
# Look away from their eyes | 0:25:08 | 0:25:10 | |
# Believe in only yourself | 0:25:10 | 0:25:13 | |
# Leave their CDs on the shelf Look away from their eyes | 0:25:13 | 0:25:17 | |
# Look away from their eyes Look away from their eyes | 0:25:17 | 0:25:21 | |
# Look away from their eyes | 0:25:21 | 0:25:24 | |
# And always you'll be free If you listen up to me | 0:25:24 | 0:25:29 | |
# Look away from their eyes | 0:25:29 | 0:25:31 | |
# And always you'll be free | 0:25:38 | 0:25:41 | |
# It's the only way to be Look away from their eyes | 0:25:41 | 0:25:45 | |
# Look away from their eyes Look away from their eyes | 0:25:45 | 0:25:49 | |
# Look away from their eyes | 0:25:50 | 0:25:52 | |
# Look away. # | 0:25:57 | 0:25:58 | |
You were awesome. | 0:26:20 | 0:26:21 | |
Really? | 0:26:21 | 0:26:23 | |
-Yeah! -That was real music. | 0:26:23 | 0:26:25 | |
That was our best gig ever. | 0:26:26 | 0:26:30 | |
It's all down to you, Rose. You rock! | 0:26:30 | 0:26:32 | |
We didn't need Mr Frisco's help after all. | 0:26:32 | 0:26:35 | |
He's definitely gone, hasn't he? | 0:26:35 | 0:26:37 | |
Yeah, I promise you. You won't be seeing Tony Frisco again. | 0:26:37 | 0:26:41 | |
Here's a couple of comps for tonight's gig. | 0:26:41 | 0:26:44 | |
Just don't give any to that kooky friend of yours. | 0:26:44 | 0:26:47 | |
We'd better be going. Bye. | 0:26:47 | 0:26:50 | |
They still think I'm a crazy stalker, don't they? | 0:26:53 | 0:26:56 | |
Well done, team. The teenage zombie threat is over, | 0:26:58 | 0:27:01 | |
Crush are going to be touring the UK, playing Rosie's antidote song | 0:27:01 | 0:27:06 | |
and we've saved the world from a cultural dictatorship. | 0:27:06 | 0:27:10 | |
Come on. | 0:27:10 | 0:27:12 | |
Well, had enough of the tuba. Think I'll try something else. | 0:27:15 | 0:27:19 | |
-Death metal? -Rap? | 0:27:19 | 0:27:22 | |
Good luck(!) | 0:27:24 | 0:27:26 | |
You might be going inside for a long time. | 0:27:26 | 0:27:29 | |
At least you can write some decent songs in there. | 0:27:29 | 0:27:32 | |
That's the something new she's taken up. | 0:27:37 | 0:27:40 | |
Clarinet. | 0:27:41 | 0:27:42 | |
Rock'n'roll! | 0:27:42 | 0:27:45 | |
Subtitles by Red Bee Media - 2007 | 0:27:54 | 0:27:56 | |
E-mail us at [email protected] | 0:27:56 | 0:27:58 |