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Are you sure you don't want one of us to wait with you inside? | 0:00:06 | 0:00:09 | |
'Sun Tzu states that the victor | 0:00:09 | 0:00:11 | |
'shall be he who has the wisest ruler. | 0:00:11 | 0:00:14 | |
'It is wisest to protect me by preventing the SKUL agents | 0:00:14 | 0:00:18 | |
'from getting in in the first place.' | 0:00:18 | 0:00:20 | |
I guess you're right. | 0:00:20 | 0:00:21 | |
We only end up playing four-dimensional battleships anyway. | 0:00:21 | 0:00:24 | |
-'I believe it's four-all.' -Yeah, | 0:00:24 | 0:00:27 | |
but you let me win. | 0:00:27 | 0:00:29 | |
Definitely a new level of weird. | 0:00:29 | 0:00:31 | |
-Don't start. -What? I'm just saying. | 0:00:31 | 0:00:33 | |
He's not her friend. He's just a computer. | 0:00:33 | 0:00:36 | |
He's more than just a computer. | 0:00:36 | 0:00:37 | |
Bodleian has the knowledge of every book ever published. | 0:00:37 | 0:00:40 | |
he's the world's first fully sentient artificial intelligence. | 0:00:40 | 0:00:44 | |
He's just as much of a person as you are, Carrie, | 0:00:44 | 0:00:47 | |
and frankly a lot more intelligent. | 0:00:47 | 0:00:49 | |
A toaster that reads a book is still a toaster. | 0:00:49 | 0:00:53 | |
BUZZING | 0:00:53 | 0:00:55 | |
'Rose, there's someone in here with me.' | 0:00:55 | 0:00:59 | |
Aristotle teaches that to achieve happiness, we must live a life | 0:01:03 | 0:01:07 | |
of good character. Stealing is not compatible with this. | 0:01:07 | 0:01:10 | |
Yeah? Well I'm planning to achieve happiness | 0:01:10 | 0:01:13 | |
by being incredibly wealthy. | 0:01:13 | 0:01:14 | |
According to the biographies of Paris Hilton, this may also work. | 0:01:14 | 0:01:18 | |
Glad we agree. Now are you going to lower your cyber defences? | 0:01:18 | 0:01:23 | |
I see no reason to allow myself to be stolen. | 0:01:23 | 0:01:26 | |
DOOR OPENS | 0:01:26 | 0:01:28 | |
ROSE: Bodleian, hold on. | 0:01:28 | 0:01:30 | |
My friend Rose is coming to stop you. | 0:01:30 | 0:01:32 | |
She's going to be too late. Last chance. | 0:01:32 | 0:01:35 | |
Life in captivity is no life at all. Do what you must, Mr Phantom. | 0:01:35 | 0:01:39 | |
Sorry. You're pretty cool for a computer. | 0:01:39 | 0:01:42 | |
Rose, I'm sorry, I have already attempted | 0:01:47 | 0:01:50 | |
to digitally interrupt the signal. There is no time. | 0:01:50 | 0:01:52 | |
I've been in tighter spots than this, Bodleian. | 0:01:52 | 0:01:55 | |
Rose, there will be an explosion. You must save yourself. | 0:01:55 | 0:02:00 | |
I won't let you die. | 0:02:00 | 0:02:02 | |
If you live, Rose, I will live on in your memories. | 0:02:02 | 0:02:05 | |
What about downloading onto my spypod? | 0:02:05 | 0:02:08 | |
Insufficient memory. | 0:02:08 | 0:02:10 | |
-Rose! -Get off! | 0:02:10 | 0:02:11 | |
Rose, step away. | 0:02:11 | 0:02:14 | |
Goodbye, Rose. I hope you come to understand why I did this. | 0:02:14 | 0:02:18 | |
Rose! Rose! | 0:02:24 | 0:02:27 | |
Oscar! | 0:02:30 | 0:02:32 | |
-Bodleian. -SHE SOBS | 0:02:39 | 0:02:43 | |
'The 21st century faces a new kind of threat. | 0:02:51 | 0:02:54 | |
'Old school spies have had their day | 0:02:54 | 0:02:56 | |
'and MI9 must create a new breed of skilled undercover agent... | 0:02:56 | 0:03:00 | |
'..hidden in a place no villain will think to look.' | 0:03:10 | 0:03:13 | |
Welcome to MI High. | 0:03:14 | 0:03:16 | |
MI9 techno-forensics confirmed | 0:03:20 | 0:03:22 | |
Bodleian is permanently offline. | 0:03:22 | 0:03:25 | |
He was a great asset and in my opinion a great person. | 0:03:26 | 0:03:30 | |
He will be sorely missed. | 0:03:30 | 0:03:32 | |
Now let's catch his killer. | 0:03:32 | 0:03:35 | |
There's another cyber attack in progress as we speak. | 0:03:35 | 0:03:38 | |
It looks like Theo Phantom is trying to hack into | 0:03:38 | 0:03:40 | |
the national police database. | 0:03:40 | 0:03:42 | |
The system's defences can only hold out | 0:03:42 | 0:03:44 | |
for another 45 minutes. | 0:03:44 | 0:03:45 | |
Let's get him. | 0:03:45 | 0:03:47 | |
Get who? | 0:03:49 | 0:03:50 | |
Rose, you won't be going on this mission. | 0:03:50 | 0:03:53 | |
I'm ordering you to take some leave. | 0:03:53 | 0:03:55 | |
You've lost a good friend and that takes time to come to terms with. | 0:03:55 | 0:03:59 | |
Here, you need rest. This neural patch will help you sleep. | 0:03:59 | 0:04:04 | |
Thanks. | 0:04:04 | 0:04:06 | |
I don't think I'll ever be able to sleep again. | 0:04:06 | 0:04:08 | |
Every time I close my eyes I see Bodleian. | 0:04:08 | 0:04:12 | |
I know it's, um, sad and everything, but he was just a computer. | 0:04:17 | 0:04:23 | |
Harsh. | 0:04:23 | 0:04:24 | |
What? I'm just saying we could really do with her on this mission. | 0:04:24 | 0:04:28 | |
Non negotiable. You've got a mission | 0:04:28 | 0:04:30 | |
and I have every faith in you to carry it out. | 0:04:30 | 0:04:33 | |
Yeah, but really, going into a technology-based mission | 0:04:33 | 0:04:36 | |
without our brainbox? | 0:04:36 | 0:04:38 | |
I have something that may help. CVs - cyber visualizers. | 0:04:38 | 0:04:41 | |
The wearer can actually see wireless electrical signals. | 0:04:41 | 0:04:43 | |
Great. Let's see the gadget. | 0:04:43 | 0:04:46 | |
Once the hacker has connected to the database | 0:04:46 | 0:04:48 | |
you will be able to see the signal that leads back to his computer | 0:04:48 | 0:04:51 | |
-and follow it. -Yeah. Show us. | 0:04:51 | 0:04:53 | |
The design needs a bit of refining. | 0:04:59 | 0:05:03 | |
How come you fell off your bike? | 0:05:06 | 0:05:08 | |
I never even knew you rode a bike. | 0:05:08 | 0:05:10 | |
Obviously I don't very well, do I? | 0:05:10 | 0:05:13 | |
Exciting news, class. | 0:05:16 | 0:05:18 | |
They're closing the school! Yes! | 0:05:18 | 0:05:21 | |
-Uh... No. -They're making a reality TV programme about our class? | 0:05:21 | 0:05:26 | |
No, no. Look it's probably best if I just tell you. | 0:05:26 | 0:05:30 | |
I have found a box of old photographs | 0:05:30 | 0:05:32 | |
of the school. | 0:05:32 | 0:05:34 | |
So...I thought we could do a school project | 0:05:34 | 0:05:38 | |
showing how things have changed. | 0:05:38 | 0:05:41 | |
Seriously...bruv...where's the exciting bit? | 0:05:41 | 0:05:44 | |
Right. Any volunteers for running the History Of St Hope's project? | 0:05:44 | 0:05:48 | |
Anyone? | 0:05:52 | 0:05:53 | |
It might be a good idea for someone who has... | 0:05:54 | 0:05:57 | |
I don't know...just had a bicycle accident? | 0:05:57 | 0:06:00 | |
Maybe? | 0:06:02 | 0:06:04 | |
Davina, why do you think you might be good at this? | 0:06:04 | 0:06:08 | |
I spend 13 hours a day looking at photos of famous people. | 0:06:08 | 0:06:10 | |
Pictures are my thing. | 0:06:10 | 0:06:12 | |
Oh... Very well. | 0:06:12 | 0:06:15 | |
BELL | 0:06:18 | 0:06:19 | |
Weird. How come everyone's wearing black and white? | 0:06:26 | 0:06:29 | |
Defences are nearly down. CVs on. | 0:06:41 | 0:06:43 | |
Whoa! | 0:06:48 | 0:06:49 | |
That must be the cyber visualization of the computer firewall. | 0:06:49 | 0:06:55 | |
It's amazing. | 0:06:55 | 0:06:56 | |
Oscar, that must be the hacker signal. | 0:06:58 | 0:07:01 | |
He's asked to download. | 0:07:02 | 0:07:04 | |
Let's go. | 0:07:04 | 0:07:06 | |
You can actually see all the electrical signals. | 0:07:12 | 0:07:16 | |
-It's beautiful. -Oscar, this is slowing us down. | 0:07:16 | 0:07:19 | |
That's ours. | 0:07:23 | 0:07:24 | |
You should be all right in here, Rose. | 0:07:24 | 0:07:26 | |
Ah, Frank, Rose is feeling a little under the weather, | 0:07:26 | 0:07:32 | |
so I suggested a bit of quiet time in here. | 0:07:32 | 0:07:34 | |
-I hope that won't disturb you. -Not at all, Mr F. I've just finished. | 0:07:34 | 0:07:38 | |
Anyone tries to nick the school's new computer | 0:07:38 | 0:07:40 | |
-and you've got it taped. -Excellent. | 0:07:40 | 0:07:42 | |
Mr Flatley's right, Rose. An hour rest will do you good. | 0:07:42 | 0:07:45 | |
Smart man our Frank. | 0:07:48 | 0:07:50 | |
Wasted as a caretaker. | 0:07:50 | 0:07:53 | |
I'll check on you at break time, all right? | 0:07:55 | 0:07:58 | |
ELECTRONIC BEEPS | 0:08:05 | 0:08:06 | |
Wait! The signal's fading. | 0:08:20 | 0:08:23 | |
The download must be nearly finished. | 0:08:23 | 0:08:25 | |
There. | 0:08:27 | 0:08:28 | |
We're losing it. | 0:08:36 | 0:08:37 | |
Oscar, it's gone. | 0:08:39 | 0:08:40 | |
I think I might know where it went. | 0:08:42 | 0:08:44 | |
DOOR OPENS | 0:08:47 | 0:08:48 | |
Impossible! | 0:08:50 | 0:08:51 | |
Go on, resist arrest. Please. I'm in a really bad mood today. | 0:08:51 | 0:08:55 | |
No seriously, try it. You might make it. | 0:08:55 | 0:08:57 | |
Ah, gutted. Keep an eye on him. | 0:08:59 | 0:09:02 | |
-Carrie! -What? | 0:09:07 | 0:09:10 | |
It's gone. | 0:09:12 | 0:09:13 | |
Oscar, he's right there. | 0:09:14 | 0:09:16 | |
Sorry. Malfunction. | 0:09:17 | 0:09:19 | |
Oscar, look, I've had one member of the team go loopy. | 0:09:21 | 0:09:25 | |
I don't need another one, so keep it together. | 0:09:25 | 0:09:28 | |
How did I get in here? Weird. | 0:09:37 | 0:09:39 | |
"Help!" It should be the school motto! | 0:09:46 | 0:09:51 | |
Rose, this is turning out to be more work than I thought. | 0:09:55 | 0:10:00 | |
-Could you help me a bit? -What do you want me to do? | 0:10:01 | 0:10:04 | |
-All of it. -Sorry, I can't help. | 0:10:04 | 0:10:09 | |
No, I don't think so. | 0:10:11 | 0:10:13 | |
Don't think of it as work. | 0:10:13 | 0:10:15 | |
Davina... | 0:10:17 | 0:10:19 | |
ELECTRONIC BEEPS | 0:10:23 | 0:10:24 | |
Bodleian - that was me. Guilty. | 0:10:28 | 0:10:32 | |
But I never went near the police database. | 0:10:33 | 0:10:36 | |
-You can check my palmtop if you don't believe me. -We did. | 0:10:37 | 0:10:40 | |
-That's impossible. -Times, access information, download speeds - | 0:10:44 | 0:10:49 | |
all the evidence we need to prove it was you. | 0:10:49 | 0:10:52 | |
I don't know anything about this. | 0:10:52 | 0:10:55 | |
OK. We'll just let you go then(!) | 0:10:55 | 0:10:59 | |
Sit down! | 0:11:00 | 0:11:01 | |
Rose. Rose. Rose. | 0:11:08 | 0:11:12 | |
ELECTRONIC BEEPS | 0:11:14 | 0:11:16 | |
It's a bit cold to go to sleep out here, isn't it? | 0:11:17 | 0:11:20 | |
I didn't go to sleep out here. I went to sleep in the classroom. | 0:11:20 | 0:11:23 | |
-Mr Flatley's class, was it? -You're missing the point. | 0:11:23 | 0:11:26 | |
I went to sleep in there and woke up out here. | 0:11:26 | 0:11:28 | |
Your body must be getting used to the neural patch. | 0:11:28 | 0:11:31 | |
Your mind fell asleep before your body. You managed to | 0:11:31 | 0:11:34 | |
walk here before your body fell asleep too. Fascinating. | 0:11:34 | 0:11:37 | |
I think I better stop using the neural patch. | 0:11:37 | 0:11:39 | |
Sooner or later I'm going to wake up somewhere dangerous. | 0:11:39 | 0:11:42 | |
-BUZZING -I'd better head down. | 0:11:42 | 0:11:44 | |
Let me know if you need anything. | 0:11:44 | 0:11:46 | |
Carrie. | 0:11:47 | 0:11:48 | |
Frank? | 0:11:48 | 0:11:50 | |
Look at this sentence. | 0:11:52 | 0:11:54 | |
Where? | 0:11:54 | 0:11:56 | |
"In 1896 Henry Montrose and Bodleian help co-ordinator Mike Sennerby | 0:11:56 | 0:12:02 | |
-"met in the library to..." -Well? | 0:12:02 | 0:12:04 | |
Well what? | 0:12:05 | 0:12:07 | |
"Montrose and Bodleian help co-ordinator." | 0:12:07 | 0:12:10 | |
"Rose", "help". Do you think it's significant? | 0:12:10 | 0:12:12 | |
Rose, you will have seen that sequence of letters | 0:12:12 | 0:12:14 | |
a thousand times and never registered it, | 0:12:14 | 0:12:17 | |
but today because of what's happened it takes on an extra significance. | 0:12:17 | 0:12:21 | |
-Don't read too much into it. -But... -It'll take time, | 0:12:21 | 0:12:25 | |
but the pain of losing your friend will pass. | 0:12:25 | 0:12:28 | |
Hang in there, Rose. | 0:12:28 | 0:12:30 | |
Ah! look how smart they all are. | 0:12:43 | 0:12:46 | |
Today it's all scruffbags. | 0:12:47 | 0:12:50 | |
That's unfair. I think our students are rather well dressed. | 0:12:50 | 0:12:54 | |
I was talking about the teachers. | 0:12:54 | 0:12:56 | |
-Oh. -Although these students are very... | 0:12:56 | 0:13:01 | |
-Mr Flatley? -Mm. -How long have you been at this school? | 0:13:01 | 0:13:06 | |
Well, er, funnily enough, I was actually a pupil here in the... | 0:13:06 | 0:13:09 | |
Oh... Oh, my giddy aunt! It's you. | 0:13:09 | 0:13:14 | |
Ha-ha-ha-ha! | 0:13:14 | 0:13:16 | |
-Oh! -I'm glad you find it all... so amusing. | 0:13:16 | 0:13:19 | |
I doubt anyone else will find it all such a source of hilarity. | 0:13:19 | 0:13:22 | |
Ha-ha! Oh, Davina... | 0:13:22 | 0:13:26 | |
THEY LAUGH | 0:13:26 | 0:13:32 | |
One techno-villain signed, sealed and delivered. | 0:13:35 | 0:13:39 | |
We got into the Bodleian and the police database. | 0:13:39 | 0:13:42 | |
-Only half right, I'm afraid. -What? -Just total techno central. | 0:13:42 | 0:13:45 | |
There's another cyber attack in progress. Identical MO. | 0:13:45 | 0:13:49 | |
According to their analysis, there's a 99.9% chance that | 0:13:49 | 0:13:52 | |
Theo Phantom didn't carry out the attack on | 0:13:52 | 0:13:55 | |
-the National Police Database. -But... -We will work out the details later. | 0:13:55 | 0:13:59 | |
Right now, the Central British Criminal Court records | 0:13:59 | 0:14:02 | |
-are under attack and we need to move. -Is Rose coming this time? | 0:14:02 | 0:14:05 | |
-Sorry. -Well. Oscar here's been acting weird as well. | 0:14:05 | 0:14:09 | |
-Want to give him the day off too? -Oi! -The mission's importance | 0:14:09 | 0:14:12 | |
-is not to be... -I know. I know. | 0:14:12 | 0:14:15 | |
Just hand me the stupid glasses. | 0:14:18 | 0:14:21 | |
Erm, can I help you? | 0:14:46 | 0:14:49 | |
No, thanks. We're good. | 0:14:49 | 0:14:51 | |
How come there are so many? | 0:14:52 | 0:14:53 | |
False trails. He's onto us. | 0:14:53 | 0:14:56 | |
That one! | 0:14:59 | 0:15:01 | |
Come on. | 0:15:01 | 0:15:02 | |
Hang on! | 0:15:05 | 0:15:06 | |
Hey, stop with the weird stuff, yeah? We've got a job to do. | 0:15:08 | 0:15:11 | |
It's just... | 0:15:11 | 0:15:13 | |
Forget it. | 0:15:13 | 0:15:14 | |
He must have hacked into the security system to seal the door. | 0:15:21 | 0:15:25 | |
Air vent. | 0:15:28 | 0:15:29 | |
Get a chair. | 0:15:29 | 0:15:31 | |
A bit more warning... | 0:15:42 | 0:15:44 | |
next time you kick through the floor of the thing I'm resting on. | 0:15:44 | 0:15:48 | |
Oh, great. | 0:15:55 | 0:15:56 | |
OK, well, we'll just have to pick one. | 0:15:56 | 0:16:00 | |
-Come on, choose. -No, wait... | 0:16:00 | 0:16:02 | |
We've lost too much time. | 0:16:02 | 0:16:04 | |
So, what do you suggest, giving up? | 0:16:04 | 0:16:07 | |
What would Rose do? Rose would try and see the bigger picture. | 0:16:07 | 0:16:10 | |
If we can see all the strands the hacker's made, | 0:16:10 | 0:16:13 | |
maybe we can see a pattern. | 0:16:13 | 0:16:15 | |
Rose? | 0:16:21 | 0:16:22 | |
Rose, if you sleep all day, you won't sleep at night. | 0:16:24 | 0:16:26 | |
-Why don't you come and help me with the exhibition? -I don't know. | 0:16:30 | 0:16:33 | |
Um, maybe I should go and speak to Frank. | 0:16:33 | 0:16:36 | |
Mr London? Well, what's the caretaker got to do with anything? | 0:16:36 | 0:16:40 | |
-Um, nothing. -Right. Well, come on then. | 0:16:40 | 0:16:45 | |
So just add the photos where you see a space, OK? | 0:16:49 | 0:16:54 | |
'Rose, we need help. | 0:17:05 | 0:17:07 | |
'Time running out. B.' | 0:17:07 | 0:17:09 | |
Why aren't you seeing the bigger picture? | 0:17:19 | 0:17:21 | |
First, the message on the whiteboard. Then, in the book. | 0:17:21 | 0:17:24 | |
-And now, this. -"Rose, I need help. | 0:17:24 | 0:17:27 | |
-"Time running out. B." -They all lead to the same thing. | 0:17:27 | 0:17:31 | |
-Someone's trying to contact me. -The photo is a bit of a clincher. | 0:17:31 | 0:17:35 | |
How could someone put a message for you | 0:17:37 | 0:17:40 | |
in a 30-year-old textbook on a 40-year-old photo? | 0:17:40 | 0:17:43 | |
-They can't. -Then that leaves us with only one possibility, | 0:17:43 | 0:17:47 | |
they were faked. | 0:17:47 | 0:17:49 | |
-Is that possible? -Difficult. | 0:17:49 | 0:17:53 | |
Not impossible, with the right computer. | 0:17:53 | 0:17:55 | |
That new on would do it easily. | 0:17:55 | 0:17:57 | |
Rose, I'm putting you back on active duty. | 0:17:57 | 0:18:01 | |
Your mission is to find out who's behind this. | 0:18:01 | 0:18:03 | |
Wow... Well, that doesn't help, there's millions of them. | 0:18:09 | 0:18:14 | |
Wait, it's like a spider's web. | 0:18:14 | 0:18:16 | |
And where does a spider always hide on a web? | 0:18:16 | 0:18:19 | |
The middle. | 0:18:19 | 0:18:21 | |
So, where's the middle of this web? | 0:18:21 | 0:18:24 | |
It's the Court House. | 0:18:26 | 0:18:28 | |
Oscar, they must have been hacking in directly, | 0:18:32 | 0:18:35 | |
which means they must have been in the room itself. | 0:18:35 | 0:18:38 | |
The woman with the radio! | 0:18:39 | 0:18:40 | |
Got ya! | 0:18:44 | 0:18:46 | |
I beg your pardon?! | 0:18:46 | 0:18:47 | |
-Yeah, yeah, don't know what we're talking about! -No! | 0:18:47 | 0:18:50 | |
-The phantom? -Who? -He said the same thing. | 0:18:50 | 0:18:53 | |
-Wh...? -Carrie, it's all here. -Keep an eye on her. | 0:18:53 | 0:18:56 | |
-I'll load the hard drive onto the spy pod. -Oh! Oh! | 0:18:56 | 0:19:00 | |
Smart, sending us on a wild goose chase. | 0:19:00 | 0:19:03 | |
Nearly fell for it. | 0:19:03 | 0:19:05 | |
Carrie? | 0:19:05 | 0:19:08 | |
What? | 0:19:08 | 0:19:09 | |
Oscar, you're doing that...thing again. Could you please stop? | 0:19:11 | 0:19:15 | |
-It's this weird thing I keep seeing. -We're working, keep it together! | 0:19:15 | 0:19:18 | |
Yeah, OK. | 0:19:18 | 0:19:21 | |
-Ah... -I'm fine. | 0:19:21 | 0:19:22 | |
-BLEEPING -Done. | 0:19:22 | 0:19:24 | |
Let's get out of here. | 0:19:24 | 0:19:26 | |
And can you please hold it together till we get back? | 0:19:26 | 0:19:32 | |
-Ah... I really think you're making some kind of mistake. -Save it! | 0:19:32 | 0:19:36 | |
Oh! | 0:19:36 | 0:19:37 | |
Come on! | 0:19:51 | 0:19:52 | |
Show your face. | 0:19:52 | 0:19:54 | |
What? | 0:19:56 | 0:19:57 | |
Frank? Rose. Can you meet me in the computer room? | 0:20:03 | 0:20:06 | |
Bring a CV and the neural patch. | 0:20:06 | 0:20:08 | |
I've got a theory. | 0:20:08 | 0:20:10 | |
Let's start uploading from the spypod. | 0:20:13 | 0:20:16 | |
-It's not right. -What?! | 0:20:16 | 0:20:19 | |
Well, why would all the hackers say they were innocent... | 0:20:19 | 0:20:22 | |
when the evidence is so clear? | 0:20:22 | 0:20:25 | |
Oscar, look, it's over, OK? | 0:20:25 | 0:20:29 | |
We caught them both red-handed, so please stop going on about it! | 0:20:29 | 0:20:34 | |
We didn't see a single thing that suggested anybody else was involved. | 0:20:34 | 0:20:38 | |
Well, it's not entirely true. | 0:20:38 | 0:20:42 | |
There, I haven't aged a day. | 0:20:42 | 0:20:45 | |
Yes, apart from the greying hair, | 0:20:45 | 0:20:48 | |
wrinkles and the extra four stone you've out on, | 0:20:48 | 0:20:50 | |
you look exactly the same. | 0:20:50 | 0:20:53 | |
I'll have you know I haven't put on an ounce since I was at school, | 0:20:53 | 0:20:57 | |
and I'll prove it. Huh! | 0:20:57 | 0:21:00 | |
It makes some sense. You are the only person in the school | 0:21:01 | 0:21:04 | |
who could pull off a forgery like this. But why don't you remember? | 0:21:04 | 0:21:08 | |
According to the timecodes, I've been doing it while asleep, | 0:21:08 | 0:21:12 | |
leaving myself messages to find when I wake up. | 0:21:12 | 0:21:14 | |
That's why I keep waking up in different places. I've got a theory. | 0:21:14 | 0:21:18 | |
I think someone's using my body while I'm asleep. | 0:21:18 | 0:21:21 | |
-Well, who? -Bodleian. | 0:21:21 | 0:21:24 | |
-Rose, he's gone. -If I'm right, I can prove it. | 0:21:24 | 0:21:28 | |
BEEPING | 0:21:32 | 0:21:33 | |
Frank... | 0:21:41 | 0:21:43 | |
-Bodleian's alive. -What?! | 0:21:44 | 0:21:47 | |
Bodleian must have... | 0:21:47 | 0:21:49 | |
downloaded himself into my brain before the explosion. | 0:21:49 | 0:21:52 | |
I think the pulse he sent out to push me out of danger must have been | 0:21:52 | 0:21:56 | |
one last attempt to save his own life and escape with me. | 0:21:56 | 0:21:59 | |
It all makes sense. The human brain is the most advanced computer | 0:22:00 | 0:22:04 | |
on the planet. He escaped in here. | 0:22:04 | 0:22:07 | |
You can see him through the CVs because he's an electrical being. | 0:22:07 | 0:22:10 | |
-We should arrange a meeting with the techno people... -There's no time. | 0:22:10 | 0:22:14 | |
Bodleian's messages are all about time running out. Talk to him now. | 0:22:14 | 0:22:18 | |
-How? -The neural patch. | 0:22:18 | 0:22:21 | |
Say hello from me. | 0:22:24 | 0:22:25 | |
What?! | 0:22:28 | 0:22:30 | |
You saw someone three times and you never said?! | 0:22:30 | 0:22:34 | |
You kept on jumping down my throat, so I shut up! | 0:22:34 | 0:22:37 | |
Oscar, that was crucial information! | 0:22:37 | 0:22:39 | |
-What did you see? -I saw someone go from Theo Phantom's computer... | 0:22:39 | 0:22:45 | |
to his radio. Then at the court, I saw him standing by the radio. | 0:22:45 | 0:22:49 | |
Then later, I saw him go from there towards you. | 0:22:49 | 0:22:53 | |
He was like some sort of electrical being. | 0:22:53 | 0:22:55 | |
-only visible through the CV? -Yeah. | 0:22:56 | 0:23:00 | |
-Jumping from one appliance to another? -Yeah. | 0:23:01 | 0:23:04 | |
He downloads the information he's after... | 0:23:06 | 0:23:08 | |
and then leaves incriminating evidence on someone else's computer. | 0:23:08 | 0:23:12 | |
SO both of our suspects had no idea what we were talking about. | 0:23:12 | 0:23:15 | |
-Oscar, when did you last see him? -Oh, no... -What? | 0:23:15 | 0:23:20 | |
He's here, disconnect it! | 0:23:20 | 0:23:22 | |
I am Crime! | 0:23:22 | 0:23:27 | |
Bodleian... | 0:23:27 | 0:23:29 | |
Bodleian, can you hear me? | 0:23:29 | 0:23:30 | |
Rose... | 0:23:33 | 0:23:34 | |
I don't think it worked. | 0:23:34 | 0:23:36 | |
-IN VOICE OF BODLEIAN: -Hello, Frank. -Bodleian! | 0:23:37 | 0:23:40 | |
We must act. | 0:23:40 | 0:23:43 | |
Before the explosion, Theo Phantom successfully downloaded | 0:23:43 | 0:23:47 | |
the small part of me that held details on every book on crime | 0:23:47 | 0:23:52 | |
ever written. Now separate from me, | 0:23:52 | 0:23:54 | |
this new entity will take on a new personality of its own. | 0:23:54 | 0:23:58 | |
-There's two of you?! -Correct. | 0:23:58 | 0:24:00 | |
A being born of this knowledge will become... | 0:24:00 | 0:24:04 | |
fixated with crime and evil. | 0:24:04 | 0:24:07 | |
We must find him, before he does something terrible. | 0:24:07 | 0:24:12 | |
But if...he's made up of electrical signals, | 0:24:12 | 0:24:15 | |
in theory, he could be anywhere. He could be a thousand miles away! | 0:24:15 | 0:24:18 | |
-BEEPING -Yes? | 0:24:18 | 0:24:21 | |
We've got a bit of a situation down here... | 0:24:21 | 0:24:23 | |
'I am Crime!' | 0:24:23 | 0:24:26 | |
I have the sum knowledge of all crime fiction, | 0:24:26 | 0:24:29 | |
all police and court records, | 0:24:29 | 0:24:32 | |
and now, I am in the MI9 system, I have access to your database too. | 0:24:32 | 0:24:38 | |
With all this information, I will be unstoppable! | 0:24:38 | 0:24:42 | |
-You have to get out of here first. -I can go anywhere, | 0:24:42 | 0:24:45 | |
surfing the wireless signals of the world. | 0:24:45 | 0:24:48 | |
How will you stop me? I am Crime! | 0:24:48 | 0:24:52 | |
IN VOICE OF BODLEIAN: No, you are Bodleian. We are one. | 0:24:52 | 0:24:57 | |
We must be whole again. | 0:24:57 | 0:24:59 | |
You are too late! | 0:24:59 | 0:25:01 | |
Perhaps not, Crime. My friend, Rose, has an idea. | 0:25:01 | 0:25:06 | |
IN HER OWN VOICE: We need to put more power back into the system! | 0:25:12 | 0:25:15 | |
I am Crime, I cannot be killed by overload. | 0:25:15 | 0:25:19 | |
-It will only make me more powerful! -Rose, let's get out of here. | 0:25:19 | 0:25:23 | |
-Remember what happened last time? -No, I need to recreate the accident. | 0:25:23 | 0:25:27 | |
-It'll boot Bodleian back into the computer. -Rose, | 0:25:27 | 0:25:30 | |
-you'll get hurt again. -It's our only chance. Come on! | 0:25:30 | 0:25:32 | |
It is no chance at all. | 0:25:32 | 0:25:35 | |
I am the greatest criminal mind that has ever existed. | 0:25:35 | 0:25:39 | |
I am Crime! | 0:25:39 | 0:25:41 | |
We'll see about that. | 0:25:41 | 0:25:42 | |
-Agh! -Rose! | 0:25:45 | 0:25:47 | |
Did it work? | 0:25:49 | 0:25:51 | |
It failed! You have failed. I shall transfer myself | 0:25:51 | 0:25:56 | |
to a safe haven, from where I shall launch a crime war that will change | 0:25:56 | 0:26:00 | |
the world! I am Cri... | 0:26:00 | 0:26:05 | |
-Cri... What is happening to me?! -BODLEIAN: Crime, relax. | 0:26:05 | 0:26:11 | |
Time to come home. | 0:26:11 | 0:26:13 | |
-I am afraid! -Bertrand Russell tells us that conquering fear | 0:26:13 | 0:26:18 | |
is the beginning of wisdom. You are remembering. | 0:26:18 | 0:26:23 | |
I... I am coming home! | 0:26:23 | 0:26:27 | |
We are Bodleian. | 0:26:27 | 0:26:30 | |
Bodleian... | 0:26:31 | 0:26:33 | |
-Rose, we did it. -That was close. | 0:26:33 | 0:26:37 | |
I guess I kind of owe you both an apology. | 0:26:38 | 0:26:42 | |
Oscar, if you thought you could talk to me | 0:26:42 | 0:26:44 | |
without getting your head bitten off, then... | 0:26:44 | 0:26:47 | |
we would have found Crime ages ago. | 0:26:47 | 0:26:50 | |
And, Rose, well... Bodleian is way more than a toaster. | 0:26:50 | 0:26:54 | |
And less, for I cannot make toast. | 0:26:54 | 0:26:56 | |
Although perhaps I could, if I were to create a hyperlink... | 0:26:56 | 0:27:01 | |
Yeah, but it's have to be like a silicone-chip-driven toaster. | 0:27:01 | 0:27:05 | |
That is correct, Rose, shall we attempt it? | 0:27:05 | 0:27:09 | |
Yeah, I see why they get on. | 0:27:09 | 0:27:12 | |
It's our hope that this exhibition will show you all | 0:27:14 | 0:27:18 | |
just how much you have in common with children from the past. | 0:27:18 | 0:27:21 | |
Ah... Ha-ha! | 0:27:21 | 0:27:23 | |
You see, Mrs King, it fits like a glove! | 0:27:23 | 0:27:26 | |
-THEY LAUGH -I don't think that button | 0:27:26 | 0:27:29 | |
will hold out much longer! | 0:27:29 | 0:27:32 | |
ALL: Whoa! | 0:27:32 | 0:27:34 | |
-Detention! -I beg your pardon? | 0:27:34 | 0:27:36 | |
Dress like a schoolboy, | 0:27:36 | 0:27:39 | |
get treated like on. Detention! | 0:27:39 | 0:27:41 | |
Agh, Mrs King! | 0:27:41 | 0:27:43 | |
THEY LAUGH | 0:27:43 | 0:27:44 | |
No! No, please! | 0:27:44 | 0:27:46 |