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You save his life... | 0:00:02 | 0:00:03 | |
whatever it costs. | 0:00:03 | 0:00:06 | |
That is not a request. | 0:00:06 | 0:00:07 | |
Rest assured, Flopsy, | 0:00:09 | 0:00:12 | |
the people responsible for this shall pay a very high price. | 0:00:12 | 0:00:16 | |
The super-projector is in place, Grand Master. | 0:00:18 | 0:00:22 | |
How could you betray me like this, Igor? | 0:00:25 | 0:00:27 | |
Simple. | 0:00:27 | 0:00:29 | |
He's given me lots of money. | 0:00:29 | 0:00:31 | |
I'm sorry about Flopsy. | 0:00:32 | 0:00:34 | |
I really am. | 0:00:34 | 0:00:36 | |
But if you continue with this mad plan, | 0:00:36 | 0:00:38 | |
you're going to start World War III. | 0:00:38 | 0:00:40 | |
'The 21st century faces a new kind of threat. | 0:00:44 | 0:00:47 | |
'Old school spies have had their day, and MI9 must create a new breed | 0:00:47 | 0:00:52 | |
'of skilled undercover agent... | 0:00:52 | 0:00:54 | |
'Hidden in a place no villain will think to look.' | 0:01:03 | 0:01:06 | |
Welcome to M.I. High. | 0:01:07 | 0:01:09 | |
Now, remember, | 0:01:13 | 0:01:15 | |
no looking directly at the eclipse, and use the glasses provided. | 0:01:15 | 0:01:19 | |
Blinding yourselves is neither cool nor clever. | 0:01:19 | 0:01:23 | |
So, it goes dark for a few minutes. What's the big deal? | 0:01:23 | 0:01:27 | |
-Goes dark for hours every night. -Glasses, Timothy. | 0:01:27 | 0:01:30 | |
Here we go, everyone. | 0:01:30 | 0:01:34 | |
Where's Rose? I thought she'd be the first one out here. | 0:01:38 | 0:01:40 | |
She's got the best seat in the house. | 0:01:40 | 0:01:42 | |
Oh! The eclipse! | 0:01:57 | 0:02:00 | |
I missing the eclipse. Oh, for goodness' sake. | 0:02:00 | 0:02:02 | |
ALL: Ooh! | 0:02:06 | 0:02:08 | |
MOBILE BLEEPS | 0:02:23 | 0:02:25 | |
Oscar, Carrie, I'm sorry, but we... | 0:02:33 | 0:02:37 | |
Stop looking! | 0:02:45 | 0:02:47 | |
Avert your eyes! | 0:02:47 | 0:02:49 | |
Mr F, tell everyone to look away. Oscar, look at me. | 0:02:49 | 0:02:52 | |
Carrie, close your eyes. Please, guys, come on. I need you. | 0:02:52 | 0:02:56 | |
More importantly, your country needs you. Code Blue - level three! | 0:02:56 | 0:03:00 | |
-Level three? -Code Blue? -That means... -A state of | 0:03:03 | 0:03:05 | |
-national emergency. -We have to get Rose! | 0:03:05 | 0:03:08 | |
What do you want? Can't you seem I'm busy? | 0:03:16 | 0:03:18 | |
-Did you watch the eclipse? -What a stupid question. Of course I did. | 0:03:18 | 0:03:22 | |
Have I missed it? Have I missed it? | 0:03:22 | 0:03:25 | |
What's going on, Frank? | 0:03:36 | 0:03:38 | |
I wish I knew. Let's get to HQ. Quickly. | 0:03:38 | 0:03:41 | |
Where? Get off me! | 0:03:41 | 0:03:43 | |
-Rose! -Where are you taking me? -Just go! -All right! Get off! | 0:03:43 | 0:03:47 | |
Books, huh! What use are books? | 0:03:53 | 0:03:57 | |
The written word? Such piffle. | 0:03:57 | 0:04:01 | |
No-one tells me how to think. | 0:04:01 | 0:04:04 | |
SHOUTING | 0:04:04 | 0:04:07 | |
Mr Flatley, this is not the example a headmaster should be leading by! | 0:04:07 | 0:04:11 | |
Ignore the old trout. | 0:04:11 | 0:04:16 | |
She is clearly not one of US! | 0:04:16 | 0:04:21 | |
CHEERING | 0:04:21 | 0:04:23 | |
Get off me! | 0:04:27 | 0:04:29 | |
-Calm down. -What's the matter with you? | 0:04:34 | 0:04:36 | |
BEEPING | 0:04:37 | 0:04:41 | |
-London, did you get my text? -In the nick of time. | 0:04:42 | 0:04:45 | |
Everyone's gone mad. What was that thing? | 0:04:45 | 0:04:47 | |
-We're working on it. -Ah! Hurry up, will you?! | 0:04:47 | 0:04:51 | |
Are we ready to begin phase two? | 0:04:51 | 0:04:54 | |
Soon, Grand Master. Very soon. | 0:04:54 | 0:04:58 | |
With a simple flick of this switch, | 0:04:58 | 0:05:00 | |
every television channel will be in your power. | 0:05:00 | 0:05:04 | |
It's not too late, Igor. | 0:05:07 | 0:05:09 | |
Untie me. We could both make a run for it. | 0:05:09 | 0:05:12 | |
But how would I afford my yacht? | 0:05:12 | 0:05:14 | |
Boring... | 0:05:21 | 0:05:24 | |
Frank, what's wrong with Rose? | 0:05:24 | 0:05:27 | |
I've never seen her like this. | 0:05:27 | 0:05:29 | |
It's my belief, that thing we saw | 0:05:29 | 0:05:31 | |
on the moon's surface has somehow hypnotised everyone who watched it. | 0:05:31 | 0:05:34 | |
Well, that's most of the country. | 0:05:34 | 0:05:37 | |
I'm afraid so. | 0:05:37 | 0:05:38 | |
Can we reverse it? | 0:05:38 | 0:05:40 | |
We'll find out very shortly. | 0:05:40 | 0:05:42 | |
I need a pencil. | 0:05:42 | 0:05:43 | |
CLATTERING | 0:05:43 | 0:05:46 | |
I learned this technique from Mongolian goat herders. | 0:05:46 | 0:05:49 | |
The secret is, I focus along with rhythmic clicking. Thank you, Oscar. | 0:05:49 | 0:05:53 | |
Now Rose, I need you to concentrate on the tip of the pencil. | 0:05:53 | 0:05:57 | |
Good. | 0:05:59 | 0:06:00 | |
HE MIMICS TICKING | 0:06:00 | 0:06:03 | |
What are you doing? You sound like a complete idiot. | 0:06:03 | 0:06:07 | |
And what are you two staring at? | 0:06:07 | 0:06:11 | |
Pathetic. | 0:06:14 | 0:06:16 | |
I don't think it worked. | 0:06:16 | 0:06:18 | |
It's never failed me. | 0:06:18 | 0:06:20 | |
-Ever. -Please find a way to bring back the old Rose. | 0:06:20 | 0:06:24 | |
I really don't like this one. | 0:06:24 | 0:06:25 | |
The spirals on the moon. Rose had seen them before. | 0:06:25 | 0:06:28 | |
She even gives them a name. | 0:06:28 | 0:06:30 | |
Arthur Poopsberry's Eternal Spiral. | 0:06:30 | 0:06:33 | |
These snacks are the hostages of the commercial world. | 0:06:34 | 0:06:39 | |
Caged until freed by a ransom of coins. | 0:06:39 | 0:06:44 | |
Well, not anymore. | 0:06:44 | 0:06:47 | |
Free the snacks! | 0:06:47 | 0:06:50 | |
Free the snacks! Free the snacks! Free the snacks! Free the snacks! | 0:06:50 | 0:06:57 | |
Free the snacks! Free the snacks! | 0:06:57 | 0:06:59 | |
Arthur Poopsberry. Got him. | 0:07:02 | 0:07:04 | |
Poopsberry. Of course. Oscar. | 0:07:04 | 0:07:06 | |
I knew that name rang a bell. The man behind the Tiger Mallow scandal. | 0:07:06 | 0:07:10 | |
It caused a storm in the advertising world. | 0:07:10 | 0:07:12 | |
It's all done through auto-suggestion by using an invisible code hidden | 0:07:12 | 0:07:16 | |
beneath the image. The product wasn't even shown in this case. | 0:07:16 | 0:07:19 | |
The Tiger Mallow bar. | 0:07:29 | 0:07:30 | |
Sweet and salty softness in every bite. | 0:07:30 | 0:07:33 | |
Making your taste buds light up with delicious delight. | 0:07:33 | 0:07:37 | |
Whoa. | 0:07:37 | 0:07:39 | |
-How did that happen? -It's called subliminal advertising. | 0:07:39 | 0:07:43 | |
Using images that pass through the mind so fast people aren't aware | 0:07:43 | 0:07:46 | |
they've seen anything. But, freeze frame... | 0:07:46 | 0:07:48 | |
-Yummy. -The trouble is, it caused mass hysteria. People were so | 0:07:54 | 0:07:57 | |
desperate to get hold of a Tiger Mallow bar, they'd fight, beg, steal, | 0:07:57 | 0:08:01 | |
do anything to get their teeth into one. | 0:08:01 | 0:08:02 | |
That method of advertising was outlawed within weeks. | 0:08:02 | 0:08:05 | |
What happened to Poopsberry? | 0:08:05 | 0:08:07 | |
Who even cares what happened to him? | 0:08:07 | 0:08:09 | |
I don't for starters. | 0:08:09 | 0:08:11 | |
By the looks of it, he adapted his spiral for more sinister endeavours. | 0:08:11 | 0:08:15 | |
-We need to find him. -I'm on it. And I've got an address. | 0:08:15 | 0:08:19 | |
Free the snacks! Free the snacks! | 0:08:19 | 0:08:22 | |
-Free the... -Mr Flatley. | 0:08:22 | 0:08:24 | |
-I'd like a word, please. -Of course, Mrs King. | 0:08:24 | 0:08:28 | |
Let's step into the classroom, shall we? | 0:08:28 | 0:08:32 | |
No more tyrannical Mrs King. | 0:08:36 | 0:08:38 | |
Viva la revolucion! | 0:08:38 | 0:08:41 | |
Mr Flatley! Mr Flatley! Mr Flatley! | 0:08:43 | 0:08:47 | |
MI9. Show yourself. | 0:09:03 | 0:09:05 | |
Frank. We're at the location. | 0:09:13 | 0:09:16 | |
There's no sign of Poopsberry and the place has been trashed. | 0:09:16 | 0:09:21 | |
Frank, we're seriously going to need Rose for this. How is she? | 0:09:21 | 0:09:25 | |
She's... | 0:09:25 | 0:09:29 | |
gone. | 0:09:29 | 0:09:31 | |
Frank? | 0:09:31 | 0:09:33 | |
Free the books. Free the books. | 0:09:33 | 0:09:37 | |
WHIRRING NOISE | 0:09:37 | 0:09:40 | |
What's going on? | 0:10:07 | 0:10:08 | |
No, no, don't watch! | 0:10:08 | 0:10:10 | |
Please look away. Rose, Mr F, look away. | 0:10:10 | 0:10:13 | |
-Come on, don't watch it. -Welcome. | 0:10:13 | 0:10:16 | |
This is the Grand Master speaking. | 0:10:16 | 0:10:19 | |
ALL: Grand Master. | 0:10:19 | 0:10:21 | |
Concentrate on the spiral. | 0:10:21 | 0:10:24 | |
Very beautiful, don't you agree? | 0:10:24 | 0:10:26 | |
Very beautiful. | 0:10:26 | 0:10:28 | |
Unlike wealth, which is bad, causing greed and envy. | 0:10:28 | 0:10:34 | |
Greed and envy. | 0:10:34 | 0:10:36 | |
But fortunately, I can help you all. | 0:10:36 | 0:10:40 | |
-Rose. -Bring me your money and I will safely dispose of it for you. | 0:10:40 | 0:10:46 | |
Free you from the evil it brings. | 0:10:46 | 0:10:48 | |
Everyone, come on, look away! | 0:10:48 | 0:10:51 | |
Empty your bank accounts, your piggy | 0:10:51 | 0:10:54 | |
banks, search out all your cash. | 0:10:54 | 0:10:58 | |
My assistants will soon be in your area to collect it. | 0:10:58 | 0:11:03 | |
BEEPING | 0:11:05 | 0:11:07 | |
London, give me an update, and it better be positive. | 0:11:07 | 0:11:09 | |
We believe that a man call Poopsberry has adapted a spiral | 0:11:09 | 0:11:13 | |
he invented in order to sell Tiger Mallow bars. | 0:11:13 | 0:11:16 | |
Sweet and salty softness in every bite. | 0:11:16 | 0:11:18 | |
That's him. He's now working with the Grand Master | 0:11:18 | 0:11:20 | |
on a plot to steal everyone's money. | 0:11:20 | 0:11:23 | |
My entire staff have gone to the bank to withdraw all their cash! | 0:11:23 | 0:11:26 | |
The country's economy will collapse if he gets away with this. | 0:11:26 | 0:11:29 | |
Frank, you must find a way to reverse the hypnosis! | 0:11:29 | 0:11:32 | |
Boring, boring, boring... | 0:11:32 | 0:11:37 | |
I intend to. | 0:11:37 | 0:11:38 | |
I beg you to stop! | 0:11:38 | 0:11:40 | |
Think of the consequences! | 0:11:40 | 0:11:43 | |
I designed those spirals to sell chocolate. Not for this! | 0:11:43 | 0:11:47 | |
You should be grateful. | 0:11:47 | 0:11:49 | |
People will talk about your spirals | 0:11:49 | 0:11:52 | |
-for years to come. -For all the wrong reasons. | 0:11:52 | 0:11:55 | |
My Flopsy is at death's door and all you can do is whinge. | 0:11:55 | 0:12:02 | |
You're no longer useful. | 0:12:02 | 0:12:04 | |
Take him away. | 0:12:04 | 0:12:05 | |
Divided by three squared minus... | 0:12:08 | 0:12:12 | |
These are beyond me and Rose is in no fit state. | 0:12:12 | 0:12:15 | |
Our only chance is to find Poopsberry and the Grand Master. | 0:12:15 | 0:12:18 | |
-But, Frank, where do we start? -I might have something. | 0:12:18 | 0:12:21 | |
To project an image on the moon would take immense power, which | 0:12:21 | 0:12:23 | |
would show as a carbon footprint, | 0:12:26 | 0:12:27 | |
so by logging into satellite imaging recordings... | 0:12:27 | 0:12:30 | |
What are you waiting for? Go! | 0:12:32 | 0:12:35 | |
If the Grand Master has caused Rose | 0:12:35 | 0:12:37 | |
any permanent damage, he and me are going to get personal. | 0:12:37 | 0:12:40 | |
Get to the back of the queue. | 0:12:40 | 0:12:41 | |
'This is the SKUL money collection service. | 0:12:52 | 0:12:56 | |
'This is the SKUL money collection service. | 0:12:56 | 0:12:58 | |
'This is the SKUL money collection service.' | 0:12:58 | 0:13:01 | |
The world's gone mad! | 0:13:01 | 0:13:03 | |
'This is the SKUL money collection service.' | 0:13:03 | 0:13:07 | |
Concentrate on the image, Rose. | 0:13:10 | 0:13:12 | |
I've reversed the spiral, which hopefully should reverse the effect. | 0:13:12 | 0:13:16 | |
Rose? | 0:13:23 | 0:13:24 | |
Let's disco! | 0:13:26 | 0:13:27 | |
Come on, Frank, get on down. | 0:13:27 | 0:13:30 | |
That is not the reaction I was hoping for. | 0:13:30 | 0:13:32 | |
There's a lot of activity in the west of the building. | 0:13:41 | 0:13:44 | |
Hang on. | 0:13:44 | 0:13:46 | |
-Oh, no. -What? | 0:13:46 | 0:13:48 | |
The basement. It's packed with explosives. We have to get in. | 0:13:48 | 0:13:52 | |
So, how exactly do we get through the door? | 0:13:52 | 0:13:55 | |
It uses retina recognition. The eye is the key. | 0:14:01 | 0:14:04 | |
So, in other words, we can't get in. | 0:14:04 | 0:14:06 | |
We can. But this is going to need your expertise more than mine. | 0:14:06 | 0:14:10 | |
I love this song. Lily is so in the groove! | 0:14:12 | 0:14:14 | |
There's no music, Rose, please stop dancing. | 0:14:14 | 0:14:17 | |
Chill, Frank. The music will calm. | 0:14:17 | 0:14:20 | |
There is no music! It's all in your head, Rose. | 0:14:20 | 0:14:23 | |
If you don't come back your life as a spy is over. This team is over. | 0:14:23 | 0:14:27 | |
I've never lost a man in the field, Rose Gupta. | 0:14:27 | 0:14:30 | |
-I am not about to start now. -What? | 0:14:30 | 0:14:33 | |
Cheryl Cole? I just adore Cheryl! | 0:14:33 | 0:14:37 | |
OK. Um, up a bit. | 0:14:47 | 0:14:49 | |
Stop. | 0:14:49 | 0:14:51 | |
Left a bit. Stop. | 0:14:51 | 0:14:54 | |
Uh, try that. | 0:14:54 | 0:14:56 | |
Explosives and weapons. | 0:15:13 | 0:15:15 | |
Oscar, the Grand Master could supply and army with all this. | 0:15:17 | 0:15:21 | |
SHE SEARCHES STATIONS | 0:15:27 | 0:15:29 | |
'The streets of Britain continue to fall into chaos. | 0:15:29 | 0:15:32 | |
'The government advice is to stay in your homes.' | 0:15:32 | 0:15:35 | |
-Poopsberry! -Yes. Who are you? | 0:15:40 | 0:15:43 | |
-MI9. -Oh, thank goodness. I've been kidnapped by the Grand Master. | 0:15:43 | 0:15:48 | |
-He's going to use the attack spiral. -Attack spiral? | 0:15:48 | 0:15:51 | |
-What does it do? -Exactly as it sounds. | 0:15:51 | 0:15:53 | |
Soon the entire nation will be completely under that madman's power. | 0:15:53 | 0:15:56 | |
But you can reverse it, right? | 0:15:56 | 0:15:59 | |
No, I'm sorry. | 0:15:59 | 0:16:01 | |
The hypnosis is permanent. It's the way I designed it. | 0:16:01 | 0:16:04 | |
No, you see, there has to be a way. Our friend's been affected. | 0:16:04 | 0:16:07 | |
I don't get it. Grand Master's already stolen everyone's money, | 0:16:07 | 0:16:11 | |
why transmit a second spiral? | 0:16:11 | 0:16:12 | |
That was a red herring. At 1600 hours he's going to | 0:16:12 | 0:16:15 | |
brief the entire nation, readying them to go to war with Belgium. | 0:16:15 | 0:16:19 | |
Soon after that, he'll transmit the attack spiral. Then war it will be. | 0:16:19 | 0:16:22 | |
I know the Grand Master's mad but surely he's not that mad? | 0:16:22 | 0:16:25 | |
It does explain all the weapons we saw, the explosives. | 0:16:25 | 0:16:28 | |
He must be targeting the European Parliament. Belgium is the HQ. | 0:16:28 | 0:16:32 | |
It's nothing to do with that. It's because that stupid rabbit | 0:16:32 | 0:16:35 | |
ate a dodgy waffle, and been poorly for days. | 0:16:35 | 0:16:37 | |
You expect us to believe that Grand Master intends to declare war on | 0:16:37 | 0:16:41 | |
-all because Flopsy ate a dodgy waffle? -Not any dodgy waffle, | 0:16:41 | 0:16:44 | |
a dodgy Belgian waffle. Look, you've got to do something! | 0:16:44 | 0:16:47 | |
Raaaaarrr! | 0:16:57 | 0:16:58 | |
CRASH! | 0:16:58 | 0:17:00 | |
Two, one, and wake. | 0:17:00 | 0:17:05 | |
Welcome back, Rose. | 0:17:05 | 0:17:06 | |
SHE SQUAWKS | 0:17:08 | 0:17:12 | |
Very good, Rose. You almost had me. | 0:17:13 | 0:17:15 | |
SHE CONTINUES TO SQUAWK | 0:17:15 | 0:17:17 | |
MOBILE RINGS | 0:17:17 | 0:17:19 | |
'Frank, we've got a serious problem.' | 0:17:22 | 0:17:26 | |
-You're not the only one. -'We found weapons and explosives. | 0:17:26 | 0:17:29 | |
'The Grand Master's plans to start a war. We've also freed Poopsberry.' | 0:17:29 | 0:17:33 | |
He was the Grand Master's captive, not his ally. It's bad news. | 0:17:33 | 0:17:38 | |
'He says the hypnotism is permanent.' | 0:17:38 | 0:17:40 | |
Poor Rose. | 0:17:40 | 0:17:42 | |
I never thought I'd say this, | 0:17:42 | 0:17:45 | |
but I think this time, the Grand Master has finally... | 0:17:45 | 0:17:48 | |
SHOUTING | 0:17:48 | 0:17:51 | |
'Finally what, Frank?' | 0:17:51 | 0:17:53 | |
Surely not? | 0:17:53 | 0:17:55 | |
Carrie, I'll call you back. | 0:17:55 | 0:17:56 | |
Rose, I need you to watch this. | 0:17:59 | 0:18:01 | |
< Will you ever listen? | 0:18:01 | 0:18:03 | |
Concentrate on the sound. | 0:18:03 | 0:18:05 | |
..A modicum of responsibility! | 0:18:05 | 0:18:07 | |
Are you going to continue to stroll through life | 0:18:07 | 0:18:09 | |
underachieving at every stage? | 0:18:09 | 0:18:12 | |
Now stop being so contrary, or you are going to make me | 0:18:12 | 0:18:17 | |
very angry, and you really don't want to see my angry. | 0:18:17 | 0:18:21 | |
DO YOU UNDERSTAND? | 0:18:21 | 0:18:24 | |
Where are Carrie and Oscar? | 0:18:28 | 0:18:30 | |
What are you grinning about? | 0:18:30 | 0:18:32 | |
Come on, Rose, we've got work to do. | 0:18:32 | 0:18:34 | |
We need to analyse that tape and find out what it is in Mrs King's | 0:18:34 | 0:18:37 | |
voice that reverses the hypnotic state. | 0:18:37 | 0:18:39 | |
OK, I have absolutely no idea what you're talking about. | 0:18:39 | 0:18:42 | |
But I'm on it. | 0:18:42 | 0:18:43 | |
-Oscar, time's running out. -Nearly there. Done. | 0:18:47 | 0:18:51 | |
There you go. | 0:18:51 | 0:18:53 | |
BLEEPING | 0:18:53 | 0:18:55 | |
What was that noise? | 0:18:55 | 0:18:57 | |
-Uh-oh. -It's a chain-trigger. | 0:18:58 | 0:19:00 | |
To diffuse it, the wires have to be cut in the correct order. | 0:19:00 | 0:19:03 | |
Nine permutations, only one correct. | 0:19:03 | 0:19:05 | |
Cut the red first. It's always the red first. | 0:19:05 | 0:19:08 | |
Grand Master will know that so it's probably blue or the yellow. | 0:19:08 | 0:19:10 | |
But he'd also know that we know that he knows... | 0:19:10 | 0:19:12 | |
I suggest you make a decision. | 0:19:12 | 0:19:14 | |
Red it is. | 0:19:14 | 0:19:17 | |
-OK. Blue or yellow? -Um...blue. | 0:19:19 | 0:19:23 | |
No! Uh, yellow. | 0:19:23 | 0:19:25 | |
No! Uh...blue, blue. | 0:19:25 | 0:19:28 | |
You can never be that lucky twice in a row. | 0:19:28 | 0:19:30 | |
-Clear. -Oscar, we have less than two minutes to stop the Grand Master. | 0:19:36 | 0:19:40 | |
Come on, let's go. | 0:19:40 | 0:19:42 | |
Frank? | 0:19:44 | 0:19:46 | |
Look. | 0:19:48 | 0:19:49 | |
This shows a normal human voice, whereas this graph shows Mrs King's. | 0:19:49 | 0:19:54 | |
Now, look here. When she loses her rag, | 0:19:54 | 0:19:57 | |
she produces a series of sine waves which show notes of complete purity. | 0:19:57 | 0:20:01 | |
-Like when an opera singer breaks a glass with her voice. -Exactly. | 0:20:01 | 0:20:03 | |
It's my belief it's these sine waves which unlock the spiral's effects. | 0:20:03 | 0:20:07 | |
Can they be replicated? | 0:20:07 | 0:20:09 | |
Yes, but getting the right pattern could take months. We've got to try | 0:20:09 | 0:20:12 | |
and make Mrs King throw a wobbly in front of the entire nation. | 0:20:12 | 0:20:16 | |
That means taking Mrs King to his hideout. | 0:20:16 | 0:20:17 | |
Where the Grand Master has control of all the TV transmissions. | 0:20:17 | 0:20:21 | |
Look, it's dangerous, I know, | 0:20:21 | 0:20:24 | |
-but what choice do we have? -OK, let's do it. | 0:20:24 | 0:20:29 | |
It means we have to find a way of making Mrs King very angry indeed. | 0:20:29 | 0:20:33 | |
Give me a minute. | 0:20:33 | 0:20:35 | |
It's almost time to take up arms. | 0:20:35 | 0:20:38 | |
Ready yourselves to risk your lives in the return for honour. | 0:20:40 | 0:20:45 | |
'So we will march as an army into the heart of Belgium...' | 0:20:45 | 0:20:50 | |
-It's too late. -No, come on. | 0:20:50 | 0:20:53 | |
'Where we will seek our revenge on behalf of my dearest Flopsy. | 0:20:53 | 0:20:59 | |
'Victory will be ours!' | 0:20:59 | 0:21:03 | |
Victory will be ours. | 0:21:03 | 0:21:06 | |
All right, Mrs King? It's OK. | 0:21:07 | 0:21:10 | |
Oh, Frank. | 0:21:10 | 0:21:13 | |
I don't know if I can do this job any more. | 0:21:13 | 0:21:15 | |
I'm at the end of my tether. | 0:21:15 | 0:21:17 | |
You need to relax. I can help you. | 0:21:17 | 0:21:19 | |
Really? How? | 0:21:19 | 0:21:21 | |
Concentrate on the tip of my pencil. | 0:21:21 | 0:21:25 | |
Tick-tock-tick... | 0:21:25 | 0:21:27 | |
Good. Now feel your eyes getting heavy, very heavy. | 0:21:27 | 0:21:33 | |
Tick-tock-tick-tock. | 0:21:33 | 0:21:37 | |
You'll never know what a service you're about to do for your country. | 0:21:37 | 0:21:40 | |
Carrie, Oscar? Sit tight. | 0:21:43 | 0:21:45 | |
The cavalry's on its way. | 0:21:45 | 0:21:48 | |
Holland to the north, Germany to the east, Luxembourg to the south, | 0:21:48 | 0:21:55 | |
France to the West. | 0:21:55 | 0:21:57 | |
I take Belgium, and the rest of Europe will be ripe for plundering. | 0:21:57 | 0:22:04 | |
Then I, the Grand Master, | 0:22:04 | 0:22:08 | |
shall become the figurehead of the entire continent, | 0:22:08 | 0:22:15 | |
striking fear into the hearts of the world's superpowers. | 0:22:15 | 0:22:20 | |
General Flopsy | 0:22:20 | 0:22:22 | |
could have tea with the Queen. | 0:22:22 | 0:22:26 | |
He'd love that, actually. | 0:22:26 | 0:22:28 | |
-We thought we lost you. -Good to have you back. | 0:22:38 | 0:22:41 | |
Good to be back. Now, which way to the Grand Master? | 0:22:41 | 0:22:44 | |
'The time has come...' | 0:22:51 | 0:22:54 | |
Prepare the attack spiral. | 0:22:54 | 0:22:56 | |
Prepared and ready to transmit. | 0:22:56 | 0:23:00 | |
What are you waiting for? | 0:23:10 | 0:23:12 | |
Transmit. | 0:23:12 | 0:23:14 | |
Grand Master, don't you ever mess with my mind again. | 0:23:16 | 0:23:19 | |
Carrie, Oscar, cuff him. | 0:23:19 | 0:23:21 | |
Don't you lot have anything better | 0:23:21 | 0:23:24 | |
to do than constantly ruin my plans for world domination? | 0:23:24 | 0:23:29 | |
To another day. | 0:23:29 | 0:23:31 | |
HISSING | 0:23:32 | 0:23:34 | |
-I'll go after him. -No, no time, the nation expects a live transmission. | 0:23:34 | 0:23:39 | |
-Let's give them one. -But the spirals are irreversible. | 0:23:39 | 0:23:43 | |
You obviously never met Mrs King. | 0:23:43 | 0:23:45 | |
SHE SNORES | 0:23:46 | 0:23:48 | |
Transmitting in four seconds, Frank. | 0:23:48 | 0:23:50 | |
3, 2, 1, and wake. | 0:23:50 | 0:23:54 | |
Where am I? | 0:23:58 | 0:24:00 | |
What's going on? | 0:24:00 | 0:24:03 | |
-Do you know this man? -Yes. | 0:24:03 | 0:24:08 | |
-It's Mr Flatley, the headmaster from my school. -Oh! Headmaster! | 0:24:08 | 0:24:13 | |
He must be very clever them. | 0:24:13 | 0:24:15 | |
One must have an exceptional talent to reach such heights. | 0:24:15 | 0:24:18 | |
Or an aunt on the board of governors. | 0:24:18 | 0:24:20 | |
You seem bitter, Mrs King. | 0:24:20 | 0:24:22 | |
After all, he's headmaster of the year. | 0:24:22 | 0:24:24 | |
Mr Flatley? Heh! | 0:24:24 | 0:24:27 | |
Not in a million years! | 0:24:27 | 0:24:28 | |
This has to be some kind of mistake. | 0:24:35 | 0:24:38 | |
Oh, no mistake. And his prize is an all-expenses paid | 0:24:38 | 0:24:40 | |
trip to Las Vegas and to be named headmaster of St Hope's, forever. | 0:24:40 | 0:24:46 | |
Forever? No! | 0:24:46 | 0:24:48 | |
Well, you can't hide genius. | 0:24:48 | 0:24:51 | |
The truth hurts, doesn't it, Mrs King? | 0:24:51 | 0:24:54 | |
-Here goes. -Genius? | 0:24:54 | 0:24:56 | |
Let me tell you one or two truths about | 0:24:56 | 0:24:58 | |
Mr Headmaster of the Year Flatley! | 0:24:58 | 0:25:03 | |
He isn't fit enough to teach monkeys, never mind children. | 0:25:03 | 0:25:07 | |
He's a bumbling, blathering, bombastic butter-faced buffoon. | 0:25:07 | 0:25:12 | |
Skipping around poles in that ridiculous Morris dancing outfit? | 0:25:12 | 0:25:17 | |
And don't even get me started on the biscuits! | 0:25:17 | 0:25:21 | |
HOARDING THEM - as if there's no tomorrow! | 0:25:21 | 0:25:24 | |
Gorging himself on the filling and then putting the damp casing | 0:25:24 | 0:25:28 | |
back into the packet thinking no-one will notice! | 0:25:28 | 0:25:32 | |
What is going on? | 0:25:37 | 0:25:39 | |
Anyone else feel dizzy? | 0:25:39 | 0:25:42 | |
Custard creams. | 0:25:42 | 0:25:44 | |
My favourite. | 0:25:44 | 0:25:45 | |
-It's worked. -Incredible. -And the mess he makes! | 0:25:48 | 0:25:50 | |
He's like an out of control toddler, overdosed on E numbers. | 0:25:50 | 0:25:55 | |
Papers, pens, staplers, highlighters... | 0:25:55 | 0:25:58 | |
-And sleep. -Oh! | 0:25:58 | 0:26:01 | |
-Come on, get the chair ready. -I've got the chair. | 0:26:22 | 0:26:25 | |
-OK, Ready? -Yep. -And... | 0:26:25 | 0:26:27 | |
Come on, Mrs King. Got her. Have you got a pen? | 0:26:27 | 0:26:30 | |
Thank you. | 0:26:35 | 0:26:37 | |
Now go. Come on. | 0:26:37 | 0:26:39 | |
Don't forget the wheelbarrow. | 0:26:39 | 0:26:42 | |
When you wake you will remember nothing. | 0:26:42 | 0:26:46 | |
3, 2, 1, wake. | 0:26:46 | 0:26:50 | |
Oh, it's never ending. | 0:26:54 | 0:26:57 | |
The explosives have been removed and the building made safe | 0:26:59 | 0:27:02 | |
and all the money has been returned to its rightful owners. | 0:27:02 | 0:27:06 | |
I think we can call that a success. | 0:27:06 | 0:27:09 | |
I still can't believe Rose here was dancing to imaginary music, though. | 0:27:09 | 0:27:13 | |
Wait, won't would that have been picked up on the CCTV? | 0:27:13 | 0:27:17 | |
-I suppose it would have been. -I would love to see that. | 0:27:17 | 0:27:20 | |
-Don't you dare. -Don't worry, Rose, I wiped all tapes. -That's unfair. | 0:27:20 | 0:27:25 | |
Look! | 0:27:25 | 0:27:27 | |
Look! I've won Headmaster of the Year and an | 0:27:27 | 0:27:29 | |
all-expenses paid trip to Las Vegas. | 0:27:29 | 0:27:33 | |
Oh, no, I was meant to shred that. | 0:27:33 | 0:27:36 | |
The only thing is, I don't recollect the ceremony | 0:27:36 | 0:27:39 | |
or posing for this photograph. | 0:27:39 | 0:27:41 | |
-Still, Las Vegas here I come. -What are we going to do? | 0:27:41 | 0:27:47 | |
-Mr Flatley? -Hm? | 0:27:47 | 0:27:48 | |
Concentrate on the tip of my pencil. | 0:27:48 | 0:27:51 | |
Tick-tock... | 0:27:51 | 0:27:54 |