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ELECTRONIC WHIRRING | 0:00:08 | 0:00:10 | |
COMPUTER BEEPS | 0:00:23 | 0:00:26 | |
-COMPUTER: -'Face scanning in progress.' | 0:00:26 | 0:00:28 | |
'Creating face code.' | 0:00:30 | 0:00:32 | |
MACHINE BEEPS | 0:00:34 | 0:00:36 | |
MACHINE WHIRRS | 0:00:49 | 0:00:51 | |
'Face code accepted.' | 0:00:51 | 0:00:53 | |
'Transmorphing in three...' | 0:00:59 | 0:01:02 | |
'two... | 0:01:02 | 0:01:03 | |
'one...' | 0:01:03 | 0:01:05 | |
'Face change complete.' | 0:01:13 | 0:01:15 | |
MOBILE PHONE BUTTONS BEEP | 0:01:29 | 0:01:31 | |
Tell the Minister we're ready for him. | 0:01:33 | 0:01:36 | |
Tomorrow, midday. | 0:01:36 | 0:01:37 | |
'The 21st century faces a new kind of threat, | 0:01:46 | 0:01:49 | |
'and MI9 must create a new breed of skilled undercover agent.' | 0:01:49 | 0:01:52 | |
'Hidden in a place no villain will think to look, | 0:02:07 | 0:02:10 | |
'welcome to MI High.' | 0:02:10 | 0:02:12 | |
# If you want to get down and dance tonight... # | 0:02:12 | 0:02:16 | |
'And now on Squizzle FM, it's the new one from Calvin Lame.' | 0:02:16 | 0:02:20 | |
# Come on down to my party | 0:02:20 | 0:02:22 | |
# Yeah, yeah, yeah... # | 0:02:22 | 0:02:24 | |
I love it, it's such a good song. | 0:02:24 | 0:02:27 | |
So, you can write a song about anything? | 0:02:28 | 0:02:31 | |
Yeah, pretty much. Like, what did you have for lunch? | 0:02:31 | 0:02:34 | |
I had rice pudding. | 0:02:34 | 0:02:36 | |
# Life is hard | 0:02:36 | 0:02:38 | |
# Like a school rice pudding | 0:02:38 | 0:02:41 | |
# When you've got no friends | 0:02:41 | 0:02:43 | |
# And you're this good looking... # | 0:02:43 | 0:02:46 | |
-Loser! -Terrible. -Rubbish! | 0:02:46 | 0:02:49 | |
I think you're way more talented than Calvin. | 0:02:49 | 0:02:52 | |
HE SCOFFS | 0:02:52 | 0:02:54 | |
BUZZING | 0:02:54 | 0:02:55 | |
Yeah, well, I guess the world's never going to know. | 0:02:58 | 0:03:01 | |
Totally stick to your day job! | 0:03:01 | 0:03:03 | |
CROWD SCREAMS | 0:03:05 | 0:03:06 | |
Have you seen how many fans are out there? | 0:03:06 | 0:03:09 | |
Yeah, that's because they like me. | 0:03:09 | 0:03:11 | |
In fact, the only person who doesn't like me is my producer. | 0:03:11 | 0:03:14 | |
Your new single, what's wrong with it? | 0:03:14 | 0:03:16 | |
For a start, it's Calvin "LAHME"! | 0:03:16 | 0:03:17 | |
And look at my head. It should be twice as big! | 0:03:19 | 0:03:22 | |
I thought it was big enough already. | 0:03:22 | 0:03:24 | |
OK. All right, I'll sort it! | 0:03:24 | 0:03:26 | |
Just remember, Cuthbert, this face sells records. | 0:03:26 | 0:03:29 | |
HE SIGHS | 0:03:31 | 0:03:33 | |
Those fans, Spencer. Tell me those fans are going to pay. | 0:03:43 | 0:03:47 | |
-COMPUTER: -'Face scanning in progress.' | 0:04:00 | 0:04:03 | |
# Come on down to my party | 0:04:05 | 0:04:07 | |
# Yeah, yeah, yeah | 0:04:07 | 0:04:10 | |
# Dancing all night to my party | 0:04:10 | 0:04:13 | |
# Yeah, yeah, yeah | 0:04:13 | 0:04:15 | |
# Come on... # | 0:04:15 | 0:04:18 | |
Calvin Lame? | 0:04:18 | 0:04:19 | |
I say we arrest him for writing... | 0:04:19 | 0:04:21 | |
# Come on down to my party... # | 0:04:21 | 0:04:23 | |
ALL: # Yeah, yeah, yeah! # | 0:04:23 | 0:04:26 | |
Actually, he didn't write it. This man did. | 0:04:26 | 0:04:29 | |
His record producer, Cuthbert Peabody. | 0:04:29 | 0:04:31 | |
-So, that guy's a master criminal? -Possibly. | 0:04:31 | 0:04:33 | |
In recent weeks, top secret computer components have been stolen | 0:04:33 | 0:04:37 | |
-from this MI9 research unit. -How? There must be cameras all over. | 0:04:37 | 0:04:40 | |
Exactly. To bypass the cameras, the thief must have expert knowledge. | 0:04:40 | 0:04:44 | |
So, MI9 fitted some equipment with homing beacons, | 0:04:44 | 0:04:46 | |
and left it out as bait. | 0:04:46 | 0:04:48 | |
Sure enough, within days, it was stolen. | 0:04:48 | 0:04:50 | |
And they traced the beacon back to Peabody? | 0:04:50 | 0:04:52 | |
Sorry, but how does a music producer steal stuff from MI9? | 0:04:52 | 0:04:55 | |
That's your mission. Infiltrate CP Records and find out how. | 0:04:55 | 0:04:59 | |
And why. | 0:04:59 | 0:05:00 | |
Cool! How do we infiltrate a record company? | 0:05:00 | 0:05:03 | |
Zoe, are you sure about this? It could be really dangerous. | 0:05:08 | 0:05:11 | |
Oh, come on. He's going to be so excited about it. | 0:05:11 | 0:05:14 | |
What? | 0:05:15 | 0:05:16 | |
"Not in the diary?!" Listen, sweetie, do you know who I am? | 0:05:18 | 0:05:21 | |
Aneisha Jones, Britain's hottest new music agent. | 0:05:22 | 0:05:25 | |
So, either you make this happen, or Peabody's history, capisce? | 0:05:25 | 0:05:29 | |
Look... | 0:05:31 | 0:05:33 | |
you know I want a record deal, but what if he doesn't like me? | 0:05:33 | 0:05:36 | |
Byron, just be yourself. | 0:05:36 | 0:05:38 | |
And maybe floppy up your hair up a bit. | 0:05:38 | 0:05:41 | |
Mr Peabody will see you now. | 0:05:41 | 0:05:43 | |
Er, hello? This should have coffee in it. | 0:05:43 | 0:05:46 | |
# Music | 0:05:46 | 0:05:48 | |
# It's time to face | 0:05:48 | 0:05:50 | |
# The music | 0:05:50 | 0:05:52 | |
# The music, honey. # | 0:05:52 | 0:05:54 | |
Yeah, that's great, Calvin. That's a wrap. | 0:05:57 | 0:06:00 | |
And, more importantly... | 0:06:00 | 0:06:03 | |
my face code is now hidden in a pretty darn good pop song. | 0:06:03 | 0:06:08 | |
DOOR OPENS | 0:06:08 | 0:06:09 | |
Mr Peabody? Aneisha Jones. And this... | 0:06:12 | 0:06:15 | |
This is the next biggest thing in pop. | 0:06:15 | 0:06:18 | |
OVER RADIO: 'Zoe, use your spy pod to scan for concealed technology. | 0:06:21 | 0:06:24 | |
'We need to know what Cuthbert's doing with those stolen components.' | 0:06:24 | 0:06:28 | |
MACHINE BEEPS SLOWLY | 0:06:30 | 0:06:33 | |
MACHINE BEEPS FASTER | 0:06:38 | 0:06:42 | |
AIR DECOMPRESSES | 0:06:44 | 0:06:46 | |
# Yeah, I know that you love me... # | 0:07:02 | 0:07:06 | |
THEY SNIGGER | 0:07:06 | 0:07:10 | |
# Yeah, I know that you love me. # | 0:07:10 | 0:07:16 | |
Wait! Why are you laughing at him? | 0:07:16 | 0:07:19 | |
Because on here is Calvin's new single... | 0:07:19 | 0:07:24 | |
which will doubtless be downloaded by millions of his stupid fans. | 0:07:24 | 0:07:27 | |
-Hey! -So, I don't need you, | 0:07:27 | 0:07:29 | |
and I don't need Mr Moany, moany, moan, moan... | 0:07:29 | 0:07:33 | |
At least I write my own songs! All you care about is making money. | 0:07:33 | 0:07:36 | |
OK, now why don't you just calm down and give me that back? | 0:07:36 | 0:07:40 | |
All I want is a chance to record one song, and... | 0:07:40 | 0:07:44 | |
-and maybe a music video. -Byron! | 0:07:44 | 0:07:45 | |
I just want everyone at school to see I'm a not a loser. | 0:07:45 | 0:07:49 | |
So, what'll it be? | 0:07:49 | 0:07:50 | |
HE SIGHS | 0:07:53 | 0:07:54 | |
The Minister's seeing the transmorpher at noon. | 0:07:58 | 0:08:01 | |
We've got an hour to get the song and get out of here. | 0:08:01 | 0:08:03 | |
Look on the bright side, guys. | 0:08:03 | 0:08:05 | |
What better way to promote my new single? | 0:08:05 | 0:08:09 | |
Please can I have an autograph for my friend? He's called Frank. | 0:08:09 | 0:08:12 | |
Get a life! | 0:08:12 | 0:08:13 | |
Hey, guys, look who's here! | 0:08:13 | 0:08:15 | |
CHEERING | 0:08:15 | 0:08:16 | |
Maybe Byron was doing us a favour. | 0:08:16 | 0:08:18 | |
At least this way we can keep an eye on Cuthbert. | 0:08:18 | 0:08:21 | |
Now, look here. You're making no such pop video... | 0:08:21 | 0:08:24 | |
even it is for this "Lame" character. | 0:08:24 | 0:08:27 | |
Ah, but it's not for him, is it?! | 0:08:27 | 0:08:30 | |
It's for... | 0:08:30 | 0:08:31 | |
Byron. | 0:08:31 | 0:08:32 | |
Byron?! | 0:08:34 | 0:08:35 | |
I say, how exciting! | 0:08:35 | 0:08:37 | |
CROWD CHANTS: Video! Video! | 0:08:37 | 0:08:40 | |
# It's hard to say I love you | 0:08:40 | 0:08:43 | |
# But I know that you love me. # | 0:08:43 | 0:08:47 | |
CHEERING AND APPLAUSE | 0:08:47 | 0:08:49 | |
Hey, Byron. Maybe I could play a backing dancer? | 0:09:07 | 0:09:10 | |
And I don't know if you've noticed, | 0:09:10 | 0:09:12 | |
but I'm the only one that can sing in tune around here. | 0:09:12 | 0:09:14 | |
Hey, where did Cuthbert go?! | 0:09:14 | 0:09:16 | |
HE GASPS | 0:09:19 | 0:09:21 | |
Good question. | 0:09:21 | 0:09:23 | |
Get off! | 0:09:23 | 0:09:25 | |
ENGINE REVS, TYRES SQUEAL | 0:09:27 | 0:09:29 | |
Cuthbert! | 0:09:30 | 0:09:33 | |
You can't go without ME! | 0:09:33 | 0:09:36 | |
Cuthbert?! | 0:09:36 | 0:09:38 | |
-We didn't mean to let him get away. -We were being happy for Byron. | 0:09:42 | 0:09:45 | |
The main thing is the designs. Tom's made progress. | 0:09:45 | 0:09:48 | |
It's a face scanner, part of a machine called the transmorpher. | 0:09:48 | 0:09:52 | |
Yes. It's situated at the MI9 unit where Stella's been working, | 0:09:52 | 0:09:55 | |
from where those computer components were stolen. | 0:09:55 | 0:09:57 | |
He could've used them to make a face scanner. | 0:09:57 | 0:10:00 | |
-OK, one question. Why? -We don't know. | 0:10:00 | 0:10:02 | |
The scanner turns the face into a sonic code. | 0:10:02 | 0:10:04 | |
To actually use it, you need the transmorpher. | 0:10:04 | 0:10:07 | |
Good luck with stealing that thing! | 0:10:07 | 0:10:09 | |
But the Minister for Security is coming for a demonstration today. | 0:10:09 | 0:10:12 | |
Meanwhile, you've got a security leak. | 0:10:12 | 0:10:14 | |
I need you here, to protect the minister and the machine. | 0:10:14 | 0:10:18 | |
-You have 15 minutes! -We need to go. Tom, stay on comms. | 0:10:18 | 0:10:21 | |
Zoe, keep an eye on Calvin Lahme. He may be involved. | 0:10:21 | 0:10:24 | |
Minister, it's an honour. | 0:10:38 | 0:10:40 | |
Oh, please. I do love a bit of techno wizardry. | 0:10:40 | 0:10:42 | |
Blue suit. Red tie. | 0:10:44 | 0:10:45 | |
Honestly, the man's got no sense of style. | 0:10:46 | 0:10:49 | |
The transmorpher, Minister, represents the ultimate in disguise. | 0:10:49 | 0:10:54 | |
No longer must we rely on costume, make-up and prosthetics. | 0:10:54 | 0:10:57 | |
Now we can change an agent's face entirely. | 0:10:57 | 0:11:00 | |
So, whose face are you going to give him? | 0:11:00 | 0:11:02 | |
I thought my colleague, Frank London. | 0:11:02 | 0:11:05 | |
But don't worry, sir. The process is completely reversible. | 0:11:05 | 0:11:08 | |
Yes. Very funny. | 0:11:08 | 0:11:10 | |
-Again? -No, you're my favourite singer just now. | 0:11:10 | 0:11:13 | |
Hey, Byron, have you seen Calvin? | 0:11:13 | 0:11:15 | |
Byron? Byron! | 0:11:17 | 0:11:20 | |
Zoe, can you get a life?! | 0:11:20 | 0:11:22 | |
-GIRL GIGGLES -Just sign here... | 0:11:22 | 0:11:24 | |
Thank you for agreeing to be the test subject | 0:11:32 | 0:11:34 | |
for this demonstration, Minister. | 0:11:34 | 0:11:36 | |
Frank? | 0:11:36 | 0:11:38 | |
First, Frank's face is converted into a sonic face code... | 0:11:38 | 0:11:41 | |
-COMPUTER: -'Face scanning in progress.' | 0:11:41 | 0:11:43 | |
# You're beautiful inside You know... # | 0:11:51 | 0:11:54 | |
'Creating face code...' | 0:11:54 | 0:11:56 | |
The code is then loaded into the transmorpher, | 0:11:56 | 0:11:59 | |
which converts it into transmorphic sonic waves. | 0:11:59 | 0:12:02 | |
Those alter your entire appearance. | 0:12:02 | 0:12:06 | |
So, if you're ready, sir? | 0:12:06 | 0:12:07 | |
'Face code accepted.' | 0:12:07 | 0:12:09 | |
Activate! | 0:12:09 | 0:12:10 | |
'Transmorphing in three...' | 0:12:12 | 0:12:15 | |
'two...' | 0:12:15 | 0:12:16 | |
'one.' | 0:12:16 | 0:12:18 | |
MUSIC PLAYS SOFTLY | 0:12:18 | 0:12:20 | |
'Face change complete.' | 0:12:31 | 0:12:33 | |
So... | 0:12:41 | 0:12:43 | |
How do I look? | 0:12:48 | 0:12:50 | |
Now, why don't you listen to me, Mr McNab? | 0:12:54 | 0:12:57 | |
I need you to get me a limo, pronto. | 0:12:57 | 0:13:00 | |
Do you think you can do that? Do you think you could manage that?! | 0:13:00 | 0:13:04 | |
Just pick up the phone and say, "I need a limo for Mr Lame." | 0:13:04 | 0:13:07 | |
It's not "Lame", it's "Lahme", do you understand that? | 0:13:07 | 0:13:10 | |
Why are you hiding? | 0:13:13 | 0:13:15 | |
Everybody thinks I'm interesting, have cool stuff to say... | 0:13:15 | 0:13:19 | |
-Like, "Get a life." -No, look... | 0:13:19 | 0:13:22 | |
I'm sorry. That wasn't me. | 0:13:22 | 0:13:25 | |
You know how... | 0:13:25 | 0:13:26 | |
..sometimes you're someone, and in school, you're someone else? | 0:13:27 | 0:13:32 | |
I can relate to that. | 0:13:32 | 0:13:33 | |
At home, I'm just Brian. | 0:13:35 | 0:13:38 | |
Brian Ditchwater. | 0:13:38 | 0:13:40 | |
Dull as ditchwater. | 0:13:40 | 0:13:43 | |
I thought if I was Byron, people would like me more. | 0:13:43 | 0:13:46 | |
Well, they seem to now. | 0:13:46 | 0:13:48 | |
It's only cos I made a pop video. | 0:13:48 | 0:13:50 | |
You were the only one that listened to me before. | 0:13:51 | 0:13:54 | |
I told you to get a life. | 0:13:54 | 0:13:56 | |
I'm just as bad as him. | 0:13:56 | 0:13:58 | |
Just listen to me, actually. I have to get out of here! | 0:13:58 | 0:14:01 | |
Do you have any idea what it's like to have hundreds of screaming fans? | 0:14:01 | 0:14:05 | |
"Oh, we love you, Calvin! Oh, we love you, Calvin!" | 0:14:05 | 0:14:08 | |
They're driving me bonkers! | 0:14:08 | 0:14:10 | |
CROWD SIGHS | 0:14:10 | 0:14:12 | |
Guys... | 0:14:13 | 0:14:15 | |
Guys! Come on. Joke. | 0:14:15 | 0:14:19 | |
Please, I was joking. | 0:14:19 | 0:14:21 | |
I'm guessing Cuthbert's involved. | 0:14:21 | 0:14:23 | |
I don't understand. The transmorpher should've contained Frank's code. | 0:14:23 | 0:14:27 | |
My ears! What have you done to me?! | 0:14:27 | 0:14:30 | |
We've already scanned your face. I CAN change you back, I promise! | 0:14:30 | 0:14:34 | |
It's just a smoke grenade. | 0:14:37 | 0:14:40 | |
It does make a bit of a bang. | 0:14:40 | 0:14:41 | |
EXPLOSION, ALARMS WAIL | 0:14:44 | 0:14:46 | |
You two, outside. We'll guard the Minister. | 0:14:46 | 0:14:48 | |
Minister. I thought we left you inside. | 0:14:55 | 0:14:58 | |
I snuck out the back to give you chaps a hand. | 0:14:58 | 0:15:00 | |
Hey, maybe I should have one of those. | 0:15:00 | 0:15:02 | |
I'm the Minister for Security! | 0:15:04 | 0:15:05 | |
Look out! | 0:15:08 | 0:15:09 | |
BUZZING | 0:15:09 | 0:15:11 | |
HE WHISTLES | 0:15:11 | 0:15:12 | |
Relax, Minister. Those guards are ready for anything. | 0:15:15 | 0:15:18 | |
Freeze! Nobody move. | 0:15:18 | 0:15:20 | |
I thought you said they were ready for anything! | 0:15:20 | 0:15:23 | |
Good afternoon. | 0:15:23 | 0:15:24 | |
Oh, yes, but perhaps not ready for that. | 0:15:26 | 0:15:28 | |
Spencer... | 0:15:28 | 0:15:30 | |
Good old-fashioned disguises. Always the best. | 0:15:35 | 0:15:38 | |
And guess who stole those computer parts. | 0:15:38 | 0:15:40 | |
Hands up! | 0:15:40 | 0:15:42 | |
Or whatever people do in these situations... | 0:15:42 | 0:15:45 | |
PENCIL BEEPS | 0:15:46 | 0:15:48 | |
COMPUTER BEEPS LOUDLY | 0:15:49 | 0:15:51 | |
Yo, Danny boy. How's it going? | 0:15:53 | 0:15:55 | |
Dan? Dan? | 0:15:57 | 0:16:00 | |
-OVER RADIO: -'Tie them up, and make it tight.' | 0:16:00 | 0:16:02 | |
'What better way to breach your defences' | 0:16:02 | 0:16:05 | |
than making the Minister for Security look like me? | 0:16:05 | 0:16:08 | |
And I'd imagine you'd like to know HOW I did this. | 0:16:08 | 0:16:13 | |
Spencer, I feel like a tune. | 0:16:13 | 0:16:15 | |
Don't you? | 0:16:15 | 0:16:17 | |
# You're beautiful inside You know... # | 0:16:17 | 0:16:21 | |
It's Calvin's new song. | 0:16:21 | 0:16:22 | |
Written by me, and containing my very own face code... | 0:16:22 | 0:16:27 | |
which, by the looks of things, got into the machine before yours did. | 0:16:27 | 0:16:30 | |
Blimey, my ears are big! | 0:16:32 | 0:16:34 | |
(I hope you're getting all this.) | 0:16:38 | 0:16:40 | |
I'll arrange for a SWAT team. | 0:16:40 | 0:16:42 | |
-Tom, what's happening? -A hostage situation. | 0:16:42 | 0:16:44 | |
I don't know if Calvin's involved. Keep an eye on him just in case. | 0:16:44 | 0:16:48 | |
You know... | 0:16:56 | 0:16:57 | |
..when I was young... | 0:16:58 | 0:17:00 | |
..all I wanted to be... | 0:17:02 | 0:17:03 | |
..was a pop star. | 0:17:04 | 0:17:06 | |
But, apparently... | 0:17:07 | 0:17:08 | |
MICROPHONE FEEDBACK | 0:17:08 | 0:17:10 | |
"..I didn't have the right face." | 0:17:10 | 0:17:12 | |
Here we go. Issues. | 0:17:12 | 0:17:14 | |
Yes, "issues," and my "issue" is that people are morons. | 0:17:14 | 0:17:21 | |
They don't care about music, | 0:17:21 | 0:17:23 | |
they just want some chisel-jawed poster boy. | 0:17:23 | 0:17:25 | |
-I get it. So, you started writing songs for Calvin instead? -Exactly. | 0:17:25 | 0:17:29 | |
15 number ones, I've written. | 0:17:29 | 0:17:32 | |
And yet, how many people recognise me out in the street? | 0:17:34 | 0:17:38 | |
Huh? | 0:17:38 | 0:17:39 | |
They think I'm a nobody. | 0:17:39 | 0:17:41 | |
But I'm not a nobody! | 0:17:41 | 0:17:43 | |
I'm a... | 0:17:45 | 0:17:47 | |
-I'm a... -Peabody? | 0:17:47 | 0:17:49 | |
Spencer... | 0:17:53 | 0:17:55 | |
Tell me you've hacked into Squizzle FM. | 0:17:56 | 0:17:59 | |
No. No. | 0:18:09 | 0:18:11 | |
No, he can't. | 0:18:11 | 0:18:12 | |
He's sending transmorphic waves down the radio. | 0:18:14 | 0:18:17 | |
Millions will be listening. They'll all be transmorphed! | 0:18:17 | 0:18:20 | |
-COMPUTER: -'Face code accepted.' | 0:18:20 | 0:18:22 | |
'Transmorphing in three...' | 0:18:30 | 0:18:32 | |
Now, the whole world... | 0:18:32 | 0:18:34 | |
'..two...' | 0:18:34 | 0:18:36 | |
-..will know my face! -'..one.' | 0:18:36 | 0:18:39 | |
# You're beautiful inside, you know | 0:18:39 | 0:18:43 | |
# It matters more than what's on show | 0:18:43 | 0:18:47 | |
# Even though you hide in the crowd | 0:18:47 | 0:18:51 | |
# We can't all be upfront and loud | 0:18:51 | 0:18:55 | |
# Everybody knows my face and name...# | 0:18:55 | 0:18:58 | |
SHE SCREAMS | 0:18:58 | 0:19:00 | |
# Going to be a winner in the fame game | 0:19:00 | 0:19:04 | |
# Come on, baby, feel the vibe | 0:19:04 | 0:19:06 | |
# Every time... # | 0:19:06 | 0:19:09 | |
You've got to do something! | 0:19:09 | 0:19:11 | |
-I know. I heard the song over comms. -'How come our faces weren't changed?' | 0:19:11 | 0:19:15 | |
The waves only went over Squizzle. But millions listen to that. | 0:19:15 | 0:19:18 | |
-You'll never get away with this! -Oh, really? | 0:19:18 | 0:19:21 | |
But if millions of people look like me, | 0:19:22 | 0:19:26 | |
how will you find me? | 0:19:26 | 0:19:27 | |
The most famous face ON THE PLANET... | 0:19:27 | 0:19:30 | |
..and there's nothing you can do about it. | 0:19:32 | 0:19:34 | |
If I could work out the opposite code, | 0:19:37 | 0:19:39 | |
I could change everyone's faces back. | 0:19:39 | 0:19:41 | |
But that could take years! | 0:19:41 | 0:19:42 | |
'Pity we can't just play the opposite song.' | 0:19:42 | 0:19:46 | |
Say that again? | 0:19:46 | 0:19:47 | |
Shame we can't just play the opposite song. | 0:19:47 | 0:19:50 | |
Wait! Maybe we could. | 0:19:50 | 0:19:52 | |
The code makes up the song. | 0:19:52 | 0:19:53 | |
So, the opposite notes would make the opposite code. | 0:19:53 | 0:19:56 | |
Did I just have a better idea than you? | 0:19:56 | 0:19:58 | |
There's only one problem. I can't play music. | 0:19:58 | 0:20:01 | |
No. But we know someone who can. | 0:20:01 | 0:20:03 | |
We should get out of here. Destroy the machine! | 0:20:05 | 0:20:08 | |
Zoe, we need you quick! | 0:20:16 | 0:20:18 | |
I'm on it! | 0:20:18 | 0:20:19 | |
This is all Donaldson's fault. | 0:20:19 | 0:20:22 | |
Donaldson! | 0:20:22 | 0:20:24 | |
Mother, it's me, Kenneth. | 0:20:24 | 0:20:25 | |
You know you said you'd love me no matter what...? | 0:20:25 | 0:20:29 | |
At least you're not listening to Squizzle. | 0:20:32 | 0:20:34 | |
Byron, I need you... | 0:20:34 | 0:20:35 | |
Byron? What's with your hair? | 0:20:35 | 0:20:38 | |
Today made me realise... | 0:20:38 | 0:20:40 | |
Byron was an idiot. | 0:20:40 | 0:20:41 | |
So, from now on, it's Brian... | 0:20:41 | 0:20:44 | |
and no more stupid songs. | 0:20:44 | 0:20:47 | |
ELECTRICITY CRACKLES | 0:20:47 | 0:20:49 | |
Get out. | 0:20:54 | 0:20:56 | |
I've got it. | 0:20:59 | 0:21:01 | |
-COMPUTER: -'Warning. Warning. Warning. Warning.' | 0:21:02 | 0:21:04 | |
'Error. Error' | 0:21:04 | 0:21:06 | |
'Warning. Warning. Warning. Warning..' | 0:21:06 | 0:21:08 | |
GRUNTING AND GASPING | 0:21:08 | 0:21:10 | |
I'll handle him. You take care of the machine. | 0:21:11 | 0:21:14 | |
'Warning. Warning. Warning. Warning.' | 0:21:30 | 0:21:34 | |
The transmorpher! It's malfunctioning! | 0:21:37 | 0:21:39 | |
-I can't get out! -Aneisha?! | 0:21:39 | 0:21:41 | |
'Transmorphing in three...' | 0:21:41 | 0:21:43 | |
'two...' | 0:21:43 | 0:21:45 | |
'one...' | 0:21:45 | 0:21:46 | |
Zoe, come on! We need that music! | 0:21:47 | 0:21:50 | |
Brian, please. Just because you're famous, | 0:21:50 | 0:21:52 | |
doesn't mean you have to turn into Calvin Lame. | 0:21:52 | 0:21:55 | |
No! It's a slippery slope. | 0:21:55 | 0:21:57 | |
I'm not ending up like that. | 0:21:57 | 0:21:59 | |
Brian, please. Just play one last song... | 0:21:59 | 0:22:02 | |
Just for me? | 0:22:02 | 0:22:03 | |
I can't. I don't even have a guitar. | 0:22:05 | 0:22:07 | |
How about this one? | 0:22:07 | 0:22:09 | |
Figured I should make at least one friend around here. | 0:22:13 | 0:22:16 | |
-Yeah. Now you can play the song together! -Yeah! | 0:22:16 | 0:22:19 | |
-What song? -Your new single. | 0:22:19 | 0:22:21 | |
I've had enough of that cheesy rubbish. | 0:22:21 | 0:22:23 | |
No, not the cheesy pop version. What would be the exact opposite? | 0:22:23 | 0:22:26 | |
Well, I could change the happy major notes to sad minor notes, I guess. | 0:22:26 | 0:22:30 | |
If only I had the music... | 0:22:30 | 0:22:32 | |
-COMPUTER: -'Error, error. System critical. Overload imminent.' | 0:22:34 | 0:22:37 | |
It's everybody who's ever been scanned into the machine! | 0:22:37 | 0:22:40 | |
Never mind that. It's going to explode! | 0:22:40 | 0:22:43 | |
Dan, you've got to get her out! | 0:22:43 | 0:22:44 | |
It's been a while since I jammed... | 0:22:46 | 0:22:49 | |
One, two, three, four... | 0:22:49 | 0:22:51 | |
# You're beautiful... # | 0:22:57 | 0:22:59 | |
The opposite song, and it's creating the reverse face code. | 0:22:59 | 0:23:02 | |
Never thought I'd say this, but let's play Byron loud! | 0:23:03 | 0:23:07 | |
# Even though you hide in the crowd... # | 0:23:08 | 0:23:12 | |
'Warning. Error. Error.' | 0:23:12 | 0:23:14 | |
# We can't all be upfront and loud... # | 0:23:14 | 0:23:17 | |
That noise. What is that? | 0:23:17 | 0:23:19 | |
# Everybody knows my face and name | 0:23:19 | 0:23:24 | |
# Going to be a winner in this fame game | 0:23:24 | 0:23:29 | |
# Every time... # | 0:23:29 | 0:23:31 | |
The music. Where's it coming from?! | 0:23:31 | 0:23:34 | |
# NY City | 0:23:34 | 0:23:37 | |
# I'm sitting pretty... # | 0:23:37 | 0:23:39 | |
-COMPUTER: -'Face code accepted.' | 0:23:39 | 0:23:41 | |
'Reversing transmorphing. In three... | 0:23:41 | 0:23:45 | |
'two, | 0:23:45 | 0:23:47 | |
'one...' | 0:23:47 | 0:23:48 | |
No! | 0:23:48 | 0:23:50 | |
# It matters more | 0:23:50 | 0:23:52 | |
# Than what's on show | 0:23:52 | 0:23:56 | |
# Even though you hide in the crowd | 0:23:56 | 0:24:01 | |
# We can't all be upfront and loud... # | 0:24:01 | 0:24:04 | |
'Dan, to change everyone back,' | 0:24:04 | 0:24:06 | |
you have to make sure this is going through Squizzle. | 0:24:06 | 0:24:08 | |
# Everybody knows my face and name... # | 0:24:08 | 0:24:10 | |
It's going down Squizzle FM. | 0:24:10 | 0:24:12 | |
# I'm going to be a winner in this fame game... # | 0:24:12 | 0:24:15 | |
Donaldson... | 0:24:15 | 0:24:17 | |
# LA town | 0:24:17 | 0:24:20 | |
# You can't keep me down | 0:24:20 | 0:24:23 | |
# NY City | 0:24:23 | 0:24:26 | |
# I'm sitting pretty | 0:24:26 | 0:24:28 | |
# It's time to face the music | 0:24:28 | 0:24:33 | |
# It's time to face the music | 0:24:33 | 0:24:38 | |
# The music now. # | 0:24:38 | 0:24:41 | |
Well, you were rubbish. | 0:24:47 | 0:24:48 | |
What's going on?! | 0:24:52 | 0:24:53 | |
THEY LAUGH | 0:24:53 | 0:24:55 | |
Hey! Keep your hands off me. Behave yourself. | 0:24:56 | 0:24:59 | |
Weird person. | 0:24:59 | 0:25:01 | |
-Freeze! -MI9, nobody move! | 0:25:04 | 0:25:06 | |
Stay where you are, you're under arrest. | 0:25:06 | 0:25:08 | |
Hands up... | 0:25:10 | 0:25:11 | |
or whatever they say in this situation. | 0:25:11 | 0:25:13 | |
HE GROWLS | 0:25:18 | 0:25:20 | |
Hey, look who it is. | 0:25:23 | 0:25:25 | |
Listen, guys, I was an idiot. | 0:25:25 | 0:25:27 | |
I know I disrespected the people who got me where I am today. | 0:25:27 | 0:25:31 | |
You know, the top. | 0:25:31 | 0:25:32 | |
So, to say I'm sorry... | 0:25:32 | 0:25:35 | |
how about...free tickets to my next concert? | 0:25:35 | 0:25:39 | |
For everyone. | 0:25:39 | 0:25:41 | |
CROWD CHEERS AND SHOUTS | 0:25:41 | 0:25:43 | |
Maybe we could go together? | 0:25:44 | 0:25:47 | |
Yeah, that would be great! | 0:25:47 | 0:25:48 | |
I thought he was never going to ask you out on a date. | 0:25:53 | 0:25:55 | |
A date? | 0:25:55 | 0:25:57 | |
And Byron... | 0:26:00 | 0:26:02 | |
I posted your video on the internet. | 0:26:02 | 0:26:04 | |
And guess what? | 0:26:04 | 0:26:06 | |
You went straight to number one! | 0:26:06 | 0:26:08 | |
CHEERING AND APPLAUSE | 0:26:08 | 0:26:10 | |
Number one in Boldovia, but, you know... | 0:26:10 | 0:26:12 | |
Look at that! | 0:26:14 | 0:26:16 | |
You should have it. | 0:26:22 | 0:26:24 | |
Don't let it get to your head. | 0:26:26 | 0:26:27 | |
Thanks, Brian. | 0:26:27 | 0:26:29 | |
I think it's really cool that you're still able to be yourself. | 0:26:29 | 0:26:32 | |
Are you kidding?! | 0:26:32 | 0:26:33 | |
People don't want Brian. They want Byron. | 0:26:35 | 0:26:38 | |
Now, if you'll excuse me, I've got to mingle and stuff. | 0:26:38 | 0:26:42 | |
You know, I never did see his music video. | 0:26:44 | 0:26:47 | |
I mean, seriously, can you imagine? | 0:26:47 | 0:26:49 | |
THEY CHUCKLE | 0:26:49 | 0:26:50 | |
# Life is hard | 0:26:50 | 0:26:53 | |
# Like a school rice pudding | 0:26:53 | 0:26:57 | |
# When you've got no friends | 0:26:57 | 0:26:59 | |
# And you're this good-looking | 0:26:59 | 0:27:02 | |
# I'm feeling like an orange | 0:27:03 | 0:27:06 | |
# I'm peeling my soul bare | 0:27:06 | 0:27:09 | |
# And you know that I'm deep | 0:27:09 | 0:27:12 | |
# Cos I've got floppy hair | 0:27:12 | 0:27:16 | |
# It's hard to be a teen | 0:27:16 | 0:27:18 | |
# But harder to be me | 0:27:18 | 0:27:22 | |
# Harder than exams | 0:27:22 | 0:27:25 | |
# Or than a frozen pea | 0:27:25 | 0:27:28 | |
# It's hard to be a teen | 0:27:28 | 0:27:31 | |
# But harder to be me | 0:27:31 | 0:27:34 | |
# Harder than Pythagoras | 0:27:34 | 0:27:37 | |
# And harder than PE | 0:27:37 | 0:27:40 | |
# It's hard to be amazing | 0:27:40 | 0:27:43 | |
# And harder to be free | 0:27:43 | 0:27:46 | |
# Hard to say I love you | 0:27:46 | 0:27:49 | |
# But I know that you love me | 0:27:49 | 0:27:54 | |
# Yeah, I know that you love me. # | 0:27:58 | 0:28:04 | |
Subtitles by Red Bee Media Ltd | 0:28:07 | 0:28:10 |