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There's been a lot of drama in our house recently. | 0:00:02 | 0:00:05 | |
Not bad drama. | 0:00:05 | 0:00:06 | |
Theatrical drama. | 0:00:06 | 0:00:08 | |
They've finally announced that the school play is going to be... | 0:00:08 | 0:00:11 | |
-Romeo... -And Juliet. | 0:00:11 | 0:00:13 | |
Goodnight, goodnight. | 0:00:13 | 0:00:15 | |
Parting is such sweet sorrow | 0:00:15 | 0:00:17 | |
that I shall say goodnight till it be morrow. | 0:00:17 | 0:00:21 | |
Huh... | 0:00:21 | 0:00:23 | |
See what I mean? The auditions are today and all of the lead roles are | 0:00:23 | 0:00:27 | |
going to Lauren's year group. | 0:00:27 | 0:00:29 | |
But Lauren's not the only person who thinks they deserve one. | 0:00:29 | 0:00:32 | |
A plague on both your houses. | 0:00:33 | 0:00:35 | |
These auditions cannot come quick enough. | 0:00:38 | 0:00:41 | |
Fare thee well. | 0:00:44 | 0:00:46 | |
THEME MUSIC PLAYS | 0:00:46 | 0:00:52 | |
It's been a week since the school show auditions and the cast list | 0:01:17 | 0:01:20 | |
went up today. The thing is, Ms Conway, the drama teacher, | 0:01:20 | 0:01:25 | |
hasn't exactly gone for traditional casting. | 0:01:25 | 0:01:28 | |
Friar Lauren! | 0:01:28 | 0:01:30 | |
I mean, do I look like a friar? | 0:01:30 | 0:01:31 | |
I can't even fry an egg. | 0:01:31 | 0:01:33 | |
That's why they call it acting. | 0:01:33 | 0:01:35 | |
Anyway, he's not that kind of fryer. | 0:01:35 | 0:01:37 | |
So, what's he like? | 0:01:37 | 0:01:38 | |
He makes dodgy plans and schemes that ends in complete disaster. | 0:01:38 | 0:01:41 | |
Oh, so I'll base my character on you, then. | 0:01:41 | 0:01:44 | |
Ms Conway has decided to go for cross casting which means the girls | 0:01:46 | 0:01:51 | |
are playing boys and the boys are playing... | 0:01:51 | 0:01:53 | |
Juliet! | 0:01:53 | 0:01:55 | |
How can I be Juliet? | 0:01:55 | 0:01:57 | |
I think it's a great new way to do a really, really old play. | 0:01:57 | 0:02:00 | |
Well, I think it's stupid. | 0:02:00 | 0:02:02 | |
So you're not taking the part? | 0:02:02 | 0:02:04 | |
Of course I am. It's the lead role. | 0:02:04 | 0:02:05 | |
His ego doth know no bounds. | 0:02:08 | 0:02:10 | |
A-ha! Just the man I was looking for. | 0:02:13 | 0:02:16 | |
-You mean girl. -Do I? | 0:02:16 | 0:02:18 | |
-What's up? -Fast, mean, racing machines. | 0:02:18 | 0:02:21 | |
Kart Attacks. The third-biggest local go-kart racing competition. | 0:02:21 | 0:02:26 | |
You get to design, build and race the go-kart of your dreams. | 0:02:26 | 0:02:29 | |
You dream about go-karts? | 0:02:29 | 0:02:31 | |
Yeah. Craig and I designed the ultimate go-kart. | 0:02:31 | 0:02:33 | |
We called it The Incinerator because all the other karts are | 0:02:33 | 0:02:37 | |
-going to get BURNED. -Cool. | 0:02:37 | 0:02:39 | |
So, we signed up for the race ages ago. | 0:02:39 | 0:02:41 | |
-And Craig's not here to help me build it so I thought maybe you could. -Go-karts? No clue. | 0:02:41 | 0:02:46 | |
Gold, I could help you with, if I had the time. | 0:02:46 | 0:02:48 | |
-But now I have rehearsals every day after school. -Oh, not to worry. | 0:02:48 | 0:02:51 | |
I guess The Incinerator can wait for another year. | 0:02:51 | 0:02:54 | |
Oh, no, don't put it off. | 0:02:54 | 0:02:55 | |
-Why don't you ask Jake? -That is a great idea. | 0:02:55 | 0:02:59 | |
Ho-ho! This go-kart's going to make the Batmobile look like a tricycle. | 0:02:59 | 0:03:02 | |
Wow. And I thought I was competitive. | 0:03:02 | 0:03:04 | |
I've decided that I'm fine with being cast as a man. | 0:03:10 | 0:03:12 | |
I'm just going to pretend like I'm a girl but less cool. | 0:03:12 | 0:03:15 | |
Ah, that's great, love. But what made you change your mind? | 0:03:15 | 0:03:18 | |
It's actually a really important part. | 0:03:18 | 0:03:20 | |
Nothing exciting would happen if it wasn't for the friar. | 0:03:20 | 0:03:23 | |
In fact, the play should be called Romeo and Juliet and the Friar. | 0:03:23 | 0:03:26 | |
It's not the catchiest title, is it? | 0:03:26 | 0:03:28 | |
Whatever. As long as I get a cute costume. | 0:03:28 | 0:03:30 | |
You'll be the most stunning friar ever. | 0:03:30 | 0:03:32 | |
I don't know why all these Hollywood actors go on about it being such a | 0:03:32 | 0:03:35 | |
hard job. All I've got to do is put on a dress and talk in a | 0:03:35 | 0:03:38 | |
high-pitched voice. Part sorted. | 0:03:38 | 0:03:40 | |
-Is that, like, a joke? -No. | 0:03:41 | 0:03:44 | |
Is that actually all you think there is to being a girl? | 0:03:44 | 0:03:47 | |
Course not. I think that's all I need to do to pretend to be one. | 0:03:47 | 0:03:50 | |
Hey, Juliet, one of Shakespeare's greatest female characters, | 0:03:50 | 0:03:55 | |
I think you'll find it's a little bit more complex than that, Leo. | 0:03:55 | 0:03:58 | |
Complex? She's just a young girl. | 0:03:58 | 0:03:59 | |
-Right, Declan? -You know no-one thinks like that any more, right? | 0:03:59 | 0:04:03 | |
Well, except Leo, who is apparently 1,000 years old. | 0:04:03 | 0:04:06 | |
You deserve that, mate. | 0:04:11 | 0:04:13 | |
Welcome. Millie's through there. | 0:04:18 | 0:04:19 | |
I came straight away, just like you said. | 0:04:19 | 0:04:22 | |
Now let's build a gold car. | 0:04:22 | 0:04:23 | |
You do know I said go-kart, right? | 0:04:23 | 0:04:26 | |
-That'll be a lot easier. -Thanks for agreeing to do this with me, Jake. | 0:04:26 | 0:04:29 | |
I used to have Craig to do all my boy stuff with. | 0:04:29 | 0:04:31 | |
Why not ask Leo? | 0:04:31 | 0:04:32 | |
He's busy becoming Juliet. | 0:04:32 | 0:04:34 | |
Long story. Now, let me introduce you to The Incinerator. | 0:04:34 | 0:04:40 | |
Looks like a shopping trolley. | 0:04:40 | 0:04:42 | |
This go-kart has maximum visibility due to its elevated driving position. | 0:04:42 | 0:04:47 | |
And the lateral bumpers protect it from collisions. | 0:04:47 | 0:04:49 | |
And a three-speed gearbox to optimise acceleration. | 0:04:49 | 0:04:53 | |
-Wow. -I know. | 0:04:53 | 0:04:55 | |
I understood, like, 2% of that. | 0:04:55 | 0:04:57 | |
But when do we get to hammer stuff? | 0:04:57 | 0:04:59 | |
-You do know what a go-kart is, right? -Totally. -Great. | 0:04:59 | 0:05:03 | |
But why build that when we could build a time machine? | 0:05:03 | 0:05:07 | |
-Oh! -Don't mind me. | 0:05:07 | 0:05:09 | |
OK, let's go back to the start. | 0:05:09 | 0:05:11 | |
Now, we have elevated seating. | 0:05:11 | 0:05:14 | |
Ooh, you sure you want to do that? It's going to slow you down. | 0:05:14 | 0:05:18 | |
-Says who? -The laws of physics. | 0:05:18 | 0:05:20 | |
You see, the high driver will increase air resistance. | 0:05:20 | 0:05:23 | |
But if you lower the seat, it will be more aerodynamic. | 0:05:23 | 0:05:26 | |
Or you could just add a spoiler. | 0:05:26 | 0:05:27 | |
No, don't tell me what happens at the end. | 0:05:27 | 0:05:29 | |
But then I'd have to redo all my designs. | 0:05:29 | 0:05:32 | |
-Well, I could help you. -No, it's all right, I've got Dec... | 0:05:32 | 0:05:35 | |
..helping me. | 0:05:35 | 0:05:36 | |
Is it because I'm a girl? | 0:05:38 | 0:05:39 | |
No, no. I'll have you know I'm a proud feminist. | 0:05:39 | 0:05:42 | |
But you said this was boys' stuff. | 0:05:42 | 0:05:44 | |
You're hired. Welcome to Team Speed Demon. | 0:05:45 | 0:05:49 | |
So how's everything with your parents? | 0:05:53 | 0:05:55 | |
It's going to run and run. | 0:05:55 | 0:05:56 | |
Dad's back. Now he wants us all to go on holiday, to work things out. | 0:05:56 | 0:05:59 | |
That doesn't sound too bad. | 0:05:59 | 0:06:01 | |
Hiking on Orkney. | 0:06:01 | 0:06:02 | |
Like, my mum's favourite thing. | 0:06:02 | 0:06:04 | |
-How was rehearsal? -Oh, great, for some of us. | 0:06:06 | 0:06:09 | |
Complete waste of time. | 0:06:09 | 0:06:11 | |
Why are we even doing this play? | 0:06:11 | 0:06:12 | |
It's over 400 years old. | 0:06:12 | 0:06:14 | |
So nearly as old as your attitudes about girls, then. | 0:06:14 | 0:06:16 | |
Leo's just mad because Ms Conway said that Juliet is meant to be a | 0:06:16 | 0:06:20 | |
tragic heroine, not a cliched joke. | 0:06:20 | 0:06:22 | |
And if he wants to keep the role he'd better do some work. | 0:06:22 | 0:06:25 | |
What does Ms Conway know? I got some laughs, didn't I? | 0:06:25 | 0:06:28 | |
Yeah, but probably for all the wrong reasons. | 0:06:28 | 0:06:31 | |
And Ms Conway knows what she's talking about. | 0:06:31 | 0:06:33 | |
She said my friar had loads of sass. | 0:06:33 | 0:06:36 | |
Oh, the friar needs a lot of sass, then? | 0:06:36 | 0:06:38 | |
But I'm not wasting time doing research. | 0:06:38 | 0:06:41 | |
Why would I ever need to know what it's like to be a girl? | 0:06:41 | 0:06:44 | |
Never know. Might come in handy one day. | 0:06:44 | 0:06:47 | |
Sorry. Did you not want an answer? | 0:06:47 | 0:06:49 | |
Whatevs. Ms Conway can find another Juliet. | 0:06:49 | 0:06:51 | |
Because I'm quitting. | 0:06:52 | 0:06:54 | |
Oh! | 0:06:54 | 0:06:56 | |
Well, I don't know about Juliet but he plays a stroppy teenager very well. | 0:06:56 | 0:06:59 | |
So, Leo's given up the lead role before he's even started, | 0:07:04 | 0:07:08 | |
just because he can't begin to think like a girl or won't try and find | 0:07:08 | 0:07:11 | |
out. OK, there must be some way to reach him, | 0:07:11 | 0:07:15 | |
some way to bring out his inner Juliet. | 0:07:15 | 0:07:18 | |
Make him feel what she felt. | 0:07:18 | 0:07:20 | |
After all, he did help me and Jessie with our dance routine. | 0:07:20 | 0:07:24 | |
Good, nice. | 0:07:24 | 0:07:26 | |
Yep. Come on, Jessie. Nice, spin, and big air. | 0:07:26 | 0:07:29 | |
Good. Come on, Jessie. | 0:07:29 | 0:07:30 | |
So, I guess I sort of owe him for that. | 0:07:32 | 0:07:35 | |
We've got to make sure he sticks with the part and gets it right. | 0:07:35 | 0:07:38 | |
THUDDING | 0:07:38 | 0:07:40 | |
That is not helping. | 0:07:40 | 0:07:42 | |
So not Juliet. | 0:07:42 | 0:07:44 | |
KNOCKING ON DOOR | 0:07:45 | 0:07:46 | |
What? | 0:07:46 | 0:07:48 | |
We were wondering if you could stop the house quake. | 0:07:48 | 0:07:51 | |
-Anything else? -Yeah. | 0:07:51 | 0:07:53 | |
Any chance you could stop insulting teenage girls? | 0:07:53 | 0:07:57 | |
I said I'm quitting the play, didn't I? | 0:07:57 | 0:07:59 | |
-You and I both know you don't like to quit. -What choice have I got? | 0:07:59 | 0:08:02 | |
Well, you could actually put the work in. | 0:08:02 | 0:08:04 | |
Not when I'm surrounded by girls making fun of me. | 0:08:04 | 0:08:07 | |
That's the point. | 0:08:07 | 0:08:08 | |
You're surrounded by girls. | 0:08:08 | 0:08:10 | |
-Maybe we can help. -You can? How? | 0:08:10 | 0:08:13 | |
Well, A, we're girls. | 0:08:13 | 0:08:14 | |
And B, acting's about putting yourself in someone else's shoes. | 0:08:14 | 0:08:18 | |
We can help you understand Juliet. | 0:08:18 | 0:08:20 | |
You know what it's like to be so boy-crazy that you lose | 0:08:20 | 0:08:23 | |
-all sense of reason? -No, but I know someone who does. | 0:08:23 | 0:08:27 | |
No way! Why should I help Leo? | 0:08:28 | 0:08:30 | |
Because it'll be fun making him see how girls suffer. | 0:08:30 | 0:08:33 | |
Hm. I'm in. Let's start scheming. | 0:08:33 | 0:08:35 | |
MUSIC: The Chain by Fleetwood Mac | 0:08:41 | 0:08:47 | |
-BOTH: -I've come up with a new design. | 0:09:07 | 0:09:09 | |
What, wait, you've designed a go-kart? | 0:09:09 | 0:09:11 | |
Yeah. I said I'd help. | 0:09:11 | 0:09:13 | |
Yeah, I thought you meant just handing me tools and stuff. | 0:09:13 | 0:09:15 | |
The Incinerator 2. | 0:09:15 | 0:09:17 | |
-Nice gearbox configuration. -Thanks, yeah, I thought we'd start with that. -Wait. | 0:09:17 | 0:09:21 | |
Aren't you going to have a look at my design? | 0:09:21 | 0:09:23 | |
Wow. It's got four speed. | 0:09:23 | 0:09:25 | |
Yeah, and it's got a cooling system for the engine. | 0:09:25 | 0:09:28 | |
-Yeah, I still think we'll go with mine, though. -What, why? | 0:09:28 | 0:09:31 | |
Why, I've built loads of go-karts. It's what boys do. | 0:09:31 | 0:09:33 | |
So we're going with yours because you're a boy? | 0:09:33 | 0:09:36 | |
No. You know I don't think like that. | 0:09:36 | 0:09:38 | |
It's just, well, I've dreamt of building The Incinerator. | 0:09:38 | 0:09:40 | |
And now I finally get to. | 0:09:40 | 0:09:42 | |
-I tell you what, if mine doesn't work out, then we'll go with yours, yeah? -Fine. | 0:09:42 | 0:09:47 | |
But you're handing me the tools. | 0:09:47 | 0:09:49 | |
-I was watching that. -Oh, better put it back, then. | 0:09:57 | 0:10:00 | |
Yeah. Don't want to upset Leo. | 0:10:00 | 0:10:02 | |
He goes all red when he gets upset. | 0:10:02 | 0:10:04 | |
This is a girl's lesson, isn't it? | 0:10:04 | 0:10:05 | |
Yep. Guys mostly ignore girls. | 0:10:05 | 0:10:07 | |
-When they're not teasing them. -OK, I think I get it, so... | 0:10:07 | 0:10:10 | |
-Or talking over them. -But I was going to... | 0:10:10 | 0:10:11 | |
Yeah, they talk over them a lot. | 0:10:11 | 0:10:14 | |
Even when they have nothing to say. | 0:10:14 | 0:10:15 | |
So, teasing means the guys don't like you. I mean, me. | 0:10:15 | 0:10:20 | |
No. It usually means they fancy you. | 0:10:20 | 0:10:22 | |
-What? -Oh, you've got so much to learn. | 0:10:22 | 0:10:25 | |
-But don't worry, we'll mansplain. -Huh? | 0:10:25 | 0:10:28 | |
PHONE BLEEPS | 0:10:30 | 0:10:32 | |
-What did you just do? -Deleted someone called Hannah. | 0:10:32 | 0:10:35 | |
I was about to ask her out. | 0:10:35 | 0:10:36 | |
-Now I'll never know. -Well, it doesn't matter, she's not suitable for you. | 0:10:36 | 0:10:39 | |
You can't tell me who I can and can't go out with. | 0:10:39 | 0:10:42 | |
Welcome to Juliet's world. | 0:10:42 | 0:10:43 | |
The boys get to be all laddy. | 0:10:43 | 0:10:45 | |
While you have to stay at home and be told who you can date. | 0:10:45 | 0:10:48 | |
And then you meet Romeo. | 0:10:48 | 0:10:50 | |
He's fun, he's forbidden, he actually listens to you. | 0:10:50 | 0:10:54 | |
Do you know how rare that is? | 0:10:54 | 0:10:56 | |
Well, can I at least have my phone back? | 0:10:57 | 0:10:59 | |
Did Juliet get to text Romeo? | 0:10:59 | 0:11:01 | |
I can't believe I finally built The Incinerator 2. | 0:11:06 | 0:11:09 | |
SHE CLEARS THROAT | 0:11:09 | 0:11:11 | |
We, we finally built it. | 0:11:11 | 0:11:13 | |
I know you worked hard on your plans, Fran, | 0:11:13 | 0:11:15 | |
but I think it was the right decision to go with the experience on this one. | 0:11:15 | 0:11:19 | |
Trust me, this little beauty is going to fly into first place. | 0:11:19 | 0:11:22 | |
The go-karts are allowed to fly? | 0:11:22 | 0:11:25 | |
How do you know it's going to work OK? | 0:11:25 | 0:11:26 | |
Because I know. Because I designed it. | 0:11:26 | 0:11:29 | |
-Yeah, but have you actually tried starting it? -Well, no, but... | 0:11:29 | 0:11:31 | |
-Don't you think you should before the race? -Absolutely. | 0:11:31 | 0:11:35 | |
ENGINE SPLUTTERS | 0:11:38 | 0:11:40 | |
ENGINE SPLUTTERS | 0:11:40 | 0:11:42 | |
ENGINE CRASHES | 0:11:42 | 0:11:44 | |
Ow! | 0:11:44 | 0:11:45 | |
Are you OK? | 0:11:47 | 0:11:48 | |
Do think we should look at my plans now? | 0:11:52 | 0:11:54 | |
Is that my football kit? | 0:12:02 | 0:12:04 | |
Yep. Time to layer up. | 0:12:04 | 0:12:06 | |
Yeah, right. It's not cold, and I'm not about to play a match. | 0:12:06 | 0:12:09 | |
Uh, Juliet didn't get to wear clothes based on what she was doing | 0:12:09 | 0:12:13 | |
-that day, Leo. -Juliet never had to wear shin pads. | 0:12:13 | 0:12:17 | |
You're right. She had to wear itchy underwear, | 0:12:17 | 0:12:19 | |
tight corsets and a million petticoats. | 0:12:19 | 0:12:22 | |
-Would you prefer that look? -No. | 0:12:22 | 0:12:24 | |
I look ridiculous. | 0:12:26 | 0:12:27 | |
Only cos you're not wearing the right shoes. | 0:12:27 | 0:12:30 | |
No. | 0:12:32 | 0:12:33 | |
This outfit will be so on point. | 0:12:34 | 0:12:37 | |
-Literally. -Come on, Millie, you can't be serious! | 0:12:37 | 0:12:40 | |
I can't walk in those. I'll break my neck. | 0:12:40 | 0:12:42 | |
-Whereas girls find these so comfortable? -They like wearing them. | 0:12:42 | 0:12:45 | |
-Don't they? -Yeah, we love wearing them. | 0:12:47 | 0:12:49 | |
-See? -We love the way they make us totter around like giraffes on stilts, | 0:12:49 | 0:12:54 | |
like we love wearing those short tight little skirts that you can't | 0:12:54 | 0:12:57 | |
move in, or long flouncy dresses that make walking upstairs such an adventure, | 0:12:57 | 0:13:02 | |
or those little tops that finish before they've even started. | 0:13:02 | 0:13:05 | |
And why do we adore all of these lovely clothes? | 0:13:05 | 0:13:09 | |
Because TV, social media, and magazines tell us that we have to look good, | 0:13:09 | 0:13:14 | |
and everyone knows that that's our job. | 0:13:14 | 0:13:17 | |
-Good then? -I was being sarcastic. | 0:13:17 | 0:13:20 | |
I draw the line at stilettos. | 0:13:20 | 0:13:22 | |
But acting's putting yourself in someone else's shoes. | 0:13:22 | 0:13:24 | |
Yeah, but literally? | 0:13:24 | 0:13:26 | |
Now, run or you'll miss the bus. | 0:13:39 | 0:13:41 | |
What? No! Tell it to wait! | 0:13:41 | 0:13:43 | |
Don't make me walk to school like this! | 0:13:43 | 0:13:45 | |
Ah, ow, ooh! | 0:13:45 | 0:13:48 | |
Ah... | 0:13:49 | 0:13:50 | |
That's better. | 0:13:53 | 0:13:54 | |
-Sore feet? -Ah! -How did it go? Did people stare at you? | 0:13:56 | 0:14:00 | |
Judge you for your appearance? | 0:14:00 | 0:14:02 | |
No. It was all fine. In fact, I probably started a trend. | 0:14:02 | 0:14:05 | |
Yeah, right. And the shoes? | 0:14:05 | 0:14:07 | |
Easy, once I mastered the walk. | 0:14:07 | 0:14:08 | |
Really? Show us then. | 0:14:08 | 0:14:10 | |
Yeah, maybe you could give us a few pointers. | 0:14:10 | 0:14:13 | |
No, don't make me wear them again. | 0:14:13 | 0:14:15 | |
OK, we'll let you off, but remember Juliet didn't have the choice. | 0:14:15 | 0:14:19 | |
So, get into character. | 0:14:19 | 0:14:21 | |
It's the afternoon. | 0:14:21 | 0:14:22 | |
-Where's she been? -Just back from school? | 0:14:22 | 0:14:24 | |
She doesn't go to school, silly. | 0:14:24 | 0:14:25 | |
-She's a girl. -So what's she doing now? | 0:14:25 | 0:14:27 | |
-Chilling? -Nowhere in the play does it say Juliet chills. | 0:14:27 | 0:14:30 | |
-Does it, Millie? -No. She doesn't have the time. | 0:14:30 | 0:14:33 | |
She's too busy being in love. | 0:14:33 | 0:14:35 | |
-So? -So, she wouldn't be playing computer games for a start. | 0:14:35 | 0:14:39 | |
She'd be obsessing over her Romeo. | 0:14:39 | 0:14:41 | |
Obsessing how? | 0:14:41 | 0:14:42 | |
She couldn't stalk on social media. | 0:14:42 | 0:14:44 | |
And they say romance is dead. | 0:14:44 | 0:14:47 | |
She could embroider his face on a cushion, like a medieval selfie. | 0:14:47 | 0:14:51 | |
I am not expressing my love through needlepoint. | 0:14:51 | 0:14:54 | |
Well, you could write a sonnet. | 0:14:54 | 0:14:56 | |
A sonnet's like a love poem, expressing your deepest feelings. | 0:14:56 | 0:14:59 | |
-Are you mansplaining? -One verse. -Yeah. | 0:14:59 | 0:15:02 | |
Make it so soppy that the ink cries. | 0:15:02 | 0:15:04 | |
-Dude... -There were no dudes. | 0:15:11 | 0:15:13 | |
Romeo, you are so hot. | 0:15:14 | 0:15:19 | |
She would not say "hot". | 0:15:19 | 0:15:21 | |
OK. Romeo, you are so... | 0:15:21 | 0:15:26 | |
fair | 0:15:26 | 0:15:28 | |
When I see your face | 0:15:28 | 0:15:30 | |
I walk on air | 0:15:31 | 0:15:33 | |
I count the hours until we meet | 0:15:34 | 0:15:36 | |
Torture has never been so sweet. | 0:15:38 | 0:15:40 | |
Leo, that was... | 0:15:40 | 0:15:42 | |
-Beautiful. -Well, | 0:15:42 | 0:15:43 | |
it was either that or - "How do you get shoes to fit such big feet?" | 0:15:43 | 0:15:46 | |
-And the moment's gone. -Talking of which, how are your feet? | 0:15:46 | 0:15:49 | |
Agony. | 0:15:49 | 0:15:51 | |
My heart is fluttering like a bird | 0:15:57 | 0:16:00 | |
Mine ear caresses every word uttered by fair Romeo | 0:16:00 | 0:16:06 | |
Wherever he goes, so must I follow. | 0:16:06 | 0:16:09 | |
Well, I've got to hand it to you, Fran, | 0:16:13 | 0:16:14 | |
your design looks more reliable and faster than The Incinerator. | 0:16:14 | 0:16:18 | |
And this one looks like it might actually move. | 0:16:18 | 0:16:20 | |
Too bad no-one was interested in my design. | 0:16:20 | 0:16:23 | |
It's a time machine. | 0:16:23 | 0:16:25 | |
We show up at the finish line before the race even starts, | 0:16:25 | 0:16:27 | |
and then all the other drivers will be like, "What?!" | 0:16:27 | 0:16:30 | |
So, what are you going to call it? | 0:16:33 | 0:16:34 | |
The Incinerator 3. | 0:16:36 | 0:16:39 | |
Oh, but it's your design, not mine. | 0:16:39 | 0:16:41 | |
Well, we both built it. | 0:16:41 | 0:16:43 | |
Besides, it will help you race better. | 0:16:43 | 0:16:45 | |
Oh, I'm not going to race this. | 0:16:45 | 0:16:46 | |
What? Because a girl helped you build it? | 0:16:46 | 0:16:49 | |
No, because you're going to race it. | 0:16:49 | 0:16:51 | |
Well, you worked really hard and you actually know what you're talking | 0:16:51 | 0:16:54 | |
about, so you should be the one to race it. | 0:16:54 | 0:16:56 | |
I've never raced before. | 0:16:56 | 0:16:57 | |
Hey, don't stop believing and hold on to that ceiling. | 0:16:57 | 0:17:00 | |
You didn't give it a ceiling. | 0:17:00 | 0:17:02 | |
Basically, you got this. | 0:17:02 | 0:17:04 | |
To The Incinerator. | 0:17:05 | 0:17:07 | |
Hello. | 0:17:10 | 0:17:12 | |
How did rehearsals go? | 0:17:12 | 0:17:14 | |
-OK. -It was better than OK. | 0:17:14 | 0:17:16 | |
It was captivating. | 0:17:16 | 0:17:18 | |
So you're not dropping out, then? | 0:17:18 | 0:17:20 | |
How could I? According to Ms Conway, | 0:17:20 | 0:17:22 | |
my Juliet is beginning to come alive and has the potential to be a | 0:17:22 | 0:17:26 | |
beautifully nuanced performance. | 0:17:26 | 0:17:29 | |
I'm not entirely sure what that means, but I know that I can't leave now. | 0:17:29 | 0:17:33 | |
Just when the play needs me. | 0:17:33 | 0:17:34 | |
So it worked. We helped you channel Juliet? | 0:17:34 | 0:17:37 | |
Yeah. | 0:17:37 | 0:17:39 | |
Who knew I'd be such a great method actor? | 0:17:39 | 0:17:42 | |
Method acting is based on observation and emotional memory. | 0:17:42 | 0:17:45 | |
Are you mansplaining? | 0:17:45 | 0:17:47 | |
Maybe I should dig deeper. | 0:17:47 | 0:17:49 | |
Yes. It's not enough to understand teenage girls. | 0:17:50 | 0:17:54 | |
I must become one. | 0:17:56 | 0:17:57 | |
Why are you looking at me? | 0:17:59 | 0:18:01 | |
This is totally not my fault. | 0:18:01 | 0:18:03 | |
That's what Friar Laurence said. | 0:18:03 | 0:18:05 | |
I don't think this house can take another teenage girl. | 0:18:05 | 0:18:08 | |
# I don't mean to brag | 0:18:12 | 0:18:13 | |
# I don't mean to boast | 0:18:13 | 0:18:14 | |
# I love all y'all but I love me the most... # | 0:18:14 | 0:18:17 | |
-OVER TV: -You know I'll always love you, Brad, but we can't be together. | 0:18:17 | 0:18:20 | |
At least not in this life. | 0:18:20 | 0:18:22 | |
# Go and raise your glass give yourself a toast | 0:18:22 | 0:18:24 | |
# I love all y'all but I love me the most | 0:18:24 | 0:18:27 | |
# I don't mean to brag I don't mean to boast | 0:18:27 | 0:18:29 | |
# I love all y'all but I love me | 0:18:29 | 0:18:32 | |
-# I love me -I love me | 0:18:32 | 0:18:34 | |
-# I love me -I love me | 0:18:34 | 0:18:36 | |
-# I don't know about you -I don't know about you | 0:18:36 | 0:18:39 | |
-# But baby I love me -Baby I love me | 0:18:39 | 0:18:41 | |
-# Now everybody sing -Hey-hey-hey, hey-hey-hey | 0:18:41 | 0:18:46 | |
-# I love me -Hey-hey-hey | 0:18:46 | 0:18:49 | |
-# I love me -Hey-hey-hey | 0:18:49 | 0:18:51 | |
-# Everybody sing -Hey-hey-hey | 0:18:51 | 0:18:53 | |
-# I love me -Hey-hey-hey | 0:18:53 | 0:18:56 | |
-# You love you -Hey-hey-hey | 0:18:56 | 0:18:59 | |
-# I love me -Me too. -# | 0:18:59 | 0:19:02 | |
Enough. We cannot take any more cliches. | 0:19:02 | 0:19:05 | |
You think teenage girls are all about clothes, boys and selfies? | 0:19:05 | 0:19:08 | |
Lauren is obsessed with all of the things you just said. | 0:19:08 | 0:19:11 | |
Yeah, well, some girls do love a selfie marathon, | 0:19:11 | 0:19:15 | |
but not all teenage girls. | 0:19:15 | 0:19:16 | |
But what else is there? | 0:19:16 | 0:19:18 | |
Well... | 0:19:18 | 0:19:20 | |
MUSIC: Brianstorm by Arctic Monkeys | 0:19:20 | 0:19:23 | |
# Brian | 0:19:31 | 0:19:33 | |
# Top marks for not trying | 0:19:33 | 0:19:36 | |
# So kind of you to bless us with your effortlessness | 0:19:36 | 0:19:38 | |
# We're grateful and so strangely comforted | 0:19:38 | 0:19:42 | |
# And I wonder | 0:19:42 | 0:19:44 | |
# Are you putting us under? | 0:19:44 | 0:19:48 | |
# Cos we can't take our eyes off the T-shirt and ties combination | 0:19:48 | 0:19:52 | |
# Well, see you later, innovator... # | 0:19:52 | 0:19:54 | |
SCREAMING | 0:19:54 | 0:19:57 | |
# Thunder | 0:20:06 | 0:20:08 | |
# Are you putting us under? | 0:20:08 | 0:20:11 | |
# Cos we can't take our eyes off the T-shirt and ties combination | 0:20:11 | 0:20:16 | |
# Well, see you later, innovator. # | 0:20:16 | 0:20:19 | |
I am totally getting this. | 0:20:26 | 0:20:28 | |
We girls are just the same as guys. | 0:20:28 | 0:20:30 | |
Only more fabulous. | 0:20:30 | 0:20:33 | |
Right. And we like to play footie, and watch a proper scary movie. | 0:20:33 | 0:20:36 | |
Yeah, and guys like romcoms, or having a good goss. | 0:20:36 | 0:20:40 | |
Tell me about it, girlfriend. | 0:20:40 | 0:20:42 | |
They're the gossiest. | 0:20:42 | 0:20:44 | |
We can be anything we want to be. | 0:20:44 | 0:20:45 | |
Oh, no, we can't. | 0:20:46 | 0:20:48 | |
-But you said... -We have to work twice as hard to get taken half as | 0:20:48 | 0:20:52 | |
-seriously. -Now you're just being silly. | 0:20:52 | 0:20:54 | |
-See. -Oh, yeah. | 0:20:54 | 0:20:57 | |
Have you even heard of the pay gap? | 0:20:57 | 0:20:59 | |
-The what? -Or the glass ceiling? | 0:20:59 | 0:21:01 | |
It sounds a bit risky. What if it smashed? | 0:21:01 | 0:21:03 | |
We want it to! | 0:21:03 | 0:21:05 | |
-OK, now you've lost me. -Right. | 0:21:05 | 0:21:07 | |
OK, Leo, look. | 0:21:07 | 0:21:08 | |
We've come a long way since Juliet, but we're still not equal yet. | 0:21:08 | 0:21:13 | |
It's like we can see it but we can't reach it. | 0:21:13 | 0:21:16 | |
You mean there's something blocking our way? | 0:21:16 | 0:21:19 | |
Hard, but see-through, like an ice wall. | 0:21:19 | 0:21:27 | |
Looks like The Incinerator got incinerated. | 0:21:31 | 0:21:34 | |
I can't believe I came last. | 0:21:34 | 0:21:35 | |
Hey, it is not because you're a girl. | 0:21:35 | 0:21:37 | |
-I know it's not. -Oh. | 0:21:37 | 0:21:39 | |
It's because we didn't use tyres with enough traction. | 0:21:40 | 0:21:43 | |
-Hand me the wrench. -Hand me the wrench. | 0:21:43 | 0:21:45 | |
Hand me the wrench. | 0:21:45 | 0:21:47 | |
Don't know what a wrench is. | 0:21:47 | 0:21:49 | |
Someone tell Leo to get a move on, will you? | 0:21:54 | 0:21:56 | |
You guys have got to be in costume in an hour. | 0:21:56 | 0:21:59 | |
Leo! Get down here! | 0:21:59 | 0:22:01 | |
Juliet, it's dinner! | 0:22:05 | 0:22:07 | |
-Somebody call me? -So, how are the nerves? | 0:22:10 | 0:22:12 | |
Ready to break a leg? | 0:22:12 | 0:22:14 | |
-Not literally. -Absolutely. | 0:22:14 | 0:22:15 | |
I think the audience is really going to connect to Friar Laurence. | 0:22:15 | 0:22:18 | |
-Leo... -What? | 0:22:18 | 0:22:20 | |
You look like you might be sick. | 0:22:20 | 0:22:22 | |
What if I'm not a good Juliet? | 0:22:22 | 0:22:24 | |
What if I need more rehearsals? | 0:22:24 | 0:22:26 | |
-I don't think I'm ready. -Well, whatever happens tonight, | 0:22:26 | 0:22:29 | |
Mike and I are going to be very proud. | 0:22:29 | 0:22:31 | |
Pass me the milk, Leo. | 0:22:32 | 0:22:33 | |
No, Mike. No, I will not pass you the milk, | 0:22:36 | 0:22:40 | |
because that's what society expects, women to do what they're told. | 0:22:40 | 0:22:44 | |
-Women? -I think he's Juliet now. | 0:22:44 | 0:22:46 | |
With their hair, and with their make-up. | 0:22:46 | 0:22:48 | |
Even telling them to wear make-up in the first place. | 0:22:48 | 0:22:50 | |
What's wrong with their actual faces? | 0:22:50 | 0:22:52 | |
We never told men they need contouring. | 0:22:52 | 0:22:55 | |
-I taught him that word. -Then, there's the pay gap. | 0:22:55 | 0:22:57 | |
Why should you get paid more than Sharon? | 0:22:57 | 0:23:00 | |
Actually, Sharon earns more than me. | 0:23:00 | 0:23:02 | |
Good. That's a start, | 0:23:02 | 0:23:03 | |
after the years and years of not even earning equal money. | 0:23:03 | 0:23:07 | |
Because I'll tell you something, Mike. | 0:23:07 | 0:23:09 | |
Girls are not just passive objects. | 0:23:09 | 0:23:12 | |
They are footballers, and go-kart builders, | 0:23:12 | 0:23:15 | |
and weird vegetable cushion designers, | 0:23:15 | 0:23:19 | |
and they should be able to choose who they fall in love with. | 0:23:19 | 0:23:22 | |
Just wanted a glass of milk. | 0:23:24 | 0:23:27 | |
I think he's ready. | 0:23:27 | 0:23:28 | |
Well, the show did in fact go on, and it was actually pretty good. | 0:23:37 | 0:23:42 | |
OK, so some of the cast forgot their lines, | 0:23:42 | 0:23:44 | |
and a piece of set nearly flattened the boy playing the nurse, | 0:23:44 | 0:23:48 | |
but that whole cross casting thing really worked. | 0:23:48 | 0:23:51 | |
I've never been so uncomfortable in my entire life. | 0:23:51 | 0:23:54 | |
This comes from the girl who wears five-inch heels. | 0:23:54 | 0:23:56 | |
It was worth it, though. The audience really connected with the Friar. | 0:23:56 | 0:23:59 | |
Guest that's what suffering for your art means. | 0:23:59 | 0:24:02 | |
Oh, well, someone certainly suffered. | 0:24:02 | 0:24:04 | |
Well, I thought you was the most beautiful friar ever. | 0:24:04 | 0:24:06 | |
Thank you. Well, obviously. | 0:24:06 | 0:24:08 | |
But the biggest surprise of the night was definitely... | 0:24:12 | 0:24:16 | |
The best Juliet since Dame Judi Dench. | 0:24:16 | 0:24:19 | |
That's what Ms Conway said. | 0:24:21 | 0:24:23 | |
You really nailed it tonight. | 0:24:23 | 0:24:24 | |
Girls everywhere will thank you for not just putting on a long dress and | 0:24:24 | 0:24:27 | |
a squeaky voice. | 0:24:27 | 0:24:29 | |
OK, that was a dumb idea, | 0:24:29 | 0:24:30 | |
and I guess I was a bit of a dinosaur, girl attitude-wise, but weirdly, | 0:24:30 | 0:24:34 | |
doing this ancient play has made me get with the 21st century. | 0:24:34 | 0:24:37 | |
So, from now on, you'll give girls more respect? | 0:24:38 | 0:24:41 | |
No. I'll give you the same as boys, | 0:24:41 | 0:24:43 | |
because after seeing you and Lauren watch scary movies, | 0:24:43 | 0:24:46 | |
make weird experiments and headbang to my favourite running track, | 0:24:46 | 0:24:50 | |
I realised that we're pretty much the same. | 0:24:50 | 0:24:52 | |
Who's doing the washing up? | 0:24:52 | 0:24:55 | |
Not me. I'm exhausted after giving the performance of a lifetime. | 0:24:55 | 0:24:58 | |
Uh-oh, I think I've created a diva. | 0:25:00 | 0:25:03 |