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'Here at the Ministry of Curious Stuff, | 0:00:05 | 0:00:08 | |
'we explore any subject you desire | 0:00:08 | 0:00:10 | |
'and deliver top-quality curious facts.' | 0:00:10 | 0:00:15 | |
'On hand, our dedicated team, | 0:00:17 | 0:00:19 | |
'Lovett, Teaparty, | 0:00:19 | 0:00:21 | |
'Frazernagle on the calls, Wannamaker in the walls. | 0:00:21 | 0:00:24 | |
'And, of course, Captain Length-Width.' | 0:00:24 | 0:00:27 | |
'That's Miss Bracegirdle. | 0:00:33 | 0:00:35 | |
'She's been sent by head office to investigate our work | 0:00:35 | 0:00:39 | |
'and compile a report. | 0:00:39 | 0:00:41 | |
'If we fail to impress, the Megaboss will shut the ministry down.' | 0:00:41 | 0:00:44 | |
'Let's not dilly-dally, there's lots to do! | 0:00:47 | 0:00:50 | |
'Welcome to The Ministry Of Curious Stuff.' | 0:00:50 | 0:00:55 | |
Good morning, everybody! | 0:00:55 | 0:00:57 | |
-Morning, Mr Reeves. -Good morning, Mr Reeves. | 0:00:57 | 0:00:59 | |
-Morning, Mr Reeves. -Good morning, Mr Reeves. | 0:00:59 | 0:01:02 | |
Miss Teaparty, what are the headlines? | 0:01:02 | 0:01:04 | |
Well, Mr Reeves, there's | 0:01:04 | 0:01:05 | |
a type of frog that croaks with a Norfolk accent. | 0:01:05 | 0:01:08 | |
Croak, croak. | 0:01:08 | 0:01:09 | |
-The dots on a dice are called pips. -Pip, pip. | 0:01:09 | 0:01:12 | |
And what's that you've got on your hand? | 0:01:12 | 0:01:14 | |
I have nothing on my hand, as you can see. | 0:01:14 | 0:01:17 | |
There's nothing on my... | 0:01:17 | 0:01:18 | |
Oh! Hey! Oh! Hoo! | 0:01:18 | 0:01:20 | |
-Ah, Length-Width. -Yes? | 0:01:25 | 0:01:27 | |
-Length-Width. -Yes. -What have you been doing? | 0:01:27 | 0:01:29 | |
Well, last night, I went and had my French lesson. | 0:01:29 | 0:01:32 | |
-Really? -Yes. -I've been doing them French lessons as well. | 0:01:32 | 0:01:35 | |
Have you? I've been learning for five years, | 0:01:35 | 0:01:37 | |
so I'm pretty much fluent... | 0:01:37 | 0:01:38 | |
Well, I've been doing them for about six years, | 0:01:38 | 0:01:41 | |
so I'm probably more fluent than you. | 0:01:41 | 0:01:42 | |
Really? You'll understand this, then. | 0:01:42 | 0:01:44 | |
THEY SPEAK IN FRENCH: | 0:01:44 | 0:01:48 | |
Mr Reeves! | 0:01:54 | 0:01:56 | |
SHE SPEAKS IN FRENCH: | 0:01:57 | 0:01:58 | |
-What is that she's speaking? -I don't know. | 0:02:00 | 0:02:03 | |
You are already testing my patience. | 0:02:03 | 0:02:06 | |
Remember, it all goes in the report. | 0:02:06 | 0:02:08 | |
Shall we get to work? | 0:02:08 | 0:02:09 | |
BELL DINGS | 0:02:09 | 0:02:11 | |
Mr Frazernagle! Hi, Frazers. | 0:02:15 | 0:02:17 | |
Oh, morning, Mr Reeves! | 0:02:17 | 0:02:19 | |
Any calls coming through on the switchboard? | 0:02:19 | 0:02:21 | |
Ooh, I have a splendid call coming through on line three. | 0:02:21 | 0:02:26 | |
-PHONE RINGS -Thank you. | 0:02:26 | 0:02:28 | |
Hello, this is Vic Reeves at the Ministry of Curious Stuff. | 0:02:28 | 0:02:31 | |
How might I be of assistance to your forthcoming enquiry? | 0:02:31 | 0:02:35 | |
Hello, Mr Reeves. My name is Sophia | 0:02:35 | 0:02:37 | |
and I'd like to know some curious stuff about the Queen. | 0:02:37 | 0:02:40 | |
Thank you, Sophia. Thank you very much. Goodbye! | 0:02:40 | 0:02:43 | |
Goodbye. | 0:02:43 | 0:02:45 | |
Sophia wants to know some curious facts about the Queen. | 0:02:45 | 0:02:48 | |
A right royal subject! | 0:02:48 | 0:02:50 | |
Let's see what we can find out. | 0:02:50 | 0:02:52 | |
Right, people. Curious stuff about the Queen. | 0:02:58 | 0:03:01 | |
Well, I've got something here, sir. | 0:03:01 | 0:03:03 | |
It's Her Majesty the Queen's custom to send her citizens | 0:03:03 | 0:03:06 | |
a congratulatory message when they reach the ripe old age of 100. | 0:03:06 | 0:03:10 | |
INTERCOM DINGS | 0:03:10 | 0:03:11 | |
Royal messenger in H48, Mr Reeves. | 0:03:11 | 0:03:13 | |
TRUMPETS TRUMPET | 0:03:13 | 0:03:15 | |
By order of Her Majesty the Queen, I have a special | 0:03:15 | 0:03:18 | |
telegram for a Miss Bracegirdle! | 0:03:18 | 0:03:21 | |
SHE GASPS | 0:03:21 | 0:03:22 | |
Ha! Well, I wouldn't have put you a day over 75. | 0:03:22 | 0:03:26 | |
Well, it does explain a lot, doesn't it? | 0:03:26 | 0:03:28 | |
Many happy returns, dear. | 0:03:28 | 0:03:31 | |
Oh! Phew. | 0:03:31 | 0:03:33 | |
False alarm. | 0:03:33 | 0:03:35 | |
I'm not 100. | 0:03:35 | 0:03:37 | |
It's just a telegram from the Queen saying she'll be | 0:03:37 | 0:03:39 | |
visiting the ministry later today. | 0:03:39 | 0:03:41 | |
Ah. | 0:03:41 | 0:03:42 | |
THEY GASP | 0:03:45 | 0:03:47 | |
Oh! Oh! | 0:03:47 | 0:03:49 | |
Calm down! Calm down! Calm down, everybody! | 0:03:49 | 0:03:52 | |
Calm down, calm down! | 0:03:52 | 0:03:53 | |
We must prepare for the royal visit, but first, | 0:03:53 | 0:03:55 | |
we need some curious Queen facts. | 0:03:55 | 0:03:58 | |
Here's something, Mr Reeves. | 0:03:58 | 0:03:59 | |
All members of the Royal family | 0:03:59 | 0:04:01 | |
have to have a British passport, | 0:04:01 | 0:04:02 | |
including Prince Charles | 0:04:02 | 0:04:04 | |
and Prince William, | 0:04:04 | 0:04:05 | |
but, as a British passport is issued | 0:04:05 | 0:04:07 | |
in the name of Her Majesty, the Queen doesn't need one. | 0:04:07 | 0:04:10 | |
Whoa, whoa, whoa! Behind the line. | 0:04:12 | 0:04:15 | |
-Passport. -Well, look at the face. | 0:04:15 | 0:04:17 | |
One doesn't need one. | 0:04:17 | 0:04:19 | |
One's face is one's passport. | 0:04:19 | 0:04:22 | |
No passport, no entry. | 0:04:23 | 0:04:25 | |
But I'm the Queen, the head honcho, the big cheese! | 0:04:25 | 0:04:29 | |
Never heard of you. | 0:04:29 | 0:04:30 | |
Look! I'm on the money. | 0:04:30 | 0:04:32 | |
You don't get on the money unless you're a Charlie big potatoes. | 0:04:32 | 0:04:35 | |
Well, that looks like a lady. | 0:04:35 | 0:04:37 | |
I do look like the Queen. | 0:04:38 | 0:04:40 | |
Don't I? | 0:04:40 | 0:04:42 | |
Barry! I can't believe we just met the Queen! | 0:04:46 | 0:04:50 | |
OK, lads and lasses. Any more curious stuff on the Queen? | 0:04:52 | 0:04:55 | |
Well, Mr Reeves, the Queen has received many unusual gifts. | 0:04:55 | 0:04:58 | |
She was once given two tortoises in the Seychelles, | 0:04:58 | 0:05:01 | |
she's also been given an elephant called Jumbo and once, | 0:05:01 | 0:05:04 | |
on a royal visit to Canada, she was gifted with two black beavers. | 0:05:04 | 0:05:07 | |
Blimey, imagine being given an animal every time you go on holiday. | 0:05:07 | 0:05:10 | |
What does she do with them all? | 0:05:10 | 0:05:12 | |
If I were her, I'd re-gift them as Christmas presents. | 0:05:12 | 0:05:14 | |
No-one would ever know. | 0:05:14 | 0:05:16 | |
-QUEEN: -Happy birthday, son. | 0:05:17 | 0:05:19 | |
I absolutely, 100% did not forget | 0:05:19 | 0:05:22 | |
it was your birthday and this | 0:05:22 | 0:05:24 | |
is in no way the first thing that I grabbed out of the cupboard. | 0:05:24 | 0:05:28 | |
Thank you, Mummy! | 0:05:28 | 0:05:30 | |
I do hope it's an MP3 player! | 0:05:31 | 0:05:34 | |
Any more curious stuff on the Queen? | 0:05:34 | 0:05:37 | |
Well, Mr Reeves, the Queen has a very curious alarm clock. | 0:05:37 | 0:05:40 | |
The Queen is woken every morning by the Royal Piper. | 0:05:40 | 0:05:43 | |
Now, the Piper is a member of the household, | 0:05:43 | 0:05:45 | |
whose principal duty is to play beneath the Queen's bedroom window | 0:05:45 | 0:05:48 | |
every weekday at 9am for about 15 minutes. | 0:05:48 | 0:05:51 | |
OK, more curious Queen facts. | 0:05:51 | 0:05:53 | |
Well, Mr Reeves, you might find this quite useful. | 0:05:53 | 0:05:55 | |
In 2012, a Buckingham Palace chef | 0:05:55 | 0:05:57 | |
revealed the Queen's favourite foods. | 0:05:57 | 0:06:00 | |
According to him, she's especially fond of jam sandwiches, | 0:06:00 | 0:06:03 | |
but she always has the crusts cut off. | 0:06:03 | 0:06:05 | |
Right, come on! More curious Queen facts. | 0:06:05 | 0:06:08 | |
We need to know as much as possible prior to this royal visit. | 0:06:08 | 0:06:13 | |
Well, Mr Reeves, there's a lot of speculation | 0:06:13 | 0:06:15 | |
about what the Queen keeps in her handbag. | 0:06:15 | 0:06:17 | |
In 2007, it was reported Her Majesty uses it to carry family photos, | 0:06:17 | 0:06:22 | |
breath mints and doggy treats. | 0:06:22 | 0:06:24 | |
Teaparty, where are you getting this from? | 0:06:24 | 0:06:26 | |
I'm really struggling to verify this. | 0:06:26 | 0:06:28 | |
Length-Width, what do you keep in your handbag? | 0:06:29 | 0:06:32 | |
Oh, you know, usual stuff. | 0:06:32 | 0:06:33 | |
Chewing gum, | 0:06:34 | 0:06:36 | |
purse, spare purse, | 0:06:36 | 0:06:38 | |
pencil, | 0:06:38 | 0:06:40 | |
scampi in a basket and a couple of hedgehogs. | 0:06:40 | 0:06:42 | |
How about you? | 0:06:42 | 0:06:44 | |
Chewing gum, lippy, | 0:06:44 | 0:06:46 | |
microscope, massive quill, | 0:06:46 | 0:06:48 | |
purse, | 0:06:48 | 0:06:49 | |
jar of gravel, | 0:06:49 | 0:06:51 | |
herring. | 0:06:51 | 0:06:53 | |
Oh, I forgot to pack the herring! | 0:06:53 | 0:06:54 | |
Oh, that's a shame. | 0:06:54 | 0:06:56 | |
Would have come in handy later. | 0:06:56 | 0:06:58 | |
Oh, there's more! | 0:06:58 | 0:06:59 | |
It's rumoured the Queen has a secret handbag code, | 0:06:59 | 0:07:02 | |
and apparently if she switches arms, | 0:07:02 | 0:07:05 | |
her servants know she's ready to leave | 0:07:05 | 0:07:07 | |
and if she sets the bag on the floor, | 0:07:07 | 0:07:09 | |
she finds the conversation boring. | 0:07:09 | 0:07:11 | |
Oooh! Well, actually, I know all about that | 0:07:11 | 0:07:14 | |
and Her Majesty's got loads more codes. | 0:07:14 | 0:07:16 | |
In fact, this is Her Majesty's secret handbag code book, | 0:07:16 | 0:07:20 | |
which contains literally thousands upon thousands | 0:07:20 | 0:07:23 | |
of secret handbag signals. | 0:07:23 | 0:07:25 | |
Oh, Mr Reeves. | 0:07:25 | 0:07:28 | |
Allow me to demonstrate. | 0:07:28 | 0:07:30 | |
Length-Width, are you ready? | 0:07:30 | 0:07:32 | |
Handbag on head means, | 0:07:32 | 0:07:35 | |
"Feed me jam." | 0:07:35 | 0:07:36 | |
The handbag lasso means, | 0:07:37 | 0:07:40 | |
"I want to fight a film star." | 0:07:40 | 0:07:42 | |
This one, here, means, | 0:07:42 | 0:07:44 | |
"Quick, hide, Prince Charles is coming." | 0:07:44 | 0:07:47 | |
And, finally, the handbag waft means, | 0:07:47 | 0:07:51 | |
"I can smell onions." | 0:07:51 | 0:07:52 | |
In fact, I can smell onions, can you? | 0:07:52 | 0:07:55 | |
Is that you, Bracegirdle? | 0:07:55 | 0:07:56 | |
THEY LAUGH | 0:07:56 | 0:07:59 | |
Very funny, I don't think! | 0:07:59 | 0:08:00 | |
Shall we press on? | 0:08:00 | 0:08:02 | |
It's time to extract these royal facts. | 0:08:02 | 0:08:06 | |
'Dear Sophia, I'm delighted to enclose | 0:08:06 | 0:08:08 | |
'some curious stuff about the Queen. | 0:08:08 | 0:08:11 | |
'We found out that...' | 0:08:11 | 0:08:12 | |
'And apparently, | 0:08:25 | 0:08:27 | |
'the Queen has a secret handbag code, | 0:08:27 | 0:08:30 | |
'but it's only a rumour. | 0:08:30 | 0:08:32 | |
'So, that's curious stuff about the Queen. What's next?' | 0:08:32 | 0:08:37 | |
The Queen won't be here for a few hours yet, | 0:08:37 | 0:08:40 | |
so we've still got some more time | 0:08:40 | 0:08:42 | |
for some more curious stuff. | 0:08:42 | 0:08:44 | |
Any callers on the switchboard, please, Mr Frazernagle. | 0:08:44 | 0:08:47 | |
There's a fantastic call coming through on line four. | 0:08:47 | 0:08:50 | |
I'll put you through now. | 0:08:50 | 0:08:51 | |
-PHONE RINGS -Thank you. | 0:08:51 | 0:08:53 | |
Hello, this is Vic Reeves 'ere at the Ministry of Curious Stuff. | 0:08:53 | 0:08:57 | |
How might I be of service to your investigation? | 0:08:57 | 0:09:00 | |
Hello, Mr Reeves. My name is Dahria | 0:09:00 | 0:09:02 | |
and I'd like to know some curious stuff about chocolate. | 0:09:02 | 0:09:06 | |
Ooh, how interesting, Dahria. | 0:09:06 | 0:09:07 | |
Thank you very much. Goodbye. | 0:09:07 | 0:09:09 | |
Dahria would like to know some curious stuff about chocolate. | 0:09:09 | 0:09:13 | |
Oh, chocolate! | 0:09:13 | 0:09:15 | |
Captain Length-Width, you like a chocolate, don't you? | 0:09:20 | 0:09:23 | |
I love chocolate, Mr Reeves. | 0:09:23 | 0:09:25 | |
And I've got to come clean and tell you | 0:09:25 | 0:09:27 | |
that I've had a couple of your chocolate buttons. | 0:09:27 | 0:09:30 | |
Where did you get them from? | 0:09:30 | 0:09:31 | |
Out of your sewing kit. | 0:09:31 | 0:09:33 | |
Yeah. They were real buttons. | 0:09:33 | 0:09:35 | |
You know, I thought they were a little bit hard. I cracked a tooth. | 0:09:35 | 0:09:39 | |
Actually, what about my liquorice bootlaces? | 0:09:39 | 0:09:41 | |
-Yes, I have had a couple of those. -Where did you find them? | 0:09:41 | 0:09:44 | |
-In your shoebox. -Anything else you'd like to admit to? | 0:09:44 | 0:09:47 | |
-I had one of your chocolate logs. -Where did you find that? | 0:09:47 | 0:09:49 | |
In the woodshed. | 0:09:49 | 0:09:51 | |
Hmm, right. OK, let's move on. | 0:09:51 | 0:09:53 | |
Curious stuff about chocolate, please! | 0:09:53 | 0:09:55 | |
Well, Mr Reeves, Valentine's Day in Japan is all about | 0:09:55 | 0:09:59 | |
giving chocolate to men. | 0:09:59 | 0:10:00 | |
Women give chocolates not only to their valentine, | 0:10:00 | 0:10:03 | |
but also as a gift of friendship | 0:10:03 | 0:10:06 | |
to male bosses, colleagues and friends. | 0:10:06 | 0:10:09 | |
VIC COUGHS | 0:10:09 | 0:10:11 | |
Right, ladies. | 0:10:11 | 0:10:13 | |
If you would care to give | 0:10:13 | 0:10:15 | |
some chocolates to your wonderful boss, | 0:10:15 | 0:10:19 | |
I'll just leave this box here | 0:10:19 | 0:10:21 | |
and you can just pop them in there, OK? | 0:10:21 | 0:10:23 | |
No pressure. No pressure, ladies. | 0:10:23 | 0:10:25 | |
No pressure whatsoever. | 0:10:25 | 0:10:27 | |
There's the box, no pressure. | 0:10:27 | 0:10:30 | |
OK, any curious facts about chocolate? | 0:10:30 | 0:10:33 | |
Yes, Mr Reeves. | 0:10:33 | 0:10:35 | |
This is very curious. Chocolate can come in some very weird flavours. | 0:10:35 | 0:10:38 | |
These include bacon, mushroom and peanut butter | 0:10:38 | 0:10:41 | |
and sweet Indian curry powder with coconut. | 0:10:41 | 0:10:44 | |
I've been experimenting with chocolate flavourings. | 0:10:44 | 0:10:46 | |
Perhaps you'd like to be the first to try my range. | 0:10:46 | 0:10:49 | |
Nothing would give me greater pleasure, Mr Reeves! | 0:10:49 | 0:10:52 | |
Well, here they are. | 0:10:52 | 0:10:53 | |
-Why don't you try, for instance, this one? -Right, yes. | 0:10:53 | 0:10:57 | |
-How's that? -What is it? | 0:10:59 | 0:11:00 | |
Hair. | 0:11:00 | 0:11:02 | |
HE SPITS OUT THE CHOCOLATE | 0:11:02 | 0:11:03 | |
Freshly shaved from a dog this morning. | 0:11:03 | 0:11:06 | |
Not like it? | 0:11:06 | 0:11:07 | |
-Try this one. -All right. | 0:11:07 | 0:11:09 | |
What's that? | 0:11:12 | 0:11:13 | |
Again, hair. | 0:11:13 | 0:11:15 | |
Not like that one, either? | 0:11:15 | 0:11:17 | |
Not keen on that? All right, that one. | 0:11:17 | 0:11:21 | |
All right, as long as it's not hair. | 0:11:21 | 0:11:23 | |
Hmm. What's that? | 0:11:27 | 0:11:29 | |
Hair. | 0:11:29 | 0:11:30 | |
You cheeky, rotten liar! | 0:11:30 | 0:11:32 | |
You said they were all different, but they're all the same. | 0:11:32 | 0:11:36 | |
That's where you're wrong! Ha, ha, ha! | 0:11:36 | 0:11:38 | |
For this one is blonde, | 0:11:38 | 0:11:39 | |
this one is brunette | 0:11:39 | 0:11:41 | |
and this one is ginger. | 0:11:41 | 0:11:42 | |
All different and yet | 0:11:42 | 0:11:45 | |
with the same subtle, furry, hairy goodness. | 0:11:45 | 0:11:48 | |
MUFFLED RESPONSE | 0:11:48 | 0:11:50 | |
Your tongue feels funny? | 0:11:50 | 0:11:51 | |
That did happen to someone else I tried out the chocolates on. | 0:11:51 | 0:11:54 | |
You'll be needing this. | 0:11:54 | 0:11:57 | |
Oh, and I'd use an anti-dandruff shampoo. | 0:11:57 | 0:12:00 | |
OK, more chocolate facts, please. | 0:12:00 | 0:12:03 | |
In 600 AD, Mayans used cocoa beans as money. | 0:12:03 | 0:12:07 | |
Ten beans would buy you a rabbit. | 0:12:07 | 0:12:09 | |
Oh, I'd like to meet one of these Mayan fellas. | 0:12:09 | 0:12:11 | |
INTERCOM DINGS | 0:12:11 | 0:12:13 | |
Mayan loading in X5, Mr Reeves. | 0:12:13 | 0:12:15 | |
Ah, Mayan bloke! | 0:12:17 | 0:12:19 | |
Hiya! Nice to see you! | 0:12:19 | 0:12:21 | |
So, Mayan bloke, is it true that you used cocoa beans as currency? | 0:12:21 | 0:12:25 | |
Maybe. Depends who's asking. | 0:12:25 | 0:12:27 | |
Here, you look like a sophisticated fella! | 0:12:27 | 0:12:30 | |
-Oh... -Want to buy a fish? | 0:12:30 | 0:12:32 | |
Ah... | 0:12:32 | 0:12:33 | |
I tell you what, I've got kipper, mullet, snapper, trout. | 0:12:33 | 0:12:37 | |
Actually, do you know what, | 0:12:37 | 0:12:39 | |
I came out this morning without my herring! | 0:12:39 | 0:12:42 | |
So, do you have a herring? | 0:12:42 | 0:12:44 | |
Might have. That'll be 20 cocoa beans. | 0:12:44 | 0:12:47 | |
You don't take biscuits, do you? | 0:12:47 | 0:12:49 | |
What, have I got "Mug" written on my forehead, or what? | 0:12:49 | 0:12:52 | |
It's chocolate. | 0:12:52 | 0:12:54 | |
Nice try, geezer. | 0:12:54 | 0:12:55 | |
All right then, how about an after-dinner mint? | 0:12:55 | 0:12:59 | |
That will do nicely. | 0:13:01 | 0:13:04 | |
-I thought so. -Pop it in the old thingy. | 0:13:04 | 0:13:06 | |
-There you go. -Pop your number in there, I ain't looking. | 0:13:06 | 0:13:08 | |
Neither am I. | 0:13:08 | 0:13:10 | |
Right, lovely. | 0:13:13 | 0:13:14 | |
Here you go, treacle. | 0:13:14 | 0:13:16 | |
-It's red. -Course it is. | 0:13:16 | 0:13:18 | |
Matches your eyes. Nice doing business with ya! | 0:13:18 | 0:13:20 | |
I've done him up like a kipper. | 0:13:23 | 0:13:25 | |
-Nice one, son. -Hmmm. | 0:13:25 | 0:13:27 | |
More curious chocolate facts, please. | 0:13:27 | 0:13:29 | |
Christopher Columbus is said to have brought the first cocoa beans | 0:13:29 | 0:13:32 | |
back to Europe from his visit to the Americas between 1502 and 1504. | 0:13:32 | 0:13:37 | |
Between 1502 and 1504? | 0:13:37 | 0:13:39 | |
He could've said it was just after three o'clock! | 0:13:39 | 0:13:41 | |
VIC AND LENGTH-WIDTH LAUGH | 0:13:41 | 0:13:43 | |
Thank you. | 0:13:43 | 0:13:45 | |
Mr Reeves, honestly. | 0:13:45 | 0:13:46 | |
Here's another fact for you. | 0:13:46 | 0:13:48 | |
According to research, the Aztecs called it xocolatl, | 0:13:48 | 0:13:51 | |
meaning warm or bitter liquid. | 0:13:51 | 0:13:53 | |
A warm, bitter liquid? | 0:13:53 | 0:13:54 | |
It sounds like what we get when it's Lovett's turn to make a cup of tea! | 0:13:54 | 0:13:58 | |
VIC AND LENGTH-WIDTH LAUGH | 0:13:58 | 0:13:59 | |
Thank you. | 0:13:59 | 0:14:01 | |
I love chocolate. | 0:14:01 | 0:14:02 | |
You know, Mr Reeves, one of the reasons we all love | 0:14:02 | 0:14:05 | |
chocolate so much might be because it contains phenylethylamine. | 0:14:05 | 0:14:08 | |
Same to you, duck. | 0:14:08 | 0:14:09 | |
Right. It's a chemical which mimics | 0:14:09 | 0:14:11 | |
the brain chemistry of someone in love. | 0:14:11 | 0:14:13 | |
It's true. The mere mention of chocolate sends ladies | 0:14:13 | 0:14:17 | |
absolutely madly in love with me, | 0:14:17 | 0:14:19 | |
which is why I suspect | 0:14:19 | 0:14:21 | |
that this box here | 0:14:21 | 0:14:23 | |
is filled to the brim | 0:14:23 | 0:14:26 | |
with delicious, sweet... | 0:14:26 | 0:14:28 | |
VIC KICKS BOX | 0:14:37 | 0:14:38 | |
Ooh! Really! Right, any more chocolate facts, please? | 0:14:38 | 0:14:42 | |
The most expensive sweet treat that we have found to date is | 0:14:42 | 0:14:45 | |
a chocolate dessert costing a whopping £22,000. | 0:14:45 | 0:14:49 | |
£22,000 for a chocolate? | 0:14:49 | 0:14:52 | |
What's it got in it, a diamond? | 0:14:52 | 0:14:54 | |
Well, yes, actually. | 0:14:54 | 0:14:56 | |
It comes with a two-carat diamond and is coated with edible gold. | 0:14:56 | 0:14:59 | |
I'd love to try a super-expensive dessert. | 0:14:59 | 0:15:02 | |
INTERCOM DINGS | 0:15:02 | 0:15:04 | |
Lovely choccy dessert waiting for you in B7, Mr Reeves. | 0:15:04 | 0:15:07 | |
Would you take a look at that! | 0:15:08 | 0:15:10 | |
# Today, today Today is my birthday | 0:15:17 | 0:15:20 | |
# And I'm going out for an ice cream sundae | 0:15:20 | 0:15:23 | |
# Yumma, yumma, yumma, yumma Yumma, yum, yumma | 0:15:23 | 0:15:27 | |
# Tra-la-la-la-la-la-la-la | 0:15:27 | 0:15:29 | |
# Et cetera | 0:15:29 | 0:15:30 | |
# Chunky, crumbly ice cream sundae | 0:15:30 | 0:15:33 | |
# Better watch out, cos I am hungry | 0:15:33 | 0:15:36 | |
# Yumma, yumma, yumma, yumma Yumma, yummy | 0:15:36 | 0:15:39 | |
# Tra-la-la-la-la-la-la-lee | 0:15:39 | 0:15:41 | |
# Et ceter-ee | 0:15:41 | 0:15:43 | |
# Here comes a waiter with a cheque | 0:15:43 | 0:15:45 | |
# Oi, oi, oi | 0:15:45 | 0:15:47 | |
# I'm going to be sick | 0:15:47 | 0:15:49 | |
# Yuck, yuck, yuck, yuck Yucka, yucka, yuck, yucka | 0:15:49 | 0:15:52 | |
# Hoy, hoy, hoy | 0:15:52 | 0:15:54 | |
# And puff, puff, puff. # | 0:15:54 | 0:15:56 | |
£22,000 for chocolate pudding! | 0:15:56 | 0:15:58 | |
You're having a laugh, ain't ya?! | 0:15:58 | 0:16:00 | |
Well, that's one for the photo album... I mean, report. | 0:16:03 | 0:16:06 | |
You may be having fun now, but mark my words, | 0:16:06 | 0:16:10 | |
the party will be over when the Megaboss reads this report! | 0:16:10 | 0:16:13 | |
Now, let's extract the facts. | 0:16:13 | 0:16:15 | |
'Dear Dahria, | 0:16:15 | 0:16:17 | |
'I'm to enclose some curious stuff about chocolate. | 0:16:17 | 0:16:20 | |
'We learnt...' | 0:16:20 | 0:16:21 | |
'So, that's curious stuff about chocolate. What's next?' | 0:16:43 | 0:16:46 | |
My dear Length-Width, how are the preparations | 0:16:46 | 0:16:48 | |
coming along for the Queen's visit? | 0:16:48 | 0:16:50 | |
Well, Mr Reeves, the jam sandwiches are finished, | 0:16:50 | 0:16:53 | |
so all I need to do now is put on my best clothes and I'll be ready. | 0:16:53 | 0:16:57 | |
Good man. | 0:16:57 | 0:16:58 | |
What are these here? | 0:16:59 | 0:17:01 | |
These are the jam sandwiches. | 0:17:01 | 0:17:03 | |
Where's the middle bit gone? | 0:17:03 | 0:17:05 | |
Mr Reeves, if you were listening earlier, | 0:17:05 | 0:17:07 | |
you will have heard Lovett say the Queen enjoys her jam sandwiches | 0:17:07 | 0:17:11 | |
with the crusts cut off, so voila! | 0:17:11 | 0:17:14 | |
She doesn't eat the crust. | 0:17:14 | 0:17:16 | |
She eats the middle bit with the bread and the jam. | 0:17:16 | 0:17:18 | |
-And where are they? -I'm not surprised she eats that bit, | 0:17:18 | 0:17:21 | |
because those bits are delicious | 0:17:21 | 0:17:23 | |
and I polished them off about 15 minutes ago, | 0:17:23 | 0:17:25 | |
so I'd say they're probably about there now, | 0:17:25 | 0:17:27 | |
or, with a clear run, maybe down there. | 0:17:27 | 0:17:29 | |
You know what, sometimes I despair of you! Really, I do! | 0:17:29 | 0:17:33 | |
Now, get back to your station... | 0:17:33 | 0:17:36 | |
HIS NOSE POPS | 0:17:36 | 0:17:38 | |
..and make some more sandwiches! | 0:17:38 | 0:17:40 | |
Frazernagle, any callers on the line, please? | 0:17:41 | 0:17:43 | |
I've got a wonderful call on line two. | 0:17:43 | 0:17:47 | |
-PHONE RINGS -Thank you. | 0:17:47 | 0:17:49 | |
Hello, this is Vic Reeves at the Ministry Of Curious Stuff. | 0:17:49 | 0:17:52 | |
How might I be of expedition to your venture? | 0:17:52 | 0:17:54 | |
Hello, Mr Reeves! My name is Rachaan | 0:17:54 | 0:17:57 | |
and I'd like to know some curious stuff about the colour red. | 0:17:57 | 0:18:01 | |
Thank you, Rachaan. Goodbye. | 0:18:01 | 0:18:04 | |
Rachaan would like to know some curious facts | 0:18:04 | 0:18:07 | |
about the colour red. | 0:18:07 | 0:18:09 | |
Length-Width. Colour red. | 0:18:14 | 0:18:16 | |
Now, doesn't that make you really angry? | 0:18:16 | 0:18:19 | |
Yes, you know it does, Mr Reeves. Yes. | 0:18:19 | 0:18:21 | |
Better be careful with this subject. | 0:18:21 | 0:18:23 | |
Ooh! What's this here? | 0:18:23 | 0:18:25 | |
A delicious red jellybean? | 0:18:25 | 0:18:28 | |
Now, you look here, sir! | 0:18:28 | 0:18:31 | |
-I will not have it! -You... | 0:18:31 | 0:18:32 | |
A white one. | 0:18:32 | 0:18:34 | |
Oh, chill out about it, man. | 0:18:34 | 0:18:36 | |
You know, nothing really matters at the end of the day. | 0:18:36 | 0:18:38 | |
Oh, pink. | 0:18:38 | 0:18:40 | |
Oh, I'm not sure what I think. Hmm. | 0:18:40 | 0:18:43 | |
Green? | 0:18:43 | 0:18:44 | |
Oh, I'm so envious, because I want that jellybean! | 0:18:44 | 0:18:47 | |
-Blue. -But I'm so sad | 0:18:47 | 0:18:50 | |
because I'll never have it! | 0:18:50 | 0:18:52 | |
Such confusion in one so young. | 0:18:52 | 0:18:54 | |
Come on, curious facts about the colour red. | 0:18:54 | 0:18:58 | |
-I believe I can handle this one, Mr Reeves. -Really? | 0:18:58 | 0:19:01 | |
Strawberries, the best of the berries - red. | 0:19:02 | 0:19:05 | |
Postboxes, the best way to send a parcel, | 0:19:05 | 0:19:09 | |
letter or little cake - red. | 0:19:09 | 0:19:11 | |
Red cars - you guessed it, yeah, they're red. | 0:19:11 | 0:19:15 | |
The best things are red, because red is the best colour. | 0:19:15 | 0:19:18 | |
It's got it all! | 0:19:18 | 0:19:20 | |
Red is passion, red is excitement, red is danger, | 0:19:20 | 0:19:24 | |
red is your brother, red is your best friend, | 0:19:24 | 0:19:27 | |
red is a little old lady that you help across the road! | 0:19:27 | 0:19:30 | |
In short, red is the best thing in the universe! | 0:19:30 | 0:19:35 | |
-Yes! -Bravo! Bravo, old chap! | 0:19:35 | 0:19:37 | |
-BRACEGIRDLE: -Mr Reeves! | 0:19:37 | 0:19:39 | |
Do we really have to listen to any more of this? | 0:19:39 | 0:19:42 | |
Captain Length-Width, thank you so much for an invigorating | 0:19:42 | 0:19:46 | |
and most impassioned speech. | 0:19:46 | 0:19:48 | |
Oh, actually, I've got something red, | 0:19:48 | 0:19:51 | |
this red herring that I bought earlier. | 0:19:51 | 0:19:53 | |
Well done, Mr Reeves. I told you that | 0:19:53 | 0:19:55 | |
would come in handy a little later on. | 0:19:55 | 0:19:57 | |
Actually, Mr Reeves, according to Cambridge dictionaries, | 0:19:57 | 0:20:00 | |
the definition of a red herring is a fact, idea or subject that | 0:20:00 | 0:20:03 | |
takes people's attention away from the central point being considered. | 0:20:03 | 0:20:07 | |
Hmm. And what's the subject we're considering? | 0:20:07 | 0:20:10 | |
The colour red. | 0:20:10 | 0:20:11 | |
Exactly. So, let's not get distracted by this fish. | 0:20:11 | 0:20:15 | |
Right, any other facts on the colour red? | 0:20:17 | 0:20:19 | |
There's an intriguing one here about a hippopotamus. | 0:20:19 | 0:20:23 | |
When they perspire, their sweat turns red and acts as sunscreen. | 0:20:23 | 0:20:27 | |
Ha! You think that's weird, you should meet my mate Adrian. | 0:20:27 | 0:20:30 | |
He squirts ink. | 0:20:30 | 0:20:31 | |
Isn't your mate Adrian a giant squid? | 0:20:31 | 0:20:33 | |
Now, look here! He's not a giant squid. | 0:20:33 | 0:20:35 | |
He's a medium-size squid who chooses to wear baggy clothes. | 0:20:35 | 0:20:39 | |
-My mistake. -Oh, oh, Mr Reeves, Mr Reeves! | 0:20:39 | 0:20:41 | |
Have you ever heard of the planet Mars? | 0:20:41 | 0:20:44 | |
Of course, I'm not a complete turnip! | 0:20:44 | 0:20:46 | |
What's he talking about? | 0:20:46 | 0:20:48 | |
-Mars. -Yeah. | 0:20:48 | 0:20:50 | |
-It's a planet. -Right. | 0:20:50 | 0:20:52 | |
Anyway, did you also know Mars is also called the Red Planet? | 0:20:52 | 0:20:55 | |
Why's that? | 0:20:55 | 0:20:56 | |
Well, if you care to take a look | 0:20:56 | 0:20:58 | |
you'll see that the planet has turned red and this is | 0:20:58 | 0:21:01 | |
because there's a lot of iron in the soil | 0:21:01 | 0:21:03 | |
and the atmosphere on Mars then causes this iron to rust, | 0:21:03 | 0:21:06 | |
thus making the planet red. | 0:21:06 | 0:21:08 | |
This is exactly how a nail might go rusty on Earth. | 0:21:08 | 0:21:11 | |
Oh, yes, but don't be fooled by the red colour. | 0:21:11 | 0:21:14 | |
It is not a hot planet. | 0:21:14 | 0:21:16 | |
In winter, it is -100 degrees | 0:21:16 | 0:21:19 | |
and it's what is known as a hostile environment. | 0:21:19 | 0:21:22 | |
Really? A hostile environment? | 0:21:22 | 0:21:24 | |
What's that mean? | 0:21:24 | 0:21:25 | |
Well, in outer space terms, | 0:21:25 | 0:21:27 | |
a hostile environment is somewhere | 0:21:27 | 0:21:29 | |
that cannot support living organisms, | 0:21:29 | 0:21:31 | |
for example, somewhere with extreme temperatures, | 0:21:31 | 0:21:33 | |
no air to breathe, where there's dust storms, lots of radiation... | 0:21:33 | 0:21:37 | |
-OK. Any other stuff on the colour red? -Yes, Mr Reeves. | 0:21:37 | 0:21:40 | |
Red is the first colour you lose sight of at twilight. | 0:21:40 | 0:21:43 | |
Oh, Twilight! | 0:21:43 | 0:21:45 | |
Twilight, one of the best films and books | 0:21:45 | 0:21:48 | |
and everything ever! | 0:21:48 | 0:21:50 | |
-Mr Reeves... -Miss Teaparty, have you seen the Twilight films? | 0:21:50 | 0:21:53 | |
Yes, of course, Mr Reeves. They're, like, mega! | 0:21:53 | 0:21:56 | |
-Yeah, how many times have you seen them? -Like, 14 times. | 0:21:56 | 0:21:59 | |
Yeah, well, I've seen them a million, billion, squillion times. | 0:21:59 | 0:22:02 | |
Robert Pattinson, R-Patz, | 0:22:02 | 0:22:04 | |
he is so dreamy! | 0:22:04 | 0:22:07 | |
-Oh, you can say that again. -BRACEGIRDLE: -Mr Reeves! | 0:22:07 | 0:22:10 | |
You know that that terrible juvenile vampire drivel is not to be | 0:22:10 | 0:22:14 | |
discussed during ministry hours! | 0:22:14 | 0:22:16 | |
I thought she would have been into it. | 0:22:16 | 0:22:19 | |
She's one of the undead. | 0:22:19 | 0:22:20 | |
LENGTH-WIDTH LAUGHS | 0:22:20 | 0:22:21 | |
What was that, Mr Reeves? | 0:22:21 | 0:22:23 | |
I said, "Do we know anything else about the colour red?" | 0:22:23 | 0:22:26 | |
Well, Mr Reeves, recent research has revealed that a person or team | 0:22:26 | 0:22:29 | |
wearing the colour red is more likely to win a physical contest | 0:22:29 | 0:22:32 | |
than a person or team wearing another colour. | 0:22:32 | 0:22:34 | |
Yes, Mr Reeves. | 0:22:34 | 0:22:36 | |
It suggests that wearing red makes you feel more powerful | 0:22:36 | 0:22:39 | |
and that you're seen as more threatening by others. | 0:22:39 | 0:22:43 | |
Yes, red has an important but subtle influence | 0:22:43 | 0:22:47 | |
on the way we think. | 0:22:47 | 0:22:48 | |
That is quite threatening. Perhaps we should talk to an athlete. | 0:22:48 | 0:22:51 | |
INTERCOM DINGS | 0:22:51 | 0:22:52 | |
Top swimmer, Michael Flipper, waiting for you in H28, Mr Reeves. | 0:22:52 | 0:22:56 | |
Ah, hello. Mr Flipper. | 0:22:57 | 0:23:00 | |
Now then, you're top a swimmer. | 0:23:00 | 0:23:02 | |
What do you think gives you the advantage? | 0:23:02 | 0:23:04 | |
If I'm going to take gold, I need every advantage I can get. | 0:23:04 | 0:23:08 | |
Red makes you go faster, baby! | 0:23:08 | 0:23:10 | |
Why don't you just wear a pair of red swimming trunks? | 0:23:10 | 0:23:13 | |
Oh, man! | 0:23:15 | 0:23:17 | |
Mr Reeves, here's an interesting fact about the colour red. | 0:23:18 | 0:23:21 | |
Traditionally, dignitaries and royals walk on red carpets. | 0:23:21 | 0:23:26 | |
-It dates back as far as ancient Greek times. -She's right, Mr Reeves. | 0:23:26 | 0:23:29 | |
The red carpet was first mentioned in 485 BC in the Greek play, Agamemnon. | 0:23:29 | 0:23:35 | |
It was said to be fit for only the feet of the gods. | 0:23:35 | 0:23:38 | |
Nowadays, we use red carpets for VIPs, and the Queen! | 0:23:38 | 0:23:43 | |
Ah, yes. Red carpet, we mustn't forget about that. The Queen. | 0:23:43 | 0:23:46 | |
We need to get ready for the Queen. She'll be here any minute. | 0:23:46 | 0:23:48 | |
Come on, chop chop. | 0:23:48 | 0:23:49 | |
Better go and put on my best party outfit! | 0:23:49 | 0:23:52 | |
Right! Come on, everybody! It's totally exciting. Are we all set? | 0:23:54 | 0:23:57 | |
-Jam sandwiches? -Over there, Mr Reeves. -Excellent. | 0:23:57 | 0:23:59 | |
-Red carpet? -Check! | 0:23:59 | 0:24:02 | |
I've just finished painting the blue one red. | 0:24:02 | 0:24:04 | |
How exciting! | 0:24:04 | 0:24:05 | |
I can't believe that in a couple of seconds, | 0:24:05 | 0:24:07 | |
we're actually going to meet the Queen. | 0:24:07 | 0:24:09 | |
This is the most exciting day of my life! | 0:24:09 | 0:24:11 | |
Actually, the second most exciting day of my life. | 0:24:11 | 0:24:13 | |
There was this one time I ate a marvellous pie! | 0:24:13 | 0:24:15 | |
TRUMPET FANFARE | 0:24:15 | 0:24:17 | |
Right, she's here. Everybody, stay calm. | 0:24:19 | 0:24:21 | |
-VOICEOVER: -This is her Majesty's inaugural visit to the Ministry. | 0:24:24 | 0:24:27 | |
Let's hope this goes well. | 0:24:27 | 0:24:29 | |
She's being greeted by the Minister of Curious Stuff, Mr Reeves. | 0:24:29 | 0:24:34 | |
Renowned for being peculiar, as you can see. | 0:24:34 | 0:24:37 | |
Oh dear, moving her handbag there, to signal she's ready to move on. | 0:24:37 | 0:24:41 | |
Cheers! | 0:24:41 | 0:24:43 | |
Ah, there's the very stylish Miss Teaparty. | 0:24:43 | 0:24:46 | |
The handbag arm switch again, showing her Majesty's had enough. | 0:24:46 | 0:24:50 | |
Next is Mr Lovett. | 0:24:51 | 0:24:53 | |
A senior researcher at the Ministry of Curious Stuff. | 0:24:53 | 0:24:56 | |
And if I'm not much mistaken, yes, | 0:24:56 | 0:24:59 | |
that seems to be the handbag code for, "feed me jam". | 0:24:59 | 0:25:02 | |
I'm not sure who this next person is, | 0:25:04 | 0:25:06 | |
but he does seem very enthusiastic. | 0:25:06 | 0:25:10 | |
Oh dear, wafting the handbag. | 0:25:10 | 0:25:12 | |
Looking at my code book, it signals the smell of onions. | 0:25:12 | 0:25:15 | |
Yes, that's the Minister confirming it there. | 0:25:15 | 0:25:18 | |
And just at the end there, Captain Norman Length-Width. | 0:25:18 | 0:25:22 | |
I'm not sure what he's Captain of, exactly. | 0:25:22 | 0:25:25 | |
Oh, it's the handbag windmill. This is a disaster! | 0:25:25 | 0:25:28 | |
Her footman clearly angry, there. | 0:25:28 | 0:25:30 | |
Yes, that's the Queen very quickly whisked away. | 0:25:30 | 0:25:33 | |
-What's all that about?! -I don't know, Mr Reeves. | 0:25:35 | 0:25:37 | |
What does THAT mean? | 0:25:37 | 0:25:39 | |
I don't know, I'm going to have a look in the Queen's secret | 0:25:39 | 0:25:41 | |
handbag codebook and find out, though. | 0:25:41 | 0:25:44 | |
It says here, "I'm offended by that man's trousers"! | 0:25:44 | 0:25:48 | |
Well, whose trousers? | 0:25:48 | 0:25:49 | |
Well, it couldn't have been my trousers, I don't know | 0:25:49 | 0:25:52 | |
whether any of you have noticed, but I'm not wearing any trousers! | 0:25:52 | 0:25:56 | |
THEY GASP | 0:25:56 | 0:25:57 | |
How could you?! | 0:25:57 | 0:25:59 | |
Mr Reeves, will you calm down and have a sandwich?! | 0:25:59 | 0:26:03 | |
-I'll give you a san.... Now, you look here! -You look here! | 0:26:03 | 0:26:06 | |
-No, you look here! -Look here! -Mr Reeves! | 0:26:06 | 0:26:10 | |
I'm thrilled that your little friend is so unpatriotic, | 0:26:10 | 0:26:13 | |
but don't you think he'd better put his trousers back on! | 0:26:13 | 0:26:16 | |
It's time to extract the facts. | 0:26:16 | 0:26:19 | |
Dear Rachaan, I'm delighted to enclose some curious stuff | 0:26:21 | 0:26:24 | |
about the colour red. | 0:26:24 | 0:26:26 | |
We found out that: | 0:26:26 | 0:26:28 | |
That's curious stuff about the colour red. | 0:26:47 | 0:26:51 | |
And there you have it! | 0:26:51 | 0:26:52 | |
Fact extraction at its finest. | 0:26:52 | 0:26:55 | |
-Thank you, Miss Bracegirdle. -No, no, no. | 0:26:55 | 0:26:57 | |
Thank you, Mr Reeves. For my report gets stronger by the day. | 0:26:57 | 0:27:01 | |
I can't wait to show the Megaboss this little lot. | 0:27:01 | 0:27:04 | |
But, I must admit, we have extracted some wonderfully curious facts! | 0:27:04 | 0:27:10 | |
Yes, well done, team. Some very, very good facts today. | 0:27:10 | 0:27:14 | |
But now, it's time to go. | 0:27:14 | 0:27:15 | |
Don't forget to post our findings to our callers, please, Mr Reeves. | 0:27:15 | 0:27:18 | |
-Thank you, Miss Teaparty. -And what are your plans tonight, sir? | 0:27:18 | 0:27:21 | |
Well, do you know, tonight I'm just going to go home | 0:27:21 | 0:27:24 | |
and get into my fairy pyjamas. | 0:27:24 | 0:27:26 | |
I mean, I'm going to go home and feed my scary piranhas. | 0:27:26 | 0:27:31 | |
Oooh! | 0:27:31 | 0:27:32 | |
-Goodbye, everybody! -Goodbye, Mr Reeves. | 0:27:36 | 0:27:38 | |
Subtitles by Red Bee Media Ltd | 0:27:48 | 0:27:51 |