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PHONE RINGS | 0:00:02 | 0:00:03 | |
Here at the Ministry of Curious Stuff, | 0:00:05 | 0:00:08 | |
we explore any subject you desire, | 0:00:08 | 0:00:11 | |
and deliver top-quality curious facts. | 0:00:11 | 0:00:14 | |
On hand, our dedicated team - Lovett, | 0:00:16 | 0:00:20 | |
Teaparty, Frazernagle on the calls, | 0:00:20 | 0:00:23 | |
Wannamaker in the walls. | 0:00:23 | 0:00:24 | |
And, of course, Captain Length-Width. | 0:00:24 | 0:00:27 | |
That's Miss Bracegirdle. | 0:00:33 | 0:00:35 | |
She's been sent by head office | 0:00:35 | 0:00:38 | |
to investigate our work and compile a report. | 0:00:38 | 0:00:41 | |
If we fail to impress, the Megaboss will shut the Ministry down. | 0:00:41 | 0:00:45 | |
Let's not dillydally, there's lots to do! | 0:00:47 | 0:00:50 | |
Welcome to Ministry of Curious Stuff. | 0:00:50 | 0:00:54 | |
Good morning, everybody. | 0:00:54 | 0:00:56 | |
Morning, Mr Reeves. | 0:00:56 | 0:00:58 | |
-Good morning, Mr Reeves. -Morning, Mr Reeves. -Good morning, Mr Reeves. | 0:00:58 | 0:01:02 | |
Miss Teaparty, what are the headlines today? | 0:01:02 | 0:01:04 | |
Well, Mr Reeves, a blue whale's heart is the size of an elephant. | 0:01:04 | 0:01:08 | |
No! | 0:01:08 | 0:01:10 | |
-There are about 7,000 languages in the world. -No! | 0:01:10 | 0:01:13 | |
And your mother rang for you - | 0:01:13 | 0:01:15 | |
you've left your Flower Princess lunchbox behind | 0:01:15 | 0:01:17 | |
and she'll pop in with it later. | 0:01:17 | 0:01:19 | |
Mr Reeves, if you don't get down to some work soon | 0:01:21 | 0:01:24 | |
it'll be going in the report, and the Megaboss will not be happy... | 0:01:24 | 0:01:28 | |
What on earth? | 0:01:29 | 0:01:31 | |
Where did that come from?! | 0:01:32 | 0:01:34 | |
Well, I'm surprised we didn't notice that before! | 0:01:36 | 0:01:39 | |
This is a complete disregard for Ministry property | 0:01:39 | 0:01:43 | |
and will not be tolerated! | 0:01:43 | 0:01:45 | |
I demand an investigation forthwith, Mr Reeves! | 0:01:45 | 0:01:48 | |
Calm down, Miss Bracegirdle. | 0:01:48 | 0:01:50 | |
It's only a little bit of graffiti. It's not true, is it? | 0:01:50 | 0:01:54 | |
It's a bucket of lies. | 0:01:54 | 0:01:56 | |
I'll have you know I emit a variety of different aromas, | 0:01:56 | 0:02:00 | |
some good as well as bad, and some unidentified. | 0:02:00 | 0:02:03 | |
Ha! | 0:02:03 | 0:02:05 | |
I demand the culprit is found. | 0:02:05 | 0:02:07 | |
In the meantime, I suggest you all get on with some work! | 0:02:08 | 0:02:12 | |
-Very well, very well. -BELL DINGS | 0:02:12 | 0:02:14 | |
Mr Frazernagle, you don't know anything | 0:02:18 | 0:02:21 | |
-about this graffiti, do you? -Not a Scooby, Sir! Nice work, though. | 0:02:21 | 0:02:26 | |
Yeah, it's not bad actually, is it? | 0:02:26 | 0:02:28 | |
Any callers on the line, Mr Frazernagle? | 0:02:28 | 0:02:30 | |
There's a fantastic call coming through on line 4. | 0:02:30 | 0:02:33 | |
I'll put you through now. | 0:02:33 | 0:02:35 | |
PHONE RINGS | 0:02:35 | 0:02:37 | |
Hello, this is Vic Reeves here at the Ministry of Curious Stuff. | 0:02:37 | 0:02:41 | |
How might I be of usage to your point at issue? | 0:02:41 | 0:02:44 | |
Hello, Mr Reeves. My name is Ella. | 0:02:44 | 0:02:47 | |
Can you tell me some curious stuff about love? | 0:02:47 | 0:02:49 | |
What a marvellous question. Thank you very much. Goodbye. | 0:02:49 | 0:02:54 | |
Ella wants to know some curious facts about love. | 0:02:54 | 0:02:58 | |
-Length-Width, how do you know when you're in love? -Oh, you just know. | 0:02:58 | 0:03:03 | |
You just know. I mean, you just know. | 0:03:03 | 0:03:07 | |
-You just know. -You just know. | 0:03:07 | 0:03:10 | |
You get that special feeling in your tummy | 0:03:10 | 0:03:13 | |
and that feeling gets so big that all you can do | 0:03:13 | 0:03:17 | |
is go and sit on the toilet. | 0:03:17 | 0:03:19 | |
That's right... That's not when you know you're in love, | 0:03:19 | 0:03:22 | |
-that's when you know you want to poo! -Is it? -Yes. | 0:03:22 | 0:03:25 | |
Well, I love having a poo. Speaking of which, see you in a minute. | 0:03:25 | 0:03:29 | |
Right. | 0:03:29 | 0:03:30 | |
Right, OK, team. Let's have some curious facts about love. | 0:03:34 | 0:03:38 | |
OK. What do we know about love? | 0:03:43 | 0:03:47 | |
Well, Mr Reeves, | 0:03:47 | 0:03:48 | |
it was reported that, unfortunately for one Chinese lady, | 0:03:48 | 0:03:51 | |
being in love was bad for her hearing, | 0:03:51 | 0:03:54 | |
and just one kiss made her deaf! | 0:03:54 | 0:03:56 | |
Really? | 0:03:56 | 0:03:58 | |
Back in a minute. | 0:03:59 | 0:04:00 | |
Hello, Vic. Where are you off to? | 0:04:01 | 0:04:04 | |
-None of your business. -Whatever. | 0:04:04 | 0:04:06 | |
HOOTS HORN | 0:04:23 | 0:04:25 | |
APPLAUSE | 0:04:28 | 0:04:30 | |
Well, it didn't happen quite like that, Mr Reeves. | 0:04:31 | 0:04:35 | |
The kiss created pressure in her head so severe | 0:04:35 | 0:04:38 | |
that her left eardrum burst, leaving her deaf in one ear. | 0:04:38 | 0:04:43 | |
Yes, all this is correct. A Chinese newspaper reported, | 0:04:43 | 0:04:47 | |
while kissing is normally very safe, | 0:04:47 | 0:04:49 | |
doctors advise people to proceed with caution. | 0:04:49 | 0:04:52 | |
Right. Now then. | 0:04:52 | 0:04:54 | |
What she should have done is what I do to avoid such dangers. | 0:04:54 | 0:04:58 | |
If I'm going to take out a pretty lady, | 0:04:58 | 0:05:01 | |
and I might be expecting a little kiss, I wear ear defenders. | 0:05:01 | 0:05:07 | |
And I make sure that she does, as well. | 0:05:07 | 0:05:09 | |
Let me demonstrate on Captain Length-Width. | 0:05:09 | 0:05:11 | |
This is how to romance. | 0:05:11 | 0:05:13 | |
I'd like to kiss you. | 0:05:16 | 0:05:17 | |
What? | 0:05:17 | 0:05:19 | |
I said I really like you, and I want to kiss you. | 0:05:19 | 0:05:22 | |
You miss me? Yes, yes. I miss you, too. | 0:05:22 | 0:05:25 | |
It's all right. I have a mountain bike. | 0:05:25 | 0:05:27 | |
-You can get on the back of that. -No, no, I haven't got an Uncle Mike. | 0:05:27 | 0:05:31 | |
-It's parked round by the bins. -Yes, I've just been for a poo. | 0:05:31 | 0:05:36 | |
-And I love you, too. -Ooh! | 0:05:36 | 0:05:38 | |
Romance doesn't get smoother than that. | 0:05:38 | 0:05:41 | |
Mr Reeves, can we keep on track? | 0:05:41 | 0:05:43 | |
We need to find some facts about love. | 0:05:43 | 0:05:46 | |
Right. What about monkeys in love? | 0:05:46 | 0:05:49 | |
Because you know bonobo apes often lock lips and French kiss? | 0:05:49 | 0:05:52 | |
Ooh-ho-ho-ho! | 0:05:52 | 0:05:54 | |
Apes are smooching right above me in C12. | 0:05:57 | 0:06:00 | |
Ah, so romantic. It remains me of when I was a young ape in love. | 0:06:03 | 0:06:08 | |
The two young bonobo apes kiss in a show of affection | 0:06:08 | 0:06:13 | |
similar to that of human beings. | 0:06:13 | 0:06:15 | |
What in the name of Total Wipeout? | 0:06:15 | 0:06:19 | |
-Hello, young man. -Yes, um... | 0:06:19 | 0:06:22 | |
David Battenberg, BBC wildlife presenter. | 0:06:22 | 0:06:25 | |
-What are you doing creeping up on me in my Ministry? -Oh, no! | 0:06:25 | 0:06:29 | |
It's him! Battenberg's followed us again. | 0:06:29 | 0:06:32 | |
Can't you leave us alone for one second? | 0:06:32 | 0:06:35 | |
-Sorry, I'm just doing my job! -What, camping out in our back garden? | 0:06:35 | 0:06:39 | |
-Following us to the supermarket? -Filming me on the bog?! | 0:06:39 | 0:06:43 | |
That's doing your job, is it, you weirdo? | 0:06:43 | 0:06:46 | |
Sounds like you should leave them alone, give them a bit of peace. | 0:06:46 | 0:06:49 | |
Yes. I'm sorry if I got on your nerves. | 0:06:49 | 0:06:53 | |
I just like following big, hairy things around and talking about them. | 0:06:53 | 0:06:57 | |
-I know how you feel. -I won't bother you again. | 0:06:57 | 0:07:00 | |
There you are. All sorted. Drama over. | 0:07:00 | 0:07:03 | |
Thank you, Mr Reeves. | 0:07:03 | 0:07:05 | |
Anything I can do to help a young pair of bonobo apes in love. | 0:07:05 | 0:07:09 | |
The savage creature picks up a pen. | 0:07:11 | 0:07:15 | |
Has this dumb, Neanderthal beast | 0:07:15 | 0:07:18 | |
finally learned to write his own name? | 0:07:18 | 0:07:21 | |
The creature has spotted me. It doesn't look happy. | 0:07:23 | 0:07:26 | |
Maybe this was a bad idea. | 0:07:26 | 0:07:30 | |
Perhaps I, Sir David Battenberg, should leg it! | 0:07:30 | 0:07:35 | |
-Boo! -APE-LIKE SCREAMS | 0:07:35 | 0:07:39 | |
That was a little over the top. | 0:07:42 | 0:07:44 | |
OK, Ministry, any final facts on how we know when we are in love? | 0:07:44 | 0:07:48 | |
Well, Mr Reeves, when you're in love, | 0:07:48 | 0:07:51 | |
-a natural chemical called dopamine stimulates the brain. -Really? | 0:07:51 | 0:07:55 | |
And how does that work, I wonder? | 0:07:55 | 0:07:57 | |
The release of the chemical creates the feeling of wanting something... | 0:07:57 | 0:08:00 | |
GASPS | 0:08:00 | 0:08:02 | |
I want you, baby! | 0:08:02 | 0:08:03 | |
-..elation... -Hooray! | 0:08:03 | 0:08:05 | |
-..motivation... -Come on! | 0:08:05 | 0:08:07 | |
-..giddiness... -Oh! I feel quite... | 0:08:07 | 0:08:09 | |
..and cravings. | 0:08:09 | 0:08:11 | |
I'm hungry! | 0:08:11 | 0:08:13 | |
Thank you very much, Teaparty. | 0:08:13 | 0:08:14 | |
We're getting married and moving to Ipswich. | 0:08:14 | 0:08:17 | |
-You do know that's an ape? -Oh, forget it. | 0:08:17 | 0:08:20 | |
They're perfectly suited, if you ask me. Ha ha ha! | 0:08:20 | 0:08:23 | |
No? | 0:08:23 | 0:08:25 | |
Let's extract the facts. | 0:08:25 | 0:08:28 | |
Dear Ella. | 0:08:28 | 0:08:29 | |
I'm delighted to enclose some curious stuff about love. | 0:08:29 | 0:08:33 | |
We discovered that a kiss once created so much pressure | 0:08:33 | 0:08:37 | |
in a lady's head that her eardrum burst. | 0:08:37 | 0:08:40 | |
Bonobo apes often lock lips and kiss. | 0:08:40 | 0:08:43 | |
When people are in love, a natural chemical called dopamine | 0:08:43 | 0:08:48 | |
stimulates the brain and makes them act in certain ways. | 0:08:48 | 0:08:52 | |
So, that's curious stuff about love. What's next? | 0:08:52 | 0:08:56 | |
-You know, whoever did this has got great talent. -Yes. | 0:08:56 | 0:09:00 | |
-Great use of colour. -Oh, come on! | 0:09:00 | 0:09:04 | |
Admit it. You did this graffiti. | 0:09:04 | 0:09:06 | |
-Whoa! -Whoa! -Whoa, steady on, toots. | 0:09:06 | 0:09:09 | |
You're living in a fairy tale. | 0:09:09 | 0:09:10 | |
Come on. Let's get on with some work. | 0:09:10 | 0:09:13 | |
Oooh. | 0:09:13 | 0:09:15 | |
Right, Frazernagle, any callers on the switchboard, please? | 0:09:15 | 0:09:19 | |
I have a splendid call coming through on line 3. | 0:09:19 | 0:09:23 | |
-PHONE RINGS -Thank you. | 0:09:23 | 0:09:25 | |
Hello, this is Vic Reeves here at Ministry of Curious Stuff. | 0:09:25 | 0:09:29 | |
-How might I be of expedition to your topic? -Hello, Mr Reeves. | 0:09:29 | 0:09:33 | |
My name's Oscar, and I'd like to know | 0:09:33 | 0:09:35 | |
some curious stuff about sleepwalking. | 0:09:35 | 0:09:37 | |
Thank you, Oscar. Very good question. Thank you. | 0:09:37 | 0:09:41 | |
Goodbye. | 0:09:41 | 0:09:42 | |
Oscar wants to know any curious facts we might have on sleepwalking. | 0:09:42 | 0:09:47 | |
Let's see what we can find out. | 0:09:47 | 0:09:49 | |
Length-Width! Length-Width, wake up. | 0:09:54 | 0:09:57 | |
Oh, I'm so sorry. | 0:09:57 | 0:09:59 | |
I go sleepwalking, you know. It's a bit embarrassing. | 0:09:59 | 0:10:01 | |
-Oh, come on, it's fine. -It's embarrassing. -Really? | 0:10:01 | 0:10:04 | |
Yeah. I drink milk. | 0:10:04 | 0:10:06 | |
There's nothing embarrassing about drinking milk. | 0:10:06 | 0:10:09 | |
-Straight from the cow. -Oh, that's not so good. No, no. | 0:10:09 | 0:10:12 | |
Mr Reeves, when you've quite finished mucking about | 0:10:12 | 0:10:16 | |
with your pork-pie-faced stooge, | 0:10:16 | 0:10:18 | |
this graffiti needs sorting out, and if you don't do it, I will. | 0:10:18 | 0:10:23 | |
-The culprit must be found! -All right! | 0:10:23 | 0:10:26 | |
I am Chief Detective Inspector Fowler | 0:10:26 | 0:10:29 | |
of the Leeds, Lowestoft, and Los Angeles NYPD. | 0:10:29 | 0:10:33 | |
I hear there's been a dirty crime committed here. | 0:10:33 | 0:10:35 | |
Let me see the offence in question. | 0:10:35 | 0:10:38 | |
Ah. This appears to be the work of the sleep-doodler. | 0:10:39 | 0:10:42 | |
What a rotter! I don't know how they sleep at night. | 0:10:42 | 0:10:46 | |
Well, actually, it says here, | 0:10:46 | 0:10:48 | |
Lee Hadwin from North Wales is a nurse by day | 0:10:48 | 0:10:51 | |
but at night he's a sleepwalking artist. | 0:10:51 | 0:10:54 | |
He's been drawing in his sleep since the age of four | 0:10:54 | 0:10:56 | |
with no recollection of it the next morning. | 0:10:56 | 0:10:59 | |
So, Mr Reeves... | 0:10:59 | 0:11:01 | |
-Call me Mr Inspector Fowler. -Yes, Mr Inspector Fowler, | 0:11:01 | 0:11:04 | |
if you can't remember it, then surely the sleep-doodler could be anyone. | 0:11:04 | 0:11:08 | |
Yes. That's right. | 0:11:08 | 0:11:10 | |
And, due to my investigations, | 0:11:10 | 0:11:12 | |
I can confirm that the sleep-doodler is in fact.... | 0:11:12 | 0:11:16 | |
..somebody in this room. | 0:11:20 | 0:11:21 | |
ALL GASP, THUNDER CRACKS | 0:11:21 | 0:11:23 | |
Hey! Would you turn that off? | 0:11:23 | 0:11:26 | |
-What is that, anyway? -Now That's What I Call Weather 2007. | 0:11:26 | 0:11:31 | |
OK. Now, to catch a sleep-doodler | 0:11:31 | 0:11:34 | |
you've got to think like a sleep-doodler. | 0:11:34 | 0:11:37 | |
You've got to get inside his mind and roll about a little bit. | 0:11:37 | 0:11:41 | |
OK, what have we got? | 0:11:41 | 0:11:43 | |
According to a US study, | 0:11:43 | 0:11:45 | |
sleepwalking affects 29% of people at least once in their lives, | 0:11:45 | 0:11:50 | |
and boys are more likely to sleepwalk than girls are. | 0:11:50 | 0:11:53 | |
Yes. It's also more likely to occur | 0:11:53 | 0:11:55 | |
in children than teenagers and adults. | 0:11:55 | 0:11:57 | |
Well, there's only one child in here | 0:11:57 | 0:11:59 | |
and he's wearing the silly sailor's cap. | 0:11:59 | 0:12:02 | |
Objection in court! | 0:12:03 | 0:12:05 | |
That chick's really getting my goat. She's trying to stitch me up. | 0:12:05 | 0:12:08 | |
Is she, Length-Width? Is she? Are you quite sure about that? | 0:12:08 | 0:12:12 | |
I'm quite sure I don't know what you're insinuating, Inspector Fowler. | 0:12:12 | 0:12:16 | |
Then allow me to present exhibit A. | 0:12:16 | 0:12:19 | |
ALL GASP | 0:12:19 | 0:12:21 | |
Paint! | 0:12:21 | 0:12:22 | |
Of the same shade of colour as the cheeky graffiti. | 0:12:22 | 0:12:26 | |
Well, there are hundreds of ways | 0:12:26 | 0:12:28 | |
I could have got that paint on my face, Inspector Fowler. | 0:12:28 | 0:12:31 | |
I could have wrestled with a painter, | 0:12:31 | 0:12:34 | |
-or I could have simply walked through a rainbow. -That is true. | 0:12:34 | 0:12:37 | |
Which brings me to exhibit B. | 0:12:37 | 0:12:39 | |
-More paint! -Or is it? | 0:12:41 | 0:12:43 | |
Further investigation revealed that this is not brown paint, but gravy. | 0:12:43 | 0:12:48 | |
-Gravy? -Yes. | 0:12:48 | 0:12:50 | |
In a shocking twist, | 0:12:50 | 0:12:52 | |
I can reveal that the sleep-doodler | 0:12:52 | 0:12:56 | |
is also a sleepy chef. | 0:12:56 | 0:12:58 | |
Someone who cooks in the night?! | 0:13:01 | 0:13:03 | |
Yes! Mr Ree... Mr Inspector Fowler is right. | 0:13:03 | 0:13:06 | |
It says here there are people who cook in their sleep, | 0:13:06 | 0:13:09 | |
and that Robert Wood is a sleepwalking chef from Fife. | 0:13:09 | 0:13:12 | |
He cooks all my favourites - stir-fry, omelette, | 0:13:12 | 0:13:15 | |
and spaghetti Bolognese, all in his sleep. | 0:13:15 | 0:13:18 | |
I'm not a midnight chef. You've got no proof. | 0:13:18 | 0:13:21 | |
Oh, yeah? How about this, taken last night? | 0:13:21 | 0:13:24 | |
SNORING | 0:13:24 | 0:13:27 | |
AMERICAN ACCENT: OK, you got me! | 0:13:31 | 0:13:33 | |
I'll come clean, I'm the midnight chef. | 0:13:33 | 0:13:36 | |
I cook when I'm asleep. | 0:13:36 | 0:13:37 | |
Breakfast, lunch, steak dinner - you name it, I've cooked it. | 0:13:37 | 0:13:40 | |
And I'd do it all again, too, in a heartbeat if I had to! | 0:13:40 | 0:13:43 | |
Why are you American? | 0:13:43 | 0:13:45 | |
Well, it just seemed appropriate... | 0:13:45 | 0:13:48 | |
A-ha! I knew it! I told you it was him! | 0:13:48 | 0:13:51 | |
And you were absolutely right. | 0:13:51 | 0:13:53 | |
Apart from one thing. | 0:13:53 | 0:13:55 | |
-ALL: -What? | 0:13:55 | 0:13:57 | |
You are absolutely and completely wrong. | 0:13:57 | 0:13:59 | |
ALL GASP | 0:13:59 | 0:14:01 | |
What do you mean?! | 0:14:01 | 0:14:02 | |
The gravy in this footprint is one of the most delicious things | 0:14:02 | 0:14:06 | |
I've ever tasted, and Length-Width here can't cook for toffee. | 0:14:06 | 0:14:10 | |
He's right, you know. | 0:14:10 | 0:14:12 | |
So, you're telling me Fishbrain is innocent? | 0:14:12 | 0:14:15 | |
Of the graffiti, yes. | 0:14:15 | 0:14:17 | |
But crimes against cookery is a different kettle of pork. | 0:14:17 | 0:14:21 | |
Well, what kind of idiot does something as dangerous | 0:14:21 | 0:14:24 | |
as climb a great height whilst asleep? | 0:14:24 | 0:14:26 | |
People have climbed to dangerous heights in their sleep before. | 0:14:26 | 0:14:30 | |
A girl of 15 once climbed a 130-foot crane in her sleep. | 0:14:30 | 0:14:33 | |
Yes, it would probably be somebody you would least expect | 0:14:33 | 0:14:37 | |
to do a dangerous stunt. | 0:14:37 | 0:14:39 | |
And, in this case, | 0:14:39 | 0:14:41 | |
somebody who harbours a bottled-up frustration against Bracegirdle. | 0:14:41 | 0:14:47 | |
Sound familiar, Miss Teaparty? | 0:14:47 | 0:14:50 | |
ALL GASP | 0:14:50 | 0:14:52 | |
Honestly, I've got no idea what you're talking about. | 0:14:53 | 0:14:56 | |
Well, maybe this will refresh your memory. | 0:14:56 | 0:14:59 | |
You have to believe me! Honestly! I had no idea! | 0:15:06 | 0:15:09 | |
I knew it! | 0:15:09 | 0:15:11 | |
As soon as I knew we were looking for a daredevil sleep-doodler | 0:15:11 | 0:15:15 | |
I straightaway thought Teaparty. | 0:15:15 | 0:15:17 | |
She's always resented me for my sparkling charm and good looks. | 0:15:17 | 0:15:21 | |
I demand she be fired immediately. | 0:15:21 | 0:15:23 | |
And so she should. | 0:15:23 | 0:15:25 | |
Apart from one small thing. | 0:15:25 | 0:15:27 | |
ALL: What? | 0:15:27 | 0:15:29 | |
She didn't do it. | 0:15:29 | 0:15:30 | |
But the evidence all points to her! How could it not be her? | 0:15:31 | 0:15:34 | |
Because, even in her sleep, | 0:15:34 | 0:15:37 | |
Teaparty's just too nice. | 0:15:37 | 0:15:40 | |
Oh! Shucks! What can I say? | 0:15:40 | 0:15:43 | |
I guess I am pretty nice. | 0:15:43 | 0:15:44 | |
Who did it, then? | 0:15:44 | 0:15:46 | |
Somebody who's been under our nose this whole time. | 0:15:46 | 0:15:50 | |
ALL: Who? | 0:15:50 | 0:15:53 | |
-You! -GASPS | 0:15:53 | 0:15:56 | |
Oh, right. OK. | 0:15:56 | 0:15:58 | |
SHE SCREAMS | 0:15:58 | 0:16:00 | |
What makes you think I would climb a ladder and write | 0:16:00 | 0:16:03 | |
-offensive graffiti about myself in my sleep? -Well, this. | 0:16:03 | 0:16:08 | |
The tape is fake! | 0:16:15 | 0:16:17 | |
Camera trickery! Special effects! | 0:16:17 | 0:16:20 | |
The paintbrush is still in your hand. | 0:16:20 | 0:16:22 | |
GASPS | 0:16:22 | 0:16:24 | |
So, Miss Bracegirdle, | 0:16:24 | 0:16:25 | |
what have you got to say for yourself? | 0:16:25 | 0:16:28 | |
-I... -Good. | 0:16:28 | 0:16:31 | |
Let's keep it that way. | 0:16:31 | 0:16:32 | |
What a drama! | 0:16:32 | 0:16:34 | |
# The things you do When you're asleep | 0:16:38 | 0:16:42 | |
# Like cooking fish And shearing sheep | 0:16:42 | 0:16:46 | |
# Taming lions and eating sweets | 0:16:46 | 0:16:49 | |
# Juggling water in your knees | 0:16:49 | 0:16:54 | |
# Sleep, sleepwalker | 0:16:54 | 0:16:57 | |
# Sleep, sleepwalker | 0:16:57 | 0:17:00 | |
# Sleep, sleep. # | 0:17:01 | 0:17:03 | |
Wakey-wakey, Mr Reeves. Rise and shine! | 0:17:04 | 0:17:07 | |
Time to stop all this messing about and extract the facts. | 0:17:07 | 0:17:11 | |
Dear Oscar, I'm delighted | 0:17:11 | 0:17:13 | |
to enclose some curious stuff about sleepwalking. | 0:17:13 | 0:17:16 | |
29% of people sleepwalk at least once in their life. | 0:17:16 | 0:17:21 | |
Children are more likely to sleepwalk than teenagers or adults, | 0:17:21 | 0:17:25 | |
and boys more than girls. | 0:17:25 | 0:17:27 | |
People have also been known to do strange things in their sleep, | 0:17:27 | 0:17:30 | |
like artwork, cooking, and even sleepwalking at great heights. | 0:17:30 | 0:17:35 | |
So, that's curious sleepwalking. What's next? | 0:17:36 | 0:17:39 | |
Ah, Monsieur Le Frazernagle, | 0:17:41 | 0:17:43 | |
have we got any callers on the switchboard, please? | 0:17:43 | 0:17:46 | |
I have a splendid call on line 3. | 0:17:46 | 0:17:50 | |
-PHONE RINGS -Thank you. | 0:17:50 | 0:17:53 | |
Hello, this is Vic Reeves here at Ministry of Curious Stuff. | 0:17:53 | 0:17:57 | |
-How might I be of usage to your probing question? -Hello, Mr Reeves. | 0:17:57 | 0:18:01 | |
My name's Ezra, and I'd like to know some curious stuff about faces. | 0:18:01 | 0:18:06 | |
Ta very much, Ezra. Bye. | 0:18:06 | 0:18:08 | |
Ezra wants to know some curious facts about faces. | 0:18:08 | 0:18:12 | |
That's faces. | 0:18:12 | 0:18:14 | |
-Length-Width. -Mmm? | 0:18:19 | 0:18:21 | |
Has anyone ever told you that you have the face of an angel? | 0:18:21 | 0:18:26 | |
Beautiful, yet rugged, noble, yet beatific. | 0:18:26 | 0:18:32 | |
It is, in essence, the face of a Greek God. | 0:18:32 | 0:18:37 | |
-Really? -No! | 0:18:39 | 0:18:41 | |
LAUGHS | 0:18:41 | 0:18:42 | |
Ha ha ha! If I had a face like yours I'd bury it! | 0:18:42 | 0:18:47 | |
-Ha ha ha! -Really! | 0:18:48 | 0:18:50 | |
Right, come on. Any curious facts on faces, please? | 0:18:50 | 0:18:53 | |
Delighted you finally asked, Mr Reeves. I have one. | 0:18:53 | 0:18:57 | |
The human face can create thousands of different expressions. | 0:18:57 | 0:19:01 | |
People can interpret even the tiniest detail. | 0:19:01 | 0:19:04 | |
Yes, and Length-Width and I will attempt to show you | 0:19:04 | 0:19:08 | |
each and every one of those facial expressions. | 0:19:08 | 0:19:12 | |
Number one. Happy. | 0:19:12 | 0:19:14 | |
Number two. Sad. | 0:19:15 | 0:19:16 | |
Number three. Fear. | 0:19:18 | 0:19:19 | |
Number four. Angry. | 0:19:20 | 0:19:22 | |
Number 152. Shock, | 0:19:25 | 0:19:27 | |
with an element of fear, and sadness. | 0:19:27 | 0:19:30 | |
Number 153. | 0:19:32 | 0:19:33 | |
Anger, with a bit of surprise, a touch of excitement, | 0:19:33 | 0:19:38 | |
a hint of revulsion, a dollop of guilt | 0:19:38 | 0:19:41 | |
and the tiniest portion of confusion. | 0:19:41 | 0:19:45 | |
Facial expression 3,877. | 0:19:48 | 0:19:51 | |
The smell of this banana has overpowered my lunchbox. | 0:19:51 | 0:19:56 | |
Facial expression 3,878. | 0:19:58 | 0:20:02 | |
I'm considering whether to take this caravan holiday. | 0:20:02 | 0:20:06 | |
SUCKING THUMP | 0:20:06 | 0:20:08 | |
Oh! Oh, dear. I think my face has got stuck. | 0:20:08 | 0:20:11 | |
Don't worry. I'll go and get the doctor. | 0:20:11 | 0:20:14 | |
Ministry Doctor arriving in C1, Mr Reeves. | 0:20:14 | 0:20:17 | |
I came as soon as I felt like it. | 0:20:19 | 0:20:21 | |
Let me take a look at you. | 0:20:21 | 0:20:23 | |
Hmm, yes. | 0:20:25 | 0:20:26 | |
I'd say from his face he's considering whether or not | 0:20:26 | 0:20:30 | |
to take a caravan holiday. | 0:20:30 | 0:20:32 | |
He's strained his expression gland. | 0:20:32 | 0:20:34 | |
He'll be stuck like that for a while. | 0:20:34 | 0:20:36 | |
Is there nothing you can do, Doctor? | 0:20:36 | 0:20:39 | |
Well, there might be one thing. | 0:20:39 | 0:20:41 | |
There! | 0:20:44 | 0:20:46 | |
There, there! | 0:20:48 | 0:20:50 | |
Did the ickle doctor make it all better? | 0:20:50 | 0:20:53 | |
Nope. Didn't work. Sorry. | 0:20:55 | 0:20:57 | |
-Do you know, I'm not happy about this. -Really? | 0:20:59 | 0:21:01 | |
Cos you look like you're deciding | 0:21:01 | 0:21:03 | |
whether to go on a caravan holiday or not. | 0:21:03 | 0:21:05 | |
Right, any more cuties facts on faces, please? | 0:21:05 | 0:21:08 | |
Yes, Mr Reeves. Smiling reduces stress and can even make us | 0:21:08 | 0:21:11 | |
appear younger and more attractive. | 0:21:11 | 0:21:13 | |
It releases endorphins, which are chemicals in the body | 0:21:13 | 0:21:16 | |
which make us feel good and signal that all is well. | 0:21:16 | 0:21:19 | |
Hear that, Bracegirdle? Why don't you try smiling once in a while? | 0:21:19 | 0:21:22 | |
Smiling is not an activity for the workplace, Mr Reeves. | 0:21:22 | 0:21:26 | |
I keep my joy locked tightly inside. | 0:21:26 | 0:21:28 | |
Yeah, I bet you've never smiled once, you miserable-flavoured lemon. | 0:21:28 | 0:21:32 | |
I'll have you know that it has been said that my smile | 0:21:32 | 0:21:35 | |
will make gentlemen's knees buckle and birds sing. | 0:21:35 | 0:21:39 | |
-And ships sink. -Fine. | 0:21:39 | 0:21:42 | |
You want to see a killer smile? | 0:21:42 | 0:21:44 | |
Get ready for a bit of Bracegirdle perfection. | 0:21:44 | 0:21:47 | |
CREAKING | 0:21:47 | 0:21:50 | |
GROANING | 0:21:50 | 0:21:52 | |
CREAKING | 0:21:56 | 0:22:00 | |
STRAINING | 0:22:00 | 0:22:02 | |
Enough! Enough! | 0:22:04 | 0:22:05 | |
Enough! | 0:22:05 | 0:22:07 | |
Now I know what evil looks like. | 0:22:07 | 0:22:10 | |
Miss Teaparty. | 0:22:11 | 0:22:13 | |
Miss Teaparty! Another curious face fact, please, quick! | 0:22:13 | 0:22:18 | |
Sorry. | 0:22:18 | 0:22:19 | |
Well, when a clown joins Clown International, | 0:22:19 | 0:22:23 | |
the oldest established club for clowns, | 0:22:23 | 0:22:26 | |
they register their clown face by painting it on an egg! | 0:22:26 | 0:22:29 | |
Yes! And I have designed my own clown face, as well. | 0:22:29 | 0:22:33 | |
And it's a beauty! | 0:22:33 | 0:22:35 | |
I intend to get it registered at the clown club. | 0:22:35 | 0:22:38 | |
In fact, I'll go and do that right now. You can't stop me. | 0:22:38 | 0:22:42 | |
Ah, Mr Reeves. Nice to see you again. | 0:22:52 | 0:22:55 | |
ELECTRICITY SIZZLES | 0:22:55 | 0:22:58 | |
Sorry! Clown humour. What can I do for you? | 0:22:58 | 0:23:01 | |
Well, I've come up with a clown face design, | 0:23:01 | 0:23:04 | |
and I'd like to have it registered, please. | 0:23:04 | 0:23:07 | |
HE SIGHS: Vic, Vic, Vic. | 0:23:07 | 0:23:09 | |
You've got to stop doing this to yourself! Face facts! | 0:23:09 | 0:23:14 | |
-You're never going to be a professional clown. -I can learn, sir. | 0:23:14 | 0:23:19 | |
You don't learn it. It's either in you or it's not. | 0:23:19 | 0:23:23 | |
And it's not in you. | 0:23:23 | 0:23:27 | |
Your slipping on a banana skin is substandard, | 0:23:27 | 0:23:30 | |
and your horn honking... | 0:23:30 | 0:23:32 | |
HONKS | 0:23:32 | 0:23:33 | |
..is plainly amateurish. I'm sorry. | 0:23:33 | 0:23:36 | |
It's never going to happen. | 0:23:36 | 0:23:38 | |
Could you at least just have a look at it? | 0:23:38 | 0:23:41 | |
All right, give it here. | 0:23:41 | 0:23:43 | |
Isn't that the funniest face you've ever seen? | 0:23:45 | 0:23:48 | |
-I don't think so. -Why not? | 0:23:48 | 0:23:50 | |
I have my reasons. | 0:23:50 | 0:23:52 | |
Ah, I see you've already got a clown face like it. | 0:23:52 | 0:23:55 | |
What? No, I don't think we do. | 0:23:55 | 0:23:57 | |
Yeah. There's a picture of a lad wearing it on your desk there. | 0:23:57 | 0:24:01 | |
That's my wife! | 0:24:01 | 0:24:04 | |
I didn't know your wife was a clown! | 0:24:04 | 0:24:07 | |
She isn't! | 0:24:07 | 0:24:09 | |
Give my regards to your wife. | 0:24:10 | 0:24:12 | |
She's got a name, you know! | 0:24:12 | 0:24:15 | |
Bonzo. | 0:24:17 | 0:24:19 | |
Well, that was a right waste of time. Come on. | 0:24:21 | 0:24:25 | |
-Any more curious face facts, people? -Mr Reeves, I have one. | 0:24:25 | 0:24:30 | |
In German folklore, doppelganger means double-walker, | 0:24:30 | 0:24:33 | |
another self that exists elsewhere in the world | 0:24:33 | 0:24:36 | |
-and looks just like you. Like a lookalike. -Doppelganger? | 0:24:36 | 0:24:39 | |
I find that very hard to believe. | 0:24:39 | 0:24:42 | |
DOORBELL RINGS | 0:24:42 | 0:24:44 | |
A guest has just arrived at the ministry, Mr Reeves. | 0:24:44 | 0:24:47 | |
-What? We're not expecting anyone, who is it? -That's the thing. | 0:24:47 | 0:24:50 | |
-It's Captain Length-Width coming through C1. -What?! | 0:24:50 | 0:24:54 | |
My very own doppelganger! I don't believe it. | 0:24:58 | 0:25:02 | |
So you're the other me, are you? Look, will you just decide | 0:25:02 | 0:25:05 | |
whether or not you're going on this caravan holiday? | 0:25:05 | 0:25:07 | |
I don't want to go on a caravan holiday. | 0:25:07 | 0:25:09 | |
Well, it certainly looks like you're considering it! | 0:25:09 | 0:25:12 | |
Well, I'm not! | 0:25:12 | 0:25:14 | |
All right, all right. No need to get funny about it. | 0:25:14 | 0:25:17 | |
I'm just saying, if you want to go on a caravanning holiday, | 0:25:17 | 0:25:20 | |
then just go. | 0:25:20 | 0:25:22 | |
I will, then! | 0:25:22 | 0:25:23 | |
Look at this dump. | 0:25:26 | 0:25:28 | |
What a miserable place. | 0:25:28 | 0:25:30 | |
Looks like I turned up just in time. | 0:25:30 | 0:25:33 | |
Excuse me, what do you mean? | 0:25:33 | 0:25:35 | |
I am taking over the Ministry of Curious Stuff! | 0:25:35 | 0:25:41 | |
I haven't even got a caravan! | 0:25:44 | 0:25:46 | |
Oh! | 0:25:48 | 0:25:50 | |
Well done, Length-Width, that was a close one. | 0:25:50 | 0:25:52 | |
-Face is back to normal. -Yeah. Funny thing was, | 0:25:52 | 0:25:55 | |
it wasn't even stuck. I'd just forgotten to move it. | 0:25:55 | 0:25:58 | |
It can happen. | 0:25:58 | 0:26:00 | |
Oh, another heap of confusing nonsense. | 0:26:00 | 0:26:04 | |
Let's do our best to extract the facts. | 0:26:04 | 0:26:06 | |
Dear Ezra, I'm delighted to enclose some curious stuff about faces. | 0:26:06 | 0:26:12 | |
The human face can create thousands of different expressions, | 0:26:12 | 0:26:15 | |
and we can interpret even the tiniest detail. | 0:26:15 | 0:26:19 | |
Smiling reduces stress and can make us | 0:26:19 | 0:26:21 | |
appear younger and more attractive. | 0:26:21 | 0:26:25 | |
Clowns register their clown face by painting it on an egg. | 0:26:25 | 0:26:29 | |
And in German folklore, | 0:26:29 | 0:26:31 | |
a doppelganger refers to someone who looks just like you! | 0:26:31 | 0:26:36 | |
So, that's curious stuff about faces. | 0:26:38 | 0:26:40 | |
And that is what you call fact extraction. | 0:26:40 | 0:26:44 | |
Thank you, Miss Bracegirdle. | 0:26:44 | 0:26:45 | |
Oh, no, no, thank you, Mr Reeves, for as usual | 0:26:45 | 0:26:48 | |
there's been a lot of pointless horsing around | 0:26:48 | 0:26:51 | |
which has gone straight in my little report. | 0:26:51 | 0:26:54 | |
Makes for very interesting reading. | 0:26:54 | 0:26:56 | |
But, I must admit, we have extracted some wonderfully curious facts. | 0:26:56 | 0:27:02 | |
Yes, we have, we have extracted some wonderfully curious facts. | 0:27:02 | 0:27:06 | |
Well done, team. But I'm afraid now it's time to go. | 0:27:06 | 0:27:09 | |
Don't forget to post our findings to our callers, Mr Reeves. | 0:27:09 | 0:27:12 | |
-Thank you, Miss Teaparty. -And what are your plans for tonight? | 0:27:12 | 0:27:15 | |
Tonight, I thought I might write a poem about a lily pond. | 0:27:15 | 0:27:19 | |
I mean, I mean, I'm... I'm going to ride a puma around Liverpool! | 0:27:19 | 0:27:25 | |
-Goodbye, everybody! -Goodbye, Mr Reeves! | 0:27:30 | 0:27:33 | |
Subtitles by Red Bee Media Ltd | 0:27:54 | 0:27:58 |