Browse content similar to Sporty Ninja Skills. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Time to get my ninja on... and my clothes. | 0:00:05 | 0:00:08 | |
Ya! | 0:00:08 | 0:00:09 | |
WHOOSH | 0:00:09 | 0:00:11 | |
SWOOSH | 0:00:11 | 0:00:14 | |
CLANG | 0:00:14 | 0:00:16 | |
WHOOSH | 0:00:16 | 0:00:19 | |
THUD | 0:00:19 | 0:00:21 | |
-Oh, hey, Gavin. What have you got? -Oh, your magazine, Chicken Weekly. | 0:00:26 | 0:00:29 | |
It must've been delivered to me by mistake. | 0:00:29 | 0:00:32 | |
You've not got my magazine at all, have you? | 0:00:32 | 0:00:34 | |
No, unfortunately, | 0:00:34 | 0:00:35 | |
Annoying Best Mates Monthly hasn't been delivered yet. | 0:00:35 | 0:00:38 | |
-Ha-ha, good one. Cheers, Rick. See you later. -See you later. | 0:00:38 | 0:00:41 | |
Art Ninja. | 0:00:42 | 0:00:44 | |
Gavin's full of hot air, so let's make this awesome cel animation. | 0:00:44 | 0:00:49 | |
What I'm going to use is just a sheet of cardboard, | 0:00:49 | 0:00:52 | |
and I'm going to draw a border around it, | 0:00:52 | 0:00:56 | |
which is about the width of a ruler. | 0:00:56 | 0:00:58 | |
Right, I'm going to cut out the middle bit, | 0:01:02 | 0:01:04 | |
so I'm left with a frame. | 0:01:04 | 0:01:05 | |
Be careful with scissors. They can be sharp. | 0:01:05 | 0:01:09 | |
Now, you're going to need two of these, | 0:01:09 | 0:01:11 | |
-so I've just ninja'd myself another one. -Ya! | 0:01:11 | 0:01:14 | |
Now, grab yourself some clingfilm and a glue-stick, | 0:01:14 | 0:01:17 | |
and give the frame a generous portion of glue. | 0:01:17 | 0:01:20 | |
Looks like enough. | 0:01:24 | 0:01:26 | |
OK, now the tricky bit. | 0:01:26 | 0:01:28 | |
Roll it out over your frame. | 0:01:28 | 0:01:30 | |
OK. Now, cos we used loads of glue, | 0:01:33 | 0:01:36 | |
it means we can stretch it out across this frame | 0:01:36 | 0:01:40 | |
without it suddenly sticking completely. | 0:01:40 | 0:01:44 | |
Look at that. Nice and taut. | 0:01:44 | 0:01:45 | |
Now, we want to put another good portion of glue | 0:01:47 | 0:01:49 | |
on the other side of the frame. | 0:01:49 | 0:01:51 | |
SWOOSH | 0:01:51 | 0:01:54 | |
Now, sandwich the clingfilm between film between the two frames, | 0:01:54 | 0:01:58 | |
like that. | 0:01:58 | 0:01:59 | |
Just stretch it around like this, | 0:01:59 | 0:02:01 | |
just to make sure it's nice and tight. | 0:02:01 | 0:02:03 | |
And there we are, your first frame... | 0:02:03 | 0:02:06 | |
ready for drawing on. | 0:02:06 | 0:02:07 | |
Now, this isn't a canvas, this is a cel. | 0:02:07 | 0:02:10 | |
It's what animators used to draw on. | 0:02:10 | 0:02:11 | |
Now, rather than drawing straight onto it, | 0:02:11 | 0:02:13 | |
I've drawn a little image, first, as a guide, | 0:02:13 | 0:02:16 | |
so that I don't muck it up and have to make my cel again. | 0:02:16 | 0:02:19 | |
Now, I'm just going to trace the guide on to the cel. | 0:02:20 | 0:02:23 | |
'I'm using a permanent marker to do this.' | 0:02:23 | 0:02:26 | |
A lot of seagulls in Bristol. | 0:02:31 | 0:02:34 | |
Great. Now I can paint it. | 0:02:34 | 0:02:36 | |
I'm putting yellow paper under the cel so that when I paint it, | 0:02:36 | 0:02:39 | |
I can see it more easily. | 0:02:39 | 0:02:41 | |
There we are. | 0:02:41 | 0:02:43 | |
SQUELCH | 0:02:43 | 0:02:45 | |
What I'm using here is acrylic paint, | 0:02:45 | 0:02:48 | |
which is pretty happy to put on anything. | 0:02:48 | 0:02:50 | |
SWOOSH | 0:02:50 | 0:02:54 | |
The great thing about this, | 0:02:54 | 0:02:56 | |
using cel, is that you could layer up a picture | 0:02:56 | 0:02:58 | |
and create a foreground and a background, | 0:02:58 | 0:03:00 | |
and if you were animating, | 0:03:00 | 0:03:02 | |
it meant you didn't have to redraw everything over and over again, | 0:03:02 | 0:03:05 | |
so what I've done here is drawn a lovely foreground. | 0:03:05 | 0:03:10 | |
So, this is a box made up of two of the frames - | 0:03:10 | 0:03:12 | |
one at the front and one at the back - and I wrapped | 0:03:12 | 0:03:15 | |
a piece of cardboard around three of the sides, but left one of them open | 0:03:15 | 0:03:19 | |
because that's where we're going to slide in our other cels. | 0:03:19 | 0:03:23 | |
And if we just slide my frame inside... | 0:03:23 | 0:03:28 | |
Look at that. | 0:03:28 | 0:03:29 | |
So, hot-air balloon, over the lovely rolling hills, | 0:03:29 | 0:03:32 | |
but it feels like it's in a bit of a void. It needs some background. | 0:03:32 | 0:03:36 | |
And I've painted some white clouds on a blue piece of paper, | 0:03:36 | 0:03:40 | |
and I've put sticky tacks on the corner, | 0:03:40 | 0:03:43 | |
and so when I stick it to the back, | 0:03:43 | 0:03:45 | |
if I ever want to change the weather, I can. | 0:03:45 | 0:03:49 | |
And there we are. Look how beautiful that is. Gives it real depth. | 0:03:49 | 0:03:53 | |
Now, this piece of art has a trick up its sleeve. | 0:03:53 | 0:03:56 | |
So, I've drawn some other frames. | 0:03:56 | 0:03:58 | |
We can see here how they work, sort of, one after the other, | 0:03:58 | 0:04:01 | |
so I'm just going to grab my tablet. | 0:04:01 | 0:04:04 | |
I've got on it some animation software. | 0:04:04 | 0:04:07 | |
Right, so my first frame is in place. | 0:04:07 | 0:04:09 | |
I'll just go for a frame. | 0:04:09 | 0:04:11 | |
-CAMERA CLICKS -Nice. | 0:04:11 | 0:04:13 | |
Swap out my frame to the next one. | 0:04:13 | 0:04:15 | |
CAMERA CLICKS | 0:04:16 | 0:04:19 | |
So, on each of these frames, the bird, | 0:04:19 | 0:04:22 | |
he's moved just a tiny amount towards the balloon. | 0:04:22 | 0:04:27 | |
Oh, now he's bumped into it. | 0:04:27 | 0:04:29 | |
CAMERA CLICKS | 0:04:29 | 0:04:31 | |
Cool. Let's have a little look at it. | 0:04:31 | 0:04:34 | |
The air balloon cel picture - why don't you try it yourself? | 0:04:35 | 0:04:40 | |
SQUELCH | 0:04:40 | 0:04:42 | |
BOING | 0:04:42 | 0:04:44 | |
Oh, erm... | 0:04:44 | 0:04:46 | |
I'm a clay ninja, | 0:04:46 | 0:04:47 | |
and that's because I know this awesome technique that will | 0:04:47 | 0:04:50 | |
put bounce into any animation, and it's called - | 0:04:50 | 0:04:53 | |
dun-duh-duh-dun - | 0:04:53 | 0:04:55 | |
squash and stretch. | 0:04:55 | 0:04:56 | |
Here's how to work it in three ninja moves. | 0:04:56 | 0:05:00 | |
Ninja move number one... | 0:05:00 | 0:05:02 | |
It's time to do the squash. | 0:05:02 | 0:05:04 | |
Now, I'm going to be doing this with some clay and some wire. | 0:05:04 | 0:05:09 | |
-So, I just put the ball up here. -CAMERA CLICKS | 0:05:09 | 0:05:12 | |
And then, make it go down towards the table. | 0:05:12 | 0:05:14 | |
'For each photo, paint out the wire | 0:05:14 | 0:05:16 | |
'using free online photo-manipulation software.' | 0:05:16 | 0:05:19 | |
And then, when it gets close to the table, | 0:05:19 | 0:05:21 | |
when it actually touches it, it needs to squash out to | 0:05:21 | 0:05:24 | |
absorb the impact, so it gets really squashed like that. | 0:05:24 | 0:05:27 | |
And the first movement should be a really big jump, | 0:05:27 | 0:05:30 | |
so it should go from round to quite squashed, | 0:05:30 | 0:05:32 | |
because it feels more impactful, like it had more velocity. | 0:05:32 | 0:05:36 | |
-There we go. -CAMERA CLICKS | 0:05:36 | 0:05:38 | |
This is obviously the first part of squash and stretch - | 0:05:38 | 0:05:41 | |
so the squash. And then, squash it a little bit more. | 0:05:41 | 0:05:44 | |
-CAMERA CLICKS -And each time you squash it in this | 0:05:44 | 0:05:47 | |
part of the animation, squash it a little bit less each time. | 0:05:47 | 0:05:49 | |
So, the first one is a big impact, and then a little bit more, | 0:05:49 | 0:05:52 | |
a little bit more. So it's kind of easing into it. | 0:05:52 | 0:05:54 | |
Ninja move number two... | 0:05:54 | 0:05:56 | |
Now we need to do the stretch part. | 0:05:56 | 0:05:58 | |
First of all, the ball needs to return to normal ball shape, | 0:05:58 | 0:06:00 | |
so just roll it into a ball. | 0:06:00 | 0:06:02 | |
Here we go. | 0:06:06 | 0:06:08 | |
-CAMERA CLICKS -And then it starts to go long, | 0:06:08 | 0:06:10 | |
like a sausage, | 0:06:10 | 0:06:12 | |
and that's because we are trying to give the idea that it's | 0:06:12 | 0:06:14 | |
bouncing back away from the impact it just had. | 0:06:14 | 0:06:17 | |
-CAMERA CLICKS -Bit more of a sausage. | 0:06:17 | 0:06:19 | |
And this first bounce has been quite aggressive. | 0:06:19 | 0:06:22 | |
It's a big squash and a big stretch, | 0:06:22 | 0:06:24 | |
because it's fallen from the highest point. | 0:06:24 | 0:06:26 | |
-There we go. -CAMERA CLICKS | 0:06:26 | 0:06:28 | |
And as it raises up, | 0:06:28 | 0:06:30 | |
it slowly starts to form back into its normal ball shape, | 0:06:30 | 0:06:33 | |
so less of a stretch now. | 0:06:33 | 0:06:35 | |
-There we go. -CAMERA CLICKS | 0:06:35 | 0:06:37 | |
And then, when it gets to the highest point, | 0:06:37 | 0:06:39 | |
back perfectly into a ball. | 0:06:39 | 0:06:41 | |
CAMERA CLICKS | 0:06:43 | 0:06:45 | |
Ninja move number three... | 0:06:45 | 0:06:47 | |
So, now we need to use our squash and stretch skills to move the ball. | 0:06:47 | 0:06:51 | |
If we're going to have a ball bounce | 0:06:51 | 0:06:52 | |
and then slowly come to a stop, | 0:06:52 | 0:06:54 | |
we need to decrease the amount of squash and stretch on each bounce. | 0:06:54 | 0:06:57 | |
This makes the whole thing look more real. | 0:06:57 | 0:07:00 | |
Let's take a look at the ball in action. | 0:07:00 | 0:07:02 | |
BOING | 0:07:02 | 0:07:05 | |
Hey, you, there. | 0:07:06 | 0:07:08 | |
Odd socks suck but they don't have to any more, | 0:07:08 | 0:07:11 | |
because you can turn them into the Sock Ninja. | 0:07:11 | 0:07:15 | |
'Here's how you make it.' Ugh. | 0:07:17 | 0:07:20 | |
'Stuff cotton wool in an old sock, and use hairbands or elastic bands | 0:07:20 | 0:07:26 | |
'to keep it in a mega-head for your Sock Ninja. | 0:07:26 | 0:07:30 | |
'Cut at the heel of your sock. Keep that. You'll need it later. | 0:07:31 | 0:07:36 | |
'Make some slices for the body and the arms, | 0:07:37 | 0:07:40 | |
'and use a needle and thread to sew them, | 0:07:40 | 0:07:43 | |
'stuffing with cotton wool as you go. | 0:07:43 | 0:07:46 | |
'Secure the hands with bands. | 0:07:48 | 0:07:51 | |
'Hello, there. | 0:07:53 | 0:07:54 | |
'Cut, sew, and stuff the other half of the sock to make legs, | 0:07:54 | 0:07:58 | |
'and then sew them on. | 0:07:58 | 0:08:01 | |
'Very springy. | 0:08:01 | 0:08:03 | |
'Using felt, cut out shapes to add detail, | 0:08:05 | 0:08:08 | |
'and use glue to attach them to your ninja. | 0:08:08 | 0:08:11 | |
'Stick on eyes, | 0:08:13 | 0:08:16 | |
'headband, | 0:08:16 | 0:08:19 | |
'ears, | 0:08:19 | 0:08:21 | |
'mouth and sash... | 0:08:21 | 0:08:24 | |
'to complete the full ninja effect.' | 0:08:24 | 0:08:27 | |
The Sock Ninja makes a great toy. | 0:08:28 | 0:08:32 | |
Now you no longer have to throw your odd socks - | 0:08:32 | 0:08:36 | |
unless you're using them as a ball, of course. | 0:08:36 | 0:08:40 | |
Ha-ha! That looks fun. Where can I get one? | 0:08:40 | 0:08:43 | |
WHOOSH AND THUD | 0:08:43 | 0:08:45 | |
Those 3-D tellies are good, these days. | 0:08:45 | 0:08:47 | |
Now, go to the website and get your ninja on. | 0:08:49 | 0:08:52 | |
Art Ninja! | 0:08:55 | 0:08:57 |