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BONG | 0:00:02 | 0:00:03 | |
Time to get my ninja on - and my clothes. | 0:00:05 | 0:00:08 | |
Yyyah! | 0:00:08 | 0:00:09 | |
HEAVY RAINFALL | 0:00:25 | 0:00:27 | |
Wow. It's persistently raining out there. | 0:00:27 | 0:00:31 | |
That kind of thing didn't put off famous artist JMW Turner, though. | 0:00:31 | 0:00:35 | |
In fact, I think I'll do some Turner-inspired art, | 0:00:35 | 0:00:38 | |
using wet paper. | 0:00:38 | 0:00:39 | |
Whoa, who are you? | 0:00:40 | 0:00:42 | |
I'm famous British painter, Turner. | 0:00:42 | 0:00:45 | |
JMW Turner, to be precise. | 0:00:45 | 0:00:47 | |
I was a landscape painter | 0:00:47 | 0:00:49 | |
who often captured the energy and power of the sea and the weather. | 0:00:49 | 0:00:53 | |
Here's one of my best-known paintings. | 0:00:53 | 0:00:55 | |
I once tied myself to the mast of a ship, | 0:00:55 | 0:00:58 | |
so that I could paint up a storm. | 0:00:58 | 0:00:59 | |
Dude, you don't need to tie yourself to a ship. | 0:00:59 | 0:01:02 | |
You just have to put your painting in the rain. I'll show you. | 0:01:02 | 0:01:06 | |
See you later. | 0:01:06 | 0:01:08 | |
I've got some dark paper here. | 0:01:08 | 0:01:10 | |
Some nice primary colours, a bit of black and white as well. | 0:01:10 | 0:01:13 | |
First thing I'm going to do | 0:01:13 | 0:01:14 | |
is give the paper a good spray with some water. | 0:01:14 | 0:01:16 | |
'Because that will give the painting a nice rainy effect.' | 0:01:16 | 0:01:19 | |
And I'm going to paint a picture of a busy road at night. | 0:01:19 | 0:01:22 | |
I'm going to start by painting some cars. | 0:01:22 | 0:01:25 | |
Maybe some blue, add a little bit of white to it, | 0:01:25 | 0:01:27 | |
to lighten it up. | 0:01:27 | 0:01:28 | |
Do the roof... | 0:01:33 | 0:01:34 | |
Now, the paint that I'm using is acrylic paint - | 0:01:36 | 0:01:39 | |
and that's because it sticks to wet paper better. | 0:01:39 | 0:01:41 | |
'But you can also use poster paint.' | 0:01:41 | 0:01:44 | |
Another car next to it. | 0:01:44 | 0:01:45 | |
Look how the paint runs into the water, like there. | 0:01:50 | 0:01:53 | |
Makes it feel like it's raining. | 0:01:53 | 0:01:55 | |
It's a road, so we've got to have | 0:01:56 | 0:01:58 | |
some cars coming from the other direction as well. | 0:01:58 | 0:02:01 | |
Going to add a little bit of black in, | 0:02:01 | 0:02:03 | |
just to put some detail back into the cars - | 0:02:03 | 0:02:06 | |
give it some windows and some tyres. | 0:02:06 | 0:02:09 | |
'You don't have to be a professional painter for this technique to work.' | 0:02:09 | 0:02:12 | |
If it starts to dry as you're painting it, | 0:02:20 | 0:02:23 | |
just add a little bit more water, just to keep it all nice and moist. | 0:02:23 | 0:02:28 | |
All adds to the effect. | 0:02:28 | 0:02:30 | |
'As the cars start to go off into the distance, | 0:02:30 | 0:02:33 | |
'you don't need to paint as much detail.' | 0:02:33 | 0:02:35 | |
The number plates, with a bit of yellow. | 0:02:35 | 0:02:38 | |
Yeah. | 0:02:38 | 0:02:39 | |
Now, I'm going to do the street lamps with a bit of yellow | 0:02:45 | 0:02:48 | |
and a bit of white around the edges, to give them that glow. | 0:02:48 | 0:02:50 | |
Some red for the back lights. | 0:02:56 | 0:02:58 | |
I'm just sort of dabbing it on, | 0:03:03 | 0:03:05 | |
to get a kind of nice blurred, watery effect. | 0:03:05 | 0:03:07 | |
Need a bit more water, actually. | 0:03:08 | 0:03:10 | |
And a bit of white, | 0:03:12 | 0:03:13 | |
for that car that's coming in the other direction. | 0:03:13 | 0:03:16 | |
And of course, we're going to need some reflections, | 0:03:16 | 0:03:19 | |
because there's water on the road. Look at that. | 0:03:19 | 0:03:22 | |
All flowing from the water. | 0:03:22 | 0:03:24 | |
Lovely. | 0:03:24 | 0:03:25 | |
Just picking it up in the lamps, just to give it a nice sort of glow. | 0:03:25 | 0:03:29 | |
And then, reflections of those back lights. | 0:03:33 | 0:03:35 | |
They could do with a little bit of black going back in, | 0:03:41 | 0:03:43 | |
to pull them out from the dark background. | 0:03:43 | 0:03:46 | |
Spray... All it needs now is a frame. | 0:03:49 | 0:03:52 | |
Look at that. | 0:03:54 | 0:03:56 | |
'A Turner-style water picture. | 0:03:56 | 0:03:58 | |
'Go on - now it's your turn to try it!' | 0:03:58 | 0:04:00 | |
DRUM ROLL | 0:04:02 | 0:04:03 | |
BISCUIT CRIES OUT | 0:04:03 | 0:04:05 | |
Oof! | 0:04:05 | 0:04:06 | |
-WAFERS: -Ooh... | 0:04:06 | 0:04:08 | |
Oh, no! Should I call an ambulance? | 0:04:08 | 0:04:11 | |
No, it's just an animation - a CRUMBY one. | 0:04:11 | 0:04:13 | |
And you can make an awesome dunk stunt | 0:04:13 | 0:04:16 | |
with a pack of yellow biscuits, a cup of tea, | 0:04:16 | 0:04:19 | |
some bendy wire, some strong sticky tape | 0:04:19 | 0:04:21 | |
and a camera. | 0:04:21 | 0:04:23 | |
And you can put it together in just three ninja moves. | 0:04:23 | 0:04:26 | |
Ninja move number one. You need to set up your scene. | 0:04:26 | 0:04:29 | |
Now, I'm using this coffee table as my backdrop. | 0:04:29 | 0:04:31 | |
I've got myself a cold cup of tea here, ready to go - | 0:04:31 | 0:04:34 | |
and now, I can start doing my animation. | 0:04:34 | 0:04:36 | |
So I need to take a shot each time my biscuit climbs up to the top, | 0:04:36 | 0:04:39 | |
to jump off and do its death-defying stunt. | 0:04:39 | 0:04:41 | |
I need to make sure that these biscuits here | 0:04:41 | 0:04:44 | |
react when he's getting ready to jump, | 0:04:44 | 0:04:46 | |
because there's quite a lot of suspense in this. | 0:04:46 | 0:04:48 | |
WAFERS GASP | 0:04:48 | 0:04:50 | |
'So every time I move the pink biscuit a tiny amount, | 0:04:50 | 0:04:53 | |
'I take a photo - and then when I edit all the photos together, | 0:04:53 | 0:04:56 | |
'it'll make it seem like they've moved. | 0:04:56 | 0:04:58 | |
'Obviously, I have to eat a few wafers as I go. It's only fair. | 0:04:58 | 0:05:02 | |
'Ninja move number two.' | 0:05:03 | 0:05:05 | |
It's time for the death-defying stunt, | 0:05:05 | 0:05:06 | |
so I need to attach some wire to the back of my biscuit. | 0:05:06 | 0:05:09 | |
And I'm using some sticky tack, along with some strong black tape. | 0:05:09 | 0:05:12 | |
And then, I need to attach the other part of the wire | 0:05:12 | 0:05:15 | |
to this tin up here. | 0:05:15 | 0:05:17 | |
And I'm going to conceal where it's actually attaching to it. | 0:05:17 | 0:05:20 | |
Get him into position and then I'm going to move the camera, | 0:05:20 | 0:05:23 | |
so I can hide where it's attached to the back of the biscuit. | 0:05:23 | 0:05:26 | |
There we go. Sneaky-sneaky. Now I've hidden where it attaches to it, | 0:05:26 | 0:05:29 | |
it means it's easier to paint it out. So, take my shots... | 0:05:29 | 0:05:31 | |
CAMERA CLICKS | 0:05:31 | 0:05:33 | |
I'm going to take this out of the way | 0:05:33 | 0:05:34 | |
and I'm going to shoot a clean picture, | 0:05:34 | 0:05:36 | |
without the biscuit or the wire in it. | 0:05:36 | 0:05:38 | |
This is known as a plate. | 0:05:38 | 0:05:40 | |
It means that I can paint out the wire afterwards | 0:05:40 | 0:05:42 | |
and make it look like the biscuit's really doing a stunt. | 0:05:42 | 0:05:45 | |
'It's always good to get a mate to help out. This is my mate Rich. | 0:05:45 | 0:05:48 | |
'Ninja move number three.' | 0:05:51 | 0:05:53 | |
Compile your frames in an animation app. | 0:05:53 | 0:05:56 | |
'There's loads of free editing apps like I'm using | 0:05:56 | 0:05:59 | |
'available online for your PC or tablet.' | 0:05:59 | 0:06:02 | |
Now, I've painted out all the wire, I've added some sound effects | 0:06:02 | 0:06:05 | |
and I think it's time to take a look at the finished piece. | 0:06:05 | 0:06:08 | |
-Crumb roll, please! -DRUM ROLL | 0:06:08 | 0:06:10 | |
WAFERS MUTTER | 0:06:14 | 0:06:15 | |
WAFERS GASP | 0:06:17 | 0:06:19 | |
DRUM ROLL | 0:06:21 | 0:06:23 | |
BISCUIT CRIES OUT | 0:06:23 | 0:06:25 | |
Oof! | 0:06:25 | 0:06:26 | |
WAFERS: Ooh... | 0:06:26 | 0:06:27 | |
WAFERS WAIL | 0:06:29 | 0:06:31 | |
CRUNCH CRUNCH | 0:06:31 | 0:06:33 | |
WAFERS SHRIEK | 0:06:33 | 0:06:35 | |
Oh, yeah! It looks well good, | 0:06:35 | 0:06:37 | |
looks just like he's doing a stunt dive. | 0:06:37 | 0:06:39 | |
I think it looks so good, I'm going to make another one. | 0:06:39 | 0:06:42 | |
Aw... They're all gone. | 0:06:43 | 0:06:46 | |
Here's a real quick art tip. | 0:06:50 | 0:06:51 | |
How to create the illusion of your favourite little character | 0:06:51 | 0:06:54 | |
being underwater. So, you need to start with the water line. | 0:06:54 | 0:06:57 | |
I'm going to draw that with a wavy line like this, | 0:06:57 | 0:07:00 | |
with all the peaks pointing upwards. | 0:07:00 | 0:07:02 | |
Now, draw a line for the seabed. | 0:07:02 | 0:07:04 | |
And I'm going to add a few weeds here. | 0:07:05 | 0:07:07 | |
And I'm going to do them with wavy lines, | 0:07:07 | 0:07:10 | |
to create the idea that there's an underwater current. | 0:07:10 | 0:07:12 | |
One that side... | 0:07:12 | 0:07:14 | |
Now I'm going to draw my character, and I'm going to make sure that | 0:07:16 | 0:07:19 | |
they're floating in the middle of the sea. | 0:07:19 | 0:07:21 | |
And I'm going to draw a mermaid. There's a tail... | 0:07:21 | 0:07:24 | |
And we'll have her hair nice and wavy, | 0:07:26 | 0:07:29 | |
to reinforce the idea of the underwater current. | 0:07:29 | 0:07:31 | |
There we go. | 0:07:33 | 0:07:34 | |
And now I'm going to add another little character here, just a fish. | 0:07:34 | 0:07:37 | |
And I'm going to put some bubbles above him, | 0:07:38 | 0:07:41 | |
just to show that he's breathing underwater. | 0:07:41 | 0:07:43 | |
Now finally, add a couple of action lines | 0:07:43 | 0:07:47 | |
so that she's floating. | 0:07:47 | 0:07:50 | |
There we go. | 0:07:50 | 0:07:51 | |
Another quick art tip. | 0:07:52 | 0:07:54 | |
FROG CROAKS | 0:07:59 | 0:08:00 | |
Wow. Do you hear that? | 0:08:03 | 0:08:05 | |
Silence. It's stopped raining. | 0:08:06 | 0:08:09 | |
I'm going to get out while the going's good. | 0:08:09 | 0:08:12 | |
WATER RUNS | 0:08:12 | 0:08:13 | |
Gavin, what are you doing? | 0:08:13 | 0:08:16 | |
Sorry, mate. I thought, as it's sunny outside, | 0:08:16 | 0:08:19 | |
I'd get out and water all the hanging baskets in the block. | 0:08:19 | 0:08:21 | |
Turns out there's quite a lot. | 0:08:21 | 0:08:23 | |
So you're telling me I've been stuck in all day | 0:08:23 | 0:08:26 | |
and it hasn't even been raining? | 0:08:26 | 0:08:29 | |
Um...yeah? | 0:08:29 | 0:08:30 | |
HE SCREAMS | 0:08:30 | 0:08:31 | |
Now go to the website and get YOUR ninja on! | 0:08:34 | 0:08:37 | |
Art Ninja! | 0:08:40 | 0:08:41 |