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Time to get my ninja on. | 0:00:05 | 0:00:07 | |
And my clothes. | 0:00:07 | 0:00:08 | |
Who is it? | 0:00:24 | 0:00:25 | |
Ricky, it's Sarah, are you OK? We're all really worried about you. | 0:00:25 | 0:00:29 | |
Ricky's not here right now. Your call is important to us. | 0:00:29 | 0:00:33 | |
If you'd like to leave a message after the beep, | 0:00:33 | 0:00:36 | |
he'll get back to you. | 0:00:36 | 0:00:37 | |
Ricky, don't be weird, a door can't have an answerphone. | 0:00:37 | 0:00:40 | |
RICKY BEEPS LIKE AN ANSWERPHONE | 0:00:40 | 0:00:41 | |
OK, if you're going to play that game, | 0:00:41 | 0:00:43 | |
I'm gutted you missed my birthday and just give me a call | 0:00:43 | 0:00:45 | |
when you're there. Bye. | 0:00:45 | 0:00:47 | |
I had to take a rain check from Sarah's birthday, | 0:00:52 | 0:00:54 | |
but I have a party hat for whatever the weather. | 0:00:54 | 0:00:57 | |
So I've got a nice bit of corrugated cardboard here. | 0:00:57 | 0:01:00 | |
How big do I need it to be? | 0:01:00 | 0:01:02 | |
OK, about there. | 0:01:04 | 0:01:07 | |
Just going to sticky tape that together. | 0:01:07 | 0:01:10 | |
Now, cos it is corrugated cardboard, it's got all these | 0:01:10 | 0:01:13 | |
lines that I can make creases along. It gets it much more circular. | 0:01:13 | 0:01:17 | |
There we are. | 0:01:18 | 0:01:19 | |
I'm going to cut some slits into the top, | 0:01:19 | 0:01:22 | |
about 2.5 centimetres deep, all the way around. | 0:01:22 | 0:01:24 | |
There we are. And then, we are just going to fold these out. | 0:01:28 | 0:01:32 | |
And these are going to create a nice surface area | 0:01:32 | 0:01:34 | |
to glue our next section onto. | 0:01:34 | 0:01:36 | |
Speaking of which, I've got some balloons here | 0:01:36 | 0:01:38 | |
and I am going to blow them up into various sizes. | 0:01:38 | 0:01:41 | |
A little bit smaller. I'm using white balloons for a reason, | 0:01:43 | 0:01:46 | |
as they are going to make up the structure of a cloud. | 0:01:46 | 0:01:49 | |
Cool. Now I'm just going to sticky tape these balloons together. | 0:01:52 | 0:01:55 | |
I'm going to roll the tape round back on itself. | 0:01:55 | 0:01:57 | |
I'm going to try and make them form a nice kind of cloud shape. | 0:01:57 | 0:02:00 | |
Which is easy, because clouds are so random. | 0:02:00 | 0:02:04 | |
I'm using eight balloons, | 0:02:07 | 0:02:08 | |
which I would say is the minimum amount for a cloud. | 0:02:08 | 0:02:11 | |
There we are. That is pretty cloudy already, isn't it? | 0:02:11 | 0:02:13 | |
Now I need to attach it to my hat. | 0:02:13 | 0:02:15 | |
Last one. | 0:02:19 | 0:02:20 | |
There we go. Pretty good start. | 0:02:21 | 0:02:24 | |
Now I'm going to give it a layer of papier-mache | 0:02:24 | 0:02:26 | |
and some cotton wool at the same time. | 0:02:26 | 0:02:30 | |
I've got a bowl here to hold it still | 0:02:30 | 0:02:32 | |
cos otherwise it gets a bit messy, so if you are doing | 0:02:32 | 0:02:34 | |
this at home, I do recommend putting some newspaper down. | 0:02:34 | 0:02:37 | |
I've got some papier-mache mixture here, | 0:02:37 | 0:02:39 | |
which is two parts glue and one part water. | 0:02:39 | 0:02:42 | |
I'm just going to start layering it onto the balloons. | 0:02:42 | 0:02:45 | |
I'm using kitchen towel because it is white, it's quite light | 0:02:47 | 0:02:51 | |
and we are not going to be painting these balloons | 0:02:51 | 0:02:53 | |
so we want it to stay as white as possible. | 0:02:53 | 0:02:56 | |
You could use tissue or white paper. | 0:02:56 | 0:02:58 | |
So, on top of all this kitchen towel, | 0:03:01 | 0:03:04 | |
I'm also going to be putting some cotton wool. | 0:03:04 | 0:03:07 | |
I'm just going to break it up like this into nice bits. | 0:03:07 | 0:03:10 | |
OK, it's looking pretty good. Now I just need to do the crown part. | 0:03:15 | 0:03:19 | |
Just go round into the inside as well. | 0:03:21 | 0:03:23 | |
Make it nice and soft for my head. | 0:03:23 | 0:03:26 | |
And some more cotton wool. | 0:03:26 | 0:03:27 | |
Looking pretty good, good coverage. | 0:03:29 | 0:03:31 | |
Now, the next stage is to wait for it to dry | 0:03:31 | 0:03:33 | |
and I forecast that will take about a second, because I'm a ninja. | 0:03:33 | 0:03:37 | |
It has dried nice and rigid, it looks like a lovely, | 0:03:39 | 0:03:41 | |
fluffy white cloud. | 0:03:41 | 0:03:42 | |
But we all know weather is a little more dynamic than that | 0:03:42 | 0:03:45 | |
so I have cut out some weather symbols here and I'm going to | 0:03:45 | 0:03:48 | |
attach them with Velcro, which you can get from the supermarket. | 0:03:48 | 0:03:52 | |
So, I'm going to put a lightning bolt up here. | 0:03:52 | 0:03:54 | |
Let's have the other end coming out maybe there. | 0:03:56 | 0:03:59 | |
And unfortunately, it does always rain, | 0:03:59 | 0:04:01 | |
let's put a bit of rain down there. | 0:04:01 | 0:04:04 | |
And just for my own sanity, hopefully, the sun will come out. | 0:04:04 | 0:04:09 | |
There we go. Time to try it on. | 0:04:09 | 0:04:11 | |
Ah, yeah! | 0:04:13 | 0:04:15 | |
My hair always goes frizzy when it rains. | 0:04:23 | 0:04:26 | |
The Whatever-The-Weather hat. | 0:04:26 | 0:04:28 | |
Try making it to brighten up a grey day. | 0:04:28 | 0:04:31 | |
Here is a real quick art tip - | 0:04:32 | 0:04:34 | |
how to make a character look soaking wet. | 0:04:34 | 0:04:36 | |
So I'm going to start by drawing my character. | 0:04:36 | 0:04:39 | |
And here. Put a T-shirt on him. | 0:04:39 | 0:04:41 | |
A pair of shorts. | 0:04:44 | 0:04:45 | |
Now, I'm going to make him look really miserable | 0:04:52 | 0:04:54 | |
cos he's soaking wet. | 0:04:54 | 0:04:56 | |
And on his hair, I'm going to draw a waggly line to make it look like | 0:04:56 | 0:04:59 | |
it's all stuck to his head and soaked. | 0:04:59 | 0:05:01 | |
Above him, draw a rain cloud... | 0:05:01 | 0:05:03 | |
..with some drops of water coming out of it. | 0:05:05 | 0:05:08 | |
Some of them, I'm going to draw closer to him | 0:05:09 | 0:05:12 | |
to give the impression that he is dripping wet. | 0:05:12 | 0:05:15 | |
Now, I'm going to add some lines to the top of his T-shirt. | 0:05:17 | 0:05:19 | |
This could be where the water has kind of soaked in | 0:05:19 | 0:05:22 | |
and then underneath him, I'm going to draw a puddle. | 0:05:22 | 0:05:25 | |
Now, add a couple of lines here | 0:05:29 | 0:05:31 | |
and there, cos water is quite reflective. | 0:05:31 | 0:05:33 | |
A few more drops. | 0:05:33 | 0:05:34 | |
There we go. | 0:05:36 | 0:05:37 | |
Quick art tip. | 0:05:40 | 0:05:41 | |
Don't be wet, have a go at it yourself. | 0:05:42 | 0:05:44 | |
I'm going to show you a trick that will get your animations | 0:05:51 | 0:05:54 | |
running rings around the rest. | 0:05:54 | 0:05:55 | |
I'm going to teach you the secret of the memo-note free-runner. | 0:05:55 | 0:05:59 | |
Things you'll need are - a pen, a book of memo notes, a camera | 0:05:59 | 0:06:02 | |
and a computer, or if you've got a tablet | 0:06:02 | 0:06:05 | |
with one of those animation apps, that's pretty good too. | 0:06:05 | 0:06:08 | |
Here is how to work it in three ninja moves. | 0:06:08 | 0:06:11 | |
Ninja move number one. | 0:06:12 | 0:06:14 | |
I'm going to put a memo note straight onto the wall. | 0:06:14 | 0:06:16 | |
I'm going to be really careful not to draw on the wall | 0:06:16 | 0:06:18 | |
and I'm going to sketch the first frame of my character. | 0:06:18 | 0:06:20 | |
So, head, nice, big, round body, and then when you are going | 0:06:20 | 0:06:23 | |
to draw a person running, I always start sort of mid-run. | 0:06:23 | 0:06:26 | |
When you run, you run in alternates like this. | 0:06:26 | 0:06:28 | |
So I'm going to have a leg forward | 0:06:28 | 0:06:30 | |
and a leg back and then if the right leg is forward, | 0:06:30 | 0:06:32 | |
I am going to put the left arm forward and the right arm back. | 0:06:32 | 0:06:36 | |
So that is the first frame and that's kind of a good guide. | 0:06:36 | 0:06:39 | |
Then I'm going to put another memo note over it. | 0:06:39 | 0:06:41 | |
I can see the frame from before, | 0:06:41 | 0:06:42 | |
that can be my guide for the next drawing. | 0:06:42 | 0:06:44 | |
And it looks like his foot's about to land on the floor | 0:06:44 | 0:06:47 | |
and it will probably land about there | 0:06:47 | 0:06:49 | |
so that is going to be my starting point here. | 0:06:49 | 0:06:52 | |
Now we will draw a nice head, round belly, | 0:06:52 | 0:06:56 | |
and the way it would have landed, it's got a slight bend in the knee | 0:06:56 | 0:06:59 | |
now and his other leg probably would have brought forward. | 0:06:59 | 0:07:02 | |
Arm goes down, other arm goes down as well. | 0:07:02 | 0:07:05 | |
Another note on top | 0:07:06 | 0:07:07 | |
and you already see he is starting to move across the wall. | 0:07:07 | 0:07:10 | |
I've got this foot on the floor and this means I'm going to keep | 0:07:10 | 0:07:12 | |
this foot where it is. This is a really important point | 0:07:12 | 0:07:14 | |
because if you made a run cycle and a person puts a foot down | 0:07:14 | 0:07:17 | |
but keeps moving, it just looks ridiculous, like he is | 0:07:17 | 0:07:20 | |
sliding across the floor and unless he is on ice, which this guy is not, | 0:07:20 | 0:07:24 | |
it doesn't work. | 0:07:24 | 0:07:25 | |
I'm taking a photograph | 0:07:25 | 0:07:26 | |
after each drawn memo note to create my animation. | 0:07:26 | 0:07:30 | |
Ninja move number two. | 0:07:32 | 0:07:34 | |
So once you've drawn your character and you've drawn your running frames | 0:07:34 | 0:07:37 | |
and you get back to a frame where it's kind of where he started | 0:07:37 | 0:07:41 | |
so the same leg's forward, the same leg's back. | 0:07:41 | 0:07:44 | |
It's at this point you can do a little bit of a sneaky cheat | 0:07:44 | 0:07:47 | |
and that is reaching to the back and bringing that frame forward | 0:07:47 | 0:07:50 | |
to put over the front, because now we are into an animation loop. | 0:07:50 | 0:07:54 | |
An animation loop is a loop of frames, it finishes where it | 0:07:54 | 0:07:57 | |
begins, which means you can continually re-use them. | 0:07:57 | 0:08:00 | |
And this is good because you can make your character run for ever. | 0:08:00 | 0:08:04 | |
Ninja move number three. | 0:08:05 | 0:08:07 | |
Now your character can run, you can | 0:08:07 | 0:08:09 | |
control the distance at which they travel. Basically, their speed. | 0:08:09 | 0:08:12 | |
So look here, if I want to make him faster and bound further away, | 0:08:12 | 0:08:15 | |
I can just push the memo note further away | 0:08:15 | 0:08:18 | |
until you can nearly see the other frame, but not quite. | 0:08:18 | 0:08:21 | |
That is going to work really well. | 0:08:21 | 0:08:23 | |
So use your three ninja moves, use your imagination | 0:08:25 | 0:08:28 | |
and get your memo-note free-runner running around your room. | 0:08:28 | 0:08:31 | |
Ready? Steady. Go. | 0:08:31 | 0:08:33 | |
Now go to the website and get your ninja on. | 0:08:49 | 0:08:52 | |
Art ninja! | 0:08:55 | 0:08:56 |