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He's Dr Chris. | 0:00:22 | 0:00:24 | |
He's Dr Xand. | 0:00:24 | 0:00:26 | |
And, yes, he's still got his beard. | 0:00:26 | 0:00:27 | |
And we're still identical twins. | 0:00:27 | 0:00:30 | |
Your body's amazing, and we're going to show you why. | 0:00:30 | 0:00:33 | |
We're head-to-head in Operation Takeover. | 0:00:35 | 0:00:38 | |
BOTH: Man overboard! | 0:00:38 | 0:00:39 | |
LOUD SIREN, THEY SCREAM | 0:00:39 | 0:00:41 | |
Ouch And About hits the wards. | 0:00:41 | 0:00:43 | |
What kind of ambulance did you get? | 0:00:43 | 0:00:44 | |
I didn't get an ambulance, I got a helicopter. | 0:00:44 | 0:00:47 | |
First Aid is back. | 0:00:47 | 0:00:48 | |
We do need to get Xand to hospital. | 0:00:48 | 0:00:50 | |
Meet our new, brilliant Ouch Patients. | 0:00:50 | 0:00:52 | |
Hello! | 0:00:52 | 0:00:53 | |
And our lab experiments.. | 0:00:55 | 0:00:57 | |
..will blow... | 0:00:57 | 0:00:58 | |
..your... | 0:00:58 | 0:01:00 | |
..mind! | 0:01:00 | 0:01:01 | |
That is an amazing view. | 0:01:01 | 0:01:02 | |
Are you ready to join us? | 0:01:02 | 0:01:04 | |
It's lucky I was wearing my swimming trunks today. | 0:01:06 | 0:01:09 | |
-Coming up today... -..on Operation Ouch! | 0:01:11 | 0:01:13 | |
Things are heating up... | 0:01:17 | 0:01:19 | |
That is extremely stressful. | 0:01:19 | 0:01:21 | |
We catch up with our Ouch Patients. | 0:01:21 | 0:01:23 | |
Hey, guys, it's Bolu again. | 0:01:23 | 0:01:25 | |
And I blow my own trumpet. | 0:01:25 | 0:01:26 | |
PARP! | 0:01:26 | 0:01:28 | |
But first... | 0:01:28 | 0:01:29 | |
Luckily, the team in the emergency department are super skilled. | 0:01:29 | 0:01:32 | |
Ooh, is it time for... | 0:01:32 | 0:01:34 | |
..Super-Xand! | 0:01:34 | 0:01:35 | |
No, it's never time for him. | 0:01:35 | 0:01:38 | |
Well, they'll need all their super skills for this first case. | 0:01:38 | 0:01:41 | |
Waiting in the emergency department with her mum is 12-year-old Jess. | 0:01:43 | 0:01:48 | |
Looks serious. Jess is inhaling gas and air, what happened? | 0:01:48 | 0:01:52 | |
My ankle, like, twisted and it really hurts. | 0:01:52 | 0:01:56 | |
Yep, her ankle's facing the wrong way. | 0:01:56 | 0:01:59 | |
That looks painful. Let's find out more. | 0:01:59 | 0:02:02 | |
The sun was shining and Jess was with her friend, Kenzie. | 0:02:02 | 0:02:05 | |
-What were they doing? -They were jumping. | 0:02:05 | 0:02:08 | |
Jumping over buildings? | 0:02:08 | 0:02:09 | |
It wasn't parkour, Xand. | 0:02:10 | 0:02:13 | |
Oh. They could have been jumping in space. | 0:02:13 | 0:02:15 | |
They weren't astronauts, | 0:02:15 | 0:02:17 | |
they were jumping on two trampolines in Kenzie's garden. | 0:02:17 | 0:02:19 | |
Oh. Did the trampolines have safety nets? | 0:02:21 | 0:02:23 | |
Unfortunately not. | 0:02:23 | 0:02:25 | |
Ah, I think I know what's coming. | 0:02:25 | 0:02:28 | |
Yep, safety nets might have stopped Jess and Kenzie | 0:02:28 | 0:02:32 | |
-climbing on top of a fence... -Oh, no! | 0:02:32 | 0:02:35 | |
..and jumping onto the same trampoline at the same time! | 0:02:35 | 0:02:38 | |
Uh-oh! | 0:02:38 | 0:02:40 | |
With Jess landing awkwardly on her ankle. | 0:02:40 | 0:02:43 | |
BOTH: Ouch! | 0:02:43 | 0:02:44 | |
What do you reckon, Jess? | 0:02:44 | 0:02:45 | |
Dislocated, I think. | 0:02:45 | 0:02:47 | |
Let's see if she's right. | 0:02:47 | 0:02:49 | |
Here to jump in is... | 0:02:49 | 0:02:50 | |
Better look at this ankle, then. | 0:02:52 | 0:02:54 | |
When she first came in, I could see it was dislocated. | 0:02:54 | 0:02:56 | |
The ankle was twisted off to the side. | 0:02:56 | 0:02:58 | |
You could see where the bone's pressing up against the skin. | 0:02:58 | 0:03:01 | |
We're going to have to get this ankle back into position, | 0:03:01 | 0:03:03 | |
so we've got the gas and air going now. | 0:03:03 | 0:03:05 | |
We'll give you some sprays up the nose, | 0:03:05 | 0:03:07 | |
try and get the pain under control. | 0:03:07 | 0:03:09 | |
The nasal spray will help relieve the discomfort Jess is experiencing. | 0:03:09 | 0:03:13 | |
Dr Tim cuts off Jess' leggings to manipulate her ankle | 0:03:15 | 0:03:18 | |
back into position. | 0:03:18 | 0:03:19 | |
Good girl. Big, deep breath. | 0:03:19 | 0:03:21 | |
Superstar. All right, well done. | 0:03:21 | 0:03:24 | |
Jess was pretty brave, she didn't complain at all. | 0:03:24 | 0:03:26 | |
We got it back into position, she coped with it really well. | 0:03:26 | 0:03:29 | |
Jess gets a temporary full-leg cast to make sure she can't | 0:03:29 | 0:03:32 | |
move her ankle at all while the docs assess if she's got any breaks. | 0:03:32 | 0:03:37 | |
Off she goes for x-rays. | 0:03:37 | 0:03:39 | |
OK, I think we're all finished, well done. | 0:03:40 | 0:03:42 | |
Dr Tim checks out the results. | 0:03:42 | 0:03:44 | |
When Jessica's dislocated her ankle, she's broken through the bone | 0:03:44 | 0:03:48 | |
on the inside which holds the ankle joint in place. | 0:03:48 | 0:03:50 | |
And that'll need an operation to fix it. | 0:03:50 | 0:03:53 | |
Dr Tim has to break the bad news. | 0:03:53 | 0:03:55 | |
Find out later how Jess gets on. | 0:03:55 | 0:03:57 | |
Did you know that your brain produces enough electricity | 0:04:01 | 0:04:04 | |
every hour of every day and night to power a light bulb? | 0:04:04 | 0:04:08 | |
And now to our lab. | 0:04:13 | 0:04:15 | |
It's time for some big body experiments. | 0:04:15 | 0:04:17 | |
Some of them gory... | 0:04:18 | 0:04:20 | |
This is a real pair of cows lungs. | 0:04:20 | 0:04:22 | |
..some extreme. | 0:04:22 | 0:04:23 | |
It's freezing! | 0:04:23 | 0:04:25 | |
We're ready, are you? | 0:04:25 | 0:04:26 | |
Just don't try anything you see here at home! | 0:04:27 | 0:04:30 | |
FAINT TALKING, MOVEMENT AND GUITAR PLAYING | 0:04:31 | 0:04:33 | |
Hi, Chris. You all right? | 0:04:33 | 0:04:35 | |
Yes. There seems to be something going on with your cupboard. | 0:04:35 | 0:04:38 | |
Get out of the way. I've got to get the samples for today's experiment. | 0:04:38 | 0:04:42 | |
Right, dance sample, out you come. | 0:04:42 | 0:04:44 | |
That's enough of that. Language sample, come on. | 0:04:44 | 0:04:46 | |
-Hola, me llamo Charlie... -OK, all right, enough showing off. | 0:04:46 | 0:04:49 | |
And now, music sample. | 0:04:49 | 0:04:50 | |
LOUD CHORDS | 0:04:50 | 0:04:52 | |
SOUND CUTS Enough of THAT. | 0:04:54 | 0:04:56 | |
Xand, what is going on? | 0:04:56 | 0:04:58 | |
I'm so sorry, I forgot my manners, introductions. | 0:04:58 | 0:05:02 | |
Music sample, language sample and dance sample, meet Dr Chris. | 0:05:02 | 0:05:05 | |
Hi, Abby, Charlie and Elias. | 0:05:05 | 0:05:07 | |
-Hi, Chris. -Hi, Chris. | 0:05:07 | 0:05:08 | |
My samples are all very talented at very different things, | 0:05:08 | 0:05:12 | |
as you can see. | 0:05:12 | 0:05:13 | |
But they do have one thing in common, | 0:05:13 | 0:05:15 | |
and it's something they have in common with you as well. | 0:05:15 | 0:05:18 | |
You just can't see it. | 0:05:18 | 0:05:20 | |
It's called... | 0:05:20 | 0:05:22 | |
And it's what enables you to learn everything you know. | 0:05:22 | 0:05:25 | |
You're right, Xand. Your brain is made up of billions of nerve cells, | 0:05:25 | 0:05:29 | |
or neurons, with billions of connections. | 0:05:29 | 0:05:31 | |
A bit like this. | 0:05:31 | 0:05:33 | |
You may have heard of your grey matter. | 0:05:33 | 0:05:35 | |
That's the surface of the brain, and it's the bit that does the thinking. | 0:05:35 | 0:05:39 | |
But parts of the grey matter | 0:05:39 | 0:05:40 | |
need to be connected to other parts using the white matter, | 0:05:40 | 0:05:43 | |
and that's represented by these fibre-optic cables here. | 0:05:43 | 0:05:47 | |
The fast connections between different parts of your brain. | 0:05:47 | 0:05:51 | |
And they allow you to do anything and everything. | 0:05:51 | 0:05:54 | |
But they aren't all set in stone. | 0:05:54 | 0:05:56 | |
In fact, every time you learn something like, say, | 0:05:56 | 0:05:59 | |
how to say something in Spanish... | 0:05:59 | 0:06:01 | |
Tengo 13 anos. | 0:06:01 | 0:06:02 | |
Or how to do a new dance move... | 0:06:02 | 0:06:04 | |
Your brain changes and makes new connections, | 0:06:07 | 0:06:10 | |
and this is neuroplasticity. | 0:06:10 | 0:06:12 | |
And it basically means your brain can kind of rewire itself. | 0:06:12 | 0:06:15 | |
Uh, hello, what about me? | 0:06:15 | 0:06:18 | |
I'm getting to you. | 0:06:18 | 0:06:19 | |
In fact, every time you try and play a new piece of music... | 0:06:19 | 0:06:23 | |
ROCKING GUITAR RIFF | 0:06:23 | 0:06:26 | |
Xand! | 0:06:26 | 0:06:27 | |
Ahem! | 0:06:27 | 0:06:29 | |
Every time you practise a piece of music, | 0:06:29 | 0:06:31 | |
your brain reinforces the connections | 0:06:31 | 0:06:33 | |
and it becomes easier than the last time. | 0:06:33 | 0:06:35 | |
And it's exactly the same as when I play my trumpet. | 0:06:35 | 0:06:38 | |
I've been practising all morning, so I should be really good at it. | 0:06:38 | 0:06:41 | |
TUNELESS PARPING | 0:06:41 | 0:06:44 | |
Let's get out of here, guys. | 0:06:44 | 0:06:46 | |
Xand. | 0:06:48 | 0:06:49 | |
I don't understand, Chris, I've been practising for literally minutes. | 0:06:49 | 0:06:53 | |
I mean, I should be pretty good, shouldn't I? | 0:06:53 | 0:06:55 | |
It's not that simple. | 0:06:55 | 0:06:56 | |
And to find out why it's not that simple, we need to go outside. | 0:06:56 | 0:06:59 | |
Come on, Xand. And come on, you. | 0:06:59 | 0:07:01 | |
Xand, this is my brain. | 0:07:07 | 0:07:10 | |
Looks more like a giant pile of sand. | 0:07:10 | 0:07:12 | |
Bear with me on this, Xand. | 0:07:12 | 0:07:13 | |
These channels that I've made | 0:07:13 | 0:07:15 | |
represent the connections in my brain. | 0:07:15 | 0:07:17 | |
And you are wearing a bottle | 0:07:18 | 0:07:20 | |
of information on your back, right there. | 0:07:20 | 0:07:23 | |
Now, why don't you pour the information | 0:07:23 | 0:07:26 | |
into the top of the brain? | 0:07:26 | 0:07:27 | |
And what you'll see is the information flows | 0:07:27 | 0:07:30 | |
through the existing channel in my pile-of-sand brain. | 0:07:30 | 0:07:34 | |
So what's happening is the channel gets deeper, | 0:07:34 | 0:07:37 | |
the water finds it easier to make its way through the sand. | 0:07:37 | 0:07:40 | |
This is just like information in your brain. | 0:07:40 | 0:07:42 | |
When you do something you've done before, | 0:07:42 | 0:07:45 | |
the information uses the same connections it's used in the past. | 0:07:45 | 0:07:48 | |
It picks the quickest and most effective route. | 0:07:48 | 0:07:51 | |
A bit like the channels in the sand. | 0:07:51 | 0:07:53 | |
So what would happen if you tried to learn a brand-new skill? | 0:07:53 | 0:07:56 | |
Well, Xand, why don't you start pouring information | 0:07:56 | 0:07:59 | |
into the top of the brain? | 0:07:59 | 0:08:00 | |
But this is new information, and it needs to take a new path. | 0:08:00 | 0:08:03 | |
So the information gradually starts to flow through, | 0:08:03 | 0:08:06 | |
but there's no good channel initially, it has to find a path. | 0:08:06 | 0:08:09 | |
And you can see, a channel is forming, | 0:08:09 | 0:08:11 | |
as Xand does more and more practice, but it's not very deep, | 0:08:11 | 0:08:14 | |
and information is taking a long time to get through. | 0:08:14 | 0:08:17 | |
And as Xand practices this new skill, the channel becomes deeper, | 0:08:17 | 0:08:21 | |
and the information can flow more efficiently. | 0:08:21 | 0:08:24 | |
So is this why I wasn't very good at the trumpet | 0:08:24 | 0:08:27 | |
after literally minutes of practice? | 0:08:27 | 0:08:30 | |
That's right, Xand, because it takes longer than a few minutes to improve | 0:08:30 | 0:08:33 | |
the speed of the connections between different parts of your brain. | 0:08:33 | 0:08:36 | |
In fact, it can take months or even years | 0:08:36 | 0:08:39 | |
to reach your full skill level. | 0:08:39 | 0:08:41 | |
But there's one more thing I can show you | 0:08:42 | 0:08:44 | |
on my amazing model brain made of sand. | 0:08:44 | 0:08:46 | |
Wow, what's that? | 0:08:46 | 0:08:47 | |
I can show you what would happen if your brain got an injury. | 0:08:47 | 0:08:50 | |
Put the shovel in there, the information now can't get through. | 0:08:52 | 0:08:55 | |
Xand, pour some information in the top of the brain. | 0:08:55 | 0:08:57 | |
That's amazing, what you can see now is the information gets stopped at | 0:08:58 | 0:09:02 | |
the site of injury and can't get past the shovel. | 0:09:02 | 0:09:04 | |
But this is where your brain is amazing. | 0:09:04 | 0:09:07 | |
As the information flows toward the shovel, gradually, | 0:09:07 | 0:09:10 | |
your brain is able to make new connections and find new pathways. | 0:09:10 | 0:09:14 | |
And sometimes this means your brain | 0:09:14 | 0:09:17 | |
can recover and regain function after even quite a severe injury. | 0:09:17 | 0:09:21 | |
So, we've shown you all about the connections in your brain | 0:09:22 | 0:09:24 | |
which enable you to do...everything! | 0:09:24 | 0:09:27 | |
It's called neuroplasticity. | 0:09:27 | 0:09:29 | |
And we've shown you that your brain is constantly making new connections | 0:09:29 | 0:09:33 | |
every time you learn something new. | 0:09:33 | 0:09:35 | |
It can even rewire itself if it gets damaged. | 0:09:35 | 0:09:37 | |
FLUENT TRUMPETING | 0:09:37 | 0:09:39 | |
I must say, Xand, that is sounding a lot better. | 0:09:39 | 0:09:41 | |
You must have really strengthened up those neural connections. | 0:09:41 | 0:09:44 | |
I'll let you get on with it. | 0:09:44 | 0:09:45 | |
TRUMPETING CONTINUES | 0:09:47 | 0:09:49 | |
Meet Kaden, Maisie, Bolu and Millie. | 0:09:53 | 0:09:56 | |
We're following them across the series as they let us know | 0:09:56 | 0:09:59 | |
what it's like to be a regular hospital outpatient. | 0:09:59 | 0:10:02 | |
They invite us into their lives, at home and as they undergo treatment. | 0:10:02 | 0:10:07 | |
Meet 12-year-old Bolu. | 0:10:07 | 0:10:09 | |
Hey, guys, it's Bolu again. | 0:10:09 | 0:10:11 | |
Bolu has a condition called... | 0:10:11 | 0:10:12 | |
This is where the body produces unusually shaped red blood cells, | 0:10:14 | 0:10:17 | |
which aren't very good at carrying oxygen. | 0:10:17 | 0:10:20 | |
This causes problems such as pain, tiredness and blood clots. | 0:10:20 | 0:10:24 | |
To make sure Bolu's blood is carrying enough oxygen, | 0:10:24 | 0:10:27 | |
she has to have it regularly tested at hospital. | 0:10:27 | 0:10:29 | |
-This is Debbie, she's taking my bloods today. -Hi. | 0:10:29 | 0:10:33 | |
Hopefully, she'll be giving me loads. | 0:10:33 | 0:10:35 | |
No. | 0:10:35 | 0:10:37 | |
Debbie is going to collect a sample of Bolu's blood | 0:10:37 | 0:10:39 | |
using a finger-prick test. | 0:10:39 | 0:10:42 | |
It's not painful, but it's OK, | 0:10:42 | 0:10:44 | |
because I've been getting it every day of my life, really. | 0:10:44 | 0:10:48 | |
So it's kind of just a normal thing for me. | 0:10:48 | 0:10:51 | |
And how's Bolu's finger doing, Debbie? | 0:10:51 | 0:10:53 | |
Ten out of ten. | 0:10:53 | 0:10:54 | |
Ten out of ten, oh, yeah. | 0:10:54 | 0:10:57 | |
Yay, well done, Bolu's finger. | 0:10:57 | 0:10:59 | |
So we've got all them bloods off her today. | 0:10:59 | 0:11:01 | |
I'm so proud of my finger. | 0:11:01 | 0:11:03 | |
Look at my finger. | 0:11:03 | 0:11:05 | |
It's so cool. | 0:11:05 | 0:11:07 | |
These blood samples will be sent to the lab to be tested. | 0:11:07 | 0:11:09 | |
The doctors will then look at the results, | 0:11:09 | 0:11:12 | |
and if there's anything that they don't like, | 0:11:12 | 0:11:15 | |
then Bolu will be called in to speak to the doctor. | 0:11:15 | 0:11:18 | |
So now you know who's taking my bloods | 0:11:18 | 0:11:20 | |
and now you know where I take my bloods. | 0:11:20 | 0:11:22 | |
See you next time, guys, on Operation Ouch! | 0:11:22 | 0:11:25 | |
Back in the emergency department, | 0:11:28 | 0:11:30 | |
Jess needs surgery for her broken ankle. | 0:11:30 | 0:11:32 | |
If only there was some way we could find out what they're going to do. | 0:11:32 | 0:11:36 | |
There is, Xand! Come with me. | 0:11:36 | 0:11:38 | |
Earlier in the emergency department, Jess came in with an ankle in agony. | 0:11:40 | 0:11:45 | |
Jess and her friend Kenzie | 0:11:45 | 0:11:46 | |
were playing on trampolines in the garden. | 0:11:46 | 0:11:49 | |
They both climbed a fence, | 0:11:49 | 0:11:50 | |
jumped onto a trampoline at the same time... | 0:11:50 | 0:11:53 | |
-And Jess landed awkwardly on her ankle. -BOTH: Ouch! | 0:11:53 | 0:11:57 | |
What's going on, Jess? | 0:11:57 | 0:11:58 | |
I've been here overnight, | 0:11:58 | 0:12:00 | |
and I'm waiting for my operation on my ankle. | 0:12:00 | 0:12:02 | |
Looks like Mum's been making her a balloon buddy. | 0:12:02 | 0:12:05 | |
Herbert the giraffe dog. | 0:12:05 | 0:12:07 | |
All right, Herbert? Smile for the camera. | 0:12:07 | 0:12:09 | |
I just love Herbert the dog. | 0:12:09 | 0:12:11 | |
So do I. | 0:12:11 | 0:12:13 | |
Jess leaves Herbert behind while she has a CT scan before her surgery. | 0:12:13 | 0:12:17 | |
This will give the doctors more detailed images of her ankle, | 0:12:17 | 0:12:20 | |
which they will use during the operation. | 0:12:20 | 0:12:23 | |
She heads off to theatre. | 0:12:23 | 0:12:24 | |
And, look, Herbert's gone along for the ride. | 0:12:24 | 0:12:27 | |
In charge of the operation is consultant... | 0:12:29 | 0:12:31 | |
First, he looks at the detailed CT scan, a 3-D picture of Jess' ankle. | 0:12:34 | 0:12:39 | |
He can see exactly where the breaks occurred. | 0:12:39 | 0:12:42 | |
He also notices a piece of cartilage has come loose. | 0:12:42 | 0:12:46 | |
That needs removing too. | 0:12:46 | 0:12:47 | |
In the operating theatre, we made a hole in the joint, | 0:12:47 | 0:12:50 | |
cleaned the loose fragments of bone and cartilage, which were removed. | 0:12:50 | 0:12:54 | |
Mr Cashman uses an x-ray camera to help guide him as he drills a hole. | 0:12:55 | 0:12:59 | |
And he sticks in a screw | 0:12:59 | 0:13:01 | |
which will hold Jess' broken ankle bone back together. | 0:13:01 | 0:13:04 | |
With Jess sewn up and surgery over, she has a new plaster cast fitted. | 0:13:04 | 0:13:08 | |
This will be on for four weeks. | 0:13:08 | 0:13:11 | |
What have you learned, Jess? | 0:13:11 | 0:13:12 | |
Do not jump on trampolines off of fences. | 0:13:12 | 0:13:15 | |
Good idea. And a net on the trampoline, please. | 0:13:15 | 0:13:17 | |
Time for Jess to head home. | 0:13:17 | 0:13:20 | |
Go on, then, off you go. | 0:13:20 | 0:13:22 | |
Oh! Oh, no! | 0:13:22 | 0:13:23 | |
There she goes. | 0:13:25 | 0:13:26 | |
-Bye. -BOTH: Bye! | 0:13:26 | 0:13:28 | |
Still to come... | 0:13:29 | 0:13:31 | |
Ouch Patient Millie is back. | 0:13:31 | 0:13:33 | |
Hello! | 0:13:33 | 0:13:34 | |
And Cassidy spots wildlife. | 0:13:34 | 0:13:36 | |
So, is there a mummy giraffe? | 0:13:36 | 0:13:38 | |
Amazing people do lots of important jobs inside and outside hospitals | 0:13:40 | 0:13:44 | |
that help to keep you safe. | 0:13:44 | 0:13:46 | |
But what will happen when we have a go? | 0:13:46 | 0:13:49 | |
I feel a bit silly. | 0:13:49 | 0:13:51 | |
This is Operation Takeover. | 0:13:51 | 0:13:53 | |
Can you guess who today's hero is? | 0:13:54 | 0:13:55 | |
Well, I'll give you a clue - they like to wear these at work... | 0:13:55 | 0:13:58 | |
They sometimes use one of these... | 0:14:00 | 0:14:02 | |
And they get to work using one of these! | 0:14:03 | 0:14:06 | |
Actually, Xand, I was going to say they use a lot of this. | 0:14:06 | 0:14:09 | |
What?! | 0:14:09 | 0:14:10 | |
Brrrr! | 0:14:10 | 0:14:12 | |
Yep, you guessed it - | 0:14:12 | 0:14:13 | |
we're about to take over the jobs of today's heroes, | 0:14:13 | 0:14:16 | |
firefighters Andy and Gemma. | 0:14:16 | 0:14:18 | |
Fires can destroy homes and even lives if not attended to quickly. | 0:14:21 | 0:14:26 | |
Firefighters aren't just qualified to put out fires, | 0:14:26 | 0:14:29 | |
they're also medically trained to treat any casualties. | 0:14:29 | 0:14:32 | |
What sort of emergencies are you trained to respond to? | 0:14:32 | 0:14:35 | |
We go to small fires, big fires like buildings, | 0:14:35 | 0:14:37 | |
then we go to lots of car crashes. | 0:14:37 | 0:14:39 | |
We go to spillages of hazardous substances, floods, | 0:14:39 | 0:14:43 | |
all sorts of things where people need our help in the Fire Service. | 0:14:43 | 0:14:47 | |
Firefighters often treat people before the paramedics arrive. | 0:14:47 | 0:14:50 | |
This is Andy's medical kit. | 0:14:50 | 0:14:52 | |
This is what we call our trauma pack. | 0:14:52 | 0:14:54 | |
We have an AED, for people who have an heart attack. | 0:14:54 | 0:14:56 | |
It gives them an electric shock to hopefully | 0:14:56 | 0:14:58 | |
get their heart back into a normal rhythm. | 0:14:58 | 0:15:00 | |
We carry oxygen and masks in here | 0:15:00 | 0:15:01 | |
for people that have breathed in smoke. | 0:15:01 | 0:15:04 | |
In here is cling film, which is a perfect dressing | 0:15:04 | 0:15:06 | |
for somebody who has been burned. | 0:15:06 | 0:15:08 | |
And then bandages and tourniquets for bleeding. | 0:15:08 | 0:15:11 | |
Let's take on the challenge! | 0:15:11 | 0:15:13 | |
Are you ready, Xand? | 0:15:13 | 0:15:15 | |
I can't see a thing. | 0:15:15 | 0:15:17 | |
It's time for us to take over as firefighters. | 0:15:17 | 0:15:20 | |
So, behind you, you've got a burning building. | 0:15:23 | 0:15:25 | |
Your challenge is to get off the fire engine, | 0:15:25 | 0:15:27 | |
to get the correct equipment on, | 0:15:27 | 0:15:29 | |
get into that building, search for a casualty, | 0:15:29 | 0:15:31 | |
bring them out and treat them | 0:15:31 | 0:15:32 | |
using your first aid skills as appropriate. | 0:15:32 | 0:15:35 | |
I'm feeling a little nervous. | 0:15:35 | 0:15:36 | |
Before we get going, | 0:15:36 | 0:15:37 | |
firefighter Gemma reminds us what we're getting judged on. | 0:15:37 | 0:15:41 | |
First will be our arrival at the scene. | 0:15:41 | 0:15:43 | |
We anticipate that we will get to every house fire | 0:15:43 | 0:15:45 | |
within the West Midlands within five minutes. | 0:15:45 | 0:15:47 | |
So we have to get dressed, | 0:15:47 | 0:15:49 | |
get the vehicle to the house fire and be dressed and ready to go. | 0:15:49 | 0:15:52 | |
Second, how quickly we find the casualty. | 0:15:52 | 0:15:55 | |
It's really important when we go in that we stick together as a team. | 0:15:55 | 0:15:58 | |
Communication is an absolute must. | 0:15:58 | 0:16:01 | |
And never go any further than an arm's length away from each other. | 0:16:01 | 0:16:03 | |
It's dark and it's smoky, | 0:16:03 | 0:16:05 | |
and it could be really hot if there's a fire in there. | 0:16:05 | 0:16:07 | |
-So we may not be able to see. -No. | 0:16:07 | 0:16:09 | |
And finally, how we treat the patient. | 0:16:09 | 0:16:12 | |
If somebody takes two breaths of smoke in a fire, | 0:16:12 | 0:16:15 | |
then they could become unconscious, | 0:16:15 | 0:16:16 | |
so it's a really, really dangerous environment. | 0:16:16 | 0:16:18 | |
Rescue of life is the most important. | 0:16:18 | 0:16:22 | |
Gear on, and the challenge starts. | 0:16:22 | 0:16:24 | |
Right, Xand, the most important thing about being a firefighter | 0:16:24 | 0:16:27 | |
is staying cool, calm and collected. Have you got that? | 0:16:27 | 0:16:30 | |
LOUD SIREN, THEY SCREAM | 0:16:30 | 0:16:31 | |
Time to go in, Chris. Let's see what you're made of. | 0:16:33 | 0:16:36 | |
I'm all over it, Xandy! | 0:16:36 | 0:16:37 | |
Good work. Chris arrives at the scene | 0:16:38 | 0:16:40 | |
and is out of the fire engine quickly. | 0:16:40 | 0:16:42 | |
Is that a house fire? Quickly as you can, now. | 0:16:42 | 0:16:45 | |
You've got it, Andy. Fireman Chris to the rescue. | 0:16:45 | 0:16:47 | |
There's a casualty in there, OK? | 0:16:47 | 0:16:49 | |
Stay low if it's hot. | 0:16:49 | 0:16:51 | |
Gemma leads Chris into the burning building, | 0:16:51 | 0:16:53 | |
and there's thermal infrared imaging to bring you the action. | 0:16:53 | 0:16:56 | |
Chris, are you listening to instructions? | 0:16:59 | 0:17:01 | |
Xand, I can't see anything in all this smoke. | 0:17:01 | 0:17:04 | |
You're not communicating much, Chris. | 0:17:08 | 0:17:10 | |
-Can you walk? -Yeah, thank you. | 0:17:15 | 0:17:18 | |
There's the casualty, | 0:17:18 | 0:17:19 | |
time to get him out safely and treat his injuries. | 0:17:19 | 0:17:21 | |
-How are you feeling? -I think I've broken my arm. | 0:17:27 | 0:17:30 | |
You think you've broken your arm? | 0:17:30 | 0:17:31 | |
-Do you know what day it is? -Monday. | 0:17:33 | 0:17:34 | |
-Is it Monday? -I think so. | 0:17:36 | 0:17:38 | |
You're more orientated than I am, anyway. | 0:17:38 | 0:17:41 | |
Come on, Chris, get with it. | 0:17:41 | 0:17:42 | |
All right, all right. Anyway, it's your turn. | 0:17:43 | 0:17:46 | |
Let's see how good you are. | 0:17:46 | 0:17:47 | |
Come on, hurry up, get off the fire engine. | 0:17:51 | 0:17:52 | |
Seriously, Xand, you've lost loads of time trying to find the door. | 0:17:55 | 0:17:59 | |
Follow Gemma in there. | 0:18:00 | 0:18:01 | |
Find that casualty for me and bring him or her out. | 0:18:01 | 0:18:04 | |
It's really difficult to see anything in the smoke. | 0:18:06 | 0:18:09 | |
You're not kidding, Xand. | 0:18:09 | 0:18:10 | |
Good communication skills, Xand. | 0:18:20 | 0:18:22 | |
All right, we've got you. | 0:18:22 | 0:18:23 | |
And you located the casualty quickly, well done. | 0:18:23 | 0:18:26 | |
OK, take him over to the casualty area, he'll need treatment. | 0:18:26 | 0:18:30 | |
Now, let's see how you treat his injuries. | 0:18:32 | 0:18:34 | |
The casualty has got burns on his hands. | 0:18:36 | 0:18:38 | |
Let's have a look at his sats first of all. | 0:18:38 | 0:18:41 | |
Oh, I didn't turn it on. | 0:18:41 | 0:18:43 | |
How's your hand feeling now? | 0:18:43 | 0:18:44 | |
Shall we get some cling film on that as well, then? | 0:18:44 | 0:18:47 | |
That is extremely stressful. | 0:18:47 | 0:18:49 | |
Challenge complete. It's time for the verdict. | 0:18:49 | 0:18:53 | |
First up, Andy judges our arrival at the scene. | 0:18:53 | 0:18:56 | |
Xand, there was a little bit of a delay | 0:18:56 | 0:18:58 | |
because you couldn't open the fire engine door. | 0:18:58 | 0:19:00 | |
-How long was that? Ten, 15 minutes? -It was fine, I got out. | 0:19:03 | 0:19:07 | |
Gemma judges us on how quickly we found the casualty. | 0:19:07 | 0:19:10 | |
Chris, when we went inside, | 0:19:10 | 0:19:11 | |
you were a little bit rabbit in the headlights. | 0:19:11 | 0:19:13 | |
You were quite nervous, weren't sure what instructions to follow. | 0:19:13 | 0:19:16 | |
Rabbit in the headlights is never a good thing. | 0:19:19 | 0:19:22 | |
Finally, Andy judges us on how we treated the patient. | 0:19:22 | 0:19:25 | |
Once the casualty was out, | 0:19:25 | 0:19:26 | |
you were both equally good treating the casualty. | 0:19:26 | 0:19:29 | |
You'd make good doctors. | 0:19:29 | 0:19:30 | |
Well, that's relief, given we ARE doctors. | 0:19:30 | 0:19:32 | |
But who was the best firefighter? | 0:19:32 | 0:19:34 | |
-What's the verdict? -The winner is... | 0:19:34 | 0:19:37 | |
-Chris. -Chris, well done. -Oh... | 0:19:37 | 0:19:40 | |
-What let Xand down? -Not being able to get out of the fire engine. | 0:19:40 | 0:19:43 | |
-Right. -Kind of like a basic firefighter skill, | 0:19:43 | 0:19:45 | |
to be able to open the door. | 0:19:45 | 0:19:46 | |
Well done. I may have beaten you, | 0:19:46 | 0:19:48 | |
but I think we've both learned that being a firefighter is not easy, | 0:19:48 | 0:19:52 | |
and I think it's probably best left to the professionals. | 0:19:52 | 0:19:54 | |
-We should hand back our helmets. -Thank you very much. | 0:19:54 | 0:19:57 | |
It's time to visit our next Ouch Patient. | 0:19:57 | 0:20:00 | |
Hello. | 0:20:00 | 0:20:02 | |
Remember Millie? She has... | 0:20:02 | 0:20:03 | |
Millie's condition means she experiences pain in her joints. | 0:20:06 | 0:20:10 | |
Arthritis also makes my joints really stiff. | 0:20:10 | 0:20:14 | |
To help strengthen the muscles around her joints, | 0:20:14 | 0:20:17 | |
she has to do exercises at home. | 0:20:17 | 0:20:19 | |
I do this to strengthen my ankle. | 0:20:19 | 0:20:22 | |
She also has to go for regular physiotherapy lessons. | 0:20:22 | 0:20:25 | |
-This is my physiotherapist, Leona. -Hi! | 0:20:25 | 0:20:29 | |
She gives me lots of exercises to help my joints, | 0:20:29 | 0:20:32 | |
and she makes me giggle. | 0:20:32 | 0:20:33 | |
Because Millie's arthritis affects different parts of her body, | 0:20:36 | 0:20:39 | |
Leona has lots of exercises for her to practice. | 0:20:39 | 0:20:42 | |
This strengthens the muscles around her joints, | 0:20:42 | 0:20:44 | |
so she can be more active and have less pain. | 0:20:44 | 0:20:47 | |
Wow, that looks fun! | 0:20:47 | 0:20:48 | |
When I'm older, I want to be a physio | 0:20:49 | 0:20:52 | |
so I can help other children that | 0:20:52 | 0:20:55 | |
have arthritis and other problems. | 0:20:55 | 0:20:57 | |
I love cycling. | 0:20:59 | 0:21:00 | |
Physio was really good, and I'm looking forward to coming next time. | 0:21:00 | 0:21:06 | |
How do you think Millie did, Leona? | 0:21:06 | 0:21:08 | |
I think that Millie's definitely... | 0:21:08 | 0:21:09 | |
You're definitely getting stronger, aren't you? | 0:21:09 | 0:21:12 | |
So, what we do need to do is add a few more to your next programme now | 0:21:12 | 0:21:15 | |
-to make it a bit harder. -No! | 0:21:15 | 0:21:18 | |
Aw, never mind, Millie. | 0:21:18 | 0:21:19 | |
Come and see how I'm doing next time. Bye! | 0:21:19 | 0:21:21 | |
BOTH: Bye! | 0:21:21 | 0:21:22 | |
Your body is amazing, but sometimes it needs help. | 0:21:27 | 0:21:31 | |
All over the UK, there are special teams of professionals | 0:21:31 | 0:21:33 | |
trained to tackle medical mysteries. | 0:21:33 | 0:21:35 | |
We use our eyes all the time to see the world around us. | 0:21:36 | 0:21:39 | |
So when something goes wrong and you can't see properly, | 0:21:39 | 0:21:43 | |
it can be quite scary. | 0:21:43 | 0:21:44 | |
But don't worry, whatever your eye issue, | 0:21:45 | 0:21:48 | |
there are special types of doctors on hand | 0:21:48 | 0:21:50 | |
to help you see more clearly. | 0:21:50 | 0:21:52 | |
Chris, I think you'd better find out some more. | 0:21:53 | 0:21:56 | |
I'm on it, Xand. | 0:21:56 | 0:21:57 | |
I'm in the ophthalmology department, | 0:21:57 | 0:21:59 | |
and this is where you'll find... | 0:21:59 | 0:22:02 | |
Now, you don't have to be able to pronounce all that, | 0:22:07 | 0:22:09 | |
but you should know that they all work as a team, here, | 0:22:09 | 0:22:11 | |
so that if you have a problem with your eyes, | 0:22:11 | 0:22:14 | |
they can diagnose it and help to fix it. | 0:22:14 | 0:22:16 | |
This is... | 0:22:16 | 0:22:17 | |
And it's her job to help fix people's eyes. | 0:22:19 | 0:22:22 | |
Can you explain to me what an orthoptist is? | 0:22:22 | 0:22:25 | |
An orthoptist is part of the eye clinic, | 0:22:25 | 0:22:27 | |
and orthoptics deals with what we call disorders of binocular vision. | 0:22:27 | 0:22:32 | |
And that means, obviously, most of us, | 0:22:32 | 0:22:34 | |
our eyes move together and try and create the same picture. | 0:22:34 | 0:22:38 | |
But if one eye has a problem with it, | 0:22:38 | 0:22:43 | |
then it won't be seeing the same thing as the other. | 0:22:43 | 0:22:45 | |
And that's the whole basis behind it. | 0:22:45 | 0:22:49 | |
So, a common thing that you might see is a child, | 0:22:49 | 0:22:53 | |
where one eye is pointing in a different direction to the other. | 0:22:53 | 0:22:56 | |
-Yep. -And rather than have double vision, | 0:22:56 | 0:22:58 | |
-the brain would just turn off the one eye. -It does. | 0:22:58 | 0:23:02 | |
Your eyes work like a camera. | 0:23:02 | 0:23:04 | |
Light passes through the lens to the back of the eye, called the retina. | 0:23:04 | 0:23:07 | |
But because your lens is curved and light is straight, | 0:23:07 | 0:23:10 | |
the image gets turned upside down. | 0:23:10 | 0:23:12 | |
It's then transported to your brain through the optic nerve, | 0:23:14 | 0:23:17 | |
where it's flipped the right way up again. | 0:23:17 | 0:23:19 | |
Your brain combines these signals from each eye together | 0:23:19 | 0:23:22 | |
to create a 3-D image. | 0:23:22 | 0:23:23 | |
But when these signals aren't working properly, | 0:23:23 | 0:23:26 | |
you can get what's called a lazy eye. | 0:23:26 | 0:23:29 | |
Having a lazy eye is actually really common, | 0:23:29 | 0:23:31 | |
around one in 40 children will have one at some point. | 0:23:31 | 0:23:34 | |
And the main way of treating a lazy eye is using glasses, | 0:23:34 | 0:23:37 | |
and sometimes a patch. | 0:23:37 | 0:23:38 | |
And you put the patch over the good eye, | 0:23:38 | 0:23:40 | |
which forces the lazy eye to do a bit more work. | 0:23:40 | 0:23:44 | |
Hello, Cassidy. | 0:23:44 | 0:23:45 | |
Five-year-old Cassidy has had a lazy eye since she was one. | 0:23:45 | 0:23:49 | |
Well done. | 0:23:49 | 0:23:51 | |
She's had glasses and patches to treat it, | 0:23:51 | 0:23:53 | |
and has come in today to see Maureen for a check on her progress. | 0:23:53 | 0:23:57 | |
So, shall we see how clever this eye is and how clever this one is? | 0:23:57 | 0:24:00 | |
Yeah? Can I just pop a little cover over one eye, just for a minute? | 0:24:00 | 0:24:03 | |
Maureen does some quick tests to check if Cassidy's | 0:24:03 | 0:24:05 | |
using both her eyes equally. | 0:24:05 | 0:24:08 | |
I like your glasses, Cassidy. | 0:24:08 | 0:24:10 | |
Can you look hard and tell me what this shape is here? | 0:24:10 | 0:24:13 | |
Clever girl. And what's this one? | 0:24:13 | 0:24:16 | |
Wonderful. | 0:24:16 | 0:24:17 | |
Well done. | 0:24:18 | 0:24:20 | |
The strength of Cassidy's right eye acts as a guide for Maureen to | 0:24:20 | 0:24:23 | |
determine whether her lazy left eye has got any stronger. | 0:24:23 | 0:24:26 | |
Oops, I nearly ate him then! | 0:24:26 | 0:24:29 | |
So, is there a mummy giraffe? | 0:24:29 | 0:24:30 | |
And is there a baby giraffe? | 0:24:32 | 0:24:34 | |
-Yeah. -And can you see the baby giraffe's eyelashes? | 0:24:34 | 0:24:37 | |
-Yeah. -OK. | 0:24:37 | 0:24:39 | |
The difference between the two eyes now is negligible. | 0:24:39 | 0:24:41 | |
So Cassidy hasn't got a lazy eye now, she's fine. | 0:24:41 | 0:24:45 | |
That's great news! | 0:24:45 | 0:24:47 | |
We've seen how orthoptists can use glasses | 0:24:47 | 0:24:49 | |
to fix the vision in a lazy eye. | 0:24:49 | 0:24:51 | |
But if you have an eye problem, there are loads | 0:24:51 | 0:24:53 | |
of other eye specialists out there who can help you too. | 0:24:53 | 0:24:56 | |
I'm here in the studio with Dr Chris. | 0:24:59 | 0:25:02 | |
And, Dr Chris, I'm going to start the question | 0:25:02 | 0:25:04 | |
that is on everyone's mind today - | 0:25:04 | 0:25:06 | |
who is the next patient in A&E? | 0:25:06 | 0:25:09 | |
Well, Xand, I'm very glad you asked me that. | 0:25:09 | 0:25:11 | |
Let's go find out! | 0:25:11 | 0:25:12 | |
Yes, let's! | 0:25:12 | 0:25:13 | |
In the emergency department, | 0:25:17 | 0:25:18 | |
eight-year-old Chris is waiting with his mum and dad. | 0:25:18 | 0:25:21 | |
What's happened, fella? | 0:25:21 | 0:25:23 | |
My leg started hurting. | 0:25:23 | 0:25:25 | |
Oh, dear! Lets find out more. | 0:25:25 | 0:25:27 | |
It was a beautiful sunny day, | 0:25:28 | 0:25:30 | |
and Chris was in the playground, playing tag. | 0:25:30 | 0:25:33 | |
He was playing with bags? | 0:25:33 | 0:25:34 | |
He was playing tag, Xand. | 0:25:34 | 0:25:36 | |
Oh, right, flags. | 0:25:36 | 0:25:38 | |
Xand, he was playing tag! | 0:25:38 | 0:25:40 | |
Stags, right. Got it. | 0:25:40 | 0:25:42 | |
That does sound dangerous. | 0:25:42 | 0:25:44 | |
No, Xand, he was with his friends, playing tag! | 0:25:44 | 0:25:47 | |
OK, keep your hair on. | 0:25:47 | 0:25:48 | |
Righto, Chris was playing tag. | 0:25:48 | 0:25:51 | |
Yes! He was running really fast, when all of a sudden, | 0:25:51 | 0:25:54 | |
his knee twinged with pain and he had to stop. | 0:25:54 | 0:25:56 | |
BOTH: Ouch! | 0:25:57 | 0:25:59 | |
It hurts right there. | 0:25:59 | 0:26:01 | |
Under the kneecap. | 0:26:01 | 0:26:02 | |
Well, Chris, we'd better get that leg seen pronto. | 0:26:02 | 0:26:05 | |
Here's Dr Sarah Edwards to check out that painful pin. | 0:26:08 | 0:26:12 | |
Anywhere else hurting at all? | 0:26:13 | 0:26:15 | |
-No. -So it's just your knee. -Yeah. -Fantastic. | 0:26:15 | 0:26:18 | |
Can you bend it for me? | 0:26:18 | 0:26:19 | |
Knee-sy does it, doc! | 0:26:20 | 0:26:22 | |
Now, can you straighten it for me? | 0:26:22 | 0:26:24 | |
-With pain. -It hurts. | 0:26:24 | 0:26:25 | |
-And it's hurting just at the back, here? -Yeah. | 0:26:25 | 0:26:28 | |
We'll get an x-ray of that knee area, | 0:26:28 | 0:26:30 | |
just to have a look, all right? | 0:26:30 | 0:26:32 | |
Chris hops off to x-ray, | 0:26:32 | 0:26:34 | |
where radiographer Catherine Barnett checks for breaks in that knee. | 0:26:34 | 0:26:37 | |
Keep that one nice and straight. That's it. | 0:26:37 | 0:26:40 | |
Done. | 0:26:40 | 0:26:41 | |
Oh, good old Dad's on hand to carry Chris. | 0:26:41 | 0:26:44 | |
Thanks, Dad! | 0:26:44 | 0:26:46 | |
What's the verdict, doc? | 0:26:46 | 0:26:47 | |
Looking at the x-ray, | 0:26:47 | 0:26:48 | |
there's no obvious breaks or anything that we can see. | 0:26:48 | 0:26:52 | |
It does look very swollen, that knee, though. | 0:26:52 | 0:26:56 | |
As the joint is enflamed, Chris will have to take painkillers. | 0:26:56 | 0:26:59 | |
High five? Awesome, thank you. | 0:26:59 | 0:27:01 | |
Have you got any advice for when I next play tag, Chris? | 0:27:01 | 0:27:05 | |
Be a bit careful and don't run that fast. | 0:27:05 | 0:27:08 | |
Sounds good. See you, fella. | 0:27:08 | 0:27:09 | |
Bye! | 0:27:09 | 0:27:11 | |
Next time on Operation Ouch!... | 0:27:11 | 0:27:13 | |
We're not so clever. | 0:27:14 | 0:27:16 | |
I've got some good advice... | 0:27:17 | 0:27:18 | |
You can blame it on Dr Xand. | 0:27:18 | 0:27:20 | |
And Xand put his feet up. | 0:27:20 | 0:27:22 | |
Wah! | 0:27:22 | 0:27:23 | |
So, we'll see you next time for more Operation Ouch! | 0:27:26 | 0:27:30 | |
Chris! Chris! | 0:27:32 | 0:27:34 | |
I missed the ending! Chris! | 0:27:34 | 0:27:37 | |
Actually, Xand, I was going to say they like to use a lot of this! | 0:27:37 | 0:27:40 | |
You didn't get any of it on me at all. | 0:27:43 | 0:27:45 | |
You'd be a terrible firefighter. | 0:27:45 | 0:27:46 | |
Sorry, that was really bad. I soaked the wall. | 0:27:46 | 0:27:49 | |
What are you doing? | 0:27:49 | 0:27:50 | |
You complete idiot! | 0:27:50 | 0:27:52 |