Browse content similar to Strictly Romford. Check below for episodes and series from the same categories and more!
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This is The Console. Pixelface games loading. | 0:00:02 | 0:00:04 | |
# Life's so great in a console space | 0:00:06 | 0:00:09 | |
# Digitally here again | 0:00:09 | 0:00:11 | |
# So much more than a pixel face | 0:00:11 | 0:00:15 | |
# Living in a game | 0:00:15 | 0:00:16 | |
# Living in a game, Living in a game | 0:00:16 | 0:00:18 | |
# We're playing with the same old friends | 0:00:18 | 0:00:20 | |
# Everybody knows our name | 0:00:20 | 0:00:23 | |
# We'll be here till the journey ends | 0:00:23 | 0:00:26 | |
# Living in a game | 0:00:26 | 0:00:27 | |
# Living in a game Living in a game. # | 0:00:27 | 0:00:32 | |
LAUGHTER | 0:00:34 | 0:00:36 | |
Ow! Mind where you're going, you pointy-toed forest-goer! | 0:00:38 | 0:00:42 | |
If you will lie there in the middle of the room, what do you expect? | 0:00:42 | 0:00:46 | |
I'm trying to reach that can of oil. | 0:00:46 | 0:00:48 | |
LAUGHTER | 0:00:48 | 0:00:51 | |
-What are we watching? -It's Claireparker's Zombie Bloopers Reel. | 0:00:51 | 0:00:55 | |
Ow! Ow! Oh, I'll never get it. | 0:00:57 | 0:01:00 | |
It might as well be up the Eiffel Tower! | 0:01:00 | 0:01:03 | |
THEY LAUGH | 0:01:03 | 0:01:06 | |
-This one is brilliant! -Come on! Let's have a look. | 0:01:06 | 0:01:09 | |
So does not see this next shot coming. | 0:01:09 | 0:01:11 | |
THEY LAUGH | 0:01:11 | 0:01:13 | |
Oh, come on! Come on, let me see! | 0:01:15 | 0:01:18 | |
That is priceless, I am so glad I saw this! | 0:01:19 | 0:01:23 | |
Oh, come on! I want to look. | 0:01:23 | 0:01:25 | |
Funniest thing I've ever seen! You wouldn't want to be missing this. | 0:01:25 | 0:01:29 | |
Ooh! Oh, come on! | 0:01:29 | 0:01:31 | |
Now this is a classic, watch out for the live power cable, Mr Zombie! | 0:01:31 | 0:01:35 | |
Oh, come on, shift out of the way, will you? | 0:01:36 | 0:01:40 | |
His hair's standing up like that! | 0:01:40 | 0:01:42 | |
Oh, come on! I can't see. Can someone lift me up, please? Hello! | 0:01:42 | 0:01:45 | |
Sorry, Romford. | 0:01:45 | 0:01:46 | |
-There you go. -Ah, cheers. Brilliant. -That's about it. | 0:01:48 | 0:01:53 | |
The rest is Aethelwynne polishing his woodland creature carvings. | 0:01:53 | 0:01:57 | |
I do not believe you recorded over that! | 0:01:57 | 0:02:00 | |
Oh, relax, there's three hours of it! | 0:02:00 | 0:02:02 | |
All right, can someone lift me down now, please? Hello? | 0:02:02 | 0:02:07 | |
Hello? Can you...come on, please. | 0:02:09 | 0:02:11 | |
It is fascinating to watch a craftsman at work. | 0:02:11 | 0:02:14 | |
You see how I'm rubbing with the grain? That's terribly important. | 0:02:14 | 0:02:18 | |
'Visit my website, polishingwoodenanimals.com.' | 0:02:18 | 0:02:21 | |
Ohhh, how boring is this? | 0:02:21 | 0:02:23 | |
-You all right, Kiki? -Not really. | 0:02:23 | 0:02:26 | |
There's a big inter-console ballroom competition coming up. | 0:02:26 | 0:02:30 | |
Everyone from Groove Academy 2's going to be in it. | 0:02:30 | 0:02:33 | |
But Dean LaRouge has said he doesn't want to be my dance partner. | 0:02:33 | 0:02:36 | |
Can't someone else do it? | 0:02:36 | 0:02:38 | |
Well, I've asked everyone else. No-one wants to. | 0:02:38 | 0:02:42 | |
-Why? I thought you were a good dancer. -I am. | 0:02:42 | 0:02:44 | |
But no-one can seem to handle my enthusiasm. | 0:02:44 | 0:02:48 | |
Does it have to be someone from Groove Academy 2? | 0:02:48 | 0:02:50 | |
Well, it's an open competition so I suppose not. | 0:02:50 | 0:02:54 | |
Maybe one of the boys from here could do it? | 0:02:54 | 0:02:58 | |
Ballroom requires elegance, poise, passion and grace. | 0:02:58 | 0:03:02 | |
RILEY GROANS | 0:03:04 | 0:03:07 | |
A-agh! Ohh! A-agh! A-a-agh! | 0:03:07 | 0:03:12 | |
Ooh, look. Here comes the beeswax polish! | 0:03:12 | 0:03:18 | |
'That'll get a lovely shine. And although they hang out together, | 0:03:18 | 0:03:21 | |
'none of them are friends. They don't even get on.' | 0:03:21 | 0:03:24 | |
Oh, yeah! Oh, that's the spot, right there! Ahh! | 0:03:24 | 0:03:29 | |
Can somebody help me off this chair, please? Help. | 0:03:29 | 0:03:32 | |
Why don't you try them out? They might surprise you. | 0:03:32 | 0:03:36 | |
-I'll do it meself. -CRASH | 0:03:36 | 0:03:39 | |
A-a-agh! Ooh, me battery cover! A-agh! | 0:03:39 | 0:03:41 | |
Cor, I thought I was going to be stuck there forever. | 0:03:41 | 0:03:44 | |
Nearly bent me crankshaft getting off that chair. | 0:03:44 | 0:03:46 | |
Wish I had a proper body. | 0:03:46 | 0:03:49 | |
If you're interested in that sort of thing, | 0:03:49 | 0:03:51 | |
I do have a bit of a connection. | 0:03:51 | 0:03:54 | |
What sort of connection? | 0:03:54 | 0:03:56 | |
I know a body man. He deals with spares, shall we say. | 0:03:58 | 0:04:03 | |
He could sort you out with something. | 0:04:03 | 0:04:05 | |
Oh, yeah, well as long as it's all above board. | 0:04:05 | 0:04:08 | |
Oh, no! It's definitely not above board. It's highly illegal. | 0:04:08 | 0:04:13 | |
Well then, that puts me in a little bit of a tricky moral dilemma. | 0:04:13 | 0:04:17 | |
I understand. Take all the time you need to think it through. | 0:04:17 | 0:04:20 | |
No, no, no, it's all right, I've just shut down my morality chip. | 0:04:20 | 0:04:24 | |
Come on, let's do it! I want limbs! | 0:04:24 | 0:04:27 | |
SAMBA MUSIC PLAYS | 0:04:29 | 0:04:32 | |
-What do you think? -Actually, it's not bad. | 0:04:51 | 0:04:55 | |
-Great, cos I had a few thoughts about the choreography. -Oh, really? | 0:04:55 | 0:04:59 | |
Yeah. It's all very pretty, but it could be more efficient. | 0:04:59 | 0:05:02 | |
I'll show you what I mean. | 0:05:02 | 0:05:04 | |
You know we start here, then we go over there, | 0:05:06 | 0:05:08 | |
-then over there, back over there, and we end up there? -Yeah. | 0:05:08 | 0:05:11 | |
Well, how about we go straight from here to there in a straight line? | 0:05:11 | 0:05:15 | |
It'd be a lot quicker. Watch. | 0:05:15 | 0:05:17 | |
See? We've achieved our objective, and exposed ourselves | 0:05:22 | 0:05:25 | |
to fewer alien attacks. | 0:05:25 | 0:05:26 | |
There aren't any aliens here. | 0:05:26 | 0:05:29 | |
Exactly. Look, I'll show you again. | 0:05:29 | 0:05:31 | |
No! Riley, we're not going to do that! | 0:05:31 | 0:05:33 | |
What? I thought you said you wanted me to lead? | 0:05:33 | 0:05:35 | |
That's what I'm doing, I'm being a leader. | 0:05:35 | 0:05:38 | |
Yeah, well, I'm relieving you of your duty. | 0:05:38 | 0:05:40 | |
Oh! | 0:05:40 | 0:05:41 | |
Right, what's the score? | 0:05:47 | 0:05:50 | |
My body man will be here any moment now, so I'll leave you to it. | 0:05:50 | 0:05:54 | |
-Good luck! -Cheers, Alexia. | 0:05:54 | 0:05:57 | |
This is the Console. Sentient Force now loading. | 0:05:57 | 0:06:00 | |
Will Romford and Sgt Riley please enter the game? | 0:06:00 | 0:06:03 | |
-Come on, Romford. We're up. -Not yet, I'll catch up with ya. | 0:06:03 | 0:06:06 | |
You Romford? | 0:06:13 | 0:06:14 | |
-Yeah. -Sweet. I've got the old... HE WHISTLES | 0:06:14 | 0:06:17 | |
-The old what? -You know. The dodgy gear. | 0:06:17 | 0:06:20 | |
I didn't order any gears, I wanted a whole body! | 0:06:20 | 0:06:23 | |
I was trying to keep it hush-hush. You know, on the old click-click! | 0:06:23 | 0:06:27 | |
You didn't even complete your sentence then. You just stopped | 0:06:27 | 0:06:31 | |
-and made a clicking noise. -Look, this box contains a body. | 0:06:31 | 0:06:35 | |
Oh, you mean the body I ordered from you illegally on the black market? | 0:06:35 | 0:06:38 | |
Yes! The body you ordered illegally from me on the black market! | 0:06:38 | 0:06:43 | |
All right, keep your voice down, man! | 0:06:43 | 0:06:45 | |
SALSA MUSIC PLAYS | 0:06:51 | 0:06:53 | |
Oh, Rex, what's wrong? You haven't got fleas again, have you? | 0:06:57 | 0:07:01 | |
No, it's just this outfit isn't very comfortable. I prefer natural fibres. | 0:07:01 | 0:07:07 | |
Well, just try and manage! OK, from the top. | 0:07:07 | 0:07:11 | |
So, backwards and forwards, and backwards and forwards. | 0:07:12 | 0:07:16 | |
Now, split into your solo section. | 0:07:16 | 0:07:19 | |
OK, and what should I be doing here? | 0:07:19 | 0:07:21 | |
Well, whatever you're doing, it's great. Just keep going, Rex! | 0:07:21 | 0:07:25 | |
ELECTRICAL BUZZING I've got a bit of a funny feeling, | 0:07:25 | 0:07:29 | |
-like all my hair is standing on end. -Oh, that's OK! | 0:07:29 | 0:07:32 | |
It's the spirit of the music entering your soul! | 0:07:32 | 0:07:36 | |
Actually, I think it's static electricity. | 0:07:36 | 0:07:40 | |
This nylon's having a weird reaction with my fur! | 0:07:40 | 0:07:43 | |
No, no, it's just the power of salsa! | 0:07:43 | 0:07:45 | |
Right, now, come back together again. | 0:07:45 | 0:07:48 | |
Yeah, I'm not sure this is a good idea. I feel pretty electric. | 0:07:48 | 0:07:52 | |
No, it's fine. It's Latin fever, you're meant to feel that way. | 0:07:52 | 0:07:55 | |
You're the expert. | 0:07:55 | 0:07:57 | |
A-a-a-agh! | 0:07:57 | 0:07:58 | |
-Agh! Agh! -Rex? -Uh-huh? -I don't think that was Latin fever. | 0:08:00 | 0:08:07 | |
No. | 0:08:07 | 0:08:08 | |
Oh! Agh! Oh! | 0:08:10 | 0:08:14 | |
I think I'm magnetic! A-agh! | 0:08:16 | 0:08:20 | |
Ooh! Ballpoint pen, very nice! | 0:08:22 | 0:08:26 | |
GUNFIRE AND EXPLOSIONS | 0:08:27 | 0:08:31 | |
Incoming! | 0:08:31 | 0:08:33 | |
Romford! | 0:08:39 | 0:08:41 | |
Romford! Where are you?! | 0:08:42 | 0:08:45 | |
Is that all you've got? | 0:08:50 | 0:08:53 | |
That was nothing! It'll take more than that to stop this soldier! | 0:08:55 | 0:08:59 | |
Right, looks like I'll have to deal with this one on my own. | 0:08:59 | 0:09:03 | |
BUZZING AND WHIRRING | 0:09:03 | 0:09:06 | |
Fire Command. Fire Command, this is call sign Riley reporting in, over. | 0:09:35 | 0:09:40 | |
"Oh, hello, Riley! How's things?" | 0:09:40 | 0:09:43 | |
Yeah, fine, fine. Look, I'm in Section Five, I'm pinned down, | 0:09:43 | 0:09:48 | |
I've encountered enemy hostiles. | 0:09:48 | 0:09:50 | |
I've been separated from my combat droid. Over. | 0:09:50 | 0:09:53 | |
"Oh! That sounds like a right pickle. Rather you than me." | 0:09:53 | 0:09:58 | |
Thanks. Look, I can't hold them off all by myself without my droid, | 0:09:58 | 0:10:02 | |
so I need to find a way out. Please advise possible evac. Over. | 0:10:02 | 0:10:06 | |
"When you say "evac," d'you mean evacuation?" | 0:10:06 | 0:10:10 | |
Yeah, of course. Evacuation. | 0:10:10 | 0:10:11 | |
"Why don't you just say the word then?" | 0:10:11 | 0:10:14 | |
-Because it's quicker. -"But it's not quicker, is it? | 0:10:14 | 0:10:16 | |
"You and I have had to have this conversation, now. | 0:10:16 | 0:10:19 | |
"That must've taken a minute longer than if you'd asked me | 0:10:19 | 0:10:22 | |
"without the abbreviation nonsense." | 0:10:22 | 0:10:25 | |
BEEPING AND WHIRRING | 0:10:31 | 0:10:33 | |
Disarm, life form! | 0:10:46 | 0:10:49 | |
Identify! Are you our commander or the enemy? | 0:10:51 | 0:10:55 | |
-Erm...! -If you are the enemy, we must destroy you. | 0:10:55 | 0:11:00 | |
If you are our commander, we must follow you. | 0:11:00 | 0:11:02 | |
In that case, I'm the commander. | 0:11:02 | 0:11:05 | |
Greetings, Commander. What are your orders? | 0:11:05 | 0:11:07 | |
Shall we scan for enemy life forms in the area? | 0:11:07 | 0:11:10 | |
Yes...No! I mean, negative. | 0:11:10 | 0:11:12 | |
-I mean, just give me a minute to think about this. -As you wish. | 0:11:12 | 0:11:16 | |
SAMBA MUSIC PLAYS | 0:11:25 | 0:11:28 | |
Hmm-mmm! | 0:11:28 | 0:11:29 | |
Don't worry, Kiki! I'm an excellent dancer! | 0:11:31 | 0:11:34 | |
Such a relief! The others weren't up to much. Right! | 0:11:35 | 0:11:41 | |
Let's get started. | 0:11:41 | 0:11:43 | |
-What's that? -It's a maypole! | 0:11:49 | 0:11:51 | |
-What's it for? -For dancing, Kiki! You can't dance without a maypole! | 0:11:51 | 0:11:54 | |
Right, I'll go clockwise, you go anti-clockwise. | 0:11:54 | 0:11:58 | |
Pink over blue, and try not to snag the braid! | 0:11:58 | 0:12:02 | |
Everyone, look who's here! | 0:12:16 | 0:12:18 | |
Oh, my goodness. Romford, look at you. | 0:12:22 | 0:12:26 | |
Yeah, I know. I am magnificent. | 0:12:26 | 0:12:30 | |
-Wow! -It's basically a knock-off Sims background character, | 0:12:30 | 0:12:34 | |
-so the coding isn't perfect. -His feet do look a little bit... | 0:12:34 | 0:12:39 | |
Yeah, they're not a matching pair and they're both left feet, but... | 0:12:40 | 0:12:46 | |
Still, not bad. A lot of these black-market bodies can be dodgy. | 0:12:46 | 0:12:51 | |
This is a good one, you know. Plus, he threw in a bonus arm. | 0:12:51 | 0:12:55 | |
Is that a hook-hand? | 0:12:55 | 0:12:58 | |
Yeah, it was a spare from a pirate game. | 0:12:58 | 0:13:01 | |
-Yeah, these hands don't seem to get on. -Well, give us a spin. | 0:13:01 | 0:13:05 | |
That is the one thing. If I take my hand off the wall, this happens. | 0:13:05 | 0:13:10 | |
A-a-agh! Ow! | 0:13:10 | 0:13:11 | |
How does this whole commander thing work, then? | 0:13:16 | 0:13:18 | |
BOTH: We are programmed to the commander's orders. | 0:13:18 | 0:13:21 | |
If there is no commander, we revert to our pre-programmed orders. | 0:13:21 | 0:13:25 | |
Which are? | 0:13:25 | 0:13:27 | |
BOTH: Eliminate all organic life-forms! | 0:13:27 | 0:13:30 | |
OK, OK, OK, look. Right, this is your new prime directive. | 0:13:30 | 0:13:33 | |
Protect your commander, that's me, at all times. | 0:13:33 | 0:13:36 | |
-Protect Commander! -Protect Commander! | 0:13:36 | 0:13:40 | |
All right, good. That's very good. | 0:13:43 | 0:13:45 | |
Anything comes near me, you guys intercept it. | 0:13:45 | 0:13:48 | |
-WASP BUZZES -Whoa, whoa, stop! What you doing? | 0:13:48 | 0:13:51 | |
-I thought I saw a wasp. -Me, too. | 0:13:51 | 0:13:54 | |
OK, good, a wasp. That's good. That's very good. | 0:13:54 | 0:13:59 | |
I never thought having a body was going to be this hard. | 0:14:01 | 0:14:04 | |
It's OK. Remember, you're only one day old. Just try a few steps. | 0:14:04 | 0:14:10 | |
Right-o! Right, oh, whoa! Oh, I'm doing it, I'm doing it. Yeah, yeah. | 0:14:10 | 0:14:14 | |
OK, now try to go it alone. | 0:14:14 | 0:14:17 | |
No, no, don't let go! No, no, don't let go! | 0:14:17 | 0:14:20 | |
-Whoa, whoa, oh, oh! -Come on! You can do it! | 0:14:20 | 0:14:24 | |
-Yeah, yes, yes! -That's it. -Ohh! | 0:14:24 | 0:14:28 | |
That was a perfect start. You just need practice. | 0:14:28 | 0:14:33 | |
MUSIC: "We Walk" by the Ting Tings | 0:14:33 | 0:14:37 | |
You all right, Kiki? | 0:16:16 | 0:16:18 | |
Not really. I still can't find a dance partner. | 0:16:18 | 0:16:21 | |
All the boys were useless. | 0:16:21 | 0:16:23 | |
Well, I thought maybe I could be your partner. | 0:16:23 | 0:16:27 | |
You know, I've done lots of ballroom dances. | 0:16:27 | 0:16:30 | |
Debutante balls, gala balls, country balls, summer balls, | 0:16:30 | 0:16:34 | |
Christmas balls, you know what I mean. | 0:16:34 | 0:16:38 | |
So, I thought maybe you and I could dance together. | 0:16:38 | 0:16:41 | |
-That'd be so cool, I'd love that. -Great! I'd hoped you'd say that! | 0:16:41 | 0:16:45 | |
Wow! We're going to look amazing! | 0:16:45 | 0:16:50 | |
-Ready! -Yep! -Let's go! | 0:16:50 | 0:16:52 | |
Whenever you're ready. | 0:16:57 | 0:16:58 | |
Go on, then. You lead. | 0:17:00 | 0:17:03 | |
No, you lead. | 0:17:03 | 0:17:05 | |
No, I'm not being the man! | 0:17:05 | 0:17:07 | |
Well, I'm not going to be the man! | 0:17:07 | 0:17:09 | |
-Out of the two of us, you're the one that's most like a man. -Oh! | 0:17:09 | 0:17:13 | |
Hmmpf! | 0:17:20 | 0:17:22 | |
Typical man. | 0:17:25 | 0:17:27 | |
Oh, yeah! Mmm, delicious. | 0:17:30 | 0:17:32 | |
-That was the fastest weight-gain I've ever seen! -How has this happened? | 0:17:32 | 0:17:37 | |
You're eating too much junk food, so you put on loads of weight! | 0:17:37 | 0:17:40 | |
The thing about bodies, | 0:17:40 | 0:17:41 | |
-you have to look after them. -Especially black-market bodies. | 0:17:41 | 0:17:45 | |
They're not always that well put together. | 0:17:45 | 0:17:48 | |
Are you saying there's something weird about me? | 0:17:48 | 0:17:50 | |
No, no, we're just saying that you've got to look after yourself. | 0:17:50 | 0:17:55 | |
-Perhaps do some exercise. -Exercise? No, thank you. | 0:17:55 | 0:17:58 | |
-Yeah, come on. -I'll consider it, but only if I can have another cake. | 0:17:58 | 0:18:03 | |
Actually, leave it in the tin, this time. I prefer that. | 0:18:03 | 0:18:06 | |
Agh! Agh! Oh! Oh, blimey! | 0:18:10 | 0:18:16 | |
Oh, come on, how many more? | 0:18:16 | 0:18:18 | |
Ahh! Ahh! | 0:18:19 | 0:18:21 | |
Come on, Romford. You can do it. Come on. One for me, do one for me. | 0:18:24 | 0:18:30 | |
That's it, Romford! Come on, give it a bit of oomph! | 0:18:30 | 0:18:33 | |
Blimey! Oh, no more! | 0:18:33 | 0:18:36 | |
Oh, please, it's killing me! | 0:18:36 | 0:18:39 | |
Yay! One for Riley! | 0:18:39 | 0:18:41 | |
Yay, Romford, you can do it! One more! One more! Come on! | 0:18:41 | 0:18:45 | |
Ohhh! | 0:18:45 | 0:18:47 | |
Go on, Romford. Yeah, pick yourself up. | 0:18:47 | 0:18:50 | |
I promise, last time. One more. You can do it. One more. | 0:18:50 | 0:18:55 | |
Ooh, no, no, no. | 0:18:55 | 0:18:59 | |
Ahhh! | 0:19:01 | 0:19:02 | |
Huh-huh! | 0:19:03 | 0:19:05 | |
One, two, three, four, five, six, seven, eight, nine, ten. Well done! | 0:19:05 | 0:19:09 | |
A-agh! | 0:19:09 | 0:19:12 | |
I have to hand it to you, Romford. You look amazing. | 0:19:22 | 0:19:25 | |
-I can't believe how much you've toned up. -Most of it was just wind. | 0:19:25 | 0:19:30 | |
Wow, Romford! You are really getting hold of your body, now, aren't you? | 0:19:42 | 0:19:48 | |
Oh, yeah! All that training has really improved my coordination. | 0:19:48 | 0:19:51 | |
Mmm. Interesting. Hey, can you do this? | 0:19:51 | 0:19:56 | |
Well, let's have a go. And... | 0:19:59 | 0:20:02 | |
Da-daa, da-da-daa, da-daa, ta-dah. | 0:20:02 | 0:20:07 | |
-Easy! -Err, how about this? | 0:20:07 | 0:20:11 | |
Shouldn't be a problem. | 0:20:13 | 0:20:15 | |
A-one, two, three! Ooh, ha-cha! | 0:20:15 | 0:20:20 | |
OK! How about this? | 0:20:20 | 0:20:22 | |
Piece of cake. | 0:20:26 | 0:20:28 | |
Da, da, da, a da-da, da da, da da-a-a, da! | 0:20:28 | 0:20:34 | |
Romford! Please will you be my dance partner? | 0:20:34 | 0:20:37 | |
What, me? A dancer? Could it possibly be true? | 0:20:37 | 0:20:41 | |
# When Marimba rhythms start to play | 0:20:43 | 0:20:47 | |
# Dance with me, make me sway | 0:20:47 | 0:20:51 | |
# Like a lazy ocean hugs the shore | 0:20:51 | 0:20:54 | |
# Hold me close, sway me more | 0:20:54 | 0:20:58 | |
# Like a flower bending in the breeze | 0:20:58 | 0:21:02 | |
# Bend with me, sway with ease | 0:21:02 | 0:21:06 | |
# When we dance, you have a way with me | 0:21:06 | 0:21:10 | |
# Stay with me, sway with me. # | 0:21:10 | 0:21:14 | |
Ohhhhh! | 0:21:14 | 0:21:16 | |
I've never felt so free! I was at one with the music. | 0:21:16 | 0:21:20 | |
Especially when we're going to the left! | 0:21:20 | 0:21:22 | |
You really have talent, you know. | 0:21:22 | 0:21:25 | |
And being able to program the moves into your head is very convenient. | 0:21:25 | 0:21:30 | |
This is so much better than blowing things up with Riley. | 0:21:30 | 0:21:33 | |
This could be a new beginning for me. | 0:21:33 | 0:21:37 | |
Oh, my God! The final! High five! | 0:21:37 | 0:21:41 | |
Er, guys, hello? I think I've finished charging now. | 0:21:42 | 0:21:47 | |
Excellent news, Commander. | 0:21:47 | 0:21:49 | |
However, the charging bay is the most secure part of the compound. | 0:21:49 | 0:21:53 | |
Right, yes, OK. Oh! I think there's a wasp in here. | 0:21:53 | 0:21:58 | |
Oh, no! Release him! | 0:21:58 | 0:22:00 | |
OK, OK, OK, stop! I think you've scared it off. | 0:22:03 | 0:22:07 | |
Right, now, what are your prime directives? | 0:22:07 | 0:22:10 | |
BOTH: Protect the commander. | 0:22:10 | 0:22:12 | |
Protect the commander, very good. | 0:22:12 | 0:22:13 | |
Right, now, I'm demoting myself and I'm promoting you all to commander. | 0:22:13 | 0:22:18 | |
-You can't do that. -Of course I can. I'm the commander. | 0:22:18 | 0:22:21 | |
I can do whatever I want. | 0:22:21 | 0:22:23 | |
Now, I hereby demote myself and promote you. | 0:22:23 | 0:22:27 | |
Er, so who's in command? | 0:22:27 | 0:22:29 | |
You're the commander! You're both the commander! | 0:22:29 | 0:22:32 | |
You're both equally in charge! Now, what are you going to do? | 0:22:32 | 0:22:36 | |
BOTH: Protect the leader. | 0:22:36 | 0:22:38 | |
Exactly, protect the leader. That's very good, Number 42. | 0:22:38 | 0:22:42 | |
-Now, where's the safest place? -Ooh, I know. The recharging bay. | 0:22:42 | 0:22:46 | |
-The rech...exactly! -What about the wasp? | 0:22:46 | 0:22:48 | |
Never mind the wasp, forget the wasp. There's no wasp. | 0:22:48 | 0:22:52 | |
The wasp's gone, OK. Now, in you go. Both of you, that's it. And you. | 0:22:52 | 0:22:57 | |
In you go, there you go. Right, I'll be out here, I'll stand guard. | 0:22:57 | 0:23:01 | |
OK, then. Promise you won't go, though? | 0:23:01 | 0:23:04 | |
Of course I won't go. You're in command. I have to do what you say. | 0:23:04 | 0:23:08 | |
I think he's going. | 0:23:10 | 0:23:12 | |
Are you still there? | 0:23:12 | 0:23:13 | |
Course I'm still here. | 0:23:13 | 0:23:15 | |
OK, don't go, though. | 0:23:15 | 0:23:17 | |
Whatever you say. You're in charge. | 0:23:17 | 0:23:19 | |
I thought I was in charge. | 0:23:20 | 0:23:22 | |
-No, he said I was. -I'm in charge, and I command you to shut up. | 0:23:22 | 0:23:26 | |
Don't you tell me to shut up. | 0:23:26 | 0:23:28 | |
THEY SQUABBLE | 0:23:28 | 0:23:30 | |
Thank you, judges. Now onto our next contestant, would Kiki Nova | 0:23:34 | 0:23:39 | |
and her partner, Romford, please take to the dancefloor? | 0:23:39 | 0:23:43 | |
MUSIC PLAYS | 0:23:43 | 0:23:46 | |
Oooh! | 0:24:01 | 0:24:03 | |
This is the Console. Sentient Force complete. Sgt Riley released. | 0:24:21 | 0:24:26 | |
Oh! Phew! | 0:24:26 | 0:24:28 | |
Wow! What a game! | 0:24:28 | 0:24:31 | |
Ohhh... Eh? | 0:24:31 | 0:24:35 | |
Yeah! Just, er, escaped from behind enemy lines. | 0:24:35 | 0:24:41 | |
Single handedly. | 0:24:41 | 0:24:43 | |
ALL: Shhhhh! | 0:24:43 | 0:24:44 | |
-We're trying to watch. -What?! | 0:24:44 | 0:24:48 | |
Whoa! Is that Romford? | 0:24:48 | 0:24:51 | |
-Yeah. -Look at his abs! | 0:24:51 | 0:24:54 | |
I know. | 0:24:54 | 0:24:56 | |
Aww! | 0:24:59 | 0:25:01 | |
I have never felt so alive. | 0:25:01 | 0:25:05 | |
That trophy's as good as ours! | 0:25:05 | 0:25:08 | |
Whoa! | 0:25:08 | 0:25:09 | |
ALL: Ohhhh! | 0:25:09 | 0:25:10 | |
Romford! | 0:25:10 | 0:25:12 | |
Oh, dear. I think his body's hit its use-by date. | 0:25:12 | 0:25:17 | |
ALL: Ohhh! | 0:25:26 | 0:25:29 | |
Oh, there goes my swashbuckling arm. | 0:25:29 | 0:25:31 | |
-What do we do now? -Keep going, I've still got one arm. | 0:25:31 | 0:25:34 | |
I can finish as long as the legs don't...OH! | 0:25:34 | 0:25:38 | |
ALL: Ohhh! | 0:25:38 | 0:25:40 | |
-We're going to lose points for this! -Maybe the judges won't notice. | 0:25:40 | 0:25:45 | |
Just dance around me, and I'll click my fingers. | 0:25:45 | 0:25:47 | |
ALL: Oh, no! | 0:25:49 | 0:25:52 | |
Oh, Romford! Look at you. | 0:25:52 | 0:25:55 | |
Don't be sad, Kiki! The light that burns twice as bright | 0:25:55 | 0:25:58 | |
burns half as long, and I have burned so very brightly! | 0:25:58 | 0:26:02 | |
Well, didn't they do...well? | 0:26:04 | 0:26:07 | |
Judges, can we please have your scores? | 0:26:07 | 0:26:11 | |
Zero. Zero. Zero. Zero. | 0:26:11 | 0:26:15 | |
Zero point five! No, sorry, zero! | 0:26:15 | 0:26:21 | |
Yep, cogs, cogs, coggity-cogs. | 0:26:25 | 0:26:28 | |
So don't leave me hanging out to dry like that again! | 0:26:31 | 0:26:34 | |
From now on you listen to everything I say and you obey every order! | 0:26:34 | 0:26:38 | |
Well, maybe not every order but try and do most of them. | 0:26:39 | 0:26:42 | |
-Yeah, all right. -Oh, and Romford, you're a great dancer. | 0:26:42 | 0:26:46 | |
Kiki, I know we lost, but by making me your partner, | 0:26:49 | 0:26:53 | |
you achieved something much greater than winning some trophy. | 0:26:53 | 0:26:56 | |
You gave me a moment of grace and beauty, | 0:26:56 | 0:26:59 | |
and I will never forget that. | 0:26:59 | 0:27:01 | |
Oh, thanks, Romford. | 0:27:01 | 0:27:03 | |
-And to commemorate it, I've made you a special trophy. -Ooh! | 0:27:03 | 0:27:09 | |
Thanks Romford, I...ooh, I don't know what to say about that, | 0:27:11 | 0:27:16 | |
-it's...A-A-AGH! -A-a-agh! | 0:27:16 | 0:27:18 | |
One of the pirate arms is still alive! | 0:27:18 | 0:27:21 | |
# Life's so great in a console space | 0:27:21 | 0:27:24 | |
# Digitally here again | 0:27:24 | 0:27:27 | |
# So much more than a pixel face | 0:27:27 | 0:27:30 | |
# Living in a game Living in a game. # | 0:27:30 | 0:27:32 | |
This is the Console. Please go to the CBBC website, | 0:27:32 | 0:27:36 | |
where the Pixelface games can now be played. | 0:27:36 | 0:27:39 | |
Subtitles by Red Bee Media Ltd | 0:27:39 | 0:27:41 |