Browse content similar to Taking Pictures. Check below for episodes and series from the same categories and more!
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# Time is running out | 0:00:04 | 0:00:07 | |
# Stories to be found | 0:00:07 | 0:00:09 | |
# What's it all about? | 0:00:09 | 0:00:11 | |
# Got to go and check around | 0:00:11 | 0:00:14 | |
# If there's a rumour going round | 0:00:14 | 0:00:17 | |
# Don't you forget it | 0:00:17 | 0:00:19 | |
# Wherever something's going down | 0:00:19 | 0:00:22 | |
# Got to get that scoop | 0:00:22 | 0:00:24 | |
# Got to get that scoop | 0:00:24 | 0:00:27 | |
# Got to get that scoop | 0:00:27 | 0:00:29 | |
# Got to get that S-C-O-O-P | 0:00:29 | 0:00:33 | |
Ah! Good morning, Hacker. | 0:00:35 | 0:00:37 | |
Today's the day when we go out there and get the scoop of the century. | 0:00:37 | 0:00:42 | |
But first, a hearty breakfast. | 0:00:42 | 0:00:45 | |
Oh, marvellous. Don't tell me we're out of cereal. | 0:00:49 | 0:00:52 | |
-We're not. -Oh, good. | 0:00:52 | 0:00:55 | |
-But we are now. -Oh, thank you! | 0:00:57 | 0:00:59 | |
How is Pilbury's top reporter meant to get a scoop on an empty stomach? | 0:00:59 | 0:01:03 | |
I don't know. Shall we ask Selina? | 0:01:03 | 0:01:05 | |
Yeah, good idea. No! Not Selina, me! | 0:01:05 | 0:01:09 | |
Let's see what's in today's paper. | 0:01:09 | 0:01:11 | |
Art Attack At Gallery. Two paintings were taken | 0:01:13 | 0:01:16 | |
only a day before the gallery opens a brand new exhibition | 0:01:16 | 0:01:20 | |
showing portraits of famous Pilbury citizens. | 0:01:20 | 0:01:23 | |
This is it, Hacker! The scoop we've been waiting for! | 0:01:23 | 0:01:26 | |
We'll get Max to send us to the gallery and solve these crimes! | 0:01:26 | 0:01:30 | |
Max? That reminds me. I have an appointment. | 0:01:30 | 0:01:34 | |
The gallery are advertising for security guards. Yes. | 0:01:34 | 0:01:37 | |
This is our chance. Let's show Max we're an unbeatable partnership. | 0:01:37 | 0:01:41 | |
United we stand! Together! | 0:01:41 | 0:01:43 | |
Where is he? Hacker? Hacker? | 0:01:44 | 0:01:48 | |
-Hacker? Hacker, are you there? -Digby. | 0:01:51 | 0:01:55 | |
-You're late. -Sir! Is that you? | 0:01:55 | 0:01:58 | |
Please! You're blocking the light! | 0:01:58 | 0:02:00 | |
This is the real me, Digby. | 0:02:00 | 0:02:03 | |
I'm having my portrait done for the big exhibition tonight. | 0:02:03 | 0:02:07 | |
Maximilian de Lacey, emperor of Rome. | 0:02:07 | 0:02:10 | |
Ah. Yes. There's been a series of thefts from the art gallery, sir, | 0:02:10 | 0:02:16 | |
and I was thinking if I went undercover as a security guard, | 0:02:16 | 0:02:19 | |
I could maybe case the joint. It's a big story. It's huge! | 0:02:19 | 0:02:22 | |
Out of the question, Digworth. | 0:02:22 | 0:02:25 | |
You think I want you near a gallery with my painting in it? | 0:02:25 | 0:02:28 | |
You can move now, Mr de Lacey, sir. | 0:02:28 | 0:02:31 | |
Voila! | 0:02:33 | 0:02:34 | |
It's...beautiful! | 0:02:37 | 0:02:40 | |
-No, Digby. If you go anywhere near that gallery... -Oh, I won't, sir. | 0:02:40 | 0:02:44 | |
-If you go anywhere near that gallery... -I won't, sir. | 0:02:44 | 0:02:47 | |
-If you go anywhere near that gallery... -I won't, sir. -Be quiet! | 0:02:47 | 0:02:51 | |
If you go anywhere near that gallery... I forgot now. | 0:02:51 | 0:02:54 | |
You were going to say, "Digby, get down to that gallery, | 0:02:54 | 0:02:57 | |
-"there's not a minute to lose!" Come on, Hacker! -No, I wasn't. | 0:02:57 | 0:03:00 | |
But he hasn't paid me yet. | 0:03:00 | 0:03:03 | |
We can prove Max wrong here, Hacker. | 0:03:11 | 0:03:13 | |
We're on the verge of a fantastic scoop, I can feel it. | 0:03:13 | 0:03:16 | |
If we can get taken on as security guards, | 0:03:16 | 0:03:18 | |
we can keep an eye on suspects. The perfect cover! | 0:03:18 | 0:03:21 | |
-Oh, yeah! -We've got to be alert, vigilant, | 0:03:21 | 0:03:24 | |
questioning every suspicious move. | 0:03:24 | 0:03:27 | |
No! Aghhhhh! | 0:03:28 | 0:03:31 | |
Shout for the police, Hacker. You're going down! What's your name? | 0:03:35 | 0:03:39 | |
Edward Taylor, head of security! | 0:03:39 | 0:03:42 | |
Head of security? Well, just you listen to me, my friend! | 0:03:42 | 0:03:46 | |
-Head of security? -Yes. | 0:03:46 | 0:03:48 | |
Hm. Oh, well, that was just a taster | 0:03:48 | 0:03:51 | |
-of my skills as a security guard. -What, you're a security guard? | 0:03:51 | 0:03:55 | |
Well, not yet, but, you know... Digby D Digworth. | 0:03:55 | 0:03:59 | |
-The D stands for... -Doughnuts. | 0:03:59 | 0:04:01 | |
Doughnuts. Hacker! | 0:04:01 | 0:04:03 | |
Oh, dear, oh, dear, oh, dear. | 0:04:08 | 0:04:11 | |
Was it worth a lot? | 0:04:11 | 0:04:13 | |
Worth a lot? Worth a lot? | 0:04:13 | 0:04:16 | |
Of course it's not worth a lot. The painting's for training. A dummy. | 0:04:16 | 0:04:20 | |
-And not the only one in the room. -Phew! | 0:04:20 | 0:04:22 | |
-Take a seat! -Of course. | 0:04:22 | 0:04:24 | |
That was how not to apprehend an art thief. | 0:04:24 | 0:04:28 | |
You do not pounce on them. The proper procedure is as follows. | 0:04:28 | 0:04:32 | |
One, ascertain suspicious figure. Two, activate security alarm. | 0:04:32 | 0:04:39 | |
And three, apprehend the suspect with minimal use of force. | 0:04:39 | 0:04:43 | |
-Now, can I have a volunteer? -Ooh! Ooh, ooh! | 0:04:43 | 0:04:48 | |
All right. | 0:04:48 | 0:04:50 | |
Right, I'll be the thief. And remember, minimal use of force. | 0:04:52 | 0:04:57 | |
One, ascertain suspicious person! | 0:04:58 | 0:05:01 | |
-Two, activate security alarm! -ALARM BLARES | 0:05:01 | 0:05:05 | |
Three, apprehend suspect with minimal use of force! | 0:05:05 | 0:05:10 | |
Do not pounce on him. | 0:05:10 | 0:05:12 | |
Let's take a break there, shall we? There's plenty of tea... | 0:05:20 | 0:05:24 | |
Oh, shall we send out for a takeaway? | 0:05:25 | 0:05:28 | |
..two, three. | 0:05:30 | 0:05:33 | |
Hm. Mr Digworth, I can't seem to find you on my list. | 0:05:33 | 0:05:36 | |
-Ah, we're new applicants. -Right, well, fill out the forms | 0:05:36 | 0:05:40 | |
-and I'll take you on. -You will? -Yeah, you will? | 0:05:40 | 0:05:44 | |
Yeah. Your duties will be in the main gallery. | 0:05:44 | 0:05:46 | |
Thank you, sir. You won't regret it! | 0:05:46 | 0:05:49 | |
-Come on, Hacker. We've got an art thief to catch! -Yeah. | 0:05:49 | 0:05:54 | |
How's the training going, Mr Taylor? | 0:05:59 | 0:06:01 | |
-Just putting the new guys through their paces. -Good. | 0:06:01 | 0:06:05 | |
As director of this gallery, my reputation is now in your hands. | 0:06:05 | 0:06:08 | |
You can rely on me. I'm putting my best man on the job. | 0:06:08 | 0:06:11 | |
Good. MOBILE PHONE RINGS | 0:06:11 | 0:06:13 | |
Excuse me. Hello? Oh, yes, thanks for getting back to me. | 0:06:13 | 0:06:17 | |
Right, Digworth, your job is going to be to guard this room. | 0:06:23 | 0:06:26 | |
It isn't open to the public yet, but with all the recent thefts, | 0:06:26 | 0:06:30 | |
-you're still going to have your work cut out. -Have no fear, sir. | 0:06:30 | 0:06:33 | |
-My middle name is Alertness. -I thought you said it was Doughnuts. | 0:06:33 | 0:06:36 | |
This is more like it, eh, Hacker? | 0:06:38 | 0:06:40 | |
Any minute now, we could be apprehending ruthless art thieves, | 0:06:40 | 0:06:44 | |
cat burglars, international conmen. Eh? | 0:06:44 | 0:06:48 | |
Cor! Hee-hee! | 0:06:48 | 0:06:50 | |
-Shall we have a little sit down? -Yeah. | 0:06:54 | 0:06:57 | |
Hacker, whatever you do, don't let me fall asleep, do you understand? | 0:07:03 | 0:07:08 | |
HACKER SNORES | 0:07:08 | 0:07:10 | |
Brilliant. Three seconds into a new job and he's already... | 0:07:10 | 0:07:14 | |
THEY SNORE | 0:07:17 | 0:07:21 | |
Oh, no! | 0:07:28 | 0:07:30 | |
-Fish fingers! -Shh! | 0:07:31 | 0:07:33 | |
Scratched! | 0:07:35 | 0:07:36 | |
-Hacker, find the alarm. -OK. | 0:07:42 | 0:07:45 | |
One, activate suspicious person. | 0:07:46 | 0:07:50 | |
No, that's not right. One, mobilise security thief. | 0:07:52 | 0:07:56 | |
No, that's not right. | 0:07:56 | 0:07:59 | |
Got it! | 0:08:00 | 0:08:01 | |
One! Apprehend suspicious person! | 0:08:06 | 0:08:09 | |
-Two! Activate security alarm! -ALARM BLARES | 0:08:09 | 0:08:13 | |
Three! | 0:08:13 | 0:08:15 | |
Immobilise suspect! | 0:08:15 | 0:08:18 | |
HACKER SHOUTS | 0:08:19 | 0:08:22 | |
Hanika-shima-shoa! | 0:08:22 | 0:08:27 | |
SHE SCREAMS | 0:08:28 | 0:08:30 | |
Got you, you fiend! What's your name? Your name, I said! | 0:08:32 | 0:08:35 | |
Pauline Wilmot, director of the art gallery. | 0:08:35 | 0:08:38 | |
Very please to meet you, Miss Wilmot. May I call you Pauline? | 0:08:38 | 0:08:41 | |
I'm Digby D Digworth, security. Let me help you up. | 0:08:41 | 0:08:43 | |
Have you met my assistant, Hacker? | 0:08:43 | 0:08:46 | |
Yes, well, I suppose I should admire your keenness. | 0:08:47 | 0:08:50 | |
-We're very keen, aren't we? -Couldn't be keener. | 0:08:50 | 0:08:53 | |
Yes, well, carry on, Mr Digworth. | 0:08:53 | 0:08:56 | |
You fool, Hacker! Fancy thinking she was the thief! | 0:08:58 | 0:09:01 | |
Anyone could see she runs the gallery! | 0:09:01 | 0:09:05 | |
Hey! I'm not having this! | 0:09:05 | 0:09:07 | |
Don't worry, it looks like we've found a buyer. | 0:09:08 | 0:09:10 | |
KNOCK AT DOOR Hold on a sec. Come in. | 0:09:10 | 0:09:14 | |
Ah, Mr Berry, isn't it? | 0:09:14 | 0:09:16 | |
Can you bring me the painting of Pedro Ramirez, captain of Pilbury FC? | 0:09:16 | 0:09:20 | |
The frame needs fixing. | 0:09:20 | 0:09:23 | |
He's supposed to be calling you back later. | 0:09:23 | 0:09:26 | |
HACKER SNORES | 0:09:26 | 0:09:28 | |
No. No, you mustn't. | 0:09:28 | 0:09:31 | |
THEY SNORE | 0:09:35 | 0:09:38 | |
THEY SNORE | 0:09:45 | 0:09:48 | |
Oh, Max, of course I accept the promotion. | 0:09:50 | 0:09:54 | |
Oh, no! | 0:10:00 | 0:10:03 | |
Hacker! Hacker! Hacker! | 0:10:03 | 0:10:05 | |
-What, what? -There's a painting missing! | 0:10:05 | 0:10:07 | |
The thief must have slipped in while you were asleep! | 0:10:07 | 0:10:10 | |
-What were you doing? -Never mind that! | 0:10:10 | 0:10:13 | |
We've got to catch the person who stole that priceless artwork! | 0:10:13 | 0:10:16 | |
Come on, he can't have gone far! | 0:10:16 | 0:10:19 | |
This really is the last thing I need. | 0:10:21 | 0:10:24 | |
You're right. The frame on this one's chipped, as well. | 0:10:28 | 0:10:32 | |
Lucky there's time before the exhibition opens. | 0:10:33 | 0:10:36 | |
Where are the guards? | 0:10:36 | 0:10:39 | |
What's Taylor doing? | 0:10:42 | 0:10:45 | |
Come on. | 0:10:45 | 0:10:47 | |
No sign of the thief. Where can he have gone? | 0:10:50 | 0:10:52 | |
-Hacker! -What? | 0:10:53 | 0:10:56 | |
We've only been guarding the room for 20 minutes, | 0:10:58 | 0:11:01 | |
already it's half empty! Come on. Let's go and tell Miss Wilmot. | 0:11:01 | 0:11:05 | |
-And I won't tell her it was completely your fault. -Thanks. | 0:11:05 | 0:11:08 | |
What? Digby... | 0:11:08 | 0:11:11 | |
OK, simple and honest, that's the Digby D Digworth way. | 0:11:14 | 0:11:18 | |
-Here goes. -Yes, two of them. | 0:11:18 | 0:11:20 | |
Well, I could sell them to you for, say, £200,000. | 0:11:20 | 0:11:24 | |
Come over before the exhibition starts tonight | 0:11:25 | 0:11:28 | |
and I'll have them ready for you round the back. Lovely. | 0:11:28 | 0:11:32 | |
Hacker! Wilmot really is the thief! | 0:11:32 | 0:11:35 | |
She's planning to sell those paintings on the side! | 0:11:35 | 0:11:37 | |
-You should get Taylor. -Good thinking! | 0:11:37 | 0:11:40 | |
-We can trust him. -Yeah. -Come on. | 0:11:40 | 0:11:42 | |
Ah. Wonderful. | 0:11:42 | 0:11:44 | |
So that's a deal on both cars. Nice doing business with you, Max. | 0:11:44 | 0:11:49 | |
Ooh-hoo-hoo! | 0:11:49 | 0:11:52 | |
Oh, yes. | 0:11:54 | 0:11:55 | |
In a few hours, I'll have stolen every painting in the gallery. | 0:11:55 | 0:11:59 | |
HE LAUGHS | 0:11:59 | 0:12:01 | |
I've deliberately put a pair of real dingbats on the main room. | 0:12:01 | 0:12:04 | |
Yeah. They've already walked off and I've had Wilmot giving it all that. | 0:12:04 | 0:12:08 | |
So, at 6:30, I'll deactivate the alarm, set off the fire alarm, | 0:12:08 | 0:12:12 | |
then with the whole gallery evacuated, | 0:12:12 | 0:12:15 | |
-every painting will be ours. -HE LAUGHS | 0:12:15 | 0:12:18 | |
-Mr Taylor! Mr Taylor! -I'll get back to you. | 0:12:18 | 0:12:20 | |
-We know who the thief is! -What? -I hate to tell you this, sir, | 0:12:20 | 0:12:24 | |
but we have absolute proof that the art thief is... | 0:12:24 | 0:12:28 | |
..Pauline Wilmot! | 0:12:28 | 0:12:31 | |
Pauline Wilmot? | 0:12:31 | 0:12:33 | |
I'm appalled. Good work, Mr Digworth. | 0:12:33 | 0:12:37 | |
-Thanks. Let's go and arrest her! -Yeah, call the cops! -No, wait. | 0:12:37 | 0:12:41 | |
Wait. We've got to be very careful about this. | 0:12:41 | 0:12:43 | |
-But she might be planning to steal more paintings! -I've got it! -What? | 0:12:43 | 0:12:48 | |
This sweet. I've been looking for it for hours. | 0:12:48 | 0:12:50 | |
-It was in my pocket all along. -Hacker! -What? | 0:12:50 | 0:12:53 | |
Wait a minute. What if we were to make sure | 0:12:53 | 0:12:56 | |
that the paintings were safely out of Wilmot's way? | 0:12:56 | 0:12:59 | |
-Then she couldn't steal any more. -That's a great idea! -Meantime, | 0:12:59 | 0:13:02 | |
you keep her occupied while the paintings are, I don't know, | 0:13:02 | 0:13:06 | |
loaded into a van and taken to a place of safety. | 0:13:06 | 0:13:08 | |
-You're a genius. -I'll make sure there's a van out the back. | 0:13:08 | 0:13:11 | |
We'll keep her away from the exhibition room. | 0:13:11 | 0:13:14 | |
-I'll load up the paintings. -You can rely on us, sir. | 0:13:14 | 0:13:16 | |
-Come on, Hacker. The paintings are in safe hands now. -Yeah. | 0:13:16 | 0:13:20 | |
Marty, change of plan. | 0:13:20 | 0:13:22 | |
Remember that dolt I was telling you about? | 0:13:22 | 0:13:24 | |
The downside of relying on stupid people is that they're unreliable. | 0:13:24 | 0:13:28 | |
No, he's not onto us yet, | 0:13:28 | 0:13:30 | |
but we have to move all the paintings right now. | 0:13:30 | 0:13:33 | |
Stay out here and howl if there's any trouble. | 0:13:34 | 0:13:38 | |
KNOCK AT DOOR | 0:13:38 | 0:13:40 | |
Hello, ma'am. Erm, I just thought I'd let you know, ma'am, | 0:13:40 | 0:13:46 | |
that I too have a passionate interest in art. | 0:13:46 | 0:13:53 | |
-Good. Now, if you'll excuse me, I need to... -Ma'am! | 0:13:53 | 0:13:56 | |
Please, could I just have one minute of your time? | 0:13:56 | 0:13:59 | |
One minute. | 0:14:02 | 0:14:04 | |
-Ahhh! -HE LAUGHS | 0:14:06 | 0:14:09 | |
Is this a...Van Gogh? | 0:14:11 | 0:14:14 | |
-A Van Gogh? -That's what I said. | 0:14:14 | 0:14:17 | |
-It's an Alice Fossett. -Are you sure, ma'am? | 0:14:17 | 0:14:20 | |
Because everything about it is screaming Van Gogh to me. | 0:14:20 | 0:14:26 | |
No, it is definitely an Alice Fossett watercolour. Now if you don't mind, | 0:14:26 | 0:14:31 | |
-I have urgent business. -No! | 0:14:31 | 0:14:33 | |
Ooh, I suddenly feel very faint. | 0:14:34 | 0:14:36 | |
I'll call first aid. When I'm back. | 0:14:37 | 0:14:40 | |
Oh, no, I'm done for! She's heading for the exhibition room! | 0:14:41 | 0:14:45 | |
-Urgent business, she said. -It is. | 0:14:49 | 0:14:53 | |
-Hey, I told you to keep Wilmot occupied. -It's OK, Mr Taylor. | 0:14:53 | 0:14:57 | |
-She's in the bathroom. -Keep her away from me and the exhibition room. | 0:14:57 | 0:15:01 | |
Cor, what a wonderful man. | 0:15:02 | 0:15:05 | |
TOILET FLUSHES | 0:15:05 | 0:15:07 | |
THEY YELL | 0:15:10 | 0:15:12 | |
Halt! Who goes there? | 0:15:12 | 0:15:15 | |
You know who I am, Digworth. | 0:15:15 | 0:15:17 | |
Erm, I'm sorry. I can't let you out until I've seen some ID. | 0:15:18 | 0:15:23 | |
I really don't think that's necessary, do you? | 0:15:23 | 0:15:25 | |
Move! And you! | 0:15:25 | 0:15:28 | |
-Only doing our job, ma'am. -Yeah. | 0:15:29 | 0:15:32 | |
So, she's back in her office, but for how long? | 0:15:34 | 0:15:37 | |
It's only a matter of time until she goes to the exhibition room. | 0:15:37 | 0:15:40 | |
Hang on. What's that expression? | 0:15:40 | 0:15:42 | |
It takes a thief to catch a thief. | 0:15:42 | 0:15:46 | |
HE GASPS | 0:15:47 | 0:15:49 | |
When Wilmot comes out, you make a dash for it. | 0:15:52 | 0:15:56 | |
She'll go after you and I'll go and help Taylor. But remember, | 0:15:56 | 0:15:59 | |
don't let her anywhere near the exhibition room. | 0:15:59 | 0:16:03 | |
Ma'am! Ma'am! Miss Wilmot, ma'am! Thief! Thief! | 0:16:04 | 0:16:08 | |
-What now? -He's making off with another Fossett! | 0:16:08 | 0:16:12 | |
Call Taylor! | 0:16:14 | 0:16:15 | |
HE PANTS | 0:16:19 | 0:16:22 | |
-Oh, dear! -Stop him! | 0:16:22 | 0:16:25 | |
-Turn it round. -Ah. | 0:16:29 | 0:16:33 | |
-Turn it around! -Sorry. | 0:16:38 | 0:16:41 | |
Sideways, Digworth! | 0:16:43 | 0:16:45 | |
Oh, yeah. Like a crab. | 0:16:47 | 0:16:50 | |
HE LAUGHS | 0:16:50 | 0:16:53 | |
Taylor, where are the guards? And have the police arrived yet? | 0:16:57 | 0:17:00 | |
The police are on their way, ma'am. We're covering all the exits. | 0:17:00 | 0:17:03 | |
-Righty-oh. -HE LAUGHS | 0:17:03 | 0:17:06 | |
Almost there now. | 0:17:06 | 0:17:08 | |
-Digby! -Hacker, what are you doing in here? | 0:17:11 | 0:17:14 | |
Can't chit-chat, got to go. | 0:17:14 | 0:17:16 | |
Digworth? Where have all the paintings gone? | 0:17:17 | 0:17:20 | |
Er, we're trying to head the thief off at the exits, ma'am. This way. | 0:17:20 | 0:17:23 | |
HE COUGHS | 0:17:23 | 0:17:26 | |
-He's behind that screen. -I didn't hear any choking dogs. | 0:17:28 | 0:17:32 | |
-He's not there, Digworth. -Erm... | 0:17:35 | 0:17:39 | |
Er, try under the chairs, ma'am. Remember, he's very small. | 0:17:39 | 0:17:45 | |
-No, he's definitely not there. This is dreadful! -Yeah, just terrible. | 0:17:46 | 0:17:51 | |
-There he is! -I'm right behind you, ma'am! | 0:17:52 | 0:17:55 | |
You'll get a medal for this, Digworth. | 0:18:00 | 0:18:02 | |
Right, only one picture left now, Digworth. | 0:18:12 | 0:18:15 | |
-You go and get it while I start the van. -Will do, sir! | 0:18:15 | 0:18:19 | |
Go, Hacker! Go, Hacker! Go, Hacker! | 0:18:25 | 0:18:28 | |
-You must have seen him? -I bet he went in there. | 0:18:29 | 0:18:33 | |
Are you sure? | 0:18:34 | 0:18:36 | |
-Oh, get in there, you thief! -What are you doing? No! Help! | 0:18:47 | 0:18:50 | |
There! Digby Digworth, once again you've saved Pilbury. | 0:18:51 | 0:18:56 | |
-Along with your trusty sidekick Hacker. -Yes. | 0:18:56 | 0:18:59 | |
Good work. Right, to the exhibition room to get the last painting! | 0:18:59 | 0:19:03 | |
Yeah! Can I take this hat off now? | 0:19:03 | 0:19:06 | |
HANDLE RATTLES | 0:19:06 | 0:19:08 | |
Let me out! | 0:19:08 | 0:19:10 | |
Max is the last one left. We'd better get that to the van. | 0:19:15 | 0:19:19 | |
Ooh! Ooh! What's that, sir? | 0:19:19 | 0:19:22 | |
As a result of my actions today, | 0:19:22 | 0:19:24 | |
you're promoting me to senior reporter? Thank you very much, sir. | 0:19:24 | 0:19:27 | |
-And not before time. -Digworth! -Cor, that was quick. | 0:19:27 | 0:19:32 | |
-Put that picture down! -Never! | 0:19:32 | 0:19:34 | |
-You're not getting this one, as well. -What are you talking about? | 0:19:34 | 0:19:38 | |
Don't try and wriggle out of it. | 0:19:38 | 0:19:40 | |
We heard you on the phone arranging to sell a couple of paintings | 0:19:40 | 0:19:43 | |
-for £200,000. -£200,000? SHE SIGHS | 0:19:43 | 0:19:48 | |
You numbskull! | 0:19:48 | 0:19:50 | |
I'm selling two vintage cars! | 0:19:50 | 0:19:53 | |
-Cars? A likely story! -Yeah! | 0:19:53 | 0:19:55 | |
Luckily, we found out and told Mr Taylor | 0:19:55 | 0:19:58 | |
and at this very moment, he is making sure the paintings | 0:19:58 | 0:20:01 | |
-are in a place of safe keeping. -Yeah. | 0:20:01 | 0:20:05 | |
-Oh, no. What have you done? -I've done well. | 0:20:05 | 0:20:08 | |
And the good people of Pilbury will thank me for this. | 0:20:08 | 0:20:11 | |
The wonderful Mr Taylor has stored all the paintings in a van | 0:20:11 | 0:20:14 | |
so they can't be nicked. See? | 0:20:14 | 0:20:18 | |
-Oh, no! What's he doing? -He's taking them to a place of safety | 0:20:19 | 0:20:23 | |
-away from your grasping hands! -You... You...dunderhead! | 0:20:23 | 0:20:29 | |
-Give me that! -No! Never! Hacker! Help! | 0:20:29 | 0:20:32 | |
-Give it to me! -No! You're not having it! | 0:20:32 | 0:20:35 | |
-Let go! -No! | 0:20:35 | 0:20:37 | |
ENGINE HUMS | 0:20:41 | 0:20:44 | |
CRASHING | 0:20:45 | 0:20:48 | |
Ooh, look. Taylor's bumped into the two old cars parked round the back. | 0:20:49 | 0:20:54 | |
-What? -Is he OK? -Yeah. | 0:20:54 | 0:20:57 | |
Taylor's driving away. But those two old cars are write-offs. | 0:20:57 | 0:21:01 | |
It wouldn't be these old cars, by any chance, would it? | 0:21:01 | 0:21:05 | |
-Oh, yeah, those are the ones! -HE LAUGHS | 0:21:06 | 0:21:09 | |
You have let Taylor get away with the contents of Pilbury Art Gallery. | 0:21:09 | 0:21:13 | |
The opening night is ruined, and on top of all that, | 0:21:13 | 0:21:17 | |
my vintage cars have been wrecked! | 0:21:17 | 0:21:20 | |
Let's look on the bright side. What else can go wrong? | 0:21:20 | 0:21:22 | |
-MOBILE PHONE RINGS -Oh, it's for you. | 0:21:22 | 0:21:25 | |
"Hello, Pauline. I just wanted to say how much I'm looking forward to | 0:21:25 | 0:21:29 | |
"getting my hands on those cars." | 0:21:29 | 0:21:32 | |
And seeing my painting in all its glory. | 0:21:32 | 0:21:34 | |
-Max was going to buy the cars! -Oh, budgies. | 0:21:34 | 0:21:38 | |
What? Who's that? Is that Hacker? | 0:21:38 | 0:21:42 | |
Digby, are you there, too? I told you not to go down to the gallery. | 0:21:42 | 0:21:45 | |
If you've touched my painting I... PHONE BEEPS | 0:21:45 | 0:21:48 | |
Ohh! | 0:21:50 | 0:21:51 | |
Dab of glue, I'm sure it'll be fine. | 0:21:56 | 0:21:59 | |
CLATTERING/DIGBY SCREAMS | 0:22:04 | 0:22:07 | |
Oh, my giddy aunt. | 0:22:07 | 0:22:09 | |
Ah, the first edition, bringing good news to the citizens of Pilbury. | 0:22:13 | 0:22:17 | |
Broken Arted. Dingbat Digworth lets pictures be pilfered? | 0:22:20 | 0:22:25 | |
Digby Digworth! | 0:22:25 | 0:22:28 | |
Subtitles by Red Bee Media Ltd | 0:22:33 | 0:22:37 | |
E-mail [email protected] | 0:22:37 | 0:22:41 | |
# S-C-O-O-P | 0:22:48 | 0:22:51 | |
. | 0:22:51 | 0:22:51 |