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Ten kids terrified of singing in public... | 0:00:02 | 0:00:06 | |
-What's happened? -I don't want to do it. -Two soloists, | 0:00:06 | 0:00:08 | |
-Chris and Oli. -No! | 0:00:08 | 0:00:10 | |
..must undergo the toughest performance challenges... | 0:00:10 | 0:00:13 | |
-You must be extra nervous. -Argh! | 0:00:13 | 0:00:16 | |
-I'm still shaking. I don't know why. -..to face their ultimate fear, | 0:00:16 | 0:00:21 | |
singing to a crowd of 40,000. | 0:00:21 | 0:00:24 | |
There's enough people there to eat you alive. | 0:00:24 | 0:00:28 | |
I can't explain how I feel. I'm really scared. | 0:00:28 | 0:00:31 | |
Could you do it? This is the Big Performance. | 0:00:31 | 0:00:35 | |
Top choirmaster Gareth Malone is taking ten shy singers | 0:00:58 | 0:01:02 | |
on a musical tour of the country. At each new destination | 0:01:02 | 0:01:06 | |
their confidence is tested to the limits. | 0:01:06 | 0:01:09 | |
Oh! Hey, hey, hey, I don't want you to cry. | 0:01:09 | 0:01:13 | |
I'm not doing it. | 0:01:14 | 0:01:17 | |
Last time, the group's performance at Warwick Castle, | 0:01:17 | 0:01:20 | |
in front of Mr Proms wasn't up to scratch. | 0:01:20 | 0:01:23 | |
There's still some work for Gareth to do. | 0:01:23 | 0:01:26 | |
Can they handle the ever-increasing pressure at the next stop? | 0:01:26 | 0:01:30 | |
They're getting better all the time but I still expect more. | 0:01:30 | 0:01:34 | |
They could go the extra mile. They're not digging deep enough yet. | 0:01:34 | 0:01:38 | |
Today the bus is heading north to Emily's home town of Liverpool, | 0:01:44 | 0:01:49 | |
where one of the most successful bands of all time, | 0:01:49 | 0:01:52 | |
The Beatles, found fame. This city of culture | 0:01:52 | 0:01:54 | |
with its well-known music groups is | 0:01:54 | 0:01:56 | |
the perfect place to perform like stars. | 0:01:56 | 0:01:59 | |
I am super excited about this one. We have got a perfect venue | 0:01:59 | 0:02:03 | |
and a really good style of music. | 0:02:03 | 0:02:05 | |
The two things will go together beautifully. | 0:02:05 | 0:02:08 | |
I think we'll do rock or heavy metal or something like that today. | 0:02:08 | 0:02:11 | |
It will be heavy metal, punk rock or rock 'n' roll because of | 0:02:11 | 0:02:14 | |
the jacket Gareth is wearing. It always gives us a hint. | 0:02:14 | 0:02:17 | |
They may be on to something. Remember | 0:02:17 | 0:02:20 | |
the suspiciously shiny electro-pop number? | 0:02:20 | 0:02:22 | |
-And what about the cowboy checks of country music. -Yee-ha! | 0:02:22 | 0:02:27 | |
This is how I dress all the time. Honestly. | 0:02:27 | 0:02:32 | |
Today we're in Liverpool, home of the kind of music you'll master. | 0:02:32 | 0:02:35 | |
For this you need a crowd-pleasing alter-ego and a stadium-filling | 0:02:35 | 0:02:39 | |
vocal projection because today is all about... | 0:02:39 | 0:02:42 | |
-rock music! -THEY CHEER | 0:02:42 | 0:02:46 | |
Every rock band needs a lead singer and the person who's trying out | 0:02:46 | 0:02:50 | |
for the big solo and the big performance is... | 0:02:50 | 0:02:55 | |
-Emily! -Oh, no! | 0:02:55 | 0:02:58 | |
I'm a majorette and I love it. | 0:02:58 | 0:03:02 | |
I only sing to my mum. She says I'm good but I don't believe her. | 0:03:02 | 0:03:07 | |
Yes, it's you, Emily. Are you OK? | 0:03:07 | 0:03:09 | |
I don't want to. I don't like rock. | 0:03:09 | 0:03:13 | |
You don't like rock? By the end of today you'll love rock music. | 0:03:13 | 0:03:16 | |
Let's go! | 0:03:16 | 0:03:18 | |
Rock music is best known for its flamboyant acts, wild crowds | 0:03:18 | 0:03:21 | |
and guitar riffs. What better way to become a rock star | 0:03:21 | 0:03:25 | |
-than to walk in their footsteps? -This is a huge music venue. | 0:03:25 | 0:03:29 | |
It's home to the MTV awards and concerts by Beyonce, Rihanna, | 0:03:29 | 0:03:33 | |
N-Dubz and now it's your turn to sing here. | 0:03:33 | 0:03:37 | |
I'm excited cos, like, | 0:03:37 | 0:03:39 | |
if we touch the floor, we'll have Beyonce sweat, N-Dubz sweat... | 0:03:39 | 0:03:42 | |
Let's go. | 0:03:42 | 0:03:44 | |
-Oh, my God! -Hello! -What do you reckon? | 0:03:48 | 0:03:51 | |
This is an 11,000 seater arena. | 0:03:51 | 0:03:55 | |
Rock is all about having a sort of alter-ego. | 0:03:55 | 0:03:59 | |
It's about being a rock star. Also, and most importantly, | 0:03:59 | 0:04:02 | |
it's about... PROJECTION! | 0:04:02 | 0:04:07 | |
THEY GIGGLE | 0:04:07 | 0:04:09 | |
Last week the group had a wake-up call when they | 0:04:09 | 0:04:12 | |
discovered their performances had been lacking any star quality. | 0:04:12 | 0:04:16 | |
-Oli, slightly depressed face. -I know. | 0:04:16 | 0:04:18 | |
If they are to be ready for the Big Performance in five weeks, | 0:04:18 | 0:04:22 | |
they need to give rock all they've got. | 0:04:22 | 0:04:24 | |
The song you're going to learn is by a top British rock band. | 0:04:24 | 0:04:28 | |
They've won countless awards and they inspired a set of films, | 0:04:28 | 0:04:32 | |
-I don't know if you've heard of them, the Twilight films? -Yeah. | 0:04:32 | 0:04:36 | |
The song that you're going to learn is called Starlight by Muse. | 0:04:36 | 0:04:40 | |
-Never heard of it. -Never heard of it. -Never heard of it? No? | 0:04:42 | 0:04:47 | |
HE PLAYS MUSIC ON LAPTOP | 0:04:47 | 0:04:49 | |
# Far away | 0:04:58 | 0:05:00 | |
# This ship is taking me far away | 0:05:00 | 0:05:05 | |
# Far away from the memories | 0:05:05 | 0:05:08 | |
-# Of the people who care... # -All right. | 0:05:08 | 0:05:11 | |
I think this is the best song we've ever had to sing. | 0:05:11 | 0:05:14 | |
I think the song's really exciting that we're getting to do | 0:05:14 | 0:05:17 | |
and the lyrics actually mean a lot. | 0:05:17 | 0:05:19 | |
# Far away | 0:05:19 | 0:05:21 | |
# This ship is taking me far away... # | 0:05:21 | 0:05:25 | |
Who thinks that that would fill a stadium? | 0:05:25 | 0:05:27 | |
On a microphone it would. | 0:05:27 | 0:05:29 | |
No, a microphone doesn't make the energy of your performance bigger. | 0:05:29 | 0:05:34 | |
If you come out into here and go... # I'll never let you go. # | 0:05:34 | 0:05:38 | |
..the audience won't feel the energy. | 0:05:38 | 0:05:41 | |
It's not like... # I'll never let you go. # | 0:05:41 | 0:05:45 | |
That, amplified, connects with the audience. I want you to look me | 0:05:45 | 0:05:49 | |
in the eye and go... # I'll never... # | 0:05:49 | 0:05:51 | |
..really like you're kind of jabbing a sword into me. | 0:05:51 | 0:05:54 | |
# I'll never let you go | 0:05:54 | 0:05:57 | |
# If you promise not to fade away. # | 0:05:57 | 0:06:02 | |
You are starting to impress me with that. It was really good. | 0:06:02 | 0:06:05 | |
The question is, can you impress a friend of mine | 0:06:05 | 0:06:08 | |
who used to be in a rock band. You know him | 0:06:08 | 0:06:11 | |
because he's CBBC favourite Barney Harwood. | 0:06:11 | 0:06:15 | |
-THEY ALL GASP Luscious Barney! -Barney, come in. | 0:06:15 | 0:06:19 | |
Hey, guys, how are you doing? | 0:06:19 | 0:06:20 | |
As a former keyboard player and guitarist, | 0:06:21 | 0:06:24 | |
Barney knows what's needed today. | 0:06:24 | 0:06:27 | |
I'm here today because I used to be in a band | 0:06:27 | 0:06:30 | |
so I know a bit about projection and how to hold yourself on stage. | 0:06:30 | 0:06:33 | |
You've learnt a song. Can we hear a bit? | 0:06:33 | 0:06:36 | |
# Far away | 0:06:36 | 0:06:37 | |
# This ship is taking me far away. # | 0:06:37 | 0:06:41 | |
At the moment you sound like you're really quiet... | 0:06:41 | 0:06:44 | |
In a box! | 0:06:44 | 0:06:45 | |
You've got to go... RAH! It doesn't matter if you feel silly | 0:06:45 | 0:06:49 | |
because rock stars, front men, hold the stage. | 0:06:49 | 0:06:52 | |
I'll go and stand over there and you'll project to me. | 0:06:52 | 0:06:55 | |
No microphones, I want to feel that rock. | 0:06:55 | 0:06:58 | |
Projecting their voices to the back of an 11,000 seater arena | 0:06:58 | 0:07:01 | |
means digging deep for this shy group of singers. | 0:07:01 | 0:07:05 | |
# Far away | 0:07:05 | 0:07:06 | |
# This ship is taking me far away... | 0:07:06 | 0:07:10 | |
That's it. | 0:07:10 | 0:07:11 | |
# Far away from the memories | 0:07:11 | 0:07:14 | |
# Of the people who care if I live or die... # | 0:07:14 | 0:07:18 | |
Louder! | 0:07:18 | 0:07:19 | |
This task would have been impossible for the group | 0:07:19 | 0:07:22 | |
when they started their music training tour six weeks ago. | 0:07:22 | 0:07:26 | |
-What do you think? -I thought that was brilliant. | 0:07:26 | 0:07:29 | |
The difference between when I first came in | 0:07:29 | 0:07:31 | |
to just then when you were shouting it at me was fantastic. | 0:07:31 | 0:07:35 | |
Right, brilliant. I think that's made a really big difference. | 0:07:35 | 0:07:39 | |
You're really starting to project. Later on you'll be performing in | 0:07:39 | 0:07:42 | |
a space where it's not just 11,000 people, there's no limit | 0:07:42 | 0:07:46 | |
to the number of people because you'll be outside busking | 0:07:46 | 0:07:49 | |
on the streets of Liverpool and raising money for Children in Need. | 0:07:49 | 0:07:53 | |
Busking in the middle of nowhere, that's just like... | 0:07:53 | 0:07:58 | |
-No, that's not me. -When you're busking for charity | 0:07:58 | 0:08:01 | |
you've got to deliver a performance, you've got to reach out to | 0:08:01 | 0:08:05 | |
your audience or they won't make a penny. | 0:08:05 | 0:08:07 | |
I've got to do it on the streets! That's really, really scary. | 0:08:07 | 0:08:11 | |
Emily - bubbly, popular and loves being a majorette with her sisters. | 0:08:13 | 0:08:17 | |
She's always stick twirling and dancing around, but singing in front | 0:08:17 | 0:08:21 | |
of anyone other than her mum and she's quiet as a mouse. | 0:08:21 | 0:08:24 | |
I think it's really good for Emily to do a rock song | 0:08:24 | 0:08:27 | |
because she's quite timid at the moment | 0:08:27 | 0:08:31 | |
and I just want to see her let her hair down and become | 0:08:31 | 0:08:34 | |
a bit of a rock star. | 0:08:34 | 0:08:36 | |
This is perfect. I think she's going to struggle cos | 0:08:36 | 0:08:39 | |
she's very nervous but this is the right song for her. | 0:08:39 | 0:08:42 | |
How are you feeling about your solo? | 0:08:42 | 0:08:44 | |
-Scared. -Scared. OK, good start(!) | 0:08:44 | 0:08:47 | |
-Are you going to go for it? -Yeah. | 0:08:47 | 0:08:50 | |
HE PLAYS THE PIANO | 0:08:50 | 0:08:53 | |
# Far away | 0:08:53 | 0:08:56 | |
# This ship is taking me far away | 0:08:56 | 0:09:00 | |
# Far away from the memories... # | 0:09:00 | 0:09:03 | |
Ah-ah-ah. | 0:09:03 | 0:09:05 | |
When you make a mistake, you don't need to panic about it. | 0:09:05 | 0:09:08 | |
That's what rehearsal's for. | 0:09:08 | 0:09:10 | |
# Far away | 0:09:10 | 0:09:12 | |
# This ship is taking me far away... # | 0:09:12 | 0:09:15 | |
Right, fantastic start. There's just one thing missing. | 0:09:15 | 0:09:20 | |
Do you look like a rock god when you're singing this song? | 0:09:20 | 0:09:23 | |
I'd say no. | 0:09:23 | 0:09:24 | |
You do... Don't you do majorettes? | 0:09:24 | 0:09:27 | |
-Tell me what you do when you're in the majorettes. -Stand like that. | 0:09:27 | 0:09:31 | |
Right, quite upright? And how does your head have to be? | 0:09:31 | 0:09:35 | |
-Up, like that. -It's exactly the same with singing. | 0:09:35 | 0:09:38 | |
One, two, three and... | 0:09:38 | 0:09:40 | |
-# Far away... # -Fantastic! | 0:09:40 | 0:09:41 | |
Gareth gets Emily marching like a majorette | 0:09:41 | 0:09:45 | |
to try and bring the confidence she has in her hobby into her singing. | 0:09:45 | 0:09:49 | |
-Louder! -# Far away from the... # | 0:09:49 | 0:09:51 | |
I think that Emily has got the best voice so far, | 0:09:51 | 0:09:54 | |
but she is the least confident. | 0:09:54 | 0:09:57 | |
And that's a real, real problem. | 0:09:57 | 0:10:00 | |
In five weeks' time, | 0:10:05 | 0:10:07 | |
Gareth's singers will be performing | 0:10:07 | 0:10:09 | |
to a 40,000-strong crowd at Proms In The Park. | 0:10:09 | 0:10:11 | |
One will be picked to sing the solo. | 0:10:11 | 0:10:13 | |
Later, Gareth will be rating Emily's chances | 0:10:13 | 0:10:17 | |
as high, medium or low. | 0:10:17 | 0:10:19 | |
But before their busking challenge, | 0:10:19 | 0:10:21 | |
the tour bus is stopping at one of the world's most famous venues, | 0:10:21 | 0:10:25 | |
which has played host to some of rock's biggest legends. | 0:10:25 | 0:10:29 | |
Come on in, everyone. | 0:10:31 | 0:10:32 | |
Meet Katie, who is one of Britain's top air guitarists. | 0:10:32 | 0:10:40 | |
ROCK MUSIC PLAYS | 0:10:40 | 0:10:44 | |
Being a rock star means owning the stage no matter what. | 0:10:49 | 0:10:53 | |
Air guitar is the perfect example - | 0:10:53 | 0:10:57 | |
no instrument, no excuse. | 0:10:57 | 0:10:59 | |
So, this afternoon, it'll be your turn to do that. | 0:10:59 | 0:11:02 | |
We're going to find your inner rock star. | 0:11:02 | 0:11:05 | |
We're going to have a competition. This air guitar can be yours | 0:11:05 | 0:11:10 | |
for the most exciting display of rock star talent. | 0:11:10 | 0:11:15 | |
Barney's going to be judging with me. Ready? | 0:11:15 | 0:11:17 | |
The successful air guitarist bases their routine on five key moves. | 0:11:17 | 0:11:23 | |
Move one - headbanging. | 0:11:23 | 0:11:25 | |
Move two - a kick. | 0:11:27 | 0:11:30 | |
Move three - a power-slide. | 0:11:31 | 0:11:34 | |
Move four - a jump. | 0:11:36 | 0:11:39 | |
Move five - running and spinning. | 0:11:41 | 0:11:44 | |
Showing off is very healthy on stage. | 0:11:44 | 0:11:46 | |
That's where you do it. | 0:11:46 | 0:11:47 | |
Stages were invented for showing off-ness. That's a word. | 0:11:47 | 0:11:51 | |
Gareth has split the group into three teams. | 0:11:51 | 0:11:54 | |
Each one will be air guitaring to a different classic rock track. | 0:11:54 | 0:11:57 | |
-You're here to give them a hand. -Yep. -Off you go. | 0:11:57 | 0:12:01 | |
ROCK MUSIC | 0:12:01 | 0:12:02 | |
Group one get straight into the rehearsal session | 0:12:02 | 0:12:05 | |
with some classic rock moves. | 0:12:05 | 0:12:07 | |
Play the guitar a bit. | 0:12:07 | 0:12:08 | |
Chloe's finding her rhythm, | 0:12:08 | 0:12:10 | |
but soloist Emily hasn't quite made the band. | 0:12:10 | 0:12:14 | |
You're playing the ukulele. | 0:12:14 | 0:12:15 | |
Can we have group two? | 0:12:15 | 0:12:17 | |
This is one of my favourite songs | 0:12:17 | 0:12:19 | |
and you can really rock out to this one. | 0:12:19 | 0:12:21 | |
It's a slow start from group two. | 0:12:21 | 0:12:24 | |
Do a little headbanging. Not too much. Just... | 0:12:24 | 0:12:28 | |
But as soon as their air guitars appear, | 0:12:28 | 0:12:31 | |
their moves catch the judges' attention. | 0:12:31 | 0:12:34 | |
Can group three make their mark? | 0:12:34 | 0:12:37 | |
When the drums kick in, go for it. | 0:12:37 | 0:12:39 | |
You have to look like you're enjoying yourself or it won't work. | 0:12:39 | 0:12:43 | |
MUSIC: "Rock 'N' Roll Star" by Oasis | 0:12:43 | 0:12:47 | |
That's not very rock star! | 0:12:47 | 0:12:49 | |
Katie, Jordan and Howard's fear of looking stupid | 0:12:49 | 0:12:51 | |
stops them from attempting any moves at all. | 0:12:51 | 0:12:54 | |
-Are you feeling silly? -Yeah. | 0:12:55 | 0:12:58 | |
Is it "I look stupid therefore people think I look stupid?" | 0:12:58 | 0:13:01 | |
Watch this. | 0:13:01 | 0:13:02 | |
Feels silly, but it's so much fun. Give it a go. | 0:13:05 | 0:13:07 | |
Go on. Jump... | 0:13:07 | 0:13:09 | |
'You can't stand on stage if you're insecure about being there. | 0:13:09 | 0:13:13 | |
'You project it' | 0:13:13 | 0:13:15 | |
and people start to feel the same. The thing about being on stage | 0:13:15 | 0:13:18 | |
is bringing out this personality, | 0:13:18 | 0:13:20 | |
making people who have paid to see you feel good. | 0:13:20 | 0:13:23 | |
Can they shake off their embarrassment | 0:13:23 | 0:13:26 | |
and discover their fearless on-stage alter ego in time? | 0:13:26 | 0:13:30 | |
We're going to be using professional air guitar criteria to judge this | 0:13:31 | 0:13:35 | |
-and we've got the rule book here. -We've got technical merit - | 0:13:35 | 0:13:39 | |
that's how much they look like they're playing. | 0:13:39 | 0:13:41 | |
They need stage presence. They need charisma, | 0:13:41 | 0:13:44 | |
-the ability to rock out. -Airness - it's presentation. | 0:13:44 | 0:13:48 | |
Like in skating where it's about the pose. | 0:13:48 | 0:13:50 | |
That's what they've got to do. The performance has to be seen | 0:13:50 | 0:13:54 | |
-as an object of art. Says it here. -It's in the rule book. | 0:13:54 | 0:13:58 | |
-We're going to judge from 1 to... -..6. | 0:13:58 | 0:14:01 | |
Group one, take to the stage. And let the competition commence. | 0:14:01 | 0:14:06 | |
They've already shown a natural talent for it in rehearsal, | 0:14:06 | 0:14:10 | |
but will they be able to pull it off when it counts? | 0:14:10 | 0:14:13 | |
LOUD ROCK MUSIC | 0:14:13 | 0:14:15 | |
-Stage presence... -Yeah. | 0:14:15 | 0:14:16 | |
Yeah, yeah, looks good. | 0:14:19 | 0:14:23 | |
Very good! | 0:14:28 | 0:14:29 | |
It looked brilliant to start. Oli, proper guitar playing. | 0:14:31 | 0:14:34 | |
Really strong. It was looking really tight at one point. | 0:14:34 | 0:14:38 | |
OK, so 1 is the lowest score, 6 is the highest score. | 0:14:38 | 0:14:42 | |
We'll judge these now. | 0:14:42 | 0:14:43 | |
Don't forget this is for the whole group. | 0:14:43 | 0:14:46 | |
There's still the individual prize to come. | 0:14:46 | 0:14:48 | |
Would you like to reveal your score? | 0:14:48 | 0:14:50 | |
Cos it tailed off towards the end, I'm going with 4. | 0:14:50 | 0:14:53 | |
Because it had lots and lots of energy at the beginning, | 0:14:53 | 0:14:57 | |
-I'm giving it 4.5. -Well done. -Well done. | 0:14:57 | 0:15:00 | |
APPLAUSE | 0:15:00 | 0:15:02 | |
OK, group two, take to the stage. | 0:15:02 | 0:15:05 | |
MUSIC: "I Can't Get No (Satisfaction)" by The Rolling Stones | 0:15:05 | 0:15:10 | |
With a start like that, group two pull out the stops | 0:15:10 | 0:15:12 | |
to impress the judges. | 0:15:12 | 0:15:15 | |
Nice. | 0:15:22 | 0:15:24 | |
Very good. Well done. | 0:15:24 | 0:15:26 | |
-I thought that was pretty good. -The opening was brilliant. | 0:15:26 | 0:15:30 | |
You were timing it perfectly to jump off the stage | 0:15:30 | 0:15:32 | |
and give a surprise. | 0:15:32 | 0:15:34 | |
Love that. Good stage presence as well. Good technical merit. | 0:15:34 | 0:15:38 | |
I thought Miriyah looked like she was really enjoying herself. | 0:15:38 | 0:15:42 | |
Isthaque, you looked like you completely lost it | 0:15:42 | 0:15:45 | |
which I think is the right idea. Reveal your score, please. | 0:15:45 | 0:15:48 | |
Based on the opening and the improvisation rock stars do... | 0:15:48 | 0:15:52 | |
Because it maintained a good level of energy all the way through | 0:15:52 | 0:15:57 | |
and a fantastic smiley quality - | 0:15:57 | 0:16:01 | |
-THEY CHEER -Well done. | 0:16:01 | 0:16:04 | |
Last, but by no means least, it's group three. Let's rock. | 0:16:04 | 0:16:07 | |
They were shy in rehearsal, | 0:16:07 | 0:16:10 | |
but can group three get over their embarrassment | 0:16:10 | 0:16:13 | |
and unleash their alter egos? | 0:16:13 | 0:16:15 | |
MUSIC: "Rock 'N' Roll Star" by Oasis | 0:16:15 | 0:16:18 | |
-Tongue out. -Yeah. | 0:16:18 | 0:16:20 | |
Oh, yeah! Look at her go. | 0:16:28 | 0:16:30 | |
Woo! | 0:16:36 | 0:16:37 | |
Amazing! | 0:16:37 | 0:16:39 | |
I honestly didn't think you had it in you. | 0:16:39 | 0:16:41 | |
That was like looking at different people. | 0:16:41 | 0:16:44 | |
Katie, you've kept that inner rock star really well hidden. | 0:16:44 | 0:16:47 | |
That was fantastic. | 0:16:47 | 0:16:48 | |
Jordan, you looked like you were having a ball. Properly enjoying it. | 0:16:48 | 0:16:52 | |
When you were rehearsing you didn't look confident | 0:16:52 | 0:16:55 | |
and you've pulled it out the bag. As a team you did well. | 0:16:55 | 0:16:58 | |
So a 5 from me. You were brill. | 0:16:58 | 0:17:00 | |
Because I saw a total and utter transformation in all three of you, | 0:17:00 | 0:17:04 | |
I'm going to give you... | 0:17:04 | 0:17:06 | |
Group three are the highest scorers, | 0:17:06 | 0:17:08 | |
but which air guitarist has won the coveted prize? | 0:17:08 | 0:17:11 | |
What's been really good, just in a short time, | 0:17:11 | 0:17:14 | |
is that progression from timid sort of shy people | 0:17:14 | 0:17:17 | |
to rock stars. | 0:17:17 | 0:17:18 | |
I could never have imagined what the air guitar lesson could do for them. | 0:17:18 | 0:17:21 | |
It transformed them. It really helped them to let go | 0:17:21 | 0:17:24 | |
and start just having fun. | 0:17:24 | 0:17:27 | |
After much deliberation we have decided on the winner. | 0:17:27 | 0:17:30 | |
Katie. | 0:17:30 | 0:17:31 | |
Well done. | 0:17:31 | 0:17:34 | |
Congratulations, Katie. You win this marvellous prize. | 0:17:34 | 0:17:37 | |
Brilliant. | 0:17:37 | 0:17:38 | |
At first, I was thinking I'm not going to be able to | 0:17:38 | 0:17:43 | |
prance around like an idiot looking very silly in front of people, | 0:17:43 | 0:17:47 | |
but then I thought, "I've been able to sing in front of people, | 0:17:47 | 0:17:51 | |
"so, why not? | 0:17:51 | 0:17:52 | |
Katie proved she's got rock star potential, | 0:17:52 | 0:17:54 | |
but they'll all have to unleash their alter egos | 0:17:54 | 0:17:57 | |
in the busking challenge later on today. | 0:17:57 | 0:18:00 | |
If everyone else does moves then I'm going to do some, | 0:18:00 | 0:18:03 | |
but if no-one else does it, I don't think I'll do it. | 0:18:03 | 0:18:06 | |
I don't think I can pull off any rock star moves. | 0:18:06 | 0:18:09 | |
Because, like, I'm doing the solo | 0:18:10 | 0:18:13 | |
and I've got to do it...by myself. | 0:18:13 | 0:18:16 | |
Emily's lack of confidence | 0:18:16 | 0:18:18 | |
could seriously affect the whole group's performance. | 0:18:18 | 0:18:21 | |
Gareth needs to know she can handle the pressure of singing alone. | 0:18:21 | 0:18:25 | |
This is the Maritime Museum. | 0:18:25 | 0:18:27 | |
It's one of Liverpool's most recognisable buildings. | 0:18:27 | 0:18:30 | |
Inside is a challenge... | 0:18:30 | 0:18:32 | |
but it is just for you, | 0:18:32 | 0:18:35 | |
Emily. The rest of you will be practising your rock moves | 0:18:35 | 0:18:38 | |
-for this afternoon's performance. Emily, come with me. -Good luck. | 0:18:38 | 0:18:42 | |
-Bye! -Good luck! | 0:18:42 | 0:18:45 | |
I'm feeling really nervous about singing | 0:18:45 | 0:18:47 | |
to different people, because | 0:18:47 | 0:18:50 | |
I'm in my own town | 0:18:50 | 0:18:53 | |
and I might know people and they might laugh. | 0:18:53 | 0:18:56 | |
They might laugh every time I sing. | 0:18:56 | 0:18:59 | |
OK, Emily, you can stand there. | 0:18:59 | 0:19:01 | |
Now, Emily, I know that you have a lovely voice, | 0:19:01 | 0:19:05 | |
and I want you to realise that you can sing in front of anyone | 0:19:05 | 0:19:09 | |
and it will sound great. So I want you to sing your solo right here, | 0:19:09 | 0:19:12 | |
in front of some people you know very well. | 0:19:12 | 0:19:14 | |
Oh, argh! | 0:19:16 | 0:19:18 | |
Argh, ha-ha! | 0:19:20 | 0:19:21 | |
Ooh! | 0:19:30 | 0:19:31 | |
So, Emily, who are these people? | 0:19:31 | 0:19:33 | |
My mates from majorettes. | 0:19:33 | 0:19:36 | |
Emily is so worried about people laughing at her | 0:19:36 | 0:19:39 | |
she's only ever sung to her mum before. | 0:19:39 | 0:19:41 | |
Very good, that's brilliant! Emily, you're a really confident performer | 0:19:41 | 0:19:45 | |
when you do your majorettes, right? | 0:19:45 | 0:19:47 | |
Is she a confident performer? | 0:19:47 | 0:19:49 | |
-Yeah. -Yes. | 0:19:49 | 0:19:50 | |
I want you to realise that you can be confident when you're singing. | 0:19:50 | 0:19:53 | |
So I want you to perform for this lot. You ready? | 0:19:53 | 0:19:56 | |
-How you feeling? -Nervous! | 0:19:56 | 0:19:59 | |
Nervous? Can you do it? | 0:19:59 | 0:20:00 | |
-OK. -Yeah? | 0:20:01 | 0:20:03 | |
# Far... # Argh! | 0:20:08 | 0:20:10 | |
Shall we have another go? | 0:20:11 | 0:20:12 | |
# Far away This ship is taking me far away | 0:20:17 | 0:20:22 | |
# Far away from my memories | 0:20:22 | 0:20:26 | |
# Of the people who care If I live or die...# | 0:20:26 | 0:20:30 | |
# But I'll never let you go | 0:20:37 | 0:20:38 | |
# If you promise not to fade away | 0:20:38 | 0:20:44 | |
# Never fade away. # | 0:20:44 | 0:20:49 | |
APPLAUSE | 0:20:49 | 0:20:53 | |
OK, Emily, you did it, you've sang in front of your friends, | 0:20:54 | 0:20:58 | |
how're you feeling? | 0:20:58 | 0:21:00 | |
Horrible. | 0:21:00 | 0:21:01 | |
Horrible? | 0:21:01 | 0:21:02 | |
I don't think I could be a soloist, | 0:21:03 | 0:21:05 | |
because I don't think I've got the voice. | 0:21:05 | 0:21:07 | |
And the confidence. | 0:21:07 | 0:21:09 | |
I thought Emily's singing was amazing. | 0:21:09 | 0:21:12 | |
I don't think Emily should be as nervous as she is | 0:21:12 | 0:21:16 | |
because she's got a really good voice. | 0:21:16 | 0:21:18 | |
I'm still shaky and I don't know why. | 0:21:18 | 0:21:21 | |
I know that she can pull off the crowd-pleasing performance | 0:21:21 | 0:21:24 | |
that we need in order to get money for Children In Need, | 0:21:24 | 0:21:27 | |
but it's whether she believes it or not. | 0:21:27 | 0:21:29 | |
You got through it, OK? | 0:21:29 | 0:21:30 | |
So this afternoon, | 0:21:30 | 0:21:31 | |
you're going to have to really go for it, even louder. | 0:21:31 | 0:21:34 | |
-But that's in front of the public! -Yeah! | 0:21:34 | 0:21:36 | |
You're going to be fine. | 0:21:36 | 0:21:37 | |
-You're going to be fine. You all right? -Yeah. | 0:21:37 | 0:21:40 | |
Come on, let's go and do it. | 0:21:40 | 0:21:42 | |
There'll be no second chances in a few hours. | 0:21:42 | 0:21:44 | |
They'll all need to impress total strangers | 0:21:44 | 0:21:46 | |
on the streets of Liverpool to earn applause and donations. | 0:21:46 | 0:21:50 | |
In previous performances, the group has faced ever-increasing audiences, | 0:21:50 | 0:21:54 | |
but they've never had to drum one up before. | 0:21:54 | 0:21:57 | |
I really hope that we pull in a crowd. | 0:21:57 | 0:21:58 | |
You know, just a small crowd would be really great, | 0:21:58 | 0:22:01 | |
because it's about them getting over that fear of the general public. | 0:22:01 | 0:22:05 | |
Um, I'd like to raise £20. | 0:22:05 | 0:22:09 | |
You know. £50? | 0:22:10 | 0:22:11 | |
This challenge is particularly tough because of the unknown audience. | 0:22:11 | 0:22:15 | |
How do real stars cope with the pressure? | 0:22:15 | 0:22:17 | |
Got to go out there, especially in front of a live audience, | 0:22:20 | 0:22:23 | |
you've got to show them that you're the main man or woman. | 0:22:23 | 0:22:26 | |
Somebody that commands the stage, is confident. | 0:22:26 | 0:22:30 | |
You have to believe in yourself and think that everyone will go crazy. | 0:22:30 | 0:22:33 | |
Charisma, lots of confidence, | 0:22:33 | 0:22:35 | |
and occasional smile, a cheeky one. | 0:22:35 | 0:22:38 | |
That makes a real rock performance. | 0:22:38 | 0:22:40 | |
The group has been given permission to busk in Liverpool town centre, | 0:22:42 | 0:22:46 | |
where thousands of people shop every day. | 0:22:46 | 0:22:49 | |
There's nowhere for these singers to hide. | 0:22:49 | 0:22:51 | |
To make matters worse, | 0:22:51 | 0:22:53 | |
it's pouring with rain. | 0:22:53 | 0:22:54 | |
Attracting and keeping a crowd will be extremely difficult. | 0:22:54 | 0:22:58 | |
Everybody, we're going to perform right here | 0:22:58 | 0:23:01 | |
and with a full rock band. | 0:23:01 | 0:23:03 | |
You are going to need your rock star alter-egos | 0:23:03 | 0:23:05 | |
and all of your projection to be heard in this really noisy place. | 0:23:05 | 0:23:09 | |
Really need you to go for it. | 0:23:09 | 0:23:10 | |
I'm feeling kind of nervous, because everyone is staring at us. | 0:23:10 | 0:23:15 | |
I'm excited. I'll never see these people again and it's for charity. | 0:23:15 | 0:23:18 | |
We're going to raise money for Children In Need | 0:23:18 | 0:23:21 | |
with the help of Pudsey and these ears. Put the ears on. | 0:23:21 | 0:23:25 | |
Let's go! | 0:23:25 | 0:23:26 | |
OK, off we go, come and get some ears, here we go. | 0:23:26 | 0:23:29 | |
I'm going to perform in public and I'm feeling quite nervous. | 0:23:31 | 0:23:36 | |
With the rain easing, an audience has started to gather. | 0:23:36 | 0:23:39 | |
But will the performance be good enough | 0:23:39 | 0:23:42 | |
for them to stay and give generously? | 0:23:42 | 0:23:44 | |
# Dun, dun, dun, dun, dun, dun, dun Dun, dun, dun, dun, dun, dun...# | 0:23:51 | 0:23:56 | |
It's time for Emily to confront her fear of being laughed at | 0:23:56 | 0:23:59 | |
and to sing solo in front of all these strangers. | 0:23:59 | 0:24:02 | |
# Far away | 0:24:06 | 0:24:08 | |
# This ship is taking me far away | 0:24:08 | 0:24:12 | |
# Far away from the memories | 0:24:12 | 0:24:15 | |
# Of the people who care If I live or die | 0:24:15 | 0:24:20 | |
# Starlight | 0:24:20 | 0:24:23 | |
# I will be chasing the starlight | 0:24:23 | 0:24:27 | |
# Until the end of my life | 0:24:27 | 0:24:30 | |
# I don't know If it's worth it any more | 0:24:30 | 0:24:35 | |
# Hold you in my arms | 0:24:36 | 0:24:41 | |
# I just wanted to hold | 0:24:41 | 0:24:45 | |
# You in my arms | 0:24:45 | 0:24:49 | |
# I just want you to hold... # | 0:24:49 | 0:24:53 | |
APPLAUSE AND CHEERING | 0:24:53 | 0:24:57 | |
I never pictured myself singing in front of so many people before. | 0:24:59 | 0:25:04 | |
And I've done it! | 0:25:05 | 0:25:07 | |
Yes! I'm so relieved. | 0:25:07 | 0:25:09 | |
It's really good, she had so much more confidence | 0:25:09 | 0:25:11 | |
than I thought she would have, I honestly thought she might run away. | 0:25:11 | 0:25:15 | |
And she didn't, she delivered. Really good. | 0:25:15 | 0:25:18 | |
What an achievement for Emily and the group. | 0:25:18 | 0:25:21 | |
Proof of how much the audience was impressed will be in the donations. | 0:25:21 | 0:25:24 | |
The performance was really lively, everyone is on a high at the moment. | 0:25:24 | 0:25:28 | |
Everyone tried a lot, | 0:25:28 | 0:25:29 | |
and I think it was just really good. | 0:25:29 | 0:25:32 | |
Best performance yet. | 0:25:32 | 0:25:33 | |
These are kids who couldn't sing in front of each other | 0:25:33 | 0:25:36 | |
just a matter of weeks ago, and now they're standing | 0:25:36 | 0:25:38 | |
in the middle of a busy shopping mall in a strange town | 0:25:38 | 0:25:41 | |
and performing with confidence. It's a really big deal. | 0:25:41 | 0:25:44 | |
Very well done. | 0:25:49 | 0:25:51 | |
That was your most energetic and engaged performance so far. | 0:25:51 | 0:25:54 | |
Really, really pleased with that. Big difference. | 0:25:54 | 0:25:56 | |
So we raised some money for Children In Need today, | 0:25:56 | 0:25:59 | |
how much do you reckon we raised? Jordan, how much? | 0:25:59 | 0:26:02 | |
Maybe like, £80-£90? | 0:26:02 | 0:26:05 | |
I think we raised £175. | 0:26:05 | 0:26:07 | |
£90.33. | 0:26:07 | 0:26:10 | |
Well, you raised... | 0:26:10 | 0:26:12 | |
£214! | 0:26:14 | 0:26:18 | |
Round of applause! | 0:26:19 | 0:26:20 | |
APPLAUSE AND CHEERING | 0:26:20 | 0:26:22 | |
Well done, everyone. Thank you. | 0:26:22 | 0:26:24 | |
Nobody laughed. | 0:26:26 | 0:26:28 | |
It went really well and they enjoyed themselves, Emily more than anyone. | 0:26:28 | 0:26:32 | |
She had a real smile on her face as she was singing, | 0:26:32 | 0:26:34 | |
and that is exactly what I'm looking for. | 0:26:34 | 0:26:37 | |
I want this to be fun. | 0:26:37 | 0:26:38 | |
I'm going to put Emily's chances | 0:26:39 | 0:26:41 | |
of being the Big Performance's soloist at high. | 0:26:41 | 0:26:44 | |
I thought she was very good. | 0:26:44 | 0:26:45 | |
She's got a lovely voice and she came out with the goods. | 0:26:45 | 0:26:48 | |
So far, Gareth has given just three of the singers | 0:26:48 | 0:26:51 | |
a high chance of being the Big Performance soloist. | 0:26:51 | 0:26:54 | |
Oli, Howard and Emily. | 0:26:54 | 0:26:56 | |
With five weeks to go, there's still time for the others to show | 0:26:57 | 0:27:00 | |
they can handle the spotlight. | 0:27:00 | 0:27:02 | |
Next time on the Big Performance... | 0:27:05 | 0:27:08 | |
the West End star leaves them speechless... | 0:27:08 | 0:27:11 | |
# Lo-o-ove! # | 0:27:11 | 0:27:16 | |
..the group give Lady Gaga a run for her money, | 0:27:16 | 0:27:19 | |
and the nerves kick in | 0:27:20 | 0:27:22 | |
as they prepare for their biggest audience yet. | 0:27:22 | 0:27:25 | |
I can't explain how I feel, I'm just really scared. | 0:27:25 | 0:27:27 | |
Subtitles by Red Bee Media Ltd | 0:27:40 | 0:27:43 | |
E-mail [email protected] | 0:27:43 | 0:27:46 |