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Ten kids who were bullied into silence... | 0:00:02 | 0:00:04 | |
-All these boys laughed at me. -(I can't do it.) | 0:00:04 | 0:00:08 | |
Face the toughest performance challenge of all. | 0:00:08 | 0:00:11 | |
This is Children In Need. | 0:00:11 | 0:00:13 | |
I gave you instructions, nothing happened. | 0:00:13 | 0:00:15 | |
After weeks of training, it's time to sing to the nation. | 0:00:15 | 0:00:19 | |
We'll be on that stage in a few hours. | 0:00:19 | 0:00:21 | |
I am so nervous. | 0:00:21 | 0:00:23 | |
Everything they've learnt culminates in one song for Children In Need. | 0:00:23 | 0:00:27 | |
There is nothing more I can do. | 0:00:27 | 0:00:29 | |
Can they find the courage to give the show of their lives? | 0:00:29 | 0:00:33 | |
Let's make tonight count. | 0:00:33 | 0:00:35 | |
I can't believe we're here! | 0:00:35 | 0:00:36 | |
Are you guys excited? | 0:00:36 | 0:00:39 | |
It will finally come down to this. | 0:00:40 | 0:00:42 | |
Hey, guys. | 0:00:42 | 0:00:44 | |
Good luck to all of you. | 0:00:44 | 0:00:46 | |
It's time for their Big Performance. | 0:00:46 | 0:00:49 | |
It's the day before Children In Need, | 0:01:13 | 0:01:15 | |
and the Big Performance tour bus is back in London. | 0:01:15 | 0:01:19 | |
I'm feeling pressure to get it right. It must be perfect. | 0:01:19 | 0:01:22 | |
I want them to feel that they did their best, | 0:01:22 | 0:01:25 | |
because they are capable of it. | 0:01:25 | 0:01:27 | |
The shy singers have come full circle, returning to BBC TV Centre, | 0:01:27 | 0:01:31 | |
where they first started their musical tour ten weeks ago. | 0:01:31 | 0:01:36 | |
Back then, nerves meant they could barely utter a sound. | 0:01:36 | 0:01:39 | |
And...go! | 0:01:39 | 0:01:41 | |
THEY MUMBLE | 0:01:41 | 0:01:44 | |
After weeks of hard work, | 0:01:49 | 0:01:51 | |
they're now poised to perform on the same stage as JLS and One Direction. | 0:01:51 | 0:01:55 | |
Everything that I've taught them | 0:01:55 | 0:01:58 | |
has been about building up to this moment. | 0:01:58 | 0:02:00 | |
We need to inspire people to give money, | 0:02:00 | 0:02:03 | |
this has never been so important. | 0:02:03 | 0:02:05 | |
I feel nervous but excited, too. I just want to do it. | 0:02:05 | 0:02:08 | |
Ten weeks' work, I'm hoping I don't muck it up. | 0:02:08 | 0:02:11 | |
The group in front of me are like different people, | 0:02:14 | 0:02:17 | |
you've got more confidence, you're standing taller | 0:02:17 | 0:02:20 | |
and you're singing better. | 0:02:20 | 0:02:22 | |
There will be a lot of pressure, and we've got a lot of work to do, | 0:02:22 | 0:02:26 | |
but before that, I will throw you in at the deep end. | 0:02:26 | 0:02:29 | |
You are going to be performing in about 20 minutes, | 0:02:29 | 0:02:34 | |
live, on BBC Breakfast. | 0:02:34 | 0:02:37 | |
-Oh! -Yay! | 0:02:37 | 0:02:38 | |
It's not as many as will be watching on Children In Need, | 0:02:40 | 0:02:45 | |
but it is our biggest audience so far. | 0:02:45 | 0:02:47 | |
Follow me. | 0:02:47 | 0:02:49 | |
I can't believe we're back at the BBC, it is where we started. | 0:02:52 | 0:02:56 | |
BBC Breakfast, my mum watches that! | 0:02:56 | 0:02:58 | |
I have to sing in front of her again. | 0:02:58 | 0:03:01 | |
We haven't practised. | 0:03:01 | 0:03:02 | |
We are on the news to promote Children In Need, | 0:03:04 | 0:03:07 | |
we haven't got time to worry, we just have to do a great job. | 0:03:07 | 0:03:10 | |
BBC Breakfast attracts around two million viewers every morning | 0:03:12 | 0:03:17 | |
and entertainment's biggest names regularly appear on the sofa. | 0:03:17 | 0:03:21 | |
They'll perform their rendition of Avril Lavigne's Keep Holding On | 0:03:21 | 0:03:25 | |
-in just a couple of minutes. -Oh! OK. | 0:03:25 | 0:03:27 | |
Backstage, there's just time for a vocal warm-up. | 0:03:27 | 0:03:32 | |
# Nothing you can do. # | 0:03:32 | 0:03:33 | |
You have to get ready for that bit. | 0:03:33 | 0:03:35 | |
It's early morning, we're tired but you need to... | 0:03:35 | 0:03:38 | |
# Nothing you can say. # Try that. And... | 0:03:38 | 0:03:41 | |
-# Nothing you can say # -Good. | 0:03:41 | 0:03:43 | |
-# Nothing you can do # -Great. | 0:03:43 | 0:03:46 | |
Try that one more time. Three, and... Do you need us? | 0:03:46 | 0:03:49 | |
Ok, we're ready. | 0:03:49 | 0:03:50 | |
James, you, me and Sasha are doing the interview first, | 0:03:57 | 0:04:01 | |
-they're going to talk to us, OK? Going to be all right? -Yes. | 0:04:01 | 0:04:04 | |
Sasha and James have been chosen to represent the group | 0:04:06 | 0:04:10 | |
and publicise their Big Performance. | 0:04:10 | 0:04:12 | |
-Hello, welcome to the programme. How are you feeling? -Good. | 0:04:15 | 0:04:19 | |
-Are you? Good. Not too nervous? -Um, No. | 0:04:19 | 0:04:22 | |
You've been given a hard time at school, what was your problem? | 0:04:22 | 0:04:29 | |
Just bullies, people who don't like the fact that you have | 0:04:31 | 0:04:35 | |
the confidence to sing, they just knock it out of you. | 0:04:35 | 0:04:38 | |
What tactics do you employ to get the confidence | 0:04:38 | 0:04:41 | |
to stand before an audience? | 0:04:41 | 0:04:43 | |
Gareth! | 0:04:43 | 0:04:44 | |
I believe in them and they're starting to believe in themselves. | 0:04:44 | 0:04:48 | |
Appearing on BBC Breakfast was a total surprise to the singers. | 0:04:48 | 0:04:52 | |
Can their performance now convince viewers to tune in tomorrow night? | 0:04:52 | 0:04:57 | |
Here's Gareth Malone and his choir from The Big Performance 2, | 0:04:57 | 0:05:01 | |
singing their own rendition of Avril Lavigne's Keep Holding On | 0:05:01 | 0:05:05 | |
# You're not alone together we stand | 0:05:12 | 0:05:16 | |
# I'll be by your side | 0:05:16 | 0:05:17 | |
# You know, I'll take your hand | 0:05:17 | 0:05:20 | |
# Keep holding on | 0:05:22 | 0:05:27 | |
# Cos you know we'll make it through, we'll make it through | 0:05:27 | 0:05:30 | |
# Just stay strong | 0:05:30 | 0:05:35 | |
# Cos you know I'm here for you I'm here for you | 0:05:35 | 0:05:38 | |
# There's nothing you can say Nothing you can do | 0:05:38 | 0:05:42 | |
# There's no other way When it comes to the truth | 0:05:42 | 0:05:46 | |
# So keep holding on | 0:05:46 | 0:05:51 | |
# Cos you know we'll make it through, make it through. # | 0:05:51 | 0:05:55 | |
APPLAUSE | 0:05:55 | 0:05:57 | |
-Hooray! -Well done, guys. | 0:05:57 | 0:06:00 | |
No dry eyes in this house, and tomorrow will be even worse! | 0:06:00 | 0:06:03 | |
I thought singing live was amazing, and I thought we did a good job. | 0:06:05 | 0:06:12 | |
I found that a bit scary, | 0:06:12 | 0:06:14 | |
so Children In Need is going to be really, really hard. | 0:06:14 | 0:06:17 | |
Performing on BBC Breakfast, I had butterflies. | 0:06:17 | 0:06:21 | |
For Children In Need, | 0:06:21 | 0:06:23 | |
I'll have butterflies, moths, mosquitoes, every single insect! | 0:06:23 | 0:06:27 | |
What will be hard is drawing out that real magic | 0:06:27 | 0:06:30 | |
that we put on at the last minute. | 0:06:30 | 0:06:32 | |
This has to be spine-tingling. | 0:06:32 | 0:06:35 | |
As the group head off to their first Children In Need rehearsal, | 0:06:35 | 0:06:39 | |
they get a taste of what it's going to be like backstage. | 0:06:39 | 0:06:43 | |
We just met One Direction! | 0:06:44 | 0:06:46 | |
I love their new single, it's like, wow! | 0:06:47 | 0:06:51 | |
Tomorrow, there'll be lots of famous faces around. | 0:06:52 | 0:06:56 | |
They mustn't get too starstruck and lose focus on the job in hand. | 0:06:56 | 0:07:01 | |
We need to go the extra mile, it needs to be more. | 0:07:01 | 0:07:04 | |
More passion, more sincerity, more in their eyes, more, more, more. | 0:07:04 | 0:07:09 | |
This is the Children In Need studio, where tomorrow | 0:07:11 | 0:07:14 | |
the once-bullied singers will be leading a nationwide choir. | 0:07:14 | 0:07:18 | |
The biggest entertainment shows are made here, | 0:07:21 | 0:07:23 | |
including Strictly Come Dancing. | 0:07:23 | 0:07:27 | |
We are going into a big live studio. What I need is concentration. | 0:07:27 | 0:07:31 | |
Don't be distracted by the lights, | 0:07:31 | 0:07:33 | |
don't be distracted by famous people. | 0:07:33 | 0:07:36 | |
If we can get this right now, we can get it right on the night. | 0:07:36 | 0:07:39 | |
We're all really excited, | 0:07:39 | 0:07:42 | |
we've got mics on, it's really professional. | 0:07:42 | 0:07:44 | |
They have to stay cool, calm and focused. | 0:07:44 | 0:07:47 | |
If they get distracted or upset | 0:07:47 | 0:07:48 | |
by the people rushing around they'll lose it. | 0:07:48 | 0:07:51 | |
I feel like a proper celebrity! Look at it! It is beautiful! | 0:07:51 | 0:07:57 | |
This rehearsal is to make sure the group know their stage positions. | 0:07:57 | 0:08:02 | |
Back a bit, Charlize, that way. Across a little bit. | 0:08:02 | 0:08:05 | |
I've just given you three instructions | 0:08:05 | 0:08:07 | |
and none of them happened. | 0:08:07 | 0:08:09 | |
Mohammed, are you listening to me? What did I just say? | 0:08:09 | 0:08:12 | |
Listen. | 0:08:13 | 0:08:15 | |
Tia, hands. Good. | 0:08:15 | 0:08:16 | |
Sasha, hands. | 0:08:16 | 0:08:18 | |
# You're not alone Together we stand | 0:08:20 | 0:08:23 | |
# I'll be by your side You know I'll take your hand. # | 0:08:23 | 0:08:27 | |
These kids need to up their game a little bit, | 0:08:27 | 0:08:29 | |
they need to look more engaged in it, | 0:08:29 | 0:08:31 | |
all their movements need to be solid. | 0:08:31 | 0:08:33 | |
# So far away, I wish you were here | 0:08:33 | 0:08:37 | |
# Before it's too late This could all disappear. # | 0:08:37 | 0:08:41 | |
It's good for a rehearsal, but they need to do more. | 0:08:41 | 0:08:44 | |
# ..comes to an end With you by my side... # | 0:08:44 | 0:08:46 | |
I think they did well, but they need to go up a gear. | 0:08:46 | 0:08:49 | |
Their faces need to look involved. | 0:08:49 | 0:08:51 | |
They need to smile, they need to get the actions really crisp, | 0:08:51 | 0:08:54 | |
and they must not fidget. | 0:08:54 | 0:08:57 | |
I need to concentrate more, | 0:08:57 | 0:08:59 | |
because I missed a couple of moves and a couple of my lines. | 0:08:59 | 0:09:02 | |
But I know what I need to improve on. | 0:09:02 | 0:09:04 | |
I feel like there's an extra gear. | 0:09:04 | 0:09:08 | |
The reality has hit me, and I am so nervous right now. | 0:09:08 | 0:09:11 | |
This is Children In Need, | 0:09:11 | 0:09:13 | |
so I want to make them feel that we're singing the song to them. | 0:09:13 | 0:09:17 | |
We have to sort their faces out, | 0:09:17 | 0:09:19 | |
they have to look like it's the best thing they've ever done. | 0:09:19 | 0:09:22 | |
They just look over-awed. | 0:09:22 | 0:09:24 | |
In this extraordinary challenge, | 0:09:25 | 0:09:27 | |
Gareth will be bringing the nation together like never before. | 0:09:27 | 0:09:31 | |
-Hello, Devon! -Hello! | 0:09:31 | 0:09:34 | |
Up and down the country, choirs will be singing in unison, | 0:09:34 | 0:09:38 | |
fronted by our once desperately-nervous singers. | 0:09:38 | 0:09:41 | |
After the lacklustre rehearsal, | 0:09:43 | 0:09:46 | |
Gareth is taking them to meet the London choir | 0:09:46 | 0:09:48 | |
who will be joining them on stage tomorrow night. | 0:09:48 | 0:09:51 | |
ALL: # Hello, Big Performance Ten. | 0:09:51 | 0:09:54 | |
-# Nice to see you! -ALL: Nice to see you! # | 0:09:54 | 0:09:56 | |
To see you nice! | 0:09:56 | 0:09:59 | |
It's vital this goes smoothly, because they're running out of time. | 0:09:59 | 0:10:03 | |
Cue the music. | 0:10:03 | 0:10:05 | |
# You're not alone together we stand | 0:10:05 | 0:10:09 | |
# I'll be by your side You know I'll take your hand | 0:10:09 | 0:10:13 | |
# A-a-ah, a-a-ah | 0:10:13 | 0:10:15 | |
# I won't give in... # | 0:10:15 | 0:10:17 | |
The London choir are amazing. | 0:10:17 | 0:10:19 | |
First years and it was like... Is that coming from them? | 0:10:19 | 0:10:22 | |
I'm so glad we have got them to back us up, because they are amazing. | 0:10:25 | 0:10:29 | |
# Keep holding on | 0:10:29 | 0:10:32 | |
# Keep holding on. # | 0:10:32 | 0:10:38 | |
APPLAUSE | 0:10:40 | 0:10:42 | |
This is a song for Children In Need about holding on through tough times, | 0:10:42 | 0:10:46 | |
and they have to show that in their face and in their singing. | 0:10:46 | 0:10:50 | |
Every so often I see someone and think, | 0:10:50 | 0:10:53 | |
"Brilliant face," | 0:10:53 | 0:10:56 | |
and I look down to the next person, and they're going... | 0:10:56 | 0:10:59 | |
Yeah? Just not quite in the song. Try that one more time, keep... | 0:11:00 | 0:11:04 | |
# Keep holding on | 0:11:04 | 0:11:08 | |
# Cos you know we'll make it through We'll make it through | 0:11:08 | 0:11:13 | |
# Keep holding on. # | 0:11:13 | 0:11:19 | |
Smashed it, well done! | 0:11:19 | 0:11:20 | |
I think it's starting to dawn on them just how big this is. | 0:11:20 | 0:11:24 | |
It is epic, it's massive, it's the entire nation coming together. | 0:11:24 | 0:11:28 | |
It's very exciting. Up until now, they haven't really got that. | 0:11:28 | 0:11:33 | |
This is definitely what you'd call a challenge. | 0:11:33 | 0:11:36 | |
What the performance is lacking is crispness in the movement, | 0:11:36 | 0:11:40 | |
they're not doing those moves strongly enough. | 0:11:40 | 0:11:43 | |
I've brought Briony back in to give it that extra bit of sparkle. | 0:11:43 | 0:11:49 | |
-It's Briony, everyone. -Hi! You all right? | 0:11:49 | 0:11:51 | |
Choreographer to the stars, Briony has worked with everyone | 0:11:51 | 0:11:55 | |
from Take That to Cheryl Cole. | 0:11:55 | 0:11:57 | |
We need to clarify the moves. The first one is lifting your arms up. | 0:11:57 | 0:12:02 | |
A few of you are cutting that move short. | 0:12:02 | 0:12:05 | |
When you change the words, | 0:12:05 | 0:12:08 | |
that's the next bit, the next bit, and then finish it here. | 0:12:08 | 0:12:11 | |
I will come up to you individually, and I want to see your faces. | 0:12:11 | 0:12:15 | |
And I want to see you perform it. | 0:12:15 | 0:12:18 | |
# Keep holding on | 0:12:18 | 0:12:22 | |
# Cos you know we'll make it through, We'll make it through. # | 0:12:22 | 0:12:25 | |
During the performance, the cameras could be on any of them at any time. | 0:12:25 | 0:12:30 | |
But not all the singers are performance ready. | 0:12:30 | 0:12:34 | |
I looked at Taylor and he was just like... and I thought, "oh, no!" | 0:12:34 | 0:12:38 | |
This is not going to work. | 0:12:38 | 0:12:41 | |
It is real hard to do everything at once, | 0:12:41 | 0:12:43 | |
because I' no good at multi-tasking, | 0:12:43 | 0:12:46 | |
and you have to smile, dance, sing, | 0:12:46 | 0:12:51 | |
remember the words, everything gets on top of you, and sometimes... | 0:12:51 | 0:12:55 | |
"Oh, that's nice, yeah." You get lost in your own world. | 0:12:55 | 0:12:59 | |
By the end of the rehearsal, he was getting better and better. | 0:12:59 | 0:13:03 | |
All I want him to do is focus for four minutes, | 0:13:03 | 0:13:06 | |
and hopefully he will be able to do that tomorrow. | 0:13:06 | 0:13:10 | |
The day has come to an end, | 0:13:11 | 0:13:12 | |
and Gareth can only hope the group are ready for what tomorrow brings. | 0:13:12 | 0:13:17 | |
There is nothing more I can do, that's it, the last proper rehearsal. | 0:13:17 | 0:13:22 | |
It's up to them. | 0:13:23 | 0:13:25 | |
It's the big, big, big day. Today is a big day. | 0:13:35 | 0:13:39 | |
There's not very much else to do, now. | 0:13:39 | 0:13:41 | |
I can't do any more, they just have to do it. | 0:13:41 | 0:13:43 | |
Children In Need night is one of the biggest events of the year. | 0:13:43 | 0:13:48 | |
11 million people will be watching, | 0:13:48 | 0:13:51 | |
and millions of pounds could be raised. | 0:13:51 | 0:13:53 | |
The day's finally come. I'm so amazed, because we made it this far. | 0:13:53 | 0:13:58 | |
We are going to be on that stage in a few hours. It is phenomenal. | 0:13:58 | 0:14:02 | |
Here it is, and we have got to do it, it's so cool. I cannot wait. | 0:14:02 | 0:14:07 | |
Excitement levels are high, | 0:14:08 | 0:14:10 | |
and the group are raring to get on stage, | 0:14:10 | 0:14:13 | |
but there's still a few hours till show time, | 0:14:13 | 0:14:16 | |
and a technical rehearsal to get through first. | 0:14:16 | 0:14:19 | |
I need them to be quite professional, to keep calm, | 0:14:19 | 0:14:22 | |
even when they are stood next to JLS or The Saturdays, | 0:14:22 | 0:14:25 | |
because they can't waste their energy, | 0:14:25 | 0:14:27 | |
they have to put it into the performance. | 0:14:27 | 0:14:31 | |
OK, tuck in, everyone. | 0:14:31 | 0:14:33 | |
Can I just say, very well done for getting to this point. | 0:14:33 | 0:14:37 | |
It was a long, hard ten weeks. | 0:14:37 | 0:14:41 | |
And I think you've come out the other side, | 0:14:41 | 0:14:44 | |
and done incredibly well. I'm really proud. | 0:14:44 | 0:14:46 | |
Can I just say, thanks so much for everything you've done, | 0:14:46 | 0:14:50 | |
you've changed our lives, pretty much. | 0:14:50 | 0:14:52 | |
I remember that first day when I thought I could never do it. | 0:14:52 | 0:14:57 | |
-I'm Gareth. -Hi. -How you doing? | 0:14:57 | 0:14:58 | |
-I'm OK, thanks. -Not too nervous? -I'm a little bit... | 0:14:58 | 0:15:01 | |
Wow, you're going backwards. Come closer, come closer... | 0:15:01 | 0:15:05 | |
Thank you for showing that it's not just girls that sing, | 0:15:05 | 0:15:08 | |
you don't need to care what anyone thinks, just believe in yourself. | 0:15:08 | 0:15:12 | |
Thanks for bringing out the performance side in me. | 0:15:12 | 0:15:15 | |
They're not afraid any more. | 0:15:15 | 0:15:17 | |
They're nervous, of course, but not afraid. It makes me really proud. | 0:15:17 | 0:15:22 | |
I can perform without giggling or shaking. | 0:15:22 | 0:15:24 | |
That is a relief, I have to say. | 0:15:24 | 0:15:26 | |
-Do you want to have a go? -Not really. | 0:15:26 | 0:15:29 | |
One, two, three and... | 0:15:29 | 0:15:30 | |
They've put themselves on the line and challenged themselves, | 0:15:30 | 0:15:34 | |
they've done so well. | 0:15:34 | 0:15:36 | |
It's really lovely to see that it matters to them. | 0:15:36 | 0:15:39 | |
This is the point where I, really, stop saying, | 0:15:39 | 0:15:42 | |
"Do it like this, like that," and I just let you do it. | 0:15:42 | 0:15:46 | |
You all know how to make this performance great. | 0:15:46 | 0:15:49 | |
It's something you'll be proud of, and your parents, and the nation. | 0:15:49 | 0:15:53 | |
I really do think you have it within you. | 0:15:53 | 0:15:55 | |
We need to be calm. | 0:15:57 | 0:15:59 | |
There's no point jumping around, or doing more rehearsals. We're ready. | 0:15:59 | 0:16:03 | |
Just get those children all to sing together. | 0:16:03 | 0:16:06 | |
You know the routine. | 0:16:06 | 0:16:07 | |
I will be forever in your debt. | 0:16:07 | 0:16:08 | |
I'll do my best. See you later. | 0:16:08 | 0:16:10 | |
Actually quite exciting. | 0:16:14 | 0:16:17 | |
With three hours to go before broadcasting live to the nation, | 0:16:20 | 0:16:24 | |
stars are starting to arrive. | 0:16:24 | 0:16:26 | |
Like any act performing at Children In Need, | 0:16:27 | 0:16:30 | |
the group get the superstar treatment. | 0:16:30 | 0:16:33 | |
You're dressing room awaits, gentlemen. | 0:16:33 | 0:16:37 | |
This place is awesome. | 0:16:37 | 0:16:39 | |
Woo-hoo! | 0:16:39 | 0:16:41 | |
I feel like an emperor. | 0:16:41 | 0:16:44 | |
Except the only problem is there's nobody to drop them in your mouth. | 0:16:44 | 0:16:49 | |
It's awesome to have my own dressing room, | 0:16:51 | 0:16:54 | |
I feel like I'm famous. | 0:16:54 | 0:16:55 | |
Fridge! | 0:16:55 | 0:16:58 | |
The atmosphere is frantic, you can feel the electricity in the air. | 0:16:58 | 0:17:02 | |
You have to ignore it and get on with the job. | 0:17:02 | 0:17:04 | |
Their first ever rehearsal with the 3,000-strong nationwide choir | 0:17:04 | 0:17:10 | |
should help refocus them on the task ahead. | 0:17:10 | 0:17:14 | |
Today is where they feel the scale of it. | 0:17:14 | 0:17:17 | |
It's technically and musically a big challenge, | 0:17:17 | 0:17:20 | |
and the significance is huge. For me, for them, for the nation. | 0:17:20 | 0:17:24 | |
They're finally confident performing as a group, | 0:17:24 | 0:17:27 | |
but will they be strong enough to lead the nation? | 0:17:27 | 0:17:30 | |
Performing alongside such experienced singers | 0:17:34 | 0:17:36 | |
means the standard is high. The group need to give everything | 0:17:36 | 0:17:40 | |
if their performance is to raise as much money as possible. | 0:17:40 | 0:17:44 | |
# There's no other way When it comes to the truth | 0:17:44 | 0:17:47 | |
# So keep holding on. # | 0:17:47 | 0:17:49 | |
Technically, the rehearsal has gone well, but Gareth is concerned | 0:17:49 | 0:17:53 | |
the same old problems remain. | 0:17:53 | 0:17:55 | |
-Taylor, you have got to smile. -I know. -Practise smiling. -Yeah. | 0:17:55 | 0:18:00 | |
Mohammed, look at me, don't look at the audience. Look at me. | 0:18:00 | 0:18:05 | |
Time has run out. | 0:18:05 | 0:18:08 | |
There is nothing else I can do. | 0:18:08 | 0:18:10 | |
I just pray that it all comes together. | 0:18:10 | 0:18:12 | |
As Children In Need and the Big Performance edges ever closer, | 0:18:16 | 0:18:20 | |
the group head off to get ready. | 0:18:20 | 0:18:22 | |
It makes you feel like you're a star. | 0:18:26 | 0:18:29 | |
I want this every day. | 0:18:29 | 0:18:31 | |
Looking amazing. | 0:18:31 | 0:18:33 | |
Do what you can. | 0:18:34 | 0:18:35 | |
Even a reluctant Gareth gets his turn in the chair. | 0:18:35 | 0:18:39 | |
-This is entirely necessary, isn't it? -Yes. | 0:18:39 | 0:18:42 | |
-So Terry Wogan's having it done? -I imagine he's getting airbrushed. | 0:18:42 | 0:18:45 | |
If it's good enough for him, it's good enough for me. | 0:18:45 | 0:18:49 | |
What about JLS? Are they getting it done? | 0:18:49 | 0:18:51 | |
-Of course. -One Direction? -Most certainly. -They need it a lot. | 0:18:51 | 0:18:55 | |
'Ladies and gentlemen, Welcome to Television Centre. | 0:18:55 | 0:18:59 | |
'We are live, and the time has come for Children In Need, 2011. | 0:18:59 | 0:19:04 | |
'Here is your host, Sir Terry Wogan.' | 0:19:04 | 0:19:08 | |
After an agonising wait, it's finally here. Show time! | 0:19:09 | 0:19:13 | |
As Children In Need broadcasts live from the BBC, | 0:19:13 | 0:19:16 | |
the group wait backstage for their cue. | 0:19:16 | 0:19:19 | |
All performers get nervous. I'm nervous. But I'm also excited, | 0:19:19 | 0:19:23 | |
and I will use the nerves to turn in the biggest performance so far. | 0:19:23 | 0:19:27 | |
That's what you need to do. Let's make it the one that counts. | 0:19:27 | 0:19:32 | |
As a special treat, Gareth has arranged a personal message | 0:19:32 | 0:19:35 | |
from tonight's superstar songwriter, Avril Lavigne. | 0:19:35 | 0:19:39 | |
Hey, guys. I hear you're doing my song, and I think that's awesome. | 0:19:39 | 0:19:43 | |
For any of you guys who find performing difficult, | 0:19:43 | 0:19:48 | |
or you're nervous, my advice to you is just to practise, | 0:19:48 | 0:19:52 | |
because the more you practise the more confident you will be. | 0:19:52 | 0:19:56 | |
James, I hope your solo goes really well and good luck to all of you. | 0:19:56 | 0:20:01 | |
-She said your name! -She said my name! | 0:20:03 | 0:20:05 | |
Yes, she did. | 0:20:05 | 0:20:07 | |
She's so famous, and just to hear her say my name | 0:20:07 | 0:20:10 | |
and for her to know me, such a good feeling. | 0:20:10 | 0:20:13 | |
I just feel so happy. | 0:20:13 | 0:20:15 | |
ALL: O-o-o-oh, Big Performance! | 0:20:15 | 0:20:17 | |
The group are called to the studio | 0:20:17 | 0:20:20 | |
and bump into some familiar faces along the way. | 0:20:20 | 0:20:24 | |
-Good luck hug. -Can I have some good luck? | 0:20:24 | 0:20:26 | |
Smash it. Show them what you're about. | 0:20:26 | 0:20:30 | |
Are you guys excited? We're not at the beach no more, are we? | 0:20:30 | 0:20:34 | |
All these weeks we've been working so hard, | 0:20:37 | 0:20:39 | |
and it's all going to finally come down to this. | 0:20:39 | 0:20:42 | |
I think we are all buzzing inside. | 0:20:45 | 0:20:47 | |
Really excited and nervous, mixed emotions. | 0:20:49 | 0:20:52 | |
I just can't believe that we're here! | 0:20:52 | 0:20:55 | |
I just can't wait, I'm buzzing! | 0:20:57 | 0:21:00 | |
The difference between doing it perfectly | 0:21:06 | 0:21:09 | |
and messing it up is that small. | 0:21:09 | 0:21:12 | |
I really hope it goes the right way. | 0:21:12 | 0:21:15 | |
As the nervous group wait in the wings, | 0:21:15 | 0:21:17 | |
old emotions threaten to creep in. | 0:21:17 | 0:21:20 | |
Really nervous for them, and I hope they're all right there, waiting. | 0:21:21 | 0:21:26 | |
-I can't wait. It will be really enjoyable. -Very, very proud. | 0:21:29 | 0:21:34 | |
This year, Gareth Malone has stepped up for his toughest challenge yet... | 0:21:34 | 0:21:39 | |
With 11 million people watching and a packed studio, it's now or never. | 0:21:39 | 0:21:44 | |
Ten weeks of hard work all comes down | 0:21:44 | 0:21:47 | |
to the next four minutes. Can they do it? | 0:21:47 | 0:21:49 | |
Good luck, I know you'll all be amazing, be yourself. | 0:21:49 | 0:21:53 | |
You're going to go out, smash it, and sing your hearts out. | 0:21:55 | 0:21:59 | |
Don't be nervous, the excited. | 0:22:00 | 0:22:03 | |
We are all here, watching with everything crossed for you. | 0:22:05 | 0:22:09 | |
We love you all, good luck. | 0:22:09 | 0:22:10 | |
Please welcome, Gareth Malone and the Children In Need choir. | 0:22:12 | 0:22:18 | |
# You're not alone Together we stand | 0:22:24 | 0:22:28 | |
# I'll be by your side You know I'll take your hand | 0:22:28 | 0:22:32 | |
# When it gets cold And it feels like the end | 0:22:32 | 0:22:35 | |
# There's no place to go You know I won't give in | 0:22:35 | 0:22:39 | |
# No, I won't give in | 0:22:39 | 0:22:46 | |
# Keep holding on | 0:22:46 | 0:22:52 | |
# Cos you know we'll make it through We'll make it through | 0:22:52 | 0:22:55 | |
# Just stay strong | 0:22:55 | 0:23:01 | |
# Cos you know I'm here for you I'm here for you | 0:23:01 | 0:23:03 | |
# There's nothing you could say | 0:23:03 | 0:23:05 | |
# There's nothing you could do | 0:23:05 | 0:23:07 | |
# There's no other way When it comes to the truth | 0:23:07 | 0:23:10 | |
# So keep holding on | 0:23:10 | 0:23:16 | |
# Cos you know we'll make it through We'll make it through | 0:23:16 | 0:23:19 | |
# So far away, I wish you were here | 0:23:19 | 0:23:23 | |
# Before it's too late This could all disappear | 0:23:23 | 0:23:28 | |
# Before the door's closed And it comes to an end | 0:23:28 | 0:23:32 | |
# With you by my side I will fight and defend | 0:23:32 | 0:23:35 | |
# Fight | 0:23:35 | 0:23:37 | |
# I'll fight and defend, yeah, yeah | 0:23:37 | 0:23:43 | |
# Keep holding on | 0:23:43 | 0:23:48 | |
# Cos you know we'll make it through We'll make it through | 0:23:48 | 0:23:50 | |
# Just stay strong | 0:23:50 | 0:23:56 | |
# Cos you know we'll make it through We'll make it through | 0:23:56 | 0:23:59 | |
# There's nothing you could say | 0:23:59 | 0:24:01 | |
# There's nothing you could do | 0:24:01 | 0:24:04 | |
# There's no other way When it comes to the truth | 0:24:04 | 0:24:07 | |
# So keep holding on | 0:24:07 | 0:24:11 | |
# Cos you know we'll make it through We'll make it through... # | 0:24:11 | 0:24:15 | |
You can do it, you can do it. This is really important. | 0:24:17 | 0:24:20 | |
-Give her a hug, give her a hug. -Oh, I keep forgetting the words. | 0:24:23 | 0:24:26 | |
-I can't do this. -Yeah, you can. | 0:24:29 | 0:24:33 | |
People might laugh at me. | 0:24:33 | 0:24:35 | |
# Keep holding on | 0:24:35 | 0:24:40 | |
# Cos you know we'll make it through We'll make it through | 0:24:40 | 0:24:42 | |
# Just stay strong | 0:24:42 | 0:24:48 | |
# Cos you know I'm here for you I'm here for you | 0:24:48 | 0:24:51 | |
# There's nothing you could say Nothing you could do | 0:24:51 | 0:24:55 | |
# There's no other way When it comes to the truth | 0:24:55 | 0:24:58 | |
# So keep holding on | 0:24:58 | 0:25:04 | |
# Cos you know we'll make it through We'll make it through | 0:25:04 | 0:25:07 | |
# Keep holding on | 0:25:07 | 0:25:10 | |
# Keep holding on | 0:25:12 | 0:25:15 | |
# Keep holding on. # | 0:25:15 | 0:25:21 | |
APPLAUSE | 0:25:21 | 0:25:23 | |
This once nervous group had been bullied into silence. | 0:25:33 | 0:25:36 | |
Tonight they found their voices. | 0:25:36 | 0:25:40 | |
I'm so proud of her. Excited and proud. | 0:25:40 | 0:25:44 | |
I can't believe she's come from not being able to | 0:25:44 | 0:25:47 | |
sing in front of us, only her sister, to in front of millions. | 0:25:47 | 0:25:50 | |
It's just amazing. | 0:25:50 | 0:25:51 | |
Seeing Michael sing was absolutely wonderful. Great. | 0:25:51 | 0:25:55 | |
THEY CHEER | 0:25:55 | 0:25:59 | |
Well done, I am so proud of you. It was amazing. James, put it there. | 0:25:59 | 0:26:03 | |
-Thank you. -You're welcome. | 0:26:03 | 0:26:05 | |
I can't believe I did that. | 0:26:08 | 0:26:10 | |
It's just touched me that everybody got through it. | 0:26:10 | 0:26:13 | |
I'm proud of everyone. | 0:26:13 | 0:26:14 | |
But thing is, we pulled together as a team. We brought it. | 0:26:14 | 0:26:19 | |
My mum and my dad have come up to say how proud they are, | 0:26:25 | 0:26:28 | |
it's making me cry. | 0:26:28 | 0:26:29 | |
I can't explain how good I feel right now. | 0:26:29 | 0:26:31 | |
I'm excited, hyperactive, cos that's the best thing I've ever done. | 0:26:35 | 0:26:40 | |
I've really enjoyed myself. | 0:26:41 | 0:26:43 | |
It's been a really good lifetime experience. | 0:26:43 | 0:26:47 | |
I made some amazing best friends. | 0:26:50 | 0:26:52 | |
I hope we all stay in touch forever. Hopefully one day we'll meet again. | 0:26:52 | 0:26:56 | |
What the future holds for me, I don't know. I don't care. | 0:27:00 | 0:27:04 | |
As long as I can be this confident, I'll be so happy. | 0:27:04 | 0:27:09 | |
THEY SCREAM | 0:27:09 | 0:27:11 | |
Because they have been bullied and had so much to overcome, | 0:27:17 | 0:27:20 | |
just to open their mouths and sing, that is an unbelievable achievement. | 0:27:20 | 0:27:24 | |
This whole experience has been about finding confidence through singing. | 0:27:27 | 0:27:32 | |
I don't think they'll be afraid in the same way again. | 0:27:32 | 0:27:35 | |
Tonight, the group's performance | 0:27:35 | 0:27:37 | |
helped to raise a record breaking £26 million. | 0:27:37 | 0:27:41 | |
Next time, the full story from the beginning. | 0:27:45 | 0:27:48 | |
-Are you all right? -I can't do it. | 0:27:48 | 0:27:50 | |
And, how it's changed their lives forever. | 0:27:50 | 0:27:53 | |
I'll never forget this. | 0:27:53 | 0:27:55 | |
Subtitles by Red Bee Media Ltd | 0:28:02 | 0:28:06 | |
E-mail [email protected] | 0:28:06 | 0:28:09 |