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"Mum, thanks for the pickaxe, | 0:00:02 | 0:00:03 | |
"the change of clothes, the passport and the plane ticket. | 0:00:03 | 0:00:06 | |
"I've fashioned them together into a beautiful lamp. | 0:00:06 | 0:00:09 | |
"What a show we have this week! | 0:00:11 | 0:00:13 | |
"Although I've never seen the Governor so upset. | 0:00:18 | 0:00:20 | |
"It all started as he was rehearsing for this week's show." | 0:00:20 | 0:00:23 | |
# You've been found guilty of a howling showbiz crime | 0:00:27 | 0:00:31 | |
# So welcome to The Slammer, where you're going to serve your time | 0:00:31 | 0:00:35 | |
# With every type of minstrel entertainer | 0:00:35 | 0:00:40 | |
# We're going to the limit to try and get released | 0:00:40 | 0:00:45 | |
# So go fetch the audience, bring them to The Slammer | 0:00:45 | 0:00:50 | |
# And polish off your act with a bit of glitz and glamour | 0:00:50 | 0:00:54 | |
# Your fate is in their hands, so welcome to the glamour | 0:00:54 | 0:00:58 | |
# It's the only way you'll ever leave The Slammer | 0:00:58 | 0:01:01 | |
# The Slammer, it's the only way you'll ever leave The Slammer. # | 0:01:01 | 0:01:07 | |
Come on. I go, "Who's the Governor?" | 0:01:08 | 0:01:10 | |
-You're the Governor. -And then I say, "Boys and girls, | 0:01:10 | 0:01:13 | |
"some of the acts have been here so long, | 0:01:13 | 0:01:15 | |
"they make Girls Aloud look like some kind of equal-rights legislation!" | 0:01:15 | 0:01:20 | |
I'm not sure I get that, sir. | 0:01:21 | 0:01:23 | |
Girls Aloud, as in "not allowed". | 0:01:23 | 0:01:25 | |
You know, equal rights for women. | 0:01:25 | 0:01:27 | |
-I see, sir. -What time's lunch? -Forget it. | 0:01:27 | 0:01:29 | |
-Try this. "Who's The Governor?" -You're The Governor. | 0:01:29 | 0:01:32 | |
And I go, "You're not going to | 0:01:32 | 0:01:34 | |
"believe some of the acts we've got tonight. | 0:01:34 | 0:01:36 | |
"They make Harry Hill look like Harry Slight Incline!" | 0:01:36 | 0:01:41 | |
Very witty, sir. | 0:01:42 | 0:01:44 | |
Is that paint yellow or beige? | 0:01:44 | 0:01:47 | |
This is a disaster. The audience on their way in... | 0:01:47 | 0:01:49 | |
-Mr Burgess? -Sir? -I'm going to | 0:01:49 | 0:01:51 | |
ask you a question and I want you to give me an honest answer. | 0:01:51 | 0:01:55 | |
-I want you to be frank, Frank. -Yes, sir. | 0:01:55 | 0:01:58 | |
Am I still funny? | 0:01:58 | 0:02:00 | |
PHONE RINGS | 0:02:03 | 0:02:04 | |
Phone, sir. | 0:02:04 | 0:02:06 | |
Governor speaking. The dentist? | 0:02:06 | 0:02:09 | |
Oh, yeah, we'll be there right away. Yeah. | 0:02:09 | 0:02:12 | |
So, what's your answer...? | 0:02:12 | 0:02:14 | |
Mr Burgess? | 0:02:14 | 0:02:15 | |
Right, then, you lot. The Freedom Show isn't displaying enough eyes and teeth. | 0:02:17 | 0:02:22 | |
So, Dr Wentworth here will be ensuring that you all produce | 0:02:22 | 0:02:25 | |
the requisite showbiz sparkle by giving you a polish. | 0:02:25 | 0:02:28 | |
Isn't that right, Dr Wentworth?! | 0:02:28 | 0:02:30 | |
THEY LAUGH | 0:02:30 | 0:02:34 | |
Yes, absolutely. | 0:02:34 | 0:02:36 | |
-Sorry, sorry. -Yes, quite. | 0:02:36 | 0:02:38 | |
-Now, are all the acts here for this week's Freedom Show? Petit Mal? -Yes. | 0:02:38 | 0:02:42 | |
Chris Lynam? | 0:02:42 | 0:02:45 | |
-Emily Crow? -Here. -Lovely. | 0:02:45 | 0:02:47 | |
-And the Doktorovs? -Here. | 0:02:47 | 0:02:49 | |
Right, over to you for a quick polish, sir! | 0:02:49 | 0:02:52 | |
OK. Yes, erm, could you come and, erm, come and sit on the, erm...? | 0:02:52 | 0:02:58 | |
Er, the, erm... The, erm... | 0:02:58 | 0:03:01 | |
I think you'll find it's a chair, sir. | 0:03:01 | 0:03:02 | |
Yes, yes, that's it. | 0:03:02 | 0:03:05 | |
Sorry. I've never worked in a prison before. | 0:03:05 | 0:03:08 | |
These are showbiz criminals, sir. | 0:03:08 | 0:03:10 | |
-There's absolutely nothing to worry about. -Right. OK. | 0:03:10 | 0:03:13 | |
THEY LAUGH | 0:03:18 | 0:03:19 | |
It's all right. I'm fine, honestly. | 0:03:19 | 0:03:21 | |
I just need the... Oh! Oh! | 0:03:21 | 0:03:26 | |
Hey, what's happening?! | 0:03:26 | 0:03:28 | |
I haven't heard this much laughter since Barry Chuckle got that job | 0:03:28 | 0:03:32 | |
in a china factory! | 0:03:32 | 0:03:34 | |
SILENCE | 0:03:34 | 0:03:36 | |
I must remember to cut my nails this week. | 0:03:36 | 0:03:38 | |
That's it. I knew it! I've lost it! | 0:03:38 | 0:03:41 | |
I'm not funny anymore! | 0:03:41 | 0:03:44 | |
THEY LAUGH | 0:03:47 | 0:03:49 | |
Governor, sir, are you OK? | 0:03:57 | 0:03:59 | |
No, I'm not OK, Pete. | 0:03:59 | 0:04:01 | |
What sort of Governor am I if I can't even raise a titter? | 0:04:01 | 0:04:05 | |
I used to have funny bones. | 0:04:05 | 0:04:07 | |
Now I've just got bones. Somewhere. | 0:04:07 | 0:04:09 | |
Oh, it's not that bad. | 0:04:09 | 0:04:11 | |
Look at me. I've never been funny. | 0:04:11 | 0:04:13 | |
There's nothing remotely entertaining or amusing about my act. Look. | 0:04:13 | 0:04:17 | |
Now, then, Mr Squiggles, time for a song. "No." | 0:04:17 | 0:04:20 | |
Well, all the boys and girls want to hear you sing. "I can't." | 0:04:20 | 0:04:23 | |
Oh, why not? "Because I've been diagnosed with | 0:04:23 | 0:04:26 | |
"vocal fold nodules, a condition where a mass of tissue grows at the | 0:04:26 | 0:04:30 | |
"back of the mouth, making speech and swallowing painful." | 0:04:30 | 0:04:36 | |
That meant to reassure me? | 0:04:36 | 0:04:38 | |
Ho, ho, sir, you've got to come and see this dentist. | 0:04:38 | 0:04:41 | |
Honestly, sir, it's the funniest act I've seen in years. | 0:04:41 | 0:04:44 | |
I mean, the lad is a natural. | 0:04:44 | 0:04:45 | |
Everything he does is just hilarious. | 0:04:45 | 0:04:47 | |
Right, that's it! I've had enough! You, come with me. | 0:04:50 | 0:04:55 | |
-Get in there. -Ah, what about the inmates' teeth, sir? | 0:04:55 | 0:05:00 | |
What about their showbiz sparkle? | 0:05:00 | 0:05:03 | |
If I can't get laughs, | 0:05:03 | 0:05:05 | |
then no two-bit dentist's going to get them. | 0:05:05 | 0:05:07 | |
So take your mirrors and your little pointy bits and your nutcrackers | 0:05:07 | 0:05:11 | |
and your laughing gas... | 0:05:11 | 0:05:13 | |
Hang on a minute. Your laughing gas. | 0:05:13 | 0:05:16 | |
Ooh! | 0:05:16 | 0:05:18 | |
So I said to my doctor, if that's cream cheese, | 0:05:18 | 0:05:22 | |
what's that under my armpits?! | 0:05:22 | 0:05:24 | |
THEY LAUGH | 0:05:26 | 0:05:27 | |
Thank you, thank you, you're too kind. | 0:05:27 | 0:05:30 | |
-What do you call a man with a rabbit stuck in his ear? -I don't know. | 0:05:30 | 0:05:33 | |
Warren. | 0:05:33 | 0:05:34 | |
SILENCE | 0:05:34 | 0:05:36 | |
THEY LAUGH | 0:05:37 | 0:05:39 | |
-Thank you, thank you. So, how do I look? -Divine, sir. | 0:05:39 | 0:05:43 | |
It's show time. | 0:05:43 | 0:05:44 | |
Ladies and gentlemen, welcome | 0:05:47 | 0:05:49 | |
to HMP Slammer, where you decide which prisoner is to be released. | 0:05:49 | 0:05:54 | |
Now, please welcome your host. | 0:05:54 | 0:05:56 | |
He was a comedy master, today he's a...laughter disaster. | 0:05:56 | 0:06:01 | |
It's the Governor! | 0:06:01 | 0:06:02 | |
CHEERING AND APPLAUSE | 0:06:02 | 0:06:05 | |
-Who's the Governor? -You're the Governor! | 0:06:18 | 0:06:22 | |
Oh, jailers and jailbirds, | 0:06:22 | 0:06:24 | |
great to see you. What a week we've had. | 0:06:24 | 0:06:26 | |
My eyes have been going funny. I went to see | 0:06:26 | 0:06:28 | |
my optician and he said, "Had your eyes checked?" | 0:06:28 | 0:06:31 | |
I said, "No, they've always been blue!" | 0:06:31 | 0:06:33 | |
SILENCE | 0:06:33 | 0:06:35 | |
LAUGHTER | 0:06:36 | 0:06:39 | |
We've got some fantastic performing prisoners on the Freedom Show. | 0:06:39 | 0:06:43 | |
We've got a hair-raisingly funny guy called Chris Lynam. | 0:06:43 | 0:06:46 | |
ALL: Ooo! | 0:06:46 | 0:06:48 | |
We've got a very athletic and gymnastic young lady, only 12 years | 0:06:48 | 0:06:51 | |
-of age, called Emily Crow. -ALL: Oooo! | 0:06:51 | 0:06:56 | |
And we've got the aerial aces that we call the Doktorovs. | 0:06:56 | 0:06:58 | |
ALL: Oooo! | 0:06:58 | 0:07:01 | |
But now, criminal critiques, let's start | 0:07:01 | 0:07:03 | |
the show with a really lively act. | 0:07:03 | 0:07:05 | |
They're marvellous, they do things with big, blue bouncy balls. | 0:07:05 | 0:07:09 | |
-They are Petit Mal! -CHEERING AND APPLAUSE | 0:07:09 | 0:07:12 | |
MUSIC PLAYS | 0:07:18 | 0:07:19 | |
CHEERING AND APPLAUSE | 0:09:27 | 0:09:28 | |
Hey, that's good. | 0:09:32 | 0:09:33 | |
You forgot your ball. Hey, hey! | 0:09:33 | 0:09:35 | |
They were good. We should have them in | 0:09:35 | 0:09:37 | |
the Slammer football team. We've got a team. | 0:09:37 | 0:09:39 | |
We play all our games at home. | 0:09:39 | 0:09:41 | |
We did play away, but nobody came back. | 0:09:41 | 0:09:44 | |
SILENCE | 0:09:44 | 0:09:45 | |
LAUGHTER | 0:09:47 | 0:09:49 | |
But what did you think of them? Over to you, Mr Burgess. | 0:09:49 | 0:09:52 | |
Right, Petit Mal, there. | 0:09:52 | 0:09:55 | |
Ball-bouncingly good, miss? | 0:09:55 | 0:09:57 | |
-Amazingly skilled. -Yes? | 0:09:57 | 0:09:59 | |
I'd say it's star quality. | 0:09:59 | 0:10:02 | |
-Star quality? -Yes. -All right, I see. | 0:10:02 | 0:10:05 | |
Well, did Petit Mal do enough to go free from The Slammer? | 0:10:05 | 0:10:07 | |
That was so cool, because I could | 0:10:07 | 0:10:09 | |
never do that, and it looked so difficult. | 0:10:09 | 0:10:11 | |
I really loved that part when they rolled on two balls each and I liked | 0:10:11 | 0:10:15 | |
it most because it was bouncy and I think it was fabulous. | 0:10:15 | 0:10:18 | |
-What about you? -Best act I've seen in my life. | 0:10:18 | 0:10:20 | |
-Certainly got my vote. -The best act you've seen? | 0:10:20 | 0:10:23 | |
-How many acts have you seen in your life, miss? -1,000. | 0:10:23 | 0:10:26 | |
1,000? | 0:10:26 | 0:10:27 | |
You've seen 1,000 acts, miss? | 0:10:27 | 0:10:30 | |
-Well, tell me what you thought of Petit Mal. -I thought it was | 0:10:30 | 0:10:34 | |
very good because I liked the amazing acrobatics and the flips. | 0:10:34 | 0:10:38 | |
I'd like somebody to sum that act up | 0:10:38 | 0:10:40 | |
in one final word for me, and I'm going to this young lady here. | 0:10:40 | 0:10:44 | |
-Phenomenal. -Phenomenal, sir. | 0:10:44 | 0:10:46 | |
Well, that's Petit Mal. They may be going free. | 0:10:46 | 0:10:49 | |
Three more freedom acts. | 0:10:49 | 0:10:50 | |
The next gentleman is a comedian. Here's a bit of comedy for you. | 0:10:50 | 0:10:53 | |
Jailors and jailbirds, what's that? | 0:10:53 | 0:10:56 | |
It's a dead one of them. | 0:10:56 | 0:10:57 | |
SILENCE | 0:10:57 | 0:10:59 | |
LAUGHTER | 0:11:01 | 0:11:02 | |
A dead one of them. Good, that, isn't it, eh? | 0:11:02 | 0:11:05 | |
Right, on to some real comedy, a very funny guy, please welcome | 0:11:05 | 0:11:08 | |
the hair-raising Chris Lynam! | 0:11:08 | 0:11:10 | |
CHEERING AND APPLAUSE | 0:11:10 | 0:11:11 | |
There I was, minding my own business one day, waiting for a bus. | 0:11:18 | 0:11:22 | |
A bag floated down in front of me, beside me, behind me... | 0:11:23 | 0:11:27 | |
Why?! | 0:11:27 | 0:11:28 | |
Suddenly, due to neglect, the bag bit me on the ankle. | 0:11:28 | 0:11:32 | |
"Ouch," I screamed. I threw it to the ground and stamped on its head. | 0:11:32 | 0:11:36 | |
It stamped on mine! | 0:11:36 | 0:11:39 | |
You naughty, naughty bag! I was very angry. | 0:11:39 | 0:11:43 | |
But the bag had a taste for blood. | 0:11:43 | 0:11:44 | |
It bit me under the armpit. "Ouch," I screamed. I wrenched it out | 0:11:44 | 0:11:48 | |
and it went straight towards an unsuspecting warden, who, when he | 0:11:48 | 0:11:52 | |
-saw the bag coming towards him, screamed with fright. -Agh. | 0:11:52 | 0:11:56 | |
-He screamed louder! -Agh! | 0:11:56 | 0:12:00 | |
The bag attacked his hat and threw it out of The Slammer. | 0:12:00 | 0:12:03 | |
And then...nearly attacked his clothes. | 0:12:03 | 0:12:07 | |
I had the bag by the neck, boys and girls. | 0:12:07 | 0:12:10 | |
I bit it very hard. | 0:12:10 | 0:12:12 | |
The bag knew it was in trouble. It screamed out for reinforcements. | 0:12:12 | 0:12:16 | |
"Gaga gaga gaga gaga gaga." Bag language. | 0:12:16 | 0:12:19 | |
I knew I could be in trouble. | 0:12:19 | 0:12:21 | |
I ripped the bag limb from limb, and sure enough, in the Freedom Show | 0:12:21 | 0:12:24 | |
at The Slammer, the bag died. Ha! | 0:12:24 | 0:12:28 | |
CHEERING AND APPLAUSE | 0:12:28 | 0:12:32 | |
Then suddenly, on the horizon | 0:12:32 | 0:12:34 | |
appeared reinforcements bigger and more dangerous than the bag before. | 0:12:34 | 0:12:38 | |
The people screamed in terror. | 0:12:38 | 0:12:40 | |
SCREAMING | 0:12:40 | 0:12:43 | |
And then ran home. | 0:12:43 | 0:12:45 | |
The bag started to attack people willy-nilly. First, another warden. | 0:12:46 | 0:12:53 | |
Boosh! It chased the warden around the house. | 0:12:53 | 0:12:55 | |
Right around the house. It attacked two wardens. | 0:12:55 | 0:12:58 | |
This was a very naughty bag. | 0:12:58 | 0:13:00 | |
I had it by the neck and I bit it very hard. | 0:13:00 | 0:13:04 | |
And the bag bled. | 0:13:04 | 0:13:06 | |
Blood poured out the bag. | 0:13:06 | 0:13:08 | |
And the blood turned into art. | 0:13:10 | 0:13:12 | |
MUSIC PLAYS | 0:13:12 | 0:13:15 | |
CHEERING AND APPLAUSE | 0:13:29 | 0:13:32 | |
Yes, well, I don't think he'll be booked for the Royal Variety | 0:13:36 | 0:13:39 | |
Performance, but did you enjoy him? | 0:13:39 | 0:13:41 | |
Let's go to Mr Burgess and see what he thinks. | 0:13:41 | 0:13:44 | |
-Chris Lynam, raving maniac or comedy genius? -Comedy genius. | 0:13:44 | 0:13:49 | |
-Really, miss? -Yeah. -Why? | 0:13:49 | 0:13:51 | |
Because he's really crazy and sometimes he just does | 0:13:51 | 0:13:55 | |
silly things for fun. | 0:13:55 | 0:13:57 | |
And how would you describe that act? | 0:13:57 | 0:13:59 | |
-Um, weird, because his hair just was really wacky. -Right, miss? | 0:13:59 | 0:14:03 | |
I thought it was really hilarious. | 0:14:03 | 0:14:06 | |
-And really funny. -So you think he's done enough to be released back into | 0:14:06 | 0:14:10 | |
the entertainment community, do you? | 0:14:10 | 0:14:11 | |
-No. -No? Shut up! | 0:14:11 | 0:14:14 | |
You think we should keep him in? | 0:14:14 | 0:14:16 | |
-Yeah. -Did he make you laugh? | 0:14:16 | 0:14:18 | |
Yeah. Mostly. Mostly. | 0:14:18 | 0:14:21 | |
Um, my favourite part of it was probably | 0:14:21 | 0:14:25 | |
where he tried to slide down the banister but he kind of tripped. | 0:14:25 | 0:14:31 | |
What about you, miss? One final word. | 0:14:31 | 0:14:33 | |
-Electrical. -Electrical, sir! | 0:14:33 | 0:14:35 | |
Very good, miss! | 0:14:35 | 0:14:37 | |
Well, Chris Lynam could be going free. Who knows? | 0:14:37 | 0:14:39 | |
It's time now for that special act called Solitary Confinement. | 0:14:39 | 0:14:44 | |
Solitary Confinement, where we give the chance for one performing | 0:14:47 | 0:14:50 | |
prisoner, or a few of them, to come out here and see | 0:14:50 | 0:14:53 | |
if they can earn something nice. | 0:14:53 | 0:14:55 | |
The crimes they have done are so awful, | 0:14:55 | 0:14:57 | |
but if they do well and get the thumbs up from you, | 0:14:57 | 0:15:00 | |
they get something nice. They go to a nice cell. | 0:15:00 | 0:15:02 | |
With a toilet that flushes! | 0:15:02 | 0:15:05 | |
Yes! But if they don't do well and get the thumbs down, they go | 0:15:05 | 0:15:08 | |
back to their cell for a cruel and unusual punishment. Mr Burgess? | 0:15:08 | 0:15:12 | |
What is today's cruel and unusual punishment? | 0:15:12 | 0:15:15 | |
Today, sir, it's an hour in a vat | 0:15:15 | 0:15:17 | |
-with a rat, a cat and Take That! -Ooh, fancy that! | 0:15:17 | 0:15:21 | |
We need a judge. So, Mr Burgess, have you got somebody here? | 0:15:21 | 0:15:25 | |
What about you, madam? | 0:15:25 | 0:15:26 | |
Give her a round of applause, please. Up you come. | 0:15:26 | 0:15:30 | |
CHEERING AND APPLAUSE | 0:15:30 | 0:15:32 | |
-Now, then. What's your name? -Elise. | 0:15:32 | 0:15:34 | |
Elise, it's time for today's | 0:15:34 | 0:15:36 | |
Solitary Confinement act. Here we go! | 0:15:36 | 0:15:38 | |
Hello, giants and giantesses. | 0:15:50 | 0:15:53 | |
My name is Michael Chinnigan, | 0:15:53 | 0:15:55 | |
Britain's second smallest singer, after James Blunt. | 0:15:55 | 0:15:58 | |
I promised you all-round entertainment, and so I'm | 0:15:58 | 0:16:02 | |
going to do an impression for you. | 0:16:02 | 0:16:04 | |
It's a cat. | 0:16:04 | 0:16:06 | |
Seen from behind. | 0:16:08 | 0:16:09 | |
It's time to finish with a song. | 0:16:12 | 0:16:14 | |
This is a little song that I wrote all about myself. Cue the music! | 0:16:14 | 0:16:19 | |
# It's a world of laughter, a world of fun | 0:16:21 | 0:16:26 | |
# When you're just as high as a pixie's bum | 0:16:26 | 0:16:30 | |
# When I fancy a drink, I go swimming in the sink | 0:16:30 | 0:16:34 | |
It's a small world after all | 0:16:34 | 0:16:38 | |
# It's a small world after all | 0:16:38 | 0:16:41 | |
# All of you are far too tall | 0:16:41 | 0:16:45 | |
# If you trip you've got further to fall | 0:16:45 | 0:16:49 | |
# It's a small, small world. # | 0:16:49 | 0:16:53 | |
Thank you. Thank you very much. | 0:16:54 | 0:16:57 | |
APPLAUSE | 0:16:57 | 0:17:00 | |
Marvellous. Michael Chinnigan. Well, very unusual. | 0:17:00 | 0:17:03 | |
It's up to Elise to decide. Thumbs up, and they're comfortably sat, | 0:17:03 | 0:17:06 | |
thumbs down, and it's Take That | 0:17:06 | 0:17:10 | |
and the rat. | 0:17:10 | 0:17:11 | |
You've got five seconds to decide. | 0:17:11 | 0:17:13 | |
Thumbs up? Or thumbs down? What's it going to be? | 0:17:13 | 0:17:18 | |
Yes! Thumbs up! | 0:17:18 | 0:17:20 | |
Nice, comfy cell with a flushing toilet. | 0:17:20 | 0:17:22 | |
There we are, give them a round of applause, | 0:17:22 | 0:17:25 | |
and as well, to our special judge - didn't she do well? | 0:17:25 | 0:17:28 | |
Give her a round of applause! Marvellous! | 0:17:28 | 0:17:31 | |
CHEERING AND APPLAUSE | 0:17:31 | 0:17:33 | |
Well, now it's time for our next performing prisoner. | 0:17:33 | 0:17:36 | |
Jailors and jailbirds, you know this performing prisoner, she's only 12. | 0:17:36 | 0:17:40 | |
Will you please welcome, from our Junior Section | 0:17:40 | 0:17:43 | |
of The Slammer, and hoping to go free, it's Emily Crow! | 0:17:43 | 0:17:48 | |
CHEERING AND APPLAUSE | 0:17:48 | 0:17:49 | |
MUSIC PLAYS | 0:17:52 | 0:17:56 | |
CHEERING AND APPLAUSE | 0:19:32 | 0:19:34 | |
Emily Crow. Emily Crow, and she's just 12 years of age, 12 years. | 0:19:37 | 0:19:42 | |
Yeah. I've got string vests that are older than that. | 0:19:42 | 0:19:45 | |
SILENCE | 0:19:45 | 0:19:47 | |
LAUGHTER | 0:19:49 | 0:19:51 | |
Well, did you think she did enough to go free? | 0:19:51 | 0:19:53 | |
Let's find out with Mr Burgess. | 0:19:53 | 0:19:56 | |
Well, Emily Crow, in on remand. | 0:19:56 | 0:19:58 | |
She's a good kid, keeps her nose clean. What was she like for you? | 0:19:58 | 0:20:02 | |
-Best act so far. -You think she should go free right now? -Yes. -Yes? | 0:20:02 | 0:20:06 | |
-Do you think you could do what Emily Crow does? -Never. | 0:20:06 | 0:20:09 | |
No. Did you like her act? | 0:20:09 | 0:20:10 | |
-Yeah, I'll give her my vote, definitely. -Yes? That's very kind. | 0:20:10 | 0:20:14 | |
Sir, what about a man's perspective on this? | 0:20:14 | 0:20:16 | |
Well, she was very stretchy | 0:20:16 | 0:20:19 | |
and I liked it when she, like, was a crab, in a way. | 0:20:19 | 0:20:23 | |
Like, she went into a big arch and started walking around. | 0:20:23 | 0:20:27 | |
-I see. Would you like to see more acts that feature crabs? -Yeah. | 0:20:27 | 0:20:31 | |
Knock, knock... | 0:20:31 | 0:20:32 | |
-Who's there? -Little old lady. | 0:20:32 | 0:20:34 | |
-Little old lady who? -I didn't know you could yodel! | 0:20:34 | 0:20:37 | |
And for one final word, to sum up, Emily Crow? | 0:20:41 | 0:20:45 | |
-Flexalianterrasumous(?). -Flexalianterrasumous, sir! | 0:20:45 | 0:20:51 | |
Mm. What a mouthful. | 0:20:51 | 0:20:53 | |
Onto our final performing prisoners. | 0:20:53 | 0:20:56 | |
Well, what an aerial, acrobatic team they make. | 0:20:56 | 0:20:58 | |
We're so worried about them going over the wall, | 0:20:58 | 0:21:00 | |
we've had to give them a chance at freedom. | 0:21:00 | 0:21:02 | |
Will you please welcome - all the way from Cell D, and Russia, | 0:21:02 | 0:21:06 | |
-originally - it's The Doktorovs! -CHEERING AND APPLAUSE | 0:21:06 | 0:21:11 | |
CHEERING | 0:21:40 | 0:21:44 | |
CHEERING | 0:21:47 | 0:21:50 | |
CHEERING AND APPLAUSE | 0:22:24 | 0:22:27 | |
CHEERING | 0:22:48 | 0:22:49 | |
CHEERING AND APPLAUSE | 0:23:20 | 0:23:22 | |
The Doktorovs. Were they just what the doctor ordered? | 0:23:27 | 0:23:31 | |
Let's find out, with Mr Bergerov. | 0:23:31 | 0:23:33 | |
Well, Doktorovs, or Doctor No? | 0:23:33 | 0:23:36 | |
Erm, Doktorovs. | 0:23:36 | 0:23:38 | |
-They were really, really good. -How good? | 0:23:38 | 0:23:41 | |
Very. They've got my vote. | 0:23:41 | 0:23:44 | |
What about this lady here? | 0:23:44 | 0:23:46 | |
It was absolutely amazing. | 0:23:46 | 0:23:48 | |
And it was superb and spectacular. | 0:23:48 | 0:23:52 | |
-What about you, sir? -Absolutely flabbergasting. | 0:23:52 | 0:23:56 | |
Erm... Completely supreme, and they must be | 0:23:56 | 0:24:01 | |
-really trusting to each other. -Did you like The Doktorovs? | 0:24:01 | 0:24:04 | |
-Yes, very much. -Describe their act. | 0:24:04 | 0:24:07 | |
Well, I thought it was really scary, because I thought they were | 0:24:07 | 0:24:10 | |
going to fall, but they didn't. | 0:24:10 | 0:24:11 | |
It was like they were connected, because they didn't fall at all. | 0:24:11 | 0:24:14 | |
Now, then, young sir. One final word. | 0:24:14 | 0:24:17 | |
Sum that act up for me. | 0:24:17 | 0:24:19 | |
Spectactical. | 0:24:19 | 0:24:21 | |
Spectactical? LAUGHTER | 0:24:21 | 0:24:25 | |
It's a word, I suppose, sir. Spectactical, sir! | 0:24:25 | 0:24:28 | |
Four fabulous performing prisoner acts all hoping to go free. | 0:24:28 | 0:24:32 | |
Only one of them can. Let's welcome them back onto the stage! | 0:24:32 | 0:24:35 | |
Here they come. Petit Mal, Chris Lynam, Emily Crow and The Doktorovs! | 0:24:35 | 0:24:41 | |
Give them a big cheer! | 0:24:41 | 0:24:43 | |
But only one act can go clear. | 0:24:43 | 0:24:45 | |
It will be decided by this. | 0:24:45 | 0:24:47 | |
Gimbert's patented clap-o-meter machine. | 0:24:47 | 0:24:50 | |
The more noise you make, the more you clap and cheer, | 0:24:50 | 0:24:53 | |
then the higher the score. | 0:24:53 | 0:24:55 | |
The higher score, it's quite simple, a bit like Gimbert, goes free. | 0:24:55 | 0:24:58 | |
Who will it be? Well, the first act that you saw was very unusual. | 0:24:58 | 0:25:02 | |
Did they do enough? Let's hear it, please, for Petit Mal! | 0:25:02 | 0:25:06 | |
-CHEERING -Oh! Oh! | 0:25:06 | 0:25:08 | |
Wow! A good score from them. 84.5. That's a good benchmark. | 0:25:13 | 0:25:16 | |
Let's see what happens as we welcome the comic zaniness of a unique act. | 0:25:16 | 0:25:22 | |
Did he do enough? You seemed to like him. | 0:25:22 | 0:25:24 | |
-Please give it up for Chris Lynam! -CHEERING | 0:25:24 | 0:25:29 | |
Oh! Oh! Oh, it's... I think... | 0:25:30 | 0:25:35 | |
-I want my mummy! -He wants his mummy. | 0:25:35 | 0:25:38 | |
He's got Mr Burgess. He gets 84.5. | 0:25:38 | 0:25:41 | |
Wow, that's another close score. | 0:25:41 | 0:25:42 | |
Look at that. It's very, very close at the moment. | 0:25:42 | 0:25:45 | |
In fact, I think it's almost level for Chris Lynam. | 0:25:45 | 0:25:47 | |
Well, the third act, she was only 12 years of age, all the way from | 0:25:47 | 0:25:50 | |
the Highlands of Scotland. Will she be taking the highroad tonight? | 0:25:50 | 0:25:55 | |
Well, let's find out, as you show your appreciation, | 0:25:55 | 0:25:57 | |
jailers and jailbirds, for Emily Crow! | 0:25:57 | 0:26:00 | |
CHEERING | 0:26:00 | 0:26:02 | |
91 points. She goes into the lead. Whoa! Yes! | 0:26:08 | 0:26:12 | |
Well, there's only one more act now. | 0:26:12 | 0:26:13 | |
It's very tense. Yes. Could they do it? | 0:26:13 | 0:26:16 | |
They came all the way from Moscow. Will they be saying "must go"? | 0:26:16 | 0:26:20 | |
-The Doktorovs! -CHEERING | 0:26:20 | 0:26:22 | |
Not quite. 87.5. They didn't quite do it. | 0:26:28 | 0:26:31 | |
That means with a score of 91, going free, it's Emily Crow! | 0:26:31 | 0:26:36 | |
CHEERING | 0:26:36 | 0:26:38 | |
Emily, you're free to go. | 0:26:38 | 0:26:41 | |
Well, jailers and jailbirds, I'm afraid for the rest of you, | 0:26:41 | 0:26:43 | |
that means you're going back to your cells. But the good news is | 0:26:43 | 0:26:46 | |
that you're in time for tea. Let's hope we've got something nice. | 0:26:46 | 0:26:49 | |
Mr Burgess, what's for tea tonight? | 0:26:49 | 0:26:51 | |
Chinese takeaway tonight, sir. | 0:26:51 | 0:26:53 | |
It's a 14, a 6 and a 27. | 0:26:53 | 0:26:55 | |
-Ooh, what are they? -A sloppy, a ploppy and a porridge, sir. | 0:26:55 | 0:26:58 | |
-Get out of it! Go on, take them back to their cells. -Right, you lot! | 0:26:58 | 0:27:01 | |
Give them a big cheer and a round of applause, boys and girls. | 0:27:01 | 0:27:05 | |
Off they go. Well, they're going to have their sloppy, ploppy porridge. | 0:27:05 | 0:27:09 | |
I hope you have something nice for tea, but remember here in | 0:27:09 | 0:27:12 | |
the Slammer, one thing we say - | 0:27:12 | 0:27:14 | |
if you can't sing, dance or rhyme... | 0:27:14 | 0:27:16 | |
Don't do the time! | 0:27:16 | 0:27:19 | |
Right, everybody, bye-bye! | 0:27:19 | 0:27:21 | |
CHEERING AND APPLAUSE | 0:27:21 | 0:27:23 | |
So, I says to Her Majesty, "I'm sorry, I shouldn't | 0:27:35 | 0:27:38 | |
"have eaten that cabbage!" | 0:27:38 | 0:27:40 | |
Hang on a minute... | 0:27:46 | 0:27:48 | |
Ha-ha-ha-ha! | 0:27:50 | 0:27:53 | |
Ha-ha-ha-ha-ha! | 0:27:53 | 0:27:55 | |
I haven't done it yet. | 0:27:55 | 0:27:57 | |
Oh, I just got it. Girls Aloud! | 0:27:57 | 0:27:59 | |
-Frank. -Ha... | 0:27:59 | 0:28:01 |