Browse content similar to Laughing on the Inside. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
'Dear Mum, thank you for the lovely cardigan. I'll wear it every week.' | 0:00:02 | 0:00:06 | |
Thanks. | 0:00:06 | 0:00:07 | |
'You wouldn't believe the acts we had on the freedom show. | 0:00:07 | 0:00:12 | |
'But the big news is about Fronzo, the world's messiest clown. | 0:00:17 | 0:00:22 | |
'Things haven't been going too well for him.' | 0:00:22 | 0:00:26 | |
# You've been found guilty of a howling showbiz crime | 0:00:28 | 0:00:32 | |
# So welcome to the Slammer Where you better serve your time | 0:00:32 | 0:00:37 | |
# Every type of minstrel, entertainer and artiste | 0:00:37 | 0:00:41 | |
# Is going to the limit to try to get released | 0:00:41 | 0:00:45 | |
# So God bless the audience and bring them to the Slammer | 0:00:45 | 0:00:50 | |
# And polish up your act with a bit of glitz and glamour | 0:00:50 | 0:00:55 | |
# Your fate is in their hands So make them join the clamour | 0:00:55 | 0:00:59 | |
# It's the only way you'll ever leave the Slammer | 0:00:59 | 0:01:03 | |
# It's the only way you'll ever leave the Slammer! # | 0:01:03 | 0:01:07 | |
-Well done. You're in the show. Go and get ready. -Move yourselves. | 0:01:08 | 0:01:13 | |
Well, that's the Freedom Show sorted out, Frank. | 0:01:13 | 0:01:17 | |
I've chosen Millie and Tillie, Guy Barrett, | 0:01:17 | 0:01:22 | |
Take Fat and Gandini Jugglers. | 0:01:22 | 0:01:26 | |
-Oh! Frank, careful! -Sorry, sir. | 0:01:26 | 0:01:28 | |
Sir, there is still... | 0:01:28 | 0:01:31 | |
Oh, no. Not him! | 0:01:32 | 0:01:34 | |
Ohh! | 0:01:34 | 0:01:36 | |
Send in the clown. | 0:01:36 | 0:01:38 | |
All right, Fronzo. | 0:01:42 | 0:01:44 | |
Stay very still, lad. Nothing messy, nothing silly. | 0:01:44 | 0:01:49 | |
For the umpteenth time, why should you have a chance at freedom? | 0:01:49 | 0:01:54 | |
Oh, that's better. | 0:02:05 | 0:02:08 | |
Ah-ha-ha-ha! | 0:02:08 | 0:02:10 | |
HONKS HORN | 0:02:10 | 0:02:12 | |
CRAZY LAUGHTER | 0:02:15 | 0:02:17 | |
Frank! Get him! No! | 0:02:20 | 0:02:23 | |
Guv'nor, sir. I'm worried about Fronzo. | 0:02:39 | 0:02:43 | |
-Behind that sad face is... another sad face. -I don't care. | 0:02:43 | 0:02:47 | |
-He stays until he can control his custard. -Slapstick is all he knows. | 0:02:47 | 0:02:52 | |
-Take that away and he'll lose all hope. -I have to be firm, son. | 0:02:52 | 0:02:57 | |
-I can't let that clown walk his big feet all over me. -Sir! | 0:02:57 | 0:03:02 | |
It doesn't make sense. The cell was locked. | 0:03:02 | 0:03:06 | |
-Are you certain? -Honestly, Uncle. I do it the same way every night. | 0:03:06 | 0:03:11 | |
Lock the door, got to be sure, check once more, is it secure? | 0:03:11 | 0:03:15 | |
The wheel's going round, but the hamster's dead. | 0:03:16 | 0:03:20 | |
He's right, I'm afraid, sir. I checked. | 0:03:20 | 0:03:23 | |
-Check the locks, pull up your socks, give it a shake... -Don't you start! | 0:03:23 | 0:03:27 | |
-There's a prisoner loose! -Or has turned into custard! | 0:03:27 | 0:03:32 | |
-Does your head feel tight? -Look, sir, a clue! | 0:03:32 | 0:03:36 | |
Everybody, freeze! Detective Ron Zof, CSI: Stroud. | 0:03:36 | 0:03:41 | |
-Blimey, that was quick. -So which clown is responsible for all this? | 0:03:41 | 0:03:46 | |
Fronzo. And now he's disappeared. | 0:03:46 | 0:03:48 | |
-Ah, interesting. Did he have a bright green afro? -Yes. | 0:03:48 | 0:03:53 | |
-Pale-looking? -Yes! -Sad face? -Yes! -Big, red nose? -Yes, yes! | 0:03:53 | 0:03:57 | |
-I knew it! -He's good! -Shut up! | 0:03:57 | 0:04:00 | |
Get me an APB on all bright vehicles with loud horns emitting bubbles | 0:04:00 | 0:04:04 | |
-and potentially missing doors. -How did he do it? -Too early to say. | 0:04:04 | 0:04:09 | |
-Only one thing we know for certain. -What? -He escaped custardy! | 0:04:09 | 0:04:14 | |
COMEDY MUSIC | 0:04:14 | 0:04:16 | |
No one has come in or out. He's either still here or... | 0:04:21 | 0:04:25 | |
-Or? -Or? | 0:04:25 | 0:04:28 | |
Or? | 0:04:28 | 0:04:29 | |
Or...not. | 0:04:29 | 0:04:31 | |
-Good shot, sir. -OK. I got the custardcology report. | 0:04:32 | 0:04:38 | |
The custard was originally bound for a trifle, possibly custard cream. | 0:04:38 | 0:04:43 | |
-Very well, but we've got a show to do. -Then I'll have to shoot off. | 0:04:43 | 0:04:48 | |
No! We've got an audience full of witnesses. So... | 0:04:48 | 0:04:52 | |
-How do I look? -Divine, sir. -Thank you very much. In that case... | 0:04:52 | 0:04:57 | |
..it's showtime! | 0:04:57 | 0:05:00 | |
Ladies and gentlemen, welcome to HMP Slammer, | 0:05:00 | 0:05:04 | |
where you decide which prisoner is to be released. | 0:05:04 | 0:05:08 | |
Now please welcome your host... | 0:05:08 | 0:05:11 | |
The Guv'nor had a little clown His hair was green and frizzy | 0:05:11 | 0:05:15 | |
But now the clown's gone missing, so the prison's in a tizzy! | 0:05:15 | 0:05:19 | |
It's the Guv'nor! CHEERING | 0:05:19 | 0:05:22 | |
Thank you, thank you. | 0:05:24 | 0:05:27 | |
-Who's the Guv'nor? -ALL: You're the Guv'nor! | 0:05:36 | 0:05:39 | |
We've got today, waiting for you to see if they're going to go free, | 0:05:39 | 0:05:44 | |
some marvellous performers. An illusionist called Guy Barrett, | 0:05:44 | 0:05:49 | |
-a group called Take Fat... -Ooooh! | 0:05:49 | 0:05:52 | |
-And also some wonderful jugglers. -Ooooh! | 0:05:52 | 0:05:56 | |
But right now, please welcome the first cab off the rank, | 0:05:56 | 0:06:01 | |
it's Millie and Tillie! | 0:06:01 | 0:06:03 | |
MUSIC: "The Charleston" | 0:06:09 | 0:06:12 | |
CHEERING | 0:06:16 | 0:06:18 | |
CHEERING | 0:06:37 | 0:06:39 | |
Ooooh! | 0:06:58 | 0:07:00 | |
CHEERING | 0:07:39 | 0:07:41 | |
'One more time!' | 0:08:06 | 0:08:08 | |
CHEERING | 0:08:08 | 0:08:10 | |
CHEERS AND APPLAUSE | 0:08:27 | 0:08:30 | |
Oh, down the rope they come. Millie and Tillie! | 0:08:30 | 0:08:35 | |
Give them a big round of applause! Off to your cell. | 0:08:35 | 0:08:38 | |
Well, I thought that was marvellous. What do you think, Mr Burgess? | 0:08:38 | 0:08:43 | |
Right, Millie and Tillie. Up in the air. Miss? | 0:08:43 | 0:08:47 | |
I thought they were fantastic. I liked when they did the back flip. | 0:08:47 | 0:08:52 | |
-What did you think of them? -It was the best thing I've ever seen. | 0:08:52 | 0:08:57 | |
-Will they go free? -Definitely. | 0:08:57 | 0:09:00 | |
-Sir, what did you think? -It was very wicked and very cool. | 0:09:00 | 0:09:04 | |
-Should they make it a bit longer? -No. -Was that just the right length? | 0:09:04 | 0:09:09 | |
-Yeah. -You wouldn't like to see any more or any less? | 0:09:09 | 0:09:13 | |
-Yeah. -Yes? -Yeah. -A bit less or a bit more? | 0:09:13 | 0:09:18 | |
-Less. -A bit less? -Yes. -So no more than a bit less? | 0:09:18 | 0:09:22 | |
-Or just a bit more? -You're confusing me. | 0:09:22 | 0:09:27 | |
Confusing you, sir? Not a bit of it! | 0:09:27 | 0:09:30 | |
I thought it would be the stuff you normally see, | 0:09:30 | 0:09:34 | |
but it was superb. They have a really good chance. | 0:09:34 | 0:09:38 | |
-One final word. Sum that act up. -Marvellous. | 0:09:38 | 0:09:42 | |
I'm Detective Ron Zof. Have you seen a clown? Green hair, red nose? | 0:09:42 | 0:09:47 | |
-No. -OK. I'm going to look over there. | 0:09:47 | 0:09:51 | |
I'm determined to find this guy. | 0:09:51 | 0:09:54 | |
Well, Millie and Tillie were good, but will they be going free? | 0:09:54 | 0:09:59 | |
You will decide. The next act up is an illusionist. | 0:09:59 | 0:10:04 | |
Will he go free? Let's see | 0:10:04 | 0:10:06 | |
after we enjoy the mystical magic of Guy Barrett! | 0:10:06 | 0:10:11 | |
CHEERING | 0:10:11 | 0:10:13 | |
MUSIC: "Lost In Space" | 0:10:20 | 0:10:23 | |
LAUGHTER | 0:11:02 | 0:11:04 | |
GASPS AND APPLAUSE | 0:11:15 | 0:11:18 | |
LAUGHTER | 0:11:41 | 0:11:43 | |
CHEERING | 0:11:49 | 0:11:51 | |
Oh, yes! | 0:12:14 | 0:12:16 | |
We appreciated Guy Barrett there and the lovely Sarah. | 0:12:16 | 0:12:20 | |
But what did you think of them? Let's see. First dibs, Mr Burgess. | 0:12:20 | 0:12:25 | |
Guy Barrett, magic or just trickery, Miss? | 0:12:25 | 0:12:29 | |
Em, I think the act was spectacular, | 0:12:29 | 0:12:33 | |
especially when he was upside down and the lady appeared in the box. | 0:12:33 | 0:12:37 | |
-What did you think of Guy Barrett and Sarah? -Amazing. | 0:12:37 | 0:12:42 | |
The best illusionist I've ever seen. | 0:12:42 | 0:12:45 | |
-Right, what about you, Miss? -I think that they deserve 100%. | 0:12:45 | 0:12:51 | |
The bit I liked best was when the man was in the box | 0:12:51 | 0:12:56 | |
and his legs were the right way up, but his waist was upside down. | 0:12:56 | 0:13:01 | |
-What did you think? -It was the best think I've ever seen in my life. | 0:13:01 | 0:13:06 | |
-Very good. Will they go free? -I think so. | 0:13:06 | 0:13:09 | |
-Let's see one final word. Miss? -Fabulous. | 0:13:09 | 0:13:13 | |
-Tell me, do you like custard? -No. -Like making people laugh? -No. | 0:13:13 | 0:13:18 | |
Then you are not a clown! | 0:13:18 | 0:13:20 | |
That was the magic of Guy Barrett. | 0:13:20 | 0:13:23 | |
On now to the part of the Slammer | 0:13:23 | 0:13:26 | |
that we call Solitary Confinement! | 0:13:26 | 0:13:29 | |
A SCREAM | 0:13:29 | 0:13:31 | |
Yes, Solitary Confinement, | 0:13:31 | 0:13:34 | |
where we take those prisoners and leave them, the ones who are | 0:13:34 | 0:13:39 | |
too horrible to mix with the others. This is their one chance. | 0:13:39 | 0:13:43 | |
If they're good, at least they get a nice cell. | 0:13:43 | 0:13:47 | |
A lovely cell with comfy slippers and a nice view of the gasworks. | 0:13:47 | 0:13:52 | |
-Oooh! -But...if they don't do well and they get a thumbs down, | 0:13:52 | 0:13:57 | |
it's back to their cell for a cruel and unusual punishment. Mr Burgess? | 0:13:57 | 0:14:02 | |
-Sir! -What is today's cruel and unusual punishment? | 0:14:02 | 0:14:07 | |
This week, sir, it's bursting the boil on Sweaty Trevor's bum, sir. | 0:14:07 | 0:14:12 | |
Eeeew! | 0:14:12 | 0:14:14 | |
All right. For this we need a judge from the audience. Spotted anybody? | 0:14:14 | 0:14:19 | |
-We need somebody. -This young man here, sir. | 0:14:19 | 0:14:23 | |
-Give him a round of applause. Here he comes. -Up on the stage. | 0:14:23 | 0:14:28 | |
-Milking the applause! How are you? -Very fine. -What's your name? -Vinnie. | 0:14:28 | 0:14:33 | |
-Say again. -Vinnie. -Gimme five, Vinnie! Cool. ..Ow. Hurt my hand. | 0:14:33 | 0:14:38 | |
Right, Vinnie, you'll give the thumbs up or thumbs down | 0:14:38 | 0:14:43 | |
after we've seen today's act. | 0:14:43 | 0:14:46 | |
Today it's Holly and her yodelling chicken | 0:14:46 | 0:14:50 | |
who is performing from Solitary Confinement! | 0:14:50 | 0:14:54 | |
SHE YODELS... AND SO DOES THE CHICKEN | 0:15:02 | 0:15:06 | |
Give her a round of applause. | 0:15:36 | 0:15:39 | |
Now then, here's our judge. What do you think, Judge? | 0:15:39 | 0:15:45 | |
Remember, thumbs up and it's fun in the sun, | 0:15:45 | 0:15:49 | |
-thumbs down and it's Trevor's bum. -LAUGHTER | 0:15:49 | 0:15:52 | |
You've got to decide. You've got five seconds. | 0:15:52 | 0:15:57 | |
Is it going to be up or down? It's up to you. | 0:15:57 | 0:16:01 | |
Ohh! It's thumbs down! | 0:16:02 | 0:16:05 | |
Well done, our judge. Give him a round of applause. | 0:16:05 | 0:16:09 | |
Don't forget your chicken! There we are. | 0:16:09 | 0:16:13 | |
She's gone back to Solitary Confinement. Oh... | 0:16:13 | 0:16:18 | |
SHE SOBS | 0:16:18 | 0:16:20 | |
-Pop! -Eeeew! | 0:16:20 | 0:16:22 | |
That were bigger than a pimple. On to our next performer. | 0:16:23 | 0:16:28 | |
Jailers and jailbirds, please welcome five young men | 0:16:28 | 0:16:32 | |
who are really spreading. Please welcome...Take Fat! | 0:16:32 | 0:16:38 | |
Ladies and gentlemen, Jason Chocolate Orange, Blobby Williams, | 0:16:38 | 0:16:43 | |
Gary Lardo, Howard McDonald's and Mark Growing! | 0:16:43 | 0:16:48 | |
# Today this could be | 0:16:48 | 0:16:52 | |
# The greatest day of our lives | 0:16:52 | 0:16:55 | |
# Can you see it? | 0:16:56 | 0:16:58 | |
# Can you see it in my eyes? | 0:17:00 | 0:17:05 | |
# Can you feel it now? | 0:17:05 | 0:17:08 | |
# Can you hold it in your arms | 0:17:09 | 0:17:14 | |
# Tonight? | 0:17:14 | 0:17:19 | |
# Ohhh | 0:17:21 | 0:17:23 | |
# You are such a big star to me | 0:17:28 | 0:17:31 | |
# You're everything I wanna be | 0:17:32 | 0:17:35 | |
# But you're stuck in a hole | 0:17:35 | 0:17:37 | |
# And I want you to get out | 0:17:37 | 0:17:40 | |
# I don't know what there is to see | 0:17:40 | 0:17:43 | |
# But I know it's time for you to leave | 0:17:43 | 0:17:46 | |
# We're all just pushing along Trying to figure it out, out, out | 0:17:46 | 0:17:51 | |
# Only your anticipation pulls you down | 0:17:51 | 0:17:55 | |
# Cos you can have it all | 0:17:55 | 0:17:58 | |
# You can have it a-a-all | 0:17:58 | 0:18:02 | |
# So, come on, see the light On you face | 0:18:02 | 0:18:06 | |
# Let it shine Just let it shi-i-ine | 0:18:06 | 0:18:12 | |
# Let it shine | 0:18:12 | 0:18:14 | |
# You light | 0:18:14 | 0:18:17 | |
# The skies up above you | 0:18:17 | 0:18:23 | |
# A star | 0:18:26 | 0:18:29 | |
# So bright | 0:18:29 | 0:18:32 | |
# You blind me, yeah | 0:18:32 | 0:18:36 | |
# Don't close | 0:18:37 | 0:18:40 | |
# Your eyes | 0:18:40 | 0:18:43 | |
# Don't fade away | 0:18:43 | 0:18:45 | |
# Don't fade away | 0:18:45 | 0:18:48 | |
# Oooh | 0:18:48 | 0:18:50 | |
# Yeah, you and me We can ride on a star | 0:18:50 | 0:18:54 | |
# If you stay with me, girl | 0:18:54 | 0:18:58 | |
# We can rule the world! # | 0:18:58 | 0:19:02 | |
CHEERING AND APPLAUSE | 0:19:03 | 0:19:06 | |
Right, take them off. Give them a cheer - Take Fat! | 0:19:06 | 0:19:11 | |
Yeah! Hey! | 0:19:11 | 0:19:14 | |
-Mr Burgess, what do you think? Take Fat? -Right, Take That or Take Fat? | 0:19:14 | 0:19:20 | |
-Take Fat. -Take Fat. | 0:19:20 | 0:19:23 | |
Take That or Take An 'at? | 0:19:23 | 0:19:25 | |
I think they were... very fantastic. | 0:19:25 | 0:19:29 | |
And I'm definitely, definitely going to give them my vote. | 0:19:29 | 0:19:34 | |
-They'll get your vote today? -Yes. | 0:19:34 | 0:19:37 | |
You had Gary Lardo, Jason Chocolate Orange, | 0:19:37 | 0:19:41 | |
Howard McDonald's, Mark Growing and Blobby Williams. | 0:19:41 | 0:19:45 | |
-Who's your favourite? -Blobby Williams. -Just like in real life. | 0:19:45 | 0:19:50 | |
So to sum up Take Fat | 0:19:50 | 0:19:53 | |
-in one final word... -Amazing. | 0:19:53 | 0:19:56 | |
-You could be a clown. Do you like custard? -Yes. | 0:19:56 | 0:20:01 | |
-Do you eat it? -No. -Would you throw it? -Yes. | 0:20:01 | 0:20:05 | |
You could be a clown! I'm looking at you. With these eyes. | 0:20:05 | 0:20:09 | |
The ones in the back of my head! | 0:20:09 | 0:20:12 | |
Well, that's Take Fat. Will they go free? Who knows? | 0:20:12 | 0:20:16 | |
Only you, felon fans, can decide. One more performing prisoner to see. | 0:20:16 | 0:20:21 | |
Please welcome the fabulous Gandini Jugglers! | 0:20:21 | 0:20:25 | |
MUSIC: "Mas Que Nada" by Black-Eyed Peas | 0:20:29 | 0:20:33 | |
# Oaria raio | 0:20:44 | 0:20:49 | |
# Oba, oba, oba | 0:20:49 | 0:20:53 | |
# Mas que nada | 0:20:54 | 0:20:56 | |
# Black-Eyed Peas came to make it hotter | 0:20:56 | 0:20:59 | |
# We beat the party starters Bubblin' up just like lava | 0:20:59 | 0:21:03 | |
# Like lava Heated like a sauna | 0:21:03 | 0:21:06 | |
# Penetratin' thru your body armour Rhythmically we massage ya | 0:21:06 | 0:21:10 | |
# With hip hop mixed up with samba | 0:21:10 | 0:21:13 | |
# With samba, so yes, yes, y'all We never stop, we never rest y'all | 0:21:13 | 0:21:17 | |
# Keepin' it funky fresh y'all | 0:21:17 | 0:21:20 | |
# And we won't stop until we get y'all, get y'all sayin' | 0:21:20 | 0:21:24 | |
# Oaria raio | 0:21:24 | 0:21:29 | |
# Oba, oba, oba | 0:21:29 | 0:21:32 | |
# Oh-oh-oh-oh | 0:21:34 | 0:21:37 | |
# Oaria raio | 0:21:37 | 0:21:39 | |
# Oba, oba, oba | 0:21:39 | 0:21:43 | |
# Peter Piper picked peppers but Tab rapped rhymes | 0:21:43 | 0:21:45 | |
# 1, 2, 3, 4, several times | 0:21:45 | 0:21:48 | |
# Heavy rotation played by every kind Radio stations blastin' every mind | 0:21:48 | 0:21:53 | |
# You know we never stop We never rest y'all | 0:21:53 | 0:21:56 | |
# Keepin' it funky fresh y'all | 0:21:56 | 0:21:59 | |
# We won't stop until we get y'all Until we get y'all | 0:21:59 | 0:22:02 | |
# Oh-oh-oh-oh-oh | 0:22:02 | 0:22:06 | |
# Oaria raio | 0:22:06 | 0:22:09 | |
# Oba, oba, oba | 0:22:09 | 0:22:12 | |
# Drop hot hot be my daily operation | 0:22:12 | 0:22:15 | |
# Got to put in work in this crazy occupation | 0:22:15 | 0:22:19 | |
# We took an old samba song and we remixed it | 0:22:19 | 0:22:22 | |
# Check it out | 0:22:26 | 0:22:28 | |
# Oaria raio | 0:22:28 | 0:22:33 | |
# Oba, oba, oba | 0:22:33 | 0:22:37 | |
# Oh-oh-oh-oh-oh | 0:22:37 | 0:22:39 | |
# Oaria raio | 0:22:39 | 0:22:42 | |
# Oba, oba, oba! # | 0:22:42 | 0:22:45 | |
CHEERING AND APPLAUSE | 0:22:50 | 0:22:53 | |
Oh, wonderful. | 0:22:53 | 0:22:55 | |
Oh, well, there they are. Give them a big cheer! | 0:22:58 | 0:23:02 | |
-The Gandini Jugglers there! -CHEERING | 0:23:02 | 0:23:06 | |
They were good, the jugglers, but were they good enough to get out? | 0:23:06 | 0:23:12 | |
-Let's find out with Mr Burgess. -Well, the Gandini Jugglers. | 0:23:12 | 0:23:16 | |
-Did they juggle your boat, Miss? -Brilliant and fantastic. 100%. | 0:23:16 | 0:23:20 | |
They did good tricks and they were very clever. | 0:23:20 | 0:23:25 | |
They WERE very clever. If we released them today, Miss, | 0:23:25 | 0:23:30 | |
-would they fit back into showbiz society? -Yeah. | 0:23:30 | 0:23:35 | |
-What about this young lady here? -I think it was very good. | 0:23:35 | 0:23:40 | |
They had lots of good tricks and it was cool when they light up. | 0:23:40 | 0:23:44 | |
-You didn't read that, did you? -I did. -But you read it very well. | 0:23:44 | 0:23:49 | |
-Do they deserve to go free? -Yeah. | 0:23:49 | 0:23:51 | |
-One final word, Miss... -Marvellous. | 0:23:51 | 0:23:55 | |
-Have you seen a clown? -Yeah. -What do clowns look like? | 0:23:55 | 0:23:59 | |
They've got big red roses here. | 0:23:59 | 0:24:02 | |
And... they're made out of plastic. | 0:24:02 | 0:24:07 | |
Elementary, my dear sir. | 0:24:07 | 0:24:10 | |
Well, criminal critics, there are your four acts. | 0:24:10 | 0:24:14 | |
Let's welcome them all back - Millie and Tillie! Guy Barrett! | 0:24:14 | 0:24:18 | |
Take Fat! And Gandini Jugglers! Keep that applause going for them! | 0:24:18 | 0:24:23 | |
They were all marvellous! Hello. | 0:24:23 | 0:24:26 | |
If you go round there... Oh, lovely. | 0:24:26 | 0:24:30 | |
Which of these wonderful acts will be going free from the Slammer? | 0:24:30 | 0:24:35 | |
They were all brilliant. You've got to decide now by making a noise | 0:24:35 | 0:24:41 | |
recorded on this fabulous clapometer. All the lights going. | 0:24:41 | 0:24:45 | |
The more noise, the higher the score. Who's it going to be? | 0:24:45 | 0:24:50 | |
The first act was the lovely Millie and Tillie! | 0:24:50 | 0:24:54 | |
Wow! | 0:24:59 | 0:25:01 | |
Well done, ladies. 89.3. That's a good score. | 0:25:01 | 0:25:05 | |
89.3. Well, it was a mystery with Guy Barrett. | 0:25:05 | 0:25:09 | |
He had a lady who appeared from nowhere. Guy Barrett with Sarah! | 0:25:09 | 0:25:15 | |
Come on! | 0:25:15 | 0:25:18 | |
80. You peaked at 80. | 0:25:20 | 0:25:22 | |
We'll have to lock you up in your cabinets again. | 0:25:22 | 0:25:27 | |
For the next act, we had to reinforce the stage. They were big. | 0:25:27 | 0:25:32 | |
Will they be big on the outside? It's Take Fat! | 0:25:32 | 0:25:36 | |
Wow! | 0:25:43 | 0:25:45 | |
Wow. 87.6. | 0:25:45 | 0:25:47 | |
That means still in the lead it's Millie and Tillie on 89.3. | 0:25:48 | 0:25:53 | |
Now then, let's hear it for Gandini Jugglers! | 0:25:53 | 0:25:58 | |
Oh! Oh! | 0:26:02 | 0:26:05 | |
You've gone in the lead! With a grand score of 91.7! | 0:26:05 | 0:26:10 | |
It's Gandini Jugglers! Set them free, Mr Burgess! | 0:26:10 | 0:26:15 | |
No time to say goodbye. You've got to go. | 0:26:15 | 0:26:18 | |
The rest are going back to their cells. What's for tea, Mr Burgess? | 0:26:18 | 0:26:24 | |
-A Scottish favourite - sloppy, ploppy porridge. -That's not Scottish! | 0:26:24 | 0:26:28 | |
-It is if you drop an 'aggis in it! -Take them to the cells! | 0:26:28 | 0:26:32 | |
Give them a round of applause! | 0:26:32 | 0:26:35 | |
Better luck next time. You were good, though. Very good. | 0:26:35 | 0:26:41 | |
Well, that's it from the Slammer this week. | 0:26:41 | 0:26:45 | |
We'll be back for more performing prisoner frolics soon. | 0:26:45 | 0:26:49 | |
Until then, if you can't sing, dance, or rhyme, don't do the crime! | 0:26:49 | 0:26:55 | |
Bye-bye, everybody! Bye-bye! | 0:26:55 | 0:26:58 | |
# We all know where you've been Inside the Slammer! # | 0:27:08 | 0:27:13 | |
-Good luck with the investigation. -Have a nice day. -I still don't know | 0:27:13 | 0:27:17 | |
how that clown got out. | 0:27:17 | 0:27:20 | |
Just a minute, Mr Zof. That's a lovely flower. Recognise it, sir? | 0:27:20 | 0:27:25 | |
Flower? | 0:27:25 | 0:27:27 | |
Oh! It's him! | 0:27:29 | 0:27:31 | |
-He's a raving lunatic, sir. -Of course. | 0:27:33 | 0:27:37 | |
-Ron Zof - Fronzo. Anagram. -Who's Anna Gram? | 0:27:37 | 0:27:41 | |
Email [email protected] | 0:27:42 | 0:27:45 |