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"Dear Mum. Thanks for washing Charlie. Not sure about the ribbons." | 0:00:02 | 0:00:05 | |
-I hate that woman! -Shh, Charlie! -Oh! | 0:00:05 | 0:00:08 | |
"We had some great acts on the Freedom Show today. | 0:00:08 | 0:00:11 | |
"The acts were on fire! | 0:00:11 | 0:00:13 | |
"The audience were amazed and some people got a bit carried away." | 0:00:13 | 0:00:17 | |
I'm going in, Frank! | 0:00:17 | 0:00:19 | |
"We even had Marvellous Marvin. Yes, Mum. THE Marvellous Marvin. | 0:00:19 | 0:00:23 | |
Although, his act wasn't quite what we expected. | 0:00:23 | 0:00:26 | |
You can say that again! | 0:00:26 | 0:00:28 | |
-Although his act wasn't quite... -Not literally, you drongo! | 0:00:28 | 0:00:31 | |
# You've been found guilty of a howling showbiz crime | 0:00:35 | 0:00:39 | |
# So welcome to The Slammer where you're gonna serve your time | 0:00:39 | 0:00:45 | |
# With every type of minstrel, entertainer and artiste | 0:00:45 | 0:00:48 | |
# Performing to the limit to try and get released | 0:00:48 | 0:00:53 | |
# So go and fetch the audience, bring them to The Slammer | 0:00:53 | 0:00:57 | |
# And polish up your act, with a bit of glitz and glamour | 0:00:57 | 0:01:02 | |
# Your fate is in their hands, so make them cheer and clamour | 0:01:02 | 0:01:06 | |
# It's the only way you'll ever leave The Slammer | 0:01:06 | 0:01:09 | |
# It's the only way you'll ever leave The Slammer! # | 0:01:09 | 0:01:15 | |
-We need one more act for today's Freedom Show. -I have a list here. | 0:01:15 | 0:01:20 | |
Stand still! Here. Give. | 0:01:20 | 0:01:23 | |
James Freedman, Sir. The amazing showbiz pickpocket! On your way, lad. | 0:01:23 | 0:01:27 | |
Very good. Although I can't condone it. | 0:01:27 | 0:01:30 | |
We've also got Pyromantic, the aerial fire act | 0:01:30 | 0:01:33 | |
-and A Cherry On Top! -GIRLS: Wooo! | 0:01:33 | 0:01:36 | |
-Oooh, that looks good. -Sir. | 0:01:39 | 0:01:42 | |
Sir! May I remind you of your position in this prison? | 0:01:45 | 0:01:49 | |
You mean this one... | 0:01:49 | 0:01:51 | |
No, Sir. I mean the position of governor. | 0:01:51 | 0:01:54 | |
-You cannot be seen can-canning with prisoners, Sir. -Quite right, Frank. | 0:01:54 | 0:01:58 | |
Although that does look good. | 0:01:58 | 0:02:00 | |
DOOR BELL RINGS Gimbert, go and see who it is. | 0:02:00 | 0:02:03 | |
If it's that old woman selling lucky heather again, | 0:02:03 | 0:02:06 | |
you can tell her from me, | 0:02:06 | 0:02:07 | |
-I'll have five bunches. You can never have too much lucky heather! -Quite. | 0:02:07 | 0:02:11 | |
So, who are we going to have for today's Freedom Show act? | 0:02:11 | 0:02:15 | |
I can't believe it... | 0:02:15 | 0:02:18 | |
Marvellous Marvin here, in The Slammer! | 0:02:18 | 0:02:21 | |
Wait 'til Gov finds out! | 0:02:21 | 0:02:22 | |
You're a fan, are you? | 0:02:22 | 0:02:24 | |
Am I? Oh, yeah, I am. | 0:02:24 | 0:02:26 | |
Is it true that anyone who doesn't like your act | 0:02:26 | 0:02:29 | |
-knows nothing about showbiz? -100% true as the nose on your face! | 0:02:29 | 0:02:34 | |
As mustard! Like sunshine! | 0:02:34 | 0:02:37 | |
-Sunshine. -But what is your act? | 0:02:37 | 0:02:39 | |
Ah, that would be telling, wouldn't it? Tell you what, | 0:02:39 | 0:02:42 | |
come along and see the show. Bring your mother! Smashing! | 0:02:42 | 0:02:46 | |
Frank, there must be someone good enough for today's Freedom Show. | 0:02:48 | 0:02:53 | |
You...could always let Mr Methane have another go, Sir. | 0:02:53 | 0:02:56 | |
Just a joke... | 0:02:56 | 0:02:57 | |
Gentlemen! | 0:02:58 | 0:03:00 | |
Your troubles are over! | 0:03:00 | 0:03:02 | |
Who are you? | 0:03:02 | 0:03:03 | |
Marvellous Marvin! You may have heard of me. | 0:03:03 | 0:03:05 | |
-Yes. -No. -Of course we have! Marvellous Marvin. | 0:03:05 | 0:03:09 | |
The man with the greatest act the world has ever seen! | 0:03:09 | 0:03:12 | |
Here, in The Slammer! | 0:03:12 | 0:03:13 | |
But what brings you here, Marv? | 0:03:13 | 0:03:15 | |
Let's just say I had a bit of bother | 0:03:15 | 0:03:17 | |
while performing for the Prime Minister. | 0:03:17 | 0:03:20 | |
Nothing to worry about - he loved it! | 0:03:20 | 0:03:22 | |
Besides, it seem to have brought me here at precisely the right moment. | 0:03:22 | 0:03:26 | |
-I believe you're looking for a new act. -Oh, yes, we are! | 0:03:26 | 0:03:29 | |
Just imagine it - Marvellous Marvin, here in the Freedom Show! | 0:03:29 | 0:03:33 | |
I can't believe our luck! He's the greatest act the world's ever seen. | 0:03:33 | 0:03:37 | |
Is he really, Sir? What does he do, exactly? | 0:03:37 | 0:03:40 | |
Well...eh...he... | 0:03:40 | 0:03:42 | |
Woooo! | 0:03:42 | 0:03:44 | |
MAKES HORN SOUND | 0:03:44 | 0:03:45 | |
Eh...tell him, Gimbert! | 0:03:45 | 0:03:47 | |
I don't know exactly. | 0:03:47 | 0:03:48 | |
But I've heard it's the greatest act the world's ever seen! | 0:03:48 | 0:03:52 | |
If you've both heard that he's good, then he must be. | 0:03:52 | 0:03:55 | |
I am good. In fact, I'm great. | 0:03:55 | 0:03:58 | |
I'm...marvellous! | 0:03:58 | 0:04:02 | |
What's more, it's a well known fact that anybody who doesn't like my act | 0:04:04 | 0:04:08 | |
knows absolutely nothing about showbiz. | 0:04:08 | 0:04:10 | |
So I expect YOU won't like it. Whereas, the Governor, | 0:04:10 | 0:04:14 | |
who knows everything there is to know about showbiz, will love it! | 0:04:14 | 0:04:19 | |
Marv, you're in. Go and get ready for today's Freedom Show. | 0:04:19 | 0:04:23 | |
-Give him a hand. You can share Peter Nokio's cell. -Ta-ta, fellas. | 0:04:23 | 0:04:27 | |
Oh, what a nice man. | 0:04:27 | 0:04:29 | |
I don't like him, Sir. | 0:04:29 | 0:04:30 | |
Doesn't surprise me, Frank. After all, you know nothing about showbiz. | 0:04:30 | 0:04:35 | |
I on the other hand, can't wait to see | 0:04:35 | 0:04:38 | |
the greatest act the world has ever seen! | 0:04:38 | 0:04:41 | |
I wonder what it is. | 0:04:43 | 0:04:45 | |
CROWD: MARVIN, MARVIN! | 0:04:45 | 0:04:47 | |
SHUT UP! | 0:04:47 | 0:04:49 | |
I'm telling you, I don't know what his act is. | 0:04:49 | 0:04:51 | |
You share a cell, you must have seen him practising? | 0:04:51 | 0:04:54 | |
No, I can never catch him. See for yourselves! | 0:04:54 | 0:04:56 | |
See? | 0:05:05 | 0:05:07 | |
Hello! | 0:05:07 | 0:05:09 | |
Everybody ready to see... | 0:05:09 | 0:05:11 | |
ALL: ..the greatest act the world has ever seen? | 0:05:11 | 0:05:14 | |
-Follow me, then! -Brilliant! | 0:05:16 | 0:05:19 | |
I haven't been this excited since the bakery's doughnut sale! | 0:05:20 | 0:05:23 | |
Blimey, you really are excited! | 0:05:23 | 0:05:25 | |
-Mr Burgess. -Sir. -How do I look? | 0:05:25 | 0:05:27 | |
-Divine, Sir. -Very well, let's get on with it! | 0:05:27 | 0:05:30 | |
It's showtime! | 0:05:31 | 0:05:33 | |
Oh, yes! | 0:05:33 | 0:05:35 | |
'Ladies and Gentlemen, welcome to HMP Slammer, | 0:05:35 | 0:05:39 | |
'where you decide which prisoner is to be released. | 0:05:39 | 0:05:42 | |
'Now, please welcome your host, | 0:05:42 | 0:05:44 | |
'he's the greatest governor the world has ever seen... | 0:05:44 | 0:05:50 | |
'It's The Governor!' | 0:05:50 | 0:05:53 | |
APPLAUSE | 0:05:53 | 0:05:55 | |
WHO'S THE GOVERNOR? | 0:06:07 | 0:06:09 | |
AUDIENCE: YOU ARE! | 0:06:09 | 0:06:10 | |
Well, it is The Slammer, it's the Freedom Show. | 0:06:10 | 0:06:13 | |
It's your chance to decide who goes free | 0:06:13 | 0:06:16 | |
from all the performing prisoner acts. | 0:06:16 | 0:06:19 | |
We've got some great acts. | 0:06:19 | 0:06:21 | |
We've got a sensational dance act called A Cherry On Top! | 0:06:21 | 0:06:26 | |
A pickpocket act by the name of James Freedman. | 0:06:26 | 0:06:30 | |
And an act known as the greatest act the world has ever seen, | 0:06:30 | 0:06:34 | |
Marvellous Marvin! | 0:06:34 | 0:06:35 | |
Here's an act to get you warmed up. | 0:06:37 | 0:06:38 | |
They're the hottest act in The Slammer, the hottest act in town. | 0:06:38 | 0:06:43 | |
Pyromantics! | 0:06:43 | 0:06:45 | |
APPLAUSE | 0:06:45 | 0:06:47 | |
Give us your cheers, ladies and gentlemen, for Pyromantic! | 0:09:05 | 0:09:09 | |
Oh, sensational! | 0:09:09 | 0:09:11 | |
But were they hot stuff, or just a bit of a damp squib? | 0:09:11 | 0:09:14 | |
Let's find out with Mr Burgess! | 0:09:14 | 0:09:17 | |
Pyromantic, there. Was it red hot for you, Miss? | 0:09:17 | 0:09:20 | |
Em...It was amazing. | 0:09:20 | 0:09:23 | |
Because that lady didn't set fire to the ropes when she did that flip. | 0:09:23 | 0:09:30 | |
Would have been a disaster if she'd set fire to the ropes, wouldn't it? | 0:09:30 | 0:09:34 | |
-Yes. -What was the best bit about the whole act? | 0:09:34 | 0:09:36 | |
Her flying in the air upside down. I thought that was amazing. | 0:09:36 | 0:09:41 | |
-You don't see that everyday, do you? -No. | 0:09:41 | 0:09:42 | |
Let's get a man's perspective. | 0:09:42 | 0:09:45 | |
I thought it was magnificent. | 0:09:45 | 0:09:47 | |
They're going to get my vote. No-one can beat them. So... | 0:09:47 | 0:09:51 | |
hot stuff. Hot stuff, guys! | 0:09:51 | 0:09:53 | |
This young man here. What did you think? | 0:09:53 | 0:09:56 | |
-I think that was a really good act. -Yes? -Yeah. | 0:09:56 | 0:09:58 | |
-Would you do that? -No! | 0:09:58 | 0:10:00 | |
In one final word, sum that act up for me, Sir. | 0:10:00 | 0:10:03 | |
-Outstanding. -Outstanding, Sir! | 0:10:03 | 0:10:06 | |
Seriously, folks. You're only going to spoil it for yourselves. | 0:10:09 | 0:10:14 | |
Now trust me, I am worth waiting for. | 0:10:14 | 0:10:16 | |
For the next act, we're going to France. Oui, oui! | 0:10:19 | 0:10:23 | |
No, I don't want a wee-wee, that's what they say in France! | 0:10:23 | 0:10:26 | |
Please, show your appreciation for A Cherry On Top! | 0:10:26 | 0:10:30 | |
Oh, that looks good! | 0:11:08 | 0:11:10 | |
Gov... No, come here. | 0:11:14 | 0:11:16 | |
-I'm going in, Frank! -Gov! | 0:11:16 | 0:11:18 | |
-Frank, I want to go on! -I think you've had enough. | 0:11:38 | 0:11:41 | |
Ladies and gentlemen, give the ladies a round of applause! | 0:12:57 | 0:13:01 | |
Give them a big hand there, ladies and gentlemen! | 0:13:01 | 0:13:05 | |
What do you think of A Cherry On Top? | 0:13:05 | 0:13:07 | |
Right. A Cherry On Top, there. | 0:13:07 | 0:13:09 | |
Can-can or can't-can't, Miss? | 0:13:09 | 0:13:11 | |
It was great. The fact it was different made it stand out. | 0:13:11 | 0:13:15 | |
They've already won in my eyes. Go, girls! | 0:13:15 | 0:13:19 | |
What about you? Did you enjoy it and how would you describe that act? | 0:13:19 | 0:13:23 | |
I enjoyed it very well and it was unique. | 0:13:23 | 0:13:25 | |
It was unique. Don't you think it was good | 0:13:25 | 0:13:27 | |
when the big fella in the white suit joined in? | 0:13:27 | 0:13:30 | |
-Yeah, but I think that fella needed a bit more practice. -Oh, cheek! | 0:13:30 | 0:13:34 | |
-What about you? -They should be proud because the act is so different. | 0:13:34 | 0:13:38 | |
It impressed me and my friends. I bet the boys loved it. | 0:13:38 | 0:13:42 | |
BOYS: Oooh! | 0:13:42 | 0:13:45 | |
All right, keep it down. | 0:13:45 | 0:13:47 | |
-Don't you think I was born to be a dancer? -Yes. | 0:13:47 | 0:13:50 | |
-Do you think the girls would sign me up to their troupe? -They should. | 0:13:50 | 0:13:54 | |
Have they done enough to be released from The Slammer? | 0:13:54 | 0:13:58 | |
-Yeah. So far they're my favourite. -Yes. | 0:13:58 | 0:14:00 | |
For the final word, sum that act up for me. | 0:14:00 | 0:14:03 | |
-Awesome! -Awesome, Sir. | 0:14:03 | 0:14:05 | |
That's A Cherry On Top. They could be dancing away from The Slammer. | 0:14:05 | 0:14:10 | |
Now, it's time for the part of The Slammer that we call | 0:14:10 | 0:14:13 | |
Solitary Confinement! | 0:14:13 | 0:14:15 | |
Ooh. Oh, yes. | 0:14:17 | 0:14:18 | |
These are the acts whose show business crimes are so awful, | 0:14:18 | 0:14:22 | |
we have to keep them away from the rest of the performers. | 0:14:22 | 0:14:25 | |
We give them a chance to perform. They don't go free, | 0:14:25 | 0:14:28 | |
but if they do well, they have something nice. | 0:14:28 | 0:14:31 | |
Today, if they do well, | 0:14:31 | 0:14:32 | |
we put them in the cell with a nice pair of comfy slippers. | 0:14:32 | 0:14:35 | |
But if they don't, they go back to their cell | 0:14:35 | 0:14:37 | |
-for a cruel and unusual punishment. Mr Burgess! -Sir! | 0:14:37 | 0:14:42 | |
What is today's cruel and unusual punishment? | 0:14:42 | 0:14:44 | |
Today's, Sir, is being slapped with a kipper until they're sick, Sir. | 0:14:44 | 0:14:49 | |
-Well, we need a judge, as ever. So, Mr Burgess. -Sir. | 0:14:49 | 0:14:51 | |
Could you select a judge from the audience? | 0:14:51 | 0:14:54 | |
You, Madam! Come this way. | 0:14:54 | 0:14:57 | |
Give her a round of applause! | 0:14:57 | 0:15:00 | |
-What's your name? -Amy. | 0:15:00 | 0:15:01 | |
Judge Amy. Have you got a thumb? I'd like to see your thumb. | 0:15:01 | 0:15:05 | |
That's all you need for now, because it's time for today's act from | 0:15:05 | 0:15:08 | |
Solitary Confinement! | 0:15:08 | 0:15:10 | |
Hello, everyone. | 0:15:16 | 0:15:17 | |
ALL: Hello. | 0:15:17 | 0:15:19 | |
Put your hands up if you'd like to take part in this act. | 0:15:19 | 0:15:23 | |
You, young man. Come and take a seat on my stool. | 0:15:23 | 0:15:26 | |
Make yourself comfortable on there. Thank you very much. | 0:15:26 | 0:15:29 | |
Anyone else? That young lady, there. | 0:15:29 | 0:15:32 | |
Come up on stage and make yourself comfortable on my stool. | 0:15:32 | 0:15:35 | |
As usual, we start with the ladies. | 0:15:35 | 0:15:38 | |
Just stay there. | 0:15:55 | 0:15:57 | |
OK, we're finished. So, young lady. Come and stand here for me, please. | 0:16:16 | 0:16:22 | |
Young man, come and take your position here. | 0:16:22 | 0:16:25 | |
And here are your drawings. | 0:16:25 | 0:16:27 | |
Have you seen them, Amy? Have you had a look at them? | 0:16:33 | 0:16:37 | |
Turn around there for a moment. | 0:16:37 | 0:16:39 | |
Thumbs up - it's a comfy cell and a slipper. | 0:16:39 | 0:16:42 | |
Thumbs down - it's a load of sick and a kipper! | 0:16:42 | 0:16:45 | |
Are you ready for this, Amy? Hold that thumb up. | 0:16:45 | 0:16:47 | |
You've got five seconds to decide - what's it going to be? Here we go. | 0:16:47 | 0:16:52 | |
It's thumbs up, hooray! Off he goes with a nice pair of slippers. | 0:16:52 | 0:16:56 | |
Give these youngsters a nice round of applause. Off you go, kids. | 0:16:56 | 0:17:00 | |
Great stuff and well done to Amy, the judge! | 0:17:00 | 0:17:05 | |
Still to come we've got the greatest act the world has ever seen. | 0:17:05 | 0:17:09 | |
He's tremendous. | 0:17:09 | 0:17:10 | |
But now, we've got an act that's a pickpocket. So he's in The Slammer. | 0:17:10 | 0:17:14 | |
He's absolutely sensational. Jailers and jailbirds, please welcome | 0:17:14 | 0:17:17 | |
James Freedman! | 0:17:17 | 0:17:19 | |
APPLAUSE | 0:17:20 | 0:17:22 | |
-Hello! -AUDIENCE: Hello. -It's great to be here. | 0:17:26 | 0:17:29 | |
My name's James and I'm a pickpocket. | 0:17:29 | 0:17:31 | |
But don't worry, I'm one of the good ones, I give it all back. | 0:17:31 | 0:17:35 | |
I thought I'd give you a lesson on why you should avoid pickpockets. | 0:17:35 | 0:17:38 | |
-The young man in a yellow t-shirt. What's your name? -Yacov. | 0:17:38 | 0:17:43 | |
-And we haven't met before? -No. -Nice to meet you. | 0:17:43 | 0:17:45 | |
Join me on stage. Give Yacov a big hand. | 0:17:45 | 0:17:49 | |
Thank you for helping me. Stand just there. Perfect. | 0:17:49 | 0:17:52 | |
We also need a security consultant, who knows about keeping things safe. | 0:17:52 | 0:17:56 | |
Mr Gimbert, would you help me? Let's hear it for Mr Gimbert! | 0:17:56 | 0:18:03 | |
It'll be difficult to take something because your pockets are buttoned. | 0:18:03 | 0:18:06 | |
-Do you carry anything in your trouser pockets? -My keys. | 0:18:06 | 0:18:09 | |
He's got his keys... They're attached, that's difficult. | 0:18:09 | 0:18:12 | |
Anything in your trouser pocket on this side? | 0:18:12 | 0:18:15 | |
I don't know, my mum packs my pockets. | 0:18:15 | 0:18:17 | |
-Are you wearing a watch? -Yes. | 0:18:17 | 0:18:18 | |
I could try for things one at a time | 0:18:18 | 0:18:20 | |
because you're wearing a watch and the keys are attached to a chain. | 0:18:20 | 0:18:23 | |
-What time is it? -It's, um... | 0:18:23 | 0:18:25 | |
Well, I've got your watch. It must have just slipped off | 0:18:25 | 0:18:28 | |
and came into my hand. Thank you very much! | 0:18:28 | 0:18:31 | |
I could take Mr Gimbert's watch because I could see it. | 0:18:32 | 0:18:35 | |
That's the way pickpockets on the street work. | 0:18:35 | 0:18:38 | |
They see it and then take it. | 0:18:38 | 0:18:39 | |
They've got some cunning ways to find out what's in your pockets. | 0:18:39 | 0:18:43 | |
Mr Gimbert, stand in the middle and face me. | 0:18:43 | 0:18:45 | |
I'll show you some of their secrets. They wait until you're in a shop | 0:18:45 | 0:18:49 | |
and take out your wallet. Have you got a wallet? | 0:18:50 | 0:18:52 | |
-I do. There's no money in it. -Why's that? | 0:18:52 | 0:18:54 | |
-My uncle looks after all my money. -Your uncle's got all your money! | 0:18:54 | 0:18:58 | |
When you open your wallet, as you put it away in your inside pocket, | 0:18:58 | 0:19:04 | |
a lookout with a bright white handkerchief dabs his forehead | 0:19:04 | 0:19:07 | |
and puts it in the same pocket as a signal. | 0:19:07 | 0:19:10 | |
So the pickpocket - that's you, Yacov - knows which pocket it's in. | 0:19:10 | 0:19:13 | |
What do you carry in your outside jacket pocket? | 0:19:13 | 0:19:16 | |
Oh, these are your handcuffs, that's going to be difficult. | 0:19:16 | 0:19:19 | |
And on this side? Don't remember? | 0:19:19 | 0:19:22 | |
This is a card. OK. | 0:19:22 | 0:19:23 | |
I could undo these pockets but I'd have to distract you in some way. | 0:19:23 | 0:19:27 | |
Maybe I could distract him while looking at his tie. | 0:19:27 | 0:19:30 | |
Oh, that's a nice tie. | 0:19:30 | 0:19:32 | |
It's got a bit of a thread there, let me just catch that for you. | 0:19:32 | 0:19:36 | |
That's it. I think I've got... Oh, hello. Wait a minute. | 0:19:36 | 0:19:40 | |
I think that's better now. | 0:19:40 | 0:19:44 | |
While I was distracting you, I could bump into you and undo your pockets. | 0:19:44 | 0:19:47 | |
Do you remember what you have here? You've got a pen. And on this side? | 0:19:47 | 0:19:51 | |
-This is a notepad. -A notepad. | 0:19:51 | 0:19:54 | |
-Down here you had your card? -Yes. | 0:19:54 | 0:19:56 | |
-And on this side, may I see? -Of course. | 0:19:56 | 0:19:58 | |
Just a packet of tissues. I won't take those. | 0:19:58 | 0:20:01 | |
I'm going to try to take things one at a time. | 0:20:01 | 0:20:04 | |
Do you want me to take the wallet from your inside pocket? | 0:20:04 | 0:20:06 | |
That's difficult. They keys are attached so don't say those. | 0:20:06 | 0:20:10 | |
Do you want the pen or the notepad? Or something from another pocket? | 0:20:10 | 0:20:14 | |
-Oh, a pen? -No, I've just been distracting you | 0:20:14 | 0:20:16 | |
while the world's greatest pickpocket was standing behind you! | 0:20:16 | 0:20:20 | |
Let's hear it for Yacov! You did very well. You got everything. | 0:20:20 | 0:20:24 | |
Let's take your hat and we'll give it all back. He's got your tissues, | 0:20:24 | 0:20:28 | |
from your outside jacket pocket. Your notepad - from the top pocket. | 0:20:28 | 0:20:32 | |
Your wallet- from the inside pocket. | 0:20:32 | 0:20:35 | |
Your pen - from the other side. | 0:20:35 | 0:20:36 | |
I don't know how he got your handcuffs! And... | 0:20:36 | 0:20:39 | |
-your card. But you've still got your watch? -Yes. | 0:20:39 | 0:20:41 | |
-Your watch reminds you you have to watch out. -Very good. | 0:20:41 | 0:20:44 | |
No. Watch out means I've got your watch... | 0:20:44 | 0:20:46 | |
and I'm going to get out - I've got the keys! | 0:20:46 | 0:20:49 | |
I have a question to ask you. | 0:20:53 | 0:20:55 | |
-There's no-one standing behind you who could have taken anything? -No. | 0:20:55 | 0:20:59 | |
Turn round. There's no-one who could've stolen anything? | 0:20:59 | 0:21:02 | |
-No. -I'm going to take something else from you. | 0:21:02 | 0:21:05 | |
When you came up here, Mr Gimbert, weren't you wearing a tie? | 0:21:05 | 0:21:08 | |
-Yes it's.... Oh. -No, he's got your tie over here. | 0:21:08 | 0:21:10 | |
You've got to watch him. | 0:21:10 | 0:21:12 | |
I'll button up this pocket just here. | 0:21:12 | 0:21:14 | |
On the outside. | 0:21:14 | 0:21:16 | |
I'll button up this one too. | 0:21:16 | 0:21:17 | |
-All your valuables, Mr Gimbert, are right over there. -OK. | 0:21:17 | 0:21:21 | |
So it's impossible for me to take something else out of the hat | 0:21:21 | 0:21:24 | |
-while I'm standing this far apart? -Yes, absolutely. | 0:21:24 | 0:21:27 | |
-Unless I take something you're wearing? -Yes. | 0:21:27 | 0:21:29 | |
-Do you wear a belt? -No, I wear braces. | 0:21:29 | 0:21:31 | |
-And do they look a bit like this? -Oh, dear! | 0:21:31 | 0:21:34 | |
-LAUGHTER -You hold onto those, I'll take this! | 0:21:34 | 0:21:36 | |
Let's hear it for my friend, Yacov! You can go back to your seat. | 0:21:36 | 0:21:40 | |
Off you go, back to your cell. | 0:21:43 | 0:21:45 | |
A big round of applause for James Freedman! | 0:21:45 | 0:21:48 | |
Will he be a freed man? | 0:21:48 | 0:21:50 | |
Let's find out. What did you all think? | 0:21:50 | 0:21:52 | |
Right, James Freedman. Entertaining or just a common criminal, Miss? | 0:21:52 | 0:21:57 | |
Wonderful. It was outstanding when he took off his shirt. Really funny. | 0:21:57 | 0:22:01 | |
-Was that the highlight for you? -Yes. | 0:22:01 | 0:22:03 | |
-Anything he could do to improve the act? -No. | 0:22:03 | 0:22:05 | |
-No? -It was perfect. | 0:22:05 | 0:22:06 | |
-Would you tell me about that pickpocket act? -It was really good | 0:22:06 | 0:22:11 | |
because he did it without him noticing. | 0:22:11 | 0:22:14 | |
-Yeah. -He distracted him and he just got them when he didn't know. | 0:22:14 | 0:22:18 | |
And for one final word, Sir. | 0:22:18 | 0:22:20 | |
-Extreme! -Extreme, Sir! | 0:22:20 | 0:22:22 | |
There you go. | 0:22:22 | 0:22:23 | |
Well, I really am excited now, folks because we have in The Slammer, | 0:22:23 | 0:22:27 | |
quite simply, an act described as... | 0:22:27 | 0:22:30 | |
the greatest act the world has ever seen! | 0:22:30 | 0:22:32 | |
So let's start chanting out for Marvin, Marvin! | 0:22:32 | 0:22:37 | |
-Oh, good luck! -I've got the greatest act the world has ever seen. | 0:22:37 | 0:22:41 | |
I don't need luck. | 0:22:41 | 0:22:43 | |
Marvin, Marvin! | 0:22:45 | 0:22:47 | |
The greatest act the world has ever seen! | 0:22:47 | 0:22:49 | |
Marvellous Marvin! | 0:22:49 | 0:22:51 | |
APPLAUSE | 0:22:51 | 0:22:53 | |
'It's rubbish, that. | 0:23:37 | 0:23:40 | |
'I hate it. | 0:23:40 | 0:23:42 | |
'Huh! Does this mean I know nothing about showbiz?' | 0:23:42 | 0:23:47 | |
AUDIENCE: Boo! | 0:23:47 | 0:23:50 | |
'He's brilliant.' | 0:23:53 | 0:23:55 | |
Get him off, get him off, get him off! | 0:24:00 | 0:24:03 | |
I quite agree, get him off! | 0:24:03 | 0:24:06 | |
What did you think of that? Oh, dear. | 0:24:06 | 0:24:08 | |
Do you agree that act is absolutely criminal? | 0:24:08 | 0:24:10 | |
-I hated it, man! -Good man, stand up! | 0:24:10 | 0:24:14 | |
I want you to face that entertainment criminal and tell him. | 0:24:14 | 0:24:17 | |
I hate you and you should get out of here and back into your cell! | 0:24:17 | 0:24:22 | |
LAUGHTER Well spoken, well done, Sir. | 0:24:22 | 0:24:26 | |
-Did you think that was the greatest act the world has ever seen? -No. | 0:24:28 | 0:24:31 | |
-Thank you. -It was despicable and silly | 0:24:31 | 0:24:36 | |
and he needs a much, much, much, much, much, much, better act. | 0:24:36 | 0:24:39 | |
How many muchs in there? | 0:24:39 | 0:24:41 | |
-One, two, three... Six. -Six muches! Oh, that's a lot of muches. | 0:24:41 | 0:24:47 | |
One final word, Sir. Can you sum that act up in one word, Sir? | 0:24:47 | 0:24:50 | |
-Disgusting. -Disgusting! | 0:24:50 | 0:24:53 | |
Well, my little performing prisoner appreciators, | 0:24:53 | 0:24:56 | |
it's time for the Clap-o-meter. | 0:24:56 | 0:24:58 | |
It's time to decide who is going to go free. | 0:24:58 | 0:25:01 | |
Let's welcome back all the acts we've seen tonight | 0:25:01 | 0:25:04 | |
on the Freedom Show! | 0:25:04 | 0:25:05 | |
We have Pyromantic, | 0:25:05 | 0:25:06 | |
A Cherry On Top, | 0:25:06 | 0:25:09 | |
James Freedman | 0:25:09 | 0:25:11 | |
and Marvellous Marvin! Here they are. | 0:25:11 | 0:25:14 | |
Give them all a round of applause. | 0:25:14 | 0:25:15 | |
Hello, folks. | 0:25:15 | 0:25:18 | |
Well, the first act we saw certainly lit up The Slammer. | 0:25:18 | 0:25:21 | |
Will they do enough to go free? | 0:25:21 | 0:25:23 | |
Let's find out as you show your appreciation for Pyromantic! | 0:25:23 | 0:25:28 | |
APPLAUSE | 0:25:28 | 0:25:32 | |
Wow, great score. 86.9! That's good. | 0:25:35 | 0:25:39 | |
Right, the second act was marvellous, I joined in briefly, | 0:25:39 | 0:25:44 | |
but don't let that affect your score. | 0:25:44 | 0:25:46 | |
Please show your applause and appreciation for | 0:25:46 | 0:25:49 | |
A Cherry On The Top! | 0:25:49 | 0:25:51 | |
APPLAUSE | 0:25:51 | 0:25:53 | |
Oh, good. | 0:25:57 | 0:25:58 | |
Oh, ladies, I think you're in second place. | 0:25:58 | 0:26:01 | |
That means you're staying for supper tonight. | 0:26:01 | 0:26:03 | |
82.3. Right, the next act picked a pocket or two. | 0:26:03 | 0:26:07 | |
Ladies and gentlemen, James Freedman! | 0:26:07 | 0:26:10 | |
APPLAUSE | 0:26:10 | 0:26:12 | |
Wow! Look at that! | 0:26:16 | 0:26:18 | |
90.6! That means James Freedman's in the lead! | 0:26:18 | 0:26:21 | |
One more act to see. | 0:26:21 | 0:26:23 | |
This final performing prisoner was sold to me | 0:26:23 | 0:26:26 | |
as the greatest act the world has ever seen. | 0:26:26 | 0:26:29 | |
He was Marvellous Marvin! | 0:26:29 | 0:26:32 | |
AUDIENCE: Boo! | 0:26:36 | 0:26:38 | |
55.2. One of the lowest scores we've ever had on The Slammer. | 0:26:38 | 0:26:44 | |
Just as well, for one of the lowest points we've ever reached. | 0:26:44 | 0:26:48 | |
It means though, that the great exciting news | 0:26:48 | 0:26:50 | |
is that going free with a score of 90.6, | 0:26:50 | 0:26:52 | |
is the pickpocketing genius of James Freedman! | 0:26:52 | 0:26:55 | |
Free to go! He's free. He's a free man! | 0:26:55 | 0:26:58 | |
Disappointment for the others but they were all brilliant acts. | 0:27:01 | 0:27:04 | |
The good news is it's tea time. Mr Burgess, what's for tea? | 0:27:04 | 0:27:08 | |
-It's a hot and cold running buffet tonight, Sir. -Really? | 0:27:08 | 0:27:11 | |
-Yes. Hot sloppy-ploppy porridge or cold sloppy-ploppy porridge. -Go on. | 0:27:11 | 0:27:15 | |
-Right you are, Sir. This way! -Give them all a big cheer! | 0:27:15 | 0:27:19 | |
Give them a big round of applause, including Marvellous Marvin! | 0:27:19 | 0:27:23 | |
Well, jailers and jailbirds, remember... | 0:27:23 | 0:27:25 | |
if you don't clap, cheer and yell, | 0:27:25 | 0:27:27 | |
you're back in your cell! Here on The Slammer! | 0:27:27 | 0:27:30 | |
See you soon, folks! Bye, everybody! | 0:27:30 | 0:27:33 | |
# It's the only way you'll ever leave The Slammer! # | 0:27:40 | 0:27:44 | |
I can't believe I was so stupid. | 0:27:45 | 0:27:48 | |
The greatest act the world has ever seen... | 0:27:48 | 0:27:51 | |
I've not been this angry | 0:27:51 | 0:27:53 | |
-since the bakery cancelled that doughnut sale! -Blimey! | 0:27:53 | 0:27:55 | |
-You really are angry! -I hate to say I told you so... | 0:27:55 | 0:27:58 | |
Then don't! | 0:27:58 | 0:28:00 | |
Not to worry, I've learned me lesson. | 0:28:00 | 0:28:02 | |
There's no way I'm going to be made to look a fool again. | 0:28:02 | 0:28:05 |